Aluminium: Sympathetic and Powerful Towards Sustainable Cities
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Shaping New Knowledges
PAPER ABSTRACT BOOK SHAPINGSHAPING NEWNEW KNOWLEDGESKNOWLEDGES ROBERT CORSER SHARON HAAR 2016 ACSA 104TH ANNUAL MEETING Shaping New Knowledges CO-CHAIRS Robert Corser, University of Washington Sharon Haar, University of Michigan HOST SCHOOLS University of Washington Copyright © 2016 Association of Collegiate Schools of Architecture, Inc., except where otherwise restricted. All rights reserved. No material may be reproduced without permission of the Association of Collegiate Schools of Architecture. Association of Collegiate Schools of Architecture 1735 New York Ave., NW Washington, DC 20006 www.acsa-arch.org 2 – 2016 ACSA 104th Annual Meeting Abstract Book CONTENTS THURSDAY, MARCH 17 FRIDAY, MARCH 18 SATURDAY, MARCH 19 2:00PM - 3:30PM 11:00AM - 12:30PM 9:00AM - 10:30AM 05 Acting Out: The Politics and Practices of 15 Divergent Modes of Engagement: 31 Beginnings in the Context of New Interventions: Session 1 Exploring the Spectrum of Collaborative Knowledge Mireille Roddier, U. Michigan and Participatory Practices: Session 1 Catherine Wetzel, IIT Caryn Brause, U. Massachusetts, Amherst James Sullivan, Louisiana State U. 06 Architecture is Philosophy: Beyond the Joseph Krupczynski, U. Massachusetts, Post-Critical: Session 1 Amherst 32 Open: Hoarding, Updating, Drafting: Mark Thorsby, Lone Star College The Production of Knowledge in Thomas Forget, U. N. Carolina @ Charlotte 16 Knowledge Fields: Between Architecture Architectural History and Landscape: Session 1 Sarah Stevens, U. of British Columbia Cathryn Dwyre, Pratt Institute 07 Open: Challenging Materiality: Industry Chris Perry, RPI Collaborations Reshaping Design 33 Water, Water Everywhere…: Session 1 Julie Larsen, Syracuse U. Jori A. Erdman, Louisiana State U. Roger Hubeli, Syracuse U. 17 Knowledge in the Public Interest Nadia M. -
Prohibition's Proving Ground: Automobile Culture and Dry
PROHIBITION’S PROVING GROUND: AUTOMOBILE CULTURE AND DRY ENFORCEMENT ON THE TOLEDO-DETROIT-WINDSOR CORRIDOR, 1913-1933 Joseph Boggs A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 Committee: Michael Brooks, Advisor Rebecca Mancuso © 2019 Joseph Boggs All Rights Reserved iii ABSTRACT Michael Brooks, Advisor The rapid rise of an automobile culture in the 1910s and 20s provided ordinary North Americans greater mobility, freedom, privacy, and economic opportunity. Simultaneously, the United States and Canada witnessed a surge in “dry” sentiments and laws, culminating in the passage of the 18th Amendment and various provincial acts that precluded the outright sale of alcohol to the public. In turn, enforcement of prohibition legislation became more problematic due to society’s quick embracing of the automobile and bootleggers’ willingness to utilize cars for their illegal endeavors. By closely examining the Toledo-Detroit-Windsor corridor—a region known both for its motorcar culture and rum-running reputation—during the time period of 1913-1933, it is evident why prohibition failed in this area. Dry enforcers and government officials, frequently engaging in controversial policing tactics when confronting suspected motorists, could not overcome the distinct advantages that automobiles afforded to entrepreneurial bootleggers and the organized networks of criminals who exploited the transnational nature of the region. vi TABLE OF CONTENTS Page INTRODUCTION ................................................................................................................. 1 CHAPTER I. AUTOMOBILITY ON THE TDW CORRIDOR ............................................... 8 CHAPTER II. MOTORING TOWARDS PROHIBITION ......................................................... 29 CHAPTER III. TEST DRIVE: DRY ENFORCEMENT IN THE EARLY YEARS .................. 48 The Beginnings of Prohibition in Windsor, 1916-1919 ............................................... -
Annual Report 2018
2018 Annual Report 4 A Message from the Chair 5 A Message from the Director & President 6 Remembering Keith L. Sachs 10 Collecting 16 Exhibiting & Conserving 22 Learning & Interpreting 26 Connecting & Collaborating 30 Building 34 Supporting 38 Volunteering & Staffing 42 Report of the Chief Financial Officer Front cover: The Philadelphia Assembled exhibition joined art and civic engagement. Initiated by artist Jeanne van Heeswijk and shaped by hundreds of collaborators, it told a story of radical community building and active resistance; this spread, clockwise from top left: 6 Keith L. Sachs (photograph by Elizabeth Leitzell); Blocks, Strips, Strings, and Half Squares, 2005, by Mary Lee Bendolph (Purchased with the Phoebe W. Haas fund for Costume and Textiles, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017-229-23); Delphi Art Club students at Traction Company; Rubens Peale’s From Nature in the Garden (1856) was among the works displayed at the 2018 Philadelphia Antiques and Art Show; the North Vaulted Walkway will open in spring 2019 (architectural rendering by Gehry Partners, LLP and KXL); back cover: Schleissheim (detail), 1881, by J. Frank Currier (Purchased with funds contributed by Dr. Salvatore 10 22 M. Valenti, 2017-151-1) 30 34 A Message from the Chair A Message from the As I observe the progress of our Core Project, I am keenly aware of the enormity of the undertaking and its importance to the Museum’s future. Director & President It will be transformative. It will not only expand our exhibition space, but also enhance our opportunities for community outreach. -
Washington Museum by Sir David Adjaye Named Best Design of 2017 London, 25 January 2018
Washington Museum by Sir David Adjaye named best design of 2017 London, 25 January 2018 The Smithsonian National Museum of African American History and Culture in Washington D.C. is crowned the Beazley Design of the Year 2017 The project is the culmination of a decades-long struggle to recognise the importance of the black community in the social fabric of American life Further category winners on the night include a high-performance hijab by Nike, a stairclimbing wheelchair and ink manufactured from air pollution The National Museum of African American History and Culture, designed by Adjaye Associates, The Freelon Group, Davis Brody Bond, and SmithGroupJJR for the Smithsonian Institution, has been named the winner of the Beazley Design of the Year award. The annual prize and exhibition curated and hosted by the Design Museum in London has included previous winners such as IKEA and UNHCR’s Better Shelter, the London 2012 Olympic Torch and the Barack Obama Hope poster. Now in its tenth year, the award was presented at an exclusive dinner held inside the stunning central atrium of the Design Museum in Kensington. Selected as the winner of the Architecture category, the landmark project designed by the recently knighted Sir David Adjaye overcame the other five category winners to claim the overall award. 2017 saw Adjaye knighted by Her Majesty the Queen for services to Architecture, following the previous award of an OBE in 2007. In 2017 he was also recognised as one of the 100 most influential people of the year by TIME magazine. BEAZLEY DESIGNS OF THE YEAR 1 Architecture and overall winner: Name: Smithsonian National Museum of African American History and Culture in Washington D.C. -
AAR Magazine Spring Summer 2021`
AMERICAN ACADEMY IN ROME MAGAZINE SPRING/ SUMMER 2021 A Message from the Chair of the Board of Trustees It’s hard to believe it’s been over a year since the world paused. Thank you for your continued com- mitment to AAR in what I’m sure we will remember as one of society’s most challenging moments. Your time, expertise, guidance, and financial support have all been instrumental in seeing the Academy through this period. I’d also like to thank Mark Robbins and the whole team, especially those on the ground in Rome, for their incredible dedication to navigating the ups, downs, and surprises this past year has brought. Turning to today, the Academy has successfully reopened and the selection process for next year’s fellowship class is complete. AAR is in a much stronger position than I could have imagined when the full pandemic crisis became clear in March 2020. Our finances are stable and (with vaccinations) we believe that by the fall our activities will be close to fully restored. One of the many downsides of this past year has been the lack of direct connection, and we look for- ward to future gatherings in person, here and in Rome. With appreciation and gratitude, Cary Davis Chair, AAR Board of Trustees SPRING/SUMMER 2021 UP FRONT FEATURES 2 20 LETTER FROM THE PRESIDENT SEEING THE ANCIENT WORLD AAR receives major gift of photographs 4 by Carole Raddato FAR AFIELD Checking in with past Fellows and Residents 24 GIVING FOR THE AGES 6 Richard E. Spear and Athena Tacha INTRODUCING underwrite a new Rome Prize The 2020–2021 Rome Prize winners -
David Adjaye:Public Engagement and Private Retreat
For Immediate Release Media Contact: Kitty Dumas 305-348-3892 / [email protected] Acclaimed British Architect to Speak at FIU David Adjaye:Public Engagement and Private Retreat Miami- (March 1, 2008) - Internationally acclaimed British architect David Adjaye will speak on Friday, March 14, at 8:00 p.m. as part of The Frost Art Museum’s Steven & Dorothea Green Critics’ Lecture Series. The lecture will be held in the Green Library, GL 100 on the University Park Campus of Florida International University, 11200 SW 8th Street, Miami. The event is free and open to the public. Adjaye will discuss the creative process that has made him one of the most sought-after architects of his generation in the UK, and brought him international recognition. His ingenious use of materials and ability to sculpt and showcase light have attracted both critical success and admiration from the public. Adjaye built his reputation in London’s East End, designing houses and studios in this older, gentrifying area, for artists and celebrities including Ewan McGregor and Juergen Teller. Known for his use of light in creating spaces that blur the lines between art and architecture, he has said that he works “more like an artist than an architect.” Last year, Adjaye celebrated what he has described as the pinnacle of his career thus far with the opening of the Museum of Contemporary Art/Denver, his first major public building in the United States. The museum is recognized by the Leadership in Energy and Environment Design (Leed) as one of the country’s first “green” art museums, because of Adjaye’s use of recycled materials and energy efficient systems. -
AAR Magazine
AMERICAN ACADEMY IN ROME MAGAZINE SPRING 2017 Welcome to the Spring 2017 issue of AAR Magazine. This issue of AAR Magazine offers a summation of a very productive year. We feature the scholars and artists in our creative community at the culmination of their research and look at how the Fellows’ Project Fund has expanded their possibilities for collaborat- ing and presenting their work in intriguing ways. We update this year’s exploration of American Classics with reports on a February conference and previews of events still to come, including an exhibition fea- turing new work by artist Charles Ray. You will also find a close look at AAR’s involvement in archaeology and details of a new Italian Fellowship sponsored by Fondazione Sviluppo e Crescita CRT. And, of course, we introduce the Rome Prize win- ners and Italian Fellows for 2017–2018! Vi diamo il benvenuto al numero “Primavera 2017” dell’AAR Magazine. Questo numero dell’AAR Magazine riassume il lavoro prodotto in un anno eccezionale. Vi presentiamo gli studiosi e gli artisti della nostra comunità creativa al culmine della loro ricerca e siamo lieti di mostrare quanto il Fellows’ Project Fund abbia ampliato le loro possibilità di collaborare e presentare le proprie opere in modo affascinante. Aggiorniamo la pan- oramica fatta quest’anno sugli American Classics con il resoconto del convegno tenutosi a febbraio e con le anticipazioni sui prossimi eventi, tra i quali una mostra con una nuova opera dell’artista Charles Ray. Daremo uno sguardo da vicino all’impegno dell’AAR nel campo dell’archeologia e alla nuova Borsa di studio per Italiani finanziata da Fondazione Sviluppo e Crescita CRT. -
David Adjaye: Making Memory 02 February – 05 May 2019 the Design Museum
Smithsonian National Museum of African American History and Culture, Credit: Alan Karchmer David Adjaye: Making Memory 02 February – 05 May 2019 the Design Museum #MakingMemory @DesignMuseum The Design Museum presents a new exhibition that explores the role of monuments and memorials in the 21st century, through seven projects by celebrated British–Ghanaian architect, Sir David Adjaye OBE. The exhibition features projects such as the Smithsonian National Museum of African American History and Culture in Washington D.C, the new National Cathedral of Ghana in Accra and the UK Holocaust Memorial and Learning Centre1 in London. Highlights include a full-scale section of the Sclera Pavilion for London Design Festival 2008, a replica library area from the Gwangju River Reading Room in South Korea, as well as inspiration materials including a sculpture by the early 20th-century Yoruba artist Olowe of Ise. In this exhibition, celebrated architect Sir David Adjaye OBE will examine the idea of the monument and present his thinking on how architecture and form are used as storytelling devices. Monuments are a record of who we are and are deeply ingrained in our psyche as a way of memorialising our 1 Led by Adjaye Associates, with Ron Arad Architects as Memorial Architect, and Gustafson Porter + Bowman as Landscape Architect. 1 triumphs and failures. However, the form that monuments take, and the way they are experienced, is constantly changing. This exhibition shows that contemporary monuments are no longer static objects in a field – plaques, statues or neo-classical sculptures – but are dynamic and complex spaces that serve a wider purpose. -
Sir David Adjaye and Cai Guo-Qiang to Receive 2020 Isamu Noguchi Award
FOR IMMEDIATE RELEASE [email protected] 718.204.7088 x 206 Sir David Adjaye and Cai Guo-Qiang to Receive 2020 Isamu Noguchi Award Award to be presented in a virtual celebration as part of The Noguchi Museum’s annual benefit on November 16, 2020 Sir David Adjaye OBE. Photo: Chris Schwagga Cai Guo-Qiang. Photo: Lin Yi, courtesy Cai Studio WHAT New York, NY (September 14, 2020) — The Noguchi Museum will present the 2020 Isamu Noguchi Award to architect Sir David Adjaye OBE and artist Cai Guo-Qiang in a virtual celebration on Monday, November 16, 2020, at 8 pm EST. Previously planned for May 19, 2020, the Museum’s annual benefit and Isamu Noguchi Award presentation was postponed due to the pandemic. In its seventh year, the Isamu Noguchi Award is conferred on individuals who share Noguchi’s spirit of innovation, global consciousness, and commitment to Eastern and Western cultural exchange. noguchi.org/award WHO Widely recognized as one of the leading architects of his generation, Ghanaian-British architect Sir David Adjaye OBE has received international acclaim for his impact on the field. Adjaye, who was born in Tanzania to Ghanaian parents in 1966, cites influences ranging from contemporary art, music, and science, to African art forms and the civic life of cities. In 2000, he founded Adjaye Associates, which today has projects spanning the globe. In 2017, he was knighted by Queen Elizabeth II. 1 of 3 Adjaye is widely viewed as an architect with an artist’s sensibility and vision. Also like Noguchi, he is committed to a multidisciplinary practice, with projects ranging from private houses, bespoke furniture collections, product design, exhibitions, and temporary pavilions to major arts centers, civic buildings, and master plans. -
Award Steering Committee
Aga Khan Award for Architecture 2 0 1 6 AWARD STEERING COMMITTEE His Highness the Aga Khan, Chairman. David Adjaye is founder and principal architect of Adjaye Associates, which was established in June 2000 and currently has offices in London, New York, and Accra. He was born in Tanzania in 1966. After gaining a Bachelor of Architecture from London South Bank University, he graduated with a master’s degree in architecture from the Royal College of Art in 1993, where he won the RIBA Bronze Medal. His completed works include: the Sugar Hill affordable housing project in Harlem, New York City (2015); two community libraries in Washington DC (2012); the Moscow School of Management SKOLKOVO (2010); The Nobel Peace Centre in Oslo (2005); the Museum of Contemporary Art in Denver (2007); and the Idea Stores (libraries) in London’s Tower Hamlets (2005). The practice is currently engaged in the Smithsonian Institution’s National Museum of African American History and Culture in Washington D.C, due to open in 2016. Mr. Adjaye’s belief in working together with partners has led to a number of notable collaborations on both building projects and exhibitions. His photographic survey of 52 cities across the continent of Africa, Urban Africa, exhibited at the Design Museum London (2010), has shifted the understanding of Africa’s metropolitan centres. His first midcareer retrospective exhibition, entitledMaking Place: The Architecture of David Adjaye, is currently running at the Art Institute of Chicago. Mr. Adjaye is currently the John C. Portman Design Critic in Architecture at Harvard University. He is a RIBA Chartered Member, an AIA Honorary Fellow, a Senior Fellow of the Design Futures Council and a Foreign Honorary Member of the American Academy of Arts and Letters. -
Alex Hartley
ALEX HARTLEY Born 1963 in West Byfleet, UK Lives and works in London and Devon, UK Education 1988-90 Royal College of Art (MA), London, UK 1984-87 Camberwell School of Arts and Crafts (BA Hons), London, UK 1983-84 Camberwell School of Arts and Crafts (Foundation Course), London, UK Solo Exhibitions 2020 Alex Hartley: The Houses, an extended reality (XR) exhibition on Vortic Collect, Victoria Miro, London, UK 2018 Alex Hartley: The Houses, Victoria Miro, London, UK 2017 Wall, Folkestone Triennial, Folkestone, Kent, UK The Clearing, Compton Verney, Warwickshire, UK 2016 After You Left, Victoria Miro, London, UK 2014 Vigil, Folkestone Triennial, Folkestone, Kent, UK 2011 The World is Still Big, Victoria Miro, London, UK 2008 Leeds Metropolitan Gallery, Leeds, UK 2007 Not part of your world, Fruitmarket Gallery, Edinburgh, Scotland 2005 Don’t want to be part of your world, Victoria Miro, London, UK 2003 Outside, Distrito Cuatro, Madrid, Spain 2001 Case Study, Victoria Miro, London, UK 1998 Lumen Travo, Amsterdam, The Netherlands Galerie Ulrich Fiedler, Cologne, Germany 1997 James Van Damme Gallery, Brussels, Belgium Viewer, Victoria Miro, London, UK 1995 Fountainhead, Victoria Miro, London, UK 1995 Galerie Gilles Peyroulet, Paris, France 1993 Victoria Miro, London, UK 1993 James Van Damme Gallery, Antwerp, Belgium 1992 Anderson O’Day Gallery, London, UK Group Exhibitions 2019 In Ruins, Witley Court Worcester, UK Where function ends: Responses to the architecture of Sir Edwin Lutyens, Hestercombe Gallery, Taunton, -
Introduction
INTRODUCTION Aga Khan Aga Khan Aga Khan Prize-Winning Award for Award for Award for Projects Architecture Architecture Architecture 2019 2019 2019 The Aga Khan Award for Architecture THROUGH ITS EFFORTS, the Award seeks to identify Steering Committee Master Jury 122 Prize-Winning Projects in 14 Award Cycles (1980-2019): is given every three years to projects and encourage building concepts that successfully address the needs and aspirations of societies 67 in Asia that set new standards of excellence across the world, in which Muslims have a significant 32 in Africa in architecture, planning practices, presence. 23 in Europe & Turkey historic preservation and landscape The selection process emphasizes architecture that not only provides for people’s physical, social His Highness the Aga Khan TURKEY CYPRUS Nail Cakirhan Residence, Akaya Village Rehabilitation of the Walled City, Nicosia architecture. and economic needs, but that also stimulates and Turkish Historical Society, Ankara Chairman Mosque of the Grand National Assembly, Ankara LEBANON Middle East Technical University, Ankara Samir Kassir Square, Beirut responds to their cultural expectations. Particular Olbia Social Centre, Antalya Great Omari Mosque, Sidon B2 Cakirhan Residence Issam Fares Institute, Beirut attention is given to building schemes that use local Ertegun House, Bodrum JORDAN Demir Holiday Village, Bodrum East Wahdat Upgrading Programme, Amman Sir David Adjaye Azim Nanji Anthony Kwamé Edhem Eldem Gurel Family Summer Residence, Canakkale resources and appropriate technology in innovative SOS Children’s Village, Aqaba Rustem Pasa Caravanserai, Edirne ways, and to projects likely to inspire similar efforts Principal, Adjaye Special Advisor, Appiah Collège de France Ipekyol Textile Factory, Edirne SAUDI ARABIA Social Security Complex, Istanbul Hajj Terminal, King Abdul Azis Intl Airport, Jeddah elsewhere.