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17.4. Hackett-Olitzka. Pp 88-123

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17.4. Hackett-Olitzka. Pp 88-123 VOCAL 78 rpm Discs EDUARD HABICH [bs]. See: HERMANN JADLOWKER [t] CHARLES HACKETT [t]. See also: RICCARDO STRACCIARI [b] 2223. 10” Tri-Color Columbia 80673 [take 3]. I SHALL KNOW (Mana-Zucca). Uncommon. Excellent lam. surface. Just about 1-2. $8.00. EVA HADRABOVA [s] 3573. 12” PW Blue Telefunken F527 [30493/30494- 1]. TOSCA: Te Deum [Finale, 1. Akt] (Puc- cini). Two sides. With WILHELM RODE [b]. Orch. dir. Selmar Meyrowitz. Just about 1-2. $15.00. MINA HAGER [ms] 3845. 12” Blue Musicraft1016 [GM35B/GM36B]. ON A SCREEN; THE ODALISQUE / BER- CEUSE DE LA GUERRE (all John Alden Carpenter). Piano acc. Celius Dougherty. Just about 1-2. $12.00. GEORGE HAMLIN [t] CHARLES HACKETT at the Columbia 4266. 10” White lbl. blk. vinyl Victor mat. B-6180-2. recording horn ACIS AND GALATHEA: Love Sounds the Alarm (Händel). Unpublished. Rec. May 9, 1908. I can’t imagine why this was never issued. Just about 1-2. $15.00. 3140. 12” Red “B” plate Pats. Victor 74250. THE CREATION: In Native Worth (Haydn). Only form of issue. Just about 1-2. $8.00. JOAN HAMMOND [s] 1346. 10” Plum HMV B.9503 [OEA-10981-1/OEA-10982-1]. THE DONKEY (Richard Hage- man) / MAGDALEN AT MICHAEL’S GATE (Liza Lehmann). Piano acc. Gerald Moore. Uncommon. Cons . 2. $7.00. JOHN HARRISON [t] 1987. 10” Blk. London G&T 3-2234. FAUST: Salve dimora (Gounod). In English. LGTs, otherwise gen. 2-3. $10.00. ORVILLE HARROLD [t] 3399. 12” White lbl. vinyl Vla mat. C-24379-3. LAKMÉ: Fantasie aux divins mensonges (Delibes). Unpublished. Just about 1-2. $25.00. 3697. 12” Blk. acous. Victor 35726 [C-13995-15/C-13996-19]. GEMS FROM AIDA (Verdi). Two sides. Harrold appears on side one singing “Heav’nly Aida”. Other artists include LUCY MARSH [s], ELSIE BAKER [c], ROYAL DADMUN [b], LAMBERT MURPHY [t], etc. Small lbl. stkrs. Just about 1-2. $7.00. CHARLES HART [t]. Chicago, 1884-Englewood, NJ, 1965. His parents had emigrated from Germany but his father, an alcoholic, deserted his family when Charles was four. His mother supported the family as a cook. Charles attended the Chicago Musical College where he performed in amateur productions, then worked on a cattle ranch in North Dakota and attended the Armour Institute of Technology. His primary interest, however, was in singing and through Flo Ziegfeld (whose father had run the Chicago Musical College which Hart attended earlier) he appeared in professional stage productions beginning in 1904 in mainly small roles. His recording career, begun with small companies, blossomed with a Victor contract in 1917, and until 1930 he was a frequent contributor to the catalogues of Victor, Columbia, Edison and smaller companies. In 1923 he began operatic studies and made his debut with the Chicago Opera as the leading tenor in Humperdinck’s Die Königskinder (co-starring Claire Dux and Alexander Kipnis). Subsequent to this, Edison captured him singing two arias and oratorio selections, but otherwise popular tunes occupied his recording time. He left the U.S. in 1929 for Germany, where he apparently made recordings for Electrola (which I’ve never seen). Because of the political climate, he returned to the U.S. and resumed a career in musicals and operas and with smaller companies and then as an actor, but he never again recorded. He spent his final years in an Actors’ Retirement Home in Englewood, NJ. – Tim Gracyk. 1257. 10” Blk. EE Columbia 369-D [W140521-3/W140522-4]. STUDENT PRINCE: Sere- nade (Romberg) / ROSE-MARIE: Rose-Marie (Friml). Lt. mks., gen. 2. $15.00. - 88 - VOCAL 78 rpm Discs ETHYL HAYDEN [s]. Washington, PA, 1897- ? . She studied first with Jean Seaman and then Marcella Sembrich. She first appeared in the Boston area with British composer/pianist Cyril Scott and made her professional New York solo debut at an Aeolian Hall concert in 1922. Of her work that evening, the Musical Courier reported, “Miss Hayden’s voice is one of rare beauty and it is exceedingly well produced. Her legato is of a type almost extinct and the roundness and sonority of her high notes is something to make the heart glad.” She apparently never appeared in opera but had great success as a recital and oratorio soloist, as well as having appeared with many major U.S. orchestras and choral societies. A well received European concert tour took place in the early 1930s. She appears to have been active at least through the 1930s. She was married to violinist Louis Edlin in 1923, a noted concertmaster and violinist with the New York Trio (who recorded for Edison in 1928). Death dates have not been traced for either artist. The disc below is her only recording, other than a 1939 Musicraft recording of the Bach Coffee Cantata. 2091. 10” PW Blue Columbia 211-M [W142576-6/W52577-4]. ANNIE LAURIE (Scott) / HOME, SWEET HOME (Bishop). Two takes of each side were issued. Two tiny harmless rim patinas. Just about 1-2. $8.00. ROLAND HAYES [t] 2000. 10” Pink SS British Aeolian-Vocalion B-3038 [03175]. SIT DOWN (arr. Hayes). Piano acc. Lawrence Brown. Just about 1-2. $7.00. 1645. 10” Brown shellac acous. Vocalion 21003 [02875/03177]. STEAL AWAY (Brown) / SWING LOW, SWEET CHARIOT (Burleigh). British matrices. Piano acc. Lawrence Brown. Just about 1-2. $10.00. THOMAS HAYWARD [t]. Kansas City, MO, 1917-Las Vegas, NV, 1995. Born Thomas Albert Tibbett (a cousin of Lawrence Tibbett), Hayward appeared with both the NYC Opera (1944- 1945; 1959) and the Met (1945-1957) and later taught. His pupils included, among others, tenors Clifton Forbis, Gary Lakes and Jay Hunter Morris 1606. 10” Red RCA Victor 10-1426. PALE MOON (Logan) / SYLVIA (Speaks). Piano acc. Frank La Forge. I believe that this is his only solo recording. Just about 1-2. $10.00. FANNY HELDY [s]. See also: FERNAND ANSSEAU [t], MARCEL JOURNET [bs] 1321. 10” PW Red Disque Gram. DA-940 [BTR3351-I/BTR3345-I]. THAÏS: Duo de la Source (Massenet). Two sides. Side two with MARCEL JOURNET [bs]. Orch. dir. Piero Coppola. Excellent ‘30s lam. pressing. Just about 1-2. $12.00. LOUISE HELLETSGRUBER [s]. Vienna, 1898-Autobahn near Vienna, 1967. Studying in Vienna, Helletsgruber became a member of the Vienna Staatsoper in 1922, remaining until 1942. Between 1928 and 1937 she appeared regularly at the Salzburg Festival and from 1924 through 1938 the Glyndbourne Opera. Her death was the result of an automobile accident. 1885. 10” Dk. Blue PW Odeon O-11936 [Be10444-2/Be10445-1]. TURANDOT: Signore, ascolta / TURANDOT: Tu, di gel sei cinta (Puccini). In German. Just about 1-2. $15.00. FRIEDA HEMPEL [s]. See also: HERMIONE BOSETTI [s] 2301. 11” Brown Odeon 99541/99518 [XB.4896/XB.4863]. MAGIC FLUTE: Der Hölle Rache (Mozart) / DAUGHTER OF THE REGIMENT: Heil dir, mein Vaterland (Doni- zetti). Very tiny lbl. stkr. side one. The same label (99518) pressed in error on both sides. Very fine surfaces. Just about 1-2. $15.00. 3057. 12” Brown Odeon LXX 76948 [XXB5913]. PARLA-WALZER (Arditi). Just about 1-2. $15.00. 3802. 12” Grey acous. Polydor 85297 [327av/341av]. RUSSISCHER VESPERGESANG [JUBILATE] / AVE MARIA (Schubert). Just about 1-2. $15.00. - 89 - VOCAL 78 rpm Discs 3258. 12” Grey acous. Polydor 85298 [333½av/342av]. DINORAH: Schattentanz (Meyer- beer) / NORMA: Casta diva (Bellini). Side one in German. Side two in Italian. Just about 1-2. $15.00. 3265. 12” Red ’12 Pats. Vla 88382 [2222c]. LES HUGUENOTS: O beau pays (Meyerbeer). In French. Just about 1-2. $6.00. 3786. 12” Red “A” Plate Victor 88470. I PURI- TANI (misspelled PURITANA): Qui la Voce, Part II (i.e. Vien, diletto) [Bellini). Just about 1-2. $8.00. 3641. 12” Red Vla 88588. WINE, WOMAN AND SONG (Strauss). In Italian. Just about 1-2. $6.00. 3104. 12” PW Silver Victor IRCC 161 [1174s/2411c]. DER WILDSCHÜTZ: Auf des Lebens raschen Wogen (Lortzing) / LAKMÉ: Où va la jeune Hindoue? (Delibes). Label auto- graphed by Hempel. Just about 1-2. $20.00. HEINRICH HENSEL [t] 2363. 11” Blue Odeon 52691/52128 [XB5684/XB5881]. TIEFLAND: Ich grüss noch einmal meine Berge (d’Albert) / MICHAEL NASTA [t]. BALLO IN MASCHERA: O sag’, wenn HEINRICH HENSEL as Parsifal ich fahre (Verdi). IMs. Just about 1-2. $20.00. Cantor MORDECHAY HERSHMAN [t] 2183. 10” Blue acous. Victor 45496. MIN AMETZAR (Zigmund Mogulescu) / OWINU MALKEINU (Hershman?). Scarce. Just about 1-2. $20.00. 3571. 12” Blk. acous. Victor 68614. EIN KEMECHAL [THERE IS NO ONE BUT GOD] (Herschman) / DIE FRAU’S LIEBE [THE WIFE’S LOVE] (Arabian Song, arr. Engel). Just about 1-2. $15.00. 3499. 12” Green VT Columbia (blue shellac) 57033-F [W206145-1/W206146-2]. LIEDER KRANTZ (Yiddish Folksongs, arr. Leo Low). Two sides. Piano acc. Abraham Elstein. Few lt. rubs, cons. 2. $15.00. WILHELM HESCH [bs] 2046. 10” Blk. Wien G&T 72413 [1017x-B1-2z] (II). KDE DOMOV MUJ [MEIN VATERLAND]. In Bohemian. Piano acc. Fine copy indeed. Slightest lbl. rubs, cons. 2. $30.00. 2066. 10” Blk. Wien G&T 42904 [1088x-B:-2z]. HUGUENOTS: Ein feste Burg (Meyerbeer). Piano acc. Harmless inherent pressing indentations, otherwise very clean, cons. 2. $25.00. 2067. 10” Blk. Wien G&T 3-42617 [4197L]. EUGEN ONEGIN: Ein jeder kennt die Lieb auf Erden (Tschaikowsky). Orch. acc. Just about 1-2. $25.00. 2047. 10” Blk. Wien G&T 44167 [937x] (II). THE BARTERED BRIDE: Duett (Smetana). With WILHELM HESCH FRITZ SCHRÖDTER [t]. Piano acc. Cons. 2. $25.00. - 90 - VOCAL 78 rpm Discs 1894. 10” Blk. Dog Schall.
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