OBU Magazine—Spring/Summer 2011
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Shaping New Knowledges
PAPER ABSTRACT BOOK SHAPINGSHAPING NEWNEW KNOWLEDGESKNOWLEDGES ROBERT CORSER SHARON HAAR 2016 ACSA 104TH ANNUAL MEETING Shaping New Knowledges CO-CHAIRS Robert Corser, University of Washington Sharon Haar, University of Michigan HOST SCHOOLS University of Washington Copyright © 2016 Association of Collegiate Schools of Architecture, Inc., except where otherwise restricted. All rights reserved. No material may be reproduced without permission of the Association of Collegiate Schools of Architecture. Association of Collegiate Schools of Architecture 1735 New York Ave., NW Washington, DC 20006 www.acsa-arch.org 2 – 2016 ACSA 104th Annual Meeting Abstract Book CONTENTS THURSDAY, MARCH 17 FRIDAY, MARCH 18 SATURDAY, MARCH 19 2:00PM - 3:30PM 11:00AM - 12:30PM 9:00AM - 10:30AM 05 Acting Out: The Politics and Practices of 15 Divergent Modes of Engagement: 31 Beginnings in the Context of New Interventions: Session 1 Exploring the Spectrum of Collaborative Knowledge Mireille Roddier, U. Michigan and Participatory Practices: Session 1 Catherine Wetzel, IIT Caryn Brause, U. Massachusetts, Amherst James Sullivan, Louisiana State U. 06 Architecture is Philosophy: Beyond the Joseph Krupczynski, U. Massachusetts, Post-Critical: Session 1 Amherst 32 Open: Hoarding, Updating, Drafting: Mark Thorsby, Lone Star College The Production of Knowledge in Thomas Forget, U. N. Carolina @ Charlotte 16 Knowledge Fields: Between Architecture Architectural History and Landscape: Session 1 Sarah Stevens, U. of British Columbia Cathryn Dwyre, Pratt Institute 07 Open: Challenging Materiality: Industry Chris Perry, RPI Collaborations Reshaping Design 33 Water, Water Everywhere…: Session 1 Julie Larsen, Syracuse U. Jori A. Erdman, Louisiana State U. Roger Hubeli, Syracuse U. 17 Knowledge in the Public Interest Nadia M. -
59Th Primetime Emmys Winners Revealed Sopranos, 30 Rock Take Top Series Honors
59th Primetime Emmys Winners Revealed Sopranos, 30 Rock Take Top Series Honors September 16, 2007—A notorious crime family, a fictional sketch-comedy show, an iconic singer and a female British detective were among the big winners at the 59th Primetime Emmy Awards, which took place at the Shrine Auditorium in Los Angeles and was telecast on the Fox network. Host for the ceremony was American Idol host Ryan Seacrest. Other highlights included a 30th anniversary tribute to a groundbreaking miniseries and a moving musical send-off to one of the most celebrated series in television history. Among the twenty-nine categories honored, NBC topped the list with seven wins. ABC and HBO followed closely with six winged statuettes each. Combined with their awards at last Saturday’s Creative Arts Emmys, the three networks led for the year as well: HBO earned twenty-one, NBC nineteen and ABC ten. CBS, which won one award on the night, also earned a total of ten between the two shows. The Sopranos, HBO’s acclaimed production about the travails of a New Jersey Mob boss and his intertwined biological and criminal families, took the prize for Outstanding Drama Series, and 30 Rock, NBC’s look at the backstage activity at a late-night sketch- comedy show, was named Outstanding Comedy Series. The Sopranos, the NBC special Tony Bennett: An American Classic, the AMC miniseries Broken Trail and the PBS Masterpiece Theatre production Prime Suspect: The Final Act led the recipients of multiple awards with three each. The ABC comedy Ugly Betty took two, including Outstanding Lead Actress in a Comedy Series for its star, America Ferrera. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Reconciliation in the Aftermath of Political Violence
Unchopping a Tree In The Series Politics, History, and Social Change, edited by John C. Torpey Also in this series: Rebecca Jean Emigh, The Undevelopment of Capitalism: Sectors and Markets in Fifteenth- Century Tuscany Aristide R. Zolberg, How Many Exceptionalisms? Explorations in Comparative Macroanalysis Thomas Brudholm, Resentment’s Virtue: Jean Améry and the Refusal to Forgive Patricia Hill Collins, From Black Power to Hip Hop: Racism, Nationalism, and Feminism Daniel Levy and Natan Sznaider, translated by Assenka Oksiloff, The Holocaust and Memory in the Global Age Brian A. Weiner, Sins of the Parents: The Politics of National Apologies in the United States Heribert Adam and Kogila Moodley, Seeking Mandela: Peacemaking Between Israelis and Palestinians Marc Garcelon, Revolutionary Passage: From Soviet to Post- Soviet Rus sia, 1985– 2000 Götz Aly and Karl Heinz Roth, translated by Assenka Oksiloff, The Nazi Census: Identifi cation and Control in the Third Reich Immanuel Wallerstein, The Uncertainties of Knowledge Michael R. Marrus, The Unwanted: Eu ro pe an Refugees from the First World War Through the Cold War ❖Unchopping a Tree Reconciliation in the Aftermath of Political Violence Ernesto Verdeja Temple University Press Philadelphia Temple University Press 1601 North Broad Street Philadelphia PA 19122 www .temple .edu/ tempress Copyright © 2009 Temple University All rights reserved Published 2009 Printed in the United States of America The paper used in this publication meets the requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48- 1992 Library of Congress Cataloging- in- Publication Data Verdeja, Ernesto. Unchopping a tree : reconciliation in the aftermath of po liti cal violence / Ernesto Verdeja. -
Prohibition's Proving Ground: Automobile Culture and Dry
PROHIBITION’S PROVING GROUND: AUTOMOBILE CULTURE AND DRY ENFORCEMENT ON THE TOLEDO-DETROIT-WINDSOR CORRIDOR, 1913-1933 Joseph Boggs A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 Committee: Michael Brooks, Advisor Rebecca Mancuso © 2019 Joseph Boggs All Rights Reserved iii ABSTRACT Michael Brooks, Advisor The rapid rise of an automobile culture in the 1910s and 20s provided ordinary North Americans greater mobility, freedom, privacy, and economic opportunity. Simultaneously, the United States and Canada witnessed a surge in “dry” sentiments and laws, culminating in the passage of the 18th Amendment and various provincial acts that precluded the outright sale of alcohol to the public. In turn, enforcement of prohibition legislation became more problematic due to society’s quick embracing of the automobile and bootleggers’ willingness to utilize cars for their illegal endeavors. By closely examining the Toledo-Detroit-Windsor corridor—a region known both for its motorcar culture and rum-running reputation—during the time period of 1913-1933, it is evident why prohibition failed in this area. Dry enforcers and government officials, frequently engaging in controversial policing tactics when confronting suspected motorists, could not overcome the distinct advantages that automobiles afforded to entrepreneurial bootleggers and the organized networks of criminals who exploited the transnational nature of the region. vi TABLE OF CONTENTS Page INTRODUCTION ................................................................................................................. 1 CHAPTER I. AUTOMOBILITY ON THE TDW CORRIDOR ............................................... 8 CHAPTER II. MOTORING TOWARDS PROHIBITION ......................................................... 29 CHAPTER III. TEST DRIVE: DRY ENFORCEMENT IN THE EARLY YEARS .................. 48 The Beginnings of Prohibition in Windsor, 1916-1919 ............................................... -
Annual Report 2018
2018 Annual Report 4 A Message from the Chair 5 A Message from the Director & President 6 Remembering Keith L. Sachs 10 Collecting 16 Exhibiting & Conserving 22 Learning & Interpreting 26 Connecting & Collaborating 30 Building 34 Supporting 38 Volunteering & Staffing 42 Report of the Chief Financial Officer Front cover: The Philadelphia Assembled exhibition joined art and civic engagement. Initiated by artist Jeanne van Heeswijk and shaped by hundreds of collaborators, it told a story of radical community building and active resistance; this spread, clockwise from top left: 6 Keith L. Sachs (photograph by Elizabeth Leitzell); Blocks, Strips, Strings, and Half Squares, 2005, by Mary Lee Bendolph (Purchased with the Phoebe W. Haas fund for Costume and Textiles, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017-229-23); Delphi Art Club students at Traction Company; Rubens Peale’s From Nature in the Garden (1856) was among the works displayed at the 2018 Philadelphia Antiques and Art Show; the North Vaulted Walkway will open in spring 2019 (architectural rendering by Gehry Partners, LLP and KXL); back cover: Schleissheim (detail), 1881, by J. Frank Currier (Purchased with funds contributed by Dr. Salvatore 10 22 M. Valenti, 2017-151-1) 30 34 A Message from the Chair A Message from the As I observe the progress of our Core Project, I am keenly aware of the enormity of the undertaking and its importance to the Museum’s future. Director & President It will be transformative. It will not only expand our exhibition space, but also enhance our opportunities for community outreach. -
AAR Magazine Spring Summer 2021`
AMERICAN ACADEMY IN ROME MAGAZINE SPRING/ SUMMER 2021 A Message from the Chair of the Board of Trustees It’s hard to believe it’s been over a year since the world paused. Thank you for your continued com- mitment to AAR in what I’m sure we will remember as one of society’s most challenging moments. Your time, expertise, guidance, and financial support have all been instrumental in seeing the Academy through this period. I’d also like to thank Mark Robbins and the whole team, especially those on the ground in Rome, for their incredible dedication to navigating the ups, downs, and surprises this past year has brought. Turning to today, the Academy has successfully reopened and the selection process for next year’s fellowship class is complete. AAR is in a much stronger position than I could have imagined when the full pandemic crisis became clear in March 2020. Our finances are stable and (with vaccinations) we believe that by the fall our activities will be close to fully restored. One of the many downsides of this past year has been the lack of direct connection, and we look for- ward to future gatherings in person, here and in Rome. With appreciation and gratitude, Cary Davis Chair, AAR Board of Trustees SPRING/SUMMER 2021 UP FRONT FEATURES 2 20 LETTER FROM THE PRESIDENT SEEING THE ANCIENT WORLD AAR receives major gift of photographs 4 by Carole Raddato FAR AFIELD Checking in with past Fellows and Residents 24 GIVING FOR THE AGES 6 Richard E. Spear and Athena Tacha INTRODUCING underwrite a new Rome Prize The 2020–2021 Rome Prize winners -
Hardball Diplomacy and Ping-Pong Politics
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2004 Hardball diplomacy and ping-pong politics: Cuban baseball, Chinese table tennis, and the diplomatic use of sport during the Cold War Matthew .J Noyes University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Noyes, Matthew J., "Hardball diplomacy and ping-pong politics: Cuban baseball, Chinese table tennis, and the diplomatic use of sport during the Cold War" (2004). Masters Theses 1911 - February 2014. 1841. Retrieved from https://scholarworks.umass.edu/theses/1841 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. HARDBALL DIPLOMACY AND PING-PONG POLITICS: CUBAN BASEBALL, CHINESE TABLE TENNIS, AND THE DIPLOMATIC USE OF SPORT DURING THE COLD WAR A Thesis Presented by Matthew J. Noyes Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of Master of Arts May 2004 Department of History © Copyright by Matthew J. Noyes 2004 All Rights Reserved HARDBALL DIPLOMACY AND PING-PONG POLITICS: CUBAN BASEBALL, CHINESE TABLE TENNIS AND THE DIPLOMATIC USE OF SPORT DURING THE COLD WAR A Thesis Presented by Matthew J. Noyes Approved as to style and content by Ronald Story, Chair Jane TVl. Rausch, Member Laura Lovett, Member David Glassberg, Chair Department of History DEDICATION To my parents, never say thank you enough for all you have done for ACKNOWLEDGEMENTS I owe a deep debt of gratitude to a number of people without whom this thesis would never have been completed. -
30 Rock and Philosophy: We Want to Go to There (The Blackwell
ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere . -
IN the AFTERMATH of WAR US Support for Reconstruction and Nation-Building in Panama Following JUST CAUS
IN THE AFTERMATH OF WAR US Support for Reconstruction and Nation-Building in Panama Following JUST CAUS o ~or~ Tao Atlantic Ocean ,`. ~ ° " ,. Lake r uamn lapo v ~ ~ Gollo de los take Canes 1\ Bapno"` Mosquitos 3 e n 0 ~ a * P9nvrn9 rr {" "~ Q Pun o ae arara Toro 0 G 8 Bey of Panama o\ n EIValla ~i .. rar.Co~radc;r . La c4Pobn ~~Psnonoml `\~~ '~\\~'"s David g u a s Padiiga C fl 1 r I (~ U I ~ACriiP E~aau Pat.\ In!eaamencan n [)E LAS PERLAS 9h,yar Sar.r ~. a °. aviza _ - h Santiago Ch. 2J "~, eP ? Gulf of Panama Dar* e n ^ ~ f Herrero J " ~TaClaa \ L r V Santo S\11 Lckiantoa ~CoiDa ,1 ~w"~ J \__ Pacific Ocean Richard H. Shultz, Jr. ISBN 1-58566-058-2 First Printing August 1993 5 Second Printing May 1996 Third Printing June 1998 Fourth Printing December 2000 Disclaimer This publication was produced in the Department of Defense school environment in the interest of academic freedom and the advancement of national defense-related concepts. The views ex- pressed in this publication are those of the author and do not reflect the official policy or position of the Department of Defense or the UnitedStates government. This publication has been reviewed by security and policy review authorities and is cleared for public release. Contents Chapter Page DISCLAIMER . ii FOREWORD . v ABOUT THE AUTHOR . Vii PREFACE . ix INTRODUCTION . xi Notes . xiv 1 THE USE OF FORCE IN THE AFTERMATH OF THE COLD WAR . 1 Notes . 3 2 PANAMA 1989: THE NATURE AND CONSEQUENCES OF PRAETORIAN RULE . -
AAR Magazine
AMERICAN ACADEMY IN ROME MAGAZINE SPRING 2017 Welcome to the Spring 2017 issue of AAR Magazine. This issue of AAR Magazine offers a summation of a very productive year. We feature the scholars and artists in our creative community at the culmination of their research and look at how the Fellows’ Project Fund has expanded their possibilities for collaborat- ing and presenting their work in intriguing ways. We update this year’s exploration of American Classics with reports on a February conference and previews of events still to come, including an exhibition fea- turing new work by artist Charles Ray. You will also find a close look at AAR’s involvement in archaeology and details of a new Italian Fellowship sponsored by Fondazione Sviluppo e Crescita CRT. And, of course, we introduce the Rome Prize win- ners and Italian Fellows for 2017–2018! Vi diamo il benvenuto al numero “Primavera 2017” dell’AAR Magazine. Questo numero dell’AAR Magazine riassume il lavoro prodotto in un anno eccezionale. Vi presentiamo gli studiosi e gli artisti della nostra comunità creativa al culmine della loro ricerca e siamo lieti di mostrare quanto il Fellows’ Project Fund abbia ampliato le loro possibilità di collaborare e presentare le proprie opere in modo affascinante. Aggiorniamo la pan- oramica fatta quest’anno sugli American Classics con il resoconto del convegno tenutosi a febbraio e con le anticipazioni sui prossimi eventi, tra i quali una mostra con una nuova opera dell’artista Charles Ray. Daremo uno sguardo da vicino all’impegno dell’AAR nel campo dell’archeologia e alla nuova Borsa di studio per Italiani finanziata da Fondazione Sviluppo e Crescita CRT. -
MASARYK UNIVERSITY Portrayal of African Americans in the Media
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Portrayal of African Americans in the Media Master‟s Diploma Thesis Brno 2014 Supervisor: Author: Mgr. Zdeněk Janík, M.A., Ph.D. Bc. Lucie Pernicová Declaration I hereby declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ........................................................ Bc. Lucie Pernicová Acknowledgement I would like to thank my supervisor Mgr. Zdeněk Janík, M.A., Ph.D. for the patient guidance and valuable advice he provided me with during the writing of this thesis. Table of Contents 1. Introduction ............................................................................................................... 5 2. Portrayal of African Americans in Films and on Television ..................................... 8 2.1. Stereotypical Images and Their Power .............................................................. 8 2.2. Basic Stereotypical Images of African Americans ............................................ 9 2.3. Stereotypical Film Portrayals of African Americans and the Arrival of the Talking Era .................................................................................................................. 12 2.4. Television Portrayals of African Americans .................................................... 14 2.4.1. The Increasing Importance of African American Viewers ....................... 17 2.4.2. Contemporary Images of African Americans ..........................................