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Lisa DEL SOL Columbia University
7 Race Relations and Conversations as Hip-Hop Calls Out Anime In TweRk by Latasha N. Nevada Diggs Lisa DEL SOL Columbia University The poetry of Latasha N. Nevada Diggs (2013) moves beyond the conventional boundaries separating music and text within traditional Western literature in her book TweRk. By both actively connecting and fusing music and text into this body of work she creates a text with a sonic element that moves beyond the boundaries of the page. Diggs (2013) further complicates the relationship between text, sound and visual media in her poetry which is a fusion of pop culture, rhythm, African American Vernacular English (AAVE) and a multitude of languages (including various Caribbean Patois) making it difficult to categorize her poetry due to its polyphonic nature. Diggs’s (2013) poetry ranges from references and direct quotes from hip-hop songs (such as titles and lyrics), as well as alluding to particular rhythms all while addressing stereotypes of sexism and combatting worldwide images of anti-blackness. I will discuss sound and its relationship to poetry, the role of pop culture in the text, and its interactions with misogynoir.1 Using Edouard Glissant’s terminology for language and culture in the Caribbean being an amalgamation of sorts, what he called Antillanité2 and viewing Diggs’s (2013) representation of Blackness through a multicultural lens disrupts the monolithic narrative of Black identity. She invokes a pluralistic perspective on language with her use of Japanese, English and AAVE in the same poem. She also examines the duality of Black identity, what WEB DuBois referred to as double consciousness (DuBois 1961, 3) and alienation exemplifying the “twoness” the “two souls, two thoughts and two unreconciled strivings; two warring ideals in one dark body” (DuBois 1961, 3). -
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday May 21, 2018 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Steve Winwood Nashville A smooth delivery, high-spirited melodies, and a velvet voice are what Steve Winwood brings When You’re Tired Of Breaking Other Hearts - Rayna tries to set the record straight about her to this fiery performance. Winwood performs classic hits like “Why Can’t We Live Together”, failed marriage during an appearance on Katie Couric’s talk show; Maddie tells a lie that leads to “Back in the High Life” and “Dear Mr. Fantasy”, then he wows the audience as his voice smolders dangerous consequences; Deacon is drawn to a pretty veterinarian. through “Can’t Find My Way Home”. 9:00 AM ET / 6:00 AM PT 6:00 PM ET / 3:00 PM PT The Big Interview Foreigner Phil Collins - Legendary singer-songwriter Phil Collins sits down with Dan Rather to talk about Since the beginning, guitarist Mick Jones has led Foreigner through decades of hit after hit. his anticipated return to the music scene, his record breaking success and a possible future In this intimate concert, listen to fan favorites like “Double Vision”, “Hot Blooded” and “Head partnership with Adele. Games”. 10:00 AM ET / 7:00 AM PT 7:00 PM ET / 4:00 PM PT Presents Phil Collins - Going Back Fleetwood Mac, Live In Boston, Part One Filmed in the intimate surroundings of New York’s famous Roseland Ballroom, this is a real Mick, John, Lindsey, and Stevie unite for a passionate evening playing their biggest hits. -
Five Star Transcript
Five Star Transcript Timecode Character Dialogue/Description Explanation INT: Car, Night 01:00:30:00 Primo March 24th, 2008, a little boy was born. 01:00:40:00 Sincere Israel Najir Grant, my son. 01:01:00:00 That's my son. 01:01:01:00 You know where I was? Nah, not the hospital bed. 01:01:10:00 Nah not in the waiting room. 01:01:13:00 I was locked the fuck up. 01:01:23:00 Remember gettin' that call, putting the call in I should say. Had a beautiful baby boy, and I wasn't there to greet him when he 01:01:33:00 came into the world. 01:01:36:00 And, um, it's funny. 01:01:40:00 I was released the week after. 01:01:43:00 April 1st, my Pop's birthday. Dialogue Transcript Five Star a film by Keith Miller 1 Five Star Transcript Timecode Character Dialogue/Description Explanation 01:01:48:00 Came home on April Fool's Day, dig that. I remember walking in, into the P's*. Everybody yo Primo, Primo oh, 01:01:56:00 * P’s = projects/housing project shit. 01:02:03:00 Fuck y'all. I want to see my son. 01:02:06:00 Walked up the stairs, I was nervous. 01:02:14:00 Haven't seen my daughter in so long. Open the door, everybody greeting me. Oh welcome home! Welcome 01:02:20:00 home! Yeah it's nice, that that that was sweet. Move! I want to see my son. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
Music List by Year
Song Title Artist Dance Step Year Approved 1,000 Lights Javier Colon Beach Shag/Swing 2012 10,000 Hours Dan + Shay & Justin Bieber Foxtrot Boxstep 2019 10,000 Hours Dan and Shay with Justin Bieber Fox Trot 2020 100% Real Love Crystal Waters Cha Cha 1994 2 Legit 2 Quit MC Hammer Cha Cha /Foxtrot 1992 50 Ways to Say Goodbye Train Background 2012 7 Years Luke Graham Refreshments 2016 80's Mercedes Maren Morris Foxtrot Boxstep 2017 A Holly Jolly Christmas Alan Jackson Shag/Swing 2005 A Public Affair Jessica Simpson Cha Cha/Foxtrot 2006 A Sky Full of Stars Coldplay Foxtrot 2015 A Thousand Miles Vanessa Carlton Slow Foxtrot/Cha Cha 2002 A Year Without Rain Selena Gomez Swing/Shag 2011 Aaron’s Party Aaron Carter Slow Foxtrot 2000 Ace In The Hole George Strait Line Dance 1994 Achy Breaky Heart Billy Ray Cyrus Foxtrot/Line Dance 1992 Ain’t Never Gonna Give You Up Paula Abdul Cha Cha 1996 Alibis Tracy Lawrence Waltz 1995 Alien Clones Brothers Band Cha Cha 2008 All 4 Love Color Me Badd Foxtrot/Cha Cha 1991 All About Soul Billy Joel Foxtrot/Cha Cha 1993 All for Love Byran Adams/Rod Stewart/Sting Slow/Listening 1993 All For One High School Musical 2 Cha Cha/Foxtrot 2007 All For You Sister Hazel Foxtrot 1991 All I Know Drake and Josh Listening 2008 All I Want Toad the Wet Sprocket Cha Cha /Foxtrot 1992 All I Want (Country) Tim McGraw Shag/Swing Line Dance 1995 All I Want For Christmas Mariah Carey Fast Swing 2010 All I Want for Christmas is You Mariah Carey Shag/Swing 2005 All I Want for Christmas is You Justin Bieber/Mariah Carey Beach Shag/Swing 2012 -
20 Second Songs to Sing While Washing Your Hands
20 SECOND SONGS TO SING WHILE WASHING YOUR HANDS “Billie Jean” “Love on Top” by Michael Jackson by Beyonce Billie Jean is not my lover Baby it’s you She’s just a girl who claims that, I am the one You’re the one I love But the kid is not my son You’re the one I need She says I am the one, but the kid is not my son You’re the only one I see Come on baby it’s you “No Scrubs” You’re the one that gives your all by TLC You’re the one I can always call When I need to make everything stop No, I don’t want no scrubs Finally you put my love on top A scrub is a guy that can’t get no love from me Hangin’ out the passenger side of his best friend’s ride “Beat It” Trying to holla at me by Michael Jackson I don’t want no scrubs Just beat it, beat it, beat it, beat it A scrub is a guy that can’t get no love from me No one wants to be defeated Hangin’ out that passenger side of his best Showin’ how funky and strong is your fight friend’s ride It doesn’t matter who’s wrong or right Trying to holla at me Just beat it (beat it) Just beat it (beat it) “Jolene” Just beat it (beat it) by Dolly Parton Just beat it (beat it, uh) Jolene, Jolene, Jolene, Jolene I’m begging of you please don’t take my man “Gangsta’s Paradise” Jolene, Jolene, Jolene, Jolene by Coolio Please don’t take him just because you can As I walk through the valley of the shadow of death “Africa” I take a look at my life and realize there’s by Toto nothin’ left It’s gonna take a lot to drag me away from you Cause I’ve been blastin’ and laughin’ so long There’s nothing that a hundred men or more that even my mama thinks that my mind is gone could ever do But I ain’t never crossed a man that I bless the rains down in Africa didn’t deserve it Gonna take some time to do the things Me be treated like a punk, you know we never had that’s unheard of You better watch how you’re talkin’ and “Over the Rainbow” where you’re walkin by Judy Garland Somewhere over the rainbow Way up high And the dreams that you dream of Once in a Lullaby. -
Fellowship of the Misery
LMU/LLS Theses and Dissertations 2020 Fellowship of the Misery Malachi James Moore Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/etd Part of the Screenwriting Commons Recommended Citation Moore, Malachi James, "Fellowship of the Misery" (2020). LMU/LLS Theses and Dissertations. 914. https://digitalcommons.lmu.edu/etd/914 This Thesis is brought to you for free and open access by Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in LMU/LLS Theses and Dissertations by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Fellowship of the Misery TITLE A Feature Screenplay presented to and approved by the Faculty Thesis Committee in the MFA Writing for the Screen Program in the School of Film & Television at Loyola Marymount University of Los Angeles, California. In Partial Fulfillment Of the Requirements for the Degree Master of Fine Arts Writing for the Screen By Malachi James Moore MFA Candidate APPROVAL TO MFA CANDIDACY The following graduate student has met all the criteria to advance to candidacy for a Masters in Fine Arts with an emphasis in Writing for the Screen by completing the following requirements and portfolio: • Three revised feature film screenplays • One spec episodic teleplay (either a half-hour comedy or one hour drama) • One original pilot teleplay (either a half-hour comedy or one hour drama) • SCWR 690: Thesis feature screenplay workshop • SCWR 691: Revised thesis feature screenplay workshop • SCWR 692: Feature film portfolio workshop (revision of all projects written during the three-year program) Add Digital Signature Type Your Name Graduate Director: Patricia K. -
Patiently Waiting 50 Cent [Intro: 50 Cent] Hey Em, You Know You're My
Patiently Waiting 50 Cent [Intro: 50 Cent] Hey Em, you know you're my favorite white boy, right? I owe you for this one [Hook: 50 Cent] I been patiently waiting for a track to explode on You can stunt if you want and your ass'll get rolled on If it feels like my flow's been hot for so long If you thinking I'mma fuckin' fall off, you're so wrong [Verse 1: 50 Cent] I'm innocent in my head like a baby born dead, destination heaven Sit and politic with passengers from 9/11 The Lord's blessings leave me lyrically inclined Shit, I ain't even got to try to shine God's the seamstress that tailor fitted my pain I got scriptures in my brain, I could spit at your dame Straight out the good book, look, niggas is shook 50 fear no man, warrior, swing swords like Conan Picture me, pen in hand writing lines knowing the Source'll quote it When I die, they'll read this and say a genius wrote it I grew up without my pops, should that make me bitter? I caught cases I copped out, does that make me a quitter? In this white man's world I'm similar to a squirrel Looking for a slut with a nice butt to get a nut If I get shot today my phone'll stop ringing again These industry niggas ain't friends, they know how to pretend [Hook: 50 Cent] I been patiently waiting for a track to explode on You can stunt if you want and your ass'll get rolled on If it feels like my flow's been hot for so long If you thinking I'mma fuckin' fall off, you're so wrong I been patiently waiting for a track to explode on You can stunt if you want and your ass'll get rolled on If it feels -
The Use of Contracted Forms in the Hip Hop Song Lyrics
THE USE OF CONTRACTED FORMS IN THE HIP HOP SONG LYRICS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By AGUSTINA IKE WIRANTARI Student Number: 034214130 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2008 i A Sarjana Sastra Undergraduate Thesis ii THE USE OF CONTRACTED FORMS IN THE HIP HOP SONG LYRICS By AGUSTINA IKE WIRANTARI Student Number: 034214130 Defended before the Board of Examiners on January 21, 2008 and Declared Acceptable BOARD OF EXAMINERS Name Signature Chairman : Secretary : Member : Member : Member : ii iii ACKNOWLEDGEMENTS I would like to address all my thanks and praise to God for all His kindness, love, patience and etc. I feel that I just nothing compared with His Greatness. He is always accompanying me and giving me power to face all the obstacles in front of me. I owe so much thanks to my advisor Dr. Fr. B. Alip, M.Pd., M.A., for all his advise so I can finish my thesis, and also for my co-advisor Dr.B.Ria Lestari, M.S. for her ideas and supports in making my thesis. Thanking is also given for Ms. Sri Mulyani, for her ideas and the sources that can support my thesis, and for all the English Letters Department staffs for all their help in our study. I would never forget to address my gratitude, love, and thanks for all the supports to my family especially for my Dad, I Ketut S.W., my Mom, Lestari, and my lovely sister, Putri. -
Daughtry GH Release
MULTI-PLATINUM SELLING RECORDING ARTIST DAUGHTRY TO RELEASE IT’S NOT OVER…THE HITS SO FAR ON FEBRUARY 12TH Brand New Single, “Torches” & Album Pre-Order Available January 29th (New York, New York) – Multi-platinum selling recording artist Daughtry is set to release their first greatest hits record entitled It’s Not Over…The Hits So Far on February 12th via 19 Recordings/RCA Records. The greatest hits compilation will feature two brand new tracks from the group as well as all the hits to date. The 13 track album will be available for pre-order on January 29th along with the brand new single, “Torches.” Fans who pre-order the album will receive an instant grat of the track. “Torches" was written by Chris Daughtry and Dave Bassett (Elle King’s “Exes & Oh’s”, Rachel Platten’s “Fight Song” and Shinedown’s “Second Chance") as well as produced by Bassett. Additionally the group will be releasing a deluxe physical version exclusively at Wal-Mart which will feature It’s Not Over…The Hits So Far plus a second bonus disc entitled, Acoustic Live – 2015. It will also be available for pre-order at Wal-Mart.com on January 29th. Since forming, Daughtry has released four studio albums (Daughtry, Leave This Town, Break The Spell and Baptized), scored four No. 1 hits, garnered four Grammy nominations, won four American Music Awards, sold over 8.2 million albums and 16 million singles worldwide and sold out concerts around the globe. Daughtry's self-titled debut was the fastest-selling rock debut in Soundscan history and its follow up, Leave This Town, marked the quintet's second consecutive No.