The Renaissance
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The Monastic Rules of Visigothic Iberia: a Study of Their Text and Language
THE MONASTIC RULES OF VISIGOTHIC IBERIA: A STUDY OF THEIR TEXT AND LANGUAGE By NEIL ALLIES A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Theology and Religion College of Arts and Law The University of Birmingham July 2009 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis is concerned with the monastic rules that were written in seventh century Iberia and the relationship that existed between them and their intended, contemporary, audience. It aims to investigate this relationship from three distinct, yet related, perspectives: physical, literary and philological. After establishing the historical and historiographical background of the texts, the thesis investigates firstly the presence of a monastic rule as a physical text and its role in a monastery and its relationship with issues of early medieval literacy. It then turns to look at the use of literary techniques and structures in the texts and their relationship with literary culture more generally at the time. Finally, the thesis turns to issues of the language that the monastic rules were written in and the relationship between the spoken and written registers not only of their authors, but also of their audiences. -
Chaucer and the Disconsolations of Philosophy: Boethius, Agency, and Literary
Chaucer and the Disconsolations of Philosophy: Boethius, Agency, and Literary Form in Late Medieval Literature by Jack Harding Bell Department of English Duke University Date:_______________________ Approved: ___________________________ David Aers, Supervisor ___________________________ Sarah Beckwith ___________________________ Thomas Pfau ___________________________ Nancy Armstrong Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2016 ABSTRACT Chaucer and the Disconsolations of Philosophy: Boethius, Agency, and Literary Form in Late Medieval Literature by Jack Harding Bell Department of English Duke University Date:_______________________ Approved: ___________________________ David Aers, Supervisor ___________________________ Sarah Beckwith ___________________________ Thomas Pfau ___________________________ Nancy Armstrong An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2016 Copyright by Jack Harding Bell 2016 Abstract This study argues that Chaucer's poetry belongs to a far-reaching conversation about the forms of consolation (philosophical, theological, and poetic) that are available to human persons. Chaucer's entry point to this conversation was Boethius's Consolation of Philosophy , a sixth-century dialogue that tried to show how the Stoic ideals of autonomy and self-possession are not simply normative for human beings but remain within the grasp of every individual. Drawing on biblical commentary, consolation literature, and political theory, this study contends that Chaucer's interrogation of the moral and intellectual ideals of the Consolation took the form of philosophical disconsolations: scenes of profound poetic rupture in which a character, sometimes even Chaucer himself, turns to philosophy for solace and yet fails to be consoled. -
Landtroop-Mastersreport
Copyright by Luke Michael Landtroop 2013 The Report Committee for Luke Michael Landtroop Certifies that this is the approved version of the following report: Divine Desire: Incarnational Poetics in the Harley Lyrics APPROVED BY SUPERVISING COMMITTEE: Supervisor: Daniel Birkholz Hannah Wojciehowski Divine Desire: Incarnational Poetics in the Harley Lyrics by Luke Michael Landtroop, B.A. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2013 Abstract Divine Desire: Incarnational Poetics in the Harley Lyrics Luke Michael Landtroop, M.A. The University of Texas at Austin, 2013 Supervisor: Daniel Birkholz This essay develops a literary-historical and theoretical framework within which to consider the anonymous Middle English penitential lyric “An Old Man’s Prayer,” from British Library MS Harley 2253. Beginning with a review of the methodological problems involved in contextualizing medieval lyrics, I proceed to situate the religious lyrics in relation to the rise of affective devotion to the humanity of Christ in the later Middle Ages. By arguing for the capacity of the genre for aesthetic and conceptual complexity, I seek to establish lyrics as a form of ‘vernacular theology,’ a recently developed critical category in medieval studies from which lyrics have so far been excluded. “An Old Man’s Prayer,” examined in relation to other selected Harley lyrics, serves as the primary textual test case for a hermeneutic which reads for “Incarnational poetics,” that is, the ways in which the claims of orthodox Christology shape and structure the form and thematics of medieval poetry. -
Reflexivity and Spiritual Exercises in Thomas Aquinas
The freedom of the mind for God: reflexivity and spiritual exercises in Thomas Aquinas Author: Matthew Carl Kruger Persistent link: http://hdl.handle.net/2345/3792 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2014 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of Theology THE FREEDOM OF THE MIND FOR GOD: REFLEXIVITY AND SPIRITUAL EXERCISES IN THOMAS AQUINAS a dissertation by MATTHEW C. KRUGER submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2014 © Copyright by MATTHEW CARL KRUGER 2013 Abstract The Freedom of the Mind for God: Reflexivity and Spiritual Exercises in Thomas Aquinas By Matthew C. Kruger Directed by Stephen F. Brown The study of Thomas Aquinas generally focuses on theological questions in his work, and ignores certain aspects of what might be called his “spiritual life.” Though there are exceptions to this rule, there are numerous themes in the writings of Thomas Aquinas which have not been given their due. In light of this fact, this dissertation seeks to provide an extended treatment of two components of the work of Thomas Aquinas which receive little attention: the role of spiritual exercises in his writing, and the form of reflexivity—one’s understanding of and relation to one’s self—he recommends. As a way of approaching these issues, I draw from the work of two historical philosophers, Pierre Hadot and Michel Foucault, using the methodological questions they employ in their writings on the classical world. -
The Evolution of the Individual in Medieval Literature Christopher Michael Flavin Southern Illinois University Carbondale, [email protected]
Southern Illinois University Carbondale OpenSIUC Dissertations Theses and Dissertations 5-1-2011 The elS f, the Church, and Medieval Identities: The Evolution of the Individual in Medieval Literature Christopher Michael Flavin Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/dissertations Recommended Citation Flavin, Christopher Michael, "The eS lf, the Church, and Medieval Identities: The vE olution of the Individual in Medieval Literature" (2011). Dissertations. Paper 335. This Open Access Dissertation is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Dissertations by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE SELF, THE CHURCH AND MEDIEVAL IDENTITIES: THE EVOLUTION OF THE INDIVIDUAL IN MEDIEVAL LITERATURE by Christopher M. Flavin B.A., Austin Peay State University, 1999 M.A., Middle Tennessee State University, 2006 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Doctor of Philosophy. Department of English in the Graduate School Southern Illinois University Carbondale May 2011 DISSERTATION APPROVAL THE SELF, THE CHURCH AND MEDIEVAL IDENTITIES: THE EVOLUTION OF THE INDIVIDUAL IN MEDIEVAL LITERATURE By Christopher M. Flavin A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the field of English Approved by: Dr. Mark Amos, Chair Dr. Dan Wiley Dr. Jane Elizabeth Dougherty Dr. Michael Humphries Dr. Holly Hurlburt Graduate School Southern Illinois University Carbondale March 4, 2011 AN ABSTRACT OF THE DISSERTATION OF CHRISTOPHER MICHAEL FLAVIN, for the Doctor of Philosophy degree in ENGLISH, presented on MARCH 4, 2011, at Southern Illinois University Carbondale.