ALASKA FISH FACTOR Len Feldman, M.D
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Zálohadiplomka Konečná Verze
Masarykova univerzita Filozofická fakulta Ústav filmu a audiovizuální kultury Kristýna Chmelíková (FAV, magisterské navazující prezen ční studium) Narativn ě komplexní seriál a jeho transmediální extenze Případová studie amerického seriálu Battlestar Galactica Magisterská diplomová práce Vedoucí práce : Mgr. Pavel Skopal, Ph.D. Brno 2011 Prohlášení o samostatnosti Prohlašuji, že jsem pracovala samostatn ě a použila jen uvedených zdroj ů. Datum Podpis 31. dubna 2011 ............................................................................. 1 Poděkování Za vedení diplomové práce a cenné p řipomínky d ěkuji Mgr. Pavlu Skopalovi, Ph.D. Za podn ětné konzultace tématu pat ří m ůj dík Mgr. Jaroslavu Švelchovi a Mgr. Radomíru D. Kokešovi. Děkuji též Martinu Chmelíkovi za pomoc p ři zpracování graf ů a Vendule Pavlí čkové za jazykové korektury. Pod ěkovat za srde čnou podporu, a to nejen v dob ě vzniku této práce, pak chci svým rodi čů m a Michalu Kašpárkovi. 2 Klíčová slova Narativn ě komplexní seriál, transmediální vypráv ění, transmediální extenze, konvergence médií, narativní analýza, produser, hyperdiegeze, Battlestar Galactica Keywords Narrative complexity of a TV series, transmedia storytelling, transmedia extension, media convergence, narrative analysis, produser, hyperdiegesis, Battlestar Galactica 3 Obsah 1. Úvod ................................................................................................................................................ 6 1.1 Ne p říb ěh, ale sv ět nebo ansámbl............................................................................................. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
2009 Annual Report
2009 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs PALEYDOCEVENTS ..................................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................15 PALEYDOCFEST .......................................................................................................................................19 PALEYFEST: Fall TV Preview Parties ..........................................................................................................20 PALEYFEST: William S. Paley Television Festival ..........................................................................................21 Robert M. -
In This Issue
Winter 2011 ~ Editors Ll. Doug Davis Gordon College 419 College Drive A publication of the Science Fiction Research Association Barnesville, GA 30204 [email protected] "' In this issue Jason Embry Georgia Gwinnett College SFRA Review Business 100 University Center Lane Lawrenceville, GA 30043 Continuity of Leadership in Interesting Times 2 [email protected] SFRA Business Managing Editor "Come Gather'Round People .. :' 2 Janice M. Bogstad Calling All Hands 3 University of Wisconsin, Eau Claire January 2011 Meeting Minutes 4 lOS Garfield Avenue State of the Finances 5 Eau Claire, W1 54702-50 l 0 SFRA 2011 Update 5 [email protected] Remembering Neil Barron 6 Nonfiction Editor Feature Michael Klein Genre Fiction in the (Pre)College Composition Classroom 7 James Madison University MSC 2103 Harrisonburg, VA22807 Nonfiction Reviews [email protected] The Animal Fable in Science Fiction and Fantasy 11 Fiction Editor Animal Alterity: Science Fiction and the Question of the Animal 11 Jim Davis Fiction Reviews Troy University Smith274 The Wesleyan Anthology of Science Fiction 12 Troy, AL 36082 The Strange Affair of Spring Heeled Jack 14 [email protected] The Dervish House 15 Cinco de Mayo 17 Media Editor The Fuller Memorandum 17 Ritch Calvin Media Reviews SUNY Stony Brook WOSIS Melville Library The Road 17 Stony Brook, NY 11794-3360 Inception 18 [email protected] Scott Pilgrim vs. the World 20 Battlestar Galactica: The Plan 21 The SFRA Review (ISSN 1068-395X) Caprica: Season 1 22 is published four times a year by the Paradox 24 Science Ficiton Research Associa FreakAngels 25 tion (SFRA), and distributed to SFRA Don't Look Back 27 members. -
At Vancouver Film School
QUICK FACTS ACTING FOR FILM & TELEVISION ACTING FOR FILM & TELEVISION DURATION: AT VANCOUVER FILM SCHOOL 1 YEAR START DATES: JANUARY, MAY, SEPTEMBER VFS takes your passion for one of the world’s most vibrant art forms PROGRAM ESTABLISHED: and transforms it into a viable career path. Combined, the four- 1996 month Acting Essentials and one-year Acting for Film & Television CLASSROOM/MENTORSHIP HOURS: programs are capable of taking you from aspiring artist to camera- 27 PER WEEK ready actor — with the industry training and professional network to ADDITIONAL HOMEWORK HOURS: back it up. 10 PER WEEK MAJOR PROJECTS (AVERAGE): 3 PER YEAR THIS IS ACTING AT VFS THIS IS YOUR STUDIO INDUSTRY EVENTS (AVERAGE): The four-month Acting Essentials Located in the heart of beautiful 5 PER YEAR program is an incredible opportunity Downtown Vancouver, the VFS YOU GRADUATE WITH: for aspiring or curious actors to build Acting campus is surrounded by DIPLOMA IN ACTING FOR FILM & TELEVISION, PROFESSIONAL HEADSHOTS, REEL OF ON-CAMERA fundamental tools and a familiarity activity. With a black box studio EXPERIENCE, ONE-YEAR MEMBERSHIP TO with on-camera skills. For those with theatre, rehearsal space, screening CASTINGWORKBOOK.COM, AND ACCESS TO VFS some acting experience, the one-year rooms, and a voice-over recording JOB BOARD Acting for Film & Television program booth, you learn and perform each delivers intensive exposure to the day alongside potential collaborators professional-level performance in other VFS programs. techniques that will be expected QUICK FACTS ACTING ESSENTIALS from you on set. THIS IS YOUR INDUSTRY Vancouver is a world hub of DURATION: Each time you step in front of the production, and your instructors 4 MONTHS camera at VFS, you’re building are here as both mentors and first your career and deepening your industry connections. -
Chris Helcermanas-Benge
Chris Helcermanas-Benge Photographer 6588 Wellington Avenue, West Vancouver, BC V7W 2H9 1-604-921-9882 Email - [email protected] http://www.imdb.me/chrish-b CHRIS HELCERMANAS-BENGE is recognized for his creative and innovative photography. Dual Canadian / American citizenship and EEC work visa enable him to shoot freely throughout the world. 36 years of producing stills for film, industry and government has taken Chris to 72 countries. He has been the photographer 200+ film projects; covered 3 wars, 11 combat zones, numerous world events; won many awards, and been published worldwide. He is a member of IATSE local 600 (USA), founding member of IATSE Locals 667 and 669 (Canada), and the BC. and Yukon Council of Film Unions and serving twice as president of 669. Chris H-B works well with talent, creative, and production to generate the finest images for the client. Chris has a BA in Military History, MA in International Affairs and a diploma in Fine Arts. His Military service included Southeast Asia, Africa, Greece, Germany, Turkey, Africa, the Pentagon, and the Middle East. He is a licensed pilot; a Padi certified diver, and parachutist, trained in desert, jungle, and mountain survival. He is an experienced sailor, a kayaker, mountaineer, Bon vivant, lover of fine wines and avid cross-country skier Chris is a member of C.A.P.I.C., The Overseas Press Club, The American Society of Media Photographers, National Press Photographer's Association, Combat Photographer's Association, I.A.T.S.E. (roster member US Local 600, Canadian Locals 667 and 669). -
It's Beginning to Look a Lot Like the Holidays
Volume 21, Issue 6 December 2011/ January 2012 ConNotations NewsZine FREE The Bi-Monthly Science Fiction, Fantasy, Horror & Convention Newszine of the Central Arizona Speculative Fiction Society SF TUBE TALK: It’s Beginning to Look a Lot Like the Holidays by Lee Whiteside It’s the end of the year and that leaves us with a episode will air on the BBC on Christmas Day and few new things leading up to the holidays including more than likely will also air on BBC America the Christmas episodes from Doctor Who, Eureka, same day as they did last year. Warehouse 13 and Haven. Beyond the Christmas Special, fans may have to First of all, this year’s Doctor Who Christmas wait until the fall for more Doctor Who. The BBC has special reportedly is set during the World War II era commissioned fourteen episodes for series 7, with the and is inspired by C. S. Lewis’ The Lion, The Witch, first half airing in the fall with an assumed Christmas and the Wardrobe. Guest stars including comedian Bill Special airing at the usual time. The remainder of Bailey, Alexander Armstrong (who voices Mr. Smith the season will likely air in the spring of 2013. This on the Sarah Jane Adventures), comedienne Arabella change of airing schedule follows on from splitting Weir, and Claire Skinner as widower Madge Arwell. the season in 2011 into two parts and also likely sets According to The Daily Star, “The special sees the things up to lead into the fall of 2013 and whatever Time Lord (Matt Smith, 28) crash land in war-torn is being planned to celebrate the 50th anniversary England. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of May 30 - June 5, 2021 American Graffiti (1973) Cinemax Tues. 6:44 a.m. Dances With Wolves (1990) EPIX Sun. 9:35 a.m. The Exorcist (1973) Showtime Thur. 2:25 a.m. Forrest Gump (1994) CMT Sat. 3 p.m. CMT Sat. 6:30 p.m. The Gold Rush (1925) TCM Wed. 5 p.m. The Good, the Bad and the Ugly (1967) Sundance Sun. 8:30 p.m. The Great Escape (1963) TCM Sun. 5 p.m. The Life of Emile Zola (1937) TCM Sat. 10:45 a.m. The Music Box (1932) TCM Wed. 6:45 p.m. Once (2006) Cinemax Wed. 9:58 a.m. Platoon (1986) Sundance Mon. 5 p.m. Saving Private Ryan (1998) Paramount Sun. 11 p.m. Paramount Mon. 8 a.m. AMC Tues. 4 p.m. AMC Wed. 10 a.m. Sergeant York (1941) TCM Mon. 5:30 a.m. The Shining (1980) BBC America Sun. 9:30 a.m. BBC America Mon. Noon The Silence of the Lambs (1991) BBC America Sun. 1 p.m. BBC America Sun. 6:30 p.m. Sounder (1972) TCM Wed. 9:15 p.m. Taxi Driver (1976) TMC Wed. 1 a.m. Terminator 2: Judgment Day (1991) IFC Wed. 6:30 p.m. IFC Thur. Noon Titanic (1997) Starz Sun. 2:18 p.m. Starz Mon. 4:37 a.m. Unforgiven (1992) Showtime Tues. -
Buffetpizza, Pasta, Soup & Salad Lunch: $6.99 Dinner/Weekend: $7.99 Children Under 2: FREE Children Ages 3-7: $3.99 Children Ages 8-12: $4.99
April Showers BRING LOTS OF GRASS! AJW Landscaping Call Me! 910-271-3777 April 21 - 27, 2018 Mowing | Edging | Pruning | Mulching FREE Estimates | Licensed | Insured | Local References A wilder ALL DAY, EVERYDAY West Evan Rachel Wood and James Marsden in “Westworld” BuffetPizza, Pasta, Soup & Salad Lunch: $6.99 Dinner/Weekend: $7.99 Children under 2: FREE Children ages 3-7: $3.99 Children ages 8-12: $4.99 1352 E Broad Ave. 1227 S Main St. Rockingham, NC 28379 Laurinburg, NC 28352 (910) 997-5696 (910) 276-6565 Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, April 21, 2018 — Laurinburg Exchange Strange new frontiers: Sentient hosts stake their claim over ‘Westworld’ By K.A. Taylor Season 1 introduced viewers to slinger propelled more by love than TV Media Westworld, a theme park in the self-realization to assist another not-too-distant future that allows host on her quest. That host is the he concept of androids has per- society’s wealthiest to indulge in enigmatic Dolores Abernathy (Evan Tmeated social consciousness the ultimate immersive experience. Rachel Wood, “True Blood”). No since the 1800s, but it wasn’t until Though other locations are alluded host still operating has endured the 1984’s sci-fi hit “The Terminator” to, the bulk of the show’s first sea- life Dolores has, seen what she’s graced the screen that people gen- son takes place in Sweetwater, a seen, or would be a more likely can- uinely feared the prospect of “the frontier town complete with sa- didate for becoming fully sentient. -
Representations of Gender and Subjectivity in 21St Century American Science Fiction Television
Representations of Gender and Subjectivity in 21st Century American Science Fiction Television Sophie Halliday Submitted for the degree of Doctor of Philosophy University of East Anglia, School of Film, Television and Media Studies March 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract This thesis interrogates representations of gender and subjectivity within 21st century American science fiction television. It recognises a recent convergence of generic concerns, the shifting contexts of television, and the cultural context of 21st century America. Identifying a recent shift in how American science fiction television of this era has engaged with issues of gender and subjectivity, I offer an exploration of this trend via four key texts: Terminator: The Sarah Connor Chronicles (FOX, 2008-2009), Fringe (FOX, 2008-2013), Battlestar Galactica (SyFy, 2004-2009) and Caprica (SyFy, 2009-2010). The importance of this thesis lies in its exploration of new representational strategies in contemporary science fiction television in relation to the female body, and its consideration of the wider socio- cultural concerns of America in the 21st century. Previous attempts have been made to examine the socio-political import of certain series this thesis interrogates. I intervene in these debates by offering a much more focused interrogation of gender and subjectivity in 21st century science fiction television, via the framework of acclaimed and newly emerging series. -
Krista Bell Cell: 778-882-1975 | Ubcp # 10732, Actra #0107572
KRISTA BELL CELL: 778-882-1975 | UBCP # 10732, ACTRA #0107572 PERSONAL Height: 5’4 Weight: 108 lbs. Eyes: Brown Hair: Blonde Waist: 25 Chest: 35 Hips: 34 Inseam: 28 Shoe: 6 FILM AND TELEVISION MOLLY’S GAME Stunt Dbl. / Jessica Chastain John Stoneham Jr. ALTERED CARBON ND Stunt Larnel Stovall / Larry Lam POWER RANGERS Stunt Dbl. / Elizabeth Banks Larry Lam / Paul Wu WAR FOR THE PLANET OF THE APES Stunt Dbl. / Amiah Miller John Stoneham Jr. / Danny Virtue JOHN WICK 2 ND Stunt JJ Perry PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES ND Stunt R.A. Rondell DEATH NOTE ND Stunt Marny Eng PUP STAR ND Stunt Randy Lee RUFUS 2 Stunt Pirate Garvin Cross THE WILDING Stunt Dbl. / Leah Cairns Rick Pearce DEADRISING2 Stunt Dbl. / Marie Avgeropoulos Kimani Ray Smith VAN HELSING Stunt Vampire Kimani Ray Smith WAYWARD PINES Stunt Dbl. / Kerry Campbell Ed Anders ARRIVAL Stunt Dbl. / Amy Adams Marc Desourdy DEADPOOL ND Stunt Rob Alonzo, Philip J. Silvera SHUT IN Stunt Dbl. / Naomi Watts Owen Walstrom THE SHACK Stunt Dbl. / Megan Charpentier Owen Walstrom ONCE UPON A TIME Stunt Dbl. / Jennifer Morrison Dave Hospes WARRIORS GATE ND Stunt Owen Walstrom IMPASTOR Stunt Dbl. / Mircea Monroe Owen Walstrom MONSTERVILLE Stunt Dbl. / Katherine McNamara Clay Virtue NUMB Stunt Dbl. / Marie Avgeropoulos Dan Redford THE HOLLOW Stunt Dbl. / Hilary Jardine Paul Wu TALES FROM THE DARK SIDE Stunt Dbl. / Anja Savcic Owen Walstrom SUCKERS Stunt Dbl. / Brec Bassinger Garvin Cross MONKEY UP ND Stunt Randy Lee MR. CHURCH Stunt Dbl. / Britt Robertson Chris Carnel THE 100 Stunt Dbl. -
Sunday Morning Grid 8/2/15 Latimes.Com/Tv Times
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