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Corso Di Dottorato Di Ricerca in Storia Delle Arti Tesi Di Ricerca
Corso di Dottorato di ricerca in Storia delle Arti ciclo XXI Tesi di Ricerca «THE PHENOMENAL CONTRALTO» Vita e carriera artistica di Eugenia Mantelli SSD: L-ART/07 Musicologia e storia della musica Coordinatore del Dottorato ch. prof. Piermario Vescovo Supervisore ch. prof. Paolo Pinamonti Dottorando Federica Camata Matricola 808540 «THE PHENOMENAL CONTRALTO». VITA E CARRIERA ARTISTICA DI EUGENIA MANTELLI INDICE Introduzione p. 3 1. Biografia di Eugenia Mantelli p. 7 1.1. L’infanzia e gli studi p. 9 1.2. Il debutto al Teatro de São Carlos p. 13 1.3. La carriera internazionale p. 16 1.3.1. 1886: prima tournée in Sudamerica p. 17 1.3.2. 1887: seconda tournée in Sudamerica p. 24 1.3.3. 1889: terza tournée in Sudamerica p. 26 1.3.4. Eugenia Mantelli-Mantovani p. 28 1.3.5. Dal Bolshoi al Covent Garden p. 31 1.3.6. ¡Que viva Chile! Ultime tournée in Sudamerica p. 33 1.4. New York, il Metropolitan e le tournée negli Stati Uniti p. 36 1.4.1. Eugenia Mantelli-De Angelis p. 47 1.5. «Madame Mantelli has gone into vaudeville» p. 51 1.6. Mantelli Operatic Company p. 66 1.7. Attività artistica in Italia p. 69 1.8. Le ultime stagioni portoghesi e il ritiro dalle scene p. 81 1.9. Gli anni d’insegnamento p. 91 1.10.Requiem per Eugenia p. 99 1 2. Cronologia delle rappresentazioni p. 104 2.1. Nota alla consultazione p. 105 2.2. Tabella cronologica p. 107 3. Le fonti sonore p. 195 3.1. -
1 CRONOLOGÍA LICEÍSTA Se Incluye Un Listado Con Las
CRONOLOGÍA LICEÍSTA Se incluye un listado con las representaciones de Aida, de Giuseppe Verdi, en la historia del Gran Teatre del Liceu. Estreno absoluto: Ópera del Cairo, 24 de diciembre de 1871. Estreno en Barcelona: Teatro Principal, 16 abril 1876. Estreno en el Gran Teatre del Liceu: 25 febrero 1877 Última representación en el Gran Teatre del Liceu: 30 julio 2012 Número total de representaciones: 454 TEMPORADA 1876-1877 Número de representaciones: 21 Número histórico: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21. Fechas: 25 febrero / 3, 4, 7, 10, 15, 18, 19, 22, 25 marzo / 1, 2, 5, 10, 13, 18, 22, 27 abril / 2, 10, 15 mayo 1877. Il re: Pietro Milesi Amneris: Rosa Vercolini-Tay Aida: Carolina de Cepeda (febrero, marzo) Teresina Singer (abril, mayo) Radamès: Francesco Tamagno Ramfis: Francesc Uetam (febrero y 3, 4, 7, 10, 15 marzo) Agustí Rodas (a partir del 18 de marzo) Amonasro: Jules Roudil Un messaggiero: Argimiro Bertocchi Director: Eusebi Dalmau TEMPORADA 1877-1878 Número de representaciones: 15 Número histórico: 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36. Fechas: 29 diciembre 1877 / 1, 3, 6, 10, 13, 23, 25, 27, 31 enero / 2, 20, 24 febrero / 6, 25 marzo 1878. Il re: Raffaele D’Ottavi Amneris: Rosa Vercolini-Tay Aida: Adele Bianchi-Montaldo Radamès: Carlo Bulterini Ramfis: Antoine Vidal Amonasro: Jules Roudil Un messaggiero: Antoni Majjà Director: Eusebi Dalmau 1 7-IV-1878 Cancelación de ”Aida” por indisposición de Carlo Bulterini. -
MASSENET and HIS OPERAS Producing at the Average Rate of One Every Two Years
M A S S E N E T AN D HIS O PE RAS l /O BY HENRY FIN T. CK AU THO R O F ” ” Gr ie and His Al y sia W a ner and H W g , g is or ks , ” S uccess in Music and it W How is on , E ta , E tc. NEW YO RK : JO HN LANE CO MPANY MCMX LO NDO N : O HN L NE THE BO DLEY HE D J A , A K N .Y . O MP NY N E W Y O R , , P U B L I S HE R S P R I NTI N G C A , AR LEE IB R H O LD 8 . L RA Y BRIGHAM YO UNG UNlVERS lTW AH PRO VO . UT TO MY W I FE CO NTENTS I MASSENET IN AMER . ICA. H . B O GRAP KET H II I IC S C . P arents and Chi dhoo . At the Conservatoire l d . Ha D a n R m M rri ppy ys 1 o e . a age and Return to r H P a is . C oncert a Successes . In ar Time ll W . A n D - Se sational Sacred rama. M ore Semi religious m W or s . P ro e or and Me r of n i u k f ss be I st t te . P E R NAL R D III SO T AITS AN O P INIO NS . A P en P ic ure er en ne t by Servi es . S sitive ss to Griti m h cis . -
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110325-27 bk NormaUS 15/12/2004 12:02pm Page 12 Producer’s Note The transfer of the complete opera was made from the best portions of two 1950s-era British LP pressings, which BELLINI seemed to provide the most open and un-gimmicked sound of several editions I had from which to work. The original master tapes were problematic in the same respects as other early recordings Callas made with the Italian EMI team (I Puritani, Lucia di Lammermoor) in that they contained overload distortion, electronic clicks and thump-like sounds during some of Callas’ louder passages. (These can also be heard on EMI’s own CD transfer Norma of this recording.) Unlike every previous EMI CD reissue of this Norma, however, I have closed the gap of several seconds in the music that occurs at the transition from Track 4 to Track 5 of CD 2, which is supposed to be played without pause (as noted by Dr. Robert E. Seletsky in his article, “Callas at EMI: Remastering and Perception” in IA CAL the Spring 2000 issue of The Opera Quarterly). AR LA Mark Obert-Thorn M S Mark Obert-Thorn Mark Obert-Thorn is one of the world’s most respected transfer artist/engineers. He has worked for a number of 195 ing specialist labels, including Pearl, Biddulph, Romophone and Music & Arts. Three of his transfers have been 4 Record nominated for Gramophone Awards. A pianist by training, his passions are music, history and working on projects. He has found a way to combine all three in the transfer of historical recordings. -
An Aural Analysis of Bel Canto
An aural analysis of bel canto: Traditions and interpretations as preserved through selected sound recordings Airlie Jane Kirkham Thesis submitted in fulfillment of the requirements for the degree of Master of Music Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide May 2010 You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com) 7 BIBLIOGRAPHY ABC. F M.Radio."History of Music part 2 – Bel Canto", in Sunday Afternoon Concert, 27 August 2006, 2.00-3.00p.m. Adams, Brian. La Stupenda: a Biography of Joan Sutherland. Australia: Hutchinson, 1980. Ashbrook, William. Donizetti. London: Cassell, 1965. Attaro, Monica. Interview. “Joan Sutherland.” ABC Sunday Profile, 27 March 2005. ABC radio. (18 March 2007). Braddon, Russell. Joan Sutherland. Sydney: Collins, 1962. Caruso, Enrico jr. and Andreas Farkas. Enrico Caruso. My Father and My Family. Oregon: Amadeus Press, 1990. Celletti, Rodolfo. A History of Bel Canto. Oxford: Clarendon Press, 1991. Chorley, Henry Fothergill. Thirty Years of Musical Recollections. London: Hurst and Blackett, 1862. Republished Brookfield VT USA: Ashgate, 1998. Crofton, Ian. ed. Concise Dictionary of Music. Great Britain: Collins, 1986, third edition. Crutchfield, Will. “The Bel Canto Connection.” Opera News. 62.1(1997): 30-36. Duey, Philip A. Bel Canto in its golden age: a study of its teaching concepts. New York: King’s Crown Press, 1951. Fucito, Salvatore and Barnet J. Beyer. Caruso and the Art of Singing. London: T. Fisher Unwin, 1922. Garcia, Manuel II. Hints on Singing. Trans. from the French. Beata Garcia. London: Ascherberg, Hopwood and Crew, 1894. -
LA .MEDALLA DEL AMOR Con El Lazo Abelin
Q .. C§uut e:;,aúo de! .Yicto_.,. ~ EMPRESA , JUAN A. PAMIAS • ~ "" la crema de iabón que acaricia la piel en la ducha ... en el baño- espuma ... y en el aseo diario. verde (perfume de pinal blanco (extracto de heno) espuma de nócar NUMISMATICA ;~ IBERICA, S. A. ALGUN OS E.JEMPLARES . EXTRA I DOS DEL CATALOGO GENERAL ORO 917/1000 - 22 quilates Conjienos .w lista de boda Avda. Generallsimo, 590- Tel. 2271403+ ACUÑACIONES OFICIALES Travesera de Gracia, 10 Tel· 228 94 60 CONMEMORATIVAS E MITIDAS. E N EXCLUSIVA MUNDIAL DISTRIBUIDOR EN BARCELONA DE LA M EJOR M ARCA EUROPEA ORO 917/1000 22 qui lates - "'= PRES TI G I O TRAD I CION ESPECIAL! DADES DE ALTA CALIDAD NUMISMATICA IBERICA, S. A. SUPER ESPECIALIDAD BALMES. 19S - TELS. 227 27 00-227 9018 - BARCELONA-f:? - T ELEX: 52047 NUMIS ENQUESADAS 11 FORN DE SANT JAUME 11 Nuestra s a sociadas s on : Numismótica Italiana - Milón, Numismótica, S. A. - Lugano (Suiza), Numismótica England Ltd. - Londres, Numismatique Franco- Suisse, París 'El grupo mós importonte del mundo poro lo creoción y distribución de ocuñociones oficiales, y odemós encorgodo por fos Gobiernos de vorios pofses de lo emisión y distribución de sus monedes de oro de cu rso legal SELECTO SURTIDO EN lmportante : Sl EL CERTIFICADO DE GARANTIA Y LAS ACUÑACIONES NO LLEVAN LA MARCA NI, NO SON ACUÑACIONES OFICIALES CONMEMORATI VAS EMITIDAS EN EXCLUSIVA MUNDIAL PO R NUMISMATICA IBERICA, S. A. PA S TE L ER I A RESERVA DE ACUÑACIONES EN LAS ENTIDADES BA N CARIAS, DONDE PUEDEN CON SU LTAR TAMAÑOS Y PRECJOS DE TODAS NUESTRAS EM ISIONES EN El CATALOGO GENERA l y . -
De Senectute Cantorum
DE SENECTUTE CANTORUM By CARL VAN VECHTEN Downloaded from "T" AM not sure," writes Arthur Symons in his admirable essay I on Sarah Bernhardt, "that the best moment to study an artist is not the moment of what is called decadence. The first energy of inspiration is gone; what remains is the method, the mechanism, and it is that which alone one can study, as one http://mq.oxfordjournals.org/ can study the mechanism of the body, not the principle of life itself. What is done mechanically, after the heat of the blood has cooled, and the divine accidents have ceased to happen, is precisely all that was consciously skillful in the performance of an art. To see all this mechanism left bare, as the form of a skeleton is left bare when age thins the flesh upon it, is to learn more easily all that is to be learnt of structure, the art which not art but nature has hitherto concealed with its merciful at University of Birmingham on March 21, 2015 covering." Mr. Symons, of course, had an actress in mind, but his argument can be applied to singers as well, although it is safest to remember that much of the true beauty of the human voice inevitably departs with the youth of its owner. Still, style in singing is not noticeably affected by age and an artist who possesses or who has acquired this quality very often can afford to make lewd gestures at Father Time. If good singing depended upon a full and sensuous tone such artists as Ronconi, Victor Maurel, Max Heinrich, Ludwig Wtillner, and Maurice Renaud would never have had any careers at all. -
View Catalogue
J & J LUBRANO MUSIC ANTIQUARIANS 6 Waterford Way, Syosset, NY 11791 USA [email protected] • www.lubranomusic.com Telephone 516-922-2192 Catalogue 88 SUMMER POTPOURRI 6 Waterford Way, Syosset, NY 11791 USA [email protected] www.lubranomusic.com Telephone 516-922-2192 1 CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described. All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to ensure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. New York State sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. -
New York As the Operatic Metropolis by Henry T
NEW YORK AS THE OPERATIC METROPOLIS BY HENRY T. FINCK HETHER New York really is the rar and Caruso in the same opera, because W operatic center of the universe, as the fame of either alone fills the house. some critics and observers claim, is a ques Grau used to delight in arranging all-star tion worth considering. Doubtless the casts that took one's breath away. Once, Metropolitan has a larger number of great when he gave "Les Huguenots" with singers than any foreign opera-house; but Sembrich, Nordica, Jean and Edouard de it is also true that there have been years Reszke, besides Maurel, and Plangon, he when the number of first-class artists asked two dollars extra for parquet seats; gathered under its roof was greater than but often he provided casts nearly or quite it is now. This is particularly the case as remarkable without raising the prices. with the lowest voices. Among fourteen We recall, for instance, "Carmen," with mezzo-sopranos and contraltos, Louise Calve, Fames, Jean and Edouard de Homer alone upholds the high standards Reszke; "Tristan und Isolde" with Lilli of the past; and while Allen Hinckley, Lehmann (or Nordica), Schumann- Andrea de Segurola, and Herbert Wither- Heink, Jean and Edouard de Reszke, and spoon are good bas^s, they do not'rank Bispham (or Van Rooy). These cannot with Edouard de Reszke, Emil Fischer, be equaled to-day. Nevertheless, some of and Pol Plangon. Among the baritones, the present Metropolitan casts are not at however, there are no fewer than seven all to be sneered at. -
Irving Ritterman Collection of Autographs and Musical Memorabilia
http://oac.cdlib.org/findaid/ark:/13030/kt9m3nd0xq No online items Finding Aid for the Irving Ritterman Collection of Autographs and Musical Memorabilia 1901-1961 Processed by Performing Arts Special Collections staff. UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm ©2007 The Regents of the University of California. All rights reserved. 112-M 1 Descriptive Summary Title: Irving Ritterman Collection of Autographs and Musical Memorabilia, Date (inclusive): 1901-1961 Collection number: 112-M Creator: Ritterman, Irving Extent: 2 boxes Repository: University of California, Los Angeles. Library. Performing Arts Special Collections Los Angeles, California 90095-1575 Abstract: The majority of the collection consists of autographs and autographed photographs of famous composers, conductors, and vocalists from the early 20th century. Language of Material: Collection materials in English Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
THE RECORD COLLECTOR MAGAZINE Given Below Is the Featured Artist(S) of Each Issue (D=Discography, B=Biographical Information)
PRINTED MATERIAL DISCOGRAPHICAL & REFERENCE BOOKS, BIOGRAPHIES; RECORD CATALOGUES & SUPPLEMENTS Books are all in good, used condition (no damage unless described). DJ = includes Paper Dust Jacket This year’s book list includes a number of important and desirable items. The minimum bids have been kept very low, considering the scarcity of some items and the cost of others which still might be in print. While bargains are indeed possible, I’d suggest, as usual, to bid realistically for those items of particular interest. Bids of any amount are, of course, welcomed. MUSICIAN BIOGRAPHIES/AUTOBIOGRAPHIES 3574. [FRANCES ALDA]. MEN, WOMEN AND TENORS. Autobiography. Riverside Press, Cambridge, MA. 1937. 307 pp. Illustrated. Quite candid jottings for the period. Fun and informative reading. Blank front page removed. Cons. 2. $7.00. 3622. MARIAN ANDERSON – A PORTRAIT (Kosti Vehanen). Whittlesey House, NY. 1941. 270 pp. Blank book plate on inside cover. Just about 1-2. $10.00. 3535. [MARIAN ANDERSON]. MY LORD, WHAT A MORNING. Autobiography. Viking Press, NY. 1956. DJ. Illustrated. 312 pp. Light DJ wear. Book gen. 1-2. $7.00. 3581. MARIAN ANDERSON – A SINGER’S JOURNEY (Allan Keiler). Scribner, NY. 2000. 447 pp. DJ. Just about 1-2. $10.00. 3542. [Sir THOMAS] BEECHAM – A CENTENARY DISCOGRAPHY (Michael Gray). Duckworth, Norwich. 1979. DJ. 129 pp. Light signs of use on DJ. Book is just about 1-2 except for numerous pencil check marks. $6.00. 3550. THE ACCOMPANIST – AN AUTOBIOGRAPHY OF ANDRÉ BENOIST (ed. John Anthony Maltese). Paganiniana Pub., Neptune City, NJ. 1978. 383 pp. Profusely illustrated. A fascinating and extremely candid look at dozens of the vocal and instrumental celebrities with whom Benoist was associated. -
78Rpm to Sell !
Beginning ! ! 78rpm to sell ! ! ! Albums : Lotte Lehmann : Schubert + Schumann + Brahms (3x) Columbia US Sir Charles Thomas Victor Grace Moore Lily Pons Mario Lanza Yves Thymaire Voices of the Golden age (volume 1 Victor) Gilbert & Sullivan Princess Ida HMV OA + HMS Pinafore Decca Vaughan Williams On wenlock wedge Pears Jeaette Mc Donald in songs Blanche Thebom Schumann Jennies Tourel Offenbach Dorothy Maynor Spirituals Hulda Lahanska Lieder recital Erna Sack Popular favorites Eileen Farrell Irish songs Paul Robeson Spirituals Josef Schmidt Lotte Lehmann Strauss Lotte Lehmann Song recital Maggie Teyte French art songs Gladys Swarthout pˆopular favorites Maggie Teyte Debussy with Cortot Lotte Lehmann Schumann with Bruno Walter Lotte Lehmann Brahms Index Ada ASLOP, 44 Alma GLUCK, 38, 51 Ada NORDENOVA, 96, 97 Amelita GALLI-CURCI, 27, 30, 32, 57, 63, 72 Adamo DIDUR, 99 Anne ROSELLE, 25 Adele KERN, 17, 18, 46, 74, 77 Anny SCHLEMM, 45 Alda NONI, 14, 17, 48, 60, 74 Anny von STOSCH, 91 Alessandro BONCI, 57 Antenore REALI, 40 Alessandro VALENTE, 58, 67 Antonio CORTIS, 58, 60 Alexander KIPNIS, 71, 72, 77 Antonio SCOTTI, 30 Alexander SVED, 47 Armand TOKATYAN, 65 Alexandra TRIANTI, 76 Arno SCHELLENBERG, 71 Alexandre KOUBITSKY, 49 Arthur ENDREZE, 61, 85, 86 Alexandre KRAIEFF, 23 Arthur PACYNA, 58 Alfons FUGEL, 40 Astra DESMOND, 41, 59 Alfred JERGER, 57 August SEIDER, 47 Alfred PICCAVER, 25, 26, 96 Augusta OLTRABELLA, 46, 87 Alina BOLECHOWSKA, 46 Aulikki RAUTAWAARA, 100 Barbara KEMP, 23 Cesare FORMICHI, 99 Bernardo de MURO, 32, 50 Cesare PALAGI, 78 Bernhard