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Criticism/' in New York 2000. Chapman As editor designate of the Art Bulletin, Chapman will select and edit manuscripts for publication. Submissions Named Art should be sent to: H. Perry Chapman, Dept. of Art History, 318 Old College, University of Delaware, Newark, DE Bulletin 19716. Editor Designate's Editor Statement Art history-what it is, how we do it, and the objects we study-has changed dramatically in recent years. The Art ( Bulletin has become more innovative and Perry Chapman, professor has published more articles and critical of art history at the Univer­ essays that define instead of just respond H. sity of Delaware, has been to our discipline. As a comprehensive appointed editor designate of the Art journal, it faces the dual challenge of Bulletin. She will succeed John T. Paoletti competing with field-specific ones for the s as editor-in-chief, effective July I, 2000. best articles and enticing people to read Chapman received a B.A. in art outside their immediate areas of interest. history, with a minor in history, from H. Perry Chapman My goal is to enhance the Art Bulletin's May 1999 PHOTO: ANN MAAS Swarthmore College and a Ph.D. in art intellectual accessibility to the diverse College Art Association histOlY from Princeton University. She National Gallery of Art, WaslUngton, populations CAA serves. 275 Seventh Avenue has been at the University of Delaware D.C., and Rijksmuseum, Amsterdam One way to do this is to foreground New York, New York 10001 since 1982, prior to which she taught at (1996-97), and she co-authored the methodology. Especially today, articles Swarthmore College and American accompanying scholarly catalogue. that are exemplary not just for their University. Chapman has held fellowships from the scholarship but also for their art histori­ Board of Directors A specialist in seventeenth-century Woodrow Wilson International Center cal approach or combinations of ap­ John R. Clarke, President Dutch art, she has dealt in her work with for Scholars and the National Endow­ proaches are likely to engage a wider EUen T. Baird, Vice President, Committees self-portraiture, early modem biography ment for the Humanities and her work audience. I encourage potential authors Richard Martin, Vice-President, External Affairs has been supported by the Getty Grant to be explicit about their research method E. Bruce Robertson, Vice-President, Annual Conference and art theory, and issues of individual, Joe Deal, Secretary artistic, and political identity. She is the Program and the American Philosophical or interpretive stance. Exhibition review John W. Hyland, Jr., Treasurer author of Rembrandt's Self-Portraits: A Society. She currently serves on the essays offer another way to reach a Jeffrey P. Cunard, Counsel Study in Seventeenth-Century Identity executive committee of the Folger broader constituency while acknowledg­ Susan Ball, Executive Director (1990) and numerous articles in such Institute, and on the boards of the ing the importance of the museum as the journals as the Art Bulletin, Art History, Historians for Netherlandish Art and the site of exciting scholarly work With Catherine Asher Christine Kondoleon Leids Kunsthistorisch Jaarboek, Nederlands University of Delaware Press. A member CAA.Reviews as a forum for timely Michael Aurbach Patricia Leighten Holly Block Arturo Lindsay Kuntshistorisch Jaarboek, and Simiolus. She of CAA since 1976, Chapman has coverage of current shows, the Art Marilyn R. Brown Valerie Mercer co-curated (with Wouter Kloek and presented numerous papers at the Bulletin should be the place for a type of Bailey Doogan Yang Soon Min Arthur K. Wheelock, Jr.) the major loan annual conferences and will co-chair broader consideration of the entire Nancy Friese John Hallmark Neff exhibition "Jan Steen: Painter and (with Mariet Westermann) a session, curatorial, scientific, and scholarly Joanna Frueh Archie Rand Storyteller," which was shown at the "Early Modern Biography as Art Vanalyne Green Jeffrey Chipps Smith CONTINUED ON PAGE 2 Linda C. Hults Edward Sullivan Dorothy Johnson Alan Wallach

01 Chapman Named Art Bulletin Editor to the conceptual. Millennial Manhattan: qualities and attributes of the candidates nationally and internationally on the CONTINUED FROM PAGE 1 The City Imag(in)ed will be curated by And the among whom they choose. No more field. Romy Golan (associate professor of art than 10 letters per candidate will be CAA/Heritage Preservation Award considered. Vo/wlle 24, Numher 3 enterprise surrounding a major exhibi­ history, Graduate School and Universityi, (formerly National Institute for Conser­ All nomination campaigns should May 1999 tion or series of exhibitions. I also want Center and Lehman College, CUNY) \Nominees vation) for distinction in scholarship and to revisit the "state of research" reviews, and Harriet F. Senie (director of mu­ include one copy of the nominee's c.v. conservation was created to recognize but as assessments of how new perspec­ seum studies and professor of art (limit: two pages). Nominations for book an outstanding contribution by one or awards and exhibition awards (Morey, more persons who have enhanced 1 Chapman Named Art Bulletin Editor tives are reshaping traditional fields and history, Graduate School and University Are . .. defining the emerging, One aim of these Center and City College, CUNY). !twill Barr, and the Award for a Distinguished understanding of art through the critical essays is to bridge the troubling take pace at Gallery 365 in the new Body of Work, Exhibition, Presentation, application of knowledge and experi­ gap, in the Art Bulletin's readership, or Performance) should be for authors ence in conservation, art history, and art. 2 Annual Conference Update CUNY Graduate School building between people who are energized by designed by Gwathmey Siegal. The of books published or works staged in Alfred H. Barr, Jr., Award was critical theory and those who are street level gallery has three large bays very year at its annual confer­ the calendar year 1998. established in 1980 in honor of a former alienated. facing Fifth Avenue and one on 35th Distinguished Teaching of Art director of the Museum of Modern Art And the Nominees Are, , , ence, the College Art Associa­ 3 By emphasizing art history'S Street. There will be ari illustrated tion presents awards for Award is presented to an artist of and scholar of early twentieth-century increasing methodological self-con­ E distinction who has developed a painting. It is presented to the author or catalogue. For an application, send a outstanding achievements in the fields Annual Conference 2001: philosophy or technique of instruction authors of an especially distinguished sciousness and diversity, I intend to SASE to Romy Golan and Harriet F. Senie, of art, art history, criticism, and conser­ 4 CaLI for Session Proposals based on his /her experience as an artist; catalogue in the history of art, published signal an openness to scholarship that Millennial Manhattan Exhibition, vation. Nominations are now being challenges conventional thinkiIJ,g and who has' encouraged his/her students to during the penultimate calendar year Graduate School and University Center, sought for the awards to be presented in develop their own individual abilities; under the auspices of a museum, proposes new ways of seeing. Above all, Art History Dept., 33 W. 42 St., New 2000. By submitting nominations, CAA CAANews and/ or who has made some contribu­ library, or collection. 7 I want to publish articles that spark York, NY 10036-8099. members have the opportunity to widen debate, set high standards for our tion to the body of knowledge loosely Frank Jewett Mather Award, first the pool of candidates for awards discipline, and, in today's interdiscipli­ called theory and understood as presented in 1963 for art journalism is 2000 Annual committees to consider. Committee nary climate, push to establish art embracing technical, material, aesthetic, awarded for published art criticism that Solo Exhibitions by Artist Members Conference members who determine the recipients 8 history as a model. I encourage submis­ and perceptual issues. has appeared in whole or in part in of these awards are appointed because sions that address this challenge. In Book and Trade Exhibit Distinguished Teaching of Art North American publications during the of their individual expertise and turn, I plan to see to it that manuscripts The Annual Conference 2000 Trade History Award is awarded to an preceding year. Attention is paid to the People in the News collective ability to represent the broad 10 are reviewed by appropriate specialists Show will be presented in the Americas individual who has been actively range of criticism that appears through­ range and diverse in~erests of the in as timely and fair a manner as Hall I and II at the New York Hilton and engaged in the teaching of art history for out the country. membership, In the absence of nomina­ possible. To this end, I call on the Towers, from Wednesday, February 24 most of his/her career. Among the range Charles Rufus Morey Book Award, tions from the membership, awards 11 Grants, Awards, & Honors members of the Art Bulletin's board for through Saturday, February 26, 2000. of criteria that may be applied in named in honor of one of the founding committees choose recipients based on their advice and support. Finally, I Hours will be 9:00 a.m. to 6:00 p.in. evaluating candidates are: inspiration to members of CAA and first teachers of their own knowledge and contacts welcome your thoughts on how the Art Thursday and Friday, and 9:00 a.m. to a broad range of students in the pursuit art history in the United States, is within the field. Conferences & Symposia Bulletin is doing and what it should be 2:30 p.m. on Saturday. More than 120 of humanistic studies; rigorous intellec­ presented for an especially distin­ 12 If you would like to see someone doing at pchapman®Udel.edu. publishers, materials manufacturers, tual standards and outstanding success guished book in the history of art, recognized for her or his contributions -H. Perry Chapman and technology service providers are in both scholarly and class presentation; published in any language in the to the field of art and art history, we expected to participate in 2000, There contribution to the advancement of penultimate calendar year. Preference is 13 Opportunities urge you to write a letter to the appro­ will be over 150 exhibit booths in the knowledge and methodology in the given by the award committee to books priate committee. Personal letters of combined 36,432 square feet of exhibi­ discipline including integration of art by a single author, but major publica­ nomination are weighed heavily by tion space. The 1999 exhibit in Los historical knowledge with other disci­ tions in the form of articles or group Institutional News awards committees in their delibera­ 16 Angeles saw an increase in the number plines; and aid to students in the studies may be considered. tions, Nomination letters should state of exhibits of computer-based and development of their careers. Arthur Kingsley Porter Prize, who you are; how you know (of) the Information Exchange Internet service providers; we expect Artist Award for a Distinguished established in memory of another nominee; how the nominee and/ or his 17 Datebook this trend to continue in 2000. Inquiries Body of Work, Exhibition, Presentation, founding member of the CAA and one or her publications affected you, your Annual regarding reservation of exhibit space or Performance, first presented in 1988, of the first American scholars of the studies, and the pursuit of your career; should be directed to: Paul Skiff, is a peer award given to an artist for discipline, is awarded for a distin­ and why you think this person (or, in Classified Ads Advertising and Exhibits Manager; 212/ exceptional work, exhibition, presenta­ guished article published in the Art 19 Conference the case of collaboration, these people) 691-1051, ext. 213; fax 212/627-2381; e­ tion or performance mounted in the year Bulletin during the previous calendar deserves to be awarded for achieve­ mail pskiff@ collegeart.org. The pro­ preceding the award. It is presented to a year by a scholar of any nationality who ments made. Update spectus will be mailed to exhibitors in living artist of international or national is under the age of 35, or who has Awards committees are impressed CAA News is published 6 times a year by the early September. stature, who is a citizen or permanent received the doctorate not more than ten with multiple nominations for candi­ College Art Association, 275 7th Ave., New York, resident of the United States, its territo­ years before acceptance of the article for NY 10001; www,collegeart.org. dates when considering the significance Call for Participation: ries, Canada, or Mexico. publication. of a candidate's influence on the field. Correction Distinguished Artist Award for Nominations should be sent to: EditorMinMChief Susan Ball To nominate someone for an award, Editor Jessica Tagliaferro Call for Entries for The contact information for Jayne Lifetime Achievement celebrates the Award Chair, c/o CAA, 275 7th Ave., contact five to ten colleagues, students, Listings Editor Kari Grimsby 2000 Members Exhibition Merkel's session, "Building a Body of career of an artist who is a citizen or New York, NY 10001. For further peers, collaborators, and/ or co-workers Millennial Manhattan: The City Architecture: Design on an Organic permanent resident of the United States, information regarding the requirements Material for inclusion should be sent via e-rnall to of the nominee to write letters to the Imag(in)ed-imaged or imagined, Mode!," was listed incorrectly in the its territories, Canada, or Mexico, It is and qualifications for the awards, Kari Grirnsby at [email protected], award committee. The different perspec- idealized, demonized, or decon­ Call For Participatidn for the Annual presented to an artist of note who has contact the Assistant to the Executive Photographs may be submitted to the above ) tives and anecdotes contained in several address for consideration. They cannot be returned. structed-this exhibition invites works Conference in New York, 2000. Mail demonstrated particular commitment to Director at the CAA office, 212/691- letters of nomination provide awards in all media and all styles from the proposals to: Jayne Merkel, 60 Gramercy his or her work throughout a long career 1051, ext. 209. Deadline: August 3,1999. committees with dearer pictures of the © 1999 College Art Associlltion specific to the cosmic, from the concrete Park N., New York, NY 10010. and has had an important impact

2 CAANEWS MAY1999 CAA NEWS MAY 1999 3 technology. The process of fashioning Contemporary Issues/Studio Art. This and Byzantine art, where he has Europe and the Near East in the collection of his critical essays on topics Annual the programs is a delicate balancing act. category is intended for studio art explored a number of different themes, company of senior scholars, coUeagues, in the book arts, and numerous exhibi­ In order to develop a stimulating proposals, as well as those concerned including the relationships between and fellow students. She spent an tion catalogue essays. conference that embraces both the with contemporary art and theory, : Byzantine art and rhetoric, the depiction important year at the Institute of Fine Spector earned his B.A. in art from Conference diversity of CAA's growing member­ criticism, and visual culture. of nahlre in Byzantine art, the interrela­ Arts, and took her Ph. D. from Harvard Southern Illinois University at ship and the variety of media, studio tionships between domestic and official University in 1986, specializing in early Carbondale in 1972, and his M.F.A. with practice, and methodological ap­ Educational and Professional Practices. art in the early Christian period, Byzantine architectural sculpture. the Committee on Art and Design at the 2001: Call proaches to the study of art, the board This category pertains to session Byzantine ceramics and their materials Grants from the NEH funded the University of Chicago in 1978. In 1991 he idetified four new categories to fulfill proposals that develop along more analysis, and the iconography of the 1989 exhibition and publication of Art was awarded a Louis Comfort Tiffany this objective: Historical Shldies; practical lines and address the concerns saints. He is currently working on and Holy Powers in the Early Christian Foundation Fellowship, and in 1982, for Session Contemporary Issues / Shldio Art; of CAA members as teachers, practicing problems connected with medieval House at the Krannert Art Museum, 1985, and 1991 he received NEA Educational and Professional Practices; artists and critics, and museum profes­ Venetian sculpture and with the mosaics where she has been curator since 1987, fellowship awards. He is professor and Proposals and Other. Also included in the mix are sionals. preserved in the Basilica of Eufrasius at joining the university's art history chair of the Painting Program at the sessions presented by affiliated societies, Poree in Croatia. faculty as assistant professor. Her School of Art and Design, University of committees of the board, and, for Other. A miscellaneous category that is Maguire has written three books exhibitions and installations explore the Illinois at Urbana-Champaign. balance and programmatic equity, open intended to encourage the submission of and edited, or co-edited, five more. He intellectual history of design in a variety sessions. The majority of sessions, proposals that do not fit into the three has also written some forty five articles, of media, culhlres, and time periods. To Anne Wilson is an artist whose objects however, are drawn from member other categories. of which a selection have recently been introduce the lively and informal secular and installations explore themes about AA will hold its Annual submissions, and the committee reissued. In addition to his regular art of medieval Byzantine ceramics for time, loss, and private and social rituals. Conference in Chicago, from depends heavily on the participation of Regional Chairs teaching activities at the University of The Glory of Byzantium, she accepted an Her work draws on culturally con­ C Wednesday, February 28, to the CAA membership in the conference. Illinois, he has organized several Andrew Mellon Senior Research structed meanings (coded women's Saturday, March 3. This conference will The committee welcomes session The regional chairs are part of the symposia and colloquia at Dumbarton fellowship at the Metropolitan Museum work, art-historical conventions), be the first to implement the changes proposals that offer the possibility of composition of the Annual Conference Oaks. He has joined with Eunice of Art, followed by a fellowship from concephlal strategies, and perception. recommended to the Board of Directors including the work of senior scholars Committee and are full partners, along Dauterman Maguire in planning and the NEA in 1996. Her published studies Although predominantly using such by the Annual Conference Committee. and artists along with that of younger with other committee members, in cataloguing the exhibitions /I Art and of architectural sculpture, ceramics, and materials as hair and cloth, and labor CAA has revised the concept of theme­ scholars, early-career artists, and planning the conference program. As Holy Powers in the Early Christian textiles draw on an often overlooked (hand stitching) associated with the inspired sessions, and of theme chairs, graduate students. Particularly welcome the title suggests, they also encourage House" and "Ceramic Art from Byzan­ ecology of connections between these domestic work place, she also uses in favor of a more inclusive approach to are those that highlight collaborative the participation of co'Ueagues and tine Serres," both at the Krannert Art familiar flora of the inhabited environ­ website construction, sound, and the program. Regional chairs will work and interdisciplinary work. Artists are institutions in their home region, Museum in Champaign, Illinois. ment and the more frequently scruti­ collaborative processes in developing in consultation with the committee to especially encouraged to propose broadly defined, and thus give the nized monuments of art history. Her these themes. develop four new session categories. It sessions that are appropriate to dialogue conference local resonance. The regional , Eunice Dauterman Maguire is a most recent project is the exhibition Wilson's work has been exhibited is expected that themes and subthemes and information exchange relevant to chairs preserve the traditional balance of( 'I second-generation CAA member. Her Weavings from Roman, Byzantine, and internationally as well as is in private will emerge and that the committee will artists; these sessions need not conform art history and studio art. ' fath!=r, Carl C. Dauterman, had in his Islamic Egypt: The Rich Life and the Dance. and public collections, including the identify them from accepted session to traditional panel formats. Sessions boyhood attracted the attention of John Museum of Contemporary Art, Chicago; proposals. The changes are described might bring together scholars in a wide Regional Chairs­ Cotton Dana, whose vision of the Regional Chairs­ the Art Institute of Chicago; the below. range of fields, including but not limited Historical Studies museum as a center for public education Contemporary Issues Cranbrook Art Museum, Bloomfield to anthropology, history, economics, was celebrated by a session at CAA's The regional chairs for the confer­ Henry Maguire was educated at King's {Studio Art Hills, Mich.; and the M. H. DeYoung philosophy and religion, literary theory, 1999 meeting in Los Angeles. Memorial Museum, San Francisco. She ence are Henry Maguire, Eunice College and Cambridge and Harvard Buzz Spector is an artist and writer and new media. In addition, the Maguire's training in research has received major grants including Dauterman Maguire, Buzz Spector, and Universities. From 1968 to 1970 he was whose work has been exhibited in such committee is seeking topics that have began in early youth, assisting her father NEA Visual Artist fellowships; Illinois Anne Wilson. E. Bruce Robertson, the an assistant lecturer in medieval art at museums and galleries as the Art not been addressed in recent confer­ with his research at the Sevres factory Arts Council Individual Artist grants; new Vice President for the Annual the University of Manchester in En­ Institute of Chicago, Corcoran Gallery of ences or areas that are underrepre­ archives, and accompanying him on and a Tiffany Foundation award. Conference, will chair the Annual gland, and, from 1973 until 1979, an Art, Los Angeles County Museum of sented. visits to leading public and private In the past several years, Wilson has Conference Committee. Former Pro­ assistant professor holding a joint Art, Museum of Contemporary Art collections. At Wells College she gained participated in solo and collaborative gram Committee co-chairs Norie Sato appointment with the Center for Chicago, and the Orange County Art her first experience as an art critic, exhibitions at Revolution Gallery, New and Jeffery Chipps Smith will continue New Session Categories Byzantine Studies at Dumbarton Oaks Museum. His art makes frequent use of reviewing exhibitions of contemporary York and Detriot; The Museum for to serve on the committee. and the Department of Fine Arts at the book, both as subject and object, and art for the campus newspaper, and Textiles Contemporary Gallery, Toronto; Proposal submission guidelines and Whereas in the past the two major Harvard University. From 1979 until the is concerned with relationships among being invited to install the exhibitions and the Roy Boyd Gallery, Chicago. instructions follow the call for session divisions of shldio art/ art history and present he has taught in the School of public history, individual memory, and themselves. Her senior thesis ap­ Recent group exhibition include proposals and the introduction of the thematic/ nonthematic have shaped Art and Design at the University of perception. Spector has issued a number proached medieval painting and Memorable Histories and Historic Memo­ regional chairs. program planning, the committee is illinois at Urbana-Champaign. He was of artists' books and editions since the sculpture through an innovative ries, Bowdoin Col1ege Museum of Art, developing the Chicago conference granted a five-year leave from. the mid-1970s. combination of original poetry with art­ Brunswick, Maine; Graphic, Monash Introduction and according to four new categories that University of Illinois in 1991 so that he Spector was a co-founder of White historical interpretation. University Gallery, Clayton, Australia; expand the program's possibilities while could return to Dumbarton Oaks as Walls, a magazine of writings by Call for Proposals It was Maguire's curiosity about the Touchware, Siggraph '98, Orlando, Fla.; recognizing the needs of CAA's growing director of Byzantine studies. Maguire Chicago artists, in 1978, and served as signitive value of visual elements in Webs://Textiles & New Technologies, professional constituencies. has also held fellowships from the the publication's editor until 1987. Since The Annual Conference Committee medieval poetry that led her to study Design Gallery, University of California; Leverhulme Foundation (1970-71), from then he has written extensively on topics invites session proposals that cover the the complex world of medieval visual and Works on Paper: New Acquisitions, Historical Studies. This category Dumbarton Oaks (1971-72), and from in contemporary art and culture and has breadth of interest in current thinking design. Her first stop in this quest was Museum of Contemporary Art, Chicago. broadly embraces all art-historical the Center for Advanced Study at the contributed reviews and essays to a and research trends in art, art and the Courtauld Institute. Over a twenty­ Her work is represented by Revolution proposals up to the early twentieth University of Illinois (1983). number of publications. He is the author architectural history, pedagogical issues, ( year span she participated in eleven of Gallery, Detroit and New York, and the century. Maguire's research interests are of The Book Maker's Desire (Umbrella museum and curatorial practice, the Courtauld's summer schools, Roy Boyd Gallery, Chicago. primarily in the fields of early Christian Editions, Santa Monica, Calif., 1995), a conservation, and developments in visiting monuments and collections in Wilson received her M.F.A. from

4 CAA NEWS MAY 1999 CAA NEWS MAY 1999 5 California College of Arts and Crafts in chair a session in 2001). on the theme or the media included in New York, NY 10001; 212/691-1051, ext. University Press). 1976 and her B.F.A. from Cranbrook The Annual Conference Committee the exhibition, except that it must be a 209; fax 212/627-2381. Deadline: Septem­ Millard Meiss grants are awarded Academy of Art in 1972. She has CAA will make its selection solely on the group show of CAA members' work ber 1, 1999. twice annually for scholarly manuscripts lectured extensively and has served as a basis of merit. Where proposals overlap, (membership during the year of the that have been accepted by publishers guest curator of historical and contem­ CAA reserves the right to select the show is required). A committee con­ News Call for but cannot be published in the most porary exhibitions of visual art. She is a most considered version, or, in some vened by the Conference Director will Art Journal desirable form without a subsidy. professor and chair of the Department of cases, to suggest a fusion of two or more review and judge the proposals on the Authors must be CAA members. For Editorial Fiber at the School of the Art Institute of versions from among the proposals basis of merit. CAA will provide information: http://www.collegeart. Chicago. submitted. The committee may invite support in the form of a grant of $10,000. Board Member org / caa / resources / meiss / index.html; submissions from members who have Proposals of no more than three The Art Journal Editorial Board wel­ or Debra Steckler; dsteckle@collegeart. Proposal Submission not submitted proposals, but whose pages should include the following New Members comes nominations and self nomina­ org. Deadlines: October 1 and March 1. Guidelines expertise and range of knowledge information: Elected to the tions for a critic or curator to serve for a would, in the committee's opinion, be 1) narne(s) of curator(s) or Board of Directors three-year term, renewable once, Change in beginning in October 1999. The qualified important to shaping a balanced organizer(s), affiliation(s), membership Pursuant to the by-laws as adopted by Dissertation The Proposal. Prospective chairs must program. In doing so, the committee number(s) included; individual should be a critic or curator submit eighteen copies of their session the CAA membership at the annual will consider a number of factors, 2) a brief statement (no more than of twentieth-century art with an Listing Procedure proposals to the Conference Director at members' business meeting on February Current dissertation topics are listed induding what topics were not covered 250 words) describing the exhibition's 13, 1999, the CAA Board of Directors established or emerging reputation, the College Art Association office. Each in recent conferences. theme and explaining any special or interested in helping formulate features, annually in the in the June issue of the copy must include: elected three vice presidents and a Art Bulletin. In the past students have Each CAA Affiliated Society and timely significance that it may have; secretary at its meeting of April 17, 1999. roundtables, articles, and reviews for the 1) a completed session proposal Standing Committee of the Board of 3) the designated venue, a brief quarterly publication, as well as submitted cards to the CAA Publications form (see p. 18); Ellen T. Baird of the University of Department with their name, subject Directors may submit one proposal that description of the exhibition space, Illinois, Chicago, was elected vice strategizing for long-term fundraising 2) a one-page statement describing follows the call for proposals and the including its staffing and security needs. Art Journal's mission is to area, title of Ph.D. dissertation, and the topic of the session and explaining president of committees; E. Bruce institution and adviser's names. CAA is guidelines outlined above. The Annual features, and approval of the venue for Robertson of the University of Califor­ promote informed discussion about any special or timely significance that it Conference Committee will consider it, this exhibition by appropriate officer or issues in twentieth- and twenty-firstw discontinuing this process and now may have for a particular field or nia, Santa Barbara, was elected vice requests that a representative from each along with the other submissions, on the authority; president of the annual conference; century art in a manner of interest to discipline; basis of merit. 4) a detalled exhibition budget for artists and art historians. Board mem­ Ph.D.-granting institution send a listing 3) a c. v. of no more than two pages in Richard Martin of the Metropolitan of its students titles via e-mail or on disk Proposals should be sent by mail to: expenses and income, showing other Museum of Art, New York, was elected bers are expected to attend four meet­ length; and Conference Director, Sessions 2001, anticipated sources of funding or in kind ings a year, three in New York City, and (Word Perfect 6.0, 6.1 or lower; MS 4) a self-addressed, stamped vice president of external affairs; and Word 6.0 or lower) to the CAA office. CAA, 275 7th Ave., New York, NY support; and Joe Deal of the University of Washing­ one at the CAA Annual Conference. postcard, so that CAA can acknowledge 10001. Deadline: September 15, 1999. 5) a stamped, self-addressed Cost of transportation and lodgings for Reminders and full instructions will be receipt of the proposal (or send your ton, St. Louis, was elected secretary. sent to PhD. department heads in postcard, so that CAA can acknowledge CAA is confident that the newly formed the three meetings in New York City proposal via certified mail). receipt of proposal (or send via certified ( may be covered by CAA, but board September. The 1999 listing of disserta­ Members' Exhibition I positions on the Board of Directors will tions will be posted on the CAA website mail). better help to serve the membership. members pay their own way to the Guidelines. The Annual Conference Proposals Sought conference. Critics or curators need not (http://www.collegeart.org/publica­ Committee will consider proposals from for 2001 be affiliated with any institution. tions/index.html) in late June. For Send proposals to: Conference Director, New Standing CAA members only, and, once selected, Members' Exhibition, CAA, 275 7th Nominations and self-nominations are information, contact: Debra Steckler" session chairs must remain members in CAA members are invited to submit Ave., New York, NY 10001. Deadline: Committees welcome. Send letters of interest, c.v., Associate Editor; dsteckle@collegeart. good standing through 2001. No one proposals for an exhibition, the opening October 29, 1999. of the Board and contact information to: Johanna org. Deadline for the June 2000 list: may chair a session more than once in a of which will coincide with the annual of Directors Drucker, Chair, Editorial Board, Art December 1, 1999. three-year period (i.e., individuals who conference in Chicago, February 28- In order to facilitate and increase Journal, c/o CAA, 275 7th Ave., New chaired sessions in 1999 or 2000 may not March 3, 2001. There are no limitations communication between CAA members York, NY 10001. Deadline: June 30, 1999. and the Board of Directors, the board has recently created two new commit­ Millard Meiss tees: the Art History Committee and the Awards Visual Arts Committee. These commit­ CAA is pleased to announce six Millard tees will compliment the current Meiss Publication Fund grants awarded c standing committees: Museum Commit­ in April: Elizabeth Hill Boone, Stories in .reviews tee; Committee on Affiliated Societies; Red and Black (University of Texas Committee on Cultural Diversity; Press); Martha Hollander, An Entrance Education Committee; Governance for the Eyes: Studies in Space and Meaning CAA.reviews, www.caareviews. 0 r g, published by the College Art Association, is an online publication devoted Committee; Committee on Intellectual in Seventeenth-Century Dutch Art to the peer review of new books relevant to the fields of art history. The journal is made possible by a generous grant Property Rights; International Commit­ (University of California Press); John from The Andrew W. Mellon Foundation. CAA.reviews is published on a continual basis, reviewing national and tee; Professional Practices Committee; Lowden, The Making of the Bibles international museum and gallery exhibitions, academic conferences, and electronic media, as well as books on art­ Student Committee; and Committee on Moralisees, 2 vols. (Penn State University historical criticism, arts education and policy, film, curatorial studies, and more. Articles for CAA.reviews are Women in the Arts. In order to form the Press); Anita Moskowitz, Italian Gothic commissioned from major scholars, critics, artists, and curators around the country by an appointed editorial board Art History and Visual Arts Committees Sculpture (Cambridge University Press); of editors and associate editors from various disciplines in the field of art history. and to have them functioning by the David Rosand, The Phenomenology of February 2000 annual meeting, we Drawing (Cambridge University Press); For information, contact CAA.Reviews Managing Editor at [email protected]. request nominations and self-nomina­ and Susan Sidlauskas, The Body in Place: tions. Send nominations and self­ Interiority and Representation in Nine­ nominations to the Assistant to the teenth-Century Culture (Cambridge Executive Director, CAA, 275 7th Ave.,

6 CAA NEWS MAY 1999 CAA NEWS MAY 1999 7 Thomas Germano. Gair Building #6, Brooklyn, Solo N.Y., April 1999. Paintings and drawings. John Jacobsmeyer. Kougeas Gallery, Boston, December II, 1998-January 23, 1999. Frontier Exhibitions Fever, oil paintings and wood engravings. Elizabeth King. Kent Gallery, New York. April 10-May 22, 1999. Homunculus. by Artist Kathy Levine. Arsenal Gallery, New York, May 12-June 10, 1999. Natural ARTificial. Hung Liu. Bowdoin College Museum of Art, Members Brunswick, Me., April ll-June 6, 1999. Yin and Out of Focus. Winifred McNeill. Aljira Center for Contempo­ Only artisfs who arc individual CAA members will rary Art, Newark, N.J., March ll-April22, 1999. be included in this listing. Group exhibitions cannot Looking and Touching. he 1isted. Send name, membership number, venue, Barbara Nesin. Lincoln Campus Gallery, city, dates afexhibition, and medium (or website Community College of Rhode Island, Lincoln, address of online exhibits), Photographs are chosen at March 6-Apri11, 1999. Creation Myths. the discretion of the editors; they will be used only if Deborah Randall. Don~Ansdadt Gallery, space allows and cannol be returned. Listings and images may be reproduced on the eAA website. Burlington, Vt., April, 1999. Objects of Desire, Submit to: Solo Show Listings, CAA, 275 7th Ave., paintings. New York, NY 10001; [email protected]. Scott Redden. Dillon Gallery, New York, March 4-25,1999. Paintings. Julia M. Becker, Amphora, cutout paper letters and infant gown, 23" x 30" Joan Arbeiter, Jose with Casey, mixed media on mylar, 18" x 24"

Stan SmokIer. Freedman Gallery, Reading, Pa., Michael Wright. P.E.O. Foundation Gallery, ABROAD March 26-ApriI25, 1999. Spare Parts, steel Cottey College, Nevada, Mo., April I-May 6, Caren Cunningham. Centro Cultural de la assemblages. 1999. I Be Am. Murudpalidad de Miraflores, Lima, Peru, Andrea Stanislav. Maryland Art Place, February 2-16, 1999. Portraits of the Night. Baltimore, March 2-ApriI3, 1999. The Pink Room. Robed Schatz. Galerie Pixi, Paris, March 11- NORTHEAST April 10, 1999. Drawings. Joan Arbeiter. Tomasulo Gallery, Cranford, N.J., MIDWEST March 12-ApriI15, 1999. Street People. Janet Pines Bender. Arc Gallery, Chicago, Sara Bates. Rockwell Museum, Corning, N.Y., MID-ATLANTIC March 30-April24, 1999. Shodo~Chants~Marks. opened March 26,1999. Honoring Mother Earth: Anne J. Banks. Contact Gallery 10 Ltd., Sam Gilliam. Klein Art Works, Chicago, March An Installation. Washington, D.C., April 21-May 15, 1999. Blue 27-April24, 1999. New Paintings, Constructions Ingrid Capozzoli. Hess Gallery, Pine Manor Squares and Other Mysteries, acrylic paintings. and Sculpture. College, Chesnut Hill, Mass., January 28-March Robert Graham. Kemper Museum of Contem­ 11,1999. The Figure Observed: Works on Paper. porary Art, Kansas City, Mo., March 26-May 23, Joseph Coco. Paterson Museum, Paterson, N.J., 1999. Process~Charlie Parker Memorial, drawings April 18-May 29, 1999. If Walls Could Speak, and models. paintings and drawings. Wendy Jacob. Kemper Museum of Contempo­ Ed Colker. Neuberger Museum of Art, rary Art, Kansas City, Mo., March 26-May 23, Purchase, N.Y., February IS-April 25, 1999. Five 1999. The Squeeze Chair Project. Decades in Print. Deborah Randall, Explosion of Size 17, mixed media on paper, 22" x 57" John H. Jacobsmeyer. Anchor Graphics, Murray Dewart. Chapel Gallery, Newton, Chicago, February 19-20, 1999. Saints and Mass., March 3-28,1999. Fire and Rose, sculpture. Carol Sun. Neuberger Museum of Art, Tom Wagner. Arkansas River Valley Arts David Brody. Esther Claytllool Gallery, Seattle, Survivalists, wood engravings and lithographs. Mary Frank. Neuberger Museum of Art, Purchase, N.Y., June 13-September 12, 1999. Center, Russellville, Ark., January 10-February June 3-26, 1999. Carolyn Manosevitz. Alma College, Alma, Purchase, N.Y., September 17, 2000-January 14, 2, 1999. Rituals of Dance, ink and collage on John Walker. Knoedler & Company, New York. Cora Cohen. Bentley Gallery, Scottsdale, Ariz., Mich., January ll-February I, 1999. Moving On: 2001. Encounters. March 18-Aprill0, 1999. Passing Bells. paper, acrylic on canvas. February 10-March 30, 1999. Paintings. The Journe:!j of the Second Generation, paintings. Marianne Weil. Beatrice Conde Gallery, New Merrilyn Duzy. Orlando Gallery, Shennan Terry Towery. University of Northern Iowa York, May 20-June 19, 1999. Bronzes and WEST Oaks, Calif., March 5-26, 1999. Intimate Interiors, Gallery, Cedar Falls, March ll-Aprilll, 1999. monotypes. Les Barta. Shoreline Community College Art pastel paintings. Wurdemann Gallery, Gallery Figurative Decay Series. Gallery, Seattle, June 1-30, 1999. 825/LAAA, Los Angeles, February 20--March 19, Ursula Von Rydingsvard. Indianapolis Museum Photoconstructions. 1999. Walking Through History: Women Artists of Art, Indianapolis, May 2-April30, 2000. SOUTH Past & Present. Julia M. Becker. Galerie Trinitas, University of Sculphtre. Bazil Alkazzi. Ex Libris Gallery, Savannah Great Falls, Great Falls, Mont., March 23-April Blinn Jacobs. University of Wyoming Art College of Art and Design, Savannah, Ga., June Tom Wagner. Gannon Gallery, Bismarck. 23, 1999. Beall Park Art Center, Bozeman, Mont., Museum, Laramie, Aprill0-July 18, 1999. Light/ IS-September 15, 1999. N.Dak., September I-October IS, 1999. Rituals of December 1, 1998-January 8, 1999. Gallery of Repression and Recovery, paintings. Dance, ink and collage on paper, acrylic on Susan Miiller. Plano Art Center, Plano, Tex., Visual Arts, University of Montana, Missoula, Matt West. CAlvI-PLEX, Heritage Center canvas. April 24-June 5, 1999. In Search of a Landscape. ( October 3-24, 1998. Compositions in Gallery, Gillette, Wyo., January II-February 28, Kenneth Wenzel. Beauxmage Fine Art, St. Paul, Conrad Ross. Montgomery Museum of Fine Neurofopography: Skins, Tents and Other 1999. Natural Facts. Undressings, mixed-media printmaking and Stan Smokier, Haphaestus~ Minn., February 6-March 20,1999. New Work. Susan Miiller, Approach, Arts, Montgomery, Ala., June 5-July 11, 1999. steel, 26" x 22" x 3" oil on canvas, 12" x 18" The China Colles: Printmaking. sculpture installation.

8 eAA NEWS MAY 1999 CAANEWS MAY 1999 9 of St. Matthew in San Luigi dei Francesi Franca Camiz is survived by her husband, copyright law to distance education. tion of intellectual works for the public People in depended on the sustained response to formal Paolo and her sons, Alessandro and Daniele. All II Promotion Today, many of the members of welfare ..." (Marybeth Peters, General elements perceived in terms of the picture's of us who were privileged to know Franca CAA are exploring the means with Guide to the Copyright Act of 1977, placement, the viewer's angle of vision, etc., as mourn the loss of this extraordinary colleague, which new digital tools can be used to D.C.: much as it did on a theological awareness of the teacher, and friend. Washington, Copyright Office, the News role of Baptism that she brought to her moving of Distance enhance their abilities to communicate Library of Congress, 1977, 3:1). CANs Memorial scholarship endowments have reading of Caravaggio's painting. been established in Camiz's name to benefit with students and the public. These constituency is composed of both Her interpretive contributions concerning shtdents in the Rome Art Programs of Trinity applications include "virtual exhibi­ creators and users of intellectual the musical aspects of the visual arts, which College and Temple UniverSity. Checks should Education tions, distance education projects, and property. We therefore believe that any became one of her special areas of expertise, had be made out to Trinity and/or Temple with such other educational activities in revision of copyright legislation should their point of deparhtre in her husband's "Franca T. Camiz Memorial Scholarship Fund" digital formats as live, recorded, or maintain the traditional principle of In Memoriam activities as an early music expert and singer specified in the memo line, Trinity College, Through simulated demonstrations, which may and was sustained by an ongoing dialogue with Development Office, 300 Summit St., Hartford, balance between the rights of users and include the playing of relevant portions Franca Trinchieri Camiz, art historian and him. By identifying the compositions of musical CT 06106, Attn: Roxanna Cistullij or Denise those of copyright holders. lecturer at the Rome campuses of Trinity College notations contained in Renaissance and Baroque Connerty, Temple University, Conwell Hall-5th Digital of audiovisual works. In each case, as and Temple University, died of Creutzfeldt­ paintings, or by considering the significance of fl., 1801 N. Broad St., Philadelphia, PA 19122. considered appropriate, such applica­ Application of Copyright Law Jakob disease on January 11. Although she suggested instrumentation and vocal arrange­ -Andree Hayum, Fordham University (in tions may be "real-time," that is, that the ment in these works, she illuminated in totally collaboration with Marcia Hall, Barbara Lane, to Distance Education seemed quintessentially Roman, Franca was, in Technologies " activities may be interactive and, in new ways the content and culhtral context of fact, half American, having graduated as an ait Marilyn Lavin, Livio Pestilli, Linda Seidel, Marie several respects, be not dissimilar from history major from Wellesley College. Some of such well-known works as Caravaggio's Lute Tanner, and Jean Weisz) To maintain the constitutional balance Player and his Rest on the Flight. real-time, face-to-face teaching. In other us remember the vivacious young woman who, between the rights of users and creators The innate inquisitiveness and powers of Paul Mellon, renowned philanthropist, art Docket No. 98-12A: Library of cases, applications may be "on de­ on subsequently entering the graduate program in the context of enabling meaningful in art history at Harvard, gave many of us our concentration that Marilyn Lavin noticed when collector, patron of the arts, and horse breeder, Congress Copyright Office mand," in which case the display of first taste of Italian culture. she taught the adolescent Franca Trinchieri one died on February 1, 1999, at his horne in program materials may be facilitated by distance education, CAA believes that After completing the course work for her year at the Overseas School in Rome evolved in Upperville, Va. He was 91 years old. a server and viewed locally (Le., the the Copyright Office and Congress must the mature scholar into the sleuthing instincts PhD., she moved to Rome, where she married Quiet and intensely committed, Mellon student is physically proximate to a review and reconsider three crucial Paolo Camiz, a physicist at the University of and the passion and patience for archival contributed to a wide variety of charitable components of the Copyright Act: 1) the research. With her linguistic training and Comments of the computer); in other paradigms, the Rome. Almost immediately began the veritable organizations, but especially in support of extent to which Section 107(3) is and abilities, Camiz proceeded to make a succession higher education, the arts and humanities, program material may be downloaded caning that has left its mark on legions of young College Art Association may be interpreted to limit the applica­ students, with her teaching of art history at the of important documentary finds, such as those conservation, and veterinary research. Under his and then played back or otherwise used concerning the identities of a cluster of 17th­ leadership, outstanding cultural treasures have tion of fair use in situations where the outposts of various American colleges and By Robert A. Baron, eAA Committee on Intellectual at a distant location at another time. century women artists. At the 1998 CAA been maintained in magnificent struchtres use of a work is educational, even universities in Rome: Loyola University, the Property; Kathleen R. Cohen, CAA Committee on Given the wide variety of present and Conference, she presented her latest findings, created to house them. He also helped to Rhode Island School of Design, John Cabot Education; and Jeffrey P. Cunard, CAA Counsel potential applications, CAA and its though the entirety of the work may be SOon to be published, that trace the Roman preServe nahtre through his contributions University, and especially, until her death, membership have a major stake in any used; 2) the extent to which the exemp­ Temple University and Trinity College. Her history and settings of lvlichelangelo's toward the purchase of Cape Hatteras National tion in Section 110(1) is now limited to "Florentine" Pieta. The College Art Association is pleased recommendations with respect to commitment to direct experience as the best Seashore in North Carolina and his gift of Sky "face-to-face" teaching activities; and 3) For all the dynamism, exuberance, even Meadows State Park to Virginia. He once wrote to submit comments to the Copyright intellectual property legislation that path toward historical understanding, combined the requirements in Section 110(1) and with her keen eye and boundless energy, meant chaos of a life crammed with often conflicting that "the saving of these beautiful natural areas Office in response to the Notice request­ affects the process of creating and 110(2) that limit the location of instruc­ that she excelled in the role of cicerone. On personal and practical demands, Camiz's has given me the profoundest pleasure and the ing comments in Docket No. 98-12A. disseminating such exhibits and legendary guided visits to sites throughout Italy, scholarship was a source of serenity. Her articles most heartwarming satisfaction." CAA is a professional organization that courseware. The outline of the process tion to classrooms or ,.similar places are models of calm clarity---circumspect in the Camiz's enthusiasm and inSight were always an Mellon was born in 1907 in Pittsburgh and includes among its members those who mandated by Section 403 of the Digital devoted to instruction. inspiration, even if shtdents sometimes had presentation of hard-won evidence, characteris­ spent his early years there. In 1919 be was sent As to fair use, Section 107(3) of the tically modest and appreciative of the work of are committed to the practice of art, Millennium Copyright Act enacted trouble keeping up with her! They emphasize to the Choate School in Wallingford, Conn., and Copyright Act instructs courts to others, but simultaneously courageous in then continued his education at Yale University, teaching, and research of and about the October 28, 1998, may determine how much she gave of herself, not only in consider the amount and substantiality sharing her broad knowledge, but with often­ staking new claims. from which he graduated in 1929. From Yale, he visual arts and humanities. More than whether it is feasible to continue the of the portion of a work used in consid­ needed extra academic guidance. This deeply went to Clare College, Cambridge, from which 13,000 artists, art historians, scholars, pursuit of these goals or whether they human side of pedagogy was evident also in he received an honors B.A. in 1931. He then curators, collectors, educators, art must be abandoned to wait for more ering whether the use is fair. In many Camiz's involvement in the education of returned to Pittsburgh, where he worked in the publishers, and other visual arts favorable legal, technological, or cases, courts would conclude that the Mellon Bank and various businesses. shtdents at all stages of life. She participated in professionals are individual members, licensing conditions. fact that the entirety of the work is used, the founding and administering of a secondary In 1935 Mellon married Mary Conover or that the "heart" of the work is Brown. After his father's death 2 years later, Another 2,000 university art and art Before discussing our views on the school in Rome in the 1970s and became the disseminated, ought to cut against a unofficial adviser to many a graduate student on they moved to a farm in northern Virginia, history departments, museums, librar­ nature of distance education and the finding of fair use. This interpretation research resources in Rome. which remained his primary residence. In 1938 ies, and professional and commercial specific recommendations we believe Camiz was a conduit for the art-historical Mellon received an M.A degree from Clare organizations hold institutional mem­ the Copyright Office should make, it is may make sense for literary works and and general intellechtal community in Rome. College, Cambridge. The couple was in Europe berships. appropriate for CAA to describe its for works that take place in time, like when World War II broke out and stayed there Frequently, this took the form of lunches and CAA members are deeply inter­ views on the creation and use of cinema and drama; for such works, it dinners at her home On the Viale Angelico, until 1940. may be appropriate to require that After returning to America, Mellon ested in distance education and its intellectual property. CAA membership where American scholars would invariably find elements can and should be abstracted enrolled at Sf. Jolm's College. Six months later potential applications and benefits and, wishes to continue contributing to the other visitors-from Poland, Israel, England, for comment lest the risk of being found etc.-assembled at that long, roof-top table, he joined the U.S. Army. He received cavalry for this reason, we welcome the oppor­ process of broadening the public's which would be replete with freshly prepared training and a commission at Fort Riley, Kans., tunity to provide the Copyright Office understanding and appreciation of our liable for infringement be heightened. delicacies. This expansiveness and generosity and subsequently served with the OSS (Office of with our views on the extent to which rich cultural, historical, and artistic Such an interpretation of Section Strategic Services) in Europe, attaining the rank was essential to her nature and informed her the Copyright Act should be reviewed heritage. We take our mission from the 107(3), however, is misapplied and of major. In 1945 he and his wife founded the many roles: as wife, mother, sister, daughter, and revised to foster distance education. Constitution of the United States itself, overly restrictive when applied to the friend, teacher, scholar. Bollingen Foundation. The foundation published use of visual arts in studying and 100 books, including the best-selling I Ching, and These comments respond to several of which confers on Congress the power to Camiz's concentration on painting of the teaching. For the visual arts, it is late Renaissance and Baroque periods emerged supported the publication of many others before the topics on which the Copyright Office use copyright "to promote the progress necessary to show the entirety of a less from her graduate training than it did from closing in 1969. Mary died in 1946. is seeking the views of the public, of science and useful arts," which is her rich experience of particular works of art in In his 40s Mellon began collecting art in including the nature of distance generally held to mean that "the work; for example, a slide image that the Roman setting that became her home. For earnest with his second wife, Burmy. He education, the successes and failures of primary purpose of copyright legislation depicts the entire painting or sculpture purchased works by the French Impressionists example, her article on Caravaggio's Martyrdom Franca Camiz licensing, and the application of is to foster the creation and dissemina- being discussed in a classroom. From

10 CAANEWS MAYl999 the perspectives both of the student and commerciailicensing for many of these sity attorneys felt may be viewed as then state an exemption is available for the creators and copyright holders. CAA appreciates that digital of the artist who wants to make certain images, a point that is discussed in illegal booty, the art department gave its such uses, objects, and means. Nonethe­ From a practical perspective, one of the communications, whether closed or, like that the integrity of a work he or she greater detail below.) In the experience entire slide collection to one of its less, given the rapid evolution of best ways to teach this lesson is to the Internet, open to any user, may be created be maintained when used in of CAA members, although it is professors.) technology, it would be better to inform students that they themselves are used as a vehicle on which to transmit teaching, it is an absolute requirement impossible to guarantee that abuses will Departments are forced to abandon indicate that certain educational uses­ creators and have the same rights as do distance education materials to any that, in addition to details, the entirety not occur, serious cases of infringement the right to build their collection by namely, face-to-face and distance those who supply resources to them. As online computer, anywhere. Thus, of a work be shown. The use, in teach­ are unlikely. Accordingly, it is unlikely relying on fair use. In doing so, they education created to support face-to-face a general rule it is more wise to encour~ although CAA strongly supports ing, of photographic and visual surro­ that teaching surrogates (be they perforce must limit their curricula to and other real-time interactive instruc­ age the use of new technologies and eliminating the restriction in Section gates of the works themselves is the unmoving images or selected clips of courses and syllabi that depend on tion-deserve especially broad exemp­ methods by giving their creators 110(1) that limits performance to proportional equivalent of quoting only audio or audiovisual works) will be available but frequently meager tions. To mount effective teaching maximum freedom, and to correct faults classrooms or similar places devoted to portions of literary works. Arguably, substituted for the original in any way commercial offerings. i. activities, and to invest in the technol­ in conception and injustices as eventu­ instruction, it also understands the need given the lower resolution of the images that adversely affects key income The Copyright Office also asks ogy, infrastructure, and human re­ ally made manifest by experience. to include a tailored requirement that used in reproductions for educational streams from licensing and sales owed about the role of voluntary guidelines, sources to support such activities, From the above it is clear that the any delivery of such distance education purposes, the omission of such elements to creators and copyright holders. In about which CAA is, to be frank, educational establishments, like other bundle of rights needed to create a materials that incorporate copyrighted as the texture and detail of the original that regard, the fourth fair use factor skeptical. Certainly, the extant education institutions, need some degree of legal successful distance education program works belonging to others should be might suggest that such reproductions should generally weigh in favor of a guidelines, including the CONFU certainty. They need to know that their is allied to and inseparable from the subject to appropriate security mea­ do not, in fact, take the entirety of the finding of fair use. guidelines on the use of digital images, uses and their archiving of images and rights exercised in the classroom. For the sures, as indicated above. Downloaded original work, and, therefore, that As suggested by the foregoing that define the limits of fair use offer no other resources to facilitate teaching disciplines allied to the visual arts, not materials of particular sensitivity to Section 107(3) should cut in favor of a paragraphs, CAA members believe that relief to university art departments. In (including distance education) and only is it necessary to place age-old potential large-scale infringement may finding of fair use for such uses. fair use, at a minimum, should be our experience, these guidelines scholarship-particularly (but not standard didactic techniques of collect­ be protected by encoding that requires Clearly, fair use as applied to the available to protect the use of images in seriously misunderstand the realities of exclusively) in those cases when ing and displaying images within an password access for each use and/ or traditional and electronic visual media, educational settings, whether the the educational mission, the exigencies licensed or other sources are not mar­ envelope of legality, but, at the same that renders the material identifiable but for purposes of research, commentary teacher is in the classroom or is teaching of the teaching environment, and keted or are not available at a reasonable time, it is necessary to extend these functionally unusable by a given date or and teaching, should permit showing his or her students at a distance through impose a highly restrictive-repres­ price for educational purposes-are rights into the techniques and products after a specified interval. and archiving reproductive, surrogate electronic means. In fact, lawsuits sive-interpretation on the application permitted by the Copyright Act. As to of digital education. Consequently, the representations of originals. Moreover, a alleging infringement of images of the fair use doctrine. distance education specifically, they CAA requests that the Copyright Office Role of Licensing fair use finding in support of such uses photographically copied or scanned Willful infringers and fair users must know that such uses as are recommend to Congress that it amend is particularly appropriate (notwith­ under a claim of fair use are relatively each to some extent depend on "market allowed include whatever content­ the specific statutory exemption for face­ t l CAA also would like to offer its views materials, matter, and media-as have standing that the entirety of the work uncommon. Nonetheless, leaving the failure" to protect themselves from to-face teaching currently found in on the future role of licensing, another valid educational purpose in the context may be used) owing to the transforma­ decisions to courts (that mayor may not liability-the former, to protect them­ Section 110(1). That exemption should area of inquiry set out in the Copyright of a course of study and within the tive nature of the use. Unlike uses of correctly balance the fair use factors) is selves from being caught, and the latter be expanded as follows: to permit both Office Notice. Some commercial vendors literary works, a reproductive copy of a unwise. Indeed, CAA believes that the to escape the potentiality of having to specific educational institution's the real-time, one-way and interactive, have made the argument that the new visual work is almost always trans­ Copyright Office should not conclude defend their takings. Contrary to some community. They need to know that and delayed delivery of course materials technologies and centralized permission formed in a way that makes it suitable that the fair use doctrine adequately assertions, market failure is not a raison such materials may be presented in face­ and study tools (by downloading, for agencies obviate the need to guarantee for teaching and far a limited number of addresses all the copyright issues Of that d' etre for fair use and fair use is not to-face, in real-time, and by delayed (on­ example) such as may be offered and the uses described above, whether such research and study applications, but no specific statutory exemptions are simply a begrudging acknowledgment demand) presentations in and out of the prepared to coordinate with and to "guarantee" is through the application makes it generally unsuitable for most necessary to assure the continued of market failure. To accept market classroom. Accordingly, such exemp­ supplement both traditional face-to-face of the fair use doctrine or through commercial applications. This is so educational use of such materials. failure as a protection against being tions should apply not only to the rights instruction, and real-time distance specific statutory exemptions. They because, in a teaching and scholarly There is a specific and known risk challenged for a fair use is not a remedy of public performance and display, education. This statutory exemption argue that it is now possible to license environment, for reasons of economy of having to confront litigation that to the educational issue outlined above, which are implicated by real-time must include the right to display static (including by way of granting a site and efficiency, most educational users would challenge potential claims of fair but rather a means of avoiding the interactivity, but also to the reproduc­ works in their entirety and to excerpt license) copyrighted materials for such must accept lower quality reproductions use of images and study materials in difficult decisions. tion right, which is implicated when and display such narrative or time­ uses. Libraries, in particular, license than will the publishing and entertain­ educational contexts. Perhaps this risk is The digital world-with technologi­ materials are downloaded and used based performances as educationally access to many tools used to conduct ment industries. These lower quality not high. Nonetheless, it is a risk. That cal options and new licensing para­ subsequently by students. appropriate. research for their patrons. reproductions themselves tend to be risk of litigation has, in fact, created a digms-now has the capacity to Naturally, copyright owners are CAA believes that students and Again, for the visual arts, the text­ derived from low quality analogue widespread disabling disincentive to minimize market failure in its own concerned with the possibility of instructors should have the same rights to-image analogy is false. It is not reproductions-book illustra tions, collect resources under claims of fair sphere. Nevertheless, what is needed iS unauthorized and subsequent dissemi­ of access to digital materials that they I possible to extrapolate from licensed mostly. use. University counsels across the at a minimum, a statutory clarification nation of materials initially performed, historically have had to analogue text-based permission schemes in use in Copyright owners, for understand­ country, for fear of exposing their of education's claim to be a fair user­ displayed, or downloaded in connection materials in classrooms and in univer­ libraries and frequently used to as­ able reasons, have long feared an institutions to potential liability, have particularly in the circumstances with distance education. CAA concurs sity research facilities. At the same time, semble course readers to the visual expansive reading of the fair use prohibited art and art history depart­ described above. that students using copyrighted however, CAA supports implementa­ materials needed to assemble courses in doctrine of the sort suggested above. ments from relying on fair use as means CAA believes, however, that educational materials ought to be made tion of means to limit access to online the visual arts. For one thing, the Nonetheless, CAA believes that such of gathering and using resources for a specific statutory remedies that define in aware of the legal limitations that digital course materials to bona fide numbers of items needed are exponen­ concerns-driven in part by the possibil­ variety of educational applications. The a broad manner the nature of the restrict their subsequent use of copy­ students and other qualified members of tially greater for the visual arts. While a ity of subsequent unlawful economic consequence of these decisions have educational exemption is appropriate to righted materials presented to them in the educational institution's community. course reader may involve seeking exploitation of works of art-is unwar­ fundamentally limited the quality and facilitate the use of visual arts in the face-to-face, real-time, and delayed For these purposes we support use of permission for 10 to 20 text items, each ranted because of two factors: 1) the breadth of academic programs every­ setting of distance education. One h·ansmission. They should have access passwords or other security systems to of the 30 to 45 art history lectures relatively poorer quality of the images where and have prevented many CAA statutory approach might specify the to these materials for use in their prevent unrestricted access to copy­ typically given in a single semester used in educational settings; and 2) the members from embarking on digital types of uses, objects of use, and means research, creative endeavors, and study, righted items. Potentially, we would course can present anywhere from 30 to lack of intense public interest in much of projects. (In one instance known to one of transmission and reception that shall but should be well-equipped to deter­ support other means to inhibit unlawful 60 (or more) images per class, making what is used to teach. (This last point, of of the authors of these comments, for be considered to be within the just mine when there is a likelihood that uses such as watermarking and cancel­ for a total of 900 to 2700 requests for course, is related to the absence of fear of being caught with what univer- purview of the educational mission, and they might be infringing on the rights of ing images. permission per course-creating an expensive to acquire or license an image they access should be borne by the Museums and Galleries administrative nightmare impossible to packaged for teaching, than to access it recipients of distance education pro~ justify in any educational context. through a claim of fair use. Yet, to stifle grams. Ronne Hartfield, former director of Museum Many items can be purchased from the proper application of fair use or to Creating intellectual property is like Education at the Art Institute of Chicago, is now image vendors. Moreover, some useful refrain from validating these activities farming: you can reap only what you helping to launch the University of Chicago's site licensing schemes are beginning to through statutory exemptions in the sow. And the university is one of the Marty Center. This fall, she will be involved appear. Nevertheless, much of the electronic environment would be to soil beds into which these seeds must be with similar planning teams at Harvard specialized materials needed for course strangle the life out of the creativity and University and at the Milia Museum, Kyoto. cast. The current desire among some Over the next 2 years, she also plans to complete presentation are not available from inventiveness that have become the providers of intellectual properties to a sociohistorical biography of her mother. commercial sources and never will be. hallmark of the contribution that maximize products at the cost of future The reasons are simple. First, vendors American universities have made to growth in the final analysis will prove to Constance Wolf, associate director of public and licensors only know what to offer American and international intellectUal be self-destructive and contrary to programs at the Whitney Museum of American after scholars and teachers have culture and science. American interests. For a robust and Art, was appointed director of the Jewish established a work's significance; fertile market we must distinguish Museum in San Francisco in December 1998. chronologically, scholarship comes first,. Concluding Observations between formative uses of and con­ commerce, second. Second, some works sumer markets for intellectual proper­ are used so rarely that it is not economi­ In response to the knowledge explosion ties; we must encourage giving educa­ cally worthwhile for a vendor to license of the twentieth and twenty-first tors continued a~cess to digital materials and prepare these images for use. Third, centuries and to the decline of manufac­ and must not impose restrictions that in the visual humanities there are turing as a source of national weal~ inhibit students from learning how to relatively few established sets of images American educational institutions are use the products of the past and present that wholly meet the requirements of being called on to prepare increasing to create the products of America's Grants, standard courses. Many courses tend to numbers of students to work at intellec­ future. We must cling to and act on our be personal constructs of their instruc­ belief that education is an investment tual pursuits and in the information Ronne Hartfield tors and, as such, reflect evolving marketplace. To achieve these goals, for the future. Awards, opinions supported by newly selected education needs free access to the tools CAA joins other educational groups objects. and organIzations in urging that the and post-Impressionists. For many years he also the Virginia Polytechnic Institute; and the Royal required to fulfill that charge. America's collected English pichrres and books. His Veterinary College, University of London. He At this point, only very few vendors Copyright Office recommend that & Honors intellectual strength has been nurtured collection was rich in the works of such was also a trustee of the Mellon Institute of are beginning to offer digital versions of by the free public library system and the Congress maintain the- current, constitu­ recognized artists as John Constable, William Research from 1937 until its merger into their image catalogues. In addition, no tionally mandated balance between the promise of broad access to' educational Turner, George Stubbs, William Hogarth, Carnegie-Mellon University in 1967, and Only grants, awards, or honors received by centralized image resource bureaus yet materials. This success in the world of rights of intellectual property owners Thomas Rowlandson, and Joseph Wright of chairman of its board of trustees from 1960 to individual CAA members are listed. All names will exist that cover even the range of analogue access has been made possible and users. It is crucial that the Copy­ Derby, but he also collected works by their 1967. also appear on the CAA website. Submit name, lesser-known contemporaries and had a Near the end ofms book, Reflections in a traditional images needed in courses by exploiting the principles of "fair use" right Office and Congress take such institutional affiliation, and title of the grant, award, offered by CAA members (and it is steps as are necessary to' ensure that particular interest in such underappreciated Silver Spoon, Mellon wrote, "I have been an or honor, and use or purpose of grant to: Kari and the "first sale doctrine." Neither genres as sporting art, informal portraiture, and amateur in every phase of my life; an amateur unlikely that any will ever exist). such balance is maintained in the digital Grimsby; fax 2121727~3029; kgrimsby@ principle should be stifled or stymied by topographical painting. While some of these poet, an amateur scholar, an amateur horseman.­ collegeart.org. Accordingly, the ability to locate and the application of a crabbed application dimension-through the use and paintings were given to the National Gallery of an amateur farmer, an amateur soldier, an license all needed images in digital of the copyright law or by the prolifera­ application of digital media and the Art and the Virginia Museum of Fine Arts, the amateur cormoisseur of art, an amateur format is and probably always will be tion of new licensing paradigms that benefits of real-time and delayed majority of the British collection went to the Yale publisher, and an amateur museum executive. Center for British Art, which Mellon founded The root of the word "amateur" is the Latin next to impossible. rely on encryption or other access delivery of such media in distance Institutions that have attempted to education. and of which he was the chief benefactor. word for love, and I can honestly say that I've Adrienne DeAngelis has been awarded a control mechanisms that would have the Mellon was also a major donor to the Virginia thoroughly enjoyed all the roles I have played." Gladys Krieble Dehnas grant for study in Venice license images used in teaching have . In short, CAA believes that the effect of undercutting the fair use Museum of Fine Arts, for which he served as Mellon's survivors include his wife of 50 to further research the sculptor Danese Cattaneo. experienced, among other things, doctrine. Indeed, these two principles, traditional classroom and the traditional trustee for 40 years. years, Bunny, the former Rachel Lambert Lloyd; extreme difficulties in identifying, when combined with inventive USeS of relationship the student has with the Mellon's leadership of the National Gallery his daughter, Catherine Conover, and son, Jeffrey Hamburger, chair of the CAA Millard locating, and contacting copyright materials in the public domain, in the learning process should serve as the has been as reliable as his gifts. He was first Timothy; and 3 grandchildren. Meiss Com~ittee, received the 1999 Grundler A memorial exhibition presenting his Prize for his book Nuns as Artists: The Visual owners, have received lax or no re­ past, as now, have been fundamental to paradigm for the exploitation of neW elected to the board of trustees in 1938, making sponse from those whom they have educational media and processes. The lum the gallery's first president. He reSigned in legacy of gifts of art to the nation will be Culture of a Medieval Convent (University of the production of American intellectual organized by the National Gallery of Art, dates California Press, 1997). contacted, and sometimes are asked to basis for this belief is rooted in the 1939. Following his military service, he was re­ properties-products recognized, elected to the board in 1945 and served as to be announced. pay unreasonably high prices for the respected, and acquIred throughout the primacy of real-time, instructor-based president of the gallery from 1963 to 1979. At the Muriel H. Hasbun was awarded an Individual images they request. The lengthy time world. interactive teaching, whether it takes opening ceremony for the East Building in 1978, Artist fellowship in the visual arts/ photography needed to dear images for use imposes As we move into the digital age, it place face-to-face or through any Mellon turned the building over to President Academe category for 1999 by the District of Columbia hardships on faculty trying to prepare number of potential transmission Carter, "to be dedicated forever to the use and Commission on the Arts and Humanities. is crucial that the benefits of freedom of Hasbun teaches photography at the Corcoran timely courses and on departments methods and received in any number of enjoyment of the people of the United States." In David Hickey was selected to lecture as a access to research and study aids be School of Art and George Washington 1979 he became chairman, a post from which he visiting artist at the Santa Fe Art Institute, unable to afford the wasted administra­ extended to the new realities of teach­ potential locations. Such contact University. retired in May 1985. Thereafter he maintained N.Mex., in January 1999. tive costs involved. ing. The rights students now have to between student and teacher must serve his ties to the board by serving as the first Consequently, as high-quality as a prerequisite for obtaining and Patricia Johnston, associate professor at Salem consult and access library and course honorary trustee. Franklin Williams was selected for a residency State College, received a National Endowment digital images do become available, materials, and. the rights teachers noW exercising rights that sanction the use of Among the many other institutions that at the Santa Fe Art Institute, N.Mex., where he for the Humanities Fellowship for College educational institutions will certainly have to expose students to such materi­ both real-time and archived or delayed benefited from Mellon's leadership and will be June 7-June 18, 1999. purchase and license them when methodologies for teaching and learn­ philanthropy are: Carnegie-Mellon University; Teachers and Independent Scholars. In addition, als, should be echoed in the protocols her book, Real Fantasies: Edward Steichen's appropriate, but teaching must not be Yale University; Saint John's College; the Center Diane Wolfthal has been promoted to associate applied to distance education. Similarly, ing, coupled with proper and appropri­ Advertising Photography (University of California for Hellenic Studies; the Andrew W. Mellon professor of art history at the School of Art at limited only to those objects that the restrictions now placed on users to ate regards and safeguards for the rights Press, 1997), received a special commendation Educational and dlaritable Trust; the Conserva­ Arizona State University, where a new joint someone has decided are commercially of the owners of copyrighted materials. from the 1998 Kraszna-Krausz Photography prevent misuse of copyrighted materials tion Foundation; the Fund for the Advancement Ph.D. in the history and theory of art will begin viable. Curiously, it is often less Book Awards in the category of art, culture, and of Education; the Virginia Outdoors Foundation; in conjunction with the University of Arizona. history books.

CAANEWS MAY 1999 11 Karen LaMonte has received a Fulbright grant to: UlUC Society for Art History and Archaeol­ To Attend National Endowment for the Arts. 50S! Atelier 31, a new contemporary art gallery is for research abroad. Her project, "Glass Casting ogy Symposium, University of illinois at Maintenance Training Awards provide funding seeking artists who work in the following Technique and Its Sculptural Application in the Urbana-Champaign, School of Art and Design, Opportunities for. training in low-tech sculpture maintenance. disciplines: painting, drawing, mixed media, 6th International Medieval Congress, Czech Republic," will give her the opportunity Art History Program, 408 E. Peabody Dr., University of Leeds, England, July 12-15, 1999. ( SOS! Achievement Awards recognize photography, and sculpture. Submit artist to learn glass casting techniques developed by Champaign, IL 61820. Deadline: May 28, 1999. Scheduled for Tuly 14: "Decorations for the Holy achievements in the fields of sculpture statement, bio, 20 slides labeled name / title / Lybenski-Brichtova while creating her own work Dead: Visual Embellishments on Tombs and preservation and awareness. 50S! is co­ year/size (with red dot at bottom left corner), in their studio. She will also research sculphlral 1999 Feminist Art and Art History Conference, Shrines of Saints," sponsored by the Interna- sponsored by Heritage Preservation and the slide sheet, and SASE to: Atelier 31, 123 Lake St. glass pieces of the emerging generation of Czech Barnard College, New York, October 30, 1999. tional Center of Medieval Art. The 3 sessions Smithsonian's National Museum of American South #102, Kirkland, WA 98033; http://www. sculptors and williechlre about her findings TIlls conference explores artistic and art­ offer little-known, unexpected material Art. For infonnation: Save Outdoor Sculpture!; atelier31.com. back in the u.s. historical engagement with feminism broadly regarding saints' budals, including new 888/S0S-SCUL; 202/634-1422. defined, including artistic practice, visual interpretations of cloisters, and biographic, Kelsey Museum of Archaeology and the Kelly Phillips, Kansas City Art Instihlte, culture, theory, history, sexuality, gossip, feminist, and political messages embedded into Awards University of Michigan Museum of Art invite received a juror's award at the 14th Armual anecdote, pedagogy. Papers, slide presentations, the composition of altarpieces. For information: Calls for Entries artists to send submissions for an exhibition in Greater Midwest International at Central or collaborative projects by artists, critics, art Stephen Lamia, Dept. of Visual Arts, Dowling University Press of Kentucky Material Culture 2000 centered on the famous Roman mural cycle Missouri State University Art Center Gallery. historians, and others are all welcome. Proposals in the Villa of the Mysteries at Pompeii, its College, Oakdale, NY 11769-1999; 516/244-3099; Award. To encourage rese.ych and writing on The Photo Review 1999 Photography Competi­ for IS-min. presentations on completed or in­ meaning in antiquity, and its influence on artists or Elizabeth Valdez del Alamo, Dept. of Fine material culture, a prize of $1,000 and publica­ tion. The Photo Review, a highly acclaimed critical progress work and for working groups are of the 20th century. The exhibtion will explore Shelley Rice has received a special commenda­ Arts, Montclair State University, Upper tion for the best original book manuscript in the journal of photography, will reproduce accepted tion from the 1998 Kraszna-Krausz Photography welcome. Send 3 copies of I-page proposal, the imagery and rites of Bacchus in Roman Italy Montclair, NJ 07043; delalamo@saturn. field is being offered. Works of fiction, poetry, entries in its summer 1999 issue. In addition, cover letter, and c.v. to: Laura Auricchio, Loretta as they are represented by the cycle in the Villa Book Awards in the category of art, culture, and montclair.edu. and drama are not eligible. Please submit 2 several photographers will be chosen by Gary Lorance, and Maria Ruvoldt, c/o Dept. of -of the Mysteries and by other images from history for Parisian Views (MIT Press, 1997), legibly typed, double-spaced copies of the Pelkey and James Gilroy for an exhibition at the which explores the conversion of Paris into a Women's Shldies, Barnard College, 3009 Roman and pre-Roman Italy. Entries to: Elaine II Art and Life in America: A Celebration of the 60,OOO~100,OOO-word manuscript and illustra­ Owen Patrick Gallery, Philadelphia. Due to Broadway, New York, NY 10027-6598. Deadline: Gazda, Kelsey Museum of Archaeology, modem urban city in the 19th cenhlry. Legacy of Oliver Larkin and American Art at tions. The Award Committee is chaired by exposure in The Photo Review, past winners have June 15, 1999. University of Michigan, Arm Arbor, MI 48109- Smith College," Smith College, October 16, Simon J. Bronner, Penn State University, in been given 1-person exhibitions, have had their 1390; 734-647-0438; [email protected]. 1999. TIlls symposium commemorates the 50th association with the Material Culture Caucus of work reproduced in such other leading Mid-Atlantic Popular Culture Annual anniversary of Oliver Larkin's Pulitzer-Prize­ the American Shldies Association. The prize­ photography magazines as DoubleTake, and have Conference, Valley Porge, Pa., November 5-7, wirming book, Art and Life in America. The winning manuscript will be published by the sold work to collectors throughout the country. 1999. Call for papers for sessions on "Technol­ symposium also celebrates the college's 120-year University Press of Kentucky in the series Juror: M. Darsie Alexander, MoMA. First prizes: Call for Manuscripts ogy and the Home," which will h'eat various history of collecting American art. Speakers Material Worlds. Manuscripts should contain a $1,000, donated by Abbey Camera, Philadelphia. ways that technology has affected the home. include: Michele Bogart, Tohn Davis, Patricia statement describing the subject, significance, Entry fee: $20/3 prints or slides, $5/2 additional, Nederlands Kunsthistorisch Jaarboek/ Papers should be concerned with how Junker, Elizabeth Mankin Kornhauser, Amy and length of manuscript and give the author's entitles all entrants to a copy of the catalogue Netherlands Yearbook for Histonj of Art tedmology has influenced what type of homes Kurtz, Linda Muehlig, and Alan Wallach. For name, address, and affiliation. Also include a and a 25% discount on a subscription to The (N.K.J.). Volume 51 (2000) will have as its theme: we live in, how efficient or ostentatious homes Conferences information: Maureen McKenna, Smith College statement certifying that the manuscript is Photo Review. For information: 215/757-8921 (9 "The Culture of Home in the Netherlands, ca. may be, and what we do at/in home. Appropri­ Musemn of Art, Elm St. at Bedford Terr., original, that no significant portion of the work a.m.-5 p.m. ET only). For prospectus, send #10 1400-1800./1 The N.K.T. invites proposals for ate topics include: construction, hygiene/ Northampton, MA 01063; 413/585-2770; http:/ / has been published, and that the manuscript is SASE to: The Photo Review, 301 Hill AVe., articles on the domestic culture of the Low & Symposia plumbing, appliances, lighting, computers, vvww .smith.edu/ artmuseum. not under consideration with another publisher Langhorne, PA 19047. Deadline: May 31, 1999. Countries and its ramifications for early modern entertairunent/television, automobiles/ or awards committee. Submit entries to: Allison notions of privacy, family, sociability, and transportation, communications/telephones. "The Visual Culture of American Religions," Webster, University Press of Kentucky, 663 S. New York EXPO of Short Film & Video, New identity. Contributors are encouraged to take Proposals to: Loretta Lorance, Graduate Center, 1999 conference, Winterthur Museum, Garden, Limestone St., Lexington, KY 40508-4008. For York's premiere international showcase for widely varied but historically specific ap­ CUNY, PO Box 2473, Long Island City, NY and Library, October 22-23. Scholars of information: 606/257-8438; abwebsO@pop. cutting-edge and classic independent shorts proaches to the material and psycholOgical 11102; fax 718/721-6359; [email protected]. American art, religion, and cultlUe will consider uky.edu. Deadli/te: July 1, 1999. seeks fiction, animation, documentary, and culhlre of the urban or rural home. Space is Deadline: July 15, 1999. a range of religious visual practice, including experimental films and videos up to 60 minutes offered for articles based on traditional art­ fine and applied art, religious architecture, Kraszna-Krausz Book Awards reward the best in length, and digital new media works of any historical methods and to submissions that "Pear and Its Representations in the Middle biblical illustration and mass-produced images. books published on the art, history, practice, and size. Jury Award winners are screened for the exemplify other approaches to the study of Ages and the Renaissance," the 6th Armual A special panel will explore the implications of technology of the moving image (film, public at The New School, where they are seen Netherlandish art, including cultural, literary, Call for Papers ACMES Interdisciplinary Conference, Tempe, this material for museums. Martin Marty, television, video, and related media) and still by distributors, agents, and exhibitors. Student and socia-economic history. Maximum length: Adz., February 17-19, 2000. The center historian of American religion, will provide a photography. Open to entries worldwide and in and international entries welcome. Films / videos 7500 words, excluding notes. Abstracts to: Dr. welcomes papers that explore any topic related "Space and Place," Society for Art History and summary response. Conference funded by Lilly all languages, the awards are made annually, completed since 1997 or CD-ROMS and websites Tan L. de Jong, Department of History of Art and Archaeology of the University of illinois at to the shtdy and teaching of the Middle Ages Endowment. For information: 800/888-4600; with prizes for books on the moving image completed since 1995 may be entered. For Architechlre, Groningen University, PO Box 716, Urbana-Champaign, October 22-23, 1999. SAHA and Renaissance, especially those that focus on TIY: 302/888-4907; [email protected]; alternating annually with those for books on still information and entry form: Anne Borin, New 9700 AS Groningen. The Netherlands; J.L.DE. welcomes graduate student papers from art this year's theme of fear. Papers may address the http://www. Winterthur.org. photography. The 1999 awards will be for books York EXPO of Short Film & Video, 532 [email protected]. Deadline: September I, 1999. history, archaeology, and such related fields as role that fear of such things as torhlre, the on the moving image. Entries for the next LaGuardia Pl., Ste. 330, New York, NY 10012; architecture, anthropology, urban planning, exchange of hostages, public punishment, and Photography Book Awards will be invited in the 212/505-7742; [email protected];http://www. landscape architechue, cultural and gender dismemberment plays as a deterrent in secular year 2000. The Kraszna-Krausz Book Awards are yrd.com/nyexpo. Deadline: June I, 1999. Grants and Fellowships shldies. Papers should offer insight into visual matters; or they may investigate literal fear, such sponsored by the Kraszna-Krausz Foundation, as well as social, cultural, political, or geo­ as fear of hell and damnation, fear of hattIe, fear formed in 1985 by Andor Kraszna-Krausz, Berkeley Art Center 15th Annual National Plains Art Museum Print Studio Fellowship, a graphic aspects of this theme, and participants of love and fear of losing love, or other relevant founder of Focal Press, a leading imprint in Juried Exhibition/Works on Paper: drawing, 2-year technician position starting June I, 1999. may interpret "Space and Place" in either a topics. The plenary speaker will be R. I. Moore, photography, film, and television. Andor printmaking, photography, and water media on Establish and maintain a newly developed print literal or abstract sense. This year's keynote University of Newcastle, author of The Formation Kraszna-Krausz died in 1989. For information: paper. Juror: Robert Flynn Johnson, Achenbach studio within an art museum. Applicants must speaker is Marvin Trachtenberg, Institute of Fine of a Persecuting Socieh;: Power and Deviance in Andrea Livingstone, 122 Fawnbrake Ave., Foundation, Fine Arts Museums of San be proficient in both lithography and intaglio Arts, New York University. Notification of Western Europe, 950---1250 and The Origins of London SE24 OBZ, England; tel/ fax 171/738 Francisco. $8/2-5 slides. For prospectus, send processes. M.F.A. preferred. Responsibilities acceptance will be sent by Tune 11. Final papers European Dissent. Send 2 copies of session 6701; [email protected]. SASE to: BACA Dept D, 1275 Walnut St., include scheduling residencies; assisting visiting should be 20 min. For information: Lorraine proposals or I-page abstracts, along with 2 Berkeley, CA 94709. Deadline: June 4, 1999. artists/printers; ordering supplies; maintaining Morales Menar, [email protected];orCharlotte copies of your current c.v., and the A-V request Save Outdoor Sculpture! Awards. 50S! equipment; and teaching printmaking classes. Bauer-Smith, [email protected];or217/333- form (available on website) to: Robert E. Bjork, Assessment A wards provide grants of up to Artists with Disabilities: call for arhvork in all Submit letter of application. resume, references, 1255. Schedule of events, including speakers, Arizona Center for Medieval and Renaissance $850 for the first step of any preservation project: media and subject matters for an important 10 slides of own work and 10 slides of student available at: http://vvww.uiuc.edu/faa/faa. Studies, Arizona State University, Box 872301, a profeSSional assessment of the condition of the exhibition celebrating the fine arts and work to: Print Studio Search Committee, Plains top.hhnl Send double-spaced, SOD-word Tempe, AZ 85287-2301; [email protected];602/ artwork, funded by Target Stores. 50S! individual artistic achievements of artists with Art Museum, Box 2338, Fargo, ND 58108. EOE. abstract, c.v., and personal contact information 965-5900; fax 602/965-1681; http://vvww.asu. Conservation Treatment Awards can provide various disabilities. Send SASE, resume, photos/ Deadline: May 19, 1999. edu/das/acmrs. Deadline: October I, 1999. up to 50% of funding for the preservation of slides to: Sharon Lippman, Art Without Walls, sculptures that have been professionally Inc., PO Box 342, Sayville, NY 11782; 516/567- assessed. Funded by Target Stores and the 9418.

CAANEWS MAY 1999 12 CAA NEWS MAY 1999 13 2000-2001 Fulbright Awards for U.S. Faculty collections, and / or laboratory research, followed coverage. Finalists who are not U.S. citizens will 1930, the institute provides members with New York Art Intensive summer program in grant making agency that fosters leadership, and Professionals: Opporhtnities for lecturing by a 2-month residency period at the Center for be required to provide proof of their ovm health libraries, offices, seminar and lecture rooms, shtdio art. Classes meet twice a week, together innovation, and a lifetime of learning through its or advanced research in nearly 130 countries are Advanced Study, National Gallery of Art. care coverage during the fellowship period. subsidized restaurant and housing facilities, and with weekly field trips, fihn screenings, and support of museums and libraries. The complete available to college and university faculty and Applicants will be considered for study in Interested applicants should submit the some secretarial and word-processing services. guest lechtres. Saul Ostrow, "'The Literature of survey, summary publication, and case shtdy Art"; Richard Martin, "Fashion and Modernity"; guide, True Needs True Partners, are available on professionab outside academe. U.S. citizenship history and conservation of the visual arts of any following materials in English: c.v., including The School of Historical Shtdies supports and the Ph.D. or comparable professional geographical area and any period. A focus on basic biographical information; current and scholarship in all fields of historical research, but Simon Leung, "Public Art under Democracy"; the IMLS website. Sasha Vojkovic, "Subjectivity and the Cultural qualifications are required. For lechtring awards, National Gallery collections not required. Open pennanent address and telephone numbers; and principally with the history of Western and Near university or college teaching experience is to applicants who have held the appropriate 2 supporting letters from conservation Eastern civilization, Greek and Roman Screen." For infonnation: Professor Binstock, WetCanvas!, htlp://www.wetcanvas.com.isan expected. Foreign language skills are needed in tenninal degree for 5 years or more and who professionals familiar with the applicant's work. civilization, the history of Europe, Islamic 212/998-5725; Benjamin.Binstock®nyu.edu. online magazine and information repository culhtre, the history of modern international aimed at further proliferating free online art some countries, but most lecturing assignments possess a record of professional accomplish­ Finalists may be invited for an interview and be education, and providing news and information are in English. For information and application: ment. For information and application fonns: asked to present a portfolio of conservation relations, arld the history of art. In addition, relevant to today's visual artist. Provides feature USIA Fulbright Scholar Program Council for Center for Advanced Study in the Visual Arts, treatments and profeSSional activities. Applica­ during the academic year 2000-2001 the school Online articles, news, tutorials, virtual art schools, International Exchange of Scholars, 3007 Tilden National Gallery of Art, Washington, DC 20565; tions accepted until position is filled. Ruth will support 3 members in the comparative virhtal gallery space, shtdio tips, product St., N.W., Ste. 5L, Box GNEWS, Washington, DC 202/842-6482; fax 202/842-6733; http:/ /www. Philbrick,. National Gallery of Art, 6th st. and history and culture of traditional China, Japan, Art & Science Collaborations, Inc. (ASC!), guides, online shopping, ArtChat!, message 20008-3009; 202/686-7877; apprequest@ nga.gov / resources/ casva.h tm. Deadline: March Constitution Ave., N.W., Washington, DC 20565. Korea, and Vietnam. Qualified candidates of any htlp:l/www.asci.org,is the website of a 10-year­ des.tie.org (requests for application materials 21,2000. nationality are invited to apply for member­ old nonprofit international arts organization forums, and databases. only); http://www.cies.iie.org. Deadlines: August Judith Rothschild Foundation Annual Grant ships. Apart from residence in Princeton during based in NYc. Their extensive website is an Preservation of Libran} and Archival Materials, 1,1999, for lecturing and research grants in Mellon Fellowships for Assistant Professors at Program, is dedicated to advancing the work of term time, the only obligation is to pursue one's infonnative starting-point for those interested in htlp:/Iwww.nedcc.org, Northeast Document academic year 2000-2001; November 1, 1999,for the Institute for Advanced Study, Princeton, underrecognized American artists who died own research. Members may participate in the burgeoning field of "art & technology." Conservation Center (NEDCC), Andover, Mass. international education and academic administrator N.J., are offered each year to 2 qualified assistant within the last 22 years. Entering its 5th year, the seminars and meetings both within the institute Exhibitions, artist homepage listings, public art Edited by Sherelyn Ogden, this 350-page manual seminars; January 1, 2000, for NATO advanced professors. These full-year memberships are grant program will contribute funding for: and at nearby universities, and there are projects, and major symposia on timely issues in opportunities for contact with other scholars. has been updated and expanded from previous research fellowships and institutional grants. designed specifically to support promising museum exhibitions; the acquisition of works the field are archived. For information: Cynthia Approximately 40 members are appointed for 1 editions. 8 newly added leaflets include: "Digital young scholars who are currently assistant for public collections; publications; conservation; Pannucci, [email protected]. or 2 terms each year. The Ph.D. (or equivalent) Technology Made Simpler"; "The Relevance of National Gallery of Art Center for Advanced professors at universities and colleges in the U.S. cataloging; and the production of a documen­ Preservation in a Digital World"; "Preservation Study in the Visual Arts (CASVA) Fellow­ and Canada. Applicants must have served at tary film. The only grant program of its kind, it ilnd substantial publications are required of Bryn Mawr Electronic Resources Review Assessment and Planning; An Introduction to ships, Washington, D.C. Visiting Senior least 2, and not more than 4 years as assistant was established by the will of the noted abstract candidates at the time of application. Awards (BMERR), csa.brynmawr.edu/bmerr.html, is an Fire Detection, Alarm, and Automatic Fire Research Fellowship Program for Scholars professors in instihttions of higher learning in painter, Judith Rothschild, who died in 1993. are funded by the hlstitute for Advanced Shtdy electronic journal for reviews of electronic or by other sources, including the National Sprinklers"; and "Collections Security: Planning from East and South Asia. Fellowships include the U.S. or Canada, and must have approval to The foundation's innovative mission strives to resources having to do with antiquity. Antiquity and Prevention for Libraries and Archives." a period of 2 months at the center for research in return to their institution following the period of encourage interest in recently deceased Endowment for the Humanities, which will is here broadly defined, but the focus is on the Washington libraries and collections, followed the fellowship. Stipends will match the American painters, sculptors, and photogra­ enable 3 U.S. citizens to take up full-year classical world. By electronic resources, we mean by an additional 2 months of travel to visit combined salary and benefits at the home phers whose work is of the highest quality but memberships, and the Thyssen Foundation, web sites and CD-ROMs, at least until a new collections, libraries, and other institutions in the institution, and all the privileges of membership lacks wide recognition. The grant program is which will support 2 German dtizens. medium replaces one or both. All reviews can be Program U.S. Applications will be considered for shtdy in at the Institute for Advanced Shtdy will apply. dedicated to ensuring that the work of Application may be for 1 or 2 terms (September­ accessed through the BlvIERR web site http:/ / the history, archaeology, theory, and criticism of For infonnation and application: Administrative underrecognized artists has meaningful December, January-April). For information and csa.brynmawr.edu/bmerr.html. There are also 2 "Transcultural Art: Representation and art, architecture, and urbanism of any geo­ Officer, School of Historical Studies, Instihtte for opportunities for public viewing and critical application: Administrative Officer, School of e-mail lists for subscribers, 1 for those who Exchange in Africa, Asia and Oceania," graphical area of any period. These fellowships Advanced Study, Princeton, NJ 08540; rnzelazny reassessment. For infonnation: Judith Rothschild Historical Studies, Instihtte for Advanced Shtdy, would like to receive full reviews via e-mail September 13-October 8, 1999, Centre for Cross­ for advanced study are open to scholars from @ias.edu. Foundation, 1110 Park Ave., New York, NY Princeton, NJ 08540; [email protected]. (bmerra-l) and 1 for those who would prefer Cultural Research, Australian National East an_d South Asia who hold appropriate 10128; 212/831-4114. Dendline: November 15, 1999. only an announcement of the web-posted review University, Canberra. Applications are invited degrees in the field and / or possess an equiva­ National Gallery of Art Library Fellowship in (bmerrb-l). To subscribe to either list, send mail from M.A. and Ph.D. students to spend 1 month lent record of professional accomplishment. Photograph Conservation is a 2-year fellowship MCAD Institute for Public Art and Design, to [email protected] with "subscribe working on the theme "Transcultural Art." This Knowledge of English is required. 2 Visiting in the Photographic Archives. The fellowship, Institutes June 14-July 24, 1999. :Minneapolis College of bmerra-l" or "subscribe bmerrb-l" in the program will explore methodologies in the Senior Research fellowships will be awarded supported by the Samuel H. Kress Foundation, Art and Design is pleased to announce its message area. No subject is necessary. Reviews interpretation of art created across the bound­ programs for 1999. The institute is dedicated to aries of culhtre. Drawing on the disciplines of art armually. The fellows receive a stipend that is devoted to the preservation needs assessment "Perspectives on the Decorative Arts in Early may also be accessed directly by visiting exploring new possibilities of public art in the history, culhtral studies, and anthropology, it includes traveL research, and housing expenses. and conservation treatment of archival America," Winterthur's Annual Winter BMERR's website: http://csa.brynmawr.edu/ context of contemporary American democracy. will assess ways of interpreting transcultural Deadline: September 21,1999. photographic materials. The incumbent will Institute, a graduate-level course in early bmerr.html. Contact the editor, Harrison Its goal is to help students make connections representations in a historical frame. Case The Senior Fellowship Program awards work under the general direction of the curator American decorative arts, will be offered Eiteljorg, II, at [email protected], with that encourage urban change and offer solutions shtdies will be drawn from North Africa, China, approximately 6 Senior fellowships and 12 of the photographic archives, and in consulta­ January 16--February 4,2000. The course surveys questions or comments. for the future. This year's 6-week program, "The J~pan, and Polynesia, from the 19th cenhtry to Visiting Senior fellowships each year for study tion with the head of paper conservation and the objects made or used in northeastern America. Dialectics of Public Art," consists of a 3-credit the present. Senior scholars and participants will of the history, theory, and criticism of art, senior photograph conservator. Primary during the colonial and early republican eras. D-Lib Magazine, http://www.dUb.orgisthe architechtre, and urbanism of any geographical reading seminar and a 6-credit shtdio course. work together in thinking through methodolo­ responsibilities include conducting a survey of Course work includes lechtres, workshops, magazine of digital library research. The March Participants must register for both courses, gies for the analysis and contextualization of area and of any period. Applicants should have the collection to determine condition and room studies, and field trips, as well as 1999 issue, Vol. 5, Number 3, includes "The held the Ph.D. for 5 years or more or possess a which may be taken for credit or noncredit. In Getty Information Institute: A Retrospective," by cross-cultural representations and the dynamics treatment needs and preparing written reports introductory sessions on object shtdy and addition to the 6-week program, the Institute is of cultural exchange, in both colonial and record of professional accomplishment. Scholars of survey findings and treatments. The handling, connoisseurship techniques, and use Eleanor E. Fink, former GIl Director. This is an presenting "The New Aesthetics," a I-week noncolonial situations. Teaching staff will are expected to reside in Washington through­ Photographic Archives collection includes of Winterthur's scholarly facilities. The instihtte excellent,. timely, and valuable summary of the studio / seminar designed specifically for include Roger Benjamin and Nicholas Thomas out their fellowship period and participate in the monochrome prints in mounted and unmounted offers a chance to work with curators and guide accomplishments of the GIl, which is scheduled graduate sh\dents and professionals working in from the Centre for Cross-Culhtral Research and activities of the center. All grants are based on formats, including silver gelatin (developed- and specialists in workshops and period rooms. for cessation in June of 1999. Projects, initiatives, related fields. "The New Aesthetics," runs July John Clark from the University of Sydney. individual need. Fellows are provided with a printed-out), albumen, carbon, and photome­ Weekend options include tours of nearby and partnerships are described. The article is 19-23,1999. Campus housing is available. For Students from countries other than Australia study and subsidized luncheon privileges. The chanical prints; prints in albums; photographi­ historic sites, special subject tours, and research illustrated with sample screens from a number of center will also consider the appointment of information: 612/874-3765; http://www. and New Zealand are required to pay cally illustrated books; as well as a small number in the library. Winter Instihtte is open to the institute's most successful endeavors a mcad.edu. participation fee. For further details: associates who have obtained awards for full­ of film and glass negatives and color materials. museum and university professionals, as wen as including the Bibliography of the Histon; of Art, Art [email protected];http://www.anu. time research from other granting institutions Candidates should be graduates of a recognized anyone seriously interested in American and Architecture Thesaurus, the Getty Thesaurus of and would like to be affiliated with the center. Summer Institute in Visual Culture and edu.au/ culture. Deadline: June 30, 1999. conservation training program, preferably with decorative arts. Applications will be available Geographic Names, the Union List ofArtist Names, Deadline: October 1, 1999 Critical Studies, June 28-August 6, 1999, a major in photograph conservation, or have June 1, 1999. Tuition: $1,400; partial scholarships and ARThur the GIl's tool to demonstrate Samuel H. Kress/Ailsa Mellon Bruce Department of Art and Art Professions, School equivalent experience; must demonstrate 1 available. For applications and housing image-retrieval technologies over the web. Paired Fellowships for Research in Conserva~ additional year of experience in photograph of Education, New York University, provides a information: Cynthia Doty, Winterthur concentrated introduction to current issues in Publications tion and Art History/Archaeology. Applications conservation; English required. Fellowships are Museum, Garden & Library, Winterthur, DE Instihtte of Museum and Library Services are invited from teams consisting of 2 scholars: 1 awarded without regard to age, sex, race, or critical theory, art history, cultural studies, and 19735; 800/448-3883, ext. 4923; http://www. Survey of Museum and School Collaborations, ASCI Bulletin, Art & Science Collaborations, in art history, archaeology, or another related contemporary art. Six-week courses are intended nationality. Candidates with experience treating winterthur.org. Deadline: August 1, 1999. htlp:/Iwww.imls.fed.us. confinns through Inc., New York, is a monthly e-mail publication discipline in the humanities or social sciences, for advanced undergraduate and graduate photograph albums are strongly encouraged to strong statistical information that museums and of news, opporhtnities, calls for work, confer­ and 1 in conservation or materials science. students and those actively engaged in the art apply. Annual stipend: $35,500. The selected Institute for Advanced Study's School of schools are working together at an grade levels ences, exhibitions, and other timely infonnation Fellowship includes a 2-month period for field, candidate is eligible for health insurance fields and cultural analysis, and complement the Historical Studies, Princeton, N.J. Founded in to better educate students. IMLS is the federal

CAA NEWS MAY 1999 14 CAANEWS MAY1999 15 pertinent to the eclectic field of "art & technol­ 34090, Phoenix, AZ 85067-4090; 602/277-3711; Information Exchange Datebook ogy." One of the best ways to keep up with this http://www.si.edu.nmai. Deadline: June 25, 1999. Institutional News rapidly changing Modernism shops. Join photographer Martha Casanave to Project Residency Program, lectures, symposia, Deadline for receipt of abstracts of papers preservation of intellectual resources and & Post-Colonial Theory Bulgaria, May 30-June 15, 1999. This tour, performances, and publications in the fields of History, CUNY, recently lectured at the accepted for the 88th Annual Conference in New records in all formats. $20. Checks payable to: sponsored by the Coupeville Arts Center, is in art, architecture, and design. For information University of Havanna, Cuba. The chairperson York (see http://www.collegeart.orgl caal Central London location CUR, CLlR Publication Orders, 1755 Massachu­ conjunction with watercolor instruction by about exhibits: 415/551~9210. and dean there asked her to send slides for conference I 2000 I call2000.html) One year degree program setts Ave., N.W., Ste. 500, Washington, DC Karlyn Holman. Photography workshops on teaching. Inspection of their tiny collection Optional semester in Florence 20036-2124. Credit card orders: 202/939-4750; Whidbey Island include Bruce Davidson, Pat Lamar Gallery Opens at the University of revealed a group of wom-out b I w and purple­ September 11, 1999 US accredited fax 202/939-4760; [email protected]: O'Hara, Robert Glenn Ketchum, Phil Borges, Texas-Pan American, Edinburg. Gallery tinged slides. The head of the American Interest Deadline for submissions to the October issue of BAIBS also offered in 17 areas, http://www.clir.org. Section (equivalent of an embassy during the Nevada Weir, Lisl Dennis, Nick DelCalzo, activities will include exhibits of the university'S Careers including Art History Brenda Tharp, Natalie Fobes, David lv1iddleton, permanent collection, guided tours, and artist embargo), which is now encouraging cultural Scholarship, Instruction, altd Libraries at the Office of Graduate Admissions and Robert Stahl. For a free catalogue: lectures. For information: 956/381~2655; val@ exchange with Cuba, has ensured that it is legal September 15, 1999 Turn oftlte Ccmtunj, Council on Library and 16 Young St Box CA Coupeville Arts Center, PO Box 171, Coupeville, panam.edu; http://vvww.panam.edu/ dept/ art/ to send slides, articles, or books by U.S. mail to Deadline for receipt of session proposals for the Information Resources, Washington, D.C., London W8 5EH UK WA 98239; 360/678-3396; [email protected]. gallery.htm. Cuba. If all interested art histOlians and artists CAA 2001 Annual Conference (see page 4) presents the recommendations of a gathering of send a few labeled slides, this will help our Tel: +44 (0)1713688489 36 scholars, librarians, and academic leaders Fax: +44 (0)1713760836 Peters Valley Craft Education Center Work­ P.S.l Contemporary Art Center and the colleagues there immensely. Mail contributions October 1, 1999 appointed by the American Council of Learned e-mail: [email protected] shops, Layton, N.J. Special workshop offering Museum of Modern Art announce intent to to: Mtra. Olga Rodriquez, Zapata y G. Vedado, Deadline for receipt of applications for the Societies and CUR to guide the development of www.richmond.ac.uklmaarthis "Drawing on the Right Side of the Brain" with merge in February. P.S.l will gain access to C. Habana, Cuba. Millard Meiss Subvention awards (see page 7) digital and paper-based library resources into Betty Edwards, July 19-23. Tuition: $1,300 ($300 MoMA's art collection. while MoMA's paid adverl/semelll the next century. $15. Checks payable to: CLlR, can be used as a tax-deductible contribution). contemporary initiatives will be expanded and October 29,1999 CLIR Publication Orders, 1755 Massachusetts Summer Workshops in blacksmithing, ceramics, enhanced through engagement with P.s.1's Deadline for proposals for members' exhibition Ave., N.W., Ste. 500, Washington, DC 20036- fiber/surface design, fine metals, photography, innovative programming. Distinct elements, for the 2001 Annual Conference in Chicago (see 2124. Credit card orders: 202/939-4750; fax 202/ weaving, woodworking, drawing, printmaking, such as film and education programs, will help page 6) 939-4760; [email protected]. For information: http:// oil painting, and watercolor, May 21-September broaden both audiences. MoMA will also work www.clir.org. 14. For information: 973/948-5200; pv@Warwick. with P.S.l to generate revenues to support December 1, 1999 Correction net; http://www.pvcrafts.org. P·.S.l's programs. Deadline for receipt of dissertation titles begun or completed in 1999 from American and Residencies Canadian art history departments (see page 7)

National Museum of the American Indian December 3, 1999 In the March 1999 issue of CAA News, the (NMAI) and Allatl, Inc., Artist-in-Residence New York Academy of Art Deadline for receipt of papers accepted for the citation for Mira Shor, Frank Jewett Mather Program is seeking proposals from Native 88th Annual Conference in New York (see http:/ Award winner, stated that Shor was editor of the American artists for a residency at the NMAI in I www.collegeart.org/caa/conference/2000/ journal M/EIA/NII/NIG. She was co-editor with New York. The program is geared toward call2000.html) Susan Bee. enhancing artistic growth, career development, Graduate School of Figurative Art and encourages Native artists to share their Full-Time and Part-Time MFA Programs residency with their community. During residency, artists' research will be conducted at & the American Museum of Natural History and the Brooklyn Museum of Art. AtlaH will provide Continuing Education Program any technical support and contact information to Non-Credit Figurative & Traditional Art Courses allow applicants to apply for further funding. 3 Call Save Outdoor Sculpture! (SOS!) artists will be granted up to $3,000 each plus IIlS00-422-4612. round-trip transportation. Applicants must be Summer Programs in Italy and Mexico 50S! working artists in the U.S. and Canada who are 2000 not enrolled or affiliated with an institution as a 111 Franklin Street, New York, NY 10013, 212/966-0300 student. Candidates must provide tribal identification. Previous applicants are strongly Fax: 2121966-3217, Web: www.nyaa.edu, E-m:Ul: [email protected] encouraged to reapply. For information and The New York Academy ofArt admits swdfllis ofmlJ ma, cofor al/d lIatiol/al or ethnic orighl. application: Patsy Phillips, Atlatl, Inc., PO Box paid advertisement

16 CAANEWS MAY1999 CAA NEWS MAY 1999 17 elevator. 3-month rental minimum. Available Rome: rent, near American Academy. Fully Classified Ads July. $2,000 plus utilities. References required. furnished 2 bedrooms, study, eat-in kitchen, CAA 2001 Annual Conference 508/877-2139. living-dining, bath, balconies, clothes/ dish ( CAA News accepts classified ads of a professional or washers, central heating. Available: second \ semiprofessional nafure. $1.25/word fat: members, French Painting Workshop: II-day vacation, semester 2000 (flexible, January I-May 1). $1,500 Session Proposal Submission Form $1.00/Ivord for nonmembers; $15 minimum. bliss, sunflowers, all levels. $2,188. Or rent rural monthly + utilities. Jack Wasserman. 215/625- Classified ads IIIl1st be prepaid. CAA News also medieval village home. 707/823-9663; http:/ / 3902; fax 215/625-9986; [email protected]. accepts boxed display advertising throughout the www.artfully.com. publication. Contact the listings editor at See the real New York! Friendly B&B Green­ kgrimsby@co//egeart.orgor212/691-1051,ext.217, Gay and Lesbian Caucus. For a free copy of wich Village artist's loft. SeU catering available. for details. newsletter and membership application: 212/614-3034; fax 212/674-3393; Session category (check one) (*Written approval of sponsor required): Jonathan Weinberg, PO Box 208272, New [email protected]. Art Workshop International, Assisi, Italy. June Haven, CT 06520-8272; jonathan. weinberg@ 14--July 25, 1999. Live/work in a 12th-century yale.edu. Study art in Crestone, Colorado at the foot of o Historical Studies o Contemporary Issues/Studio Art o Educational and Professional Practices hilltown surrounded by the Umbrian landscape. the majestic Sangre de Cristo mountains: Instructional courses: painting, drawing, art Greece: Rental, traditional island house, fully Byzantine-Russian Icon Painting, July 6-11; o Other o Affiliated Society-Sponsored* o Committee-Sponsored* making, all media, art history, contemporary art furnished, 4 people, sunset views, best months Impressionist Landscape Painting, August 2-6. seminar and Venice Biennale with Kim Levin, May-October. Picturesque Hydra, no cars, old Contact the School of Living Arts; 719/256-4611; and creative writing. 2-6 week sessions. Hotel, artist colony. $2,200 per month. phone/fax: Int + [email protected]. most meals, studio space, critiques, lectures, 30298-52784. Sidaway, PO Box 3, Hydra 180-40, Session title ______visiting artists. Art Workshop International, 463 Greece. Visiting NY; as you're passing through WestSt. 1028B, New York, NY 10014; phone/ Manhattan, A's is the space. 2-BR shares in large fax 800/835-7454; http:/ /www.vacation-inc. Hudson River Valley: 2 charming country loft (East Soho/Chinatown), outdoor sculpture Sponsoring affiliated society /CAA committee (if applicable) ______artworkshop.hhnl. cottages surrounded by nature. Easy access garden great for BBQ's. $50 person/night. 212/ NYc. Weekly/Monthly. 914/384-6261. 431-9464; fax 212/343-1590; [email protected]. Artist's Apartment: central Italy, Umbrian Brief synopsis of session topic _~ ______countryside, panoramic views. 2 BR, fireplace, Manhattan Museum Mile: apartment available Writer Offers B&B in lovely Victorian house in use of studio. Ideal for painter, sculptor, writer. for steady weekend renter. 2-4 weekends per central London location, £28 per night, £50 Available May-September, weekly, monthly. month, $450-$700 per month. 212/369-1893. doUble. phone/ fax 011-44-171-354-3036. 727/785-1578; [email protected]. Paris Vicinity Montpamasse and Invalides: Florence: unique small penthouse, historic extremely quiet, sunny, I-bedroom furnished center, spectacular terrace, 2 persons plus apartment, 6 flight walk-Up, 9 months mini­ completely furnished, AC, washing machine, mum. $1,150/month. 212/307-7141.

Chair 1 ______

CAA membership # :--:----:---:-:---:-=c:-:----:---:--:--::--:-:-cc------:-----::c:-:-=::-:::,----.,,--:----::---:------­ CAA Directories CAA membership from submission a/proposal through 2001 is required of all chairs. Iinat a member, call 212/691-1051, ext. 12,jor an application.

Adrness ______Make the Grade!

Telephone: office/studio ______home ______

-Directory of M.A. and,Ph.D. Programs in Art, Art History, and Related Areas E-mail ______~ ______(1999) is a guide to schools in the U.S. and Canada offering M.A. and PhD. degrees

in art historyf architectural historyf theory & criticism, studio art, museum studies, conservation, arts administration and education, and more. ($15.00 members;$17.50 Chair 2 (if applicable) ______norunembers)

-Directory of M.F.A. Programs in the Visual Arts (1999)is a comprehensive survey CAA membership# -:---:--::----:----:-,----C:-:::=-,----,---==--:--:---:-;,-----,----::-::====-,---:-::::-:--:-:-,---:------­ CAA membership from submission of proposal through 2001 is required of all chairs. If not a member, call 112/691-1051, ext. 11, for an application. of M.F.A. programs in the u.s. and Canada. ($15.00 members; $17.50 nonmembers)

Address ______

College Art Association Telephone: office / studio ______home ______275 7th Ave., NY, NY 10001 212/691-1051, ext. 12 E-mail ______"( Mail 18 copies of (1) completed fonn; (2) I-page proposal; and (3) c.v. (2 pages max.) to: Conference Director, Sessions 2001, CAA, 275 7th Ave.~ New York, NY 10001. Deadline: September 15~ 1999 (receipt, not postmarked). eAA NEWS MAY 1999 19