DOCSLIB.ORG

Venerdì 20 Gennaio 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Venerdì 20 Gennaio 2017 Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto con la collaborazione di Leonardo Gragnoli gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto Venerdì 20 gennaio 2017 00:00 - 02:00 euroclassic notturno haendel, georg friedrich (1685-1759) suite per tastiera n. 2 in fa mag HWV 427 christian ihle hadland, pf (reg. londra, 23/09/2013) durata: 9.00 BBC british broadcasting corporation stravinskij, igor (1882-1971) rag-time per 11 strumenti canadian chamber ensemble dir. raffi armenian durata: 4.41 CBC canadian broadcasting corporation pacius, fredrik (1809-1891) ouverture per grande orch the finnish radio symphony orch dir. kari tikka durata: 6.11 YLE radiotelevisione finlandese bach, heinrich (1615-1692) due sonate a 5 per 2 vl 2 vle e b. c n. 1 in do mag - n. 2 in fa mag concerto copenhagen dir. lars ulrik mortensen (reg. copenhagen, 07/03/2015) durata: 7.48 britten, benjamin (1913-1976) a charm of lullabies, per voce e pf op. 41 a cradle song (testo di william blake) - the highland balou (robert burns) - sephestia's lullaby (robert greene) - a charm (thomas randolph) - the nurse's song (john philip). christine rice, msopr; roger vignoles, pf (reg. 06/09/2004) durata: 11.45 BBC british broadcasting corporation villa-lobos, heitor (1887-1959) 2 preludi per chit n. 1 in mi min 4'23'' - n. 2 in mi mag 2'53''. norbert kraft, chit durata: 2.53 CBC canadian broadcasting corporation aa. vv. tre composizioni barocche fernandes, gasper (1570ca.-1629): tleycantimo choquiliya, mestizo e indio - pascual, tomás (XVII sec.): oy es dia de placer, villancico - franco, hernando (1532-1585): santa maria in il huiac ensemble villancico dir. peter pontvik (reg. herne, 11 november 2000) durata: 5.40 WDR radio della germania occidentale ippolitov-ivanov, mikhail mikhaylovich (1859-1935) schizzi caucasici,suite sinfonica op. 10 edmonton symphony orch dir. uri mayer durata: 21.49 CBC canadian broadcasting corporation moniuszko, stanislaw (1819-1872) quartetto per archi n. 1 in re min allegro agitato - andantino - scherzo - finale ("un ballo campestre e sue consequenze": allegro assai). camerata quartet: wlodzimierz prominski e andrzej kordykiewicz, vl; piotr reichert, vla; roman hoffmann, vcl (reg. varsavia, 03/03/1995) durata: 15.30 PR radio polacca mondonville, jean-joseph cassanéa de (1711-1772) dominus regnavit, grand motet per soli coro e orc ann monoyios e michele deboer, sopr; matthew white, contrten; colin ainsworth e robert kinar, ten; andrew mahon, bs; tafelmusik chamber choir e tafelmusik baroque orch dir. ivars taurins (reg. toronto, 15/10/2006) durata: 24.39 CBC canadian broadcasting corporation 02:00 - 03:00 music awards edvard grieg 6 lieder per voce e pf op. 48 n. 1 gruss 1/8 1'06". n. 2 dereinst gedanke mein 1/9 3'06". n. 3 lauf der welt 1/10 1'30". n. 4 die verschwiegene nachtigall 1/11 3'18". n. 5 zur rosenzeit 1/12 2'55". n. 6 ein traum 1/13 2'05" cd gramophone award 2000: barbara bonney, sopr; pianista: antonio pappano, (gramophone award come artista dell'anno nel 2000) durata: 13.57 decca 466-762-2 f 1 tr 8 francis poulenc aubade, "concerto coreografico" per pf e 18 strumenti toccata 1/7 2'32". les compagnes de diane (recitatif) 1/8 1'49". diana et ses compagnes (rondoò) 1/9 - 1/11 3'53". toilette de diane (presto) 1/12 1'30". introduction a' la variation (recitatif) 1/13 2'18". variation de diane (andante) 1/14 3'11". desespoir de diane (allegro feroce) 1/15 0'40". adieux et depart de diane (conclusion) 1/16 5'25" cd grand prix du disque 2004: eric le sage, pf; orch filarm di liegi dir. stephane denève durata: 20.32 bmg 82876-603082 f 1 tr 7 orlando di lasso 5 mottetti a 6 voci per coro a cappella nectar et ambrosiam 1/1 2'48". prolongati sunt dies mei 1/2 8'05". deficiat in dolore vita mea 1/3 3'45". qui timet deum 1/4 2'43". ego cognovi quod erit bonum 1/5 3'23". cd diapason d'or 2009: compl voc collegium vocale gent dir. philippe herreweghe durata: 20.44 harmonia mundi hmc-901984 f 1 tr 1 fuori programma: mikhail glinka mazurka in do min per pf francesco bertoldi, pf durata: 1.39 nuova era 7232 f 1 tr 5 03:00 - 04:30 grandi direttori wolfgang amadeus mozart sinfonia n. 20 in re mag K 133 allegro - andante - minuetto - allegro orch philharmonic symphony of london dir. erich leinsdorf durata: 16.26 mca mcd-99812-1 f 1 tr 5 ludwig van beethoven concerto n. 3 in do min per pf e orch op. 37 allegro con brio 1/4 17'29". largo 1/5 8'55". rondo (allegro) 1/6 8'50". artur rubinstein, pf; durata: 35.14 rca rd85675 f 1 tr 4 sinfonia n. 4 in si bem mag op. 60 adagio - allegro vivace 1/1 11'33". adagio 1/2 9'16". minuetto (allegro vivace) - trio (un poco meno allegro) 1/3 6'34". allegro non troppo 1/4 7'06". orch boston symphony dir. erich leinsdorf durata: 34.35 rca vd87745 f 1 tr 1 fuori programma: mikhail glinka mazurka in la min per pf francesco bertoldi, pf durata: 1.06 nuova era 7232 f 1 tr 4 04:30 - 05:00 l'incanto della voce robert schumann "liederkreis" - 12 lieder per voce e pf op. 39 in der fremde 1/1 2'29". intermezzo 1/2 1'52". waldesgespräch 1/3 2'28". die stille 1/4 1'30". mondnacht 1/5 4'32". schöne fremde 1/6 1'19". auf einer burg 1/7 3'16". in der fremde 1/8 1'40". wehmut 1/9 2'39". zweilicht 1/10 3'17". im walde 1/11 1'22". frühlingsnacht 1/12 1'24" felicity lott, sopr; graham johnson, pf durata: 27.56 brilliant classics 99948-2 f 1 tr 1 fuori programma: mikhail glinka mazurka in la min per pf francesco bertoldi, pf durata: 1.06 nuova era 7232 f 1 tr 4 05:00 - 06:00 incrocio d'archetti johann michael haydn quintetto in do mag per archi allegro 1/12 6'04". adagio cantabile 1/13 5'30". minuetto (allegretto) 1/14 5'24". rondo (allegro molto) 1/15 4'49" quintetto d'archi wiener philharmonia (elementi dell'orch wiener philharmoniker): peter wachter e harald krumpock, vl; heinrich koll e helmut weis, viola; robert nagy, vcl durata: 21.48 camerata cm-28013 f 1 tr 12 alexandre boely trio n. 1 per archi in re mag op. 5 n. 1 adagio - allegro 1/9 10'23". allegretto grazioso 1/10 5'00". scherzo (allegro) 1/11 3'56". finale (allegro assai) 1/12 5'14" trio d'archi di parigi: charles frey, vl; michel michalakakos, viola; jean grout, vcl durata: 24.45 chant du monde ldc-278-821 f 1 tr 9 franz schubert quartetto n. 12 in do min per archi " quartettsatz " - op post D 703 allegro assai quartetto d'archi di roma: marco fiorini e biancamaria rapaccini, vl; davide toso, viola; alessandra montani, vcl durata: 9.13 bottega discant discantica-225 f 1 tr 9 fuori programma: mikhail glinka mazurka in do min per pf francesco bertoldi, pf durata: 1.39 nuova era 7232 f 1 tr 5 06:00 - 07:00 almanacco in musica johann hermann schein (grünhain, 20/01/1586 - lipsia, 19/11/1630) suite in la min a 5 (per vle da gamba e tiorba) padouana 1/12 4'26". gagliarda 1/13 1'22". corrente 1/14 2'18". allemanda - tripla 1/15 2'05" compl strum "hesperion XX" durata: 10.11 emi cdc-7-49224-2 f 1 tr 12 ernest chausson (parigi, 20/01/1855 - limay, 10/06/1899) poème per vl e orch op. 25 joshua bell, vl; royal philharmonic orch dir. andrew litton durata: 17.22 decca 433-519-2 f 1 tr 4 alfredo catalani la wally: preludio atto 4° prima rappresentazione: milano, teatro alla scala, 20 gennaio 1892. orch nazionale dell'opéra di montecarlo dir. fausto cleva durata: 7.02 decca 452-060-2 f 1 tr 13 walter piston (rockland, USA, 20/01/1894 - belmont, 12/11/1976) sonatina per vl e pf allegro leggiero 1/1 3'29". adagio espressivo 1/2 4'57". allegro vivo 1/3 3'13" robert davidovici, vl; steven de groote, pf durata: 11.39 new world nw334-2 f 1 tr 1 george & ira gershwin isn't a pity? - dalla commedia musicale "pardon my english" prima rappresentazione: new york, majestic theatre, 20 gennaio 1933. cantano william katt e michelle nicastro; orch dir. eric stern durata: 5.00 nonesuch 7559-79498-2 f 1 tr 11 fuori programma: frederic chopin valzer in la bem mag op 64 n 3 per pf claudio arrau, pf durata: 4.03 philips 400-025-2 f 1 tr 8 07:00 - 08:00 piccola antologia henry purcell rejoice in the lord alway, verse anthem per soli coro archi e b. c. kai wessel, contrten; paul agnew, ten; peter kooy, bs; orch e coro "collegium vocale" dir. philippe herreweghe durata: 8.04 harmonia mundi hmc-901462 f 1 tr 1 francesco geminiani concerto grosso n. 1 in re mag per 2 vl vla vcl orch d'archi e b. c. elabor della sonata per vl e b. c. op. 5 n. 1 di arcangelo corelli. adagio (grave, allegro, adagio, grave, allegro, adagio) 1/1 3'18". allegro 1/2 2'17". largo 1/3 2'30". allegro 1/4 1'31" chiara banchini e stephanie pfister, vl; ensemble 415 dir.
Load more

Recommended publications
  • Explore Unknown Music with the Toccata Discovery Club
    Explore Unknown Music with the Toccata Discovery Club Since you’re reading this booklet, you’re obviously someone who likes to explore music more widely than the mainstream offerings of most other labels allow. Toccata Classics was set up explicitly to release recordings of music – from the Renaissance to the present day – that the microphones have been ignoring. How often have you heard a piece of music you didn’t know and wondered why it hadn’t been recorded before? Well, Toccata Classics aims to bring this kind of neglected treasure to the public waiting for the chance to hear it – from the major musical centres and from less-well-known cultures in northern and eastern Europe, from all the Americas, and from further afield: basically, if it’s good music and it hasn’t yet been recorded, Toccata Classics is exploring it. To link label and listener directly we run the Toccata Discovery Club, which brings its members substantial discounts on all Toccata Classics recordings, whether CDs or downloads, and also on the range of pioneering books on music published by its sister company, Toccata Press. A modest annual membership fee brings you, free on joining, two CDs, a Toccata Press book or a number of album downloads (so you are saving from the start) and opens up the entire Toccata Classics catalogue to you, both new recordings and existing releases as CDs or downloads, as you prefer. Frequent special offers bring further discounts. If you are interested in joining, please visit the Toccata Classics website at www.toccataclassics.com and click on the ‘Discovery Club’ tab for more details.
    [Show full text]
  • Mark-Anthony Turnage Mambo, Blues and Tarantella Riffs and Refrains | Texan Tenebrae on Opened Ground | Lullaby for Hans
    Mark-anthony turnage MaMbo, blues aND TaraNTella riffs aND refraiNs | TexaN TeNebrae oN opeNeD GrouND | lullaby for HaNs vladiMir jurowski, Marin alsop and Markus stenZ conductors Christian tetZlaFF violin MiChael Collins clarinet lawrenCe power viola london philharMoniC orChestra LPO-0066 Turnage booklet.indd 1 7/26/2012 11:35:49 AM Mark-anthony turnage advocate. He continued his studies at the senior College with Knussen and Knussen’s own teacher John Lambert, and at the Tanglewood summer school in New England with Gunther Schuller. Through Tanglewood, he also came into contact with Hans Werner Henze, who kick-started Turnage’s international career by commissioning an opera for the 1988 Munich Biennale festival, an adaptation of Steven Berkoff’s play Greek. AL Turnage’s subsequent career has been defined largely by collaborations, both with enaP Ar / improvising jazz performers and in a series of d ar residencies, which have allowed him to develop tw pieces under the workshop conditions he Ga prefers. These have included associations with Philip the City of Birmingham Symphony Orchestra, © leading to several high-profile premières under Simon Rattle; with English National Opera, Mark-Anthony Turnage is a composer widely culminating in 2000 in his second full-length admired for his distinctive blending of jazz and opera, The Silver Tassie; with the BBC Symphony contemporary classical traditions, high energy Orchestra in London; and with the Chicago and elegiac lyricism, hard and soft edges. Born Symphony Orchestra. He was the London in Essex, he began inventing music to enliven Philharmonic Orchestra’s Composer in Focus his childhood piano practice.
    [Show full text]
  • Terms of Participation the Competition Is Aimed At: Winners of Previous
    VII Young Composers Competition In memory of Alfred Schnittke and Sviatoslav Richter Within the XIII Winter International Arts Festival in Sochi For the first time we offer you 2 nominations: 1.Piano trio, quartet or quintet. 2. String quartet Dates: February 25th , 2021 Venue: Sochi, Chamber and Organ Music Hall Deadline for applications: January 29th , 2021 Deadline for payment of the admission fee: February 05th, 2021 Terms of participation • The participants must submit one of their own compositions in free form for a piano trio, quartet, quintet or string quartet (duration from 10 to 15 minutes); • Only works that have not been published or previously performed shall be admitted to the contest; • The participant is entitled to submit only one music piece for the competition. The competition is aimed at: • Search, support and assistance in professional growth of young talented composers; • Popularization of contemporary academic music; • Establishing a high professional standard for composers within the modern musical process; • Setting up creative contacts between composers and performers; • Creation of positive environment for interaction between composers and audience. Winners of previous years' competitions Andrey Besogonov (I prize, 2015) Nikita Mndoyants and Ekaterina Buzovkina (I prize, 2016) Denis Chorov (II prize, 2017, the first prize was not awarded) Petra Dyatlov (I prize, 2018) Alexey Popkov and Merdan Bashimov (I prize, 2019) Ilya Marfin (I prize, 2020) Organizing Committee Alexander Tchaikovsky – composer, honoured artist of the Russian Federation, head of the Department of Composition at the Moscow State Tchaikovsky Conservatory, professor. Chairman of the Organizing Committee. Yuri Bashmet – honoured artist of the USSR, artistic director of the Winter International Arts Festival, professor, head of the Department of Viola at the Moscow State Tchaikovsky Conservatory; Dmitry Grinchenko– executive director of the Winter International Arts Festival in Sochi.
    [Show full text]
  • (Mostly) Solo Piano Music
    Steven R. Gerber piano Gregory Fulkerson violin Jennifer Rinehart piano Steven R. Gerber (MoStly) Solo Piano MuSic www.albanyrecords.com TROY1416 albany records u.s. 915 broadway, albany, ny 12207 tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd tel: 01539 824008 © 2013 albany records made in the usa ddd waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. the composer Steven R. Gerber was born in 1948 in Washington, D.C. He received degrees from Haverford College and Princeton University; his composition teachers included Robert Parris, J. K. Randall, Earl Kim, and Milton Babbitt. The Washington Post called his Violin Concerto “a major addition to the con- temporary violin repertoire: lyrical, passionate, beautifully tailored to the instrument’s character and capabilities…Gerber has revived the spirit of romanticism in this work, with a strong sense of tonal melody and of the dramatic effects and surprises still possible in traditional forms...one of the year’s most memorable events.” And when Carter Brey premiered his Cello Concerto in 1996, the Washington Post said, “Gerber’s concerto seems to have what it takes to establish a foothold…. The music is composed with a fine sense of instrumental color…. Gerber has given his soloist some fine, expressive melodies.” Gerber’s music has been performed by orchestras and ensembles around the U.S. including the San Francisco Symphony, the National Philharmonic Orchestra, the Long Island Philharmonic, The Louisville Orchestra, the Omaha Symphony, and the Fine Arts and Amernet String Quartets, to name a few.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1993
    a«apB««t6«ii«giiiflmaii! iiaH«:^aatta«li'i|iaHpsjili«2liii«iw;ilo^ .^ 7oo/i ofExcellence '- 4? In every discipline, ,% '*% outstanding performance springs ?•*{. from the combination of skill, A^^^'" <^^ vision and commitment. t.%^ As a technology leader, GE Plastics is dedicated to the development of advanced materials: <k engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1992-93 Trustees of the Boston Symphony Orchestra, Inc. P. Barger, Chairman George H. Kidder, President J. Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B.Arnold, Jr. Nina L. Doggett R. Willis Leith, Jr. Peter A. Brooke Dean Freed Mrs. August R. Meyer James F. Cleary Avram J. Goldberg Molly Beals Millman John F. Cogan,Jr. Thelma E. Goldberg Mrs. Robert B. Newman Julian Cohen Julian T. Houston Peter C. Read William F. Connell Mrs. BelaT. Kalman Richard A. Smith William M. Crozier, Jr. Allen Z. Kluchman Ray Stata Deborah B. Davis Harvey Chet Krentzman Trustees Emeriti Vernon R. Alden Archie G. Epps Irving W. Rabb Philip K.Allen Mrs. Harris Fahnestock Mrs. George R. Rowland Allen G. Barry Mrs. John L. Grandin Mrs. George Lee Sargent I>eo L. Beranek Mrs. George I. Kaplan Sidney Stoneman Mrs. John M. Bradley Albert L. Nickerson John Hoyt Stookey Abram T Gollier Thomas D. Perry, Jr. John L. Thorndike Nelson J.
    [Show full text]
  • MARI ERIKSMOEN Soprano
    MARI ERIKSMOEN Soprano The young Norwegian soprano Mari Eriksmoen studied at the Norwegian Academy of Music, at the Concervatoire National Superieur in Paris and at the Royal Danish Academy of Opera in Copenhagen. She graduated in the summer of 2010. She was a finalist at the Queen Sonja International Competition in 2007 and in July 2008 she was finalists in the Hans Gabor Belvedere Operetta Competition in Vienna. In October 2010, only four months after finishing her studies, she had her international breakthrough when she sang Zerbinetta in ARIADNE AUF NAXOS at Theater and der Wien. Other engagements have included Blondchen in DIE ENTFÜHRUNG AUS DEM SERAIL and Fiakermilli in ARABELLA at Oper Frankfurt, Susanna in LE NOZZE DI FIGARO at the Royal Swedish Opera, Olympia in LES CONTES D'HOFFMANN as well as Euridice in Monteverdi’s L’ORFEO at Theater an der Wien, Sandrina in Haydn’s L'INFEDELTA DELUSA at Opéra de Lille and at Theatre de ville Luxembourg, Soeur Constance in DIALOGUES DES CARMELITES, Barbarina in LE NOZZE DI FIGARO, Frasquita in CARMEN and Angel in Handel's JEPHTHA at the Royal Danish Opera, Adele in DIE FLEDERMAUS and Mallika in the world premiere of Gisle Kverndokk’s AROUND THE WORLD IN 80 DAYS at the Norwegian National Opera, Papagena in DIE ZAUBERFLÖTE at the Lucerne Festival, Artenice in Terradellas’ SESOSTRI in La Coruña and Musetta in LA BOHÈME at Oscarsborg Opera Festival in Oslo. Mari Eriksmoen has worked with a number of prominent conductors; including Giancarlo Andretta, Christian Badea, Daniel Barenboim, Yuri Bashmet, Bertrand de Billy, Fabio Biondi, Ivor Bolton, Marcello Di Lisa, Gabriel Feltz, Riccardo Frizza, Simon Gaudenz, Eivind Gullberg Jensen, Daniel Harding, Nikolaus Harnoncourt, Alexander Joel, Paavo Järvi, Stefan Klingele, Louis Langrée, Marc Minkowski, Lars Ulrik Mortensen, Erwin Ortner, George Petrou, Jérémie Rhorer, Tobias Ringborg, Federico Maria Sardelli, Michael Schønwandt, Marc Soustrot, Thomas Søndergård, Jean-Christophe Spinosi, and Christian Vásquez.
    [Show full text]
  • Chicago Philharmonic Embarks on Groundbreaking Polish Music Exchange and Festival
    Contact: Cassandra Kirkpatrick [email protected] 312-957-0000 FOR IMMEDIATE RELEASE Chicago Philharmonic Embarks on Groundbreaking Polish Music Exchange and Festival Chicago, IL – (March 8 2018) Celebrating Chicago's rich cultural history, the Chicago Philharmonic Society is proud to announce its first-ever international classical music exchange will occur in 2018. The exchange of music, musicians, and culture will take place in Poland this April. Later this year, a five-day festival of Polish music in Chicago, the Chicago Philharmonic Festival: Poland 2018, will join in the worldwide celebration of Poland’s 100-year National Independence Day, which commemorates the restoration of the country’s sovereignty in 1918. The two-part project launches on April 8 2018, when ten Chicago Philharmonic musicians and Artistic Director and Principal Conductor Scott Speck will begin a week-long trip to the Polish cultural capital Kraków. The musicians will work with students at the Academy of Music in Kraków by leading master classes and side-by-side symphonic rehearsals. The rehearsals, led by Scott Speck, will culminate in a concert of symphonic music by American composers on Friday, April 13 2018 featuring both the Chicago Philharmonic musicians and students from the Academy of Music. Works performed will include Jennifer Hidgon’s blue cathedral, George Walker’s Lyric for Strings, and Leonard Bernstein’s Symphonic Dances from West Side Story. On Saturday, April 14 2018 the Chicago Philharmonic musicians will travel to the Krzysztof Penderecki European Centre of Music in Lusławice, Poland, a music and culture venue which was conceived and created by famous composer Krzysztof Penderecki and opened officially in 2013.
    [Show full text]
  • Cello Biennale 2018
    programmaoverzicht Cellists Harald Austbø Quartet Naoko Sonoda Nicolas Altstaedt Jörg Brinkmann Trio Tineke Steenbrink Monique Bartels Kamancello Sven Arne Tepl Thu 18 Fri 19 Sat 20 Sun 21 Mon 22 Tue 23 Wed 24 Thu 25 Fri 26 Sat 27 Ashley Bathgate Maarten Vos Willem Vermandere 10.00-16.00 Grote Zaal 10.00-12.30 Grote Zaal 09.30 Grote Zaal 09.30 Grote Zaal 09.30 Grote Zaal 09.30 Grote Zaal 09.30 Grote Zaal 09.30 Grote Zaal Kristina Blaumane Maya Beiser Micha Wertheim First Round First Round (continued) Bach&Breakfast Bach&Breakfast Bach&Breakfast Bach&Breakfast Bach&Breakfast Bach&Breakfast Arnau Tomàs Matt Haimovitz Kian Soltani Jordi Savall Sietse-Jan Weijenberg Harriet Krijgh Lidy Blijdorp Mela Marie Spaemann Santiago Cañón NES Orchestras and Ensembles 10.15-12.30 10.15-12.30 10.30-12.45 Grote Zaal 10.15-12.30 10.15-12.30 10.15-12.30 10.15-12.30 10.30 and 12.00 Kleine Zaal Master class Master class Second Round Masterclass Masterclass Masterclass Masterclass Valencia Svante Henryson Accademia Nazionale di Santa Show for young children: Colin Carr (Bimhuis) Jordi Savall (Bimhuis) Jean-Guihen Queyras Nicolas Altstaedt (Bimhuis) Roel Dieltiens (Bimhuis) Matt Haimovitz (Bimhuis) Colin Carr Quartet Cecilia Spruce and Ebony Jakob Koranyi (Kleine Zaal) Giovanni Sollima (Kleine (Bimhuis) Michel Strauss (Kleine Zaal) Chu Yi-Bing (Kleine Zaal) Reinhard Latzko (Kleine Zaal) Zaal) Kian Soltani (Kleine Zaal) Hayoung Choi The Eric Longsworth Amsterdam Sinfonietta 11.00 Kleine Zaal Chu Yi-Bing Project Antwerp Symphony Orchestra Show for young children:
    [Show full text]
  • GUSTAV MAHLER JUGENDORCHESTER Musicians for Europe
    1987 – 2019 GUSTAV MAHLER JUGENDORCHESTER Musicians for Europe Gustav Mahler Jugendorchester Founded by Claudio Abbado (1933-2014) Tobias Wögerer, Assistant Conductor Alexander Meraviglia-Crivelli, Secretary General The GUSTAV MAHLER JUGENDORCHESTER (GMJO) was founded in Vienna in 1986/87 on the initiative of Claudio Abbado. Today it is regarded as the world’s leading youth orchestra and was awarded by the European Cultural Foundation in 2007. As well as supporting young musicians and their work, Abbado was keen to encourage the music making of young Austrian musicians together with colleagues from the then socialist republics of Czechoslovakia and Hungary. As a consequence, the GMJO became the first international youth orchestra to hold open auditions in the countries of the former Eastern Bloc. In 1992, the GMJO opened up to musicians aged up to 26 from all over Europe. As the youth orchestra for the whole of Europe, it is under the patronage of the Council of Europe. At the auditions that take place every year in over twenty-five European cities, an international jury selects candidates from an average of 2000 applicants. Prominent orchestra musicians are members of this jury and also responsible for the preparation of the repertoire in the individual sections during the rehearsal periods of the orchestra. The GMJO tour repertoire ranges from classical to contemporary music with the emphasis on the great symphonic works of the Romantic and late Romantic periods. Its high artistic level and international success have prompted many leading conductors and soloists to perform with the GMJO, such as Claudio Abbado, David Afkham, Herbert Blomstedt, Pierre Boulez, Myung-Whun Chung, Sir Colin Davis, Christoph Eschenbach, Peter Eötvös, Christoph Eschenbach, Iván Fischer, Daniele Gatti, Bernard Haitink, Daniel Harding, Paavo Järvi, Mariss Jansons, Philippe Jordan, Vladimir Jurowski, Ingo Metzmacher, Kent Nagano, Václav Neumann, Jonathan Nott, Seiji Ozawa, Sir Antonio Pappano, Lorenzo Viotti, and Franz Welser-Möst.
    [Show full text]
  • Sergej KRYLOV
    Sergej KRYLOV Effervescent musicianship, intense lyricism and beguiling tonal beauty belong to the qualities that have secured Sergei Krylov’s place among today’s most renowned performers. The Russian-born violinist directs breath-taking virtuosity to reveal profound expressive insights into the works in his strikingly broad repertoire. ‘Krylov articulated concisely, with humour, sometimes incisive but never defiant,’ observed DiePresse.com following a recent performance of Prokofiev’s First Violin Concerto. Other commentators have praised the intelligence, imagination and intuitive power of his musicianship. In recent seasons Sergei Krylov has become a regular guest with several major institutions and collaborated with many of the world’s leading orchestras. He has appeared with, among others, the Dresden Staatskapelle, the St Petersburg Philharmonic, London Philharmonic and Royal Philharmonic orchestras, the Russian National Orchestra, the Mariinsky Orchestra, the Filarmonica della Scala and Accademia di Santa Cecilia, the Orchestre Philharmonique de Radio France, DSO Berlin, the Konzerthaus Orchester Berlin, Budapest Festival Orchestra, NHK Symphony Tokyo and the Atlanta Symphony Orchestra. Among the prominent personalities with whom he has worked, Krylov’s friendship with Mstislav Rostropovich stands among the most important influences on his artistic life. Over the past decade he has collaborated with many leading conductors, from Dmitri Kitayenko, Mikhail Pletnev, Valery Gergiev, Andrey Boreyko, Vasily Petrenko and Vladimir Jurowski to Fabio Luisi, Roberto Abbado, Yuri Temirkanov, Vladimir Ashkenazy, Dmitry Liss, Yuri Bashmet and Michał Nesterowicz. Highlights of Sergei Krylov’s 2017/18 season include Tchaikovsky’s Violin Concerto with the London Philharmonic Orchestra and Vasily Petrenko, Prokofiev’s Second Violin Concerto with the Konzerthaus Orchester Berlin and Dmitri Kitayenko, and performances with the Russian National Orchestra, Prague Radio Symphony, Copenhagen Philharmonic, Turin’s Rai Orchestra, and the Orchestra of the Teatro San Carlo, Naples.
    [Show full text]
  • Mayuko Kamio - Violin
    Mayuko Kamio - violin Japanese violinist Mayuko Kamio, the gold medalist of the 2007 International Tchaikovsky Competition, is widely praised for her luxurious silken tone, long expressive phrasing and virtuoso techniques. The New York Times has called Ms. Kamio an "exciting young musician" and "a radiant talent." Ms. Kamio made her concerto debut in Tokyo at the age of ten under the baton of Charles Dutoit, in a concert broadcast on NHK television. Since then, she has appeared as soloist with the Boston Pops conducted by Keith Lockhart, the Tonhalle Orchestra in Zurich with Mstislav Rostropovich, and the Israel Philharmonic under Zubin Mehta. She has toured with the National Philharmonic of Russia conducted by Vladimir Spivakov, the Budapest Festival Orchestra under Ivan Fischer, the Munich Philharmonic under Zubin Mehta, the Prague Philharmonic, the BBC Philharmonic, Israel Philharmonic, the Oviedo Symphony Orchestra of Spain; and appeared in Japan as soloist with the Tokyo, Hiroshima, Kyoto, NHK, Osaka, Sapporo and Yomiuri Nippon symphony orchestras; and the Japan, Tokyo and Tokyo City philharmonics. Recently she toured with Israel Philharmonic under Ludovic Morlot, the South America [email protected] with the Munich Philharmonic under Zubin Mehta, and Japan with the German SWR Symphony Orchestra under François-Xavier Roth. Other recent orchestral highlights include appearances with the BBC Symphony Orchestra under Jiri Belohlavek, Budapest Festival Orchestra under Ivan Fischer, NHK Symphony Orchestra under Vladimir Ashkenazy, Israel Philharmonic under Yaron Traub, Calgary Philharmonic under Roberto Minczuk and Colorado Springs Philharmonic under Carl St. Clair. As a recitalist, she has performed in such major cities as New York, Washington DC, St.
    [Show full text]
  • Mister Viola
    Magazin der Gesellschaft der Musikfreunde in Wien März 2011 Mister Viola Yuri Bashmet Yuri Bashmet ist nicht nur ein weltbekannter Virtuose. Der 58-Jährige aus Rostov am Don holte auch die viele Jahrzehnte unterschätzte Bratsche als Solo-Instrument ins Rampenlicht zurück. Im März ist er gemeinsam mit Julian Rachlin und seinem Orchester, den Moskauer Solisten, erneut im Musikverein zu erleben. Yuri Bashmet mag so seine Schwächen haben, ein zu geringes Selbstbewusstsein gehört mit Sicherheit nicht dazu: „Ich habe immer gewusst, dass ich eines Tages ein Held sein würde“, hat er vor einigen Jahren dem Londoner „Daily Telegraph“ erzählt. „In meinem Kampf für die Viola bin ich ein Pionier.“ Recht hat er mit diesen Sätzen allerdings. Welchen Bratscher seines Ranges gibt es außer ihm? Der Schotte William Primrose (1904–1982) war vermutlich der bekannteste Virtuose auf diesem Instrument – aber selbst er ist heute außerhalb seines Fachs kaum noch bekannt. Zudem trat Primrose nicht annähernd so intensiv solistisch auf wie Bashmet, sondern spielte auf den Konzertpodien vornehmlich als Mitglied diverser Streichquartette. Auch der Komponist Paul Hindemith war von Haus aus Bratschist, und in der jüngeren Generation wären Tabea Zimmermann und Nils Mönkmeyer zu nennen. Aber sonst? Heißgeliebte Gitarre Geboren 1953 im südrussischen Rostov am Don verbrachte Bashmet seine Kindheit in der nahegelegenen Ukraine: in Lvov, dem ehemals galizischen Lemberg. Seine erste Liebe galt der Gitarre, der Rockmusik und dem Chicago-Jazz, als Teenager war er ein Fan der Beatles und von Jimi Hendrix. Daneben spielte er zwar auch Geige – tat das aber nur seiner klassikbegeisterten Mutter zuliebe. Mit 14 stieg er um auf die Bratsche.
    [Show full text]