DOCSLIB.ORG

Art in the Modern World

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art in the Modern World Art in the Modern World LECTURE 11 | Modernism A U G U S T I N E C O L L E G E MODERNISM Arnold SCHOENBERG in 1911 Gurre Lieder Pierrot lunaire, opus 21 1901−10 1912 First Communion 1874 Pablo PICASSO Portrait of Dora Maar Portrait of Dora Maar 1939 | Pablo PICASSO 1942 | Pablo PICASSO Portrait of Dora Maar MAN RAY On the Pont de l’Europe 1876-77 | Gustave CAILLEBOTTE Mont Sainte-Victoire 1904 | Paul CEZANNE Mont Sainte-Victoire Poppy Field 1904 1873 Paul CEZANNE Claude MONET Mont Sainte-Victoire detail | Paul CEZANNE The Garden at Les Lauves 1906 | Paul CEZANNE Lac d’Annecy 1896 | Paul CEZANNE Turning Road at Mont Geroult 1898 Paul CEZANNE CUBISM Houses at l’Estaque 1908 Georges BRAQUE Grandes baigneuses 1900-06 | Paul CEZANNE Les demoiselles d’Avignon 1907 Pablo PICASSO African mask The Portuguese 1911-12 Georges BRAQUE Fruit Dish and Glass 1912 Georges BRAQUE The Fifer 1866 Edouard MANET Fruit Dish and Glass 1912 Georges BRAQUE Woman with Guitar 1913 Georges BRAQUE Mont Sainte-Victoire detail | Paul CEZANNE Woman with Guitar 1913 Georges BRAQUE Absinthe Drinker 1902 | Pablo PICASSO The Ascetic 1903 Pablo PICASSO Two Brothers 1906 Pablo PICASSO The Accordionist 1911 Pablo PICASSO Musical Instruments 1912 Pablo PICASSO Face 1928 lithograph Pablo PICASSO Fruit Dish 1908-09 Pablo PICASSO Still-life with Liqueur Bottle 1909 Pablo PICASSO Woman in an Armchair 1913 | Pablo PICASSO Figures on the Beach 1937 | Pablo PICASSO Study for Figures on the Beach 1937 | Pablo PICASSO Weeping Woman 1937 | Pablo PICASSO Guernica 1937 | Pablo PICASSO Guernica details Guernica detail The Seamstress 1909-10 Fernand LEGER The City 1919 | Fernand LEGER Propellers 1918 Fernand LEGER Three Women 1921 | Fernand LEGER Divers on a Yellow Background 1941 | Fernand LEGER FAUVISM Fruit and Cafetière 1899 | Henri MATISSE Male Model 1900 | Henri MATISSE Open Window 1905 Henri MATISSE Woman with a Hat 1905 Henri MATISSE Bonheur de vivre (The Joy of Life) 1906 | Henri MATISSE Terrace, St. Tropez 1904 Henri MATISSE The Piano Lesson 1916-17 Henri MATISSE Nude by the Fireplace 1936 Henri MATISSE Woman before a Fish Bowl 1922 | Henri MATISSE Cafetière and Bowl of Fruit 1903-06 | Henri MATISSE The Bank 1907 Henri MATISSE Music 1939 Henri MATISSE Dance I 1909 | Henri MATISSE DADA Portrait of the Artist’s Father 1910 Marcel DUCHAMP Nude Descending a Staircase, No. 2 1912 Marcel DUCHAMP Nude Descending a Unique Forms of Staircase, No. 2 Continuity in Space 1912 | Marcel DUCHAMP 1913 | Umberto BOCCIONI Tu’m Ennuies [You bore me] 1918 | Marcel DUCHAMP Fountain 1917 Marcel DUCHAMP Remember Uncle August the Unhappy Inventor collage 1919 Georg GROSZ Love Parade 1917 | Francis PICABIA SURREALISM André Breton 1930 Basket of Bread 1926 Salvador DALI Senicitas 1928 | Salvador DALI The Spectre of Sex Appeal 1932 Salvador DALI The Angelus 1859 | Jean-Francois MILLET Retrospective Bust of a Woman 1933 Salvador DALI Atavism at Twilight 1933 | Salvador DALI Archeological Reminescence of Millet’s Angelus 1935 | Salvador DALI Soft Construction with Boiled Beans: Premonition of Civil War 1934 Salvador DALI Baby Map of the World 1939 Salvador DALI The Persistence of Memory 1931 | Salvador DALI The Lugubrious Game 1929 Salvador DALI Atmospheric Skull Sodomizing a Grand Piano 1934 | Salvador DALI The Lugubrious Game details Salvador DALI The Temptation of St Anthony 1946 | Salvador DALI The Rainy Taxi (Mannequin Rotting in a Taxi-Cab) Photo of exhibition installation 1938 | Salvador DALI Christ of St. John of the Cross 1951 Salvador DALI Diagram of a hypercube (a cube in 4-dimensional space) Corpus Hypercubus 1954 Salvador DALI Santiago el Grande 1957 Salvador DALI Beaverbrook Art Gallery, Frederiction, NB EXPRESSIONISM View from the Staffelalm 1903 | Franz MARC Rising Fog 1904 | Franz MARC Improvisation 9 1910 Wassily KANDINSKY Horses Grazing 1910 | Franz MARC Blue Horse I 1911 Franz MARC Foxes 1913 Franz MARC Stables 1913-14 | Franz MARC In the Rain 1912 | Franz MARC The Fate of Animals 1913 | Franz MARC The Blue Mountain 1908-09 Wassily KANDINSKY Landscape Wassily KANDINSKY Composition with an Archer 1909 Wassily KANDINSKY Composition IV 1911 | Wassily KANDINSKY Several Circles 1926 Wassily KANDINSKY Franzi in front of a Carved Chair 1910 Ernst Ludwig KIRCHNER Street, Berlin Potsdamerplatz, Berlin 1913 1918 Ernst Ludwig KIRCHNER Ernst Ludwig KIRCHNER Alps 1917 | Ernst Ludwig KIRCHNER Exhibition of DEGENERATE ART 1937 Kahlenberg Farm Family 1939 | Adolf WESSEL The Four Elements (Fire, Water, Earth, and Air) 1937 | Adolf ZIEGLER The Alps 1917 | Ernst Ludwig KIRCHNER NEW OBJECTIVITY N e u e Sachlichkeit Dr. Hans Koch, Dermatologist and Urologist 1921 Otto DIX Spring Landscape 1910 | Otto DIX Ellis 1922 Otto DIX Parents of the Artist 1926 | Otto DIX Group Portrait 1923 | Otto DIX Portrait of the Journalist Sylvia von Harden 1926 Otto DIX Dying Soldier etching | 1924 | Otto DIX Newborn Baby (Ursus) 1927 Otto DIX Young Girl 1922 Otto DIX Dedicated to Oscar Panizza 1917-18 Georg GROSZ Fit for Active Service pen-and-ink 1916-17 Georg GROSZ White Slaver watercolour 1918 Georg GROSZ Republican Automatons watercolour 1920 Georg GROSZ Dusk watercolour 1922 Georg GROSZ Self-Portrait 1927 Max BECKMANN Descent from the Cross 1917 Max BECKMANN Night 1918-19 | Max BECKMANN The King 1937 Max BECKMANN Party in Paris 1947 | Max BECKMANN The Theatre Box 1874 | RENOIR The Theatre Box 1928 | Max BECKMANN North Sea I, with Thunderstorm 1937 | Max BECKMANN Perseus Triptych 1940-41 | Max BECKMANN Sturm Abteilung Departure 1932-33 | Max BECKMANN Departure 1932-33 | Max BECKMANN Departure left panel 1932-33 Max BECKMANN Departure right panel 1932-33 Max BECKMANN “Christians today must understand the spirit of the age. They must realize that the protesters & revolutionaries are often fighting against the same evils of society as they themselves.” H.R. ROOKMAAKER, MODERN ART & THE DEATH OF A CULTURE ( 1 9 7 0 ) , 1 0.
Load more

Recommended publications
  • Art in the Modern World
    Art in the Modern World A U G U S T I N E C O L L E G E Arnold SCHOENBERG in 1911 Gurre Lieder 190110 Arnold SCHOENBERG in 1911 Gurre Lieder Pierrot lunaire, opus 21 190110 1912 First Communion 1874 Pablo PICASSO Portrait of Dora Maar Portrait of Dora Maar 1939 | Pablo PICASSO 1942 | Pablo PICASSO Portrait of Dora Maar MAN RAY Compassion 1897 William BOUGUEREAU Mont Sainte-Victoire 1904 | Paul CEZANNE Mont Sainte-Victoire Poppy Field 1904 1873 Paul CEZANNE Claude MONET Lac d’Annecy 1896 | Paul CEZANNE Turning Road at Mont Geroult 1898 Paul CEZANNE CUBISM Houses at l’Estaque 1908 Georges BRAQUE Grandes baigneuses 1900-06 | Paul CEZANNE Les demoiselles d’Avignon 1907 Pablo PICASSO African mask The Portuguese 1911-12 Georges BRAQUE Fruit Dish and Glass 1912 Georges BRAQUE Woman with Guitar 1913 Georges BRAQUE Woman with Guitar 1913 Georges BRAQUE Blue Trees 1888 Paul GAUGUIN Absinthe Drinker 1902 | Pablo PICASSO The Ascetic 1903 Pablo PICASSO The Accordionist 1911 Pablo PICASSO Musical Instruments 1912 Pablo PICASSO Face 1928 lithograph Pablo PICASSO Fruit Dish 1908-09 Pablo PICASSO Still-life with Liqueur Bottle 1909 Pablo PICASSO Woman in an Armchair 1913 | Pablo PICASSO Figures on the Beach 1937 | Pablo PICASSO Study for Figures on the Beach 1937 | Pablo PICASSO Weeping Woman 1937 | Pablo PICASSO Guernica 1937 | Pablo PICASSO Guernica details Guernica detail The Seamstress 1909-10 Fernand LEGER The City 1919 | Fernand LEGER Propellers 1918 Fernand LEGER Three Women 1921 | Fernand LEGER Divers on a Yellow Background 1941 | Fernand LEGER FAUVISM Fruit and Cafetière 1899 | Henri MATISSE Male Model 1900 | Henri MATISSE Open Window 1905 Henri MATISSE Woman with a Hat 1905 Henri MATISSE Bonheur de vivre (The Joy of Life) 1906 | Henri MATISSE Terrace, St.
    [Show full text]
  • The New Yorker
    Kindle Edition, 2015 © The New Yorker COMMENT SEARCH AND RESCUE BY PHILIP GOUREVITCH On the evening of May 22, 1988, a hundred and ten Vietnamese men, women, and children huddled aboard a leaky forty-five-foot junk bound for Malaysia. For the price of an ounce of gold each—the traffickers’ fee for orchestrating the escape—they became boat people, joining the million or so others who had taken their chances on the South China Sea to flee Vietnam after the Communist takeover. No one knows how many of them died, but estimates rose as high as one in three. The group on the junk were told that their voyage would take four or five days, but on the third day the engine quit working. For the next two weeks, they drifted, while dozens of ships passed them by. They ran out of food and potable water, and some of them died. Then an American warship appeared, the U.S.S. Dubuque, under the command of Captain Alexander Balian, who stopped to inspect the boat and to give its occupants tinned meat, water, and a map. The rations didn’t last long. The nearest land was the Philippines, more than two hundred miles away, and it took eighteen days to get there. By then, only fifty-two of the boat people were left alive to tell how they had made it—by eating their dead shipmates. It was an extraordinary story, and it had an extraordinary consequence: Captain Balian, a much decorated Vietnam War veteran, was relieved of his command and court- martialled, for failing to offer adequate assistance to the passengers.
    [Show full text]
  • Billboard 1967-11-04
    EijilNOVEMBER 4, 1967 SEVENTY -THIRD YEAR 75 CENTS The International Music -Record Newsweekly Labels Hold Boston Capitol to Back Labels Int'l Pop Fest Koppelman & Rubin Talent) Parties in Of By ELIOT TIEGEL Planned for N.Y. NEW YORK - Capitol Rec- Koppelman, co -owner of the ords will finance and distribute two -year -old independent disk All -Out Artist Hunt a series of pop labels formed producing firm /music publish- By HANK FOX by Charles Koppelman and Don ing combine, said Capitol's in- To Help Charity BOSTON - "Stand up straight -talent scouts Rubin. The affiliation marks vestment in the first of his new are watching you" is the advice circulating the record manufacturer's sec- labels, The Hot Biscuit Disc By CLAUDE HALL through this town and Cambridge. Record com- ond such deal with an out- Co., was over $1 million. Hot moving side interest. The Beach Boys' Biscuit's debut single, sched- NEW YORK -An International Pop Music panies and independent producers are 40 of the world's into the region, furiously signing local talent for Brother Records was launched uled for release in two weeks, Festival, featuring more than top artists and groups, is being planned for late a major onslaught of releases by Boston -based several months ago from the introduces a new New York Coast. (Continued on page 10) June next year in Central Park here. Sid Bern- groups due to hit the market in January. organizing Boston and Cambridge groups are stein, the promoter- manager who is At least six it more than scheduled for release in January, and the Festival, believes will draw already for a three -day event.
    [Show full text]
  • Thesis Rests with Its Author
    University of Bath PHD Tradition or subversion: questions of identity and technique in the films of Eric Rohmer Ennis, Thomas Award date: 2004 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 05. Oct. 2021 UNIVERSITY OF BATH LIBRARY AUTHOR: THOMAS ENNIS YEAR: 2004 TITLE: TRADITION OR SUBVERSION: QUESTIONS OF IDENTITY AND TECHNIQUE IN THE FILMS OF ERIC ROHMER Attention is drawn to the fact that copyright of this thesis rests with its author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and they must not copy it or use material from it except as permitted by law or with the consent of the author.
    [Show full text]
  • Acquisitions of the 1930'S and 1940'S : a Selection of Paintings, Watercolors, and Drawings in Tribute to Baroness Hilla
    ACQUISITIONS OF THE 1930'S 1940'S THE SOLOMON R. GUGGENHEIM MUSEUM Digitized by the Internet Archive in 2012 with funding from Solomon R. Guggenheim Museum Library and Archives http://www.archive.org/details/acquisitionsof1900reba A SELECTION OF PAINTINGS, WATERCOLORS AND DRAWINGS IN TRIBUTE TO BARONESS HILLA VON REBAY 1890-1967 ACQUISITIONS OFTHE1930'S AND 1940'S THE SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK Published by The Solomon R. Guggenheim Foundation, New York, 1 968, All Rights Reserved Library of Congress Card Catalogue Number: 68-25520 Printed in Holland TRUSTEES THE SOLOMON R. GUGGENHEIM FOUNDATION Harry F. Guggenheim, President Albert E. Thiele, Vice President H. H. Arnason, Vice President, Art Administration Peter O. Lawson-Johnston, Vice President, Business Administration Eleanor, Countess Castle Stewart Henry Allen Moe A. Chauncey Newlin Mrs. Henry Obre Daniel Catton Rich Michael F. Wettach » Medley G. B. Whelpley Carl Zigrosser HILLA REBAY 1890-1967 Baroness Hilla Rebay von Ehrenwiesen was born in 1890 in Strassburg, Alsace, daughter of a German army officer. She studied painting at the Academy in Dusseldorf and in Paris and Munich. From 1914-1920 she exhibited with avant-garde groups in Germany; 1914-15 with the Seces- sion, Munich; 1914 Salon des Independants, Paris; 1915 Secession, Berlin; 1918 November Gruppe, Berlin; 1920 became a member of 'Krater'. In 1917 she exhibited at Der Sturm Gallery in Berlin. It is probable that it was through Herwarth Walden that she became acquainted with the other artists who exhibited in his gallery: Delaunay, Gleizes, Leger, Chagall, Kandinsky, Marc, Klee and Bauer — artists whose work she was later to acquire for the Foundation.
    [Show full text]
  • Cubism and Kant
    Proceedings of the European Society for Aesthetics Volume 10, 2018 Edited by Connell Vaughan and Iris Vidmar Published by the European Society for Aesthetics esa Proceedings of the European Society for Aesthetics Founded in 2009 by Fabian Dorsch Internet: http://proceedings.eurosa.org Email: [email protected] ISSN: 1664 – 5278 Editors Connell Vaughan (Technological University Dublin) Iris Vidmar (University of Rijeka) Editorial Board Adam Andrzejewski (University of Warsaw) Pauline von Bonsdorff (University of Jyväskylä) Daniel Martine Feige (Stuttgart State Academy of Fine Arts) Tereza Hadravová (Charles University, Prague) Vitor Moura (University of Minho, Guimarães) Regina-Nino Mion (Estonian Academy of the Arts, Talinn) Francisca Pérez Carreño (University of Murcia) Karen Simecek (University of Warwick) Elena Tavani (University of Naples) Publisher The European Society for Aesthetics Department of Philosophy University of Fribourg Avenue de l’Europe 20 1700 Fribourg Switzerland Internet: http://www.eurosa.org Email: [email protected] Proceedings of the European Society for Aesthetics Volume 10, 2018 Edited by Connell Vaughan and Iris Vidmar Table of Contents Claire Anscomb The Epistemic Value of Photographs in the Age of New Theory ..................................................................................................... 1 Marco Arienti Some Concerns with Experientialism about Depiction: the Case of Separation seeing-in ................................................................ 19 Marta Benenti and Giovanna
    [Show full text]
  • Platform June 2017.Pdf
    ²ÕÄyÝþšþ›Å ¡ìy^ùéÂy!¢„þ ¢y!£“þÄ ç ¢‚ßþ,ñ!“þ !î¡ìëû„þ þ™!e„þy ¡ìÛþ î¡ìÅ/²Ìí› ¢‚…Äy/ ‹%˜– 2017 ¢Á™y”„þ vþ. îûö웟‰þw ›%öì…yþ™y•Äyëû vþ. ö›ï¢%›# ö‡y¡ì xy[þyîû@ùÌyvþz[þ ¢y!£“þÄ PLATFORM (A Bi-Lingual Magazine Based on Literature and Culture) ISSN 2347-5242 Editorial Board Advisor : Dr. Sabita Chakraborty Associate Professor of Philosophy Dr. Prasanta Panda Professor, IIT, BHU Editor : Dr. Rameshchandra Mukhopadhyaya Dr. Mousumi Ghosh Board of Editors : Biplab Majee, Poet Dr. Rita De Retired Headmistress Dr. Sumanapal Bhikkhu Editor, Nalanda Published : June, 2017 Postal Address : Flat No A-2, P-85, Kanungo Park, PO: Garia, Kolkata- 700084, W.B., India Mob : 09434214633/09874051926 e-mail:[email protected] [email protected] Published by : Dr. Rameshchandra Mukhopadhyaya on behalf of Underground Sahitya Compose: Nilima Halder Cover Design : Avijit Karmakar Printed at : Rohini Nandan 19\2 Radhanath Mallik Lane Kolkata - 700012 Price : ä30.00 E D I T O R I A L Thanks to Abhijit and Nilima and Rohini Nandan, our June 2017 issue of Platform is being published. Platform strikes a unique note in the crowd of the journals and little magazine in West Bengal. The gracious poets from abroad such as Mongolia, Vietnam, Japan, China, Thailand and the like as well as poets from other states of India have been kind enough to contribute their poems to this journal. We Bengalee poets, writers and thinkers thereby get the opportunity to have a first hand experience of the poems abroad of our time.
    [Show full text]
  • Picasso Black and White
    PICASSO BLACK AND WHITE OCTOBER 5, 2012–JANUARY 23, 2013 Solomon R. Guggenheim Museum Teacher Resource Unit A NOTE TO TEACHERS Few artists have exerted as great an influence over subsequent generations as Pablo Picasso, who is renowned for his innovative explorations in a prodigious variety of styles and techniques. Picasso Black and White is the first exhibition in a major museum setting to explore the artist’s recurrent use of black and white across his prolific career. Organized chronologically, the exhibition traces his continued return to this deceptively simple palette in his Rose and Blue period paintings, investigations into Cubism, neoclassical and Surrealist-inspired figure paintings, forceful scenes of war, allegorical still lifes, homages to old master canvases, novel interpretations of historical subjects, and the highly charged works of his twilight years. Comprising 118 paintings, sculptures, and works on paper, the exhibition is drawn from museums across Europe and the United States, as well as private collections, including those of the Picasso family. The exhibition is organized by Carmen Giménez, Stephen and Nan Swid Curator of Twentieth-Century Art, with assistance from Karole Vail, Associate Curator, Solomon R. Guggenheim Museum. This Resource Unit focuses on various aspects of Picasso’s work and provides techniques for exploring both the visual arts and other areas of the curriculum. Before bringing your class to the Guggenheim, we invite you to visit the exhibition, read the guide, and decide which aspects of the exhibition are most relevant to your students. For more information, and to schedule a visit for your class, please call 212 423 3637.
    [Show full text]
  • "SERBIA MONTENEGRO GRAND CIRCUIT 2020" Salon Novi Sad FIAP 2020/456 PSA 2020-452 FSS 2020/54
    3rd Circular Exhibition of Photography "SERBIA MONTENEGRO GRAND CIRCUIT 2020" Salon Novi Sad FIAP 2020/456 PSA 2020-452 FSS 2020/54 Accepted Theme A) Nature Australia David Henderson - Bee Eater 8429 Dennis Hill - Sacred Kingfisher 2 Graeme Watson - Breaching Whale 5 Graeme Watson - Pelican Wars 6 Austria Hans Lahodny - Thoughtfull Manfred Karner - In the Canyon Manfred Karner - Waterfall in the Canyon Manfred Pillik - Aufgespiesst Manfred Pillik - Vereint Belgium ALAIN ROTSTEIN - Big bisou chris Discart - reflection 2 Claude Simon - Sea lions playing Cape Cross Jef Lemmens - Flying with plume MATHIEU DE BOSSCHER - Juffer 7282 Brazil Edilene Guerra - Galito Edilene Guerra - Sharp-tailed Canada Jill Lam - Bossy Loon Baby Jill Lam - Great Blue Heron Show Off his Catch Jill Lam - When is my Turn China CHAOHONG WANG - Group tiger diagram JIANGCHUAN TONG - Cisticola juncidis JIANGCHUAN TONG - hunting 02 JIANGUO WANG - Blue memory JIANGUO WANG - Flying around the island JIANGUO WANG - Lava Burning Night - Flamingo JIANGUO WANG - Leap corner Kai Zheng - XINJIANG Anjihai Grand Canyon.jpg LIANJUN QUAN - gather LIANJUN QUAN - Multiply and thrive LIANJUN QUAN - Pink shore LIANJUN QUAN - start dancing MING LI - I am hungry too RISHENG LIU - Cool lizard RISHENG LIU - Langur SENLIANG LI - Fight WEIPING CHEN - Golden morning rhyme WEIPING CHEN - Running across the water XIAOYING WANG - Eat -1 XIAOYING WANG - instantaneous4 XIPING AN - look forward to YAN WONG - Death kiss YAN WONG - Delicious meal YANBIN WANG - Autumn forest YANBIN WANG - Bird Island ZHUJUN YING - Fierce tiger 07 Cyprus ANDREAS IERIDES - In the deep Pantelis Kranos - Lola by dark Ricos Andreas Gregoriou - in alert Denmark Jens Jakobsson - Swans in love Jorgen Kristensen - Deer 27 Jorgen Kristensen - Squirrel 7 Roland Hvid Jensen - Bloody victor Roland Hvid Jensen - In_snow Roland Hvid Jensen - The giants fight II England ALAN YOUNG - Emperor Moth Larva 2 ALAN YOUNG - Love Is ..
    [Show full text]
  • Program Notes
    1 PROGRAM NOTES Introduction The main purpose of this work is to provide program notes for all my compositions, or, to be precise, all those I consider worthy of retention. Others not mentioned here have been withdrawn, and I do not wish them to be performed. I have not provided details here for the theatrical works in the Patria cycle, but have merely listed them in the order in which they were composed. They have been discussed in detail in the book Patria: The Complete Cycle (Coach House Books, Toronto, 2002). The works are listed chronologically by the year in which they were composed or completed. An index will list the works alphabetically giving the number of each work for easy reference. In an appendix, I will provide a list of errata in all published scores, at least those errors that performances have revealed to date. I am frequently asked by performers and publicists to provide program notes to my works. Some works have notes in the scores, others do not. In this catalogue I shall say something about each work, so that the collection as a whole could be taken as an evolution of my thinking as a composer. A word of warning. I am not always careful about bibliographical details such as dates of composition or performance. This information is presumably accurate in Stephen Adams biography up to 1981, when the book went to press.1 One might expect this list to have been updated by some ambitious doctoral candidate at one of the Canadian beaneries, but these students are evidently applying their talents to more glittering projects.
    [Show full text]
  • 1. Pendahuluan
    Sejarah Seni Rupa Modern 1 1. PENDAHULUAN Perjalanan sejarah seni rupa modern di Eropa (sebut saja: Barat) memiliki benang merah yang jelas dan tegas. Alur dan bentangannya memperlihatkan satu kesatuan yang saling berhubungan. Gaya atau aliran yang satu muncul sebagai akibat menentang (mereaksi) aliran/gaya sebelumnya. Penentangan -atau reaksi- tersebut didasari argumentasi atau konsepsi senimannya yang sangat kuat. Pada dasarnya perjalanan atau perkembangan seni rupa Barat selalu tidak lepas dari perjuangan terhadap nilai kebebasan dan kreativitas. Nilai kebebasan gaya yang satu ditentang oleh nilai kebebasan gaya yang lainnya, baik kebebasan segi pemilihan tema, estetika maupun teknik dan proses kreatifnya. Orientasi yang fundamental dari seni rupa Barat adalah seni klasik Yunani dan Romawi kuno. Kebudayaan klasik Yunani yang dilanjutkan oleh bangsa Romawi menjadi tenggelam ratusan tahun karena orientasi berpindah ke ajaran Kristiani, dan abad gemilang menjadi ―abad kegelapan‖. Namun kemudian abad pertengahan tersebut didobrak oleh para seniman karena dianggap tidak memberikan kebebasan dalam berkarya seni-budaya. Untuk mewujudkan cita-budaya yang bebas secara kemanusiaan, maka orientasi berkarya seniman kembali kepada seni klasik kuno (Yunani-Romawi) yang naturalistis-idealis dan didasari filsafat humanismenya. Penggalian kembali kaidah-kaidah klasik tampak semakin digalakkan. Tradisi berkarya seni rupa (khususnya seni lukis dan patung) kembali pada aturan-aturan seni klasik yang pernah berjaya. Gerakan kelahiran kembali ideal klasik ini dinamakan Renaissance (bahasa Perancis, dan renaitre dalam bahasa Itali, dan rebirth dalam bahasa Inggris). Gerakan ini menggema bukan hanya dalam bidang seni lukis dan patung, tetapi juga arsitektur dan semua lapangan budaya. Sejak Renaissance inilah akan terlihat perjalanan yang sangat jelas dari sejarah seni rupa Barat. Sehingga kita bisa menemukan sebab akibat dari gerakan seni modern.
    [Show full text]
  • Radical Vernaculars FINAL DRAFT with Figures
    Radical Vernaculars Experiments with Tradition between Politics and Performance Gabriel J. Levine A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN SOCIAL AND POLITICAL THOUGHT YORK UNIVERSITY TORONTO, ONTARIO September 2014 © Gabriel J. Levine 2014 ABSTRACT This dissertation focuses on four collective projects that take “tradition” as a starting point for creative experiments in performance practice. All of these disparate projects are based in early 21st-century settler-colonial North America, and all of them have anachronistic, political, and playful qualities. Following a theoretical and methodological Introduction, the dissertation moves through close readings of four experiments with “traditional” practices. Chapter One looks at the Purim Extravaganza, a diasporic and queer version of the carnivalesque Jewish festival that takes place each year in New York City. Chapter Two addresses the mobile audiovisual performances of Ottawa DJ collective A Tribe Called Red, exploring Indigenous experiments with technology and tradition. Chapter Three gives an account of the Abandoned Practices Institute, a summer school in performance pedagogy based on forgotten or endangered everyday practices, run by former members of the performance collective Goat Island. Chapter Four investigates the North American revival of culinary fermentation practices, spurred in part by the writings of Sandor Katz, in order to examine the contradictions of vernacular revivals at the level of daily life. All of these collective experiments offer insight into the fate of “tradition” as that which is abandoned (and then recuperated in frozen form) during the modernizing process, especially in settler-colonial societies.
    [Show full text]