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Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date th 21 4 17 October 2013 Nan’s Letter Space Dear Friends As the year draws to a close and the holiday season ‘Rusty Bugles’ (1948) he found himself playing a approaches, it’s time to review some important recent part in Australian theatre history. John’s book theatrical events and consider the exciting shows ‘My Brief Strt Upon the Stage’ is an entertaining planned by Carol for your enjoyment over the next few account of underfunded life at the Independent, weeks, during the Festive Season and in the New Year. the excitement of opening night and the struggles encountered on tour with ‘Rusty Bugles’. My wife News From the Independent: In our previous Carolyn and I valued our 20-year friendship with Newsletter I mentioned the unexpected sale by the John. And as the Independent Theatre historian, AETT of the Independent Theatre (recently renamed Carolyn always acknowledged the value of John’s the Independent Music Centre) to Wenona, a reminiscences to the preparation of her doctoral neighbouring private independent, non-denominational thesis on Doris Fitton’s contribution to the day and boarding school for girls. However, I am cultural life of Sydney during the first half of the pleased to report that during my subsequent meeting twentieth century. A copy of John’s book and with the Principal of Wenona, Dr Briony Scott, I was Carolyn’s thesis are preserved alongside the many given to understand that the School’s future plans for valuable items that make up The SBW Foundation the Independent closely resemble the vision held by Dr Archives, Library & Performing Arts collections. -
BFI Press Release: Missing Believed Wiped Bumper Christmas Stocking
For Immediate Release: Tuesday 7 November 2017, London. The BFI’s Missing Believed Wiped returns to BFI Southbank this December to present British television rediscoveries, not seen by audiences for decades, since their original transmission dates. The exciting, bespoke line-up of TV gems feature some of our most-loved television celebrities and iconic characters including Alf Garnett in Till Death Us Do Part: Sex Before Marriage, Cilla Black in her eponymous BBC show featuring Dudley Moore , Jimmy Edwards in Whack-O!, a rare interview with Peter Davison about playing Doctor Who and a significant screen debut from a young Pete Postlethwaite. Lost for 50 years and thought only to survive in part, Till Death Us Do: Sex Before Marriage, originally broadcast on 2 January, 1967 on BBC1, sees Warren Mitchell’s Alf Garnett rail against the permissive society, featuring guest star John Junkin alongside regular cast members Dandy Nichols, Anthony Booth and Una Stubbs. Although the existence of this missing episode from the 2nd series has been known for some years, previous attempts to screen the episode had been refused with the print in the hands of a private collector. Having recently changed hands, MBW is delighted that access has been granted for this special one off screening, for one of 1960s best known and controversial UK television characters. Following last year’s successful screening of a previously lost episode of Jimmy Edwards’s popular 1950s BBC school-themed comedy romp Whack-O!, this year’s MBW programme includes a 1959 episode entitled The Empty Cash Box. Written by Frank Muir and Dennis Norden and starring Jimmy Edwards as the cane-happy headmaster, this episode was originally broadcast on the BBC on 1st December 1959. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
MINERVA THEATRE Feasibility Study – Executive Summary
MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition. -
Trust News in Its One Stamped Addressed Envelope Will 4 - Los Trios Ringbarkus, Footbridge Present Form
SN 0314-0598 DECEMBER, 1984, VOL. 8, NO. 8 ALVIN AILEY Although the company performs works by that time. An added bonus for Members is AMERICAN DANCE other choreographers it is Ailey's own that they will be sent a voucher which can THEATER works which give the company its unique be exchanged for a complimentary soul and style. Ailey's work alone provides programme at the theatre on the the repertoire with a great diversity for his performance day. The programme will be choreography has gone through almost a splendid souvenir edition valued at as many phases or periods as Picasso's $4.00. As one programme will be provided paintings. per Member, those booking for Member This diversity has always required a friends should also quote their name and special breed of dancer, one who can AETT number on the booking coupon. master a spectrum of styles and the split The company will present two second switch from one to another. For programmes but at this stage repertoire the dar,cer there is the rare opportunity to has not been confirmed. Those who wish duvelop an unparalleled versatility. For to see two programmes should reserve the audience there is the unexpected tickets on the same day each week exposure to the panorama of modern (Tuesday to Saturday). Your booking dance. It all adds up to success which the coupon is enclosed. Alvin Ailey American Dance Theater has Members who are subscribers to the in abundance. Since 1962 and the first Australian Ballet will be notified State Department sponsored tours the separately by The Australian Ballet and audience attendance figures and should book through the Ballet in order to response have been overwhelming. -
Third Rex Cramphorn Memorial Lecture Belvoir Street Theatre, Sydney, 23 November 1997
Third Rex Cramphorn Memorial Lecture Belvoir Street Theatre, Sydney, 23 November 1997 A Passion for Ideas: Black Stage by Rhoda Roberts Jungi Kala Widther, Good Afternoon and welcome and thank you so much for being here on this perfect Bondi Beach day. I would just like to acknowledge the Eora Nation whose land I am standing on and I'd also like to thank the Rex Cramphorn Committee whose members are Neil Armfield, Eamon D'Arcy, Tim Fitzpatrick, Gay McAuley, Derek Nicholson, Jill Smith, Kerry Walker and also a hugely big thanks to the Centre for Performance Studies and in particular Laura Ginters who tried to contact me no end in the last few months. I never actually worked with or knew Rex Cramphorn but I've certainly heard of his work and for me it is a great honour to be standing here to deliver this third memorial lecture. Last year John Romeril entitled his memorial lecture 'Ringing Heaven' and wrote: I utterly condemn the opportunistic and Machiavellian behaviour of the Liberal Party, and not just in these past seven hellish weeks, but for decades. ... God, history repeats itself. As was mentioned, the first lecture was given by Jim Sharman and entitled 'In the Realm of the Imagination'. He goes on to say: Theatre is a tiny realm of the imagination that nonetheless maintains the power to influence our thoughts, our feelings and our actions in the greater realm of human society. When I first began as Artistic Director of the Festival of the Dreaming I was really hoping with all my evangelical upbringing there could be some way I could at least contact heaven and get a few tips from my dad, the late Pastor Frank Roberts, Oodgeroo Noonuccal or perhaps Kevin Gilbert. -
Ticketmaster Are Committed to Providing Priority Service for Patrons Requiring Accessible Seating
Ticketmaster are committed to providing priority service for patrons requiring accessible seating. While tickets for most events can be booked through Ticketmaster’s Accessible Seating Line on 1300 446 925, many venues have chosen to manage their own accessible ticketing. Companion card holders and patrons requiring wheelchair access can, therefore, book through the venue box office directly. Many of our venues also provide accessibility services for those with auditory or visual impairment as well as other communication or learning disorders. Please see below for all relevant information and contact details. Ticketmaster Accessible Seating Line Companion card holders and patrons requiring wheelchair accessible ticketing can book via Ticketmaster’s Accessible Seating Line 1300 446 925 for most events. This is a priority line with a team of dedicated operators who are specifically trained in accessibility ticketing. VIC (Wheelchair Access and Companion Cards) Arts Centre Melbourne – 1300 182 183 Festival Hall – 03 9329 9699 The Palms at Crown – 03 9292 5103 VIC (Wheelchair Access Only) Please note Ticketmaster Customer Service can book accessible seating and companion cards without wheelchair access for the following venues. If you require wheelchair access for these venues please contact them directly on the phone number listed. Malthouse Theatre – 03 9685 5111 Melbourne Recital Centre – 03 9699 3333 Marriner Venues as listed below – 03 9299 9800 Comedy Theatre Forum Theatre Regent Theatre Princess Theatre (Harry Potter and the Cursed Child) NSW (Wheelchair Access and Companion Cards) Sydney Lyric Theatre – 02 9509 3600 The Capitol Theatre – 02 9320 5000 The State Theatre – 02 9267 3234 Theatre Royal – 02 9221 3903 WIN Entertainment Centre – 02 4220 2884 WIN Stadium – 02 4220 2884 TAS (Wheelchair Access Only) Please note Ticketmaster Customer Service can book accessible seating and companion cards without wheelchair access for the following venues. -
History Sydney Film Festival
HISTORY OF THE SYDNEY FILM FESTIVAL 1954 - 1983 PAULINE WEBBER MASTER of ARTS FACULTY OF HUMANITIES AND SOCIAL SCIENCES 2005 For John and David ACKNOWLEDGEMENTS I would like to thank David Donaldson, Valwyn Wishart, John Baxter, Dorothy Shoemark, Tony Buckley, David Stratton and many others involved in the SFF during its formative years who gave generously of their time and knowledge during the preparation of this thesis. I am especially grateful to Trish McPherson, who entrusted me with the SFF memorabilia of her late husband, Ian McPherson. Thanks also to my supervisor, Professor Elizabeth Jacka, for her enthusiasm and support, and to Associate Professor Paul Ashton and Raya Massie who undertook to read the final draft and who offered invaluable advice. TABLE OF CONTENTS Table of Abbreviations i Sydney Film Festival: A Chronology 1954-1983 ii Abstract vi Introduction 1 An International Context; A Local Context Chapter One Art Form of a Generation: The Early Years 1954-1961 18 Reinventing Australia: 1946-1954; Connections and Divisions; Olinda 1952; From Concept to Reality; The First Festival; The Festival Takes Shape; Is it Here? Does it Look like Arriving?; Here to Stay; From Crisis to Cohesion Chapter Two Expansion and Consolidation: 1962-1975 57 Coming of Age; The Times They Are A-Changin’: 1962-1967; The Proliferation of Unacceptable Thoughts; Communal Rapture: The Start of the Stratton Era; The Anxious Years: 1968-1972; Throwing Down the Gauntlet; Going Global; The Festival at the Top of its Form; The Best and the Most Interesting; A Rising Clamour to be Seen and Heard Chapter Three Beguiling Times: The SFF and Australian Cinema 121 The Old and the New; The Film Buffs, the Festival People, the Trendies, the Underground; The Short Film Awards; A Thrilling New Wave: The Film Revival and After Chapter Four Change and New Directions: 1976-1983 149 A Lean Operation; Some of the People, Some of the Time; Backing Winners; Old Problems, New pressures; A Sort of Terrible Regression; The Last of the Stratton Years; 1983; 1984: Brave New World. -
Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 25 1 23rd January 2017 Chairman’s Letter announced nearly $300,000 in grants. Last year’s Dear Friends recipients included the Griffin Theatre Company, Sport For Jove, the Seymour Centre, the Hayes On behalf of the Board, Staff and volunteers at the Theatre, Monkey Baa, Outhouse Theatre, Red Line at Seaborn, Broughton & Walford Foundation may I extend the Old Fitzroy, Critical Stages, Powerhouse Youth our very best wishes to you for the New Year. May 2017 Theatre, National Theatre of Parramatta, Sydney bring good health, much happiness and many fine Critics Awards, Currency House and the State Opera performances. of South Australia to assist in completing their four- Last year ended on a high note for the Foundation and year project to produce Australian composer George our loyal Friends. Following the relocation to our new Palmer’s opera Cloudstreet, a critically-acclaimed premises in Neutral Bay, we are now optimistic about world premiere based on Tim Winton’s novel. the exciting opportunities that are emerging as we work Warm congratulations also go to Francesca Savige to support the Australian performing arts in 2017. and Shaun Rennie who won this year’s Sandra Bates Director’s Awards, a prize offering mentoring and Since the last Newsletter, we have achieved a number of directing experience for emerging theatre directors milestones: the celebration of three decades of at the Ensemble Theatre in Kirribilli. -
Diplomatic Despatches from a Son to His Mother
DIPLOMATIC DESPATCHES FROM A SON TO HIS MOTHER John Mason DIPLOMATIC DESPATCHES FROM A SON TO HIS MOTHER John Mason With a foreword by the Rt Hon. Sir Ninian Stephen KG, AK National Library of Australia Canberra 1998 Published by the National Library of Australia Canberra ACT 2600 Australia © John Mason and the National Library of Australia 1998 National Library of Australia Cataloguing-in-Publication entry Mason, John, Sir, 1927- . Diplomatic despatches: from a son to his mother. ISBN 0 642 10797 1. 1. Mason, John, Sir, 1927- —Correspondence. 2. Soldiers—Great Britain— Correspondence. 3. Diplomats—Great Britain—Correspondence. 4. Korean War, 1950-1953—Personal narratives, British. 5. Diplomatic and consular service, British. 6. Diplomatic and consular service, British—Australia. I. National Library of Australia. II. Title. 327.41092 Editor: Julie Stokes Designer: Beverly Swifte Proofreader: Tony Twining Printed by Lamb Printers, Perth FOREWORD Autobiographies all too often conceal the true essence of their authors, instead depicting them as they see themselves or, perhaps worse, as they would wish to be seen. Collected letters are sometimes little better, concealing from the addressee, and consequently from other readers, as much or more than they reveal. John Mason's remarkable work is neither autobiography nor conventional collection of letters. From it there emerges a fascinating portrait of a man's development from 17-year-old soldier at the end of the Second World War to senior diplomat of some 40 years later; insights, too, into many of the events of the troubled second half of this century. The letters collected here are those John Mason wrote regularly, for over 40 years, to his mother and, after her death, to his sister; recounting his remarkable and very varied career over those years. -
0 Seaborn Broughton & Walford Foundation Newsletter
0 Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 26 1 20th February 2018 PRESIDENT ’ S LETTER The audience of children & delegates adored the show. Thank you from the bottom of our hearts for all your Dear Friends support. Eva.” And from Ian Phipps producer of the The cicadas are singing outside the Foundation’s Sydney Theatre Awards. ‘On behalf of the critics panel of premises in Neutral Bay, an unmistakable sign of Sydney the Sydney Theatre Awards: and in fact from the entire summertime. I do hope that you all enjoyed a wonderful Sydney theatre community, may I say thank you again Christmas holiday, a memorable festive season and a to the Foundation for their generosity and ongoing Happy New Year. The Festival of Sydney, with its support. Without the grant from the Foundation, we imaginative smorgasbord of local and international events would not be able to hold an awards ceremony nor have has drawn to a close, and Carol Martin has a long list of beautiful framed certificates to present to the award theatrical treats for you to enjoy in 2018. winners.’ And from Kay Yasugi, puppeteer and General Please read the list carefully and book early as the limited Secretary of UNIMA Australia, the Puppetry number of good seats we acquire for the Foundation organisation of Australia: ‘Thank you very much for my Friends are usually very popular. -
A Review of Famous Songs of the Past “Fascinating Facts” August 2017
Daily Sparkle CD - A Review of Famous Songs of the Past “Fascinating Facts” August 2017 Track 1 Summertime Blues Summertime Blues is a song co-written and recorded by American rockabilly artist Eddie Cochran. Edward Raymond "Eddie" Cochran (October 3, 1938 – April 17, 1960) was an American musician. Cochran's rockabilly songs, such as "Summertime Blues", "C'mon Everybody", and "Somethin' Else", captured teenage frustration and desire in the mid-1950s and early 1960s. He was involved with music from an early age, playing in the school band and teaching himself to play blues guitar as well as piano, bass and drums. His image as a sharply dressed and good-looking young man with a rebellious attitude epitomized the stance of the 1950s rocker, and in death he achieved an iconic status. Cochran died at age 21 after a road accident, while travelling in a taxi in Chippenham, Wiltshire, during his British tour in April 1960, having just performed at Bristol's Hippodrome theatre. Though his best-known songs were released during his lifetime, more of his songs were released posthumously. Track 2 Lazy, Hazy, Crazy Days of Summer Those Lazy-Hazy-Crazy Days of Summer is a song on the 1963 album of the same name by Nat King Cole, Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American musician who first came to prominence as a leading jazz pianist. He owes most of his popular musical fame to his soft baritone voice, which he used to perform in big band and jazz genres.