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E-Version SMW Book Roskilde University The Slavery Museum as community anchor, eye-opener, and thought-provoker Kaarsholm, Preben Published in: Slavery Museums Workshop/ Atelier sur les musées de L'esclavage Publication date: 2020 Document Version Publisher's PDF, also known as Version of record Citation for published version (APA): Kaarsholm, P. (2020). The Slavery Museum as community anchor, eye-opener, and thought-provoker. In G. Abungu, V. Ballgobin, R. Boswell, V. Teelock, & S. W. Luong (Eds.), Slavery Museums Workshop/ Atelier sur les musées de L'esclavage: Issues and challenges concerning representations of slavery in museums / Les enjeux et les défis de la représentation de l’esclavage dans les musées (pp. 67-72). University of Mauritius. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain. • You may freely distribute the URL identifying the publication in the public portal. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 08. Oct. 2021 SLAVERY MUSEUMS WORKSHOP ABOUT THE CRSI Issues and challenges concerning The Centre for Research on Slavery and Indenture CRSI is a multidisciplinary Research Centre based at the University of Mauritius. It is part of the University’s commitment to the scientific representations of slavery in museums study of Mauritian history and in particular the history of slavery and indenture, these two being the most important migratory movements into Mauritius. CRSI is also committed to playing a regional role, in supporting collaborative, interdisciplinary research. We are represented on the International Scientific Committee of the Slave Route Project and since 2015, CRSI activities fall under UNESCO’s Slave Route Project. An International Advisory Board also exists. The members regularly provide expert opinions on various issues, research projects and activities of CRSI. The current Head of the Centre is Vijayalakshmi Teelock. CRSI PUBLICATIONS Ratsitatanina’s Gift - Pier Larson Inventaire Sélectif de la série Col C 4 Volume 1 - S. Philips, S.Tamby, Y.Argot, T. Vernet, V.Teelock Inventaire Sélectif de la série Col C 4 Volume 2 - R. Thiebaut, T. Vernet & V. Teelock Maritime Maroonage in Isle de France (Monograph) - A L. Levasseur Elizabeth History and Archaeology of the Moulin à Poudre Cultural Landscape - A.Benard, H.Maurel, J.Mungur-Medhi, D.Ramasawmy, V.Teelock Maroonage and the maroon heritage in Mauritius - J. Cornet, A. Nagapen, V.Teelock etc History Memory Identity Volume 1 - E. Alpers & V. Teelock (eds) Traites, Esclavage et Transition vers l’engagisme - Multiple authors Evading enslavement in the Seychelles (Monograph) - P. Nicholls Issues and challenges concerning representations of slavery in museums - Multiple authors Bonded Self, National Disgrace and Human Misery: Indian Nationalists and Campaign for Abolition of Indentured Labour Emigration - Amit Mishra Select Documents: The End of Indentured Immigration including 1895 Report on the Condition of Indian Immigrants in Mauritius & Distribution List of the SS Surada, the last ship carrying labourers in 1921 - S. Ramchurn ATELIER SUR LES FORTHCOMING Esclavage, dépendance et hiérarchie sociale à Madagascar: Réflexion sur quelques faits dans les MUSÉES DE L’ESCLAVAGE représentations contemporaines - Chaplain Toto, University of Toamasina Parcours d’un Musicien, Marclaine Antoine - Vina Ballgobin, University of Mauritius Les enjeux et les défis de la représentation Compiled and Edited by de l’esclavage dans les musées G����� A����� V��� B�������� R�������� B������ V������������ T������ S����� W��� L���� 2020 Issuesandchallengesconcerning representationsofslaveryinmuseums Lesenjeuxetlesdéfisdela représentationdel’esclavagedansles musées ©CRSI&Authors UOMPRESS CoverDesign:KalyaniSunassy ArtWork:NaliniTreebhoobun Pagelayoutanddesign:DoorgaUjodha,MadveeArmoogum Allopinionsexpressedarethoseoftheauthors. ISBN978Ͳ99903Ͳ73Ͳ60Ͳ8 ii Acknowledgements TheCRSIwouldliketothank UNESCOSlaveRouteProjectforthinkingofthetheme ThethenMinistryofArtsAndCultureforfundingtheworkshop Theparticipantsoftheworkshopforallowingustopublishtheirthoughts,views andsuggestions TheEditorsfortheirtimeandpatience UoMPress MauritiusFilmDevelopmentCorporation OneTakeLtd iii iv Contents Acknowledgements...............................................................................................................................III Contents.................................................................................................................................................V TableofFigures.....................................................................................................................................VI PréfaceparAliMoussaIye...................................................................................................................VII IntroductionVijayaTeelock...................................................................................................1 FAQSͲMauritiusTruthandJusticeCommissionJimmyHarmon..........................................7 PartOne TheRoleofaSlaveryMuseum/Lerôled’unMuséedel’esclavage 1MozambiqueAndTheConceptOfSatelliteMuseumBenignaZimba..............................11 2History&MemoryͲTheAdvocacyCampaignForTheSlaveryMuseumJimmyHarmon.15 3LeMuséeFaceàL’esclavageNellySchmidt.......................................................................27 4HowDoWeEmbedHolisticRestorativeJusticeProcessesInTheDesignoftheISM? JohnStanfield37 5TheIntercontinentalSlaveryMuseum:ImaginingADecolonizedMuseumProcess GeorgeAbungu.......................................................................................................41 6EngagingTraumaInTheIntercontinentalSlaveryMuseumRosabelleBoswell................47 7«QuellesHistoire,MémoireͲSEtIdentitéͲSDansUnMuséeDeL’esclavage?»...............61 KlaraBoyerͲRossol 8TheSlaveryMuseumAsCommunityAnchor,EyeͲOpener,AndThoughtͲProvoker.........67 PrebenKarsholm 9MetLiDanMize!DaniellaBastien....................................................................................73 PartTwo TheWayForwardͲPresentingandRepresentingSlaveryinMuseums LamarcheàsuivreͲPrésenteretreprésenterl'esclavagedanslesmusées 10LesMotsDeL’esclavageMyriamCottias........................................................................77 11LesMuséesÀTamatave:QuellePlacePourLaTraiteEtL’esclavage?ChaplainToto...85 12TheImageryOfSlaveryAudreyEmile..............................................................................99 13RepresentationOfSlaveryAmongstPrimarySchoolChildrenInMauritius StephanieTamby&JimmyHarmon....................................................................113 14LeQuartierDeRivièreNoire,LieuDeRéminiscenceDeL’esclavageEtDuMarronnage BenjaminMoutou.................................................................................................123 15ArtefactsRelatingToSlaveryInTheMauritiusMuseumsCouncilDeoraz Ramracheya........................................................................................................................129 16DesigningATrailOfMemorialSitesOfSlaveryInPamplemousses,Mauritius MaurinaSoodinͲRunghen.....................................................................................137 17LivingLegacyOr“Museumification”:ChagossianMusicalHeritagePatrickAllen........145 18MuséeEnMode2.0StephanRezanna..........................................................................151 19SMW2016SomePreliminaryFindingsOfTheSurveyOnSlaveryMuseums SophieLechartier..................................................................................................155 20SMW2019:Issues,Suggestions,Opinions,RecommendationsAndEmotions VijayaTeelock.......................................................................................................161 21UnMuséePourDesHumainsConscientsDeLeurLibertéDominiqueBellier..............173 v Tableoffigures Figure1BustofexͲslaveinMauritiusmadebyEugenedeFrobervilleinthe1840s..........10 Figure2PhotosoftheactivitiesundertakenbytheKDPF..................................................14 Figure3Tandrokoaodyouuntalismanencornedezébu..................................................87 Figure4VuededevantduMuséeduPortdeToamasina(2013).......................................88 Figure5Représentationdesmatériauxutilisésparlesguérisseurstraditionnelslocaux...91 Figure6MuséeRégionaldeFeneriveͲEstLAMP.................................................................92 Figure7CharlotetSabinereprésentantleRoiRatsimilahoetsonépouseMatavy...........94 Figure8Scarsofawhippedslave,1863............................................................................105 Figure9CompilationofafewprintsusedinMauritiustodepict‘Mauritian’slavery......106 Figure10ViewoftheMontagnedesCalebasses..............................................................107 Figure11CloseͲupofoneslavebringingbackhiscatchandaccompaniedbyhisdog.....108 Figure12ANativefromtheMozambiqueCoast..............................................................109 Figure13DisplayoftheIllustrationsofslaverybyMauritianartists................................109
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