Aerosmith Live! Bootleg Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Aerosmith Live! Bootleg Mp3, Flac, Wma Aerosmith Live! Bootleg mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live! Bootleg Country: US Released: 1978 Style: Hard Rock MP3 version RAR size: 1186 mb FLAC version RAR size: 1410 mb WMA version RAR size: 1330 mb Rating: 4.9 Votes: 964 Other Formats: RA AUD ADX AAC WMA VOC XM Tracklist Hide Credits Back In The Saddle A1 4:11 Written-By – J. Perry*, S. Tyler* Sweet Emotion A2 4:43 Written-By – J. Perry*, T. Hamilton* Lord Of The Thighs A3 7:13 Written-By – S. Tyler* Toys In The Attic A4 3:45 Written-By – J. Perry*, S. Tyler* Last Child B1 3:03 Written-By – B. Whitford*, S. Tyler* Come Together B2 4:50 Written-By – J. Lennon-P. McCartney* Walk This Way B3 3:35 Written-By – J. Perry*, S. Tyler* Sick As A Dog B4 4:35 Written-By – S. Tyler*, T. Hamilton* Dream On C1 4:31 Written-By – S. Tyler* Chip Away The Stone C2 4:00 Written-By – R. Supa* Sight For Sore Eyes C3 3:13 Written-By – D. Johansen*, J. Douglas*, J. Perry*, S. Tyler* Mama Kin C4 3:42 Written-By – S. Tyler* S.O.S. C5 2:39 Written-By – S. Tyler* I Ain't Got You D1 4:00 Written-By – C. Carter* Mother Popcorn D2 6:49 Written-By – A. Ellis*, J. Brown* Train Kept A Rollin' / Strangers In The Night D3 Written-By [Strangers In The Night] – B. Kaempfert*, C. Singleton*, E. Snyder*Written-By 9:49 [Train Kept A Rollin'] – H. Kay*, L. Mann*, T. Bradshaw* Companies, etc. Manufactured By – Columbia Records Manufactured By – CBS Inc. Produced For – Contemporary Communications Corp. Produced For – Waterfront Productions Ltd. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Mastered At – Sterling Sound Pressed By – Columbia Records Pressing Plant, Pitman Credits Arranged By – Aerosmith, Jack Douglas Design, Art Direction – Kosh* Engineer – Jack Douglas, Jay Messina, Lee DeCarlo Executive-Producer – David Krebs, Steve Leber Keyboards, Backing Vocals – Mark Radice (tracks: A2 to B3, C2, C3, D3) Management [Direction] – David Krebs, Steve Leber Mastered By – George Marino Photography By – Aaron Rapoport, Barry Levine , Karen Lesser*, Ron Pownall, Steve Smith Producer – Aerosmith, Jack Douglas Saxophone – David Woodford (tracks: D2) Technician [Assistant] – Julie Last, Rod O'Brien, Sam Ginsberg Technician [Remote Arrangements, Record Plant - Los Angeles] – Chris Stone Technician [Remote Arrangements, Record Plant - New York] – David Hewitt Notes © 1978 CBS Inc./ ℗ 1978 CBS Inc. Gatefold sleeve including printed inner sleeves. First pressings with a 22" x 22" poster. Tracks A1, B4, C4 and C5: Indianapolis - 7/4/77. Tracks A2 and A3: Chicago - 3/23/78. Track A4: Boston - 3/28/78. Track B1: Boston - 8/9/78. Track B2: Wherehouse, Waltham, Massachusetts - 8/21/78. Tracks B3 and D3: Detroit - 4/2/78. Track C1: Louisville - 7/3/77. Track C2: Santa Monica Civic Auditorium - 4/8/78. Track C3: Columbus - 2/24/78. Tracks D1 and D2: Boston - 4/23/73. Barcode and Other Identifiers Matrix / Runout (A-side label): AL 35565 Matrix / Runout (B-Side label): BL 35565 Matrix / Runout (C-side label): AL 35566 Matrix / Runout (D-side label): BL 35566 Matrix / Runout (Side A runout etched/stamped, variant 1): P AL-35565-1D 1 STERLING Matrix / Runout (Side B runout etched/stamped, variant 1): P BL-35565-1A STERLING Matrix / Runout (Side C runout etched/stamped, variant 1): P AL-35566-1A STERLING Matrix / Runout (Side D runout etched/stamped, variant 1): P BL-35566-1A STERLING Matrix / Runout (Side A runout etched/stamped, variant 2): P AL-35565-1G STERLING Matrix / Runout (Side B runout etched/stamped, variant 2): P BL-35565-1A STERLING Matrix / Runout (Side C runout etched/stamped, variant 2): P AL-35566-1A STERLING Matrix / Runout (Side D runout etched/stamped, variant 2): P BL-35566-1A STERLING Other (Disc 1 catalog number): C 35565 Other (Disc 2 catalog number): C 35566 Other versions Category Artist Title (Format) Label Category Country Year PC2 35564, C Columbia, PC2 35564, C Live! Bootleg 35565, C Aerosmith Columbia, 35565, C Canada 1978 (2xLP, Album, Gat) 35566 Columbia 35566 Live! Bootleg (Cass, 466733 4 Aerosmith CBS 466733 4 Spain 1991 Album) Live! Bootleg (CD, CK 57365 Aerosmith Columbia CK 57365 US 1993 Album, RE, RM) Live Bootleg (Cass, 4511294 Aerosmith CBS 4511294 Netherlands Unknown Album) Live Bootleg (Cass, 40-88325 Aerosmith CBS 40-88325 UK 1978 Album) Related Music albums to Live! Bootleg by Aerosmith T. Texas Tyler - T. Texas Tyler Tyler Bates - dawn of the deadl Bonnie Tyler - Hide Your Heart Aerosmith - Get Your Wings Mark Tyler - Buckle Up Aerosmith - Gems Tyler Crichton - Master Commander Tyler, The Creator - Scum Fuck Flower Boy Bonnie Tyler - Total Eclipse of the Heart Mark Tyler & Dynamic Intervention / Sol Ray & Mark Tyler - World Of Misadventure / What Is It? Aerosmith - Rocks Aerosmith - Pandora's Box.
Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Download Press Release As PDF File
    For Immediate Release MUSIC ICONS: THE BEATLES IN LIVERPOOL THURSDAY, MAY 9, 2019 THE RAREST BEATLES RECORD IN THE WORLD-JOHN LENNON’S PERSONAL “YESTERDAY AND TODAY” BUTCHER ALBUM PROTOTYPE, A BEATLES SIGNED BASEBALL FROM THEIR FINAL U.S. CONCERT, JOHN LENNON’S AND RINGO STARR’S TITTENHURST PARK DOOR, JOHN LENNON’S SIGNED GUITAR STRAP AND MORE WILL ROCK THE BEATLES MEMORABILIA AUCTION EVENT OF THE SEASON Julien’s Auctions and The Beatles Story Bring Back “Memorabilia Day” Friday, May 10 in Spectacular Two-Day Beatlemania Event Los Angeles, California – (March 21, 2019) – Julien’s Auctions, the world-record breaking auction house, has announced that MUSIC ICONS: THE BEATLES IN LIVERPOOL, their annual auction extravaganza of the Fab Four’s most iconic and historic memorabilia to take place on Thursday, May 9 live for the first time at The Beatles Story Museum in Liverpool, UK, the birthplace of The Beatles and online at juliensauctions.com. (photo left to right: John Lennon’s guitar strap, John Lennon’s Yesterday and Today butcher album prototype and a baseball signed by The Beatles). In addition Julien’s Auctions will partner once again with The Beatles Story to bring their Beatles and Merseybeat “Memorabilia Day” back home to Liverpool on Friday, May 10th 2019 (12-8pm GMT) for a spectacular two-day Beatlemania event. Fans and collectors are invited to bring in their Beatles memorabilia to have appraised by the experts for free at The Beatles Story’s Fab4 Cafe on the Royal Albert Dock. The Beatles are the foremost and most influential music band of all time that were a phenomenon upon their arrival on the music scene in Liverpool in 1960 and changed pop culture forever with their music, style and innovations which continue to reverberate within millions of artists and fans worldwide today.
    [Show full text]
  • [E:] 09 a Second Face.Mp3=2129222 ACDC Whole Lotta Rosie (Rare Live
    mTad [E:] 09 A Second face.mp3=2129222 ACDC Whole Lotta Rosie (rare live Bon Scott).mp3=4874280 Damnation of Adam Blessing - Second Damnation - 05 - Back to the River.mp3=5113856 Eddie Van Halen - Eruption (live, rare).mp3=2748544 metallica - CreepingDeath (live).mp3=4129152 [E:\1959 - Miles Davis - Kind Of Blue] 01 So What.mp3=13560814 02 Freddie Freeloader.mp3=14138851 03 Blue In Green.mp3=8102685 04 All Blues.mp3=16674264 05 Flamenco Sketches.mp3=13561792 06 Flamenco Sketches (Alternate Take).mp3=13707024 B000002ADT.01.LZZZZZZZ.jpg=19294 Thumbs.db=5632 [E:\1965 - The Yardbirds & Sonny Boy Williamson] 01 - Bye Bye Bird.mp3=2689034 02 - Mister Downchild.mp3=4091914 03 - 23 Hours Too Long.mp3=5113866 04 - Out Of The Water Coast.mp3=3123210 05 - Baby Don't Worry.mp3=4472842 06 - Pontiac Blues.mp3=3864586 07 - Take It Easy Baby (Ver 1).mp3=4153354 08 - I Don't Care No More.mp3=3166218 09 - Do The Weston.mp3=4065290 10 - The River Rhine.mp3=5095434 11 - A Lost Care.mp3=2060298 12 - Western Arizona.mp3=2924554 13 - Take It Easy Baby (Ver 2).mp3=5455882 14 - Slow Walk.mp3=1058826 15 - Highway 69.mp3=3102730 albumart_large.jpg=11186 [E:\1971 Nazareth] 01 - Witchdoctor Woman.mp3=3994574 02 - Dear John.mp3=3659789 03 - Empty Arms, Empty Heart.mp3=3137758 04 - I Had A Dream.mp3=3255194 05 - Red Light Lady.mp3=5769636 06 - Fat Man.mp3=3292392 07 - Country Girl.mp3=3933959 08 - Morning Dew.mp3=6829163 09 - The King Is Dead.mp3=4603112 10 - Friends (B-side).mp3=3289466 11 - Spinning Top (alternate edit).mp3=2700144 12 - Dear John (alternate edit).mp3=2628673
    [Show full text]
  • Gary Adante Resume 2019
    P R O F I L E My career has been one on one, 24/7 with some of the most G A R Y talented, creative, and successful people on the planet. A D A N T E Over 40 Recordings that I have worked on as a producer/ engineer/ assistant engineer have received Grammy awards or nominations. D I R E C T O R , My responsibilities include overseeing all aspects of the studio M U S I C S T U D I O S technical environment including design, installation, maintenance, and repair of studio systems worldwide. I manage audio engineers, sound reinforcement engineers, lighting technicians, and musicians at studios worldwide to ensure the highest quality recording experience for Owner and guests. E X P E R I E N C E DIRECTOR, MUSIC STUDIOS VULCAN, INC.—SEATTLE, WA T E C H N I C A L S K I L L S 2015–PRESENT Pro Tools HD on Macs (from 16 channel Manage and service 20 state-of-the-art recording studios in systems to 64 channels) luxurious estate locations in Africa, Venice, London, and Nice; SSL Axiom MT consoles with SSL 9k side one of the finest yachts in the world, Tatoosh; and 3 major cars recording studios in Los Angeles, Seattle, and on one of the I-live live sound consoles world’s largest yachts, Octopus Midas, Yamaha and Mackie, Euphonix Produced and engineered hundreds of songs for Owner’s consoles personal library for potential release SSL Duality Recruited, booked, and supported many major recording artists at Vulcan recording studios including: U2, Lady Gaga, Justin Timberlake, Earth Wind and Fire, Demi Lovato, Alicia Keys, and C O M P U T E R S K I L
    [Show full text]
  • While Lennon Wanted Peace for Mankind, Deep Down He Did Not Want Peace in His Own Life, Or Rather, He Was Incapable of Enjoying It
    While Lennon wanted peace for mankind, deep down he did not want peace in his own life, or rather, he was incapable of enjoying it and exploitation. Lennon may have been egotistical but he was compulsive in his public gestures rather than calculating. Granted, he became reclusive in the late 1970s, but when he re-emerged, it was his very desire not to place barriers between himself and the public which proved his undoing. Had he lived, it's probable, judging by the occasionally banal bliss of his later output, that Lennon might not have made much music of worth, that he would have been a museum piece in his own lifetime. But then, who'd have guessed in the late- 1980s, when both Dylan and Bowie's reputations were at their lowest ebb, that over a decade later they'd be praised for making some of the best music of their careers? Had Lennon lived, there would have been further, fascinating convulsions to come. It would have been interesting, also, to see what caustic scorn he might have poured on the Thatcher/Reaganite, greed-is-good era. Lennon's death has at least frozen him in iconic permanence - something many were reminded of when Oasis presented a huge image of the man by Lennon's last days... way of a backdrop to one of their 1990s gigs, John and Yoko outside prompting an outbreak of mass genuflection. the Record Plant, 44th St, NYC, December 1980 His value is as much in his failure as his success - that his idealism and the very counterculture he once fronted seems to have evaporated in these cleverer, But that merely reflects the misplaced register anything like as loudly as Lennon's did across more loveless and hopeless times makes his absence intelligence of modern times and modern stars.
    [Show full text]
  • Record Plant, Sausalito CA
    [email protected] The Record Plant, Sausalito 1972 – 2009 | Credits on 5 of Top 50 Best-Selling Albums All-Time. Historic Nor – Cal Recording Studio Prince / Sly Stone / Fleetwood Mac / Rick James / Santana Van Morrison / Stevie Wonder / Whitney Houston / Heart Metallica / Bob Marley / Grateful Dead / Jefferson Starship Legendary Location… 2200 Bridgeway, Sausalito Est. 1972 California U.S.A. 1970’s Sausalito Music Factory opens as “Record Plant” The unassuming, redwood clad building just north of San Francisco, Sausalito on Oct 29, 1972. California at 2200 Bridgeway in Sausalito, opened in the early 1970’s 1973 - Bob Marley & The as Sausalito Recording before becoming the Record Plant in the fall of Wailers record LIVE album at Record Plant. 1972. The Record Plant, Sausalito was the third in a chain of Record Plant studios operating in Los Angeles and New York. “The Plant,” as 1976-Fleetwood Mac record Rumours album. 10th best- it was later known, would become the location of some of the most selling album all-time. successful & popular recordings in music history. 1978 - Prince records his first album, For You. The grand opening was celebrated with the first in a tradition of th 1980’s Rick James records “Super annual Halloween parties on Sunday, October 29 , 1972. Attendees, Freak” at the Record Plant including John Lennon & Yoko Ono dressed as trees, were treated to in December, 1980. the laid back vibe of the studio situated near the bay in the industrial John Fogerty and Huey part of Sausalito, ten minutes from bustling San Francisco. Lewis & the News cut #1 albums at the Plant.
    [Show full text]
  • The Bosstown Sound. PUB DATE Mar 88 NOTE 39P.; Paper Presented at the Annual Meeting of the American Culture Association (10Th, New Orleans, LA, March 23-26, 1988)
    DOCUMENT RESUME ED 292 153 CS 506 070 AUTHOR Burns, Gary TITLE The Bosstown Sound. PUB DATE Mar 88 NOTE 39p.; Paper presented at the Annual Meeting of the American Culture Association (10th, New Orleans, LA, March 23-26, 1988). PUB TYPE Viewpoints (120) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Bands (Music); Content Analysis; Discographies; *Music; Musicians; *Popular Culture IDENTIFIERS Media History; Music Ensembles; *Rock and Roll; *Rock Music ABSTRACT Based on the argument that (contrary to critical opinion) the musicians in the various bands associated with Bosstown Sound were indeed talented, cohesive individuals and that the bands' lack of renown was partially a result of ill-treatment by record companies and the press, this paper traces the development of the Bosstown Sound from its beginnings in the nightclubs of Boston in 1967 to its end in 1969. In addition, the paper provides complete discographies, including critical commentary, of records produced by bands associated with the Bosstown Sound. The bands of the Bosstown Sound include: The Apple Pie Motherhood Band, The Bagatelle, The Beacon Street Union, Bo Grumpus, Eagle, Earth Opera, Eden's Children, Sure Looks Real, The Ill Wind, Jolliver Arkansaw, Orpheus, Phluph, Puff, and Ultimate Spinach. (Thirty-three references are attached.) (ARH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** The Bosstown Sound Gary Burns, Assistant Professor Department of Communication University of Missouri-St. Louis St. Louis, MO 63121 314-553-5485 American Culture Association, New Orleans, March 24, 1988 My thanks to Jeff Tamarkin of Goldmine magazine.
    [Show full text]
  • ROCK 'DO: RESURGENCE of a RESILIENT SOUND in U.S., Fresh Spin Is Put on Format Globally, `No- Nonsense' Music Thrives a Billboard Staff Report
    $5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) ZOb£-L0906 VO H3V38 9N01 V it 3AV W13 047L£ A1N331J9 A1NOW 5811 9Zt Z 005Z£0 100 lllnlririnnrlllnlnllnlnrinrllrinlrrrllrrlrll ZL9 0818 tZ00W3bL£339L080611 906 1I9I0-£ OIE1V taA0ONX8t THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT r MARCH 6, 1999 ROCK 'DO: RESURGENCE OF A RESILIENT SOUND In U.S., Fresh Spin Is Put On Format Globally, `No- Nonsense' Music Thrives A Billboard staff report. with a host of newer acts being pulled A Billboard international staff Yoshida says. in their wake. report. As Yoshida and others look for NEW YORK -In a business in which Likewise, there is no one defining new rock -oriented talent, up -and- nothing breeds like success, "musical sound to be heard Often masquerading coming rock acts such as currently trends" can be born fast and fade among the pack, only as different sub-gen- unsigned three -piece Feed are set- faster. The powerful resurgence of the defining rock vibe res, no-nonsense rock ting the template for intelligent, rock bands in the U.S. market -a and a general feeling continues to thrive in powerful Japanese rock (Global phenomenon evident at retail and that it's OK to make key markets. Music Pulse, Billboard, Feb. 6) with radio, on the charts, and at music noise again. "For the THE FLYS Here, Billboard cor- haunting art rock full of nuances. video outlets -does not fit the proto- last few years, it wasn't respondents take a Less restrained is thrashabilly trio typical mold, however, and shows no cool to say you were in a global sound -check of Guitar Wolf, whose crazed, over -the- signs of diminishing soon.
    [Show full text]
  • Rock 201 If You Know of a Bar Or Club That You
    Rock 201 Contact Steve (Vocals, Bass Guitar) for your next GREAT event! 413-320-8763 AC/DC Proud Mary Big Balls Susie Q Dirty Deeds Done Dirt Cheap Deep Purple Girls Got Rhythm Highway Star Highway to Hell Smoke on the Water If You Want Blood You Got It Dio Let There Be Rock Holy Diver Livewire Doors R-n-R Ain't Noise Pollution Break on Through Shot Down in Flames Hello, I Love You TNT Roadhouse Blues You Shook Me All Night Long Eagles Bryan Adams Life in the Fast Lane Summer of '69 Foghat Aerosmith Slow Ride Lord of the Thighs Free Mama Kin All Right Now Same Old Song and Dance J. Geils Seasons of Wither Musta Got Lost Walk This Way House Party Bad Company Golden Earring Ready for Love Radar Love Can't Get Enough Guns-n-Roses Rock Steady Welcome to the Jungle Beatles Jimi Hendrix A Hard Days Night Fire Blackfoot Hey Joe Train Train Little Wing Black Sabbath Purple Haze Children of the Sea Red House Paranoid The Wind Cries Mary Iron Man Billy Idol Sweet Leaf Rebel Yell N.I.B. Iron Maiden Fairies Wear Boots The Trooper War Pigs James Gang Blue Oyster Cult Funk 49 Godzilla Walk Away Candlebox Jethro Tull You Cross Eyed Mary John Cougar Locomotive Breath Hurt So Good Judas Priest Cream You Got Another Thing Coming Crossroads Breaking the Law Creedence Clearwater Revival Kiss Fortunate Son Cold Gin Have You Ever Seen the Rain Rock and Roll all Night If you know of a bar or club that you think Rock 201 should play in, e-mail us!! We are also available for your private party or other function you might have.
    [Show full text]
  • Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
    every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B.
    [Show full text]
  • 456 Microphone Pre-Amplifier
    456 Microphone Pre -Amplifier Features: • Golden Era Analogue Microphone Pre-Amplifier Design • 456HD® Analogue Tape Simulation • Discrete Ultra Low Noise Class A Design • Ultra Wide Bandwidth • Transformer Fully Balanced Inputs and Outputs • 22 way stepped Microphone Gain Control • 22 way stepped Output Gain Control • Line Input Switch with Output Gain Adjust • 180º Phase Reversal Switch • Accurate Wide Band VU with Calibration Adjustment • 456HD® Output Level Adjustment • Gold Plated XLR Connectors • Triple Shielded 6 layer PC Card construction • Ultra low noise 48V Phantom Supply • 2-Channel version available upgradable to 4-Channel Introduction: Roger Mayer is proud to announce the latest evolution from a long series of award winning pre-amplifier designs. It began its development history in 1968 whilst I was working in Olympic Studios, London. The development continued with my move to New York and the formation of Roger Mayer Electronics Inc with designs of Recording Studio Desks, RM58 Limiters, RM 68 Noise Gates, Mastering Equalisers and Location Recorders all using evolutions of our design. These products were supplied to many top Studios in the USA and Europe. The transparency and detail from our wideband design configuration is considered by many to be the ultimate 3D sounding pre-amplifier and can be heard on many landmark recordings of all kinds of musical genres. The phase accuracy and lack of time smearing artefacts is unbeatable and we welcome audio comparison to other products. The innovative addition of being able to add the acclaimed 456HD® Analogue Tape Simulation provides a full analogue signal path from Microphone straight into the DAW. The result is a Golden Era Signal path for the digital world.
    [Show full text]
  • A Tour of John Lennon 'S New York Pujol, Rolando
    Document 1 of 1 A tour of John Lennon 's New York Pujol, Rolando. AM New York [New York, N.Y] 08 Dec 2010: 2. Full Text There is perhaps no more poignant an image of John Lennon than the one captured of him on a Manhattan rooftop in August 1974 wearing the iconic New York City T-shirt his photographer had bought for the shoot. The shirt and the shoot both came to symbolize Lennon's love of New York, where he could be himself and craft his post-Beatles career starting in the early 1970s. Here are some Gotham spots that figured in his short but memorable time in New York. * 105 Bank St: Lennon and wife Yoko Ono lived in a tiny apartment in "arty farty" Greenwich Village, as Lennon once put it, in the early 1970s, shortly after the Beatles broke up and before his so-called "Lost Weekend" - a period when he separated from Ono and lived in Los Angeles. * The Dakota, IW. 72nd St.: The couple moved to this classic apartment house for what turned out to be Lennon's final years. It was here that Lennon eventually found domestic harmony and savored the comforts of Upper West Side life in what he thought was a secure building, where he was one of many celebrity residents and could live in relative peace. His refuge would become his place of death. * Record Plant Studio, 321 W. 44th St.: It's here that Lennon recorded albums including "Walls and Bridges" after returning from L.A., cleaned up and sober.
    [Show full text]