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A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
Download Booklet
559199 bk Helps US 12/01/2004 11:54 am Page 8 Robert HELPS AMERICAN CLASSICS (1928-2001) ROBERT HELPS Shall We Dance Piano Quartet • Postlude • Nocturne Spectrum Concerts Berlin 8.559199 8 559199 bk Helps US 12/01/2004 11:54 am Page 2 Robert Helps (1928-2001) ROBERT HELPS (1928-2001) Shall We Dance • Piano Quartet • Postlude • Nocturne • The Darkened Valley (John Ireland) 1 Shall We Dance for Piano (1994) 11:09 Robert Helps was Professor of Music at the University of Minneapolis, and elsewhere. His later concerts included Piano Quartet for Piano, Violin, Viola and Cello (1997) 25:55 South Florida, Tampa, and the San Francisco memorial solo recitals of the music of renowned Conservatory of Music. He was a recipient of awards in American composer Roger Sessions at both Harvard and 2 I. Prelude 10:24 composition from the National Endowment for the Arts, Princeton Universities, an all-Ravel recital at Harvard, 3 II. Intermezzo 2:24 the Guggenheim, Ford, and many other foundations, and and a solo recital in Town Hall, NY. His final of a 1976 Academy Award from the Academy of Arts compositions include Eventually the Carousel Begins, for 4 III. Scherzo 3:02 and Letters. His orchestral piece Adagio for Orchestra, two pianos, A Mixture of Time for guitar and piano, which 5 IV. Postlude 8:12 which later became the middle movement of his had its première in San Francisco in June 1990 by Adam 6 V. Coda – The Players Gossip 1:53 Symphony No. 1, won a Fromm Foundation award and Holzman and the composer, The Altered Landscape was premièred by Leopold Stokowski and the Symphony (1992) for organ solo and Shall We Dance (1994) for 7 Postlude for Horn, Violin and Piano (1964) 9:11 of the Air (formerly the NBC Symphony) at the piano solo, Piano Trio No. -
2002-2003 Perron in Recital
CONSERVATORY OF Music presents PERRON IN RECITAL featuring: Johanne Perron, cello with Tao Lin, piano Friday, March 7, 2003 7:30 p.m. Amarnick-Goldstein Concert Hall de Hoernle International Center Program Sonata for cello and piano No. 1, in F Major .............. Beethoven Adagio sostenuto - Allegro Rondo: Allegro vivace Suite for solo cello ..................................... Cassado · Prelude - Fantasia Sardana - Danza Intennezzo e danza finale Variations on a theme ofRossini . Martinu INTERMISSION Sonata in A Major . Franck Allegro hen moderato Allegro Recitativo - Fantasia, hen moderato Allegretto poco mosso Biogra~hies J h e P rr cello Ms. Perron is well established as an important artist and teacher, enjoying a career at an international level. She has appeared with orchestras and in recitals in Canada, Brazil, the United States, and Europe, and currently maintains a concert schedule as a soloist and chamber musician. She has been featured on nationwide radio and television, and has won top prizes in numerous competitions. Born in Quebec Province, Canada, Ms. Perron made her debut in Montreal with the Montreal Symphony Orchestra at the age of seventeen. She continued her studies at the Conservatory of Quebec with Pierre Morin, and in 1978 received first prize in cello and chamber music, which was the result of a unanimous decision of the jury. She pursued her studies with Aldo Parisot at Yale University on a scholarship from the Arts Council and the Ministry of Cultural Affairs of Canada, and in 1981 she received her master of music degree from Yale, together with the coveted "Frances G. Wickes Award." She won the Prix d'Europe in 1984 and was given first prize in the string division of the "Tremplin International des Concours de Musique du Canada." She has participated in master classes with distinguished artists Janos Starker in Banff, Canada; Pierre Fournier in Geneva, Switzerland; Fritz Magg, Nathaniel Rosen, and Paul Tortelier in Los Angeles, California; and she subsequently became a special student of Leonard Rose at The Juilliard School. -
Joyce Yang Piano Blessed With
Joyce Yang Piano Blessed with “poetic and sensitive pianism” (Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), pianist Joyce Yang captivates audiences with her virtuosity, lyricism, and interpretive sensitivity. As a Van Cliburn International Piano Competition silver medalist and Avery Fisher Career Grant recipient, Yang showcases her colorful musical personality in solo recitals and collaborations with the world’s top orchestras and chamber musicians. Yang came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: the Steven De Groote Memorial Award for Best Performance of Chamber Music (with the Takàcs Quartet) and the Beverley Taylor Smith Award for Best Performance of a New Work. Since her spectacular debut, she has blossomed into an “astonishing artist” (Neue Zürcher Zeitung). She has performed as soloist with the New York Philharmonic, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, the Baltimore, Detroit, Houston, Milwaukee, San Francisco, Sydney, and Toronto symphony orchestras, Deutsches Symphonie-Orchester Berlin, and the BBC Philharmonic (among many others), working with such distinguished conductors as Edo de Waart, Lorin Maazel, James Conlon, Leonard Slatkin, David Robertson, Bramwell Tovey, Peter Oundjian, and Jaap van Zweden. In recital, Yang has taken the stage at New York’s Lincoln Center and Metropolitan Museum; the Kennedy Center in Washington, DC; Chicago’s Symphony Hall; and Zurich’s Tonhalle. Yang kicks off the 2015/16 season with a tour of eight summer festivals (Aspen, Bridgehampton, Grand Tetons, La Jolla, Ravinia, Seattle, Southeastern Piano Festival, and Bravo! Vail) before commencing a steady stream of debuts, return engagements, and notable chamber music concerts. -
The Newness of It All
the Newness of it all... SEPTEMBER 16–18, 2016 Michelle Djokic, Artistic Director Friday,Concert September 16, 1 2016 7:00 pm The Barn at Glen Oaks Farm, Solebury, PA “Oh Gesualdo, Divine Tormentor” Bruce Adolphe SEPTEMBER for string quartet (b. 1955) 16–18, 2016 chamberfest IN THE HEART OF BUCKS COUNTY Deh, come in an sospiro Belta, poi che t'assenti Resta di darmi noia nco Gia piansi nel dolore Moro, lasso Adolphe - More or Less Momenti Clarinet Quintet in A major, K. 581 Wolfgang A. Mozart for clarinet and string quartet (1756 – 1791) THE ARTISTS Allegro Larghetto Piano - Anna Polonsky Menuetto Clarinet - Romie de Guise-Langlois Alllegretto con variazione-Adagio-Allegro Violin - Philippe Djokic, Emily Daggett-Smith Viola - Molly Carr, Juan-Miguel Hernandez Cello - Michelle Djokic k INTERMISSION k C String Quintet in C major, Opus 29 Ludwig van Beethoven for two violins, two violas and cello (1770 – 1827) Allegro moderato Adagio molto espressivo Scherzo -Allegro Presto k 1 OpenSaturday, SeptemberRehearsal 17, 2016 Sunday,Concert September 18,2 2016 10:30 am-1:00 pm & 2:00-5:00 pm 3:00 pm The Barn at Glen Oaks Farm, Solebury, PA The Barn at Glen Oaks Farm, Solebury, PA Art of the Fugue, BWV 1080 Contrapunctus I-IV Johann S. Bach Open rehearsal will feature works from for string quartet (1685 – 1750) Sunday’s program of Bach, Copland and Schumann Contrapunctus I - Allegro Contrapunctus II- Allegro moderato k Contrapunctus III - Allegro non tanto Contrapunctus IV - Allegro con brio Sextet Aaron Copland for clarinet, piano and string quartet (1900 – 1990) Allegro vivace Lento Finale k INTERMISSION k Piano Quartet in Eb Major, Opus 47 Robert Schumann for piano, violin, viola and cello (1810 – 1856) Sostenuto assai - Allegro ma non troppo Scherzo, Molto vivace Andante cantabile Finale, Vivace k For today's performance we are using a Steinway piano selected from Jacobs Music Company 2 3 PROGRAM NOTES Momenti, which consists of some of the strangest moments in Gesualdo’s music orga- nized into a mini tone-poem for string quartet. -
The Following Great Artists Have Taught
The following great artists have performed, taught, and/or studied at Hidden Valley Ansel Adams Rod Gilfry Pepe Romero Photographer Baritone Guitarist Sir Thomas Allen Philip Glass Jenny Penny Baritone Composer/Pianist Principal Dancer, The Royal Ballet Julius Baker Thomas Hampson Claudette Peterson Principal Flute, New York Philharmonic Baritone Soprano Samuel Barber Gary Hines Cindy Phelps Composer Conductor, Sounds of Blackness Principal Violist, New York Philharmonic Jeanne Baxtresser Sue Hinshaw Gregor Piatigorsky Principal Flute, New York Philharmonic Soprano Cellist Randall Behr Henry Holt Paul Polivnik Conductor/Pianist Conductor Conductor Martin Bernheimer Reg Huston Margarite Porter Music Critic Bass-Baritone Principal Dancer, The Royal Ballet Roger Cantrell Eugene Izotov Jean-Pierre Rampal Conductor Principal Oboist, San Francisco Symphony Flutist Colin Carr James Jarrett Stewart Robertson Celloist Author/Aesthetist Conductor Richard Cassilly Graham Johnson Joe Robinson Tenor Pianist Principal Oboe, New York Philharmonic David Conte Emil Khudyev Neil Rosenshein Composer Associate Principal Clarinet, Seattle Sym- Tenor Ronald Cunningham phony Ali Ryerson Choreographer, The Boston Ballet Farkhad Khudyev Jazz Flutist Robert Darling Conductor,/Violinist Charles Schleuter Designer/Director Mark Kosower Principal Trumpet, Boston Symphony Or- Leonard Davis Principal Cello, The Cleveland Orchestra chestra Principal Violist, New York Philharmonic Louis Lebherz Elisabeth Schwarzkopf Warren Deck Bass Soprano Principal Tuba, New York Philharmonic -
CCMA Coleman Competition (1947-2015)
THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors. -
GREGOR PIATIGORSKY Written by S
AN IMPORTANT NOTE FROM Johnstone-Music ABOUT THE MAIN ARTICLE STARTING ON THE FOLLOWING PAGE: We are very pleased for you to have a copy of this article, which you may read, print or save on your computer. You are free to make any number of additional photocopies, for johnstone-music seeks no direct financial gain whatsoever from these articles; however, the name of THE AUTHOR must be clearly attributed if any document is re-produced. If you feel like sending any (hopefully favourable) comment about this, or indeed about the Johnstone-Music web in general, simply vis it the ‘Contact’ section of the site and leave a message with the details - we will be delighted to hear from you ! GREGOR PIATIGORSKY written by S. and S. Applebaum for Celloheaven GREGOR PIATIGORSKY PART A – Biographical Details By Celloheaven One of the pre-eminent string players of the 20th century, Gregor Piatigorsky was born in Ukraine in 1903, and died in Los Angeles in 1976. His international solo career lasted over 40 years, and especially during the 1940's and early 1950's he was the world's premier touring cello virtuoso -- Casals was in retirement, Feuermann had died, and the three artists who were to succeed Piatigorsky (Starker, Rose, and Rostropovich) were still in their formative stages. His one true peer, Fournier, was limited in his travelling abilities by polio. Thus, Piatigorsky had the limelight almost to himself. He was gregarious, loved to travel and perform anywhere, and he hobnobbed as easily with farmers in small towns as he did with Toscanini, Stravinsky, Rubenstein, and Schoenberg. -
Festival Artists
Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts. -
The Eleventh Season: from Bach July 18–August 10, 2013
The Eleventh Season: From Bach July 18–August 10, 2013 WELCOME TO MUSIC@MENLO Dear Friends, The most transformative musical experiences of our own lives inevitably surface at Music@Menlo. Whether they inspire a single concert or provide context for an entire festival, we bring you these musical revelations with tremendous excitement. This we promise you: if you find it at Music@Menlo, it has a story deeply rooted in our personal history. Such an experience occurred for us during Music@Menlo’s ninth festival, which illustrated Brahms’s wide range of musical sources and influences. A program opened with an eloquent performance of Bach’s Second Suite for Solo Cello and then moved to works by composers indebted to both Bach and Brahms. Bach is a composer we had long revered, and we spoke excitedly of this concert’s extraordinary effect. Had the music of Bach—which unquestionably laid the foundations for the flow- ering of classical music through the present day—transformed the works which followed it, by composers including Schoenberg and Harbison? Or had Bach’s music, through its cosmic logic, simply opened our ears to hearing everything that followed it more clearly and vividly? These questions blossomed into our dream of an entire Music@Menlo season programmed in this special way, and in due time From Bach was born. Once again, Music@Menlo is proud to offer a rich festival experience to be found nowhere else. What better way to inaugurate our second decade than with con- certs that begin with works by a composer without equal, created at -
PHILIPPE QUINT Biography (Updated July 2016)
PHILIPPE QUINT biography (updated July 2016) Lauded by Daily Telegraph (UK) for his “searingly poetic lyricism” violinist Philippe Quint is carving an unconventional path with his impassioned musical desire for reimagining traditional works, rediscovering neglected repertoire to commissioning works by contemporary composers. His dedication to exploring different styles and genres with an award winning discography has solidified him as one of the foremost violinists of today. Receiving several Grammy nominations for his two albums of Korngold and William Schuman Concertos, Mr. Quint is in constant demand worldwide appearing with major orchestras at venues ranging from the Gewandhaus in Leipzig to Carnegie Hall in New York. Philippe Quint plays the magnificent 1708 "Ruby" Antonio Stradivari violin on loan to him through the generous efforts of The Stradivari Society®. Highlights of the 2015/2016 season included performances with Colorado, Seattle & North Carolina Symphonies, Luzern’s Zaubersee Festival with pianist Marc-Andre Hamelin, and a first visit to Verbier Festival performing with Joshua Bell and Tabea Zimmerman among others. At the invitation of Maestro Vladimir Spivakov, Philippe opened the 28th edition of Colmar Festival dedicated to Jascha Heifetz with Tugan Sokhiev conducting the Orchestre National du Capitole de Toulouse in a performance of Korngold Violin Concerto. Earlier this year he was part of the opening of Mary B. Galvin’s new hall in Chicago hosted by Renee Fleming. Winner of the “Ambassador of Arts” award in 2014, presented to Philippe by Brownstone and Gateway Organizations at the United Nations last March, his 2014-2015 season highlights included debuts with Seattle Symphony with Ludovic Morlot, Milwaukee Symphony with Edo de Waart, Kansas Symphony with Michael Stern, Vancouver Symphony with James Gaffigan, and returns to San Diego Symphony with Jahja Ling and Indianapolis Symphony with Krzysztof Urbanski.