Register of Lords' Interests (26 November 2013)
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An Autumn Festival of Art, Knowledge and Imagination Bloomsburyfestival.Org.Uk | Follow Us: @Bloomsburyfest #Bloomsburyfest Introduction Introduction
FREE! An autumn festival of art, knowledge and imagination bloomsburyfestival.org.uk | Follow us: @bloomsburyfest #bloomsburyfest Introduction Introduction As the new Festival Director, I am proud to present the Welcome to the Bloomsbury 2013“ Bloomsbury Festival programme, created and led by the people that live, work, study and play in this small but beautiful corner of London. Bloomsbury Festival shines a light on the self Festival determination of a world-changing community of pioneers existing side- by-side across a few streets. This October the Bloomsbury Festival spills out into the area’s streets, Virginia Woolf once spoke of her sense of freedom upon arriving in Bloomsbury, and I seek shops, museums, libraries and laboratories with a truly eclectic to recapture that same spirit of vitality in every visitor this year. I welcome you into our sanctuary for line-up of unexpected, enlightening and extraordinary things to see and do. Take a the imagination to encounter brilliant minds, relaxation and pleasure, the new and the controversial. musicals masterclass from Sir Tim Rice, hear Turner Prize winner Mark Wallinger in Bloomsbury Festival is an uplifting journey of discovery that aims to inspire, delight, surprise and conversation, listen to Iain Sinclair on Bloomsbury and radicalism, and discover Sir move you. Andrew Motion’s personal literary refuges. As a registered charity we also run a year-round outreach festival for the lonely, taking the best of Bloomsbury right into the living rooms of local isolated people such as those living with dementia. We’ve extended the festival to six days, giving you more time to explore over 200 free Please donate to help continue this vital service and ensure our Festival is kept free for everyone to events across Bloomsbury. -
Unlocking Potential What’S in This Report
Great Portland Estates plc Annual Report 2013 Unlocking potential What’s in this report 1. Overview 3. Financials 1 Who we are 68 Group income statement 2 What we do 68 Group statement of comprehensive income 4 How we deliver shareholder value 69 Group balance sheet 70 Group statement of cash flows 71 Group statement of changes in equity 72 Notes forming part of the Group financial statements 93 Independent auditor’s report 95 Wigmore Street, W1 94 Company balance sheet – UK GAAP See more on pages 16 and 17 95 Notes forming part of the Company financial statements 97 Company independent auditor’s report 2. Annual review 24 Chairman’s statement 4. Governance 25 Our market 100 Corporate governance 28 Valuation 113 Directors’ remuneration report 30 Investment management 128 Report of the directors 32 Development management 132 Directors’ responsibilities statement 34 Asset management 133 Analysis of ordinary shareholdings 36 Financial management 134 Notice of meeting 38 Joint ventures 39 Our financial results 5. Other information 42 Portfolio statistics 43 Our properties 136 Glossary 46 Board of Directors 137 Five year record 48 Our people 138 Financial calendar 52 Risk management 139 Shareholders’ information 56 Our approach to sustainability “Our focused business model and the disciplined execution of our strategic priorities has again delivered property and shareholder returns well ahead of our benchmarks. Martin Scicluna Chairman ” www.gpe.co.uk Great Portland Estates Annual Report 2013 Section 1 Overview Who we are Great Portland Estates is a central London property investment and development company owning over £2.3 billion of real estate. -
Retirement Strategy Fund 2060 Description Plan 3S DCP & JRA
Retirement Strategy Fund 2060 June 30, 2020 Note: Numbers may not always add up due to rounding. % Invested For Each Plan Description Plan 3s DCP & JRA ACTIVIA PROPERTIES INC REIT 0.0137% 0.0137% AEON REIT INVESTMENT CORP REIT 0.0195% 0.0195% ALEXANDER + BALDWIN INC REIT 0.0118% 0.0118% ALEXANDRIA REAL ESTATE EQUIT REIT USD.01 0.0585% 0.0585% ALLIANCEBERNSTEIN GOVT STIF SSC FUND 64BA AGIS 587 0.0329% 0.0329% ALLIED PROPERTIES REAL ESTAT REIT 0.0219% 0.0219% AMERICAN CAMPUS COMMUNITIES REIT USD.01 0.0277% 0.0277% AMERICAN HOMES 4 RENT A REIT USD.01 0.0396% 0.0396% AMERICOLD REALTY TRUST REIT USD.01 0.0427% 0.0427% ARMADA HOFFLER PROPERTIES IN REIT USD.01 0.0124% 0.0124% AROUNDTOWN SA COMMON STOCK EUR.01 0.0248% 0.0248% ASSURA PLC REIT GBP.1 0.0319% 0.0319% AUSTRALIAN DOLLAR 0.0061% 0.0061% AZRIELI GROUP LTD COMMON STOCK ILS.1 0.0101% 0.0101% BLUEROCK RESIDENTIAL GROWTH REIT USD.01 0.0102% 0.0102% BOSTON PROPERTIES INC REIT USD.01 0.0580% 0.0580% BRAZILIAN REAL 0.0000% 0.0000% BRIXMOR PROPERTY GROUP INC REIT USD.01 0.0418% 0.0418% CA IMMOBILIEN ANLAGEN AG COMMON STOCK 0.0191% 0.0191% CAMDEN PROPERTY TRUST REIT USD.01 0.0394% 0.0394% CANADIAN DOLLAR 0.0005% 0.0005% CAPITALAND COMMERCIAL TRUST REIT 0.0228% 0.0228% CIFI HOLDINGS GROUP CO LTD COMMON STOCK HKD.1 0.0105% 0.0105% CITY DEVELOPMENTS LTD COMMON STOCK 0.0129% 0.0129% CK ASSET HOLDINGS LTD COMMON STOCK HKD1.0 0.0378% 0.0378% COMFORIA RESIDENTIAL REIT IN REIT 0.0328% 0.0328% COUSINS PROPERTIES INC REIT USD1.0 0.0403% 0.0403% CUBESMART REIT USD.01 0.0359% 0.0359% DAIWA OFFICE INVESTMENT -
826 INDEX 1066 Country Walk 195 AA La Ronde
© Lonely Planet Publications 826 Index 1066 Country Walk 195 animals 85-7, see also birds, individual Cecil Higgins Art Gallery 266 ABBREVIATIONS animals Cheltenham Art Gallery & Museum A ACT Australian Capital books 86 256 A La RondeTerritory 378 internet resources 85 City Museum & Art Gallery 332 abbeys,NSW see New churches South & cathedrals Wales aquariums Dali Universe 127 Abbotsbury,NT Northern 311 Territory Aquarium of the Lakes 709 FACT 680 accommodationQld Queensland 787-90, 791, see Blue Planet Aquarium 674 Ferens Art Gallery 616 alsoSA individualSouth locations Australia Blue Reef Aquarium (Newquay) Graves Gallery 590 activitiesTas 790-2,Tasmania see also individual 401 Guildhall Art Gallery 123 activitiesVic Victoria Blue Reef Aquarium (Portsmouth) Hayward Gallery 127 AintreeWA FestivalWestern 683 Australia INDEX 286 Hereford Museum & Art Gallery 563 air travel Brighton Sea Life Centre 207 Hove Museum & Art Gallery 207 airlines 804 Deep, The 615 Ikon Gallery 534 airports 803-4 London Aquarium 127 Institute of Contemporary Art 118 tickets 804 National Marine Aquarium 384 Keswick Museum & Art Gallery 726 to/from England 803-5 National Sea Life Centre 534 Kettle’s Yard 433 within England 806 Oceanarium 299 Lady Lever Art Gallery 689 Albert Dock 680-1 Sea Life Centre & Marine Laing Art Gallery 749 Aldeburgh 453-5 Sanctuary 638 Leeds Art Gallery 594-5 Alfred the Great 37 archaeological sites, see also Roman Lowry 660 statues 239, 279 sites Manchester Art Gallery 658 All Souls College 228-9 Avebury 326-9, 327, 9 Mercer Art Gallery -
English Heritage Og Middelalderborgen
English Heritage og Middelalderborgen http://blog.english-heritage.org.uk/the-great-siege-of-dover-castle-1216/ Rasmus Frilund Torpe Studienr. 20103587 Aalborg Universitet Dato: 14. september 2018 Indholdsfortegnelse Abstract ............................................................................................................................................................ 3 Indledning ........................................................................................................................................................ 4 Problemstilling ................................................................................................................................................. 5 Kulturarvsdiskussion ...................................................................................................................................... 5 Diskussion om kulturarv i England fra 1980’erne og frem ..................................................................... 5 Definition af Kulturarv ............................................................................................................................... 6 Hvordan har kulturarvsbegrebet udviklet sig siden 1980 ....................................................................... 6 Redegørelse for Historic England og English Heritage .............................................................................. 11 Begyndelsen på den engelske nationale samling ..................................................................................... 11 English -
Chapter 3: the Finds
Chapter 3: The Finds THE MEDIEVAL AND POST-MEDIEVAL A draft report on the pottery from the 1984 POTTERY (FIGS 3.1-11) excavations was written by Maureen Mellor in the by Cathy Keevill 1980s. The primary aim of the further analysis was to refine the site chronology and to understand the Summary development of the site. This involved adding in the An assemblage of 6779 sherds was recovered from pottery recovered from the 1988-1991 excavations, stratified contexts. The majority of these (a total of amending the context dates derived from the assoc 6317 or 93%) were medieval. This is the first iated pottery where necessary, and checking on the stratified sequence from Witney and as such is dating for the main types within the assemblage in highly important for the understanding of the order to establish a chronology that would corres development of 12th-century and early-13th-century pond to the Oxfordshire pottery sequence. Under pottery traditions in West Oxfordshire. The most standing the development of the major local fabric interesting feature of the assemblage was the range and vessel traditions in west Oxfordshire was also a of imported material from other regions, particularly priority, especially the calcareous gravel-tempered south-western England. These included fabric types fabric (Witney Fabric 1), which is similar to types in from Minety, Wiltshire (Fabrics 9 and 37), from the Cotswolds (Mellor 1994,72) and at Oxford (fabric Laverstock, south Wiltshire (Fabrics 5 and 25), types OXAC). known in Bath and Trowbridge (fabric 23), Newbury The analysis also included a consideration of the (Fabrics 2 and 3), Winchester (Fabric 8), and a status of the site (and of different areas within the possible Nash Hill product (Fabric 33). -
The Architectural Antiquities of Great Britain
www.e-rara.ch The architectural antiquities of Great Britain Britton, J. London, 1807-1826 ETH-Bibliothek Zürich Shelf Mark: Rar 9289 Persistent Link: http://dx.doi.org/10.3931/e-rara-46826 Index [...]. www.e-rara.ch Die Plattform e-rara.ch macht die in Schweizer Bibliotheken vorhandenen Drucke online verfügbar. Das Spektrum reicht von Büchern über Karten bis zu illustrierten Materialien – von den Anfängen des Buchdrucks bis ins 20. Jahrhundert. e-rara.ch provides online access to rare books available in Swiss libraries. The holdings extend from books and maps to illustrated material – from the beginnings of printing to the 20th century. e-rara.ch met en ligne des reproductions numériques d’imprimés conservés dans les bibliothèques de Suisse. L’éventail va des livres aux documents iconographiques en passant par les cartes – des débuts de l’imprimerie jusqu’au 20e siècle. e-rara.ch mette a disposizione in rete le edizioni antiche conservate nelle biblioteche svizzere. La collezione comprende libri, carte geografiche e materiale illustrato che risalgono agli inizi della tipografia fino ad arrivare al XX secolo. Nutzungsbedingungen Dieses Digitalisat kann kostenfrei heruntergeladen werden. Die Lizenzierungsart und die Nutzungsbedingungen sind individuell zu jedem Dokument in den Titelinformationen angegeben. Für weitere Informationen siehe auch [Link] Terms of Use This digital copy can be downloaded free of charge. The type of licensing and the terms of use are indicated in the title information for each document individually. For further information please refer to the terms of use on [Link] Conditions d'utilisation Ce document numérique peut être téléchargé gratuitement. Son statut juridique et ses conditions d'utilisation sont précisés dans sa notice détaillée. -
BGAS Library Books Available for Sale
BGAS Library Books Available for Sale The Library Committee has completed the recent review of holdings and can offer the following volumes to members for a donation to the Society. Please contact Louise Hughes by Friday 7th April 2017 if interested. Duplicate Copies Anon, Rescue Archaeology in the Bristol Area: 1: Roman, Medieval and later research organised by the City of Bristol Museum & Art Gallery: Monograph No. 2 (Bristol, 1979) Bellows, E. (ed.), John Bellows: Letters and Memoir (London, 1904) Bettey, J. (ed.), Historic Churches & Church Life in Bristol: Essays in Memory of Elizabeth Ralph 1911 – 2000 (Bristol and Gloucestershire Archaeological Society, 2001) Blake, S., Cheltenham's Churches and Chapels A.D.733-1883 (Cheltenham Borough Council Art Gallery and Museum Service, 1979) [pamphlet] Blake, S., Views of Cheltenham: Topographical prints of a Regency Town (Cheltenham Art Gallery & Museums, 1984) [pamphlet] Evans, J. T. (ed.), The Church Plate of Gloucestershire (Bristol and Gloucestershire Archaeological Society, 1906) George, E. & S., Guide to the Probate Inventories of the Bristol Deanery of the Diocese of Bristol (1542-1804) (Bristol Record Society/ Bristol and Gloucestershire Archaeological Society, 1988) Grundy, G. B., Saxon Charters and Field Names of Gloucestershire Parts I & 2 (Bristol and Gloucestershire Archaeological Society, 1936) [two copies] Hart, G. W., Parish Church of St. Mary, Cheltenham (undated) [pamphlet] Holbrook, N. & J. Juřica (eds.), Twenty-Five Years of Industrial Archaeology in Gloucestershire: A Review of New Discoveries and New Thinking in Gloucestershire, South Gloucestershire and Bristol 1979 – 2004 (Cotswold Archaeology, 2003) Kirby, I. M., Diocese of Bristol: A Catalogue of the Records of the Bishop and Archdeacons and of the Dean and Chapter (Bristol, 1970) MacKechnie-Jarvis, J., A History of the Gloucester Diocesan Advisory Committee 1919-1992 (Gloucester Diocesan Advisory Committee, 1992) Mortimer, R. -
Jedburgh Abbey Church: the Romanesque Fabric Malcolm Thurlby*
Proc SocAntiq Scot, 125 (1995), 793-812 Jedburgh Abbey church: the Romanesque fabric Malcolm Thurlby* ABSTRACT The choir of the former Augustinian abbey church at Jedburgh has often been discussed with specific reference to the giant cylindrical columns that rise through the main arcade to support the gallery arches. This adaptation Vitruvianthe of giant order, frequently associated with Romsey Abbey, hereis linked with King Henry foundationI's of Reading Abbey. unusualThe designthe of crossing piers at Jedburgh may also have been inspired by Reading. Plans for a six-part rib vault over the choir, and other aspects of Romanesque Jedburgh, are discussed in association with Lindisfarne Priory, Lastingham Priory, Durham Cathedral MagnusSt and Cathedral, Kirkwall. The scale church ofthe alliedis with King David foundationI's Dunfermlineat seenis rivalto and the Augustinian Cathedral-Priory at Carlisle. formee e choith f Th o rr Augustinian abbey churc t Jedburgha s oftehha n been discussee th n di literature on Romanesque architecture with specific reference to the giant cylindrical columns that rise through the main arcade to support the gallery arches (illus I).1 This adaptation of the Vitruvian giant order is most frequently associated with Romsey Abbey.2 However, this association s problematicai than i e gianl th t t cylindrical pie t Romsea r e th s use yi f o d firse y onlth ba t n yi nave, and almost certainly post-dates Jedburgh. If this is indeed the case then an alternative model for the Jedburgh giant order should be sought. Recently two candidates have been put forward. -
Goodenough College Annual Report and Financial Statements
Goodenough College for the year ended 31 March 2018 Goodenough College (A company limited by guarantee) Annual Report and Financial Statements for the year ended 31 March 2018 Company Registration No. 246919 Registered Charity No. 312894 (England and Wales) and SC039173 (Scotland) Goodenough College Chairman’s Personal Welcome for the year ended 31 March 2018 I am delighted to introduce this Annual Report and Financial Statements for the year ended 31 March 2018, which will be the last full financial year of Andrew Ritchie’s time as Director of the College. During the year, Andrew announced his intention to retire in 2018. Following a wide-ranging search, assisted by Saxton Bampfylde, the Board has chosen Ms Rebecca Matthews as his successor. Andrew will now retire on 30 September and Rebecca will take up her role the following day. Rebecca is currently the Managing Director of the European Capital of Culture Aarhus 2017, a role she has held with great distinction for five years. Her previous roles include being the British Council’s Director for New York and Global Partnerships, and Director Government Relations for the Sydney Opera House. Rebecca holds a MA (Distinction) in History of Art from the Courtauld Institute University of London and an MA in Modern and Mediaeval Languages from the University of Cambridge. She was awarded the Knight’s Cross Order of the Dannebrog in 2017 by HM Queen Margrethe II for services to Denmark and Danish arts and culture. In announcing Rebecca’s appointment, I commented on her experience of executive management and fundraising, her international outlook and her clearly demonstrated ability to mix easily with all levels of Society and that these were key factors in our choice of Rebecca. -
Listed Buildings and Scheduled Ancient Monuments in King’S Lynn and West Norfolk
Listed Buildings and Scheduled Ancient Monuments In King’s Lynn and West Norfolk with IDox References 10th Edition March 2020 2 LISTED BUILDINGS Property Designation IDox Ref No ANMER St Mary’s Church II* 763 ASHWICKEN Church Lane All Saints Church II* 1248 War Memorial II 1946 BABINGLEY Ruins of Church of St Felix I & SAM 1430 BAGTHORPE WITH BARMER Bagthorpe St Mary’s Church II 764 1 – 4 Church Row II 765 (Listed as 9 and 10 cottages 25m S of Church) II 766 Hall Farmhouse II 767 K6 Telephone kiosk NW of Church II 770 Barmer Barn 50m N of Barmer Farmhouse II 768 All Saints Church II* 769 BARTON BENDISH Barton Hall II 771 Dog Kennels 20m N Barton Hall II 772 St Mary’s Church I 773 Church Road St Andrew’s Church I 774 Barton Bendish War Memorial II 1948 26 (Listed as Old Post Office) II 775 27 (Listed as cottage adjacent to Old Post Office) II 776 Avenue House II 777 Buttlands Lane K6 Telephone kiosk II 778 BARWICK Great Barwick Barwick Hall II 779 Stable block 10m S Barwick Hall II 780 Little Barwick Barwick House II 781 Stable block 10m NE Barwick House II 782 Carriage block 50m NE Barwick House II 783 BAWSEY Ruined church of St James I & SAM 784 Church Farmhouse II 785 Mintlyn Ruined church of St Michael II* 786 Font against S side Whitehouse Farmhouse II 787 (farmhouse not listed) 3 BEXWELL Barn north of St Mary’s Church II & SAM 1421 Church of St Mary The Virgin II* 1422 Bexwell Hall Farmhouse II 1429 War Memorial A10 Bexwell/Ryston II 1908 BIRCHAM Bircham Newton All Saints Church II* 788 The Old House II 789 Bircham Tofts Ruined Church -
Shell Keeps-Catalogue1
Shell-keeps - The Catalogue Fig. 1. Arundel Castle. The shell-keep, well tower and forebuilding from the south-east (lower bailey). The original Norman door is half-hidden by the later forebuilding. Arundel 1. Arundel The shell-keep, with pilaster buttresses, occupies a bore some similarity to Gisors, in Normandy. All large motte (with two baileys) of a castle established commentators have noted the broad similarity - mottes before 1086 by Roger de Montgomery. It had both a with two baileys - of the plans of Arundel and Windsor. defensive character (forebuilding with portcullis; wing The site poses major issues of interpretation. walls with approaching stairs; battlemented wall- Restoration work of circa 1900 (and later) involved walk) and residential character (chapel in forebuilding; rebuilding the wall-walk and battlements (are the deep well in adjoining tower; upper floor fireplace; shutters based on fixings found in original masonry ground-floor oven; vaulted store undercroft within or simply fantasy?); adding much new face-work; motte; garderobe on wall-walk). External views were renovating the forebuilding and well-tower; and from the wall-walk only (no windows in outer wall). possibly re-fixing details in wrong places (e.g. internal Published comments often assume that (a) the motte corbels). It is not certain that the present forebuilding is eleventh century (b) the shell-keep was built by chapel represents a medieval predecessor. There is a William d’Albini in around 1140 (c ) the forebuilding band of ashlar at first-floor level and the assumption was added later (suggestions range from late 12th of two-storey ranges (reconstruction drawing in -14th century).