MARC RIBOT and MOSTLY OTHER PEOPLE DO the KILLING Thursday, Sept
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Glenn Siegel, Ken Irwin, (413) 545-2876
Contact: Glenn Siegel, Ken Irwin, (413) 545-2876 www.fineartscenter.com/magictriangle THE 2011 MAGIC TRIANGLE JAZZ SERIES PRESENTS: Mostly Other People Do the Killing The Magic Triangle Jazz Series, produced by WMUA, 91.1FM and the Fine Arts Center at the University of Massachusetts, Amherst, concludes its 22nd season on Wednesday, April 20, at Bezanson Recital Hall with an 8:00pm performance by Mostly Other People Do the Killing. Deconstructing jazz standards and original compositions, weaving in and out of styles erratically and often humorously, Mostly Other People Do the Killing (MOPDtK) is led by bassist and composer Moppa Elliot and features Peter Evans, trumpet, Jon Iragabon, saxophone and Kevin Shea, drums. “Bolstered by a youthful visceral intensity,” writes All About Jazz, “the mercurial quartet has a historically aware yet stylistically irreverent take on the jazz tradition." Mostly Other People Do the Killing formed in the fall of 2003 in New York City. Moppa Elliott met Peter Evans in 1998 at the Oberlin Conservatory of Music, where both studied. Upon relocating to New York, Elliott met Jon Irabagon and Kevin Shea. Mostly Other People Do the Killing recorded its first eponymous album during the summer of 2004 and released it on Elliott's Hot Cup label. "There’s a bustling, ostentatious impiety in the music of Mostly Other People Do the Killing,” writes The New York Times. “It’s a jazz quartet with a diligent grasp of history but an anarchic take on convention.” Their most recent release, Forty Fort (Hot Cup), is their fourth. By 2009, they had been voted the winners of the DownBeat Critics' Poll in the Rising Star Ensemble category, and Evans, Irabagon, and Elliott had been mentioned in their respective categories Jon Irabagon won the prestigious Thelonious Monk International Jazz Saxophone competition in 2008, while Peter Evans released his second solo trumpet album on Evan Parker's psi label. -
Approaching the Jazz Past: MOPDTK's Blue and Jason Moran's
Journal of Jazz Studies vol. 11, no. 2, pp. 1-28 (2016) Approaching the Jazz Past: MOPDTK’s Blue and Jason Moran’s “In My Mind: Monk at Town Hall, 1959” Tracy McMullen “Polemical traditions seem to valorize the literal” -Henry Louis Gates In October 2014, the jazz group Mostly Other People Do the Killing released their seventh album, Blue, a “painstakingly realized, note-for-note” re- performance of the classic 1959 album by the Miles Davis Sextet, Kind of Blue. Some jazz critics have described this album as “ingenious and preposterous” and “important.”1 Many of my fellow jazz scholars have been intrigued, wondering just how closely these artists come to re-performing the nuances of Miles or Coltrane or Evans. I have been far less impressed or intrigued. MOPDTK’s album is the product of a long Western tradition of understanding the art object, the artist, and history. Far from preposterous, ingenious, or even new, I argue this album is a stark example of comprehending jazz via a Western epistemology that informs “classical music” rather than, as one reviewer argues, a critique of this tendency. Using the 1939 Jorge Luis Borges story the band offers as liner notes as my pivot point, I argue that MOPDTK assumes an epistemology that privileges objectivity and an obsession with naming while suspecting the subjec- tive and what cannot be named. In an obtuse reading of the Borges story, bassist and bandleader Moppa Elliott asserts that we must have a new object in order to re-read the old one. An obsession with naming (that is, locating boundaries) breeds a fascination with difference, which is then found in a predictable place: racial difference. -
Mostly Other People Do the Killing Party Freaks Provocar Um Sorriso No Ouvinte
Jazz 26 Maio 2010 Ciclo 'Isto é Jazz?' Comissário: Pedro Costa Mostly Other People Do the Killing Party freaks provocar um sorriso no ouvinte. Para mim, a música só é verdadeiramente Matthew “Moppa” Elliott gosta de definir interessante quando se tiram elemen- o projecto Mostly Other People Do the tos de uma determinada expressão Killing com uma só frase, adaptada para os fundir com outras. Diferentes do título de um disco dos Mothers of estilos musicais têm diferentes propósi- Invention: We’re only in it for the fun! tos na vida quotidiana, e mesmo estes A verdade, porém, é que o diverti- alteram-se ao longo dos tempos. Hoje, mento deste grupo apresentado como por exemplo, podemos ouvir “big bands” praticando um “bebop terrorista” tem de jazz no consultório de um dentista, muito que se lhe diga, e se o humor e como já aconteceu comigo. Se a inten- a ironia estão entre as suas principais ção original do swing era pôr as pessoas virtudes, os propósitos que persegue a dançar, agora serve para relaxarmos. são, afinal, bastante sérios. Em causa Gosto de pensar sobre isto e de colocar está o tipo de revisionismo distanciado géneros musicais distintos em cima uns que faz de praticamente todos os ramos dos outros: um solo de saxofone no e etapas da evolução do jazz, inclusive estilo de Duke Ellington sobre o maior com recurso a citações dos standards, dos pandemónios, ou um solo do bebop e a sua associação a estruturas rítmicas mais literal no topo de um groove da do rock e a explorações situacionais pop dos anos 1980. -
International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Bob Belden Ornette Coleman Jorge Gomez Christoph Irniger Pawel Kaczmarczyk Byron Morris Karen Ng John Taylor Michal Tokaj The Prism Quartet International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 41 Number 4 Oct Nov Dec, 2015 Intakt Records, Zurich, Switzerland | [email protected] Digital-Download-Shop: intaktrec.bandcamp.com WWW.INTAKTREC.CH Distributed by Naxos America · Amazon.com · iTunes Store Intakt CD 255 Intakt CD 252 Intakt CD 249 LUciano Biondini inGrid LaUBrock stePHan crUMP SENZA FINE anti-HoUse WitH MarY HaLvorson kris davis, MarY SECRET KEEPER HaLvorson, JoHn EMERGE HeBert, toM raineY ROULETTE OF THE CRADLE Intakt CD 259 Intakt CD 243 Intakt CD 246 saraH BUecHi oLiver Lake MariLYn crisPeLL WitH steFan aeBY WiLLiaM Parker GerrY HeMinGWaY andré PoUsaZ TO ROY TABLE OF CHANGES LioneL FriedLi SHADOW GARDEN Intakt CD 257 Intakt CD 247 Intakt CD 239 ULricH GUMPert oMri ZieGeLe aLeXander von WitH Jan roder BiLLiGer BaUer scHLiPPenBacH JÜrGWickiHaLder SO VIEL SCHON HIN aki takase MicHaeLGriener 15 HERBSTLIEDER SO LONG, ERIC! A NEW ONE HOMAGE TO ERIC DOLPHY Intakt CD 253 Intakt CD 237 Intakt CD 236 cHristoPH Lotte anker Fred FritH irniGer trio Fred FritH BarrY GUY OCTOPUS EDGE OF THE LIGHT BACKSCATTER BRIGHT BLUE Intakt CD 248 Intakt CD 245 Intakt CD 232 katHarina WeBer Mark HeLias andreas Fred FritH oPen Loose scHaerer FredY stUder WitH tonY LUcas niGGLi IT ROLLS MaLaBY ARCANUM toM raineY THE SIGNAL MAKER intakt records 2015 Intakt CD 254 Intakt CD 255 irÈne -
Recorded Jazz in the Early 21St Century
Recorded Jazz in the Early 21st Century: A Consumer Guide by Tom Hull Copyright © 2016 Tom Hull. Table of Contents Introduction................................................................................................................................................1 The Consumer Guide: People....................................................................................................................7 The Consumer Guide: Groups................................................................................................................119 Reissues and Vault Music.......................................................................................................................139 Introduction: 1 Introduction This book exists because Robert Christgau asked me to write a Jazz Consumer Guide column for the Village Voice. As Music Editor for the Voice, he had come up with the Consumer Guide format back in 1969. His original format was twenty records, each accorded a single-paragraph review ending with a letter grade. His domain was rock and roll, but his taste and interests ranged widely, so his CGs regularly featured country, blues, folk, reggae, jazz, and later world (especially African), hip-hop, and electronica. Aside from two years off working for Newsday (when his Consumer Guide was published monthly in Creem), the Voice published his columns more-or-less monthly up to 2006, when new owners purged most of the Senior Editors. Since then he's continued writing in the format for a series of Webzines -- MSN Music, Medium, -
Free Performing Arts in All 5 Boroughs
What would appear to be a triangular relationship in theory turns into a pyramidal one in practice. The atmosphere is joyful and exciting and finds each musician grabbing the wheel in succession with idiosyncratic vigor. It’s a formula that leads to consistent piquancy in the remaining tunes, if at times dulled by the compactness of the engineering, which suffocates tunes like “Peliel” and “Katzfiel”. Other places it works beautifully, however, as in “Shoftiel”. Row for William O. Here Taborn balances sacred and secular impressions, Michael Bisio/Kirk Knuffke (Relative Pitch) launching into his solos with territorial wanderlust. by John Sharpe But not even a few misfires at the mixing board can reign in a double take on “Talmai”, of which the Bassist Michael Bisio has waxed acclaimed duets in landscape is vast and the rhythm sectioning robust. his career—those with pianist Matthew Shipp come to As may be expected in anything branded Zorn, mind while going further back, a brace with multi- abstractions are never too far away. Their wonders instrumentalist Joe McPhee also hit the sweet spot. To enliven “Katzfiel” and “Rogziel”, the latter recalling its Wed, Jun 1 MARTIN NEVIN GROUP 8PM Immanuel Wilkins, Sam Harris, Craig Weinrib this list must now be added Row for William O., which composer’s fascination with the cartoon music of Carl Thu, Jun 2 BEN VAN GELDER QUINTET 8PM pairs the bassist with in-demand cornet player Kirk Stalling. In this respect, the trio allows the spirit at hand Mark Turner, Matt Brewer, Craig Weinrib Knuffke, a member of Bisio’s Accortet foursome (whose to take the music where it needs to go, even if, like sand Fri, Jun 3 LAGE LUND 3 9PM & 10:30PM well-received debut appeared on the same label last in an hourglass, every particle of improvisation Matt Brewer, Justin Faulkner year). -
Neo Sciamana Iperpop Faust Dinosaur Jr Henry Cowell Monta
SENTIREASCOLTARE online music magazine MAGGIO N. 31 Battles Dan Deacon Hetero Skeleton Björk Hometapes Earache neo sciamana iperpop Faust Dinosaur Jr Henry Cowell Monta s e n t i r e a s c o l t a r e sommario 4 News 8 The Lights On Dan Deacon, Francesco Tristano, Hetero Skeleton, Monta 2 Speciali Battles, Hometapes, Earache, Bjork 4 Recensioni 8 Bachi Da Pietra, Colleen, Dungen, EL-P, Nine Inch Nails, Perturbazione, Tangerine Dream, Throbbin Gristle, Von Sudenfed, Wilco, Parts & Labour 79 Rubriche (Gi)Ant Steps Dave Brubeck Quartet We Are Demo: Bancali In Pietra, Camillas, Visioni di Cody, Arbdesastr, Dorothi ... Classic Faust, Dinosaur Jr, Henry Cow, Gobblehoof Cinema 300, Death Of A President... Cult: Toro scatenato I cosiddetti contemporanei Henry Cowell Direttore Edoardo Bridda Coordinamento Teresa Greco 2 Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Antonio Puglia Hanno collaborato Gianni Avella, Davide Brace, Filippo Bordignon, Marco Braggion, Gaspare Caliri, Roberto Canella, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Giulio Pasquali, Stefano Pifferi, Andrea Provinciali, Stefano Renzi, Federico Romagnoli, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giuseppe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Edoardo Bridda, Valentina Cassano in copertina Björk Copyright © 2007 Edoardo Bridda. Tutti i SentireAscoltare online music magazine diritti riservati. Registrazione Trib.BO N° 7590 La riproduzione totale o parziale, in qualsiasi s e n t i r e a s c o l t a r e del 28/10/05 forma, su qualsiasi supporto e con qualsiasi Editore Edoardo Bridda mezzo, è proibita senza autorizzazione 82 Direttore responsabile Antonello Comunale scritta di SentireAscoltare Provider NGI S.p.A. -
Jazzpress 0712
LISTOPAD 2012 Gazeta internetowa poświęcona muzyce improwizowanej 2084-3143 ISSN Grażyna Auguścik W muzyce Nicka Drake’a jest sekret Rozmawiają z nami Maciej Fortuna Kuba Sokołowski Nguyen Le Maciej Pysz Seamus Blake, Piotr Lemańczyk, Jacek Kochan KONKURSY Grażyna Auguścik, fot. Magda Marczewska SPIS TREŚCI 3 – Od Redakcji 67 – Wywiady 67 Maciej Fortuna 4 – KONKURSY Wiem, kiedy jestem gotowy do gry 6 – Co w RadioJAZZ.FM 76 Grażyna Auguścik 6 Pardon, To Tu – LIVE! w RadioJAZZ.FM W muzyce Nicka Drake’a jest sekret 7 Zakończył się Mokotów Jazz Fest 88 Kuba Sokołowski 12 DuoDram na finał Mokotów Jazz Fest Ogólnie jestem dość bezkompromisowy 94 Nguyen Le 18 – Wydarzenia W zespole lubię mieć wybitne osobowości 22 – Płyty 99 Maciej Pysz Chcę swoją muzykę zabierać w podróże 22 RadioJAZZ.FM poleca do najdalszych zakątków świata 24 Nowości płytowe 106 Seamus Blake, Piotr Lemańczyk, Jacek Kochan 32 – Przewodnik koncertowy 108 – Publicystyka 32 RadioJAZZ.FM i JazzPRESS polecają 108 Steve Kindler 34 Koncerty w Polsce 35 Nasi zagranicą 110 – Kanon Jazzu 36 Marcin Olak Trio I Heard You Twice the First Time 39 Irek Wojtczak Quartet & Mary – Branford Marsalis Halvorson Trio Escalator Over The Hill Gitarą improwizowane, saksofonem – Carla Bley, Paul Haines hipnotyzowane 114 Kanon Jazzu na falach RadioJAZZ.FM 42 Kwartet Erase Lebik na Prezydenta! 116 – BLUESOWY ZAUŁEK 44 Billy Cobham Band 116 Pod dobrze ułożoną gwiazdą 46 Agnieszka Hekiert w Studio im. Agnieszki – 32. Rawa Blues Festiwal Osieckiej 120 Nick Curran (1977–2012) 48 Trzeci Palm Jazz 120 Ian Siegal – blues i korzenie 60 Anthony Braxton Diamond Curtain 122 Małoobiektywny bluesowy Wall Quartet przegląd płytowy 62 Mostly Other People Do The Killing 66 Dokalski/Kwapisiński/Wójciński 124 – Sesje jazzowe – Pardon, To Tu 132 – Redakcja Możesz nas wesprzeć nr konta: 05 1020 1169 0000 8002 0138 6994 wpłata tytułem: działalność statutowa Fundacji JazzPRESS, listopad 2012 Od Redakcji Przełom października i listopada to jeden z tych szczególych okresów roku, kiedy bardziej skłoni jeste- śmy do zadumy. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
DB0209_001_COVER1.qxd 12/10/08 3:35 PM Page 1 DOWNBEAT 75 GREAT GUITARISTS JACK BRUCE DAVID BINNEY JAZZ CLUB GUIDE BRUCE DAVID JACK GUITARISTS 75 GREAT DownBeat.com $4.99 02 FEBRUARY 2009 FEBRUARY 0 09281 01493 5 FEBRUARY 2009 U.K. £3.50 DB0209_02-05_MAST.qxd 12/13/08 1:35 PM Page 2 DB0209_02-05_MAST.qxd 12/15/08 1:12 PM Page 3 DB0209_02-05_MAST.qxd 12/13/08 1:41 PM Page 4 February 2009 VOLUME 76 – NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Downbeat.Com September 2014 U.K. £3.50
SEPTEMBER 2014 U.K. £3.50 DOWNBEAT.COM September 2014 VOLUME 81 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Žaneta Cuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef,