Publications for Ian Maxwell

2020 Maxwell, I., Peschel, L., Toltz, J., Hunt, K. (2017). Prince Maxwell, I., Seton, M., Szabo, M. (2020). 'Part of the job': Bettliegend: A Cabaret from Terezin. Seymour Centre, , Actors' experiences of bullying and harassment. Fusion, 17, 79- : Performing the Jewish Archive. [More Information] experiences-of-bullying-and-harassment/">[More Maxwell, I. (2017). Teaching Performance Studies with Information] Brecht's Lehrstuck Model: The Measures Taken. Brecht de Quincey, T., Maxwell, I. (2020). A Future Body. In Teresa Yearbook, 41, 77-96. Brayshaw, Anna Fenemore, Noel Witts (Eds.), The Twenty- Maxwell, I. (2017). The Limits of Ritual. Ritual and Cultural First Century Performance Reader, (pp. 166-173). London: Performance Hui and Symposium, Otago: Performance of the Routledge. [More Information] Otago. Szabo, M., Maxwell, I., Cunningham, M., Seton, M. (2020). Maxwell, I. (2017). Theatrical Bowerbirds: Received Alcohol Use by Australian Actors and Performing Artists: A Stanislavsky and the Tyranny of Distance in Australian Actor Preliminary Examination from the Australian Actors' Training. In Jonathan Pitches, Stefan Aquilina (Eds.), Wellbeing Study. Medical Problems of Performing Artists, Stanislavsky in the World: The System and its Trasnformations 35(2), 73-80. [More href="http://dx.doi.org/10.5040/9781472587916">[More Information] Information] 2019 2016 Maxwell, I. (2019). 'What I thought university would be like ..' Maxwell, I. (2016). "Turtles All the Way Down": Mind, close reading as collaborative performance. Higher Education Emotion and Nothing. Humanities, 5(3), 1-14. [More href="http://dx.doi.org/10.1080/07294360.2018.1527824">[Mor Information] e Information] Maxwell, I. (2016). 12 Hours before the Mast. Performance Szabo, M., Cunningham, M., Seton, M., Maxwell, I. (2019). Research: a journal of the performing arts, 21(2), 58-62. [Mor Artists. Medical Problems of Performing Artists, 34(4), 171- e Information] 178. [More Information] 2015 Maxwell, I. (2015). A Stunning Reworking of Brecht at the Maxwell, I. (2019). Thinking With Performance. In Stuart Sydney Festival. The Conversation. [More Information] 327). Cham: Palgrave Macmillan. [More Seton, M., Maxwell, I., Szabo, M. (2015). Introduction: The Information] Lives of Actors. About Performance, 13, 1-4. [More Information] down: managing the transition on and off stage. Theatre, Dance and Performance Training, 10(1), 127-141. [Mor Grant, Jodie McNeilly, Maeva Veerapen (Eds.), Performance e Information] and Temporalisation: Time Happens, (pp. 65-76). Basingstoke: Palgrave Macmillan. [More Information] Maxwell, I., Seton, M., Szabo, M. (2018). The Precarious Lives of Actors. Australasian Drama Studies, 72, 149-174. [Mo Responsible care in actor training: effective support for re Information] occupational health training in drama schools. Theatre, Dance and Performance Training, 6(1), 59-71. [More Information] Maxwell, I. (2017). Mayakovsky's Hammer: Experimental Theatre as Romantic Modernism, Sydney, 1968-1970. Maxwell, I., Seton, M., Szabo, M. (2015). The Australian Australasian Drama Studies, 71, 112-136. [ Performance, 13, 69-113. href="http://dx.doi.org/10.3316/informit.499926749273237">[ More Information] Maxwell, I. (2017). Parallel Evolution: Performance Studies at the University of Sydney [republication]. About Performance, Maxwell, I., Seton, M., Szabo, M. (2015). The Lives of Actors. 14/15, 229-246. About Performance, 13. [More Information] visceral. In Maaike Bleeker (Eds.), Anatomy Live: Performance and the Operating Theatre, (pp. 49-66). 2014 Amsterdam: Amsterdam University Press. Maxwell, I. (2014). "Do What You Want, Matey": Serious Play, Maxwell, I. (2008). 'All Exercise Sessions to Take Place in Risk, and The Chaser's War on Everything. About Complete Silence': Performance Syndicate and the Rise and Performance, 12, 63-82. [ Studies, 53(October), 17-41. More Information] Maxwell, I. (2008). Being There: After-Proceedings of the 2006 Maxwell, I. (2014). Review of ''We're People Who Do Conference of the Australasian Association for Drama, Theatre Shows': Back to Back Theatre: Performance Politics Visibility', and Performance Studies. Sydney: edited by Helena Grehan and Peter Eckersall. Theatre Research http://ses.library.usyd.edu.au/handle/2123/2470. International, 39(3), 244-245. [More In Graham St John (Eds.), Victor Turner and contemporary Information] cultural performance, (pp. 59-75). Oxford, New York: Maxwell, I. (2014). Review of Sara Brady, 'Performance, Berghahn Books. Politics, and the War on Terror: "Whatever It Takes"' and Maxwell, I. (2008). There's no there there. In Gerry Bloustien, Jenny Spencer, ed. 'Political and Protest Theatre after 9/11: Margaret Peters and Susan Luckman (Eds.), Sonic synergies: Patriotic Dissent'. Performance Paradigm, 10, 104-108. [More Information] Maxwell, I. (2014). Sydney Festival review: 'Cadavre Exquis'. 2007 The Conversation. [More Information] Australia's International Profile: Panel Discussion. In John 2013 Clarke, Peter Mccallum and Ian Maxwell (Eds.), Australian Arts: Where the Bloody Hell Are You? Australian Arts in an Maxwell, I. (2013). Review of 'The Rise of Performance International Context: Proceedings of a Symposium held at Studies: Rethinking Richard Schechner's Broad Spectrum', University of Sydney on 8 December 2006, (pp. 23-50). Sydney, edited by James M. Harding and Cindy Resenthal. Australia: Sydney University Press. Contemporary Theatre Review, 23(3), 442-443. Clark, J., McCallum, P., Maxwell, I. (2007). Australian Arts: Maxwell, I. (2013). The Calculus of Risk: Rex Cramphorn's Where the Bloody Hell Are You? Australian Arts in an 1988 'Measure for Measure'. Australasian Drama Studies, 62, International Context: Proceedings of a Symposium held at 6-24. [Mo an International Context: Symposium held at University of re Information] Sydney, Sydney: Sydney University Press. 2012 Maxwell, I. (2007). Introductory Essay: Advocating Australian Arts. In John Clarke, Peter Mccallum and Ian Maxwell (Eds.), Maxwell, I. (2012). Seas as Places: Towards a Maritime Australian Arts: Where the Bloody Hell Are You? Australian Chorography. Shima: the international journal of research into Arts in an International Context: Proceedings of a Symposium island cultures, 66(1), 22-24. held at University of Sydney on 8 December 2006, (pp. 1-22). Sydney, Australia: Sydney University Press. 2011 Maxwell, I. (2007). Music as a Cultural System: Sensibility and Maxwell, I. (2011). Review of 'Contesting Performance: Global Interpretation. Context: Journal of Music Research, 31, 5-20. Sites of Research', edited by Jon McKenzie, Heike Roms and C. J. W.-L. Wee. Performance Paradigm, 7. [More Information] Maxwell, I. (2006). "Runnin' Amok". An Acoustemology of Place Resounding in Penrith, Western Sydney. In Gay 2010 McAuley (Eds.), Unstable Ground: Performance and the Politics of Place, (pp. 45-61). Brussels, Belgium: P.I.E. Peter Maxwell, I. (2010). 'Do You Really Want It?'. Australasian Lang S.A. Drama Studies, 57, 10-13. Maxwell, I. (2006). Another menace to lead the youth astray. 2009 The Australian. Maxwell, I. (2009). A heterodox view from Sydney: Rex Maxwell, I. (2006). Book Review: Electoral Guerilla Theatre: Cramphorn and the new wave. Double Dialogues, 11(Winter Radical Ridicule and Social Movements. Australasian Drama 2009), 1-13. Studies, 49, 122-124. Maxwell, I. (2009). A Raffish Experiment: The Selected Maxwell, I. (2006). Book Review: The Path of the Actor. Writings of Rex Cramphorn. Strawberry Hills, Australia: Australasian Drama Studies, 49, 132-134. . Maxwell, I. (2006). Parallel Evolution: Performance Studies at Maxwell, I. (2009). Introduction. In Ian Maxwell (Eds.), A the University of Sydney. TDR - the Drama Review, 50(1), 33- Raffish Experiment: The Selected Writings of Rex Cramphorn, 45. (pp. 1-10). Strawberry Hills, Australia: Currency Press. Maxwell, I. (2006), The middle years: Death Defying Theatre transformed. 2008 Maxwell, I. (2008). "Who were you?": the visible and the 2005 Maxwell, I. (2005). Book Review: Deadly Sounds, Deadly Publishing. Places: Contemporary Aboriginal Music in Australia. Resonate: Maxwell, I. (2001). Learning in/through crisis. Australasian engage with Australia's new music scene, 65, 54-55. Drama Studies, 39, 43-57. Maxwell, I. (2005). . In Shomit Mitter; Maria Maxwell, I. (2001). Sydney Stylee: Hip-Hop Down Under Shevtsova (Eds.), Fifty Key Theatre Directors, (pp. 212-217). Comin' Up. In Mitchell, Tony (Eds.), Global Noise: Rap and London: Routledge imprint of Taylor & Francis. Hip-Hop Outside the USA, (pp. 259-279). Middletown, Maxwell, I. (2005). Neil Armfield. In Shomit Mitter; Maria Connecticut: Sage Publications. Shevtsova (Eds.), Fifty Key Theatre Directors, (pp. 236-242). Maxwell, I., Winning, F. (2001). Towards a Critical Practice: A London: Routledge imprint of Taylor & Francis. Model for Talking and Writing about Community Art Works. Maxwell, I. (2005). Rex Cramphorn. In Shomit Mitter; Maria Artwork: Community Arts Network SA Inc, (49), 8-20. Shevtsova (Eds.), Fifty Key Theatre Directors, (pp. 178-185). London: Routledge imprint of Taylor & Francis. Maxwell, I. (2005). The once and future Performance Space. RealTime: +onscreen, 64(Jan-Feb). Maxwell, I. (2005). When Worlds Collide: a Subculture Writes Back. Perfect Beat:the Pacific journal of research into contemporary music and popular culture, 7(2), 3-19. 2004 Maxwell, I. (2004). Book review: Performance and Evolution in the Age of Darwin: Out of the Natural Order. Australasian Drama Studies, 44, 130-132. Maxwell, I. (2004). More than 'Dead pet acting': legacies of Stanislavsky. Sydney Studies in English, 30(2004), 93-110. 2003 Maxwell, I. (2003). Access All Areas: Reflections on TripleAlice 1. About Performance, (5), 65-72. Maxwell, I. (2003). Book Review: Re:Direction: A Theoretical and Practical Guide. Australasian Drama Studies, 43(October 2003), 195-197. Maxwell, I. (2003). Phat Beats, Dope Rhymes: Hip Hop Down Under Comin' Upper. Connecticut: Wesleyan Universtiy Press. 2002 Maxwell, I. (2002). Retrospecting: The Midday Movie and the History of Australian Painting. In Ginters, Laura and Campbell, Barbara (Eds.), Flesh Winnow: Barbara Campbell, (pp. 33-38). Sydney: BMJ Publishing Group. Maxwell, I. (2002). The curse of fandom: insiders, outsiders and ethnography. In Hesmondhalgh, David and Negus, Keith (Eds.), Popular Music Studies, (pp. 103-116). London: Arnold / Hodder Headline Group. 2001 Maxwell, I. (2001). Acting and the Limits of Professional Craft Knowledge. In Joy Higgs & Angie Titchen (Eds.), Practice Knowledge and Expertise in the Health Professions, (pp. 102- 107). United States: Butterworth Heinemann. Maxwell, I. (2001). Book Review: 100 Years of Cruelty: Essays on Artaud. Australian and New Zealand Journal of Art, 2(1), 250-256. Maxwell, I. (2001). Book Review: Corpus Delecti: Performance Art of the Americas. Australasian Drama Studies, 38, 114-118. Maxwell, I. (2001). Book Review: Shaping Society Through Dance: Mestizo Ritual Performance in the Peruvian Andes. The Australian Journal of Anthropology, 12(3), 407-409. Maxwell, I., Higgs, J., Fredericks, I., Spence, L. (2001). Developing Creative Arts Expertise. In J. Higgs and A. Titchen (Eds.), Professional Practice in Health, Education and the Creative Arts, (pp. 238-250). United States: Wiley-Blackwell