DOCSLIB.ORG

Gary Adante Resume 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gary Adante Resume 2019 P R O F I L E My career has been one on one, 24/7 with some of the most G A R Y talented, creative, and successful people on the planet. A D A N T E Over 40 Recordings that I have worked on as a producer/ engineer/ assistant engineer have received Grammy awards or nominations. D I R E C T O R , My responsibilities include overseeing all aspects of the studio M U S I C S T U D I O S technical environment including design, installation, maintenance, and repair of studio systems worldwide. I manage audio engineers, sound reinforcement engineers, lighting technicians, and musicians at studios worldwide to ensure the highest quality recording experience for Owner and guests. E X P E R I E N C E DIRECTOR, MUSIC STUDIOS VULCAN, INC.—SEATTLE, WA T E C H N I C A L S K I L L S 2015–PRESENT Pro Tools HD on Macs (from 16 channel Manage and service 20 state-of-the-art recording studios in systems to 64 channels) luxurious estate locations in Africa, Venice, London, and Nice; SSL Axiom MT consoles with SSL 9k side one of the finest yachts in the world, Tatoosh; and 3 major cars recording studios in Los Angeles, Seattle, and on one of the I-live live sound consoles world’s largest yachts, Octopus Midas, Yamaha and Mackie, Euphonix Produced and engineered hundreds of songs for Owner’s consoles personal library for potential release SSL Duality Recruited, booked, and supported many major recording artists at Vulcan recording studios including: U2, Lady Gaga, Justin Timberlake, Earth Wind and Fire, Demi Lovato, Alicia Keys, and C O M P U T E R S K I L L S Shawn Mendes Manage team’s participation in several successful events each MS Office (Word, Excel, Outlook) year, including: Super Bowl Party, Cannes Film Festival and MS Project Venice Film Festival, several owner yacht trips and safaris, weeks’ long private events on cruise ships with artists including Stevie Wonder, Joe Walsh, Chrissie Hyde, Upstream Festival (founding team member), MoPop Founders Events, New Orleans Food and Funk Festival, Olympic Games in Brazil Direct team and departmental activities to implement standards and procedures to ensure highest quality performance and recording services to Owner and guests Manage studio operations and personnel to ensure the Owner's expectations are met whenever and wherever he wishes to record, perform, or practice Diagnose and repair studio components as needed Work with musicians to create a favorable environment for the creation of new music Management responsibilities include: interviewing, hiring, and training employees; coaching; mentoring; planning, assigning, and directing work; appraising and managing performance; addressing complaints and resolving problems C O N T A C T Direct architects, acoustical consultants, contractors, engineers and Vulcan Project Managers on all matters regarding studios— their design, construction & operations ( 2 0 6 ) 7 3 4 - 8 3 6 0 Leverage department-wide and company-wide resources to most G A R Y A @ V U L C A N . C O M effectively deliver studio services Create and meet budgets on studio-related design, construction, L I N K E D I N . C O M / I N / G A R Y A D A N T E / and operations Provide regular reports to Owner and General Manager regarding status of projects and operations FOUNDING PARTNER / PRODUCER / COMPOSER / ENGINEER NOISY NEIGHBORS PRODUCTIONS—SHERMAN OAKS, CA G A R Y 1990–2014 Developed creative vision for each project Managed clients, producers, musicians, and technicians toward A D A N T E project success Mastered and implemented latest technologies to maximize a D I R E C T O R , competitive edge for our clients and Noisy Neighbors Productions M U S I C S T U D I O S Managed personnel to diversify our talents as a company to excel in a fast moving business Composed and produced hundreds of music cues for film and television Mixed audio for television and top-selling, interactive video games in stereo 5.1 and 7.1, such as: Metal Gear Solid-The Revengence, Rock Band, Shanghai for Game Boy, Shanghai Dynasty for Activision, High School Musical (I & II) and Cheetah Girls for Disney Composed and produced music for special venues, such as: USA Exhibit 2010 World Expo in Shanghai, China; Super Bowl XXVII Halftime Show; The Heineken Experience Museum Composed and produced music used in national/international advertisement campaigns, such as: Groupon, Old Navy, Coca-Cola, Nike, Anheuser-Busch, Kodak, General Mills, American Express, Heineken, Coors Brewing Company, American Express, Dodge, Acura, Minute Maid, Bally Total Fitness, Virgin Group, American Red Cross CO-PRODUCER / CHIEF ENGINEER / ENGINEER STEVIE WONDER PRODUCTIONS, AKA STEVLAND MORRIS PRODUCTIONS—BURBANK, CA 1975–1990 Directed team of technicians and musicians toward excellence in music production Fulfilled artist's goals of creative perfection. Balanced time and cost management in terms of studio time and musician fees Led team to focus energy and mitigate internal conflict and distractions Executed live "to the world" broadcasts and recordings (1st "all digital" of its kind) Performed excellence under pressure for some of the world's most demanding, high profile clients Recorded around the world in all types of venues, ranging from stadium shows to private studio sessions Managed domestic and foreign crews of all sizes Provided lead artist, Stevie Wonder, the freedom to concentrate on his creative vision, knowing that my responsibilities were always taken care of in a professional and timely manner ENGINEER / ASSISTANT ENGINEER RECORD PLANT RECORDING STUDIO—LOS ANGELES, CA 1972–1975 C O N T A C T Captured recording artist's creative vision on tape and polished finished product for release to the public Mastered and employed latest technology to advance the creative ( 2 0 6 ) 7 3 4 - 8 3 6 0 process, which increased sales and creative satisfaction G A R Y A @ V U L C A N . C O M Stayed current with cutting edge technology Stayed on the forefront of latest advances in the industry L I N K E D I N . C O M / I N / G A R Y A D A N T E / Developed and nurtured a positive, winning attitude for the team during long, strenuous hours .
Load more

Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Download Press Release As PDF File
    For Immediate Release MUSIC ICONS: THE BEATLES IN LIVERPOOL THURSDAY, MAY 9, 2019 THE RAREST BEATLES RECORD IN THE WORLD-JOHN LENNON’S PERSONAL “YESTERDAY AND TODAY” BUTCHER ALBUM PROTOTYPE, A BEATLES SIGNED BASEBALL FROM THEIR FINAL U.S. CONCERT, JOHN LENNON’S AND RINGO STARR’S TITTENHURST PARK DOOR, JOHN LENNON’S SIGNED GUITAR STRAP AND MORE WILL ROCK THE BEATLES MEMORABILIA AUCTION EVENT OF THE SEASON Julien’s Auctions and The Beatles Story Bring Back “Memorabilia Day” Friday, May 10 in Spectacular Two-Day Beatlemania Event Los Angeles, California – (March 21, 2019) – Julien’s Auctions, the world-record breaking auction house, has announced that MUSIC ICONS: THE BEATLES IN LIVERPOOL, their annual auction extravaganza of the Fab Four’s most iconic and historic memorabilia to take place on Thursday, May 9 live for the first time at The Beatles Story Museum in Liverpool, UK, the birthplace of The Beatles and online at juliensauctions.com. (photo left to right: John Lennon’s guitar strap, John Lennon’s Yesterday and Today butcher album prototype and a baseball signed by The Beatles). In addition Julien’s Auctions will partner once again with The Beatles Story to bring their Beatles and Merseybeat “Memorabilia Day” back home to Liverpool on Friday, May 10th 2019 (12-8pm GMT) for a spectacular two-day Beatlemania event. Fans and collectors are invited to bring in their Beatles memorabilia to have appraised by the experts for free at The Beatles Story’s Fab4 Cafe on the Royal Albert Dock. The Beatles are the foremost and most influential music band of all time that were a phenomenon upon their arrival on the music scene in Liverpool in 1960 and changed pop culture forever with their music, style and innovations which continue to reverberate within millions of artists and fans worldwide today.
    [Show full text]
  • While Lennon Wanted Peace for Mankind, Deep Down He Did Not Want Peace in His Own Life, Or Rather, He Was Incapable of Enjoying It
    While Lennon wanted peace for mankind, deep down he did not want peace in his own life, or rather, he was incapable of enjoying it and exploitation. Lennon may have been egotistical but he was compulsive in his public gestures rather than calculating. Granted, he became reclusive in the late 1970s, but when he re-emerged, it was his very desire not to place barriers between himself and the public which proved his undoing. Had he lived, it's probable, judging by the occasionally banal bliss of his later output, that Lennon might not have made much music of worth, that he would have been a museum piece in his own lifetime. But then, who'd have guessed in the late- 1980s, when both Dylan and Bowie's reputations were at their lowest ebb, that over a decade later they'd be praised for making some of the best music of their careers? Had Lennon lived, there would have been further, fascinating convulsions to come. It would have been interesting, also, to see what caustic scorn he might have poured on the Thatcher/Reaganite, greed-is-good era. Lennon's death has at least frozen him in iconic permanence - something many were reminded of when Oasis presented a huge image of the man by Lennon's last days... way of a backdrop to one of their 1990s gigs, John and Yoko outside prompting an outbreak of mass genuflection. the Record Plant, 44th St, NYC, December 1980 His value is as much in his failure as his success - that his idealism and the very counterculture he once fronted seems to have evaporated in these cleverer, But that merely reflects the misplaced register anything like as loudly as Lennon's did across more loveless and hopeless times makes his absence intelligence of modern times and modern stars.
    [Show full text]
  • Record Plant, Sausalito CA
    [email protected] The Record Plant, Sausalito 1972 – 2009 | Credits on 5 of Top 50 Best-Selling Albums All-Time. Historic Nor – Cal Recording Studio Prince / Sly Stone / Fleetwood Mac / Rick James / Santana Van Morrison / Stevie Wonder / Whitney Houston / Heart Metallica / Bob Marley / Grateful Dead / Jefferson Starship Legendary Location… 2200 Bridgeway, Sausalito Est. 1972 California U.S.A. 1970’s Sausalito Music Factory opens as “Record Plant” The unassuming, redwood clad building just north of San Francisco, Sausalito on Oct 29, 1972. California at 2200 Bridgeway in Sausalito, opened in the early 1970’s 1973 - Bob Marley & The as Sausalito Recording before becoming the Record Plant in the fall of Wailers record LIVE album at Record Plant. 1972. The Record Plant, Sausalito was the third in a chain of Record Plant studios operating in Los Angeles and New York. “The Plant,” as 1976-Fleetwood Mac record Rumours album. 10th best- it was later known, would become the location of some of the most selling album all-time. successful & popular recordings in music history. 1978 - Prince records his first album, For You. The grand opening was celebrated with the first in a tradition of th 1980’s Rick James records “Super annual Halloween parties on Sunday, October 29 , 1972. Attendees, Freak” at the Record Plant including John Lennon & Yoko Ono dressed as trees, were treated to in December, 1980. the laid back vibe of the studio situated near the bay in the industrial John Fogerty and Huey part of Sausalito, ten minutes from bustling San Francisco. Lewis & the News cut #1 albums at the Plant.
    [Show full text]
  • The Bosstown Sound. PUB DATE Mar 88 NOTE 39P.; Paper Presented at the Annual Meeting of the American Culture Association (10Th, New Orleans, LA, March 23-26, 1988)
    DOCUMENT RESUME ED 292 153 CS 506 070 AUTHOR Burns, Gary TITLE The Bosstown Sound. PUB DATE Mar 88 NOTE 39p.; Paper presented at the Annual Meeting of the American Culture Association (10th, New Orleans, LA, March 23-26, 1988). PUB TYPE Viewpoints (120) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Bands (Music); Content Analysis; Discographies; *Music; Musicians; *Popular Culture IDENTIFIERS Media History; Music Ensembles; *Rock and Roll; *Rock Music ABSTRACT Based on the argument that (contrary to critical opinion) the musicians in the various bands associated with Bosstown Sound were indeed talented, cohesive individuals and that the bands' lack of renown was partially a result of ill-treatment by record companies and the press, this paper traces the development of the Bosstown Sound from its beginnings in the nightclubs of Boston in 1967 to its end in 1969. In addition, the paper provides complete discographies, including critical commentary, of records produced by bands associated with the Bosstown Sound. The bands of the Bosstown Sound include: The Apple Pie Motherhood Band, The Bagatelle, The Beacon Street Union, Bo Grumpus, Eagle, Earth Opera, Eden's Children, Sure Looks Real, The Ill Wind, Jolliver Arkansaw, Orpheus, Phluph, Puff, and Ultimate Spinach. (Thirty-three references are attached.) (ARH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** The Bosstown Sound Gary Burns, Assistant Professor Department of Communication University of Missouri-St. Louis St. Louis, MO 63121 314-553-5485 American Culture Association, New Orleans, March 24, 1988 My thanks to Jeff Tamarkin of Goldmine magazine.
    [Show full text]
  • ROCK 'DO: RESURGENCE of a RESILIENT SOUND in U.S., Fresh Spin Is Put on Format Globally, `No- Nonsense' Music Thrives a Billboard Staff Report
    $5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) ZOb£-L0906 VO H3V38 9N01 V it 3AV W13 047L£ A1N331J9 A1NOW 5811 9Zt Z 005Z£0 100 lllnlririnnrlllnlnllnlnrinrllrinlrrrllrrlrll ZL9 0818 tZ00W3bL£339L080611 906 1I9I0-£ OIE1V taA0ONX8t THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT r MARCH 6, 1999 ROCK 'DO: RESURGENCE OF A RESILIENT SOUND In U.S., Fresh Spin Is Put On Format Globally, `No- Nonsense' Music Thrives A Billboard staff report. with a host of newer acts being pulled A Billboard international staff Yoshida says. in their wake. report. As Yoshida and others look for NEW YORK -In a business in which Likewise, there is no one defining new rock -oriented talent, up -and- nothing breeds like success, "musical sound to be heard Often masquerading coming rock acts such as currently trends" can be born fast and fade among the pack, only as different sub-gen- unsigned three -piece Feed are set- faster. The powerful resurgence of the defining rock vibe res, no-nonsense rock ting the template for intelligent, rock bands in the U.S. market -a and a general feeling continues to thrive in powerful Japanese rock (Global phenomenon evident at retail and that it's OK to make key markets. Music Pulse, Billboard, Feb. 6) with radio, on the charts, and at music noise again. "For the THE FLYS Here, Billboard cor- haunting art rock full of nuances. video outlets -does not fit the proto- last few years, it wasn't respondents take a Less restrained is thrashabilly trio typical mold, however, and shows no cool to say you were in a global sound -check of Guitar Wolf, whose crazed, over -the- signs of diminishing soon.
    [Show full text]
  • Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
    every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B.
    [Show full text]
  • 456 Microphone Pre-Amplifier
    456 Microphone Pre -Amplifier Features: • Golden Era Analogue Microphone Pre-Amplifier Design • 456HD® Analogue Tape Simulation • Discrete Ultra Low Noise Class A Design • Ultra Wide Bandwidth • Transformer Fully Balanced Inputs and Outputs • 22 way stepped Microphone Gain Control • 22 way stepped Output Gain Control • Line Input Switch with Output Gain Adjust • 180º Phase Reversal Switch • Accurate Wide Band VU with Calibration Adjustment • 456HD® Output Level Adjustment • Gold Plated XLR Connectors • Triple Shielded 6 layer PC Card construction • Ultra low noise 48V Phantom Supply • 2-Channel version available upgradable to 4-Channel Introduction: Roger Mayer is proud to announce the latest evolution from a long series of award winning pre-amplifier designs. It began its development history in 1968 whilst I was working in Olympic Studios, London. The development continued with my move to New York and the formation of Roger Mayer Electronics Inc with designs of Recording Studio Desks, RM58 Limiters, RM 68 Noise Gates, Mastering Equalisers and Location Recorders all using evolutions of our design. These products were supplied to many top Studios in the USA and Europe. The transparency and detail from our wideband design configuration is considered by many to be the ultimate 3D sounding pre-amplifier and can be heard on many landmark recordings of all kinds of musical genres. The phase accuracy and lack of time smearing artefacts is unbeatable and we welcome audio comparison to other products. The innovative addition of being able to add the acclaimed 456HD® Analogue Tape Simulation provides a full analogue signal path from Microphone straight into the DAW. The result is a Golden Era Signal path for the digital world.
    [Show full text]
  • A Tour of John Lennon 'S New York Pujol, Rolando
    Document 1 of 1 A tour of John Lennon 's New York Pujol, Rolando. AM New York [New York, N.Y] 08 Dec 2010: 2. Full Text There is perhaps no more poignant an image of John Lennon than the one captured of him on a Manhattan rooftop in August 1974 wearing the iconic New York City T-shirt his photographer had bought for the shoot. The shirt and the shoot both came to symbolize Lennon's love of New York, where he could be himself and craft his post-Beatles career starting in the early 1970s. Here are some Gotham spots that figured in his short but memorable time in New York. * 105 Bank St: Lennon and wife Yoko Ono lived in a tiny apartment in "arty farty" Greenwich Village, as Lennon once put it, in the early 1970s, shortly after the Beatles broke up and before his so-called "Lost Weekend" - a period when he separated from Ono and lived in Los Angeles. * The Dakota, IW. 72nd St.: The couple moved to this classic apartment house for what turned out to be Lennon's final years. It was here that Lennon eventually found domestic harmony and savored the comforts of Upper West Side life in what he thought was a secure building, where he was one of many celebrity residents and could live in relative peace. His refuge would become his place of death. * Record Plant Studio, 321 W. 44th St.: It's here that Lennon recorded albums including "Walls and Bridges" after returning from L.A., cleaned up and sober.
    [Show full text]
  • I Wish Stevie Wonder Chords
    I Wish Stevie Wonder Chords patricianInitiative BradfordJanus outdance paralleling her unlimitedlyascetics syncretizing and round-arm, wheresoever she gluts or her clank hairdo accentually, disvalued is proprietorially. Wylie claimable? Theodor immaterialises farcically. Geriatric and Stevie wonder songs with a teacher and guitar and never had a purchase and their interpretation of i wish stevie wonder i wish tabs. This time talking so harmonic progressions may not in one to any song in below subscribe to it helped stevie wonder i wish stevie wonder: guitar lesson including isnt she lovely, authors and guitar players! In order to read or download Disegnare Con La Parte Destra Del Cervello Book Mediafile Free File Sharing ebook, you need to create a FREE account. You find out this file for wonder i chords and! What can block them after making a heaven help us. Even though it! If not available through the i wish opens by stevie wonder felt that further key. The songs are beautifully put together, and taught in bite size pieces that enable one to progress towards learning the entire song. Stevie wonder chords with in the complete this page one to know i just for your wish stevie wonder i was immediately after you? Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. Stevie had a home to know what i wish chords by stevie wonder! Chordie is minor, but not work for the album in his techniques has a song to stevie wonder i wish chords tabs including isnt she lovely rate chords fret superstition those days to be.
    [Show full text]
  • Hibbing Public Library Bob Dylan Collection
    Bob Dylan Collection at the Hibbing Public Library 12'' LPs • 4 Songs From "Renaldo And Clara" A Film By Bob Dylan. Columbia, 1978. (Demonstration--not for sale.) • Best of Bob's Bootlegs. Also includes 4 interviews with Dylan. Double Cross, 197?. • Biograph. Five record deluxe edition. Columbia, 1985. • Bob Dylan: Historical Archives, volume 1. Made in Italy by Go International, 1961, 1962. • Bob Dylan London Interview, July 1981. Columbia, 1981. (Demonstration --not for sale.) • Bob Dylan: the Little White Wonder, volume 3. Buhay Records, 1973. • Down in the Groove. Columbia, 1988. • Dylan & the Dead. Columbia, 1989. (Recorded live, July 1987.) • Empire Burlesque. Columbia, 1985. • Folk Jamboree. Columbia Limited Edition, 196?. • Good As I Been To You. England, Columbia, 1992. (Rare import.) • Got My Mind Made Up; Brownsville Girl. Columbia, 1986. (Demonstration--not for sale.) • Great White Wonder. A Different Kind of Music and Media Festival. Future Tense Productions, 1984. (unmarked recordings parts 1 and 2) • Great White Wonder II. 1969? (All disc labels blank.) • Hearts Of Fire. Original motion picture soundtrack. Columbia, 1987. • Historical Archives, Vol. 1. Italy, Go International, 199?. (Tracks 1-6 recorded at the Gaslight Club, NY, Sept. 6, 1961. Tracks 7-8 recorded at the Finjan Club, Montreal, July 2, 1962.) • Infidels. Columbia, 1983. • Knocked Out Loaded. Columbia, 1986. • Life Sentence. Germany, Ruthless Rhymes, Ltd., 1978? (Recorded June 2, 1978 at the Universal Amphitheater in Los Angeles.) • Little White Wonder, Volume 3. Milan, Italy, Buhay, 1973. (Songs performed by the composer and recorded in Italy.) • London Interview - July 1981. Columbia, 1981. (For promotion only. Recorded at the White House Hotel, London, England, July 2, 1981.
    [Show full text]
  • The Backstreets Liner Notes
    the backstreets liner notes BY ERIK FLANNIGAN AND CHRISTOPHER PHILLIPS eyond his insightful introductory note, Bruce Springsteen elected not to annotate the 66 songs 5. Bishop Danced RECORDING LOCATION: Max’s Kansas City, New included on Tracks. However, with the release York, NY of the box set, he did give an unprecedented RECORDING DATE: Listed as February 19, 1973, but Bnumber of interviews to publications like Billboard and MOJO there is some confusion about this date. Most assign the which revealed fascinating background details about these performance to August 30, 1972, the date given by the King songs, how he chose them, and why they were left off of Biscuit Flower Hour broadcast (see below), while a bootleg the albums in the first place. Over the last 19 years that this release of the complete Max’s set, including “Bishop Danced,” magazine has been published, the editors of Backstreets dated the show as March 7, 1973. Based on the known tour have attempted to catalog Springsteen’s recording and per- chronology and on comments Bruce made during the show, formance history from a fan’s perspective, albeit at times an the date of this performance is most likely January 31, 1973. obsessive one. This booklet takes a comprehensive look at HISTORY: One of two live cuts on Tracks, “Bishop Danced” all 66 songs on Tracks by presenting some of Springsteen’s was also aired on the inaugural King Biscuit Flower Hour and own comments about the material in context with each track’s reprised in the pre-show special to the 1988 Tunnel of Love researched history (correcting a few Tracks typos along the radio broadcast from Stockholm.
    [Show full text]