Early Christian Hymns

Total Page:16

File Type:pdf, Size:1020Kb

Early Christian Hymns TRANSLA TIONS OF TH E V ERSES OF TH E MOST NO TAB LE LA TIN WRI TERS OF TH E EARL T AND MIDDLE A GES BY DANI EL JOSEPH DONAHOE ’ ” u thor of Id ls o Israel A T ent b the Lake In Sheltered Wa s A y f , y , y , ” The R cu o the P ri c s e t . es e f n e s , c T H E G R A F T O N P R E S S PU B LI SH E R S NEW YO R K OPYR IGHT 1 08 B C , 9 Y T HE GRAFTON PRESS IN T H E UNITED STATES AND GREAT BRITAIN PR EFAC E THI S vol u m e may fai rly be said to c ont ain the best L t C hu religiou s songs of all the ages of the a in rc h. The name of the work w ould indicate that only the earlier c in hymns were in l uded ; and that , indeed , was the tention of the a uthor when the p u b li c a t ion of the b ook was c o m m en c ed . But as some of the hymns inserted - s r t R m in that treasure house of p i i ual song , the o an o i c nt fi at e I I I . Breviary , since the p of Urban V are ex u isit e l b t f q y ea u i ul , both in poetry and religious feeling , it has been deemed best to make the work suffi ciently complete to inc l ude practically all the hymns there f . o und , both ancient and modern Many of the hymns here translated were gleaned from D the pages of the great works of aniel , Mone an d V A v m V ac k e rnage l . ol u e of Latin hymns p ublished by f Professor March of La Fayette College , will be o und to contain a number of the most bea utiful ; b ut the chief v source has been the R o m an B re iafy . And as that e work is mor easily obtained by the ordina ry student , than the great collections above named , it has been thought a dvisable to note all hymns drawn from that so source , that the reader , who may desire to compare diffi the translation with the original , will have little culty in doing so . P RE FACE The attempt to turn these glorious songs of the Church into something fairly representative of the thought and feeling of the original has been a labor of love during h the past four years . The translator as always been an ardent lover of the Latin hymns , but the idea of making English versions of them came about as if by V r accident . While reading the eni Sanc e Spiritus , “ 3 , as has Sun the golden sequence , it been called , one in 1 0 day afternoon April , 9 4 , the words and melody of as the hymn shaped themselves , it were , into an Eng f lish form , without any apparent e fort , a form which seemed to give an adequate representation of the orig inal both in thought an d feeling . I mmediately upon the appearance of that poem in b print , the author was urged by scholarly friends , oth clerical and lay , lovers , like himself, of the fine ol d church songs , to try his hand at others , especially those used for liturgical purposes an d found in the Breviary and Missal . The more of these translations that — appeared , the more popular they seemed to become . ‘ The very act of translating afi orde d a singular pleas ure and exhilaration of spirit . I n a short time the number of English renderings on the author ’ s hands became so great , and the requests of friends to collect so them in a volume , urgent , that the present work is the result . CO NT ENTS ST . HILARY A HYMN FOR TH E P E Nx T E NT (A d C oe li Clara) A HYMN FOR PENTECOST (B eata Nobi: Gau dia) A MORNING HYMN (D e u : Pater I nge nite ) ’ M R N N r ST . HILARY S O x G HYMN (L u ci: Largito Sple adide ) A SONG OF DAW N (jam Al eta N octi: Transiit) A SONG OF DAW N (Anothe r V e rsion) D WASUS ST . AI HYMN To ST . AGATHA (Martyr i: ecce die: A gar/m e ) ST . AMBROS E EASTER HYMN (A u r ora C oe lu m P u rpu rat) T H E TRUTH OF TRUTH S (Tr iste: E ran"A postoli) ‘ T H E RESURRECTION (Pa: chol e Al u ndo Gau diu m) A PASCHAL RIO R NING HYMN (R ex Se mpiter ne Coe litu m) TH E A M D e u : T u ar a m Milita m VESPER HYMN , FOR FEAST OF ARTYR ( ) HYMN FOR LAUDS FOR TH E FEAST OF A MARTYR (I nv icte IIIar tyr Unicu m) A N EARLY M o m m aHm n (7am L u ci: Orto Siam ) A HYMN FOR ADVENT (Creator A lme Sider u m) HYMN FOR MA T rNs (Somno Refecti: A rtu bu s) A HYMN FOR ADVENT (E n Clar a V ox ) HYMN FOR TH E NATIVITY OF OUR LORD (jesu R ede mptor O m niu m) \ A HYMN FOR T R E NIGHT SEASON (N ax A tra R eru m) PASCHAL TIDE (A d R egia: A g ni D u pes) MO R NTNG HYMN FOR ASCENSION D A Y (A crer ne R ex A lti: : ime) VESPER HYMN FOR A SC E NSt O N D A Y (ff e su No: tra Rede mptio) PENTECOST (jam Chr istu : A : tra A sce nderat) ’ O SPLENDOU R OF TH E FATHER S FACE (Sple ndor Pater nae Gloriae) A M O R NrNG HYMN (A eterna C oeli Glor ia) ’ T H E MORNING S GOLDEN RADIANCE (A u rora jam Spargit) EV E NrNG HYMN ( Te L u ci: A nte T er m inu m) vfii CONTENTS TH E OF A G e su orona V ir inu m HYMN FOR FEAST VIR IN (ff , C g ) A NIGHT SONG (R eru m D e u : T e nax V ig or) HYMN BEFORE DAYLIGHT (C onsor: Paterni L u minis) HYMN FO R EARLY MO RNING(Su m mae Par en: Clementiae ) A HYMN FO R EVENTIDE (D eu s Creator O m niu m) A MORNING PRAYER (R ector Poten: V erax D e u s) A T o TH E H G N u nc Sancte N o i: S ir t HYMN OLY HOST ( b p i u s) . A VESPER SONG (jam Sol R ecedit Ig ne u s) O WORD OF MIGHT ( V erb u m Su pernu rn P r odiens) HYMN FO R TH E FEAST OF A MARTYR (R ex Glor iose Martyr u m ) ' ‘ A HYMN FO R TH E FEAST O F A N A P O SI L E (A eter no Christi M u nera) A HYMN FO R SUNDAY (A eterne R er u m C onditor) PRUDENTIUS A HYMN FO R EPIPHANY ( 0 Solo Mag nar u m Ur biu m) HYMN FO R TH E HOLY INNOCENTS (A u dit Tyrannu s A nx iu s) FO R TH E H IN Sal oete Fl or es Mart r m HYMN OLY NOCENTS ( , y u ) A MORNING HYMN (A le: D iei N u ntiu s) T H E GLORY OF C HRIST (Qu icu mqu e Ckr istu m Qu aeritis) MORNING HYMN (N ox ci Te nebrae et N u bilae) BEHOLD TH E GOLDEN LIGHT (L ux E cce Surgit A urea) SED ULIUS A CHRISTMAS HYMN (d Solis Ortu : Caroline) HYMN FO R EPIPHANY (C ru de li: H eracl es D eu m) ELPIS S A ecora L u x A eternitatis T O . A ND TS PETER PAUL, POSTLES (D ) FORTUNATUS O N TH E HOLY CROSS (Cru x B enedicta Niiez) VESPER HYMN T o TH E VIRGIN (A ve M ar is Ste lla) ’ A FO R M u e m T erra ontu s Sid era HYMN ATINS (Q , P , ) A HYMN TO TH E VIRGIN (0 Gloriosa V irginu m) T H E HOLY CROSS (V e xilla R egis) T H E CRUCIFI "ION (Pang e Ling ua) ST GREG RY T HE GREAT . O T H E WORKS OF TH E DAYS (L uc i: Creat or Optim e) T H E WORKS OF TH E DAYS (I m m e nse C oeli C onditor) CONTENTS T H E WORK S OF THE DAYS ( Tellu ri: A lme C onditor ) T H E WORKS OF THE DAYS (C oeli D e u s Sanctissim e ) T H E WORKS OF TH E DAYS (Mag nae D c u : P ote ntiae ) T H E WORKS OF THE DAYS (H om inis Su pe r ne C onditor ) T H E WORKS OF THE DAYS (D ox ology) A MORNING HYMN ( 0 Sol Sal u tis I ntim is) A H A u di B e ni ne C onditor LENTEN YMN ( , g ) HYMN T o TH E SAVIOU R (Sal vator Mu ndi D om ine ) EARLY MORNING HYMN (R er u m C r eat or Optim a) A HYMN FOR LENT (Ex More D octi Mystico) A HYMN FOR MATINS ( T u Tr initat is Unitas) SUNDAY MORNING HYMN (Pr im o Die Qu a Trinita: ) AT MATINS (Nocta Su rg entes) AT MATINS (A nothe r V e rsion) AT DAYBREAK (Ecce jam N octis) AT DAYB REAK (An othe r V e rsion) V n r r r A HYMN FOR PENTECOST ( e i C eato Spi itu s) .
Recommended publications
  • “Times Are A' Changing”
    “Times are a’ changing” The Folk Mass Movement of the 1960s in the United States Kinga Povedák is a research fellow at the Research Group for the Study of Religious Culture (Hungarian Academy of Sciences-University of Szeged). She studied European Ethnology and American Studies. Her PhD thesis was on the debated popular Christian music among Catholics,focusing on and analyzing the peculiarities of vernacular religiosity during the socialist times through the study of the origins of the movement in Hungary. Her main fields of interest include popular religiosity of the postmodern times, modernism and Catholicism, and most recently the musical worlds of Pentecostal Romani communities. The cultural revolution of the 1960s resulted most outstandingly in the musical paradigm, having the most explicit capability articulating the feelings of the beat generation and their desire to rebel against their parents’ conformist, authoritarian and conservative middle class values. As János Sebők notes stressing the important role of rock, the rising generation did not only mean music, but a lifestyle, a way of life and rebellion. It was the aesthetic means and sound of dissociation and detachment, it was a creed, a form of behavior and a world view.1 The rebellion, however, did not only add up to atheism but resulted in a spiritual awakening, an opening towards so far obscure – and, therefore, even more appealing - exotic eastern philosophies and religions. The hippie movement was captivated by Rousseau’s back to nature philosophy as a quasi-religious new ideology/way of life, utopian and egalitarian communes and the rejection of consumer society.
    [Show full text]
  • Radio Essentials 2012
    Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
    [Show full text]
  • Rockin' the Church: Vernacular Catholic Musical Practices
    Journal of Global Catholicism Volume 4 Issue 1 Hungarian Catholicism: Living Faith Article 4 across Diverse Social and Intellectual Contexts March 2020 Rockin' the Church: Vernacular Catholic Musical Practices Kinga Povedak Hungarian Academy of Sciences, [email protected] Follow this and additional works at: https://crossworks.holycross.edu/jgc Part of the Aesthetics Commons, Catholic Studies Commons, Christian Denominations and Sects Commons, Christianity Commons, Comparative Methodologies and Theories Commons, Cultural History Commons, Eastern European Studies Commons, European History Commons, European Languages and Societies Commons, History of Christianity Commons, History of Religion Commons, Intellectual History Commons, Liturgy and Worship Commons, Other Anthropology Commons, Other International and Area Studies Commons, Politics and Social Change Commons, Regional Sociology Commons, Religious Thought, Theology and Philosophy of Religion Commons, Slavic Languages and Societies Commons, Social and Cultural Anthropology Commons, Social History Commons, Sociology of Culture Commons, and the Sociology of Religion Commons Recommended Citation Povedak, Kinga (2020) "Rockin' the Church: Vernacular Catholic Musical Practices," Journal of Global Catholicism: Vol. 4: Iss. 1, Article 4. p.42-63. DOI: 10.32436/2475-6423.1066 Available at: https://crossworks.holycross.edu/jgc/vol4/iss1/4 This Article is brought to you for free and open access by CrossWorks. It has been accepted for inclusion in Journal of Global Catholicism by an authorized
    [Show full text]
  • Bahăˇâ•Žuâ•Žllăˇh and the New
    The Project Gutenberg EBook of Bahá’u’lláh and the New Era by J.E. Esslemont This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.guten- berg.org/license This is a copyrighted Project Gutenberg eBook, details below. Please follow the copyright guidelines in this file. Title: Bahá’u’lláh and the New Era Author: J.E. Esslemont Release Date: September 2006 [Ebook 19241] Language: English ***START OF THE PROJECT GUTENBERG EBOOK BAHÁ’U’LLÁH AND THE NEW ERA*** Bahá’u’lláh and the New Era by J.E. Esslemont Edition 1, (September 2006) Baha'i Terms of Use You have permission to freely make and use copies of the text and any other information ("Content") available on this Site including printing, emailing, posting, distributing, copying, downloading, uploading, transmitting, displaying the Content in whole or in part subject to the following: 1. Our copyright notice and the source reference must be attached to the Content; 2. The Content may not be modified or altered in any way except to change the font or appearance; 3. The Content must be used solely for a non-commercial purpose. Although this blanket permission to reproduce the Content is given freely such that no special permission is required, the Bahá’í International Community retains full copyright protection for all Content included at this Site under all applicable national and international laws.
    [Show full text]
  • Entertainment Plus Karaoke by Title
    Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J.
    [Show full text]
  • The Cowl October 4, 2012
    Vol. TheLXXVII No. 5 @thecowl • thecowl.com ProvidenceCowl College October 4, 2012 How Much About Your Campus Shedding Light on the Role of Cocaine at Providence College Do You Know Do You ? by Amanda Garganese ’13 News Staff The Double Life campus news That powdery white substance that has been seen at parties lately is probably not leftover sugar, and sniffling students of Dr. Hyde might be up to more than just seasonal allergies. Fall not only brings in a new season and a new school year, but recently by Kathleen McGinty ’16 it has also brought in an increase in drugs both on and off News Staff campus, according to PC Security. Some students have reported seeing casual drug use Faculty profile at parties as of late. Providence College has never been known to have a large drug scene, as the College usually sticks to its Princeton Review number one ranking in hard With the sound of what he calls his “whispering piano solos” alcohol, but it seems as if the College is breaking into the playing softly in his office, discussing his own college experiences, realm of party drugs. and love of the outdoors, Professor Mark Hyde of the Department of Students have been taking their partying to the next level, Political Science may come across differently than his students expect. using various substances such as cocaine, ecstasy, the novelty “I’m really not as hard in class as I appear,” said Hyde lightheartedly, drug “bath salts” which is a form of cathinones that give off “and I don’t really mean it when I yell at them.” the same effect as cocaine or amphetamine, and other various Since he was 25 years old, Hyde has been a professor of political “designer drugs.” The drug scene seems to have emerged at science at Providence College, instructing courses in empirical the College around the time of the spring concert last semester political analysis (required of all political science majors and minors), when guest Avicii performed at Schneider Arena.
    [Show full text]
  • 2019 SMI Agenda
    Name: Room Number: Sacred Music Institute Materials: Table of Contents Welcome, brothers and sisters, to a week of musical challenges and inspiration! In this binder are the handouts you will need for our general sessions, along with instructions for inserting the five colored tabs within them. You will receive more handouts at breakout sessions. All materials are available online from http://ww1.antiochian.org/2019-smi-handouts. Introductory Material • Table of Contents / Welcome Letter (this page) • Course Descriptions / Presenter Biographies (4 sheets) 1) YELLOW Tab goes here, before page titled “Confession Handout” • Wednesday General Session (4 sheets): Confession • Thursday General Session (2 sheets): Unction • Thursday Service (22 sheets): Unction Service 2) RED Tab goes here, before page titled “Rejouce, O Virgin Theotokos’” • Thursday General Session (20 sheets): Wedding / Ordination • Friday General Session (11 sheets): Baptism / Chrismation 3) WHITE Tab goes here, before page titled “Taking the Stress out of ‘Master, Bless!’” • Friday General Session (2 sheets): Chanting with a Hierarch • Friday evening Daily Vespers (5 sheets) • Sunday morning Orthros (17 sheets) 4) GREEN Tab goes here, before page titled “The Great Litany” • Friday and Sunday Divine Liturgies (27 sheets) 5) PINK Tab goes here, for use with breakout sessions If you brought a small binder or folder, you may simply transfer the music for each service from your main binder to the smaller one. Your shoulders will be thanking you by Sunday! Sacred Music Institute July 10-14, 2019 Dearest brothers and sisters in Christ: On Holy Pentecost, as we celebrate the coming of the Holy Spirit, the Synaxarion boldly refutes the popular idea that Pentecost is the birthday of the Church.
    [Show full text]
  • M Es/Lad/OR (Frsth'i &P&Io#Ti a BILLBOARD SPOTLIGHT in THIS ISSUE
    m es/lad/OR (frsth'i &p&io#tI A BILLBOARD SPOTLIGHT IN THIS ISSUE 08120 1:-17. a.n tiva z1 D a at SEPTEMBER 18, 1971 $1.25 Zwa nwater 25 ot:koa, - Nederla A BILLBOARD PUBLICATION Tl., 1 727 -47/5 SEVENTY-SEVEN 1H YEAR The International Music -Record Tape Newsweekly CARTRIDGE TV PAGE 14 HOT 100 PAGE 66 O ® TOP LP'S PAGES 70, 72 South Fs Midwest Talks on Rock Store -Opening Retail Sales Spurt Fests Planned By EARL PAIGE By BILL WILLIAMS MINNEAPOLIS - Midwest Spree Underway promoter Harry Beacom, fol- By BRUCE WEBER CHICAGO-Record/tape re- NASHVILLE - Tape sales lowing the cancellation of his tailers and wholesalers here re- have zoomed in Tennessee in third Open Air Celebration rock LOS ANGELES - Proof of tape -electronic retail stores. port increased sales of 10 or the past three months, actually festival in St. Paul by civic renewed vigor at retail can be Pickwick International is 20 percent over a comparable skyrocketing in some areas, due authorities, is planning to hold a seen in this: At least four com- planning to open about 15 re- period a year ago and an up- not only to the economic thrust conference in New York in late panies, including two rack mer- tail stores during 1972, accord- surge over normally draggy sum- but to the strongest tape -thiev- (Continued on page 8) chandisers, are opening music- ing to a company prospectus. mer months just passed. How- ery law in the land. Each store will require an in- ever, reports on singles, albums Distributors, rack jobbers and vestment of about $100,000, and tapes are not uniform.
    [Show full text]
  • Hottest 100 2012 Tracks
    45 - Gaslight Anthem, The Anxiety - Ladyhawke 1991 - Azealia Banks Anyone But Me - Jessica Cerro & It Was You - How To Dress Well Apocalypse Dreams - Tame Impala 1000 Answers - Hives, The Archangel - Chet Faker 3,6,9 - Cat Power Archipelago - Miike Snow 3x3 - Bloc Party Around My Way (Freedom Ain't Free) - Lupe 50 Years - Medics, The Fiasco A Change Is Gonna Come {ft. Radical Artificial Nocturne - Metric Son/Nooky/Sky'High} {Like A Version} - Atlas - Parkway Drive Herd, The Awake - Electric Guest A Maker Of My Time - Paper Kites, The Away Frm U - Oberhofer A New Feeling - Alphabet Botanical B3 - Placebo A Night And A Day - Pepe Deluxe Babel - Mumford & Sons A Simple Answer - Grizzly Bear Baby's On Fire - Die Antwoord A Wake {ft. Evan Roman} - Macklemore & Back Of Your Neck - Howler Ryan Lewis Back To The Grave - Howler A.O. - Presets, The Backseat Freestyle - Kendrick Lamar About To Die - Dirty Projectors Bad Girls - M.I.A. Above The Water - Art Of Sleeping Bad Insect - Ultraista Acapulco - Salvadors, The Bad Reality - Stonefield Accident Murderers {ft. Rick Ross} - Nas Bad Taste Blues, Pt. 1 - Ball Park Music Affection - Crystal Castles Bad Taste Blues, Pt. 2 - Ball Park Music Afghan Hound - Manor Bad Thing - King Tuff Again {ft. Sinden} - Elizabeth Rose Baguette? - Tyler Touche Alice - Dick Diver Bait And Switch - Shins, The Alive {ft. The Good Natured} - Adrian Lux Baiya - Delphic All About To Change - Patrick James Bangarang {ft. Sirah} - Skrillex All Eyes - Hunting Grounds Barely Standing - Diplo All For One - Alpine Barkhammer -
    [Show full text]
  • Sobre Cómo MUMFORD & SONS Han Convertido La Música De Raíces En El
    www.elboomeran.com CASCABELES GUITARRAS Sobre cómo MUMFORD & SONS han convertido la & música de raíces en el futuro del rock. Por Brian Hiatt 34 rollingstone.es www.elboomeran.com n las profundi- dades de acero y cristal del es- tadio O2 londi- nense Marcus Mumford en- ciende un palo de incienso. “Palo santo”, dice, con Eun jocoso tono reverencial, inspi- rando profundamente mientras su camerino se llena de humo cí- trico: “¡Madera sagrada, colega!”. Cuando Mumford acaba una fra- se con la palabra “colega”, es habi- tual que a continuación venga una amistosa palmada en la espalda; incluso, cuando no la da, que- da implícita. Es un tipo grande, de cara ancha, con expresión de cierta arrogancia, adornada aho- ra con un bigote a lo Errol Flynn. Pero en sus ojos, que fluctúan entre el marrón y el azul (“Mi madre lo llama color avellana”) hay algo vulnerable y escrutador. Mumford, de 26 años, lleva dos meses sufriendo unas bru- tales migrañas producidas por el estrés, y jura que el palo santo, un tipo de incienso sudame- ricano, es lo único que consigue aliviarlas. “Lo he probado todo, hasta he llegado a hacerme un escáner del cerebro”, explica. Hace poco que el productor T Bone Burnett le introdujo en el uso de este tipo de incienso, algo bastan- te razonable: Burnett eligió las canciones para la banda sonora de la película de los Cohen O brother (2000), recopilación de música de raí- ces e influencia clave en la estética color sepia de Mumford & Sons. “Siempre me siento ligeramente avergon- zado cuando digo que O brother es una gran influencia”, comenta Mumford, quien tenía 13 años cuando se estrenó la película.
    [Show full text]
  • Billboard Magazine
    HOT ROCK SONGSTM TOP ROCK ALBUNISTm 2 WKS. LAST THIS TITLE Artist aRT PEAK WKS. 011 LAST THIS ARTIST Title88 WATSON ADO WEEK WFFN PRODUCER (SONGWRITER, IMPRINT/PROMOTION LABEL POS. CHART 88K WFFKIMPRINAGISTRIBUMNG LABEL HO HEY The Luitiror,5 1 MUMFORD &AD/GLASSNOTE A 43 2 SONS Babel A 20 NADLOCK SCHULTE...RA ITES) 0 GENTLEMAN OF THE RO Nor I WILL WAIT Mumford & Sons Release The Panic 7 1 27 0 RED 1 1:11^3M.DRADS IMUMFORD B SONS) GENTLEMAN OF THE ROADERED/OLASSNOLE ESSENTIAL IT'S TIME 0 COIFED ANDCALIBRIDA hNDREDeAftermatDescension 3 3 3 8KW 1 BMARNERNACINF DRAGONS 10.REYNOL D.Y.SERNION.B.MCIIEFI KIIILVIZEIIIHrtg=A 3 49 EVERYTHING EVIL AMBASSA O/HTU HANDED 2 2 4 HOME Phillip 2 21 0 THE UMINEERS The Lumineers 45 DPEARSON (0.PEARSON.G.NOLDEN) egcislirE A 0THE A TEAM Ed Sheeran A 0 VARIOUSTOL ARTISTS 2013 Grammy Nominees 4 26 -I 5 5 1.DOSLIN4.ESHEERAN (ESHEIRAN) ELFILTRA/ALLANTIE 5 GRAMMY/CAPI Fall Out jHoRO.f1,krsters And Men Some Nights 51 0 0 LITTLE TALKS A 3 48 A 6 OF MONSTERS AIM MEN.A.ARNARSSON A SSO 01050) A 0 FUllerlillMITONES Boy 7 SOME NIGHTS fun. A BLACK KEYS El Camino 4 6 1 41 0 TONESUCH/WARNERHE A 62 ERHASKER INRUESS.A.DOSTIANTONOFF.I.SHAS.1 FUEL ED 50.1.4.12PRP 0 BROS. Blasts wn sem MY SONGS KNOW WHAT YOU DID IN THE DARK (UGIIT DARAUMFallOut Boy 8 IMAGINE DRAGONS Night Visions 23 NWT 0 8 1 NOT LISTED MOT LISTED) DECAYDANEVRIELFD BY MENASLANWIETIMG Back 8 8 ,lzsin.rn,DpErcoprisE 9 13.8elEERAN 0 RADIOACTIVE vowAK 8 20 t 35 ALEX NA KIN (IMAGINE DRAGON,A.GRANT,MOSSER) 0 Fall Out Boy previews its sixth fun.
    [Show full text]
  • Title Artist a BARENAKED LADIES a TEAM, the ED SHEERAN
    Library QuickPrint Music Test 2019 A-Z 2020 Title Artist A BARENAKED LADIES A TEAM, THE ED SHEERAN ABACAB GENESIS ABC JACKSON 5 ABOUT A GIRL (Unplugged) NIRVANA ABRACADABRA STEVE MILLER BAND ACCIDENTALLY IN LOVE COUNTING CROWS ACCIDENTS WILL HAPPEN ELVIS COSTELLO ADAM RAISED A CAIN BRUCE SPRINGSTEEN ADDICTED TO LOVE ROBERT PALMER ADIA SARAH McLACHLAN ADVENTURE OF A LIFETIME COLDPLAY ADVENTURES OF RAIN DANCE MAGGIE, THE RED HOT CHILI PEPPERS AEROPLANE RED HOT CHILI PEPPERS AFTER MIDNIGHT J.J. CALE AFTER MIDNIGHT ERIC CLAPTON AGAIN LENNY KRAVITZ AGAIN TONIGHT JOHN MELLENCAMP AGAINST THE WIND BOB SEGER AH LEAH DONNIE IRIS AIN'T EVEN DONE WITH THE NIGHT JOHN MELLENCAMP AIN'T NO MAN AVETT BROTHERS AIN'T NO REST FOR THE WICKED CAGE THE ELEPHANT AIN'T NO SUNSHINE BILL WITHERS AIN'T TOO PROUD TO BEG ROLLING STONES AIN'T WASTIN' TIME NO MORE ALLMAN BROTHERS BAND AIRPLANE WIDESPREAD PANIC AJA STEELY DAN ALABAMA GETAWAY GRATEFUL DEAD ALISON ELVIS COSTELLO ALIVE PEARL JAM ALIVE AND KICKING SIMPLE MINDS ALL ALONG THE WATCHTOWER JIMI HENDRIX ALL APOLOGIES (UNPLUGGED) NIRVANA ALL DAY & ALL OF THE NIGHT KINKS ALL FOR YOU SISTER HAZEL ALL I WANNA DO SHERYL CROW ALL I WANT TOAD THE WET SPROCKET ALL I WANT IS YOU U2 ALL MIXED UP CARS 1/17/2020 1:24:43 PM Page: 1 Library QuickPrint Music Test 2019 A-Z 2020 Title Artist ALL MY FRIENDS REVIVALISTS ALL MY LOVE LED ZEPPELIN ALL NIGHT LONG JOE WALSH ALL RIGHT GUY TODD SNIDER ALL SHE WANTS TO DO IS DANCE DON HENLEY ALL STAR SMASH MOUTH ALL THE GIRLS LOVE ALICE ELTON JOHN ALL THE THINGS SHE SAID SIMPLE MINDS ALL
    [Show full text]