17.4. Hackett-Olitzka. Pp 88-123
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
La Supervivencia De Carmen a Través De La Representación Escénica De La Danza Como Símbolo De La Lucha Por La Igualdad De Género
[Escribir texto] Universidad Rey Juan Carlos. La supervivencia de Carmen a través de la representación escénica de la danza como símbolo de la lucha por la igualdad de género. Autor: Aroa Ruiz Campo Dirigido por: D. Alberto García Castaño 15/06/2012 “Todo Arte es político Jonson, de lo contrario sólo sería decoración, y todo artista tiene algo que decir de lo contrario haría zapatos y vos no sois un remendón, ¿verdad Jonson?”… Fragmento de la película “ANONYMUS” 2 AGRADECIMIENTOS En primer lugar debo agradecer a las Instituciones que me han facilitado las fuentes para la elaboración de este proyecto: la Fundación Botín, la Biblioteca Municipal de Menéndez Pelayo, y la UNED. Son muchas las personas que han participado en la elaboración de este trabajo en mayor o menor medida. En segundo lugar mi más sincera gratitud y cariño al director del mismo: Don Alberto García-Castaño, por su persistencia y amor hacia mi persona. No puedo olvidarme de mi hermana Lara, que revisó cada una de las páginas que lo componen. A mis padres, Pedro y Rosario, a mis amigos que han “aguantado” estoicamente mis constantes charlas sobre Mérimée y Carmen… Y finalmente, a aquellos maestros y profesores que he tenido a lo largo de mi vida académica y creyeron en mí antes que yo: Juanjo Mier, Pilar Benito, Carmen Barreras, Ángel Ruiz del Árbol, Paco Jimeno, José María Iglesias, Ana Lázaro, Joaquín Casas, Mª Cristina Álvarez, Adolfo Roval, Eduardo Blázquez… Va por ellos y ¡muchas gracias! 3 INDICE 1. Introducción ........................................................................................................... 5 2. Carmen como mito de validez universal: concepto.......................................... -
Wildcats Retain New England Harrier Titles
Varsity Meets Dads Visit Campus Springfield Sat. 5 feut U am pshfrp Next Week-end Volume 23. Issue 7. DURHAM, N. H„ NOVEMBER 10, 1932. Price Ten Cents WILDCATS RETAIN NEW ENGLAND HARRIER TITLES RELATIONS CLUB LYCEUM COURSE FRATS CONSIDER NEWJHAMPSHIRE TO MEET HERE PRESENTS OPERA POLITICS PLAN RECORDS FALL NEXT FALL TERM Famous Film, “Carmen,” to BEFORE COUNCIL OVERPOWERED BY be Shown Here—Mar AS VARSITY AND Prof. Thors ten Kalijarvi Ex guerite Namara, Tom Fraternities Will Accept is tends Invitation to Inter Burke in Production Opinion of Council— BIG GREEN TEAM national Relations for Strong Move to Get FRESHMEN WIN Second Meeting At the Lyceum Course next Wed Clean Campaign nesday, November 16th, a film ver SERVICE TO BE sion of “ Carmen,” the famous opera, Politics ATTACK LEAD BY PLAN IS TO MEET will be presented. This picture^ has FROSfl LEAD IN DECISIVE WIN HERE NEXT FALL been produced by British International FINAL VERDICT TO HILL AM) POWERS GIVEN TO SMALL Pictures at its Elstree studios. PERFECT SCORE There is a good bit of action in BE GIVEN NEXT MON. FOR WILDCATS Sixteen Colleges Met at stilled into the screen adaptation, and MANUFACTURERS Wesleyan University in on the other hand, not too much vo Fraternities Fail to Stop Captain Webster, McLean, Dartmouth Pounds Out cal performance. The leading play Raduazo Dogs Jellison to Four Touchdowns as October This Year ers, quite unknown to American film Plan Outright—Admit it Matthews, Marlak and Technology Department to audiences, are nevertheless possessed Will be in Effect in Very Tinker Finish in Order Take Second in Gruelling Graff am, Sweetster, Offer Assistance to In At a recent conference of Inter of excellent voices, which they use to Five Mile Race McGowan and Knox national Relations Clubs from sixteen good advantage. -
North Shore Music Festival
JANUARY 20, 1923 AND /AMERICAN ENDEAVOR. IN GRAND OPERA, SYMPHONY' ^ND CHAMBER. MUSIC AND CLASSIC DANCING By IZETTA MAY McHENRY BEETHOVEN ASSOCIATION NORTH SHORE MUSIC FESTIVAL American Operatic and Oratorio Sing Offer* Brilliant Program at Third Con er, Dies After Illness of Several cert of Series Months Thr third ronrrrt (iTro thla tpaion bj tfa* Plans Announced for Fifteenth Season—Several BoctboTPn A.wxiatlon pruTpd on* of thr moit At bis home In New York City, Oeorite J. PBjoyablp pTpDt, of the year In New York. American Artists To Be Soloists Hamlin, one of this country's beat-known The aMlatioit artUta were: Ilarold Bauer, tenors, parsed away on the afternoon of Janu¬ Pablo Caeala. Jaoquea Tfaibaud, Mme. C'barlea ary 11 after an lllnerr eitendinc over aereral Cahier and Albert Htoesael, and thla impo«lsK The datee for the fifteenth Music PeatWal Gates, eoprano; Mabel Garrison, soprano; months. Mr. Hamlin was tbe flrrt artist to array of aoloiata aenrpd to attract an audirore have beep announced by tbe Chicago North Giuseppe Danise, baritone; Beniamino Gigli, present a procram of the ronca of Rl(4iard which completely niled Aeotlan Hall on the Shore FestiTsl Aatociation as May 24 to May tenor; Margaret Matzenauer, merzo-«oprano; Btrauas In America, and be created aereral evenins of January 8. BertboTen'a Trio In 30. The feat'Tal will be held at Erankton, Edith Mason, soprano; Tito Srhipa. tenor; oratorio parts and ten oyiera rolet. Hla alnc- H Flat, Op. TO, No. 2. played by Meaara. Bauer, III., In tbe Patten tlymnaalum of Nortbweatern Bose Lutiger Gannon, contralto, and Theo. -
17.2. Cylinders, Ed. Discs, Pathes. 7-26
CYLINDERS 2M WA = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Repro B/T = Excellent reproduction Edison orange box and printed top. All others in clean, used boxes. Any mold on wax cylinders is always described. All cylinders not described as in OB (original box with generic top) or OBT (original box and original top) are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual and refers to the cylinders rather than the boxes. Any major box problems are noted. CARLO ALBANI [t] 1039. Edison BA 28116. LA GIOCONDA: Cielo e mar (Ponchielli). Repro B/T. Just about 1-2. $30.00. MARIO ANCONA [b] 1001. Edison 2M Wax B-41. LES HUGUENOTS: Nobil dama (Meyerbeer). Announced by Ancona. OBT. Just about 1-2. $75.00. BLANCHE ARRAL [s] 1007. Edison Wax 4-M Amberol 35005. LE COEUR ET LA MAIN: Boléro (Lecocq). This and the following two cylinders are particularly spirited performances. OBT. Slight box wear. Just about 1-2. $50.00. 1014. Edison Wax 4-M Amberol 35006. LA VÉRITABLE MANOLA [Boléro Espagnole] (Bourgeois). OBT. Just about 1-2. $50.00. 1009. Edison Wax 4-M Amberol 35019. GIROLFÉ-GIROFLA: Brindisi (Lecocq). OBT. Just about 1-2. $50.00. PAUL AUMONIER [bs] 1013. Pathé Wax 2-M 1111. LES SAPINS (Dupont). OB. 2. $20.00. MARIA AVEZZA [s]. See FRANCESCO DADDI [t] ALESSANDRO BONCI [t] 1037. Edison BA 29004. LUCIA: Fra poco a me ricovero (Donizetti). -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d. -
01-11-2019 Aida Eve.Indd
GIUSEPPE VERDI aida conductor Opera in four acts Nicola Luisotti Libretto by Antonio Ghislanzoni production Sonja Frisell Friday, January 11, 2019 PM set designer 7:30–11:10 Gianni Quaranta costume designer Dada Saligeri lighting designer Gil Wechsler choreographer Alexei Ratmansky The production of Aida was made revival stage director Stephen Pickover possible by a generous gift from Mrs. Donald D. Harrington The revival of this production is made possible by a gift from Viking Cruises general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 1,171st Metropolitan Opera performance of GIUSEPPE VERDI’S aida conductor Nicola Luisotti in order of vocal appearance r amfis a priestess Vitalij Kowaljow Leah Hawkins** r adamès amonasro Yonghoon Lee Roberto Frontali amneris Dolora Zajick solo dancers Min-Tzu Li aida Brian Gephart Kristin Lewis the king Soloman Howard a messenger Arseny Yakovlev** Friday, January 11, 2019, 7:30–11:10PM MARTY SOHL / MET OPERA A scene from Chorus Master Donald Palumbo Verdi’s Aida Musical Preparation Gareth Morrell, Howard Watkins*, Joshua Greene, and Bryan Wagorn* Assistant Stage Directors Jonathon Loy and J. Knighten Smit Stage Band Conductor Gregory Buchalter Italian Coach Loretta Di Franco Prompter Joshua Greene Met Titles Christopher Bergen Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Headdresses by Rodney Gordon Studios and Miles-Laity, Ltd. Animals supervised by All-Tame Animals, Inc. This performance is made possible in part by public * Graduate of the funds from the New York State Council on the Arts. -
Chronology 1916-1937 (Vienna Years)
Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere -
Opera Enormous: Arias in the Cinema Benjamin Speed
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2012 Opera Enormous: Arias in the Cinema Benjamin Speed Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Film and Media Studies Commons, Music Performance Commons, and the Theatre and Performance Studies Commons Recommended Citation Speed, Benjamin, "Opera Enormous: Arias in the Cinema" (2012). Electronic Theses and Dissertations. 1749. http://digitalcommons.library.umaine.edu/etd/1749 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. OPERA ENORMOUS: ARIAS IN THE CINEMA By Benjamin Speed B. A. , The Evergreen State College, 2002 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Communication) The Graduate School The University of Maine May, 2012 Advisory Committee: Nathan Stormer, Associate Professor of Communication and Journalism, Advisor Laura Lindenfeld, Associate Professor of Communication and Journalism and the Margaret Chase Smith Policy Center Michael Socolow, Associate Professor of Communication and Journalism THESIS ACCEPTANCE STATEMENT On behalf of the Graduate Committee for Benjamin Jon Speed I affirm that this manuscript is the final and accepted thesis. Signatures of all committee members are on file with the Graduate School at the University of Maine, 42 Stodder -
CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet
CYLINDERS 2M = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. ReproB/T = Excellent reproduction orange box and printed top Any mold on wax cylinders is always described. All cylinders are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual. All cylinders EDISON unless otherwise indicated. “Direct recording” means recorded directly to cylinder, rather than dubbed from a Diamond-Disc master. This is used for cylinders in the lower 28200 series where there might be a question. BLANCHE ARRAL [s] 4108. Edison BA 28125. MIGNON: Je suis Titania (Thomas). Repro B/T. Just about 1-2. $40.00. ADELINA AGOSTINELLI [s]. Bergamo, 1882-Buenos Aires, 1954. A student in Milan of Giuseppe Quiroli, whom she later married, Agostinelli made her debut in Pavia, 1903, as Giordano’s Fedora. She appeared with success in South America, Russia, Spain, England and her native Italy and was on the roster of the Hammerstein Manhattan Opera, 1908-10. One New York press notice indicates that her rendering of the “Suicidio” from La Gioconda on a Manhattan Sunday night concert “kept her busy bowing in recognition to applause for three or four minutes”. At La Scala she was cast with Battistini in Simon Boccanegra and created for that house in 1911 the Marschallin in their first Rosenkavalier. Her career continued into the mid-1920s when she retired to Buenos Aires and taught. 4113. Edison BA 28159. LA TRAVIATA: Addio del passato (Verdi). ReproB/T. -
Bruno Walter (Ca
[To view this image, refer to the print version of this title.] Erik Ryding and Rebecca Pechefsky Yale University Press New Haven and London Frontispiece: Bruno Walter (ca. ). Courtesy of Österreichisches Theatermuseum. Copyright © by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Sonia L. Shannon Set in Bulmer type by The Composing Room of Michigan, Grand Rapids, Mich. Printed in the United States of America by R. R. Donnelley,Harrisonburg, Va. Library of Congress Cataloging-in-Publication Data Ryding, Erik S., – Bruno Walter : a world elsewhere / by Erik Ryding and Rebecca Pechefsky. p. cm. Includes bibliographical references, filmography,and indexes. ISBN --- (cloth : alk. paper) . Walter, Bruno, ‒. Conductors (Music)— Biography. I. Pechefsky,Rebecca. II. Title. ML.W R .Ј—dc [B] - A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. For Emily, Mary, and William In memoriam Rachel Kemper and Howard Pechefsky Contents Illustrations follow pages and Preface xi Acknowledgments xv Bruno Schlesinger Berlin, Cologne, Hamburg,– Kapellmeister Walter Breslau, Pressburg, Riga, Berlin,‒