The Essence of Place 1 Moshe Safdie the Essence of Place 2

Total Page:16

File Type:pdf, Size:1020Kb

The Essence of Place 1 Moshe Safdie the Essence of Place 2 THE ESSENCE OF PLACE 1 MOSHE SAFDIE THE ESSENCE OF PLACE 2 The Essence of Place moshe safdie is an Israeli-Canadian archi- tect, poet, philosopher, and author. His designs can be found anywhere in the world, starting with the famous habitat ‘67 in Mon- treal. His vision has not wavered since his early days at Mcgill University in Toronto, and he is still contracted today to create some of the largest and most dynamic buildings. His work includes legendary buildings like the yad veshem museum in Jerusalem, the marina bay sands in Singapore, and ter- minal 1 of the Toronto Pearson Airport. His focus on open spaces and high density liv- ing spaces started with habitat ‘67 and has taken him all the way to China, undertaking huge endeavors to build the living spaces of the future. This book is a look at his history and work, a reflection of his style, and a tribue to a tal- ented visionary and his dream of bringing people together. 3 MOSHE SAFDIE THE ESSENCE OF PLACE 4 A poem by Moshe Safdie, 2002 5 MOSHE SAFDIE THE ESSENCE OF PLACE 6 “ Who knows, maybe I am simply a talented architect? ” - Moshe Safdie, Israeli architecture From the with eastern promise Desert to the Tundra In 1970 Safdie established a Jerusalem branch office, commencing an intense involve- ment with the rebuilding of Jerusalem. He was responsible for major segments of the Moshe Safdie was born in Haifa, Israel, in restoration of the Old City and the reconstruction of the new center, linking the Old and 1938. Educated in Israel during the formative New Cities. Over the years, his involvement expanded to include the new city of Modi’in, years of the state, he moved to Canada with the new yad vashem holocaust museum, the rabin memorial center, and the national his family as a teenager, and eventually grad- (ben gurion) airport. During this period, Safdie also became involved in the developing uated from McGill University in 1961 with a world, working in Senegal, Iran, Singapore, and the Canadian arctic. degree in architecture. After apprenticing with Louis I. Kahn in Philadelphia, he returned In 1978, following teaching appointments at Yale, McGill, and Ben Gurion Universities, to Montreal, taking charge of the master plan Safdie relocated his residence and principal office to Boston when he became Director for the 1967 World’s Fair (Expo ‘67); he also of the Urban Design Program and the Ian Woodner Professor of Architecture and Urban realized an adaptation of his graduation the- Design at the Harvard Graduate School of Design. In the following decades, he was sis as habitat ‘67, the central feature of the responsible for the design of six of Canada’s principal public institutions, including the exhibition. Habitat, which opened in 1967, quebec museum of civilization, the national gallery of canada, and the vancouver public soon became one of the lasting 20th-century library - all but one of the six projects having been won in international and national icons of utopian urban living. competitions. Yad Veshem Holocaust History Museum Jerusalem, Israel 2005 7 MOSHE SAFDIE THE ESSENCE OF PLACE 8 Montreal, Quebec, 1967 Habitat ‘67 Global Citizen Since then, Safdie has been awarded numerous major commissions in the United States, Canada, Israel and Asia. These include several museums, such as the telfair museum of art in Savannah, GA, the peabody essex museum in Salem, MA, the skirball cultural center in Los Angeles, CA, and crystal bridges museum of American Art in Bentonville, AR; educational facilities such as elea- nor roosevelt College at the University of California in San Diego; civic buildings such as the springfield, ma federal courthouse and the united states institute of peace headquarters in Washington, D.C.; performing arts centers such as the kaufmann center for the performing arts in Kansas City, MO; and the salt lake city main public library. In addition to major works of urbanism, Safdie’s work includes two airports: lester b. pearson international airport in Toronto (in a joint venture with Adamson Associates and Skidmore, Owings & Merrill), and the ben gurion international airport in Israel. 9 MOSHE SAFDIE THE ESSENCE OF PLACE 10 MOSHE SAFDIE’S First Principles Shaping the Public Realm One of the most important goals in architecture is to create meaningful, vital, and inclusive National Gallery of Canada social spaces. As architects, we are responsible for shaping not only a project’s program, but Ottawa, Ontario, Canada 1988 also its larger civic role of enabling and enriching the community. Architecture with a Purpose Kauffman Center for the Performing Arts Architecture grows out of a vision of the way it can affect the lives of the individuals for whom Kansas City, Missouri, buildings and public spaces are created. as architects, we are responsible for designing United States 2011 buildings that address human needs and aspirations. For example - a school, above all else, must be a wonderful place for learning. Every element of each design must be an expression of the life intended in a building. Responding to the Essence of Place The strength of our practice lies in the geographic and cultural diversity in which we work. We have created buildings in communities around the world. Our designs are specific to place and culture-they are inspired by, and woven into, the historic, cultural, and social fabric of their site. Our solutions evolve in response to the context that defines a place - local and regional characteristics of landscape, climate, cultural heritage, and contemporary life. celebrating the unique character of each place, we create buildings that belong. F11 irstMOSHE SAFDIE PrinciplesTHE ESSENCE OF PLACE 12 Khalsa Heritage Centre Anandpur Sahib, Punjab, India 2011 Architecture that is Buildable Architecture is not about building the impossible, it is about building what names sense for a specific program and for a particular setting. it is about allowing the specific qualities of materials and the processes of construction to inform the design. the notion of “inherent build ability” central to our work. we find elegant solutions that reflect the designing hand of nature. We are innovative architects and builders who use resources intelligently and carefully. we employ a full range of building tools and cutting-edge technologies to ensure efficiency and ease of construction. Building Responsibly As architects, we have a responsibility to respond to the issues of energy conservation, of ecology, and of renewable materials. we have to use resources efficiently while we advance our clients’ goals. Sustainability, at its core, implies a way of building that is sensitive to local geography and culture. this approach not only addresses important ecological goals, it also enhances the sustainability of a building’s use and value to its owners. whenever possiblee, we choose to work with indigenous building materials and use local labor. we always aim to preserve resources and construct the most with the least. Works • 1967 Habitat 67 at Expo 67 World’s Fair, Montreal, Quebec, Canada • 1980 Robina Gold Coast City, Queensland, Australia [6] • 1981 Coldspring New Town, Baltimore, Maryland, USA Humanizing the Megascale • 1987 Musée de la Civilisation, Quebec City, Canada • 1988 The National Gallery of Canada, Ottawa, Ontario • 1988 Hebrew Union College, Jerusalem, Israel In the 20th century, urban development has been shaped by factors such as proliferation • 1989 City plan for Modi’in, Israel of the automobile, greater population densities, and the advent of high-rise buildings made • 1989 The Esplanade condominium complex in Cambridge, Massachusetts, USA possible by new technology. • 1991 The Jean-Noël Desmarais Pavilion of the Montreal Museum of Fine Arts Architecture must cope with rapid urban growth, congestion, and resisting the • 1992 The Class of 1959 Chapel, Harvard Business School, Cambridge, Massachusetts, USA dehumanization of the environment that is too often a result. As architects and urban • 1993 Mamilla Centre and David’s Village, Jerusalem, Israel designers, we work towards effective urban strategies to address these challenges, • 1994 Former Ottawa City Hall, Ottawa, Ontario, Canada mitigate the dehumanizing effect of mega-scale, and enhance the quality of lie in our • 1995 Vancouver Library Square, Vancouver, British Columbia, Canada cities and neighbourhoods. • 1995 The Centre in Vancouver for the Performing Arts, Vancouver, British Columbia 13 MOSHE SAFDIE THE ESSENCE OF PLACE 14 • 2000 The Exploration Place Science Museum in Wichita, Kansas, USA • 2002 The campus of HebrewWorks College in Newton, Massachusetts, USA • 2003 Peabody Essex Museum in Salem, Massachusetts, USA[7] • 2003 Main Branch of the Salt Lake City Public Library, Salt Lake City, Utah, USA • 2003 Eleanor Roosevelt College campus, UC San Diego, USA • 2003 Pantages Tower, Toronto, Canada • 2003 Corrour Lodge, Inverness-shire, Scotland • 2004 Airside building of Terminal 3, Ben Gurion International Airport, Israel • 2005 Yad Vashem Holocaust History Museum, Jerusalem, Israel • 2006 Telfair Museum of Art, Jepson Center for the Arts, Savannah, Georgia, USA • 2007 Terminal 1, Toronto Pearson International Airport, Canada, with Skidmore Owings Merrill • 2008 United States Federal Courthouse, District of Massachusetts, Springfield, Massachusetts, USA • 2008 Headquarters for the Bureau of Alcohol, Tobacco, Firearms, and Explosives (ATF), Washington, D.C., USA • 2009 Asian University for Women, Chittagong, Bangladesh[8] • 2009 Mamilla Mall, Jerusalem, Israel • 2010 Yitzhak Rabin Center, Tel Aviv, Israel • 2011 Marina Bay Sands, Singapore’s second integrated resort and casino • 2011 United States Institute of Peace in Washington, D.C., USA • 2011 Kauffman Center for the Performing Arts, Kansas City, Missouri, USA • 2011 Crystal Bridges Museum of American Art, Bentonville, Arkansas, USA • 2011 Khalsa Heritage Memorial Complex, Anandpur Sahib, Punjab, India • 2012 Skirball Cultural Center, Los Angeles, California, USA • 2012 Altair (Building),Colombo,Sri lanka Sources 1. McGill University, Moshe Safdie Biography - http://cac.mcgill.ca/safdie/biography/ biopage.php 2.
Recommended publications
  • The Land of Israel Symbolizes a Union Between the Most Modern Civilization and a Most Antique Culture. It Is the Place Where
    The Land of Israel symbolizes a union between the most modern civilization and a most antique culture. It is the place where intellect and vision, matter and spirit meet. Erich Mendelsohn The Weizmann Institute of Science is one of Research by Institute scientists has led to the develop- the world’s leading multidisciplinary basic research ment and production of Israel’s first ethical (original) drug; institutions in the natural and exact sciences. The the solving of three-dimensional structures of a number of Institute’s five faculties – Mathematics and Computer biological molecules, including one that plays a key role in Science, Physics, Chemistry, Biochemistry and Biology Alzheimer’s disease; inventions in the field of optics that – are home to 2,600 scientists, graduate students, have become the basis of virtual head displays for pilots researchers and administrative staff. and surgeons; the discovery and identification of genes that are involved in various diseases; advanced techniques The Daniel Sieff Research Institute, as the Weizmann for transplanting tissues; and the creation of a nanobiologi- Institute was originally called, was founded in 1934 by cal computer that may, in the future, be able to act directly Israel and Rebecca Sieff of the U.K., in memory of their inside the body to identify disease and eliminate it. son. The driving force behind its establishment was the Institute’s first president, Dr. Chaim Weizmann, a Today, the Institute is a leading force in advancing sci- noted chemist who headed the Zionist movement for ence education in all parts of society. Programs offered years and later became the first president of Israel.
    [Show full text]
  • 31295018689751.Pdf (8.512Mb)
    ^M'-^Ki'm-r- --' •« >i^'?fi O^t LQG The Design for a School of Art 'mi The Depot District Lubbock, Texas Robyn Giuiro^a '^^mX'> m KfiB^i?»5!^ppii|M^|(!f|?s Fall 1999 I^^^S-"* • . .M by Robyn Qulroqa A Thesis Architecture Submitted to the Architecture faculty of the College of Architecture of Texas Tech University in Partial Fulfillment for The Degree of MASTERS OF ARCHITECTURE Jarfcesl White, Dean. College of Architecture December 1999 ii 5 2 a037cQ.L'J> /9 <^ r- •] ^r.^^ wt\' ~^Kitlft ii^ A^^m oj ii N (iW/!>«n#»ij%) 11 J IAB »? s; of IINSSI^ ' 04 THEORY 05 THEORY GOALS AND OBJECTIVES oe BACI^GROUND INFORMATION ON COLLAGE 24 THEORY ISSUES 25 THEORY ISSUE NUMBER ONE 26 THEORY ISSUE NUMBER TWO 27 THEORY ISSUE NUMBER THREE 26 THEORY CASE STUDIES 29 THEORY CASE STUDY NUMBER ONE: THE ANTHENEUM BY RICHARD MEIER THEORY CASE STUDY NUMBER TWO: ADDISON CONFERENCE AND THEATRE CENTRE 33 FACILITY TYPE 34 MISSION STATEMENT 35 ACTIVITY ANALYSIS 37 FACILITY PERFORMANCE REQUIREMENTS 40 SPATIAL ANALYSIS 56 SPATIAL SUMMARY 60 FACILITY TYPE CASE STUDIES 61 FACILITY TYPE CASE STUDY NUMBER ONE: CENTRE FOR THE VISUAL ARTS BY FRANK GEHRY 67) FAr:il ITY TYPE CASE STUDY NUMBER TWO: ART SCHOOL BY KUOVO & PARTANEN ARCHITECTS 111 OS i|Nii9D^ DESIGN PROCESS SCHEMATIC REVIEW DESIGN DEVELOPMENT COHCEFTONE CONCEPT TWO COHCEFTTHREE DESIGN RESPONSE RESPONSE TO THEORY ISSUES RESPONSE TO FACILITY TYPE PERFORMANCE REQUIREMENTS RESPONSE TO CONTEXT ISSUES IV -"" IABIH OJ ilNiSSiip 102 DOCUMENTATION 103 Overall Presentation Layout 104 Courtyard Level Plan if: 105 First Floor Plan 106 East and North Elevations 107 West and South Elevations 106 Transverse and Longitudinal Sections 109 Structural Axon 110 Site Plan and Mechanical Flans 111 Interior Perspective 112 Exterior Perspective 113 Mode! Photos 114 Conclusion 115 LIST OF ILLUTRATIONS 125 BIBLIOGRAPHY l£s iHaAgT 'AK I£s fiQABT The theory of artistic collage as an architectural design tool will be used in the design process.
    [Show full text]
  • Global Citizen: the Architecture of Moshe Safdie
    FOR IMMEDIATE RELEASE: September 26, 2013 Media Contacts: For Skirball Cultural Center Katie Klapper, (323) 874-9667, [email protected] Mia Carino, (310) 440-4544, [email protected] For Safdie Architects Julia Kirchhausen, (212) 671-5161, [email protected] Hanna Gisel, (212) 671-5162, [email protected] Press Preview: Featuring Moshe Safdie, Uri D. Herscher, and Donald Albrecht Friday, October 18, 10:00 a.m.–12:00 p.m. Reservations required: [email protected] or (310) 440-4544 Skirball Cultural Center presents U.S. premiere of major retrospective exhibition GLOBAL CITIZEN: THE ARCHITECTURE OF MOSHE SAFDIE October 22, 2013–March 2, 2014 Exhibition coincides with completion of thirty-year master plan for Safdie-designed Skirball campus LOS ANGELES—Making its U.S. premiere at the Skirball Cultural Center this October, Global Citizen: The Architecture of Moshe Safdie explores the evolution of the renowned architect’s body of work and the humanistic design philosophy he has demonstrated throughout his nearly fifty-year-long career. The most comprehensive retrospective of Moshe Safdie’s achievements to date, Global Citizen traces his journey from Habitat ’67 in Montreala radical solution for quality, affordable housing, for which Safdie first commanded international noticeto his firm’s many acclaimed projects in North America, Israel, and, more recently, China, India, and Singapore. Conceived and created by Donald Albrecht, Curator of Architecture and Design at the Museum of the City of New York, Global Citizen displays scale models, drawings, photographs, and films of more than thirty of Safdie’s projects. Together, the more than 200 objects on view demonstrate Safdie’s belief that a building should be an extension of its physical, historical, and cultural environments.
    [Show full text]
  • 400 Buildings 230 Architects 6 Geographical Regions 80 Countries a U R P E Or Am S Ica Fr a Ce Ia
    400 Buildings 100 single houses┆53 schools┆21 art galleries 66 museums┆7 swimming pools┆2 town halls 230 Architects 52 office buildings┆33 unibersities┆5 international 6 Geographical Regions airports21 libraries┆5 embassies┆30 hotels 5 railway staions 80 Countries 80Architects dings Buil 125 ia As O ce an ZAHA HADID ARCHITECTS//OMA//FUKSAS//ASYMPTOTE ARCHITECTURE//ANDRÉS ia 6 5 PEREA ARCHITECT//SNØHETTA//BERNARD TSCHUMI//COOP HIMMELB(L)AU//FOSTER + B u i ld in g PARTNERS//UNStudio//laN+//KISHO KUROKAWA ARCHITECT AND ASSOCIATES//STEVEN s s t c e 8 it 0 h A c r HOLL ARCHITECTS//JOHN PORTMAN & ASSOCIATES//3DELUXE//TADAO ANDO ARCHITECT r c A h 0 it e 8 c t s & ASSOCIATES//MVRDV//SAUCIER + PERROTTE ARCHITECTES//ACCONCI STUDIO// s g n i d l i DRIENDL*ARCHITECTS//OGRYDZIAK / PRILLINGER ARCHITECTS//URBAN ENVIRONMENTS u B 5 0 ARCHITECTS//ORTLOS SPACE ENGINEERING//MOSHE SAFDIE AND ASSOCIATES INC.// 2 LOMA //JENSEN & SKODVIN ARKITEKTKONTOR AS+ARNE HENRIKSEN ARKITEKTER AS + e p o C-V HØLMEBAKK ARKITEKT//HENN ARCHITEKTEN//GIENCKE & COMPANY//CHETWOODS r u E A ARCHITECTS//AAARCHITECTEN//ABALOS+SENTKIEWICZ ARQUITECTOS//VARIOUS f r i ARCHITECTS//DENTON CORKER MARSHALL//SAMYN AND PARTNERS//ANTOINE PREDOCK// c a FREE Fernando Romero...... 3 5 s B t c u e i t l i d h i n c r g s A 0 8 8 0 s A g r c n i h d i l t i e u c B t s 0 9 a c i r e m A h t r o N S o u t h A m e r i c s t a c e t i h c r A 0 8 1 s 1 g n 5 i d B l i u ISBN 978-978-12585-2-6 7 8 9 7 8 1 Editorial Department of Global Architecture Practice Editorial Department of Global Architecture
    [Show full text]
  • Fall09 LISTS Rev Nov 13:Annual Report.Qxd
    List of Active Members by Class November 12, 2009 The list of active members is divided into two categories: Fellows and Foreign Honorary Members. In each category the members are arranged by class and section. The number after each name indicates the year of election. The symbol * designates members elected in 2009. An alphabetical index of all members in both categories begins on page 166. Fellows–4,230 i:1 i:1 i:1 Caffarelli, Luis Angel ’86 *Fefferman, Robert A. ’09 Hochschild, Gerhard Paul ’79 Class I–1,100 University of Texas at Austin University of Chicago University of California, Berkeley Chang, Sun-Yung Alice ’08 Fleming, Wendell Helms ’95 Hoffman, Alan Jerome ’87 Mathematical and Princeton University Brown University IBM Thomas J. Watson Research Physical Sciences Cheeger, Jeff ’06 Floyd, Robert W. ’74 Center, Yorktown Heights, NY Courant Institute of Mathematical Stanford University Hopkins, Michael J. ’02 Sciences, New York University Friedlander, Eric Mark ’05 Harvard University I:1–Mathematics–189 Chernoff, Herman ’74 University of Southern California Howe, Roger Evans ’93 Harvard University Friedman, Avner ’87 Yale University Adler, Roy L. ’98 Chorin, Alexandre Joel ’91 Ohio State University Hrushovski, Ehud ’07 IBM Thomas J. Watson Research University of California, Berkeley Friedman, Jerome H. ’05 Hebrew University of Jerusalem, Center, Yorktown Heights, NY Christ, F. Michael ’07 Stanford University Israel Aldous, David ’04 University of California, Berkeley Fulton, William ’98 Hsiang, Wu-chung ’89 University of California, Berkeley Christodoulou, Demetrios ’01 University of Michigan Princeton University Anderson, Theodore Wilbur ’74 Eidgenössische Technische Garabedian, Paul Roesel ’63 Huber, Peter J.
    [Show full text]
  • Safdie Architects to Set New Standard for Community-Centric Airport Design
    Safdie Architects to set new standard for community-centric airport design with the opening of Jewel Changi Airport, Singapore 2019 Features include an expansive indoor forest, the world’s tallest indoor waterfall, tree-top walking trails, restaurants, retail, and a variety of gathering places, open to all travellers and the public alike. J ewel weaves together an experience of nature and the marketplace, dramatically asserting the idea of the airport as an uplifting and vibrant urban center, engaging travelers, visitors, and residents, and echoing Singapore’s reputation as ‘The City in the Garden.’ –Moshe Safdie February 26, 2019 (Boston) — Designed by Safdie Architects, Jewel Changi Airport, the newest development at Singapore’s award-winning Changi Airport, will commence a phased opening in Q2 2019. Jewel Changi Airport combines an intense marketplace and a paradise garden to create a new center – “the heart and soul” of Changi Airport. Once open, Jewel will establish a new paradigm for community-centric airport design, extending the airport’s principal function as a transit hub to create an interactive civic plaza and marketplace, combining landside airport operations with expansive indoor gardens and waterfall leisure facilities, retail, restaurants, and a hotel as well as other spaces for community activities. Linked to the city’s public transportation grid and with open access to Terminal 1, and to Terminals 2 and 3 via pedestrian bridges, Jewel engages both in-transit passengers as well as the public of Singapore. Entirely publicly accessible, the 134,000-square-meter (144,000 sq.ft.) glass-enclosed toroidal building asserts a new model for airports as a destination for community activity, entertainment, and shopping.
    [Show full text]
  • Designing the Western Wall Plaza: National and Architectural Controversies*
    Designing the Western Wall Plaza: National and Architectural Controversies* ALONA NITZAN-SHIFTAN Massachusetts Institute of Technology, Center for Advanced Studies in the Visual Arts Immediately after Israel captured Jerusalem's Old City during the contending ideologes, but also take, in the forms, compositions and 1967 war it bulldozed the Mugharbe Quarter off the area adjacent to techniques they suggest, distinct positions in fierce national and the\Vestern\Vall. National, municipal and military authorities agreed archtectural debates. that the corridor between the neighborhood and thewall was too narrow Moshe Safdie's 1974 design proposal alone had generated two for a nation to gather and 'meet its past.' Once the post war stream of ministerial committees which reached opposing conclusions, extensive pilgrims reduced, Israelis were taken by surprise. The central assembly public hearings, and a 1980 revised version of the archtect. Like all space of the State of Israel, and the holiest site for Jews since Titus other proposals, it was never executed. Since ths design became the destroyed Herod's SecondTemple in A.D. 70, became an amorphous measure cord for other projects, it forms the spine of my dwussion. field of debris and awesome stones. fig. 2. Moshe Sajd~e,hrst design proposal for the Western Woll Plaza, 1971. Safdie's design, whch extended over 60000 square meters, created a huge hierarchcal theater of descending cubes. It was inspired by hg. I. Arthur Kutcher, Exlsnng cond~tlonof the Western Woll enurons Yosephus Plavius description of Herod's Jerusalem as well as by the Captivated by the site, archtects harried to propose designs for the Oriental vernacular of the city.
    [Show full text]
  • Contemporary Design in Historic Districts: a Case Study of Two
    CONTEMPORARY DESIGN IN HISTORIC DISTRICTS: A CASE STUDY OF TWO MUSEUMS by WILLIAM MALLORY BROCKENBROUGH (Under the Direction of Pratt Cassity) ABSTRACT This thesis looks at the development of contemporary architecture in historic settings by comparing the work of architect Moshe Safdie in two projects. The museums, the Telfair Museum in Savannah, Georgia and the Peabody Essex Museum in Salem, Massachusetts are both uniquely situated within historic urban cities that govern development through design review. The thesis looks at the state of contemporary design in historic settings, barriers to design, and the success or failure of the design review process. INDEX WORDS: Historic preservation, Design review, Moshe Safdie, Telfair Museum of Art, Peabody Essex Museum, Savannah, Georgia, Salem, Massachusetts, Bilbao Effect, Chadbourne Guidelines, Design guidelines, Contemporary architecture, Historic districts, Zoning CONTEMPORARY DESIGN IN HISTORIC DISTRICTS: A CASE STUDY OF TWO MUSEUMS by WILLIAM MALLORY BROCKENBROUGH B.A., Virginia Polytechnic Institute and State University, 1998 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2005 © 2005 William Mallory Brockenbrough All Rights Reserved CONTEMPORARY DESIGN IN HISTORIC DISTRICTS: A CASE STUDY OF TWO MUSEUMS by WILLIAM MALLORY BROCKENBROUGH Major Professor: Pratt Cassity Committee: John C. Waters Henry Parker Monica Callahan Kocher Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2005 iv ACKNOWLEDGEMENTS I would like to thank Pratt Cassity, my Major Professor for his assistance and expertise, both of which made this thesis possible. I would also like to thank John Waters and the MHP faculty and staff for providing me with the opportunity to participate and further my knowledge in the field of Historic Preservation.
    [Show full text]
  • New Directions for the Dense City: Moshe Safdie in Singapore Autor(Es)
    New directions for the dense city: Moshe Safdie in Singapore Autor(es): Cecilia, Bischeri; Micheli, Silvia Publicado por: Editorial do Departamento de Arquitetura URL persistente: URI:http://hdl.handle.net/10316.2/41199 DOI: DOI:https://doi.org/10.14195/1647-8681_7_9 Accessed : 6-Oct-2021 08:15:18 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. impactum.uc.pt digitalis.uc.pt EDARQ JOURNAL OF ARCHITECTURAL CULTURE 2016 JOELHO # 07 LEARNING FROM MODERN UTOPIAS —— Guest Editors: Armando Rabaça Carlos Martins Tim Verlaan Hans Ibelings
    [Show full text]
  • Moshe Safdie Moshe Safdie Safdie Architects Safdie Architects Moshe
    Moshe Safdie Safdie Architects Moshe Safdie is an architect, urban planner, educator, theorist, and author who embraces a comprehensive and humane design philosophy. Safdie is committed to architecture that supports and enhances a project’s program; that is informed by the geographic, social, and cultural elements that define a place; and that responds to human needs and aspirations. Major projects by Moshe Safdie currently under construction or recently completed include Mamilla Alrov Center, a 28-acre development that runs contiguous with the Old City in Jerusalem; Marina Bay Sands, a mixed-use integrated resort in Singapore; Khalsa Heritage Memorial Complex, the national museum of the Sikh people in India; the United States Institute of Peace Headquarters in Washington, D.C.; the Kauffman Center for the Performing Arts in Kansas City, Missouri; Crystal Bridges Museum of American Art in Bentonville, Arkansas; and Golden Dream Bay, a residential and retail complex in Qinhuangdao, China. Safdie has designed and realized a wide range of projects around the world, including cultural, civic, and educational institutions; mixed-use urban centers and airports; and master plans for existing neighborhoods and entirely new cities. Many of his buildings have become beloved regional and national landmarks, including Habitat ’67, Montreal, Canada; Exploration Place Science Center, Wichita, Kansas; Salt Lake City Public Library, Salt Lake City, Utah; Peabody Essex Museum, Salem, Massachusetts; Skirball Cultural Center, Los Angeles, California; the National Gallery of Canada; and Yad Vashem Holocaust Museum, Jerusalem, Israel. In 1978, after teaching at Yale, Safdie relocated his residence and principle office to Boston where he also served as the Director of the Urban Design Program at the Harvard University Graduate School of design and subsequently was the Ian Woodner Professor of Architecture and Urban Design.
    [Show full text]
  • Table of Contents
    CONTENTS A C F H K 6 What is modern architecture? 8 Hugo Henrik Alvar Aalto 82 Santiago Calatrava 136 Emil Fahrenkamp 188 Zaha Hadid 244 Louis Isodore Kahn by Peter Gössel 12 Thornton Abell 86 Félix Candela 137 Hassan Fathy 192 Oswald Haerdtl 250 Ray Kappe 14 Adler and Sullivan 88 Case Study House 138 Sverre Fehn 193 Hiroshi Hara 252 Friedrich Kiesler 18 Gregory Ain Program 139 Luigi Figini and Gino Pollini 194 Harrison and Abramowitz 253 Kiyonori Kikutake 19 Franco Albini 90 Pierre Chareau 140 Lord Norman Foster 196 Zvi Hecker 254 Edward Killingsworth 20 Will Alsop 92 Serge Ivan Chermayeff 144 Albert Frey 197 Paul Hedqvist 255 Waro Kishi 21 Amsterdam School 93 Chicago School 148 Richard Buckminster Fuller 198 Agustín Hernández 256 Michel de Klerk 22 Tadao Ando 94 David Chipperfi eld 150 Future Systems 200 Herzog & de Meuron 258 Pierre Koenig 26 Art Déco 96 Josef Chochol 152 Futurism 204 Josef Hoffmann 260 Rem Koolhaas 30 Art nouveau 97 Connell, Ward & Lucas 208 Fritz Höger 264 Kengo Kuma 34 Erik Gunnar Asplund 98 Constructivism 210 Steven Holl 265 Kisho Kurokawa 100 Coop Himmelb(l)au 212 Hans Hollein 102 Charles Mark Correa G 213 Raymond Hood 104 Lúcio Costa 214 Victor Horta 153 Ignazio Gardella 106 Crites & McConnell 218 HPP B 154 Tony Garnier L 36 Shigeru Ban 156 Antoni Gaudí i Cornet 266 Denys Louis Lasdun 40 Barclay & Crousse 160 Frank Owen Gehry 267 Mogens Lassen 41 Edward Larrabee Barnes 164 Andrew Geller 268 Paul László 42 Luis Barragán D 165 von Gerkan, I 270 John Lautner 46 Bauhaus 108 Deconstructivism Marg and Partner 219 International
    [Show full text]
  • 2015 AIA Gold Medal Awarded to Moshe Safdie, FAIA News Release
    News Release 2015 AIA Gold Medal Awarded to Moshe Safdie, FAIA Gold Medal is the profession’s highest honor Contact: Matt Tinder 202-626-7462 [email protected] http://twitter.com/AIA_Media For immediate release: Washington, D.C. – December 10, 2014 – The Board of Directors of the American Institute of Architects (AIA) voted today to award the 2015 AIA Gold Medal to Moshe Safdie, FAIA, whose comprehensive and humane approach to designing public and cultural spaces across the world has touched millions of people and influenced generations of younger architects. The AIA Gold Medal, voted on annually, is considered to be the profession’s highest honor that an individual can receive. The Gold Medal honors an individual whose significant body of work has had a lasting influence on the theory and practice of architecture. Safdie will be honored at the 2015 AIA National Convention in Atlanta. Born in Haifa, Israel in 1938, Safdie moved with his family to Montreal in 1953. He studied architecture at McGill University, and after graduation worked with AIA Gold Medalist Louis Kahn, FAIA, in Philadelphia. He returned to Montreal to work on Habitat ’67, for Montreal’s 1967 World’s Fair, which consisted of a series of 158 stacked and terraced apartments. Safdie then began a series of teaching posts that culminated with his appointment as the director of the urban design program at the Harvard Graduate School of Design from 1978-84. Since 1978, Safdie has been based in Boston while remaining a citizen of Israel, Canada, and the United States. Safdie established a Jerusalem office in 1970 and another in Shanghai in 2011.
    [Show full text]