RBWF Newsletter March 2013
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ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
1. August Angellier in Robert Burns, La Vie, Les Oeuvres, 2 Vols (Paris
Notes CHAPTER 1 THE EARLY PERIOD: BURNS' INTUITIVE USE OF SCOTTISH TRADITION 1. August Angellier in Robert Burns, La Vie, Les Oeuvres, 2 vols (Paris, 1983) pointed to this when he said: 'But underneath this scholarly poetry there existed a popular poetry which was very abundant, very vigorous, very racy and very original'. See especially p. 14 of Jane Burgoyne's selected translation from Angellier in the Burns Chronicle and Club Directory, 1969. Other portions of the translation appeared in 1970, 1971, 1972, 1973. 2. J. De Lancey Ferguson (ed.) The Letters of Robert Burns, 2 vols (Oxford: Clarendon Press, 1931), 1: 106, no. 125. Burns adopted a superior tone here in keeping with the accepted pose of the eighteenth-century man of letters. All references to Burns' letters are to Ferguson's edition. Only letter numbers will be given when the citation appears in the text proper. 3. Most critics and students of Burns take some stance towards his relationship with previous work. Hans Hecht, Robert Burns: The Man and His Work, 2nd rev. ed. (London: William Hodge & Company, 1950), p. 29, suggests that Burns was the culmination of a tradition, but he speaks of a literary rather than a cultural inheritance. 4. See T. S. Eliot, The Sacred Wood (London: Methuen, 1950), pp. 47-59. 5. Angellier earlier suggested this division and I agree with him that Burns' work prior to Edinburgh was dominated by depiction of the world around him. After Edinburgh, Angellier indicates that Burns relied less on the specific incidents and more on general sentiments. -
Burns Supper Even Before His Death, Poet Robert Burns' Cottage At
Burns Supper Even before his death, poet Robert Burns’ cottage at Alloway, Ayrshire, had been sold to the incorporation, or guild, of shoemakers of Ayr, one of whose members turned it into an alehouse. It was here, on 29 January 1801 (they got his birthday wrong) that soldiers of the Argyll Fencibles (militia) met to hear their band play – and to use the services of his cottage in its new role. The first recorded Burns Supper took place at Alloway in the same year, but on the anniversary of his death (21st July). It involved a speech and multiple toasts; to eat there was haggis (which was addressed) and, a mercifully lost tradition, sheep’s head; given the social status of those present, refreshment was probably wine and ale rather than whisky. Present were nine friends and patrons of Burns. Among them was a lady, though thereafter the Suppers were mostly (sometimes militantly) all-male affairs until far into the twentieth century: a curious slant on Burns’ own life as well as on the first dinner. The ‘toast to the lasses’ was traditionally thanks for the cooking and an appreciation of the women in Burns’ life, only later degenerating into a sexist (often misogynistic) rant. Celebrations were held twice yearly until 1809 when participants settled on January (25th), because this fell in a slack period of the agricultural year. Commercialisation of his birthplace did little to honour the memory of his life and work, and in 1822 the poet John Keats complained bitterly of how both the ambience and the landlord of the Alloway inn degraded Burns’ greatness. -
Contemporary & Post-War Art (474) Lot
Contemporary & Post-War Art (474) Thu, 18th Aug 2016, Edinburgh Lot 132 Estimate: £3000 - £5000 + Fees § ALEXANDER GOUDIE R.P., R.G.I. (SCOTTISH 1933- 2004) ROYAL OPERA HOUSE Signed, oil on canvas 48cm x 86cm (19in x 34in) Note: 'I have always lived through my art and in a sense to really taste life to the full I am obliged to put a line around it. Since early childhood this has been my lot, everything which excited my imagination had to be set down in pictorial terms, a magic world where a different language helps explore and explain as well as heighten the experience of living.' And so Alexander Goudie outlines his understanding of art, as an all-pervasive force that allowed him to fully engage in life and all that it had to offer. It is no surprise, then, that Goudie painted across genres, found inspiration in music and literature as well as visual experience, was keen to collaborate on projects in different spheres, and remained a dedicated dandy. After training at Glasgow School of Art, he spent time travelling in Europe on a scholarship, where he encountered art that inspired him, as well as being to his taste, by artists like Rodin and Courbet. He liked to see, and attempt, mastery in painting but in a more conventional way; remaining uninspired by 20th century artistic movements, such as cubism or futurism. He has been described as 'an old- fashioned painter,' and for a man who felt that his job as an artist was 'to simply to tell a story in pictures and to speak with a clear voice,' presumably this was a compliment. -
1943 the Digital Conversion of This Burns Chronicle Was Sponsored by Southern Scottish Counties Burns Association
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1943 The digital conversion of this Burns Chronicle was sponsored by Southern Scottish Counties Burns Association The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com THE ROBER T BURNS ANNUAL AND CHRONICLE 1943 THE BURNS FEDERATION KILMARNOCK 1943 Price Three Shillings and Nine Pence "BURNS CHRONICLE" ADVERTISER CRAIG'S RESTAURANTS for MORNING COFFEE SNACKS · LUNCHEONS AFTERNOON TEA The Rhul The Gordon 123 7-19 Sauchiehall Gordon Street Street Branches throughout the CIty JAMES CRAIG (GLASGOW). LTO •• Woodlands Road. GLASGOW "BURNS CHRONICLE" ADVERTISER JEAN ARMOUR BURNS HOUSES CASTLE STREET, MAUCHLlNE AYRSH I RE Established in 1915 by the Glasgow and District Burns Association These Houses were purchased, repaired, and gifted to the Association by the late Mr. Charles R. Cowie, J.P., of Glasgow. They comprise the Burns House (in which the poet and Jean Armour began housekeeping in 1788), Dr. John M'Kenzie's House, and "Auld Nanse Tinnock's" (the "change-house" of Burns's poem "The Holy Fair"); and provide comfortable acco~modation for nine old ladies, who live rent and rate free and receive a small pension. A portion of the Burns House has been arranged as a Museum, which now contains numerous authentic relics of Jean Armour and the poet: these include the Armour Family Bible and several manuscripts of Burns. An Endowment Fund' for the maintenance of the Houses and the provision of the pensions is being formed. -
RBWF Newsletter July 2015
The Robert Burns World Federation Newsletter Issue 16 July 2015 This edition of the Newsletter continues to demonstrate the wonderful work being done by the Federation in promoting the life and works of Robert Burns with the younger generation. It is particularly gratifying to see the enthusiasm of pupils involved in the Primary Schools’ Festival and in a repeat performance of the Burns musical ‘Rabbie’ at the Edinburgh Fringe by St George’s Girls School, Edinburgh. Some very welcome thoughts on promoting Burns in the classroom are presented by a secondary school teacher and hopefully it will evoke a response. The rededication ceremony for the laying of the foundation stone for the Burns Mausoleum in Dumfries, some 200 years after the original event, is deservedly given full coverage. Editor In this Issue: Page Reply to an Invitation - Primary Schools Festival 1-2 - Ellisland Youngsters 3 Sir, - Lasses Lunch 3 - Wreath Laying in Kilmarnock 4 Yours this moment I unseal, - Thornhill Burns Club Outing 4 And faith! I’m gay and hearty. - Addressing the Haggis Competition 4 - Poet William Letford Residency 5 To tell the truth and shame the Deil, I am a fou as Bartie. - John Galt Society 5 - 200 Club Results and Membership 6 - A ‘Stookie’ Comes to Life 6 But Foorsday, Sir, my promise leal, - Tom McIlwraith Poetry Competition 6 Expect me o’ your partie, - Burns Mausoleum 200th Anniversary 7-8 If on a beast I can speel - The Kirk’s Alarm 8 - Overseas Literature Report 9 Or hurl in a cartie. - RBBM Events Programme 10 - RBANA Conference Report 10 Yours, - Robert Burns - Burns Teaching in School 11 - Tartan Day 12 Primary Schools Festival The Primary Schools Festival was held in Hutchesons’ Grammar School on Saturday 30th May with over 150 enthusiastic pupils taking part. -
ROBERT BURNS and FRIENDS Essays by W. Ormiston Roy Fellows Presented to G
University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W. -
Volume 8, Issue 1, Eanair 2010
triskeleA newsletter of UWM’s Center for Celtic Studies Volume 8 Issue 1 Eanair 2010 The Center’s annual celebration of Samhain, the Celtic New Year, took place on Saturday, the 31st of October. Although it wasn’t quite “A blethering, blustering drunken blellum”, it was a convivial gathering of celtic folks from the UWM and the celtic community. Ian Day, from the St Andrew’s The Caledonian Dancers society, enlivened the proceedings with his delightful recitation of Burns’ Tam o’ Shanter. The Caledonian Dancers, led by Reuel Zielke, danced their lovely legs off and there were tunes from Randy Gosa and Bret Lipschutz. Celtic Studies Faculty shared their favorite ghost stories and there were Halloween treats for all. Píobaire na Rinceoirí A showing of “Boy Eats Girl”, a new movie about zombies in the Dublin suburbs, brought a modern twist to the otherwise traditional festivities.The evening concluded the award ceremony to honor those who dressed up for the evening. Costumes included devils and highlanders as well as a full-size penguin suit. In this Edition: In the Community .......... Pg 2 Upcoming Events ...........Pg 5 Irish Language Day .........Pg 7 Spring 2010 Classes .......Pg 11 Randy Gosa & Bret Lipschutz Meet the Faculty - (left) Bairbre Ni Chiardha ...Pg 12 F" ilte! Croeso! Mannbet! Kroesan! Welcome! 1 Irish Fest James Liddy, internatioally renown poet and Center for Celtic Studies founding faculty member, was remembered at last summer’s Milwaukee Irish Fest. In the festival’s Hedge School venue, James’ collegues and friends read from his works and drank a toast to his memory. -
Burns' Night Burns' Night Celebrates the Life and Work of Robert Burns and Scottish Culture in General
Burns' Night Burns' Night celebrates the life and work of Robert Burns and Scottish culture in general. It is on or around January 25 each year. Burns Night is annually celebrated in Scotland on or around January 25. It commemorates the life of the bard (poet) Robert Burns, who was born on January 25, 1759. The day also celebrates Burns' contribution to Scottish culture. Burns' best known work is "Auld Lang Syne". Haggis, neeps and tatties traditionally eaten What do people do? Many people and organizations hold a Burns' supper on or around Burns' Night. These may be informal or formal, only for men, only for women, or for both genders. Formal events include toasts (Trinkspruch) and readings of pieces written by Robert Burns. Ceremonies during a Burns' Night supper vary according to the group organizing the event and the location. Before the meal a special grace (Tischgebet) is said: Some hae meat and canna eat, Some have food and cannot eat And some wad eat that want it, And there are some who need food. But we hae meat and we can eat, But we have meat and we can eat Sae let the Lord be thankit. And so let us thank the Lord. The evening centers on the entrance of the haggis (a type of sausage prepared in a sheep's stomach) on a large platter to the sound of a piper playing bagpipes. When the haggis is on the table, the host reads the "Address to a Haggis". This is an ode that Robert Burns wrote to the Scottish dish. -
November 2020
‘The Vision’ The Robert Burns World Federation Newsletter Issue 47 November 2020 I have decided to give the newsletter the title of ‘The Vision’ as a nod to Burns’s poem of that name in which he bemoans the lack of recognition for poets from his native Ayrshire. His vision involves the appearance the muse Coila. However, the critic David Daiches remarked that ‘the poet does not quite know what to do with her when he brought her in.’ In composing this edition of the newsletter, I felt much the same as I didn’t know what I was going to do about the lack of copy which normally flows in unsolicited from around the world. Fortunately, my colleagues on the Board came up trumps and offered various leads for suitable material. It is a pleasure to report on a very successful Tamfest which explored Burns’s famous poem Tam o’ Shanter in great depth. The importance of music in relation to Burns also comes across strongly with a couple of articles highlighting his continuing influence on contemporary performers. Editor In this Issue: Page Halloween - Profile of President Marc Sherland 1-2 - A New Tartan for the Federation 2 Amang the bonie winding banks, - Lesley McDonald elected at President of LABC 2 Where Doon rins, wimpling, clear; - Tamfest 2020 3 - Simon Lamb Performance Poet 3 Where Bruce ance ruled the martial ranks, - Singer Lauren McQuistin 4-5 An’ shook his Carrick spear; - Heritage Item, Burns’s Mother’s Well 5 Some merry, friendly, country-folks - 200 Club 6 - New Burns Selection for Every Day 6 Together did convene, - St Andrew’s Day Lecture 6 To burns their nits, an’ pou their stocks, - Volunteers for Ellisland 7 An’ haud their Hallowe’en - Habbie Poetry Competition 8 - Federation Yule Concert 9 Fu’ blythe that night. -
Robert Burns World Federation Limited
Robert Burns World Federation Limited www.rbwf.org.uk The digital conversion of this Burns Chronicle was sponsored by Ian McIntyre The digital conversion was provided by Solway Offset Services Ltd by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.solwayprint.co.uk BURNS CHRONICLE 2018 Edited by Bill Dawson Burns Chronicle founded 1892 The Robert Burns World Federation © Burns Chronicle 2018, all rights reserved. Copyright rests with the Robert Burns World Federation unless otherwise stated. The Robert Burns World Federation Ltd does not accept responsibility for statements made or opinions expressed in the Burns Chronicle, contributors are responsible for articles signed by them; the Editor is responsible for articles initialled or signed by him and for those unsigned. All communications should be addressed to the Federation office. The Robert Burns World Federation Ltd. Tel. 01563 572469 Email [email protected] Web www.rbwf.org.uk Editorial Contacts & addresses for contributions; [email protected] [email protected] Books for review to the office The Robert Burns World Federation, 3a John Dickie Street, Kilmarnock, KA1 1HW ISBN 978-1-907931-68-0 Printed in Scotland by Solway Print, Dumfries 2018 Burns Chronicle Editor Bill Dawson The Robert Burns World Federation Kilmarnock www.rbwf.org.uk The mission of the Chronicle remains the furtherance of knowledge about Robert Burns and its publication in a form that is both academically responsible and clearly communicated for the broader Burnsian community. In reviewing, and helping prospective contributors develop, suitable articles to fulfil this mission, the Editor now has the support of an Editorial Advisory Board. -
Scottish Exhibition 18/3/11 9:24 Am Page 1
T17012 Scottish Exhibition 18/3/11 9:24 am Page 1 SCOTTISH EXHIBITION W Walker G Galleries T17012 Scottish Exhibition 18/3/11 9:24 am Page 2 The Directors of Walker Galleries cordially invite you to a weekend preview of the SCOTTISH EXHIBITION Saturday 9th April, 10.00 am - 5.30 pm and Sunday 10th April, 11.00 am - 4.00 pm 13 Montpellier Parade Harrogate HG1 2TJ Wine & Savouries Guests Welcome W This exhibition continues until 16th April G Paintings may be purchased from receipt of catalogue With an interest free loan T17012 Scottish Exhibition 18/3/11 9:24 am Page 3 SCOTTISH EXHIBITION 9th - 16th April GEORGE BIRRELL DAVY BROWN PAM CARTER MIKE HEALEY ROBERT KELSEY PAI PETER KING DAVY BROWN West Coast Sunset Oil on board 24 x 24 inches T17012 Scottish Exhibition 18/3/11 9:24 am Page 4 GEORGE BIRRELL George Birrell was born in 1949 and studied at the Glasgow School of Art between 1967 and 1971. He taught art and design until 1998 when he became a full time painter and lecturer. He has had many one man shows and also showed at the 1999 Art Expo in New York. George Birrell is a frequent contributor to exhibitions at the Scottish Societies. He has a strong interest in the architecture of the East Coast Scottish towns and fishing villages, and these feature in many of his paintings. The immaculately designed forms are crisp and clean-cut and cohere beautifully in blocks of saturated colour. “I am inspired by the East Coast of Scotland, its architecture and evidence of the hand of man on the landscape.