Crossings a Newsletter of the Foundation for Alzheimer's and Cultural Memory
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Recipes for the Italian Don in You Pdf, Epub, Ebook
SOPRANOS : RECIPES FOR THE ITALIAN DON IN YOU PDF, EPUB, EBOOK Susan Gray | 86 pages | 10 Mar 2020 | Independently Published | 9798623209634 | English | none Sopranos : Recipes for The Italian Don in You PDF Book The filling is traditional: ricotta, orange zest and sugar. This recipe calls for chicken sausage, but really, the choice is yours. Slow Cooker Recepies Crockpot Recipes. But, if you don't have rigatoni , or prefer spaghetti , no problem. Reading this PureWow article. Hey Keto Mama. It can hold its own with the meat sauce. Psst : We have a feeling Carmela would use Little Neck clams. Duncan Campbell in Los Angeles. The aroma of a porchetta roasting cannot be beat. Drunken Cherries recipe - this easy recipe soaks maraschino cherries in alcohol and then you dip them in chocolate. And a potential slapstick comedy routine. Why do we think these beef meatballs would be Soprano-family approved? Steak Pizzaiola is an Italian American classic. Psst : We have a feeling Carmela would use Little Neck clams. Vito goes to Vermont to hide out after being outed as gay. Italian Recipes. I am already subscribed to PureWow. When you only have 30 minutes to prep dinner between meetings for your spec house, this penne pasta dish is a true winner. Sign Up. A light wine with a delicate fish. Sopranos : Recipes for The Italian Don in You Writer One of my favourite tv-series ever is The Sopranos. Thanks, but no thanks. Meanwhile, Roman Catholics have launched an offensive against a satirical film about a murderous nun due to be screened later this month. -
Intersection of Gender and Italian/Americaness
THE INTERSECTION OF GENDER AND ITALIAN/AMERICANESS: HEGEMONY IN THE SOPRANOS by Niki Caputo Wilson A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL December 2010 ACKNOWLEDGEMENTS I could not have completed this dissertation without the guidance of my committee members, the help from my friends and colleagues, and the support of my family. I extend my deepest gratitude to my committee chair Dr. Jane Caputi for her patience, guidance, and encouragement. You are truly an inspiration. I would like to thank my committee members as well. Dr. Christine Scodari has been tireless in her willingness to read and comment on my writing, each time providing me with insightful recommendations. I am indebted to Dr Art Evans, whose vast knowledge of both The Sopranos and ethnicity provided an invaluable resource. Friends, family members, and UCEW staff have provided much needed motivation, as well as critiques of my work; in particular, I thank Marc Fedderman, Rebecca Kuhn, my Aunt Nancy Mitchell, and my mom, Janie Caputo. I want to thank my dad, Randy Caputo, and brother, Sean Caputo, who are always there to offer their help and support. My tennis friends Kathy Fernandes, Lise Orr, Rachel Kuncman, and Nicola Snoep were instrumental in giving me an escape from my writing. Mike Orr of Minuteman Press and Stefanie Gapinski of WriteRight helped me immensely—thank you! Above all, I thank my husband, Mike Wilson, and my children, Madi and Cole Wilson, who have provided me with unconditional love and support throughout this process. -
Absent Presence: Women in American Gangster Narrative
Absent Presence: Women in American Gangster Narrative Carmela Coccimiglio Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfilment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Carmela Coccimiglio, Ottawa, Canada, 2013 TABLE OF CONTENTS Abstract iii Acknowledgements v Introduction 1 Chapter One 27 “Senza Mamma”: Mothers, Stereotypes, and Self-Empowerment Chapter Two 57 “Three Corners Road”: Molls and Triangular Relationship Structures Chapter Three 90 “[M]arriage and our thing don’t jive”: Wives and the Precarious Balance of the Marital Union Chapter Four 126 “[Y]ou have to fucking deal with me”: Female Gangsters and Textual Outcomes Chapter Five 159 “I’m a bitch with a gun”: African-American Female Gangsters and the Intersection of Race, Sexual Orientation, and Gender Conclusion 186 Works Cited 193 iii ABSTRACT Absent Presence: Women in American Gangster Narrative investigates women characters in American gangster narratives through the principal roles accorded to them. It argues that women in these texts function as an “absent presence,” by which I mean that they are a convention of the patriarchal gangster landscape and often with little import while at the same time they cultivate resistant strategies from within this backgrounded positioning. Whereas previous scholarly work on gangster texts has identified how women are characterized as stereotypes, this dissertation argues that women characters frequently employ the marginal positions to which they are relegated for empowering effect. This dissertation begins by surveying existing gangster scholarship. There is a preoccupation with male characters in this work, as is the case in most gangster texts themselves. -
How ' E Sopranos' Realistically Portrays Alzheimer's Disease
MAY/JUNE 2006 BY WALLACE MATTHEWS How ‘~e Sopranos’ Realistically Portrays Alzheimer’s Disease As Uncle Junior on TV's biggest hit, '~e Sopranos,' Dominic Chianese portrays Alzheimer's disease from memory and the heart. And just like that, Dominic Chianese, playing the old mob boss Corrado (Uncle Junior) Soprano on the blockbuster HBO series "The Sopranos," fired the most famous television shot since someone capped J.R. Ewing on "Dallas" a quarter- century ago. But Chianese did much more than that. In one 40-second scene, he conveyed all the horrific, tragic and, yes, even comic moments that occur over the course of the long, slow progression of Alzheimer's. More importantly, he's exposing millions to a realistic portrayal of a disease many never see until it hits them where they live. In addition to creating an unforgettable character, he's been serving as both trailblazer and conduit: the most public face of a disease that will only become more common as life spans increase. "I'm just an actor doing a job," says Chianese, in real life a vibrant and healthy 71- year-old with a wife, six grown children, a dozen grandchildren and a full plate of professional commitments. "I just play what's on the page." Dominic Chianese is also playing what's in his heart and in his memory. His knowledge of dementia and his empathy for Alzheimer's patients come firsthand. For more than 20 years, he has volunteered as a recreational worker at St. Cabrini Nursing Home in Dobbs Ferry, N.Y., singing and playing guitar for its 300 residents, more than half of whom have Alzheimer's. -
Family Disfunction Prime Time Real Estate Online Exclusives
arts and entertainment weekly entertainment and arts THE FINAL HIT THE END OF A MOB ERA primeprice tags time of TV’s real rich andestate famous households more family disfunction ABC’s escapades with crazy kin online exclusives Tyrone Wells in Fullerton and red carpet in Westminister, only online 2 BUZZ 04.05.07 daily.titan THE FINAL HIT pg.5 The saga of the Soprano’s is in it’s final act. In homage to the head honcho himself, The Buzz takes a look back at Tony’s best moments. PRIME TIME REAL EState pg.4 ENTERTAINMENT EDITOR Jickie Torres Ever wonder about Bree’s Wisteria lane mortgage pay- ment? What about the Cohen’s household commodity? A EXECUTIVE EDITOR new Web site estimates these TV dream homes and more. Adam Levy DIRECTOR OF ADVERTISING NOT YOUR TYPICAL FAMILY pg.4 Emily Alford ABC found a hit drama in Brothers and Sisters. The Buzz ASSISTANT DIRECTOR OF ADVERTISING catches up with its stars and its creators. Beth Stirnaman PRODUCTION Jickie Torres WHAT’S THE BUZZ p.7 ACCOUNT EXECUTIVES Read about who wow’d us and who bored us in the lastest Sarah Oak, Ailin Buguis releases in music, movies and more The Daily Titan 714.278.3373 The Buzz Editorial 714.278.5426 [email protected] Editorial Fax 714.278.4473 The Buzz Advertising 714.278.3373 [email protected] ONLINE EXCLUSIVES Advertising Fax 714.278.2702 The Buzz , a student publication, is a supplemental insert for the Cal State Fullerton Daily Titan. It is printed every Thursday. -
THE Minority Decision Causes Diverse Reactions
THE O b s e r v e r The Independent Newspaper Serving Notre Dame and Saint Marys VOLUME 40 : ISSUE 117 WEDNESDAY, APRIL 5, 2006 NDSMCOBSERVER.COM Minority decision causes diverse reactions Last week's Student Senate vote against making ad-hoc MAC a recognized part of student government angers, prompts action “The number one issue is Boyd said she was angered The committee was formed in MAC chair Destinee DeLemos By KAREN LANGLEY that MAC represents 20 per by the amendment’s defeat — a April 2005 with the goal of giv met to compose the amend Associate News Editor cent of the student body,” said vote she said she had not ing a voice in student govern ment, which would have estab Rhea Boyd, who chaired MAC expected. ment to racially underrepre lished the committee perma The Student Senate’s defeat this past year. “To have that But the issue will soon resur sented groups. Before that nently as a “means of expres last Wednesday of an amend h u g e of a face. Student body president time, issues of race had been sion for racially and ethnically ment to make the ad-hoc constituency Lizzi Shappell said Friday she addressed by the permanent marginalized students.” Minority Affairs committee w ith o u t a expects a new resolution to be Senate Diversity committee. Last Tuesday — the night (MAC) a constitutionally-recpg- voice in stu ready within a few weeks after That committee now under before the Senate meeting — nized part of student govern dent govern review by a newly established takes issues related to religious Baron, Shappell and Liu met ment has angered some stu ment is un task force. -
BADA BING! the SOPRANOS and QUIXOTIC REALISM August Braddock1
BADA BING! THE SOPRANOS AND QUIXOTIC REALISM August Braddock1 ABSTRACT Often considered the television series that brought about the second golden age of television, The Sopranos can be viewed as a quixotic narrative. This is especially true when looking at the sixth and final season of the series, with particular focus on the final sequence of the series finale, titled “Made in America.” Not only is the entire series quixotic through its acknowledgement of the impact of real-life East coast Italian- American mafia families and previous cinematic portrayals of mob life, the most noteworthy being The Godfather trilogy and Goodfellas, but also through its Byronic hero, Anthony “Tony” Soprano. Furthermore, the series finale of The Sopranos invites audience participation through the act of leaving the narrative open – no member of the audience knows exactly what happened to their beloved Byronic hero and are left to their own devices to craft an individual conclusion. Through the acts of calling back to the nonfictional and cinematic renditions of mobster life and culture, including a Byronic hero as the series‟ protagonist, and through the act of inviting audience participation to conclude the much beloved series, The Sopranos proves itself to be a modern quixotic mobster crime drama. KEYWORDS: The Sopranos; Quixotic; DeCavelcante; Byronic Hero. BADA BING! THE SOPRANOS E REALISMO QUIXÓTICO RESUMO Considerada muitas vezes a série de televisão responsável pela segunda era dourada da televisão, The Sopranos pode ser lida como uma narrativa quixotesca. Isso é especialmente verdade no que toca à última temporada da série, em especial a sequência final do final da série, intitulada “Made in America”. -
The Sopranos ~ Green (Rev
THE SOPRANOS ~ GREEN (REV. 8/07/97) LOCATIONS INTERIOR EXTERIOR DR. MELFI' S WAITING ROOM DR. MEL SOPRANO SOPRANOHO KITCHEN SOPRANO - POOL - .FAMILYROOM STREE} - * SOPRANOHOUSE PARK,INGLOT / SOPRANOHOUSE - Tlla PORK STORE ll F . SOPRANOHOUSE - ROOM ·=~ ./ ~ucco~s VESUVIO SOPRANOHOUSE - BEDR M / ELM PARKWAY/LIVIA'SHOUSE BUCCO'S VESUVIO I BUCCO'S VESUVIO - LIVIA'S HOUSE CONSTRUCTIONSITE CHRIS' CAR STATE PARK MRI CENTER- MRI MACHINE PITCH '! ·!' PUTT THE PORK STORE. BARONESANITATION THE PORK STORE - BUTCHERING~= MANHATTAN AIRPORT AREA TOPLESS BAR L GRANAIO GREENGROVE RETIREMENT ca MARINA R CITY PAROCHIALSCHOOL IL GRANAIO CABIN CRUISER BALL COURT* CABIN CRUISER - TOP APARTMENTBEDROOM * .\ CATHEDRAL \ JUNIOR'S LINCO~ SOPRANOHOUSE - GARAGE * 1'- THE SOPRANOS GOLDENROD(REV. 8/19/97) 1 .. THE SOPRANOS FADE IN: 1 INT. DR. MELFI'S WAITINGROOM_- DAY 1 THOMAS-SOPRANO,40, sits and waits. Uneasily. Staring confusedly at a vaguely erotic Klimpt reproduction. Inner door opens. DR. JENNIFER MELFI (attractive, 35) appears. MELFI Mr. Soprano? 2 INT. DR. MELFI'S OFFICE - DAY 2 Melfi gestures Tommy to a choice of seating. * MELFI * Have a seat. * She seats herself in a facing armchair. She looks at him with a * polite, expectant gaze. He stares back, waiting. There is utter silence. Nothing happens. Such is psychotherapy. Finally.-- MELFI My understanding from your :amily physician, Dr. Cusamano, is you collapsed? Were unable to breathe? Possibly a panic attack? TOMMY They said it was a panic attack - because all the neurological work and blood came back negative. They sent me here. MELFI You don't agree you had a panic attack? He laughs -- too loud. MELFI How are you feeling now? TOMMY Now? Fine. -
The Sopranos
BLOOD IS THICKER THAN WATER AN ANALYSIS OF FAMILY, FAMIGLIA AND ITALIAN IDENTITY IN THE SOPRANOS Aantal woorden: 23.505 Han Vandepoele Studentennummer: 01506075 Promotor(en): Prof. dr. Gert Buelens Masterproef voorgelegd voor het behalen van de graad master in de Taal- en Letterkunde Engels-Zweeds Academiejaar: 2018 – 2019 ACKNOWLEDGEMENTS Writing a master thesis is no easy feat, and could certainly not have been done without the help of some wonderful individuals. First of alI I would like to take this opportunity to thank prof. dr. Gert Buelens for his guidance and patience, but most of all for giving me the freedom to discover this topic on my own pace. Furthermore I would like to thank my parents for handing me the opportunity to study, my friends for providing me with distractions when necessary, and my sister for helping me clean up that pesky table of contents. TABLE OF CONTENTS ACKNOWLEDGEMENTS ........................................................................................................................................... 2 TABLE OF CONTENTS .............................................................................................................................................. 3 LIST OF FIGURES ..................................................................................................................................................... 4 INTRODUCTION ...................................................................................................................................................... 5 PART -
Tony, Mr. Soprano Und Der Boss
Tony, Mr. Soprano und der Boss Der Zusammenbruch der Welt- und Selbstentwürfe in „The Sopranos“ Institut für vergleichende Literaturwissenschaft Proseminar: Weltentwürfe und Selbstentwürfe seit der Moderne in Literatur, Film und anderen Künsten Vortragender: Mag. Thomas Ballhausen Anrechnung: VL 150 Wintersemester 2008 Ines Freitag Janina Jonas 0701429 0704643 A 393 A 393 Inhaltsverzeichnis Einleitung ................................................................................................................................. 3 1. Fakten und Inhalt .................................................................................................................. 4 2. Selbstentwürfe und Weltentwürfe in „The Sopranos“ ......................................................... 6 2.1 Mafiafamilie: Tonys Stellung in der Mafia ............................................................ 6 2.1.1 Wichtige Mitglieder der Familie ................................................................... 7 2.1.2 Mafiafamilie: Normen, Werte und Eigenschaften ......................................... 8 2.2 Familie und Alltägliches: Tonys Privates Umfeld ................................................. 9 2.3 Psychoanalyse: Tonys Therapie ............................................................................. 10 2.4 Tonys Weltentwürfe ............................................................................................... 11 2.5 Die Geschlechterentwürfe in „The Sopranos“ ....................................................... 12 3. Zusammenbruch -
In This House It's 1954: the Representation of Women In
“IN THIS HOUSE IT’S 1954: THE REPRESENTATION OF WOMEN IN THE SOPRANOS by SUSAN ALEXANDRA KAHRS (Under the Direction of Peggy J. Kreshel) ABSTRACT The Sopranos, an HBO Original Series, is one of the most popular programs on television. This thesis will examine the representations of women in The Sopranos. Grounded in cultural studies, feminist theory, and feminist media studies, this research was based on a number of assumptions. First among these is the belief that meaning is socially constructed and never fixed, but constantly produced and reproduced. Second, culture can only be understood in relation to issues of power. Third, popular culture is a site of struggle, and fourth, that it is essential to understand how media help shape the values, norms, and beliefs that reinforce gender inequities. Finally, research is a political act. A textual analysis of seasons 1 and 4 uncovered how patriarchy is the dominant ideology on the show. The Sopranos presents a rigid, regressive form of patriarchy where traditional roles, including the mother figure, were fractured and dysfunctional. INDEX WORDS: Patriarchy, Gender roles, Cultural studies, Feminism, Feminist theory, Circuit of Culture. “IN THIS HOUSE IT’S 1954:” THE REPRESENTATION OF WOMEN IN THE SOPRANOS by SUSAN ALEXANDRA KAHRS B.A., Erskine College, 2000 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Susan Alexandra Kahrs All Rights Reserved “IN THIS HOUSE IT’S 1954:” THE REPRESENTATION OF WOMEN IN THE SOPRANOS by SUSAN ALEXANDRA KAHRS Major Professor: Peggy J. -
REPRESENTING 9/11 in the SOPRANOS a Thesis by VITO V
“SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS A Thesis by VITO V. PETRUZZELLI Submitted to the Cratis D. Williams School of Graduate Studies Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2015 Department of English “SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS A Thesis by VITO V. PETRUZZELLI December 2015 APPROVED BY: Craig Fischer, Ph.D. Chairperson, Thesis Committee Germán Campos-Muñoz, Ph.D. Member, Thesis Committee Başak Çandar, Ph.D. Member, Thesis Committee Carl Eby, Ph.D. Chairperson, Department of English Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Vito V. Petruzzelli 2015 All Rights Reserved Abstract “SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS Vito V. Petruzzelli B.A., Rutgers University M.A., Appalachian State University Chairperson: Craig Fischer Broadly definable as an interdisciplinary study of televisual texts, literature, and history, this thesis analyses David Chase’s The Sopranos (1999-2007) and its engagement of the September 11, 2001 terror attacks. Tracing the show’s narrative and aesthetic roots to its pilot episode, I explore how narrative and aesthetic elements contained in 9/11 television newscasts elicited both an alteration and an exaggeration of the show’s structural and symbolic elements. Furthermore, I illustrate the impact of televisual mediation on the act of viewership, demonstrating the manner in which The Sopranos and 9/11 newscasts employed authoritative narrative perspectives as a means of disseminating vital information to viewers. Methodologically, I employ a narratological approach to show through close textual analysis how elements of location and sequential ordering inform the creation of unique story worlds, and how these story worlds operate symbiotically with viewers in creating meanings beyond the texts.