Monthly Magazine Published by BUNTS’ SANGHA BANGALORE

VOL 12 APRIL 2016 ISSUE 04

Literary & Publication Committee Chairman : Sri Sathyananda Melanta N. Hon. Editor : Sri M. Muralidhar Hegde ¥ÀÅl

Advisory Board 1. Editorial 2 Girish Rai A. Dr. Jayaram Shetty S. 2. President's Message 3 Chandrahas Rai D. Amarnath Hegde R. 3. UËgÀªÀ PÁAiÀÄðzÀ²ðUÀ¼À ªÀgÀ¢ 4 Shashidhar Adappa B. 4. 5 Prakash Shetty M. zÉéÃμÀzÀ §zÀÄPÀÄ C£ÁgÉÆÃUÀåPÉÌ PÁgÀt 5. 7 Editorial Board ©Ã¢ £Á¬ÄUÀ¼ÀÄ ªÀÄ£ÀÄμÀå£À ªÉÄÃ¯É Vanamala Sampanna Kumar 6. International Women’s Day Celebration 9 Rajashree K Shetty Rajaram Shetty U. 7. ¸Á® ±ÀÆ®-¸ÀvÀàxÀ 11 Pramodchandra Bhandary K. Chandrashekhar Alva 8. AiÀÄÄUÁ¢ ¸ÀA¨sÀæªÀÄ 15 Nagaraja Shetty K. 9. xG$L‰r‰Z¤p‰”]Š]‰¹‰ƒ‰3ŠMq$L‰xY‰ 33 Prashanth Rai 10. 34 Patron Members £ÀªÀÄäªÀgÀÄ Smt. Manorama Chowta 11. ªÀÄ£À¸ÁgÉ £ÀPÀÄÌ©r 35 Smt. Veda S. Shetty Sri B. Kusumakara Shetty 12. JvÀÛt ªÀiÁªÀÄgÀ JvÀÛt PÉÆÃV¯É 37 Sri R.S. Shetty Smt. Vasanthi P. Shetty 13. vÀļÀÄ vÉjAiÉÆ£Éè 39 Sri Prakash Shetty 40 Sri A.J. Shetty 14. ¥ËgÀ gÀPÀëuÁ ¥ÀqÉ - ¹«¯ï r¥sÉ£ï Smt. Geetha Bhagavandas Rai 15. AiÀÄPÀëUÁ£À ¥ÀæzÀ±Àð£À 43 Sri K. Shankar Shetty, Hubli Sri Srinivas Sooda 16. Yakshagana Foot Prints 44 17. Matrimonial 47 Publisher Sri H. Shridhar Hegde

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2 K¦æ¯ï 2016 President's Message

“God, grant me the serenity to accept the things that I cannot change, the courage to change things that I can and the wisdom to know the difference”. Sometimes in your life , you come to the crossroads. You realise the right way is to move forward. But sometime you hit a wall and you know, you need to overcome that. Despite all provocation, you accept to ignore and hope people will change. Unfortunately, it never happened. Being the President of a social organisation is never easy and hence was my reluctance despite being in the executive committee for more than 20 years. Some of the well wishers wanted me to take up the mantle so that we can push new ideas. Luckily, I had a great team as executive committee and everyone was focused. The cooperation showed with many programme which was appreciated by one and all.

In the recent few months, my enthusiasm has waned, passions get dimmed when suddenly you realise, that are few who believe that are the only one's who know what is good for the Sangha. I don't consider myself a saint but I am certainly not a sinner. In your quest to do something good for the community, there would be issues and I believe they can be sorted by clarity of thoughts and not by stubbornness.

The election in the horizon may have something to do with that but I hope and pray ‰‘‘†•‡•‡’”‡˜ƒ‹Ž•ǤŠ‡’‡‘’Ž‡Šƒ˜‡‰‹˜‡ƒƒ†ƒ–‡ˆ‘”–Š‡‡Ž‡ –‡†‘ˆϐ‹ ‡„‡ƒ”‡”• and despite all attempts, I realise one person opinion can stop all activity irrespective ™Šƒ––Š‡ƒŒ‘”‹–›–Š‹•ǤŠ‡”‡‹•ƒŽƒ —ƒ‡‹‘—”„›‡Žƒ™ƒ†™‡‡‡†–‘”‡†‡ϐ‹‡‹–Ǥ I hold no grudges against anyone but I request all our well wishers to realise why I am hurt and how I feel, it is all not worth it. I have only one request to almighty... dear God, if I have hurt others give me the strength to apologise... If people hurt me, give me the strength to forgive.

We will not be living forever, let us in a short time available, do good for the people and the community. History will not remember, how long you lived but will remember, how well you lived and what is your contribution to the society at large

Dr. Naresh Shetty President

3 K¦æ¯ï 2016

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8 K¦æ¯ï 2016 International Women’s Day Celebration – 12.03.2016 The Ladies Wing Bunts Sangha Celebrated the the ladies, both on stage and off stage. The day International Women’s Day entitled ‘PRATHIBHA’ dawned itself to a magical evening. To add colour on Saturday, 12th of March at our Radhabai to the jiffy was Mrs. Vyshali Surya Prakash, MC for Thimmappa Bhandary Auditorium, with exclusive, the evening. grandeur and solemnity, this year. The Chairperson of the ladies wing Mrs. Rohini We conducted inter club competition among Shetty welcomed the most awaited gathering various women oriented organizations and for the Valedictory function. The chief guest of groups respectively. All together eleven troups the evening was Mrs. Margaret Sampath, Deputy dynamically participated in the competitions. Director, SICHREM Human Rights Organisation of India. Š‡ ‘’‡–‹–‹‘•™‡”‡ϐŽƒ‰‰‡†‘ˆϐ‹ ‹ƒŽŽ›„›”‹ Ǥ Shridhar Hegde, Hon. Secretary, Bunts’ Sangha. Delivered by her was an awe inspiring speech ƒ Š –”‘—’ ƒ‰‹ϐ‹ ‡–Ž› •Š‘™ ƒ•‡† –Š‡‹” –ƒŽ‡– about the issues faced by the women at work place, with the given span of 20 minutes, dividing the gender bias, followed by talks on dignity to live time equally between Skit (theme based), Duet in equal terms with the men folks. Gender Parity (comedy based) and Group Dance performance or Gender Equality was the foremost subject of respectively. discussion, as the voice of this very gathering was International Women’s Day. To judge the presentation skills of all 132 participants, we had the two most prominent After the powerful speech came the most judges among us, they were Mr. Krishnamurhty anticipated moment of the day, which was Kavatar and Mr. Sandeep Jain, both of them being announcement of the prizes by the Judges. And popular T.V., Cinema and Theatre personalities. they were as follows:- This programme was an entire day event, with not I Prize : BRS Bangari Team mere stage shows, but also giving a huge backing II Prize : MSRS Nagar Team for Bunts Women Entrepreneurs. 21 Stalls were III Prize : Bhoomika Team arranged at the premises, which were wooed by Consolation Prizes the entire with an awesome shopping experience. 1. Best Theme/ Concept : Ever green aspirations of all the women like, Sadhana Vanitha Mahila Mandali jewelleries, designer sarees, dress materials, colourful bedspreads, pillows were all a part of 2. Best Costume : the business. Sadhana Vanitha Mahila Mandali Not to forget the delicious stalls of Mangalore 3. Best Group Dance : products like toute, basale soppu, jeegujje, manoli, Billava Association happala, mudi uppad and mangalooru mallige all 4. Best Comedy Duet Dance: did a great deal of magic among the irresistible Suhasini Ladies Club buyers. 5. Best Actor : Followed by the stage show and an exuberant Ms. Soumya Shetty, BRS Bangari Team shopping, was a lip-smacking luncheon arranged in the dining hall for the entire enthusiastic mass. After the crowd joyfully responded and cheered the winners, they were congratulated whole heartedly All in all it was a fun packed Saturday for all by all the dignitaries on the dias and photographs

9 K¦æ¯ï 2016 were snapped for the fond memories. delivered by Smt. Rajashree K. Shetty to mark the end of the successful programme. President of Bunts Sangha Mr. Naresh Shetty addressed the gathering and appreciated the - Rohini G. Shetty enthusiastic participation of the women fraternity Chairperson - Ladies wing to celebrate their day. Vote of thanks was duly

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10 K¦æ¯ï 2016

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11 K¦æ¯ï 2016

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12 K¦æ¯ï 2016

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13 K¦æ¯ï 2016

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14 K¦æ¯ï 2016

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28 K¦æ¯ï 2016

Rajajinagar : # 117 ,West of Chord Road, (Near Rajajinagar 1st Block Signal) Mahalakshmi Puram, Bangalore - 560086. ADVT.

29 K¦æ¯ï 2016

CA. B T Shetty Chartered Accountant, Bangalore

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33 K¦æ¯ï 2016

34 K¦æ¯ï 2016

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YAKSHAGANA FOOT PRINTS OF THE FOLK ART Yakshagana, music of heavenly beings, Yakshas and Gandharvas, recreates lives of Gods & ‘††‡••‘‡ƒ”–ŠǡŠ‹•Š‡ƒ–”‡ˆ‘””‡•–•‘–Š‡‡†‹ϐ‹ ‡‘ˆŠ‹‰Š’‹– Š‡†—•‹ ǡˆƒ•–‘˜- ing dance, highly colorful costumes and intensely engaging dialogue. Human imagination could not have invented more attractive costumes for Gods than Yakshagana has adopt- ed. This has found enthusiastic acceptance in distant USA, Europe, Indonesia and Japan. It is believed that Gandharvas were and scholarship of the Actors. Variation in dance A Girish Rai good singers and Yakshas were ac- and dialogue may change. It is not uncommon for complished dancers. This combina- actors to get into philosophical debates or argu- tion of music and brisk dancing gradually evolved ments without going out of the framework of the as Yakshagana. This dance drama is believed to character being enacted. They try to disarm the have been developed from pre-classical music and other by argument on logic and syllogism. theatre. It has drawn comparison to the Western Yakshagana is a traditional Theatre form com- tradition of opera. Actors wear costumes and en- bining dance, music, actor created extempore act various roles. Traditionally, Yakshagana would †‹ƒŽ‘‰—‡•‹ ‡–Š‡”‡‹•‘–ϐ‹š‡†• ”‹’–ǡ ‘•–—‡•ǡ go on throughout the night. It is often called as makeup and stage technique with distinct style. Aata in both Kannada and Tulu, meaning 'play' It is closely connected with forms prevailing in literally means the song (gana) of a ‘Yaksha’ , also other parts of Karnataka and neighboring states called as angel or demi God has important place of Andhra Pradesh, Kerala, Tamilnadu and Ma- in almost all literatures the world over including harashtra. According to noted theater artist B.V, Greek mythology. Yakshas were an exotic tribe Karanth, classical dance forms like Bharathanatya mentioned in literature of ancient India. originated from Yakshagana. Yakshagana like Yakshagana consists of Himmela (Back ground mu- ƒ› ‘–Š‡” ˆ‘”• †‡ϐ‹‡• ‡ƒ– Žƒ••‹ϐ‹ ƒ–‹‘ ‹–‘ sicians) and Mummela dance and dialogue group categories like folk or classical. It can be included consisting of the facilitator singer [Bhagavatha], into each of these or all of them together, depend- Maddale, Harmonium and loud drums Chande. ing upon the line of approach. Being a theater The music is based on Sangeetha Ragas charac- form, it is more plural and dynamic terized by melodic patterns called Mattu and Yak- Yakshagana Raga refers to melodic framework shagana Tala. Both Yakshagana Raga and Tala have used here. It is based on pre-classical melodic ˆ‘Ž ‹ϐŽ—‡ ‡Ǥ ƒ–ƒ „‡‰‹• ƒ– –Š‡ –™‹Ž‹‰Š– Š‘—”• ˆ‘”•–Šƒ– ‘’”‹•‡ƒ•‡”‹‡•‘ˆϐ‹˜‡‘”‘”‡—•‹- ™‹–Š–Š‡„‡ƒ–‹‰‘ˆ•‡˜‡”ƒŽϐ‹š‡† ‘’‘•‹–‹‘•‘ cal notes upon which a melody is founded. Ragas drums, called Peetike, for up to an hour before in Yakshagana are closely associated with a set of the Actors get on the stage. The actors wear re- melodic forms called Mattu. In Yakshagana tradi- splendent costumes, head dresses, and face paints tion, ragas are associated with different times of which they paint themselves. A performance usu- the night throughout which Yakshagana is per- ally depicts a story from the epics and puranas. formed. Baghawatha narrates the story by singing or sings pre-composed dialogues of characters, backed by The Prasanga is a collection of poems written to musicians playing on traditional musical instru- form the music drama. The poems are composed ments as the actors dance to the music, with ac- in well known Kannada meters using the frame tions that portray the story as it is being narrated. work of Yakshagana Raga and Tala. Oldest sur- All the components Yakshagana, music, dance and viving prasanga books are believed to have been dialogue are improvised, depending on the ability composed in 15th century. Many compositions

44 K¦æ¯ï 2016 have been lost. There are evidences to show that TENKU TITTU oral compositions were in use before 15th Cen- Tenkutittu stlye, is prevalent is southern areas of tury. The costumes depend on Vesha, character South Canara, that is, from Mulki to Kasaragod. It depicted in the prasanga. It also depends on Yak- is well known for its extravagant Rakshasa (De- shagana style or tittu. Badagu tittu and Tenku mons) and its incredible dance steps. Performers tittu.Yakshagana ornaments are made out of light often do Dhignas, Jumping spins in the air and wood, mirror work, colored stone. Though, lighter often continuously spin hundreds of times Ten- materials like thermocol are used in modern days, kutittu is variation of Yakshagana more focused ornaments are still predominantly of woodwork. ‘ Š‹‰Š ϐŽ›‹‰ †ƒ ‡ ‘˜‡•Ǥ Š‡ ‘–ƒ„Ž‡ ’”ƒ –‹- The costumes consist of headgear (Kirita or pag- tioners of Tenkutittu style of Yakshagana are the ade,) Kavacha that decorates chest, Buja Keethi late Sheni Gopalakrishna Bhat, Alike Ramaya Rai, (armlets) that decorate shoulders and belts Bolar Narayana Shetty, Malpe Ramadasa Samaga, (Dabu) all made up of light wood and covered with Mudabidri Krishna Rao, Kumble Sundar Rao, Mi- golden foil. Mirror works on the ornaments help jaru Annappa among others. –‘”‡ϐŽ‡ –Ž‹‰Š–†—”‹‰•Š‘™ƒ†ƒ††•‘”‡ ‘Ž‘” to costumes. These ornaments are worn on a vest TROUPES and covers upper half of the body. Experts have placed the origin of Yakshagana from Lower half is covered with kachche that comes in the 11th century to the 16th century. Earliest limit a combination of red, yellow and orange checks. ‹•ϐ‹š‡†„›ƒϐ‹†‹‰‘ˆ‹†™ƒƒƒŒ‡ ‘˜‹- Bulky pads- cloths are used Kachche and this dacharya who says a legend goes to show that sage makes actors different from general audience in Narahari Thirtha (c 1300) started a Dashavantha- size. ra Aata performance and a troupe in Udupi . Later this spread to other places and grew into what we Bannada Vesha that involves detailed facial make- call Yakshagana. Yakshagana must have been an up is used to depict monsters. It may take 3 to 4 established form by 1600 the time of famous Yak- hrs to complete makeup for certain vesha. Tra- shagana poet Parthi Subba. Dr. Shivarama Karan- ditionally, males are playing female roles in Yak- tha in his research work argues that it is Subba shagana. However, more recently Yakshagana has son of Venkata who was its author. Because he is seen female artists who have performed in both said to be a Bhagawatha himself and is believed male and female roles. Stree vesha uses sari and to have founded a Troupe. Centres like Koodlu other decorative ornaments. and Kumble in Kasragod district, and Amrithesh- BADAGU TITTU wari, Kota near Kundapur claim having troupes three to four centuries ago. As can be assumed The Badagutittu style, is prevalent in northern that this art form had taken shape by about 1500 parts of South Canara, that is from Padubidri to however, what we see today as Yakshagana must Byndoor and North Kanara district,and it makes have been the result of a slow evolution, draw- use of a typical Karnataka Chande. The Badagutit- ing its elements from virtual theatre, temple arts. tu style was popularized by Shivarm Karanth's Royal courts of the time and artists imagination all Yakshagana Mandira at Saligrama Village in Dak- interwoven over the period of time. Even charac- shina Kannada as a shorter, more intense form ter actor will dance but not in the same style. Fe- of Yakshagana. Keremane Shivaram Heggade, the male character will perform dancing gracefully by founder of the Yakshagana troupe, Idagunji Maha- rhythmically moving the hands the leg movement ganapathi Yakshagana Mandali is an exponent of in a manner akin to basic style of Bharatnatya. –Š‹••–›Ž‡ǡŠ‡‹•ƒŽ•‘–Š‡ϐ‹”•–ƒ•Šƒ‰ƒƒƒ”–‹•––‘ Dances of characters like Sri Krishna, Bhishma receive the Rashtrapati Award. Pitamaha, Dhronacharya or Naradha will be low

45 K¦æ¯ï 2016 pitched, while dances of character actors like Ar- its and demerits. Yakshagana saw major changes juna, Karna, Abhimanyu, Babruvahana and the like in form and organization with electrical lights fast moving and high pitched. The characters like replacing the 'Gas light' or petromax Lamps, seat- Ravana, Shishupala, Kamsa, Bhasmasura are very ing arrangements improved. Major changes came high pitched with dignas. The bannada vesha rep- in the themes, with the inclusion of folk epics, resenting demon character takes the entire stage Sanskrit Drams and created (imaginary) stories for this. The voice of Bhagawat will indicate the forming the thematic base. Popular entertainment ushering in of major characters. became the criterion in people of 'classical' pre- sentation. This gained great popularity. All these The scholarly extempore conversation between trends continued with added vigor after 1970s, characters in itself a revelation. The Yakshprashna ™‹–Š ƒ ‡™ ‡Ž‡‡– ‘ˆ ‹ϐŽ—‡ ‡Ǥ ‘–‡† ™”‹–‡”ǡ , which Yudishtara answers, the unanswerable Late Kota Shivaram Karanth experimented with questions posed by Vanquished Wali felled by the dance form by introducing western musical Rama bana from a shade of tree, the teaching of instruments. He also reduced the duration of Yak- Rajarushi Vasista ,the anger of Durvasamuni are shagana performance from 12 hours to two and all worth hearing. Political philosophy, concept half hours, for the convenience of city dwellers. of welfare state, Rajadharma are all elucidated Another trend that has emerged in modern Yak- by Bhishma to Yudishtara soon after the Mahab- shagana is the incorporation of moving stories. harata war is indeed a lesson for all. Srikrishna The period from 1950 to 1980 can be called as the visits Hastinapura as an envoy of Pandavas to ne- "GOLDEN YEARS" of Yakshagana as there were gotiate for their share in the kingdom. Here Sri legendry actors who imparted honor and celebrity Krishna shows rare sense of diplomatic acumen status to this art form. by not accepting Dhuryodhana's hospitality, po- litely avoiding Bhishma Dhrona, Krupacharya and Š‡”‡ ƒ”‡ ƒ„‘—– ͵Ͳ ˆ—ŽŽ ϐŽ‡†‰‡† ’”‘ˆ‡••‹‘ƒŽ staying with Vidura in his modest house. By this troupes and nearly 200 amateur troupes at pres- one gesture Sri Krisha gives a broad hint that he is ent in Yakshagana. Professional troupes go on tour always with the right cause and pious people. Ac- between November to May, giving nearly 180-200 tors logically analayse their respective roles and shows.. There are about thousand professional †‡ϐ‹‡™Šƒ–Šƒ•„‡‡‹‰‘‘†ˆƒ‹–Š™Š‡”‡–Š‡ƒ”‰—- Artists and many more amateurs. Further there ments will go on for hours. Resembling the verbal are off season shows during the wet season, the duel between leading legal eagles never breaching anniversary shows, school and college students the self imposed Lakshmana Rekha of public mo- Yakshagana. Yakshagana commercial shows, wit- rality. There is always the Hasyagara - (Comedian) ness 12,000 performances per year in Karnataka to enlighten tense situation during the verbal duel. generating a turnover of about Rs Six Crores. The briskness of the dances, the gestures, the high This is a fading Art from, which will survive and pitched beating of the drums, the eloquent dia- ϐŽ‘—”‹•Š ™‹–Š ‘Ž› „‡‡˜‘Ž‡– Š‡Ž’ ƒ† •—’’‘”–Ǥ Ž‘‰—‡„‡ϐ‹––‹‰–Š‡ Šƒ”ƒ –‡”••‘‡–‹‡•–‡•ƒ† The living conditions of artists is pathetic. They then witty, unknowingly draws the audience to the earn for about 4-5 months per year no subsidiary performance. avocation during the off season. Insurance, Medi- GOLDEN PERIOD ƒŽƒ••‹•–ƒ ‡ǡǤ ƒ†‘–Š‡”„‡‡ϐ‹–•ƒ”‡—Š‡ƒ”† of. The Government has to think of these aspects The year 1950 saw the birth of 'tent' tropes, giving and provide some kind of social security for these performance to audience by tickets with theatres Artists and help to preserve this world famous Art and seats for seating. These troupes brought in Form. commercialization of Yakshagana. Both with mer-

46 K¦æ¯ï 2016 BUNTS' SANGHA BANGALORE Matrimonial Services Committee 61R 'HWDLOV  4XDOL¿FDWLRQ 61R 'HWDLOV  4XDOL¿FDWLRQ Boys-Doctors 382/B/15 06/09/1982 5’6” M B A Deputy Manager 310/B/14 05.01.80, 5.9” B.A.M.S (Ayurveda) working in 384/B/15 21/03/1983 5’8” M B A Working Russia 387/B/15 27/07/1981 5’10” Hotel Management Self Employed Boys-Engineers 389/B/15 01/05/1983 5’8” BBM Working 280/B10.05.84, 5.7” B.E., Tech Mahindra 392/B/15 29/04/1986 5’6” M B A Working 292/ B04.03.86, 5.6” BE/PGDBA Engineer 405/B/15 01/06/1980 5’8” C A Inter Chief Accountant-Dubai 297/B27.04.84 5.8” B.E. RWSSIA 406/B/15 25/05/1983 5’8” B.com 301/B 17.09.84 5.6” B.E., Hitachi Consulting 414/B/16,10.03.1984,5.10"Hotel Management 304/B/14 03.11.88, 6.1”, B.E. Symphony Services 412/B/16, 17.05.1985, 5.6" DME, MBA 415/B/16, 16.06.1988, 6" B.E., M.S. working in Amazon, 413/B/16, 16.12.1982, 6" B.Com, ICA USA 416/B/16, 29.01.1987, 5.11"B.Com, LLB Boys –Graduates Boys-Post Graduates 36 284/B 04.09.76, 5.7” B.Com, asst. Manager in Hyundai  % ´ %&RP0%$±$&¶V2I¿FHULQ 316/B/14 25.04.83 5.8” B.A., D.G.A., BTV Pvt. Ltd. Toyoto Group 37 308/B 11.01.83, 6”, B.Com, George P. Johnson 36 290/B 08.07.82, 6.1” MBA (accounts) 37 294/B 06.09.82, 5.6” MBA, asst. Manager, Tech Support 38 316/B/14 25.04.83 5.8” B.A., D.G.A., BTV Pvt. Ltd. 39 299/ B 08.11.86 6 ” B. Com, Tax assistant in 39 350/B/15 2.2.84 5’8 B.Com -Sales Manager Income Tax Dept. (National Landmark Insurance Level Sportsman) 40 353/15 1983,5.9”ft, Diploma (E&C),B.A-Business 40 295/B 24.09.80, 5.7” B.Com, B.Com, MBA, Deputy 41 354/15 14.09.79,5.10”ft, LL.B-legal manager society Manager – All cargo Logistics, general B’lore 43 358/15 12-09-1984, 5.8” B. A & AASP-Purple Frame 43 306/B 17.02.84, 6”, MBA, Sales Executive Ravindu Toyota Tech Pvt. Ltd 48 320/B/14 28.12.84, 5.10” Dipl. BCA, MBA, EVent 284/B 04.09.76, 5.7” B.Com, Asst. Manager in Management Hyundai 49 321/B/14 22.11.84, 5.6” MBA (Finance), Finance professional 299/B 08.11.86, 6 ” B. Com, Tax Assistant in 50 322/B/14 11.09.84 5.8” MCA Income Tax Dept. (National Karnataka Bank Level Sportsman) 314/B/14 07.09.83, 6” MBA, Reliance General 300/B 06.11.80 6” B.H.M.,pursuing MBA,Spice Jet Insurance 409/B/16, 15.02.1986, 5"9 Master in Pharmacy(M. 315/B/14 21.02.84, 5.7” Master Degree in Journalism, Pharma),Working in regulatory Sub-editor, Udayavani Affairs Department at Bangalore 318/B/14 16.05.84,5.9” MBA, Piaggio Commercial 410/B/16, 5"10 B.Sc(Electronics) MCSE Motor (P) Ltd Working in Microsoft MSc.-IT 54 325/B/14 09.05.85 5’10” MBA, Sr. analyst – accenture at Bangalore. 55 326/B/14 09.05.85 5’10” MBA , Ing Vaisya Bank 411/B/16,10.09.1982, 5"9 M.B.A. 56 328/B/14 08.09.83 5’8” MBA, Working at MNC Bangalore Boys –General  %¶´ //%/HJDORI¿FHLQ$&7 25 281/B 12.04.84, 5.4” Dipl. in Engineering pursuing Broad Band MBA, working in IBM India 59 337/B/14 19.08.82 5’11” MBA, Business Development 26 282/B 25.07.86, 6.0” Dipl. In Mechanical, Fitness Manager Instructor and Interior designer 60 339/B/14 31.12.80 5’9” MS in Product Design, 27 283/B 31.10.83, 5.2” PUC, Service Engineer 61 340/B/14 04.11.79 5’7” Master in Mass Commn 30 296/ B 28.12.88 5.10” Diploma in Computer Science, Journalist Event Manager 62 343/B/1515.04.87 5’6” B.com Hotel Business 32 309/B 10.11.82, 5.7”, Diploma in Mech. Engineer, 63 245/B/01.08.81, 5.5” %&RP0%$ DFFRXQWV2I¿FHU  working in HaL Toyota Group 33 303/B/14 18.12.82, 5.7”, Dip in Computer Science, 65 347/B/ 04.01.84, 5.6” M.Sc Biotech – accounts Software Engineer manager Sales 34 317/B/14 24.02.81 5.8” Dipl. in E & C, Validatim Technic 360/15 16/12/1979, 6.2” B.Sc, MBA,TCS passport seva, 35 319/B/14 22.11.83 5.2” Dipl. in Mechanical Engineering, ahmadabad ABB Ltd. 67 368/B/15 15/12/1983 5’11 BHM Self employed 35 329/B/14 11.05.84 5’10” PUC, Sr. Sales Executive 68 362/B/15,12/a6/1987,6’a” MTA,VISA Executive (Kalyani Motors ) 372/B/15 11/11/1981 5’7” MBBS (Pursuing) Business 36 333/B/14 18.05.79 6’0” PUC, I.T.I, Business 373/B/15 09/09/1984 5’6” B A Bped , Mped Lecturer 37 338/B/14 23.01.83 5’8” Diploma, Business Director 374/B/15 02/01/1987 5’5” M.SE Govt.Lecturer Pavni Chits India Pvt Ltd 375/B/15 21/02/1987 5’6” B.Com PWD Contractor 38 344/B/09.07.83 5.11” 12th (PUC) – Hotel Business 377/B/15 18/08/1985 5’9” B A Hotel Business 39 351/B 31.12.80 5.9” Diploma and MS in Design 378/B/15 19/10/1982 5’5” M B A Preethi Kitchen Appler Eng- Scheinder Electronics 380/B/15 03/09/1983 5’7” B.com Indus Bank 40 370/B/15 10/08/1975 6’ Diploma Working

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61R 'HWDLOV  4XDOL¿FDWLRQ 61R 'HWDLOV  4XDOL¿FDWLRQ 41 363/B/15,27/06/1981, 5’9” Diploma System admin 825/G/14 03.09.89 5.5” B.E (C.Sc.), Dell International 42 365/B/15,14/07/1987, 5’4” IIPUC, Bakery Services 43 379/B/15 5/12/1986 5’9” M.Pharm Working 838/G/14 02.05.90 5.5” B.E, Software Engineer 44 383/B/15 17/04/1983 5’10” ITI Working 843/G/1420.11.86 5.4” B.E., MBA, HR in Goldman 45 386/B/15 23/08/1984 5’7” Diploma Working Sachs 46 395/B/15 21/05/1986 5’7” Diploma Working 847/G/1429.03.85 5.6” B.E., M.S. Motorola, Chicago- 47 396/B/15 12/04/1984 5’8” B Pharm Working USA 18 400/B/15 12/04/1984 5’5” Diploma,M.B.A 187 1002/G/15 01/05/19915’6” B E Working 19 402/B/15 22/06/1982 5’8” Diploma, Senior Service Engineer 188 1003/G/15 22/10/1980 5’5” B E Project Manager 20 403/B/15 29/09/1985 5’1” Diploma, Electrician 189 1009/G/1515/05/1991 5’2” B.E 407/B/15, 15.08-15, 5"3 B.Com 190 1010/G/15 23/06/1991 5’3” B.E Wipro Boys - Widower 191 1011/G/15 22/05/1989 5’5” B.E(Electronics) DELL 366/B/15,02/06/1982,5’8” B.Tech, Engineer 192 1015/G/15 21/08/1984 5’5” B.E Working 376/B/15 01/01/1985 5’10” M B A Decutuche Bank 193 1022/G/1504/07/1988 5’5” B E Boys- Divorce 1024/G/1517/09/19985’2” B.E Senior Software Analyst 408/B/2016,01.05.1979,5"6 Diploma in Mechanical 1025/G/1521/01/1990 5’3” B.E Software Engineer Engineering working as Asst. 1026/G/1519/08/19815’3” B.E Working in Oracle Manager. 1027/G/15 03/06/19905’6” B.E ,M.Tech Software Engineer Girls—Doctors 1028/G/1518/11/19815’4” B.E Working 652/G/123/14/19875'4'' B.A.M.S Duty Doctor in private 1104/G/15, 15.09.92, 5". B.E.(Computer Science), Working hospital in Infosys as Systems Engineer. 666/G/12 7/29/1982 5'5" B.A.M.S, M.Sc Doctor, Lecturer 1107/G/16, 19.04.92 ,5"2 B.E.(Instrumentation Engineer) 708/G/13 5/21/1987 5'8" BAMS Doctor Working in Tata Consultancy Services 21 882/G/4 08/05/84 5’2’’ M.D.S Dentist 1109/G/16, 11.03.90, 5"3. B.E.(I.S), Working in Estuate 22 968/15 14.01.86, 5.2”ft, B.D.S,M.D.S-A.J Shetty Software as Senior Software Dental College Engineer. 23 998/B/14 30/04/1990 5’3” MBBS Doing MD 1110/G/16 , 22.02.1991, 5"3. B.E.(Computer Science), Working 24 1018/G/1530/07/1985 5’4” MS (General Surgery) in Deloitie. 1077/G/15, 11.04.91, 5"3 B.H.M.S , Own Clinic at 1112/G/16, 26.07.90, 5"3. B.E.(Computer Science),Working in Viveknagar,Bangalore. Infosys Ltd as Senior Systems 1106/G/16, 20.05.89, 5"4 M.B.B.S.(M.D. in OBG in Engineer. second year) 1113/G/16, 28.01.90,5"3. B.E.(E & C),Working in Robert 1125/G/16, 04.02.1987, 5.5" MD Pathology Bosch. 1116/G/16,22.08.91, 5"7 B.E., Working as a IT Support. Girls-Engineers 1118/G/16, 04.04.1989, 5.4" B.E, working at Accenture 646/G/12 3/27/1985 5'2'' BE Girls-General 647/G/128/19/1981 5'2'' BE Software Eng. 778/G11.01.89, 5” Dipl, E&C – MPHASIS - HP 658/G/12 7/6/1987 5'4'' BCA MS Software Eng. 826/G/14 30.09.82 5.6” PUC 674/G/12 4/19/1987 5'2'' B.E 830/G/1418.02.83 5” Diploma (E & C), SAP Labs 677/G/12 6/15/1983 5'7" B.E IBM 831/G/14 04.02.815.2” PUC 679/G/12 6/26/1990 5'5" B.E Engineer 835/G/14 07.08.895.3” Diploma in Medical Lab Technology, 687/G/13 8/14/1989 5'4" B.E Software Eng. Columbia Asia Hospital 701/G/13 5/11/1988 5'7" B. E Software Analyst Working at 860/G/14 21.05.87 5.8" Perform Group 1043/G/15 10-03-1992/5.4" Diploma in C.Sc. H.R. 704/G/13 11/20/1988 5'4" B. E Technology Consutlant Girls-Post Graduates / Graduates in H P 627/G/12 10/19/1986 5'6" MBA in Finance J.P.Morgan 714/G/13 7/8/1988 5'7" B. E Bangalore  *  %(2I¿FHUVDOHV 632/G/12 1/20/1986 5ft MCA Software Eng. 716/G/131/21/19875'8" B. E Working at Vijaya Bank 643/G/12 4/29/1986 5'3" BA 780/G28.09.87, 5.8” B.E., T.C.S.  *  0%$-RELQ)LQDQFHRI¿FHDW 785/G 10.04.89, 5” B.E. Infosys Narayana Hrudayalaya 786/G 28 Years, 5” B.E. Infosys 670/G/12 8/8/1986 5'2'' M.B.A Assistance Manager in 788/G 12.07.81, 5.4” B.E. Manager, Accenture Domino's 798/G 08.02.87, 5.4” B.E. (E & C), working at EMC2 693/G/13 11/24/19895'2'' Pursuing M.SC 800/G 21.08.84, 5.5” B.E. (E&C) Electronics 683/G/13 1/7/1985 5'4" M A Receptionist Communication 707/G/13 11/7/1998 5'6" B.SC Working at Mumbai 802/G 19.03.89, 5.3” B.E. (Com. Sci. ) Software 709/G/13 1/7/1987 5'4" B.com Engineer 711/G/13 7/16/1989 5'4" B.com Working 803/G02.09.88, 5.8” B.E. (E&C), Software Eng. I. 720/G/13 7/1/1984 5'4" M B A T C S Bangalore Gate 722/G/13 4/6/1987 5'8" B.com, M.com Working 806/G 08.02.88 5.2” B.E., Software Engineer 787/G14.04.87, 4.8” B.A. 819/G/14, 06.05.90,5” B.E. (Bio-Technology) Accenture 790/G27.07.82, 5.7” B.A. (HEP) Company Secretary Software 791/G 06.04.89, 5.2” B.Sc. Computers

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