New York Radical Feminists~ the POLITICS of Allt ... Evan Morley

Total Page:16

File Type:pdf, Size:1020Kb

New York Radical Feminists~ the POLITICS of Allt ... Evan Morley New York Radical Feminists~ NYRP GENERAL MEETING Sunday ~~b~~~!~ ...C·E-NT E-R--2-4-3-W-.-2-0. -th_S_t-. *,_. Consciousness-Raising Topic: Our Work and What It Means To Us ') THE POLITICS OF AllT... evan morley I suppose the concept of a "politics of art" yary ~istoric ally, depending on current means that art has a function. That function s ocial policy--with, of course, the may not be intended by those who practice it natural counterforces present anywhere. (though it may be), but it is understood by The people deemed artists range from those who set standards and determine activi­ Muhammed Ali to Picasso to a tribal son ties: that is, by those in power. That's why taught by his mother (who is she7). we have "good" art and "bad" art. The values of Art, like the myths above, are contradictory. An Analogy With Rape The analogy is with the "politics of rape." These contradictions tend to obscure the We have discovered that the function of function of art stated earlier: social rape is to intimidate and control women; control whether it is liberal or repressive. rapists , caught up in this "ideology" created by earlier men, may have individual ~ay With Contradiction and Controllll and vague reasons for their acts. Some Toward ~eminism & Art/Feminists & Artists "good" rapists (soldiers, other authorities) Women and feminists in "art" or in any are encouraged; "bad" rapists (poor, endeavor will challenge the contradictions ethnic undesirables , youth) are punished. and the very function of art itself. Our work tends always to attack the root of all Categories Keep People Out social ·control: the productivity of wom~n. So it is with art and artists. Just as rape is one category of control over t}s feminists we can at last talk about art women, art is one category of control being expressive. It is, in everything we over other social relationships. The do - especially the NYRF Newsletter • We can purpose in both is to keep certain people all develop varieties of "form" and "content" "in" and certain people "out." in any production--be it conference, play, craft, or statement. We now have Fine Arts as opposed to Crude or Nonarts such as the formerly distinguished We can all explore new "productions" and tasks/crafts of weaving, potting, cooking, activities as we go on. We can all utilize planting. There is a value judgment here, the special skills that go into each too. The most esteemed arts are predomin­ category as various women have learned them antly in the hands pf men. The devalued, in our compartmentalized society. former ones--once the proud heritage of women--are also predominantly male. The And as our content grows, our forms will social control here is the male hierarchy reflect that . And a s we vary our forms, of occupational status and opportunity. because we take risks, new content occura to us. "All is art--art is all." The Cult of Art and the Artist A new value for art/activity will emerge; sharing expressing ourselves in building I sometimes wonder why art is separated our frontiers. from other human activities like sports, science, childrearing since we often hear The NYRF Bandwagon about the "art of finance" or the "art of In the crass American tradition, politics tennis" or the "art of love." Is art merely connotes a bandwagon and a beating of drums. finesse? Let's look at some of our myths. This image combines art (a few musical 1. Art is revolutionary - "to point a instruments) and politics (the wagon from moral ••• '' which NYRF is launching our n ew production). 2. Art is frivolous - " •• • or adorn a tale." Join the NYRF bandwagon. See FOCUS ON ME, 3. Artists are "crazy" "gifted" "sissy!' a feminist play written by Bobbie Ausubel "lazy" "dedicated" etc. of Boston, directed and acted by women 4. Artists lead a double-life in the from Boston, produced by New York Radical class structure: often poor and despised, Feminists , and supported by the New York but awed and welcomed in circles. women who will participate in this frontier on NOVEMBER 7 & 8 a t Washington Square The activity or activities known as Art C~urch. See p. 7 for mor.e information. Vol. 5 No.9 Septe-mber 1975 NY·RF Business NYRF Business Meeting 8/4/75 the Aug. 24 EWen~. catacele5i . ~he . event. We CR' d Present: Ros, Minta,.. • Judy, Joan, Linda, around this decision. Unanimous 'agreeement to Ellen, Helen.e,.' EVan, Gloria, B.J. back up cancellation yet find some means of Announcements: Charlotte Sheedy case, de­ expressing our support of. Jane Alpert as a cision won for case not to be set aside woman and feminist up vs. the man in prison. but pursued; will set precedent for public Motion to draft letter to Jane and announce­ place being responsible for sexual haras ­ ment to sabscribers by Aug. 14 (done). All sment of patrons. Labor Pains, a monthly interested in pursuing were referred to the from Ithaca, deals with sexual harassment group Circle of Support for Jane Alpert. Mo­ on the job (see also Mail.) Ellen, Evan, tion to release that group from $10 suggested Helene attended Press Conference for Rape donation for articles in Newsletter unanimous. Conference of 8/22-23 and successfully de­ Credit Union report by Linda on charter. Prog­ feated a spot advertisement insulting women. ress of the union-new arm , Greater New York Mail: Variety of magazi~es from different Feminist Council needed to add memeber groups cities ( f eminism is growing, growing). Info for sponsorphip. Helene now NYRF representa~ on hospital treatment for rape from Rape tive. Motion that representative rotate every Coalition. N.O.W. reports on top from Mattell 3 months unanimous. Pledge cards will be going a doll which grows breasts when its arm is out and shares sold. Adress for Eredit Union twisted; message-female sex characteristics is 23 Cornelia Street. NYRF Work Conference depend on violence. N.o.w. is fighting. planning group is meeting and needs many women Old Business: FOCUS ON ME flyers to distri ­ for wider perspectives. Illegitimacy group is bute and ti~kets are available. Jane Alpert: waiting for typed transcript. CASHara ssment the co~bined N~F-S~pp9rt Coromi~tee to olan support for letter to circulate ••• Evan Morley N. Y.R. ~ .· BUSINESS MEETING 8/18/7 5 ATTENDANCE: GLORIA, EVAN, SHARON, HELENE, ELLEN, muat be returned by Aug,26th. to be included. ROZ, JULIA , LYNN, JOANNE-MARIE, JOAN, MYRA, DORIS It will go on for about eight week•. Should I CHAIR: ELLEN/MEETING SIARTED: LATE 8:45PM send in the application? EVAN- we should repl' ANNOUNCEMENTS: ROZ- ERA coalition is looking explaining what N.Y.R.F. does, CR should be for experienced speakers. They are having a emphasized. MOTION: EVAN.- HELENE should send workshop on the ERA. They want a commitment ·in the application JOAN seconds NO DISCUSSION of four unpaid speaking engagemen~s. You VOTE 10 YES 1 ABSTENTION do not need to have spoken on the ERA to MAIL: JOAN- people are not getting their Volunteer. HELENE- Newsletter deadline is newsletters, maybe because .of mistyped labels Bulk rate mail is over 200 sent out from Aug. 26th, Womens Equality Day. Work the same post office they have to read a Conference needa participents. They are copyof what is gett1ng1 sent out, must be discussing radical concepts of work, wo- brdken by zip'"code, ·· gOhig by f~rst class men and success and other related topics. but thats not a p~blem. LYNN : 3d class OLD BUSINESS: LYNN- Update on the play · mail is not forwarded. HELENE; went to th~ committee ••• Poster contest deadltne is past office and they have a rate that is Aug. 29th. Tickets are being printed, they handled as well as first class. Initial fee ~ill be available soon, Labrysis, Womanbooks, is $15 per yr., after that it is $30 per yr. and the Coffeehouse will have them, too. inStead of lOc it is 6.1c, it must be sorted Ticket contest ••• Sell 10 and get a free show by zip code. Fold has to be changed. ROZ: the at the coffeehouse • • • Sell 25 and get a dinner Post Office lies. most mail ls mishandled, ar for two at Mother Courage ••• Sell SO and get rives late. It is treated as bulk mall on the dinner for two at M.C. and a free show at the basis o~ what it l~oks like, not what it is coffeehouae. The play is being sent around stamped. EVAN: First Class costs $240 per to get some PR. By Sept. 15 everything yr. for 200 at 6.lc it is $ 146 per year plus should be ready. $30 it is $174. We could save about $ 70 . NEW BUSINESS: Evan- The treasury will need money LYNN;: the reason we send out the newsletter Play commitment is $1000., there is $2000• in is to keep people informed, if it arrives late the treasury. The Illtgitimacy .Book will need it defeats the purpose. JOAN: are we going to funds. We need fund raising ideas. adopt the new format? It saves us stuffing, Group suggestions: Poetry readings, a . stamping, price of envelopes.ROZ: if we hand dance a series of clips on women working, it into the GPO it will be handled as first a dis;lay of womens a rts a nd crafts, entertainers class. HELENE: then we would hav~ the taxi fare a total day of N.Y.R.F., a potluck dinner, re added DORIS: Printing ftrst class will speed do the old cabaret, tie everything in with the it up.
Recommended publications
  • The Literacy Practices of Feminist Consciousness- Raising: an Argument for Remembering and Recitation
    LEUSCHEN, KATHLEEN T., Ph.D. The Literacy Practices of Feminist Consciousness- Raising: An Argument for Remembering and Recitation. (2016) Directed by Dr. Nancy Myers. 169 pp. Protesting the 1968 Miss America Pageant in Atlantic City, NJ, second-wave feminists targeted racism, militarism, excessive consumerism, and sexism. Yet nearly fifty years after this protest, popular memory recalls these activists as bra-burners— employing a widespread, derogatory image of feminist activists as trivial and laughably misguided. Contemporary academics, too, have critiqued second-wave feminism as a largely white, middle-class, and essentialist movement, dismissing second-wave practices in favor of more recent, more “progressive” waves of feminism. Following recent rhetorical scholarly investigations into public acts of remembering and forgetting, my dissertation project contests the derogatory characterizations of second-wave feminist activism. I use archival research on consciousness-raising groups to challenge the pejorative representations of these activists within academic and popular memory, and ultimately, to critique telic narratives of feminist progress. In my dissertation, I analyze a rich collection of archival documents— promotional materials, consciousness-raising guidelines, photographs, newsletters, and reflective essays—to demonstrate that consciousness-raising groups were collectives of women engaging in literacy practices—reading, writing, speaking, and listening—to make personal and political material and discursive change, between and across differences among women. As I demonstrate, consciousness-raising, the central practice of second-wave feminism across the 1960s and 1970s, developed out of a collective rhetorical theory that not only linked personal identity to political discourses, but also 1 linked the emotional to the rational in the production of knowledge.
    [Show full text]
  • The Radical Feminist Manifesto As Generic Appropriation: Gender, Genre, and Second Wave Resistance
    Southern Journal of Communication ISSN: 1041-794X (Print) 1930-3203 (Online) Journal homepage: http://www.tandfonline.com/loi/rsjc20 The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance Kimber Charles Pearce To cite this article: Kimber Charles Pearce (1999) The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance, Southern Journal of Communication, 64:4, 307-315, DOI: 10.1080/10417949909373145 To link to this article: https://doi.org/10.1080/10417949909373145 Published online: 01 Apr 2009. Submit your article to this journal Article views: 578 View related articles Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsjc20 The Radical Feminist Manifesto as Generic Appropriation: Gender, Genre, And Second Wave Resistance Kimber Charles Pearce n June of 1968, self-styled feminist revolutionary Valerie Solanis discovered herself at the heart of a media spectacle after she shot pop artist Andy Warhol, whom she I accused of plagiarizing her ideas. While incarcerated for the attack, she penned the "S.C.U.M. Manifesto"—"The Society for Cutting Up Men." By doing so, Solanis appropriated the traditionally masculine manifesto genre, which had evolved from sov- ereign proclamations of the 1600s into a form of radical protest of the 1960s. Feminist appropriation of the manifesto genre can be traced as far back as the 1848 Seneca Falls Woman's Rights Convention, at which suffragists Elizabeth Cady Stanton, Lucretia Coffin Mott, Martha Coffin, and Mary Ann McClintock parodied the Declara- tion of Independence with their "Declaration of Sentiments" (Campbell, 1989).
    [Show full text]
  • TOWARD a FEMINIST THEORY of the STATE Catharine A. Mackinnon
    TOWARD A FEMINIST THEORY OF THE STATE Catharine A. MacKinnon Harvard University Press Cambridge, Massachusetts London, England K 644 M33 1989 ---- -- scoTT--- -- Copyright© 1989 Catharine A. MacKinnon All rights reserved Printed in the United States of America IO 9 8 7 6 5 4 3 First Harvard University Press paperback edition, 1991 Library of Congress Cataloging-in-Publication Data MacKinnon, Catharine A. Toward a fe minist theory of the state I Catharine. A. MacKinnon. p. em. Bibliography: p. Includes index. ISBN o-674-89645-9 (alk. paper) (cloth) ISBN o-674-89646-7 (paper) I. Women-Legal status, laws, etc. 2. Women and socialism. I. Title. K644.M33 1989 346.0I I 34--dC20 [342.6134} 89-7540 CIP For Kent Harvey l I Contents Preface 1x I. Feminism and Marxism I I . The Problem of Marxism and Feminism 3 2. A Feminist Critique of Marx and Engels I 3 3· A Marxist Critique of Feminism 37 4· Attempts at Synthesis 6o II. Method 8 I - --t:i\Consciousness Raising �83 .r � Method and Politics - 106 -7. Sexuality 126 • III. The State I 55 -8. The Liberal State r 57 Rape: On Coercion and Consent I7 I Abortion: On Public and Private I 84 Pornography: On Morality and Politics I95 _I2. Sex Equality: Q .J:.diff�_re11c::e and Dominance 2I 5 !l ·- ····-' -� &3· · Toward Feminist Jurisprudence 237 ' Notes 25I Credits 32I Index 323 I I 'li Preface. Writing a book over an eighteen-year period becomes, eventually, much like coauthoring it with one's previous selves. The results in this case are at once a collaborative intellectual odyssey and a sustained theoretical argument.
    [Show full text]
  • Oral History Interview with Suzanne Lacy, 1990 Mar. 16-Sept. 27
    Oral history interview with Suzanne Lacy, 1990 Mar. 16-Sept. 27 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Suzanne Lacy on March 16, 1990. The interview took place in Berkeley, California, and was conducted by Moira Roth for the Archives of American Art, Smithsonian Institution. This interview has been extensively edited for clarification by the artist, resulting in a document that departs significantly from the tape recording, but that results in a far more usable document than the original transcript. —Ed. Interview [ Tape 1, side A (30-minute tape sides)] MOIRA ROTH: March 16, 1990, Suzanne Lacy, interviewed by Moira Roth, Berkeley, California, for the Archives of American Art. Could we begin with your birth in Fresno? SUZANNE LACY: We could, except I wasn’t born in Fresno. [laughs] I was born in Wasco, California. Wasco is a farming community near Bakersfield in the San Joaquin Valley. There were about six thousand people in town. I was born in 1945 at the close of the war. My father [Larry Lacy—SL], who was in the military, came home about nine months after I was born. My brother was born two years after, and then fifteen years later I had a sister— one of those “accidental” midlife births.
    [Show full text]
  • Jessamy Gleeson Thesis
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
    [Show full text]
  • The Consciousness-Raising of #Metoo: Mobilizing Political Empathy in the Digital Age
    MPC MAJOR RESEARCH PAPER The Consciousness-Raising of #MeToo: Mobilizing Political Empathy in the Digital Age By: Allana Graham Dr. Matthew Tiessen This Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Professional Communication Ryerson University Toronto, Ontario Canada August 29th, 2018 Author’s Declaration I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. ii Abstract The lasting effect of #MeToo’s suggests that we are at a critical moment in the study of communications and media studies. This MRP will be speculative in nature, however, it is my contribution that we must move beyond literature that defends “slacktivism” and the notion that digital mediation is an impoverished form of communication (McCafferty, 2011; Baym, 2017), and instead build upon emerging frameworks that focus on the affordances of the social media age in activism theory by integrating rationality from offline, or “real life”, areas of literature. In the case of #MeToo, the personalization of politics and mobilizing structures share logic with feminism practices that predate the digital age. This indicates that perhaps an effective way to make meaning out of new and complex phenomena like #MeToo is not diminish the human element, but rather acknowledge it as an integral part of online protest.
    [Show full text]
  • Women's Liberation: Seeing the Revolution Clearly
    Sara M. EvanS Women’s Liberation: Seeing the Revolution Clearly Approximately fifty members of the five Chicago radical women’s groups met on Saturday, May 18, 1968, to hold a citywide conference. The main purposes of the conference were to create and strengthen ties among groups and individuals, to generate a heightened sense of common history and purpose, and to provoke imaginative pro- grammatic ideas and plans. In other words, the conference was an early step in the process of movement building. —Voice of Women’s Liberation Movement, June 19681 EvEry account of thE rE-EmErgEncE of feminism in the United States in the late twentieth century notes the ferment that took place in 1967 and 1968. The five groups meeting in Chicago in May 1968 had, for instance, flowered from what had been a single Chicago group just a year before. By the time of the conference in 1968, activists who used the term “women’s liberation” understood themselves to be building a movement. Embedded in national networks of student, civil rights, and antiwar movements, these activists were aware that sister women’s liber- ation groups were rapidly forming across the country. Yet despite some 1. Sarah Boyte (now Sara M. Evans, the author of this article), “from Chicago,” Voice of the Women’s Liberation Movement, June 1968, p. 7. I am grateful to Elizabeth Faue for serendipitously sending this document from the first newsletter of the women’s liberation movement created by Jo Freeman. 138 Feminist Studies 41, no. 1. © 2015 by Feminist Studies, Inc. Sara M. Evans 139 early work, including my own, the particular formation calling itself the women’s liberation movement has not been the focus of most scholar- ship on late twentieth-century feminism.
    [Show full text]
  • A New Era of Consciousness-Raising Title: Tools of the Movement: Democracy, Community and Consciousness Raising
    A New Era of Consciousness-Raising Title: Tools of the Movement: Democracy, Community and Consciousness Raising. Presented as part of “A Revolutionary Moment: Women’s Liberation in the late 1960’s and 1970’s,” a conference organized by the Women, Gender and Sexuality Studies Program at Boston University on March 27- 29, 2014 Janet Freedman, Resident Scholar, Brandeis University Women’s Studies Research Center Participation in a small consciousness-raising (CR) group was the entry point for many who became involved in the women’s liberation movement in the late 1960s and 1970s. The experience was profound as Vivian Gornick recalls: I stood in the middle of my own experience, turning and turning. In every direction I saw a roomful of women, also turning and turning ….That is a moment of joy, when a sufficiently large number of people are galvanized by a social explanation of how their lives have taken shape and are gathered together in the same place at the same time, speaking the same language, making the same analysis, meeting again and again…for the pleasure of elaborating the insight and repeating the analysis. But CR was not JUST about sharing insight and analysis. It was the process that fueled the activism of “second-wave” feminism. It is for this reason that that I am urging a new era of consciousness-raising – a revitalization of one of the women’s liberation movement’s most effective organizing strategies. Loretta Ross, co-founder and former National Coordinator of the Women of Color Reproductive Justice Collective, describes how insights discovered in CR groups led to action.
    [Show full text]
  • Mackinnon and Equality: Is Dominance Really Different?
    University of Arkansas at Little Rock Law Review Volume 15 Issue 2 Article 3 1993 MacKinnon and Equality: Is Dominance Really Different? Laura W. Brill Follow this and additional works at: https://lawrepository.ualr.edu/lawreview Part of the Civil Rights and Discrimination Commons, and the Law and Gender Commons Recommended Citation Laura W. Brill, MacKinnon and Equality: Is Dominance Really Different?, 15 U. ARK. LITTLE ROCK L. REV. 261 (1993). Available at: https://lawrepository.ualr.edu/lawreview/vol15/iss2/3 This Essay is brought to you for free and open access by Bowen Law Repository: Scholarship & Archives. It has been accepted for inclusion in University of Arkansas at Little Rock Law Review by an authorized editor of Bowen Law Repository: Scholarship & Archives. For more information, please contact [email protected]. ESSAY MACKINNON AND EQUALITY: IS DOMINANCE REALLY DIFFERENT? Laura W. Brill* I. INTRODUCTION Catharine MacKinnon has made impassioned and influential argu- ments about equality and feminist theory. Her arguments demand fur- ther analysis and critique if feminists are to develop an effective ap- proach to attacking gender oppression and improving the status of women through the law. MacKinnon's argument, articulated in a 1984 essay entitled Dif- ference and Dominance: On Sex Discrimination,' falters on at least two major points. First, she fails to adequately distinguish between con- flicts in feminist theories of gender difference, on the one hand, and court decisions resting on the acceptance or rejection of gender classifi- cations, on the other. This analytical blending, combined with an overly narrow interpretation of the Aristotelian model for equality leads MacKinnon to dismiss, too readily, equality arguments based on the Aristotelian model.
    [Show full text]
  • Divisions and Conflict in the Women's Liberation Movement from 1965 To
    Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Divisions and Conflict in the omenW ’s Liberation Movement From 1965 to 1970 Devin Rose DeFlora Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Gender and Sexuality Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation DeFlora, Devin Rose, "Divisions and Conflict in the omenW ’s Liberation Movement From 1965 to 1970" (2018). Senior Projects Spring 2018. 301. https://digitalcommons.bard.edu/senproj_s2018/301 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. ! ! ! ! ! Divisions and Conflict in the Women’s Liberation Movement From 1965 to 1970 Senior Project submitted to The Division of Interdivisional Studies of Bard College by Devin Rose DeFlora Annandale-on-Hudson, New York May 2018 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Dedicated to Kelli and Thomas DeFlora, who have been founts of encouragement throughout
    [Show full text]
  • When the President Talks to God: a Rhetorical Criticism of Anti-Bush Protest Music
    WHEN THE PRESIDENT TALKS TO GOD: A RHETORICAL CRITICISM OF ANTI-BUSH PROTEST MUSIC Megan O'Byrne A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2008 Committee: Michael L. Butterworth, Advisor Lara Martin Lengel Ellen W. Gorsevski ii ABSTRACT Michael L. Butterworth, Advisor Anti-war protest music has re-emerged onto the American songscape since the terrorist attacks of September 11, 2001 and the resulting military conflicts in Iraq and Afghanistan. This study works to explicate the ways in which protest music functions in the resultant culture of war. Protest music, as it reflects and creates culture, represents one possible site of productive change. Chapter 1 examines Ani DiFranco’s song “Self Evident” which was written as an immediate reaction to 9/11. Throughout this chapter I argue that protest music has the potential to work as a vehicle for consciousness raising. In Chapter 2 I consider the constitutive elements in the Bright Eyes song “When the President Talks to God.” Performed on The Tonight Show in May 2005, this song represents one of the first performances of dissent on national television after 9/11. This chapter also examines the limitations of Charland’s conception of the constituted public as it pertains to diverse and heterogeneous audiences. Ultimately, I argue that consciousness raising through music has the potential to bring listeners into the constituted subject position of those who dissent against war. iii Dedicated to the memory of Dr. Lewis (Lee) Snyder in whose shadow I will always walk.
    [Show full text]
  • Books Ellen Willis FEMINISM WITHOUT FREEDOM
    Books contain more common sense than the rigid ideolo- limit the scope of the market and the power of gies that dominate public debate. They are often corporations without replacing them with a central- ambivalent but not necessarily contradictory or ized state bureaucracy. incoherent. Unfortunately, they find no expression in An abandonment of the old ideologies will not national politics, and it is for this reason, according usher in a golden age of agreement. If we can to Dionne, that Americans take so little interest in surmount the false polarizations now generated by politics. The explanations of political apathy and the politics of gender and race, we may find that the stalemate offered by other commentators empha- real divisions are still those of class. "Back to size procedural considerations—sound bites, cam- basics" could mean a return to class warfare, or at paign finance, the overwhelming advantages of least to a politics in which class became the overriding issue. Much will depend on whether men incumbency in congressional elections. Dionne's and women of good will shrink from this prospect, emphasis on substance is a tremendous improve- as they usually have in the past. ❑ ment. The problem is really quite simple: the political process no longer represents the opinions and interests of ordinary people. The solution, of course, is not simple at all. Ellen Willis Dionne probably underestimates the difficulties of FEMINISM WITHOUT FREEDOM finding an approach to family issues that is "both pro-family and pro-feminist." It is an admirable goal; but keeping the schools open all day—one of FEMINISM WITHOUT ILLUSIONS, by Elizabeth Fox- his suggestions—is not much of an answer.
    [Show full text]