Variousartisn

Total Page：16

File Type：pdf, Size：1020Kb

VARIOUSARTISN Conjure:hlusb For ThcTbtts AIshrwIRed (AmericanClav6 Records) azz is not a producer'sidiom: the lew excePtionsbring their own compositions or concePt to a session of personallYselected ptayers.Kip Hanrahanis such a producer, and although You have to look hard to find his nameon Coniure,it is verymuch his album. Hanrahan'sprevious Coup De Tete and, Desire DevelopsAn Edge LPs brorght together a wide range of players from Jack Bruce to Chico Freemanto Daniel Ponce,and man- NO. 78,APRTL 1985 aged to incorporalaiazz, Latin and ex- perimentalstylesinto a seamlessamal- gam. On Conjure:Music For The lexts Of lshmaelReed, Hanrahan has again handedover most of the compositional reins to players like Taj Mahal,Allen Toussaint,David Murray, Billy Hart and Steve Swallow. (Also contributing tracksare Lester Bowie, Carmen Moore and Carla Bley; additionalperformers include JamaaladeenTacuma, Jean- PaulBourelly, Elysee foronneau, Milton Cardona,Andy Gonzalez and ArtoLin- say.)As with Hanrahan'sprevious al- bums,the diverse selection guarantees botha highcaliber of musicianshipand a groupsound like no other. The selectionof Mahalas vocalisV guitaristsets the tone forthe album, and the choice is perfeot.His rich, muddy voicesuits the blacksoutherninfl€ction of Reed'swords so wellthat on the two trackswhere the authorrecites his own work, he sounds comparativelystiff. Similarly,the choice of New Orleans' Toussaintas sessionpianist imbues the musicwith the decidedlySouthern roll of CrescentCi.ry__!!Jn[. Equally natural is LesterBowie's "Fool-ology (The Song)," asthe trumpeter revels in hisrole of buf- foon.David Murray's solos are among his best, alternatingbetween sinewy twists and breathy romanticism.Olu Dara,usually confined to cornet,plays trumpetbrilliantly; his lyricalsolo on "OaklandBlues" shows how well he's absorbed Louis rather than simply learnedhim. Together these musicians havehelped Hanrahan "conjure" an ex- ceptionallyrich album,one whosetex- turesare as lush,brown and warm as its ghostlylyric imagesof rurallife. - Fr€d Goodman.

Copy Link

Recommended publications

KIP HANRAHAN Chant for Sonny Rollins-Type Locutions, Holds a Tropical Seance with the Spirit of the Late DESIREDEVELOPS an EDGE - Lenorman Ben Wcbster
JAZZTZ MAR/APR t 984 KIP HANRAHAN chant for Sonny Rollins-type locutions, holds a tropical seance with the spirit of the late DESIREDEVELOPS AN EDGE - lenorman Ben Wcbster. Arto Lindsay, a American Clave' 1009 minimalist guitarist and avant-rocker who Two (Srill ln Half LighQ; Early Fall; Velas- plays the electric guitar like a pcrcussion in- quez: (Don't Complicate) The Life; The Edge strument, scratches and scrapes away while You Always Lovcd ln Mc: Sara Wade; Far Ti' Plume, a Haitian guitarist. spins a lat- From Freelown; All Us Working Class Boys: ticework of gossamer lincs. Thesc are but a Child Song; Trust Me Yet?; Nancy (The few of the cunning. improvised connectives Silence FocusesOn You-..); Desire Develops that make Desire an epochal album. An Edge: What ls This Dancc, AnYwaY?: Whereas Cuban bata rhythms providc the Meaning A Visa; Nocturnal Heart; Her improvisatory thrust and what Hanrahan 'de Boyfriend AssessesHis Value And Pleads His calls "the center of gravity" on Coup Case; Jack and The Goldcn Palominos Tete, Haitian percussion dominates Desire. The rhythms are every bit as essentialas the PERSONNEL: Jack Bruce, electric bass and horns and guitars; no instrurnent or group of vocals; Ricky Ford and John Stubblefield. instruments is subordinated to another, just tenor sax; Jamaaladeen Tacuma and Steve as no one genre of music - jau, punk'rock, Swallow, electric bass: Arto Lindiay, Elysee ovont-gorde. Caribbean oppresses Pyronneau and Ti' Plume Ricardo Franck, another. The emphasisvaries, of course. but electric guitars; Ignaccio Berroa and Anton the production is devoid of instrumental clut- Fier, trap drums; Kip Hanrahan, Puntilla ter and surface noise: Each instrument is ac- Orlando Rios, Milton Cardona, Frisner corded the spaceit needs.
[Show full text]
Milton Cardona
Milton Cardona Milton Cardona, a Puerto Rican percussionist who was a mainstay of New York salsa, a studio musician on hundreds of albums and a Santeria priest who introduced sacred traditional rhythms to secular audiences, died on Sept. 19 in the Bronx. He was 69. The cause was heart failure, said his wife, Bruni. In Latin bands and at recording sessions led by David Byrne, Paul Simon, Herbie Hancock and many others, Mr. Cardona primarily played conga drums — generally not as a flashy soloist but as the kinetic foundation and spark of a percussion section. He was an authoritative advocate for some of Latin music’s deepest traditions; he was also a vital, innovative participant in many ambitious fusions. Mr. Cardona worked with the trombonist and bandleader Willie Colón on and off through four decades and was a member of the singer Hector Lavoe’s band from 1974 to 1987. He also recorded two albums as a leader and led the Santeria group Eya Aranla. Mr. Cardona was a santero, a priest of Santeria, the Afro- Caribbean religion rooted in the Yoruba culture of West Africa. Santeria invokes a pantheon of African deities with rhythms and songs that have filtered into the popular music of Latin America and the world. Mr. Cardona studied the Yoruba language to understand the traditional prayers he was singing. “I always said, ‘Why should I learn the prayer if I don’t know what it means?’ ” he explained in an interview with Drum magazine. The rhythms of Santeria are traditionally played on batá drums, a family of three hand drums.
[Show full text]
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
[Show full text]
HEART /KANSAS LIVE1 RECORDING TECHNIQUES: Recording the Spoken Word MUSICIAN's NOTEBOOK: P Sequential Circuits'l Prophet-T8 ADVICE: Bies Ectors ND
MODERN sow rAaC =CC 'C WI. %ii ?Irvia &MUSIC MAY 1984 VOL. 10 NO 5 $1.95 4ï94î HEART /KANSAS LIVE1 RECORDING TECHNIQUES: Recording The Spoken Word MUSICIAN'S NOTEBOOK: P Sequential Circuits'l Prophet-T8 ADVICE: bies ectors ND Rights ons RT: 029 1/3-Octav ualizer www.americanradiohistory.com /an /m// a a /f//n//mf//f/istu///r /Is/isM il s , -< al// min >r/////Ifrt///f/Iei/nf/f/ -` DJ , J --, JI J r/ -jy DJÍJFTJ\L J, rJ J ) J .C.0 . l \j\J1 . wueaiiîirriilr1 r _C_Cai Yr`MK\'t!.S n, .., 'a * _ -\_ CCw, --; ` v/- . i,N; 1" .$ 1111., '77 MI ' ..; .. - p0am5vscmR-sw iiii4iIiiiì*3, DOD Delay systems from The new 900 series Digital Y with than can do much more functionslin one truly get all delay DOD do you and R-910 all have unit. The DOD R-908, unit to flange and to allllow,s each widths of 10 delay system. chorus like no other digital PCM (900 ms.30-8KHZ) R -908 Digital Delay: 15KHZ) Delay: PCM (450 ms.- 30- R -909 Digital ms.- 30- 15KHZ) R -910 Digital Delay: PCM (1900 check the digital delay systems, *When comparing find that the effect specifications -you will full specialists ataldelayhave today. dig emsoavailable function less than 6 to 1. have sweep widths of Note: Most other digital delays in the U.S.A. Electronics, Manufactured DOD Lake City, t h 84115 t O 0 Telephone (801) 85 -8534 Circle 14 on Reader Service Card www.americanradiohistory.com MAY 1984 MODERN VOL.
[Show full text]
Mil I Una Nits De Jazz
AVUI ◆ ◆ dijous XX CULTURA 19 de juny del 2003 NOMÉS JAZZ TAL COM RAJA Mil i una nits de jazz Credo poètic LLUÍS LLORT [email protected] JOAN RIAMBAU [email protected] anta Coloma de Gramenet ja té la (segons m’informen) primera edi- ip Hanrahan és un dels Sempre envoltat d’uns còmplices The Wardrobe Master of Paradise–, torial cent per cent autòctona: personatges més misterio- fidels, de gran eficàcia i de les més Bobby Womack, David Murray, L’Esguard, un projecte que, com sos i singulars de l’escena eclèctiques procedències musicals, Carla Bley o Allen Toussaint, abso- sol passar, cal etiquetar de valent. musical contemporània. Hanrahan ha anat donant vida des lutament involucrades en aquest SEl pare espiritual, laboral i econòmic és el Gairebé mai apareix foto- de mitjans dels anys 80, sense projecte col·lectiu en què es donen jove Joan de la Vega. Si afegim que els dos Kgrafiat a les cobertes dels seus discos pressa, amb una paciència renyida cita les arrels de la música afroa- primers llibres publicats són de poemes, i quan ho fa, sempre és en un clar- amb les exigències comercials, a mericana i l’avantguarda. podem catalogar l’empresa d’utopia suïcida obscur que amaga part del seu rostre. una discografia en què ressonen Les inquietuds literàries de Han- feta realitat. Potser conscient d’això, De la Dalt de l’escenari, quan gosa pu- ecos del jazz, de la música afrocu- rahan l’han conduït a explorar Vega ha iniciat el camí amb un bon parell... jar-hi, s’amaga en un racó, fora de bana o del rock,ialaqual el pas també els poemes de Paul Haines, a de messies.
[Show full text]
THE LATIN SIDE of HOT HOUSE by Emilie Pons
178430_HH_Feb_0 1/24/17 10:36 AM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P33 February 2017 www.hothousejazz.com Cutting Room Page 21 Birdland Page 10 Matthew Shipp Noah Haidu MOPDTK Dianne Reeves Cornelia Street Underground Page 10 JALC Page 17 Where To Go & Who To See Since 1982 178430_HH_Feb_0 1/24/17 10:36 AM Page 2 2 178430_HH_Feb_0 1/24/17 10:36 AM Page 3 3 178430_HH_Feb_0 1/24/17 10:36 AM Page 4 4 178430_HH_Feb_0 1/24/17 10:36 AM Page 5 5 178430_HH_Feb_0 1/24/17 10:36 AM Page 6 6 178430_HH_Feb_0 1/24/17 10:36 AM Page 7 7 178430_HH_Feb_0 1/24/17 10:36 AM Page 8 8 178430_HH_Feb_0 1/24/17 10:36 AM Page 9 9 178430_HH_Feb_0 1/24/17 10:36 AM Page 10 WINNING SPINS By George Kanzler HE TWO ALBUMS THAT COM- "Glen Riddle" begins as two-beat Dixie prise this Winning Spins both feature that veers through decades with Ron and smallT groups with a three-horn frontline, Moppa going modern before Brandon as well as original compositions by the brings the vintage sound back. The album leaders. They also have one musician in ends with "Five (Corners, Points, Forks)," common—saxophonist Jon Irabagon. And, a piece incorporating trad conventions in each case, they present work inspired by with contemporary attitudes. literature. Infinite Distances, Noah Haidu (Cellar But the results are startlingly different: Live), finds a very different, adaptable Jon while pianist Noah Haidu develops his again on soprano and tenor saxes; Jeremy music solidly within the conventions of the Pelt, trumpet and flugelhorn; Sharel mainstream of today's jazz, bassist Moppa Cassity, alto sax; and either Peter Elliott conjures up flights of fancy that Brendler or Alejandro de la Portilla, bass; challenge conventional ideas, creating a John Davis or Mark Ferber, drums.
[Show full text]
{PDF EPUB} Rock Piles Along the Eddy by Ishmael Hope Rock Piles Along the Eddy by Ishmael Hope
Read Ebook {PDF EPUB} Rock Piles Along the Eddy by Ishmael Hope Rock Piles Along the Eddy by Ishmael Hope. Your support is critical to our existence. National Poetry Month Day 13: Ishmael Hope. April 13th, 2018. Ishmael Angaluuk Hope is an Inupiaq and Tlingit poet, Indigenous scholar and storyteller. His recent poetry collection is Rock Piles Along the Eddy (Ishmael Reed Publications). Recent work has appeared in Indian Country Magazine and is forthcoming in Tupelo Press’s Native Voices: Honoring Indigenous Poetry from North America and Poetry Magazine . ODE TO THE MATRIARCHS. In honor of Wooshkhindeinda.aat – Lily Hope, Saankalaxt’ – Ernestine Hayes, Joy Harjo, Tiffany Midge, Elissa Washuta, Heid Erdrich, Debbie Reese, and all Native women artists and writers. I exalt the matriarchs, letterpressing migration histories on revolutionary pamphlets, the aunties, the grandmothers, aura-travelers, watching over new students in the cafeteria. I sing at the backporch of my soulmirror, sweet Lily, of when we met at an elderberry patch in slush- saturated Tongass, my hand to your cheek cold with sleet. I pass food to the fire for your grandmothers who loved themselves enough to create you. I praise our Native women poets, for what you remember, chiseling glacier valleys, channel-swelled wetlands cell-nourished in bodymemory, for shortcircuiting in spurts the clenched grip on the backs of our necks, for lighting a sap-lit stick miles from safe harbor. And I am sorry. I ask your forgiveness, I bask in the epochal Taku wind you clutched close the last time you walked far inland. And I walk beside you, clan mothers, multicolored ribbons dangle off the loom, as each one awaits your signature drawn in silt, and I will return to my village and tell kinspeople how pleased we were to dine on deer stew with you, everpresent storytelling until the raven cawed.
[Show full text]
Andy González
Andy González Andy González is a New York-based double-bass player. Born on January 1, 1951 in The Bronx, New York, González is a respected and prolific Jazz, Latin-Jazz and Salsa musician, composer and arranger of Puerto Rican ancestry and long-time musical callaborator with brother Jerry González, founding members of Conjunto Anabaco and Grupo Folklórico y Experimental Nuevayorkino with whom he made three records: Concepts of Unity (1974), Lo Dice Todo (1975) and Homenaje a Arsenio (2011). The band members were: Jerry and Andy González, Frankie Rodríguez, Milton Cardona, Gene Golden, Carlos Mestre, Nelson González, Manny Oquendo, Óscar Hernández, José Rodríguez, Gonzalo Fernández, Alfredo “Chocolate” Armenteros, Willy García, Heny Álvarez, Virgilio Martí, Marcelino Guerra, Rubén Blades, Orlando “Puntilla” Ríos, and Julito Collazo. By the age of 13, Andy and his brother Jerry formed the Latin Jazz Quintet, a group inspired by Cal Tjader’s small group latin jazz recordings. After two years of professional experience with the Quintet, Andy scored his first major gig with Fania Records artist Monguito Santamaria. This led to an affiliation with Fania, who utilized Andy as a bassist on numerous recordings. He eventually became a major voice in the bands of Fania’s two most important bandleaders: Ray Barretto and Eddie Palmieri. After leaving Palmieri’s band, he became the musical director in Manny Oquendo’s Libre, a Salsa band that continued the classic New York sound. Striving to combine jazz ideals with a variety of traditional Latin music Andy and his peers produced two recordings as Grupo Folklorico Y Experimental. Soon after, Andy joined his brother Jerry to create The Fort Apache Band, which set the standard for cutting edge Latin Jazz.
[Show full text]
January 2003 Modern Drummer January 2003 5 Contents Contentsvolume 27, Number 1 Cover Photo by Alex Solca Inset Photo by Paul La Raia PAUL MCCARTNEY’S ABE LABORIEL JR
RINGO’S TOP-15 • ADEMA • ALAN WHITE PLAYBACK ABE LABORIEL JR. MASTERFUL WITH MCCARTNEY PLUS, SIR PAUL CHATS WITH MD! ROBBY AMEEN MAKING HISTORY WITH ”EL NEGRO“ RASHIED ALI A CONVERSATION WITH BOB MOSES DAVE WECKL’S HOTTEST LATIN LICKS $4.99US $6.99CAN 01 IT’S SHOWTIME! OOKS T TICK WIRLING MD LOOKS AT STICK TWIRLING 0 74808 01203 9 For an Alan White poster, send $4.00 to Ludwig Industries, Alan White poster, P.O. Box 310, Elkhart, IN 46515 Web site: www.ludwig-drums.com CLASSIC MAPLE SERIES. THE BEST SOUNDING DRUMS. Alan White Photographed By Dennis J. Slagle 4 Modern Drummer January 2003 Modern Drummer January 2003 5 Contents ContentsVolume 27, Number 1 Cover photo by Alex Solca Inset photo by Paul La Raia PAUL MCCARTNEY’S ABE LABORIEL JR. One of drumming’s hottest stars of the studio and stage, Abe Laboriel Jr. seems to be everywhere these days—Paul McCartney, Vanessa Carlton, Sting…. One good listen, and you’ll know why. by Robyn Flans EXCLUSIVE! Sir Paul Talks Drums With MD 54 Alex Solca UPDATE 24 LATIN GREAT Def Leppard’s RICK ALLEN ROBBY AMEEN 74 Adema’s KRIS KOHLS Alex Solca As good a tutorial as Funkifying The Clave is, it Phish’s JON FISHMAN gives little indication of how powerful a drum- Counting Crows’ BEN MIZE mer its author is. A killer new album with the equally gifted Horacio “El Negro” Hernandez STEVE HOUGHTON gives us ample reason to pick this guy’s brain. Southside Johnny’s LOUIE APPEL by Ken Micallef NEW COLUMN! FREE-JAZZ TRAILBLAZER PLAYBACK 154 RASHIED ALI 90 ALAN WHITE When John Coltrane asks a drummer to join Before he joined one of the blazingest pro- his band—with Elvin Jones—it should come gressive bands ever, dynamic Yes stick man as no surprise when he’s soon acknowl- Alan White worked with British rock’s royal- edged as a player of enormous talent and ty.
[Show full text]
Giovanni Hidalgo
Giovanni Hidalgo Giovanni Hidalgo a.k.a. “Mañenguito” (born November 22, 1963) is an educator, percussionist and recording artist in the genre’ of Latin jazz. Hidalgo was born in San Juan, Puerto Rico where he received his primary education. His grandfather had also been a musician, as well as his father José Manuel Hidalgo “Mañengue”, who was a renowned conga player. Therefore, Hidalgo was raised in a household surrounded by drums, bongos, congas and timbales.[1] He received a conga for his eighth birthday which had been handmade by his father. As a young child he practiced and developed his speed and playing skills on the conga and on the other instruments in his house. Hidalgo would drum a tune with sticks and then play the same tune with his hands. Musical career Hidalgo auditioned and was hired by the Batacumbele Band in 1980. In 1981, he traveled with the band to Cuba where he met a musician by the name of José Luis Quintana “Changuito”. Together they were able to create a unique style of rhythm and ushered in a new musical era in Latin music.[1][2] In 1985, Hidalgo was performing with Eddie Palmieri at The Village Gate in New York City, when the legendary jazz musician Dizzy Gillespie walked in and listened to Hidalgo play. He was so impressed with Hidalgo that he told him that someday in the future they must get together and play. In 1988 Hidalgo joined Gillespie’s United Nation Orchestra.[1] In 1992, he was hired as an adjunct professor at the Berklee College of Music in Boston, Massachusetts.
[Show full text]
Jazz Notes: Spring 2008
Jazz Notes TM The Journal of the Jazz Journalists AssociationSM Vol. 19, No. 1 • Spring 2008 From the Editor 3 Reviewing a long-awaited book. President’s Report 4 On Great Black Music Digital Promo: Bring It On 5 A Power Stronger Than Itself: By Andrey Henkin The AACM and American IAJE Invades Toronto 6 Experimental Music By Willard Jenkins By George E. Lewis Kurt Mohr 7 University of Chicago Press, Chicago, IL, 2008; 672 pp.; By Ron Sweetman $35.00 hardcover Indian Jazz Revisited 8 8 Review by Alain Drouot By Max Babi his could very well be the most Frank Morgan 10 anticipated book of the year. Since George Lewis announced his plans By Laurence Svirchev T for a book on the Association for the Ad- vancement of Creative Musicians (A ACM), Book Reviews 11 the influential organization founded in By Art Lange, Mikayla Gilbreath Chicago in 1965, there has been much and Marcela Breton speculation as to when it would finally be published, not to mention the reasons for New Members 14 what seemed to be recurring postpone- ments. dustry in the first half of the 20th century News of Members 15 The long wait is now over and patience followed them when they pursued their will be rewarded. George Lewis’s ency- vision of a forward-looking music in the R.I.P., Late 2007 16 clopedic knowledge, thorough research ensuing years. Lewis describes at length and in-depth interviews have produced how the AACM struggled — and is still Six Clarinets 17 an eye-opening work.
[Show full text]
Song List by Artist
song artist album label dj year-month-order sample of the whistled language silbo Nina 2006-04-10 rich man’s frug (video - movie clip) sweet charity Nayland 2008-03-07 dungeon ballet (video - movie clip) 5,000 fingers of dr. t Nayland 2008-03-08 plainfin midshipman the diversity of animal sounds Nina 2008-10-10 my bathroom the bathrooms are coming Nayland 2010-05-03 the billy bee song Nayland 2013-11-09 bootsie the elf bootsie the elf Nayland 2013-12-10 david bowie, brian eno and tony visconti record 'warszawa' Dan 2015-04-03 "22" with little red, tangle eye, & early in the mornin' hard hair prison songs vol 1: murderous home rounder alison 1998-04-14 phil's baby (found by jaime fillmore) the relay project (audio magazine) Nina 2006-01-02 [unknown title] [unknown artist] cambodian rocks (track 22) parallel world bryan 2000-10-01 hey jude (youtube video) [unknown] Nina 2008-03-09 carry on my wayward son (youtube video) [unknown] Nina 2008-03-10 Sri Vidya Shrine Prayer [unknown] [no album] Nina 2016-07-04 Sasalimpetan [unknown] Seleksi Tembang Cantik Tom B. 2018-11-08 i'm mandy, fly me 10cc changing faces, the best of 10cc and polydor godley & crème Dan 2003-01-04 animal speaks 15.60.76 jimmy bell's still in town Brian 2010-05-02 derelicts of dialect 3rd bass derelicts of dialect sony Brian 2001-08-09 naima (remix) 4hero Dan 2010-11-04 magical dream 808 state tim s. 2013-03-13 punchbag a band of bees sunshine hit me astralwerks derick 2004-01-10 We got it from Here...Thank You 4 We the People...
[Show full text]