Chaplin's Vintage Year

Total Page:16

File Type:pdf, Size:1020Kb

Chaplin's Vintage Year Welcome to the latest BearManor Newsletter! We would like to wish you all a very Happy Holiday Season! Congratulations to Rob Reynolds who knew that the name of the coffee shop in the hit sitcom Friends, was Central Perk. This week’s question is: In which film do Tim Allen and Jamie Lee Curtis play a couple determined to skip Christmas? Please have your answers to me by 1st January 2014 and the first person out of my Mistletoe hat will be the winner. My email is [email protected] Good Luck!! Chaplin's Vintage Year CHAPLIN'S VINTAGE YEAR: THE HISTORY OF THE MUTUAL CHAPLIN SPECIALS by Michael J Hayde has been featured on Leonard Maltin's column. You can read the review here: http://blogs.indiewire.com/leonardmaltin/more-new-and-notable-film-books 1 And you can order the book here: http://www.bearmanormedia.com/index.php?route=product/product&filter_name=chaplin&product_id=699 News From Down Under The wonderful Koop Kooper, author and BearManor friend, has featured two of our books on his radio show recently: FROZEN IN ICE: THE STORY OF WALT DISNEY PRODUCTIONS, 1966-1985 by Mark Arnold And AMERICAN INTERNATIONAL PICTURES: THE GOLDEN YEARS by Gary A. Smith For more information, please visit: www.cocktailnation.net And you can order the books here: Frozen in Ice: http://www.bearmanormedia.com/index.php?route=product/product&filter_name=frozen%in%ice&product_i d=695 American International Pictures: http://www.bearmanormedia.com/index.php?route=product/product&filter_name=american%int&product_i d=696 2 Cathy (Fitzgibbon) Rudolph Cathy (Fitzgibbon) Rudolph, author of PAUL LYNDE: A BIOGRAPHY - HIS LIFE, HIS LOVE(S) AND HIS LAUGHTER will be doing a book signing at Book Revue in New York, on 18th January 2014 at 7 pm. Here are all the details you need to know: BOOK REVUE 313 New York Avenue, Huntington NY 11743 Tel: (631) 271-1442 Fax: (631) 271-5890 Email: [email protected] | Website: http://www.bookrevue.com/CathyRudolph.html If you are unable to attend the signing, but would like a copy of the book, please head to our website: http://www.bearmanormedia.com/index.php?route=product/product&product_id=721 Audio Books We have a variety of Audio Books coming out at the moment. Here is all you need to know: MEL BLANC: THE MAN OF A THOUSAND VOICES (AUDIOBOOK) by Ben Ohmart Mel Blanc needs no introduction to cartoon and radio fans. He was The Master of the funny voice. For the first time ever, here is the ultimate biography, encompassing Noel Blanc's unpublished biography, with an introduction by Bugs Bunny, plus a complete (and Huge) credit list and discography. Over 700 pages. Indexed. 3 You can order the audio here: http://www.bearmanormedia.com/index.php?route=product/product&product_id=725 QUIZMASTER: THE LIFE AND TIMES AND FUN AND GAMES OF BILL CULLEN (AUDIOBOOK) by Adam Nedeff Question: What do Bob Barker, Dick Clark, Pat Sajak, and Alex Trebek have in common? Answer: Bill Cullen hosted more game shows than all of them combined. And all of them have referred to Bill as the best game show host of all time. Quizmaster: The Life & Times & Fun & Games of Bill Cullen is the remarkable story of a “a kid with polio” who became a mechanic, truck driver, photographer, pilot, disc jockey, and the finest master of ceremonies that a game show could ever have. You can order the audio here: http://www.bearmanormedia.com/index.php?route=product/product&product_id=726 WONDERFUL WORLD OF PERCUSSION: MY LIFE BEHIND BARS (AUDIOBOOK) by Emil Richards with Tom Di Nardo During a span of 55 years, Emil Richards has been a renowned presence in Hollywood soundstages, recording studios, jazz clubs and international touring venues. Considered a supreme artist on the vibraphone, marimba and xylophone, as well as a master of his world-famous collection of percussion instruments, Richards is renowned throughout the world for his versatility. 4 This book’s lifetime of insightful and hilarious experiences include years with Frank Sinatra and George Harrison, as well as many anecdotes involving Burt Bacharach, Elvis Presley and Ravi Shankar, as well as most major recording artists. Richards’ chronology roughly categories the book’s chapters into decades, with the 1960s mainly involving album recording, television shows in the ‘70s and films in the ‘80s and ‘90s. A parallel career means stories emanating through playing with George Shearing, Paul Horn, Stan Kenton and Roger Kellaway, as well as Igor Stravinsky and Richards’ own group Calamari. There are warm recollections of the great film composers, including Henry Mancini, Alex North, Jerry Goldsmith and John Williams, who all collaborated at finding a unique sound at Richards’ warehouse before composing. Salad bowls used in “Planet Of The Apes,” gongs lowered into fluid for space movies and many other unusual sonic effects will flash readers back to decades of favorite movies. From an astonishing family history and grim days growing up in Hartford, Connecticut, through wild tours with Sinatra to Europe, Japan and Egypt, and visits to the Maharishi in India, Richards’ entertaining, direct style perfectly complements this wealth of inside experiences. You can order the audio here: http://www.bearmanormedia.com/index.php?route=product/product&product_id=727 HAVE YOU SEEN THE WIND? SELECTED STORIES AND POEMS (AUDIOBOOK) by William F. Nolan With 75 books and over 300 anthology appearances to his credit, William F. Nolan (author of Logan's Run) is twice winner of the Edgar Allan Poe Special Award. Most recently, he accepted the International Guilds Living Legend Award for 2002. 5 This is the first collection of Nolan's horror fiction and verse to share a single volume. Four chilling tales of murder and madness, guns and obsession steam the pages of this haunting book, including "In Real Life," chosen for The Year's Best Fantasy and Horror. Delve into Nolan's darkest worlds as he assembles tales of an ex-wife claiming revenge from beyond the grave... of an insane mind justifying the murder of his mate through the tall glass of a cold one... of a husband who refuses and refuses and refuses to stay dead. And top it all off with a celebration of this master's widely-praised poems, on topics ranging from Bradbury to Vienna, from Hammett to Hemingway. You can order the audio here: http://www.bearmanormedia.com/index.php?route=product/product&product_id=728 New Book - ARCHAEOLOGY IN FICTION We are pleased to announce the forthcoming publication of ARCHAEOLOGY IN FICTION by Dr. Scott Viguié. Popular fiction is filled with images of archaeologists as daring adventurers who constantly risk life and limb in the pursuit of fabulous antiquities of immense historical and monetary value. There are evil villains, great romances, and unknown perils lurking around every corner. That's the view many people have of archaeology. What is the truth, though, behind the myth and why have the myths persisted for so long? In this book you'll explore: The fictions surrounding archaeology. Why we as people love and perpetuate those fictions. What the truth behind the fiction really is. Sometimes truth really is stranger than fiction. Come along and explore both. Dr. Scott Viguié holds two doctorate degrees and is an archaeologist and an attorney who has done extensive research on myths and their impact on modern archaeology and storytelling. He is routinely a guest at various science fiction and fantasy conventions, where he contrasts the depiction of archaeology in fiction with reality. He is the creator of Dr. Geek's Laboratory of Applied Geekdom, The Science From Fiction Podcast; where the audience is brought closer to those who are attempting to bring about the world of tomorrow. You can order the book here: http://www.bearmanormedia.com/index.php?route=product/product&product_id=724 6 New Book - Making of the Hitch-Hiker MAKING OF THE HITCH-HIKER, ILLUSTRATED, THE by Mary Ann Anderson will be published very soon. The Hitch-Hiker is regarded as the first American mainstream film Noir directed by a woman. This film parallels a manhunt, for spree killer William Cook, which occupied the Nation's headlines in 1950 with two men who set out on a vacation, wind up as hostages of the hitch-hiker murderer. This is the 5th picture directed by Ida Lupino and establishes her as a truly competent director. "To heighten the films suspense, I shot scenes in the claustrophobic confines of the car and to intensify the grit outside on hot, lost barren expanses of the desert." - Ida Lupino In 1998, The Hitch-Hiker was selected for preservation in the United States National Film Registry. March 21, 2013 marked the 60th anniversary of the premiere of the original film. "The movie is notable not only because it's a better-than-average Noir film but because it's one of the first films ever made in Hollywood that was quite clearly based on a killer whose crimes were still fresh in the minds of the film goers." - Allan Grant, Life magazine December 2012. You can order the book here: http://www.bearmanormedia.com/index.php?route=product/product&product_id=723 7 New Book - Soap Available to pre-order now: SOAP: THE INSIDE STORY OF THE SITCOM THAT BROKE ALL THE RULES by A.S. Berman. This is the story of two sisters, Jessica Tate and Mary Campbell, and the world that their two families made… From its tumultuous beginnings in 1977 to its end by firing squad – onscreen and off -- Soap was as passionate and controversial as the times in which it was made.
Recommended publications
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Weeksville Lost Jazz Shrines
    1 Weeksville Lost Jazz Shrines Annotated Bibliography and Discography Primary Sources Interviews Note: Most of the artists listed below were interviewed over a period of two years (April, 2010 –October, 2011 through Weeksville’s Lost Jazz Shrine Project). Artists interviewed include: Brooklyn natives; longtime Brooklyn residents; or artists who performed frequently at some of Brooklyn's Lost Jazz Shrines and in some cases, continue to perform in Brooklyn. Abdullah, Ahmed. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 46 mins 36 sec. Barnes, Wade E. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 7 December 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 51 min. 26 sec. Barron, Kenny. Oral History Interview. Interviewed by Willard Jenkins. 9 October 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Braithwaite, “Fab 5” Freddie. Oral History Interview. Interviewed by Willard Jenkins and Jennifer Scott. 7 Oct 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 25 mins. 32 secs. Carroll, Alma. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 24 August 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 10 mins. 34 secs. Cheatham, Jo Ann. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project.
    [Show full text]
  • DUELING MALLETS Featuring Guest Artist SUSAN PASCAL
    CtHVvP ~ . ,t:5 c. C()& 0 if )015' --",.,'-~ ) '/3~- THE MALLET HEAD SERIES presents D DUELING MALLETS featuring guest artist SUSAN PASCAL Susan Pascal, vibraphone Dan Dean, electric bass Tom Collier, marimba Ted Poor, drums February 13,2015 7:30 PM Meany Studio Theater 1-0 C:PI-7f'/r, JC6 2­ 1- - 9 cPZ-=ffj-n 1'1;3 Program to be chosen from: -HlGjj:ffl,4 y eNE .......................................................... BOBBY HUTCHERSON =;- JUPITER JUMP .......................:t.;2:l..................................... TOM COLLIER 'firll<f7l;'SJO}' ............................................................................ TOM COLLIER q SLEEK BUICK...........................5'Lf3I. .................................................. DAN DEAN }vf:lfLLET.htz::z......................................................................... TOM COLLIER .. ':)MONTARA .....................................~.{.:.t:?................ BOBBY HUTCHERSON 9 CORAL ..................................-::;"'~3(.............................................. KEITHJARRETT. L.f TURNED AROUND AGAIN..............L"h.;,Z...3....................... TOM COLLIER " 2.. BLACK HOLE .............. H?~.~.?;.............................................. TOM COLLIER :3> SAME SHAME ....................................1-''391........................ BOBBY HUTCHERSON I TIMES LIKE THESE.........~.i..l.9. .......................................... MAK.OTO OZONE f h f:>G~ 5 &rw ve.. - J1IJr IT JCU-/<>oYj Cf :3 g SUSAN PASCAL: Seattle jazz vibraphonist Susan Pascal has taken her music
    [Show full text]
  • 47955 the Musician's Lifeline INT01-192 PRINT REV INT03 08.06.19.Indd
    181 Our Contributors Carl Allen: jazz drummer, educator Brian Andres: drummer, educator David Arnay: jazz pianist, composer, educator at University of Southern California Kenny Aronoff: live and studio rock drummer, author Rosa Avila: drummer Jim Babor: percussionist, Los Angeles Philharmonic, educator at University of Southern California Jennifer Barnes: vocalist, arranger, educator at University of North Texas Bob Barry: (jazz) photographer John Beasley: jazz pianist, studio musician, composer, music director John Beck: percussionist, educator (Eastman School of Music, now retired) Bob Becker: xylophone virtuoso, percussionist, composer Shelly Berg: jazz pianist, dean of Frost Music School at University of Miami Chuck Berghofer: jazz bassist, studio musician Julie Berghofer: harpist Charles Bernstein: film composer Ignacio Berroa: Cuban drummer, educator, author Charlie Bisharat: violinist, studio musician Gregg Bissonette: drummer, author, voice-over actor Hal Blaine: legendary studio drummer (Wrecking Crew fame) Bob Breithaupt: drummer, percussionist, educator at Capital University Bruce Broughton: composer, EMMY Chris Brubeck: bassist, bass trombonist, composer Gary Burton: vibes player, educator (Berklee College of Music, now retired), GRAMMY 182 THE MUSICIAN’S LIFELINE Jorge Calandrelli: composer, arranger, GRAMMY Dan Carlin: award-winning engineer, educator at University of Southern California Terri Lyne Carrington: drummer, educator at Berklee College of Music, GRAMMY Ed Carroll: trumpeter, educator at California Institute of
    [Show full text]
  • The Recordings
    Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • Click to Download
    Volume 8, Number 8 Original Music Soundtracks for Movies & Television Rock On! pg. 10 LOVE thEBOOB TUBE Cool new music for Alias, Boomtown, Monk, Carnivàle, Penn & Teller’s B.S. FSM picks 100+ great great TTV themes plus Indiana Jones JO JOhN WIllIAMs’’ FOR FORtuNE an and GlORY Dragonslayer on DVD WORKING WORKING WIth A AlEX NORth CD Reviews A ALL THE L LAtEST $4.95 U.S. • $5.95 Canada CONTENTS SEPTEMBER 2003 DEPARTMENTS COVER STORY 2 Editorial 20 We Love the Boob Tube The Man From F.S.M. Video store geeks shouldn’t have all the fun; that’s why we decided to gather the staff picks for our by-no- 4 News means-complete list of favorite TV themes. Music Swappers, the By the FSM staff Emmys and more. 5 Record Label 24 Still Kicking Round-up Think there’s no more good music being written for tele- What’s on the way. vision? Think again. We talk to five composers who are 5 Now Playing taking on tough deadlines and tight budgets, and still The Man in the hat. Movies and CDs in coming up with interesting scores. 12 release. By Jeff Bond 7 Upcoming Film Assignments 24 Alias Who’s writing what 25 Penn & Teller’s Bullshit! for whom. 8 The Shopping List 27 Malcolm in the Middle Recent releases worth a second look. 28 Carnivale & Monk 8 Pukas 29 Boomtown The Appleseed Saga, Part 1. FEATURES 9 Mail Bag The Last Bond 12 Fortune and Glory Letter Ever. The man in the hat is back—the Indiana Jones trilogy has been issued on DVD! To commemorate this event, we’re 24 The girl in the blue dress.
    [Show full text]
  • Great Escape Vol. 5
    THE GREAT ESCAPE!* ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Vol. 1 No. 5 November/December 2007 Presented by: www.dixieswing.com Buddy Hughes: One Night on the Stand with Thornhill By Bob Knack While rummaging through my record room recently, I the most exciting band ever.” In the review, DB magazine came across a dusty cardboard box containing a morsel of real reported that Vannerson had recently left the band leaving treasure. It was an October 21, 1946 copy of Downbeat Thornhill without a personal manager or press agent making it Magazine, with the headline, “Claude Thornhill, Band of the difficult for the band to compete for bookings. Year”. The article highly praised the Thornhill band reviewed “After playing some smaller eastern ballrooms and “live” at the Hotel Pennsylvania in New York City. theatres,” Buddy continues, “the appearance at the It saved the highest accolades for the guy singer, Pennsylvania was a big event for the band, and had the Buddy Hughes, saying he had “the freshest, best voice to be attention of show business and band personalities who packed heard with a band”. I asked my friend and Glen Ellyn, Illinois the place for the big night”. “I was introduced by my manager resident, Buddy to reminisce about this night and his time with to Mildred Bailey, Paula Kelly and the Modernaires, Les Brown the CT band, and, as always, he brought the era back to mind (with his arranging pad in hand), singer Buddy Clark and many with his stories as if it were yesterday.
    [Show full text]
  • Pacad286-All Access#7
    You may not have heard of Emil Richards, but you’ve definitely heard him. A lot. wITh 1,800 fILM SCoreS To hIS CreDIT , r IChArDS , 71, IS In ALL LIKeLI - motor. Another example was the touch-sensitive on/off switch. hooD the most recorded mallet player in history. he also boasts Composers often specify vibrato for one part of a piece, and none session credits with 750 recording artists, from frank Sinatra and for another. but if you have to look down and fumble for the switch, Judy Garland to George harrison and frank Zappa. it takes your eyes off the music and the conductor. This way, you “I’ve been playing since I was six,” says richards. “My brother just touch the motor anywhere and it turns on or off.” wanted an accordion, and my dad made the mistake of taking me emil says he always gets excited about working on new con - to the music store with him. So while my dad was signing the cepts for the vibraphone with the design staff at Yamaha. “Yamaha papers for the accordion, I said, ‘I want something, too!’ And I does a good job of speaking to many of their artists about some of pointed to the first thing I saw: a xylophone.” the pros and cons of the instrument, asking what professional play - Young emil studied classical percussion while also absorbing ers want to see, while keeping mind what is good for the beginning the influences of Lionel hampton and red norvo, the leading vibra - student, as well as more seasoned percussionists.
    [Show full text]
  • Extended Performance Techniques and Compositional Style in the Solo
    EXTENDED PERFORMANCE TECHNIQUES AND COMPOSITIONAL STYLE IN THE SOLO CONCERT VIBRAPHONE MUSIC OF CHRISTOPHER DEANE Joshua D. Smith, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2008 APPROVED: Mark Ford, Major Professor Eugene Migliaro Corporon, Minor Professor Christopher Deane, Committee Member Terri Sundberg, Chair of the Division of Instrumental Studies Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Smith, Joshua D., Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane. Doctor of Musical Arts (Performance), August 2008, 66 pp., 1 table, 8 figures, 20 musical examples, references, 29 titles. Vibraphone performance continues to be an expanding field of music. Earliest accounts of the presence of the vibraphone and vibraphone players can be found in American Vaudeville from the early 1900s; then found shortly thereafter in jazz bands as early as the 1930s, and on the classical concert stage beginning in 1949. Three Pieces for Vibraphone, Opus 27, composed by James Beale in 1959, is the first solo concert piece written exclusively for the instrument. Since 1959, there have been over 690 pieces written for solo concert vibraphone, which stands as evidence of the popularity of both the instrument and the genre of solo concert literature. Christopher Deane has contributed to solo vibraphone repertoire with works that are regarded as staples in the genre. Deane’s compositions for vibraphone consistently expand the technical and musical potential of the instrument.
    [Show full text]
  • WED 5 SEP Home Home Box Office Mcr
    THE DARK PAGESUN 5 AUG – WED 5 SEP home home box office mcr. 0161 200 1500 org The Killing, 1956 Elmore Leonard (1925 – 2013) The Killer Inside Me being undoubtedly the most Born in Dallas but relocating to Detroit early in his faithful. My favourite Thompson adaptation is Maggie A BRIEF NOTE ON THE GLOSSARY OF life and becoming synonymous with the city, Elmore Greenwald’s The Kill-Off, a film I tried desperately hard Leonard began writing after studying literature and to track down for this season. We include here instead FILM SELECTIONS FEATURED WRITERS leaving the navy. Initially working in the western genre Kubrick’s The Killing, a commissioned adaptation of in the 1950s (Valdez Is Coming, Hombre and Three- Lionel White’s Clean Break. The best way to think of this season is perhaps Here is a very brief snapshot of all the writers included Ten To Yuma were all filmed), Leonard switched to Raymond Chandler (1888 – 1959) in the manner of a music compilation that offers in the season. For further reading it is very much worth crime fiction and became one of the most prolific and a career overview with some hits, a couple of seeking out Into The Badlands by John Williams, a vital Chandler had an immense stylistic influence on acclaimed practitioners of the genre. Martin Amis and B-sides and a few lesser-known curiosities and mix of literary criticism, geography, politics and author American popular literature, and is considered by many Stephen King were both evangelical in their praise of his outtakes.
    [Show full text]
  • Safaris to the Heart of All That Jazz
    Safaris to the heart of all that jazz.... JoniMitchell.com 2014 Biography Series by Mark Scott, Part 6 of 16 In January of 1974, Joni began an extensive tour of North America with the L.A. Express, wrapping up with three concerts at the New Victoria Theatre in London, England. The final concert at the New Victoria was videotaped and an edited version was broadcast on the BBC television program The Old Grey Whistle Test in November of 1974. Larry Carlton and Joe Sample were playing with The Crusaders at the time and both opted not to go on the road with Joni and the L.A. Express. Guitarist Robben Ford replaced Larry Carlton and Larry Nash filled in for Joe Sample on piano. In a 2011 interview for JoniMitchell.com, Max Bennett said that although the pay was good for this tour, the musicians could have made more money playing gigs in L.A. and doing session work in the recording studios. Max said that the musicians loved the music, however, and that they were treated royally in every way throughout the tour. Excellent food, first class accommodations, limousines, private buses and private planes were all provided for the band’s comfort. Max also made a point of mentioning the quality of the audiences that attended the concerts. Attention was focused on the performances so completely that practically complete silence reigned in the theaters and auditoriums until after the last note of any given song was performed. For Max Bennett, “As far as tours go - I've been on several tours - this was the epitome of any great tour I've ever been on.
    [Show full text]