Pwv First Line Index 2016
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A Brief History of Christ Church MEDIEVAL PERIOD
A Brief History of Christ Church MEDIEVAL PERIOD Christ Church was founded in 1546, and there had been a college here since 1525, but prior to the Dissolution of the monasteries, the site was occupied by a priory dedicated to the memory of St Frideswide, the patron saint of both university and city. St Frideswide, a noble Saxon lady, founded a nunnery for herself as head and for twelve more noble virgin ladies sometime towards the end of the seventh century. She was, however, pursued by Algar, prince of Leicester, for her hand in marriage. She refused his frequent approaches which became more and more desperate. Frideswide and her ladies, forewarned miraculously of yet another attempt by Algar, fled up river to hide. She stayed away some years, settling at Binsey, where she performed healing miracles. On returning to Oxford, Frideswide found that Algar was as persistent as ever, laying siege to the town in order to capture his bride. Frideswide called down blindness on Algar who eventually repented of his ways, and left Frideswide to her devotions. Frideswide died in about 737, and was canonised in 1480. Long before this, though, pilgrims came to her shrine in the priory church which was now populated by Augustinian canons. Nothing remains of Frideswide’s nunnery, and little - just a few stones - of the Saxon church but the cathedral and the buildings around the cloister are the oldest on the site. Her story is pictured in cartoon form by Burne-Jones in one of the windows in the cathedral. One of the gifts made to the priory was the meadow between Christ Church and the Thames and Cherwell rivers; Lady Montacute gave the land to maintain her chantry which lay in the Lady Chapel close to St Frideswide’s shrine. -
Norfolk. Bishopric. Sonmdn: Yarii'outh Lynn Tmn'rl'oimfl
11 0RF0LK LISTS W 1 Q THE PRESENT TIME; ‘ . n uu lj, of wuum JRTRAITS BLISHED, vE L l s T 0 F ' V INCIAL HALFPENNIES ' - R N ORFOLK LIS TS FROM THE REFORMATION To THE PRESENT TIME ; COMPRIS ING Ll" OP L ORD LIEUTEN ANT BARONET S , S , HIG HERIFF H S S , E B ER O F P A R L IA EN T M M S M , 0 ! THE COUNTY of N ORFOLK ; BIS HOPS DEA S CHA CELLORS ARCHDEAC S , N , N , ON , PREBE DA I N R ES , MEMBERS F PARLIAME T O N , MAYORS SHERIFFS RECORDERS STEWARDS , , , , 0 ? THE CITY OF N ORWIC H ; MEMBERS OF PARLIAMENT AND MAYORS 0 ? THE BOROUGHS OP MOUTH LYN N T T R YAR , , HE FO D, AN D C ASTL E RIS IN G f Persons connected with th e Coun Also a List o ty, of whom ENGRAVED PORTRAITS I HAV E B EEN PUBL SHED, A N D A D B S C R I P 'I‘ I V E L I S T O F TRADES MENS ’ TOKIBNS PROV INCIAL HA LFPENNIES ISS UED I” THE Y COUNT OF NORFOLK . + 9 NORWICH ‘ V ' PRINTED BY HATCHB IT, STE ENSON , AN D MATCHB", HARKBT PLACI. I NDEX . Lord Lieutenants ' High Sherifl s Members f or the County Nonw xcH o o o o o o o 0 0 0 0 0 0 0 0 0 0 0 0 Prebendaries Members f or th e City Ym ou'rn Mayors LYNN Members of Parliament Mayors Membersof Parliament CASTLERISING Members of Parliament Engraved Portraits ’ Tradesmans Tok ens ProvincialHalf pennles County and B orough Members elected in 1 837 L O RD L I EUT EN A N T S NORFOLK) “ ' L r Ratcli e Ea rl of us e h re d Hen y fl n S s x , e si ed at Attle borou h uc eded to th e Ea r d m1 1 g , s ce l o 542 , ch . -
Season of 1703-04 (Including the Summer Season of 1704), the Drury Lane Company Mounted 64 Mainpieces and One Medley on a Total of 177 Nights
Season of 1703-1704 n the surface, this was a very quiet season. Tugging and hauling occur- O red behind the scenes, but the two companies coexisted quite politely for most of the year until a sour prologue exchange occurred in July. Our records for Drury Lane are virtually complete. They are much less so for Lincoln’s Inn Fields, which advertised almost not at all until 18 January 1704. At that time someone clearly made a decision to emulate Drury Lane’s policy of ad- vertising in London’s one daily paper. Neither this season nor the next did the LIF/Queen’s company advertise every day, but the ads become regular enough that we start to get a reasonable idea of their repertory. Both com- panies apparently permitted a lot of actor benefits during the autumn—pro- bably a sign of scanty receipts and short-paid salaries. Throughout the season advertisements make plain that both companies relied heavily on entr’acte song and dance to pull in an audience. Newspaper bills almost always mention singing and dancing, sometimes specifying the items in considerable detail, whereas casts are never advertised. Occasionally one or two performers will be featured, but at this date the cast seems not to have been conceived as the basic draw. Or perhaps the managers were merely economizing, treating newspaper advertisements as the equivalent of handbills rather than “Great Bills.” The importance of music to the public at this time is also evident in the numerous concerts of various sorts on offer, and in the founding of The Monthly Mask of Vocal Musick, a periodical devoted to printing new songs, including some from the theatre.1 One of the most interesting developments of this season is a ten-concert series generally advertised as “The Subscription Musick.” So far as we are aware, it has attracted no scholarly commentary whatever, but it may well be the first series of its kind in the history of music in London. -
Preface Introduction: the Seven Bishops and the Glorious Revolution
Notes Preface 1. M. Barone, Our First Revolution, the Remarkable British Upheaval That Inspired America’s Founding Fathers, New York, 2007; G. S. de Krey, Restoration and Revolution in Britain: A Political History of the Era of Charles II and the Glorious Revolution, London, 2007; P. Dillon, The Last Revolution: 1688 and the Creation of the Modern World, London, 2006; T. Harris, Revolution: The Great Crisis of the British Monarchy, 1685–1720, London, 2006; S. Pincus, England’s Glorious Revolution, Boston MA, 2006; E. Vallance, The Glorious Revolution: 1688 – Britain’s Fight for Liberty, London, 2007. 2. G. M. Trevelyan, The English Revolution, 1688–1689, Oxford, 1950, p. 90. 3. W. A. Speck, Reluctant Revolutionaries, Englishmen and the Revolution of 1688, Oxford, 1988, p. 72. Speck himself wrote the petition ‘set off a sequence of events which were to precipitate the Revolution’. – Speck, p. 199. 4. Trevelyan, The English Revolution, 1688–1689, p. 87. 5. J. R. Jones, Monarchy and Revolution, London, 1972, p. 233. Introduction: The Seven Bishops and the Glorious Revolution 1. A. Rumble, D. Dimmer et al. (compilers), edited by C. S. Knighton, Calendar of State Papers Domestic Series, of the Reign of Anne Preserved in the Public Record Office, vol. iv, 1705–6, Woodbridge: Boydell Press/The National Archives, 2006, p. 1455. 2. Great and Good News to the Church of England, London, 1705. The lectionary reading on the day of their imprisonment was from Two Corinthians and on their release was Acts chapter 12 vv 1–12. 3. The History of King James’s Ecclesiastical Commission: Containing all the Proceedings against The Lord Bishop of London; Dr Sharp, Now Archbishop of York; Magdalen-College in Oxford; The University of Cambridge; The Charter- House at London and The Seven Bishops, London, 1711, pp. -
Elizabeth and Ffrancis Trentham of Rocester Abbey De Vere Society Newsletter
November 2006 Elizabeth and ffrancis Trentham of Rocester Abbey De Vere Society Newsletter Elizabeth and ffrancis Trentham of Rocester Abbey by Jeremy Crick Part I of a short account of the family history of Edward de Vere Earl of Oxford’s second wife and the strategic importance of the Trentham archive in the search for Oxford’s literary fragments. Accompanied by the Trentham family tree incorporating the de Veres and the Sneyds. Introduction Whether it was Oxford’s son-in-law, Philip When I began my study of the Trentham family, Herbert, Earl of Montgomery, and his brother about two years ago, I had one principal thought in William Herbert, Earl of Pembroke - the mind: if any of Edward de Vere’s literary papers - ‘incomparable brethren’ - who were given access to whether notebooks, original drafts or even literary Oxford’s papers (and which may later have been correspondence - have survived undiscovered till consumed by fire in the library at Wilton), or the present, it must be possible to find them. whether it was another son-in-law, William Stanley, Being a passionate Oxfordian these past Earl of Derby, who began the process of preserving twenty-odd years, I’m as fascinated as all Oxford’s life’s work for posterity, we may never Oxfordians are by the remarkable scholarship that know. has illuminated the ‘Shakespearean’ canon with It is very unlikely, however, that Elizabeth concordances from Oxford’s life, alongside the Trentham divested herself of all of Oxford’s literary broader question of whether the Stratford or the papers for the preparation of the First Folio - to the Oxford biography delivers the better candidate. -
Kit-Cat Related Poetry
‘IN AND OUT’: AN ANALYSIS OF KIT-CAT CLUB MEMBERSHIP (Web Appendix to The Kit-Cat Club by Ophelia Field, 2008) There are four main primary sources with regard to the membership of the Kit-Cat Club – Abel Boyer’s 1722 list,1 John Oldmixon’s 1735 list,2 a Club subscription list dated 1702,3 and finally the portraits painted by Sir Godfrey Kneller between 1697 and 1721 (as well as the 1735 Faber engravings of these paintings). None of the sources agree. Indeed, only the membership of four men (Dr Garth, Lord Cornwallis, Spencer Compton and Abraham Stanyan) is confirmed by all four of these sources. John Macky, a Whig journalist and spy, was the first source for the statement that the Club could have no more than thirty-nine members at any one time,4 and Malone and Spence followed suit.5 It is highly unlikely that there were so many members at the Kit-Cat’s inception, however, and membership probably expanded with changes of venue, especially around 1702–3. By 1712–14, all surviving manuscript lists of toasted ladies total thirty-nine, suggesting that there was one lady toasted by each member and therefore that Macky was correct.6 The rough correlation between the dates of expulsions/deaths and the dates of new admissions (such as the expulsion of Prior followed by the admission of Steele in 1705) also supports the hypothesis that at some stage a cap was set on the size of the Club. Allowing that all members were not concurrent, most sources estimate between forty- six and fifty-five members during the Club’s total period of activity.7 There are forty- four Kit-Cat paintings, but Oldmixon, who got his information primarily from his friend Arthur Maynwaring, lists forty-six members. -
Letters from a Young Painter Abroad: James Russel in Rome, 1740-63
LETTERS FROM A YOUNG PAINTER ABROAD: JAMES RUSSEL IN ROME, 1740-63 by JASON M. KELLY INTRODUCTION AMES RUSSEL was an English artist and antiquary who lived in Rome between 1740 and 1763. At one time he was among the foremost ciceroni in Italy. His patrons included Richard Mead Jand Edward Holdsworth. Andrew Lumisden, the Secretary to the Young Pretender, wrote that Russel was his 'ingenious friend' .1 Despite his centrality to the British Grand Tour community of the mid-eighteenth century, scholars have virtually ignored him. Instead, they favour his fellow artists, such as Robert Adam and William Chambers, and other antiquaries, such as Thomas Jenkins, James Byres and Gavin Hamilton.2 Nevertheless, Russel's career gives insight into the British community in Italy at the dawn of the golden age of the Grand Tour. His struggles as an artist reveal the conditions in which the young tyros laboured. His rise to prominence broadens what we know about both the British and Italian artistic communities in eighteenth-century Rome. And his network of patrons reveals some of the familial and political connections that were neces sary for social success in eighteenth-century Britain. In fact, the experience ofJames Russel reveals the importance of seeing Grand Tourist and expatriate communities as extensions of domestic social networks. Like eighteenth-century sailors who went to sea, these travellers lived in a world apart that was nevertheless intimately connected to life at home.3 While many accounts of the Grand Tour mention Russel in passing, only Frank Salmon and Sir Brinsley Ford have examined his work in any detail.4 Part of this is due to the fact that his artistic output was relatively small. -
Tstog of Or 6Ttr4* Anor of Ratigan
Thank you for buying from Flatcapsandbonnets.com Click here to revisit THE • tstog of Or 6ttr4* anor of ratigan IN THE COUNTY OF LANCASTER. BY THE HONOURABLE AND REVEREND GEORGE T. 0. BRIDGEMAN, Rotor of Wigan, Honorary Canon of Liverpool, and Chaplain in Ordinary to the Queen. (AUTHOR OF "A HISTORY OF THE PRINCES OF SOUTH WALES," ETC.) PART II. PRINTEDwww.flatcapsandbonnets.com FOR THE CH 1.71'HAM SOCIETY. 1889. Thank you for buying from Flatcapsandbonnets.com Click here to revisit 'tam of die cpurcl) ant) manor of Etligatt. PART II. OHN BRIDGEMAN was admitted to the rectory of Wigan on the 21st of January, 1615-16. JHe was the eldest son of Mr. Thomas Bridgeman of Greenway, otherwise called Spyre Park, near Exeter, in the county of Devon, and grandson of Mr. Edward Bridgeman, sheriff of the city and county of Exeter for the year 1562-3.1 John Bridgeman was born at Exeter, in Cookrow Street, and christened at the church of St. Petrok's in that city, in the paro- chial register of which is the following entry : " the seconde of November, A.D. 1597, John Bridgman, the son of Thomas Bridgman, was baptized." '1 Bishop John Bridgeman is rightly described by Sir Peter Leycester as the son of Mr. Thomas Bridgeman of Greenway, though Ormerod, in his History of Cheshire, who takes Leycester's Historical Antiquities as the groundwork for his History, erro- neously calls him the son of Edward Bridgeman, and Ormerod's mistake has been repeated by his later editor (Helsby's ed. -
Paying for Poetry at the Turn of the Eighteenth Century, with Particular Reference to Dryden, Pope, and Defoe
Paying for Poetry at the Turn of the Eighteenth Century, with Particular Reference to Dryden, Pope, and Defoe J. A. DOWNIE IT IS SOMETIMES insinuated that author-publisher relations changed once and for all as a consequence of Dryden’s contract with Jacob Tonson to publish a subscription edition of his translation of Virgil, and Pope’s subsequent agreement with Bernard Lintot to publish a translation of the Iliad. Both poets unquestionably made a lot of money out of these publications. Dryden should have received the proceeds of the 101 five-guinea subscriptions in their entirety, in accordance with his contract with Tonson, as well as an additional sum from the cheaper second subscription. In addition to agreeing to pay Dryden £200 in four instalments for the copyright of his translation of Virgil to encourage him to complete the project as speedily as possible, Tonson also paid the capital costs of the plates and alterations and the costs of the 101 copies for the first subscribers. He even made a contribution towards the costs of the copies of the second subscribers. John Barnard calculates that “in all Dryden received between £910 and £1,075 from Tonson and the subscribers, and probably £400 or £500 for his [three] dedications” (“Patrons” 177). Yet Dryden fell out with Tonson, and William Congreve and one Mr Aston were called in to mediate. “You always intended I shou[l]d get nothing by the Second Subscriptions,” Dryden complained to Tonson, “as I found from first to last” (Letters 77). After shopping around among other booksellers, however, Dryden came to think rather differently. -
Alisona De Saluzzo
Alisona de Saluzzo 1-Alisona de Saluzzo b. Abt 1267, Arundel,Essex,England, d. 25 Sep 1292 +Richard FitzAlan, 7th Earl b. 3 Feb 1267, of Arundel,Essex,England, d. 9 Mar 1302 2-Eleanor FitzAlan, [Baroness Percy] b. Abt 1283, of,Arundel,Sussex,England, d. Jul 1328 +Henry de Percy, [Baron Percy] b. 25 Mar 1272, ,Alnwick,Northumberland,England, d. Oct 1314, ,Fountains Abbey,Yorkshire,England 3-Henry de Percy, 11th Baron Percy b. 6 Feb 1301, ,Leconfield,Yorkshire,England, d. 25 Feb 1352, ,Warkworth,Northumberland,England +Idonea de Clifford b. 1300, of Appleby Castle,Westmorland,England, d. 24 Aug 1365 4-Henry de Percy, Baron Percy b. 1320, of Castle,Alnwick,Northumberland,England, d. 18 May 1368 +Mary Plantagenet b. 1320, d. 1362 5-Sir Henry de Percy, 4th Lord b. 10 Nov 1341, of,Alnwick,Northumberland,England, d. Abt 19 Feb 1407 +Margaret Neville, Baroness Ros b. Abt 1329, of,Raby,Durham,England, d. 12 May 1372 6-Isolda Percy b. Abt 1362, of Warkworth Castle. Northumberland,England, d. 1403, Battle of Shrewsbury +Madog Kynaston b. Abt 1350, of Stocks,Shropshire,England, d. 1403, Battle of Shrewsbury 7-John Kynaston b. Abt 1375, of Stocks,Shropshire,England +Unknown 8-Griffith Kynaston b. Abt 1396, of Stocks,Shropshire,England +Margaret (Jane) Hoorde 9-John or Jenkyn Kynaston, Esq. +Jane Manwaring 10-Pierce Kynaston +Margaret vz Edward 11-Humfry Kynaston +Elizabeth Oatley 12-George Kynaston d. 8 Dec 1543 9-Philip Kynaston b. Abt 1417, Of Walford +Alice Dorothy Corbet b. Abt 1411, ,Moreton Corbet,Shropshire,England, d. Abt 1443 9-William Kynaston 9-Sir Roger Kynaston b. -
Bell's Cathedrals: Chichester (1901) by Hubert C
Bell's Cathedrals: Chichester (1901) by Hubert C. Corlette Bell's Cathedrals: Chichester (1901) by Hubert C. Corlette Produced by Jonathan Ingram, Victoria Woosley and the Online Distributed Proofreading Team. [Illustration: CHICHESTER CATHEDRAL FROM THE SOUTH.] THE CATHEDRAL CHURCH OF CHICHESTER A SHORT HISTORY & DESCRIPTION OF ITS FABRIC WITH AN ACCOUNT OF THE DIOCESE AND SEE HUBERT C. CORLETTE A.R.I.B.A. WITH XLV ILLUSTRATIONS LONDON GEORGE BELL & SONS 1901 page 1 / 148 PREFACE. All the facts of the following history were supplied to me by many authorities. To a number of these, references are given in the text. But I wish to acknowledge how much I owe to the very careful and original research provided by Professor Willis, in his "Architectural History of the Cathedral"; by Precentor Walcott, in his "Early Statutes" of Chichester; and Dean Stephen, in his "Diocesan History." The footnotes, which refer to the latter work, indicate the pages in the smaller edition. But the volume could never have been completed without the great help given to me on many occassions by Prebendary Bennett. His deep and intimate knowledge of the cathedral structure and its history was always at my disposal. It is to him, as well as to Dr. Codrington and Mr. Gordon P.G. Hills, I am still further indebted for much help in correcting the proofs and for many valuable suggestions. H.C.C. C O N T E N T S. CHAP. PAGE I. HISTORY OF THE CATHEDRAL............... 3 page 2 / 148 II. THE EXTERIOR.......................... 51 III. THE INTERIOR.......................... 81 IV. -
A Brief History of Christ Church
A Brief History of Christ Church MEDIEVAL PERIOD Christ Church was founded in 1546, and there had been a college here since 1525, but prior to the dissolution of the monasteries, the site was occupied by a priory dedicated to the memory of St Frideswide, the patron saint of both university and city. St Frideswide, a noble Saxon lady, founded a nunnery for herself as head and for twelve more noble virgin ladies sometime towards the end of the seventh century. She was, however, pursued by Algar, prince of Leicester, for her hand in marriage. She refused his frequent approaches which became more and more desperate. Frideswide and her ladies, forewarned miraculously of yet another attempt by Algar, fled up river to hide. She stayed away some years, settling at Binsey, where she performed healing miracles. On returning to Oxford, Frideswide found that Algar was as persistent as ever, laying siege to the town in order to capture his bride. Frideswide called down blindness on Algar who eventually repented of his ways, and left Frideswide to her devotions. Frideswide died in about 737, and was canonised in 1480. Long before this, though, pilgrims came to her shrine in the priory church which was now populated by Augustinian canons. Nothing remains of Frideswide’s nunnery, and little of the Saxon church - perhaps a few stones - but the cathedral and the buildings around the cloister are the oldest on the site. Her story is pictured in cartoon form by Burne-Jones in one of the windows in the cathedral. One of the gifts made to the priory was the meadow between Christ Church and the river; Lady Montacute gave the land to maintain her chantry which lay in the Lady Chapel close to St Frideswide’s shrine.