Percussion Instruments
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LEIPZIGER Amtsblatt Vom 29.10.2016, Ausgabe 19/2014
29. Oktober 2016 Nummer 19 26. Jahrgang Heimat und Fremde Rückschau und Ausblick Aktiv und entschlossen „euro scene“ spielt vom Die Großwohnsiedlung Seniorenbeirat liefert seit 8. bis 13. November Schönefeld wird 40 – Bilanz 25 Jahren wichtige Impulse Geschichten vom Zuhausesein einer Stadtteilentwicklung für Lebensqualität im Alter Seite 2 Seite 3 Seite 6 Gedenken an die Dokfi lm startet mit einhundert Premieren Pogromnacht „Ungehorsam“ – unter diesem Motto laufen 309 Animations- und Dokumentarfi lme vom 31. Oktober bis 6. November in Leipzig Ein Zeichen gegen antijüdische Politik Volles Programm: Vom sehen sind. Der Länderfo- wollte er setzen: der 17-jährige Jude 31. Oktober bis zum 6. kus Türkei vereint politisch Herschel Grynspan, der am 7. November November können sich aktuelle Dokumentar- und 1938 in der deutschen Botschaft in Paris die interessierten Leipzi- Animationsfi lme, die den den Diplomaten Ernst von Rath nieder- gerinnen und Leipziger offi ziellen Bildern der Regie- schoss. Dieses Attentat war lang ersehnter wieder fast rund um die Uhr rung unabhängige Filme Vorwand der Nationalsozialisten für Filmproduktionen aus aller entgegenstellen wollen. die Reichspogromnacht vom 9. auf den Welt anschauen. 309 Ani- In der Retrospektive 10. November und den Auftakt für eine mations- und Dokumentar- dreht sich alles um den pol- öffentliche und sich brutal verstärkende fi lme stehen auf dem prall nischen Dok-Film, und das Verfolgung der Juden. gefüllten Programm des 59. Jugendprogramm bekennt Leipzig erinnert an die Opfer und Internationalen Leipziger „We are HipHop“. Im Son- lädt am 9. November, 18.30 Uhr, an Festivals für Dokumentar- derprogramm „Der andere die Gedenkstätte Gottschedstraße zur und Animationsfi lm (DOK Blick? Alltag in der DDR“ Kranzniederlegung und Schweigeminute Leipzig). -
Mitteilungsblatt Brunnenregion 2017 KW17
17 28. APRIL 2017 Kleintierzuchtverein C 425 Epfenbach e.V. Kleintierzuchtverein C 425 Epfenbach e.V. Kleintierzuchtverein C 425 Epfenbach e.V. lädt herzlich ein lädt herzlich ein zum Gockelfest am lädt herzlich ein 1.lädt Mai herzlich 2017ein am von 10:30 Uhr bis 18:00 Uhr zum Gockelfest Gockelfest am am in der Züchterhalle Waldstraße 16, in Epfenbach zum am Für das leibliche1. Wohl Mai istGockelfest gesorgt 2017 und zusätzlich gibt es Nachmittags Kaffee und Kuchen von 10:30 Uhr bis 18:00 Uhr 1. Mai1. Mai 2017 2017 in vonder Züchterhalle 10:30von WaldstraßeUhr 10:30 bis Uhr 18:0016, bis in Epfenbach18:00 Uhr Uhr in der Züchterhalle Waldstraße 16, in Epfenbach Für das leibliche Wohl ist gesorgt und zusätzlich gibt es Nachmittags Kaffee und Kuchen Für das leibliche Wohl ist gesorgt und zusätzlich gibt es nachmittags Kaffee und Kuchen. S. 12 Saisonauftakt am 30. April Maibaumfest auf dem Marktplatz in Waibstadt Wir begrüßen Sie auch 2017 herzlich auf der Sonntag, 30. April 2017, ab 17.30 Uhr Veranstalter Turnverein 1865 Waibstadt e.V. Strecke S. 43 Fahrpläne auf den Rathäusern oder unter www.Krebsbachtal-bahn.de S. 45 Amtsblatt des Gemeindeverwaltungsverbandes Waibstadt · 28. April 2017 · Nr. 17 | 2 Bereitschaftsdienste Veranstaltungskalender Rettungsdienst 112 Allgemeiner Notfalldienst bundesweite Rufnummer 116 117 GRN-Klinik Sinsheim, Alte Waibstadter Straße 2, 74889 Sinsheim Epfenbach Mo., Di., Do., 19.00 - Folgetag 7.00 Uhr, Mi., 13.00 - Do., 7.00 Uhr, Fr., 19.00 bis Mo., 7.00 Uhr durchgehend Feiertage von 19.00 Uhr des Vortages bis 7.00 Uhr des Folgetages 28.04. -
Developing a Four-Mallet Marimba Technique Featuring the Alternation
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Developing a four-mallet marimba technique featuring the alternation of mallets in each hand for linear passages and the application of this technique to transcriptions of selected keyboard works by J.S. Bach Thomas Allen Zirkle Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Zirkle, Thomas Allen, "Developing a four-mallet marimba technique featuring the alternation of mallets in each hand for linear passages and the application of this technique to transcriptions of selected keyboard works by J.S. Bach" (2003). LSU Doctoral Dissertations. 3099. https://digitalcommons.lsu.edu/gradschool_dissertations/3099 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. DEVELOPING A FOUR-MALLET MARIMBA TECHNIQUE FEATURING THE ALTERNATION OF MALLETS IN EACH HAND FOR LINEAR PASSAGES AND THE APPLICATION OF THIS TECHNIQUE TO TRANSCRIPTIONS OF SELECTED KEYBOARD WORKS BY J.S. BACH A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The Department of Music by Thomas Allen Zirkle B.S., Ball State University, 1993 M.M., Southern Illinois University, 1995 December 2003 Dedication This paper is dedicated to Dr. -
Ludwig-Musser 2010 Concert Percussion Catalog AV8084 2010
Welcome to the world of Ludwig/Musser Concert Percussion. The instruments in this catalog represent the finest quality and sound in percussion instruments today from a company that has been making instruments and accessories in the USA for decades. Ludwig is “The Most famous Name in Drums” since 1909 and Musser is “First in Class” for mallet percussion since 1948. Ludwig & Musser aren’t just brand names, they are men’s names. William F. Ludwig Sr. & William F. Ludwig II were gifted percussionists and astute businessmen who were innovators in the world of percussion. Clair Omar Musser was also a visionary mallet percussionist, composer, designer, engineer and leader who founded the Musser Company to be the American leader in mallet instruments. Both companies originated in the Chicago area. They joined forces in the 1960’s and originated the concept of “Total Percussion.” With our experience as a manufacturer, we have a dedicated staff of craftsmen and marketing professionals that are sensitive to the needs of the percussionist. Several on our staff are active percussionists today and have that same passion for excellence in design, quality and performance as did our founders. We are proud to be an American company competing in a global economy. Musser Marimbas, Xylophones, Chimes, Bells, & Vibraphones are available in a wide range of sizes and models to completely satisfy the needs of beginners, schools, universities and professionals. With a choice of hammered copper, smooth copper or fiberglass bowls, Ludwig Timpani always deliver the full rich sound that generations of timpanists have come to expect from Ludwig. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Chapter 5 Tour of Usa in 1968
CHAPTER 5 TOUR OF USA IN 1968 A dynamic shift in India’s foreign policy occurred with the advent of Indira Gandhi, who took over the reins of the government in January 1966.1 India had by then been through two wars – the war that India was not successful in winning – the Sino – Indian War of October 19622 and the Indo – Pak War of 1965,3 which India won. The first war was during the time of India’s first Prime Minister, Pandit Jawaharlal Nehru while the second war took place during the tenure of India’s third Prime Minister, Lal Bahadur Shastri. As mentioned in Chapter 2, during Nehru’s tenure, soft power was emphasized on, as with the legacy of poverty, left behind by the British, India was not really in a position to invest in hard power, and Nehru sought to develop relations between India and other nations essentially through various treaties of friendship. "Where Nehru had articulated India's national interests in high-flown phrases of world peace and cooperation, Indira stressed security, territory, and prestige…In contrast to her father's alleged "moralism," Indira Gandhi's actions are described as 'pragmatic".4 Given 1 https://www.pmindia.gov.in/en/former_pm/smt-indira-gandhi/ (Accessed: 15-03-2019) 2 Joseph R. Stauffer, "Sino-Indian Border Dispute—1962," Naval War College Review 19, no. 9 (1967): 81-117, accessed March 15, 2019, url: http://www.jstor.org/stable/44640979 3 The Indo – Pak War of 1965, url: http://www.indiandefencereview.com/spotlights/indo-pak-war-of-1965/ 4 Arthur G. -
Weeksville Lost Jazz Shrines
1 Weeksville Lost Jazz Shrines Annotated Bibliography and Discography Primary Sources Interviews Note: Most of the artists listed below were interviewed over a period of two years (April, 2010 –October, 2011 through Weeksville’s Lost Jazz Shrine Project). Artists interviewed include: Brooklyn natives; longtime Brooklyn residents; or artists who performed frequently at some of Brooklyn's Lost Jazz Shrines and in some cases, continue to perform in Brooklyn. Abdullah, Ahmed. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 46 mins 36 sec. Barnes, Wade E. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 7 December 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 51 min. 26 sec. Barron, Kenny. Oral History Interview. Interviewed by Willard Jenkins. 9 October 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Braithwaite, “Fab 5” Freddie. Oral History Interview. Interviewed by Willard Jenkins and Jennifer Scott. 7 Oct 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 25 mins. 32 secs. Carroll, Alma. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 24 August 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 10 mins. 34 secs. Cheatham, Jo Ann. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. -
DUELING MALLETS Featuring Guest Artist SUSAN PASCAL
CtHVvP ~ . ,t:5 c. C()& 0 if )015' --",.,'-~ ) '/3~- THE MALLET HEAD SERIES presents D DUELING MALLETS featuring guest artist SUSAN PASCAL Susan Pascal, vibraphone Dan Dean, electric bass Tom Collier, marimba Ted Poor, drums February 13,2015 7:30 PM Meany Studio Theater 1-0 C:PI-7f'/r, JC6 2 1- - 9 cPZ-=ffj-n 1'1;3 Program to be chosen from: -HlGjj:ffl,4 y eNE .......................................................... BOBBY HUTCHERSON =;- JUPITER JUMP .......................:t.;2:l..................................... TOM COLLIER 'firll<f7l;'SJO}' ............................................................................ TOM COLLIER q SLEEK BUICK...........................5'Lf3I. .................................................. DAN DEAN }vf:lfLLET.htz::z......................................................................... TOM COLLIER .. ':)MONTARA .....................................~.{.:.t:?................ BOBBY HUTCHERSON 9 CORAL ..................................-::;"'~3(.............................................. KEITHJARRETT. L.f TURNED AROUND AGAIN..............L"h.;,Z...3....................... TOM COLLIER " 2.. BLACK HOLE .............. H?~.~.?;.............................................. TOM COLLIER :3> SAME SHAME ....................................1-''391........................ BOBBY HUTCHERSON I TIMES LIKE THESE.........~.i..l.9. .......................................... MAK.OTO OZONE f h f:>G~ 5 &rw ve.. - J1IJr IT JCU-/<>oYj Cf :3 g SUSAN PASCAL: Seattle jazz vibraphonist Susan Pascal has taken her music -
47955 the Musician's Lifeline INT01-192 PRINT REV INT03 08.06.19.Indd
181 Our Contributors Carl Allen: jazz drummer, educator Brian Andres: drummer, educator David Arnay: jazz pianist, composer, educator at University of Southern California Kenny Aronoff: live and studio rock drummer, author Rosa Avila: drummer Jim Babor: percussionist, Los Angeles Philharmonic, educator at University of Southern California Jennifer Barnes: vocalist, arranger, educator at University of North Texas Bob Barry: (jazz) photographer John Beasley: jazz pianist, studio musician, composer, music director John Beck: percussionist, educator (Eastman School of Music, now retired) Bob Becker: xylophone virtuoso, percussionist, composer Shelly Berg: jazz pianist, dean of Frost Music School at University of Miami Chuck Berghofer: jazz bassist, studio musician Julie Berghofer: harpist Charles Bernstein: film composer Ignacio Berroa: Cuban drummer, educator, author Charlie Bisharat: violinist, studio musician Gregg Bissonette: drummer, author, voice-over actor Hal Blaine: legendary studio drummer (Wrecking Crew fame) Bob Breithaupt: drummer, percussionist, educator at Capital University Bruce Broughton: composer, EMMY Chris Brubeck: bassist, bass trombonist, composer Gary Burton: vibes player, educator (Berklee College of Music, now retired), GRAMMY 182 THE MUSICIAN’S LIFELINE Jorge Calandrelli: composer, arranger, GRAMMY Dan Carlin: award-winning engineer, educator at University of Southern California Terri Lyne Carrington: drummer, educator at Berklee College of Music, GRAMMY Ed Carroll: trumpeter, educator at California Institute of -
NEWSBREAK News and Developments at Clarion University of Pennsylvania
\fH\ (J CLARION UNIVERSITY NEWSBREAK News and developments at Clarion University of Pennsylvania CLARION NEWSBREAK-January z3, 19a? Taylor Publishes Article Centennial Art Dislay Opens Dr. Richard Taylor, professor of health CUP continues to mark the Centennial Celebration of the State Normal School and physical education, had an article titl at Clarion, with its first exhibit at the Sandford Gallery in 1937. ed, "Racquetball Skills Classes: Organiza The exhibit, titled "Artists in Education: An Exhibition for the Centennial tion and Evaluation", published in "The of Clarion 5tate Normal School", includes work from many of the past and all Physical Educator", the physical educa of the present art faculty during Clarion's previous 100 years. tion journal. The exhibit opened Jan. 20 and continues through Feb. 1. A reception and The article describes a system of special Baroque music presentation will be held on Sunday, Jan. 25, 2-4 p.m. organizing the class to allow students to Gallery hours are 10 a.m.-2 p.m. Monday through Friday and 2-4 p.m. Sunday. experience singles competition without The exhibit is free and open to the public. greatly sacrificing participation. "We are very pleased with the exhibit," said Judy Bond, Sandford Gallery curator. The plan involves separating the class A request earlier in the year for help in finding art work created by former pro into ability levels and allowing them to fessors received an excellent response. play a tournament with one another The result is not only a display of fine artistic work, but an exhibit of following a prearranged bracket. -
Convert Finding Aid To
Fred Fehl: A Preliminary Inventory of His Dance Collection at the Harry Ransom Center Descriptive Summary Creator: Fehl, Fred, 1906-1995 Title: Fred Fehl Dance Collection 1940-1985 Dates: 1940-1985 Extent: 122 document boxes, 19 oversize boxes, 3 oversize folders (osf) (74.8 linear feet) Abstract: This collection consists of photographs, programs, and published materials related to Fehl's work documenting dance performances, mainly in New York City. The majority of the photographs are black and white 5 x 7" prints. The American Ballet Theatre, the Joffrey Ballet, and the New York City Ballet are well represented. There are also published materials that represent Fehl's dance photography as reproduced in newspapers, magazines and other media. Call Number: Performing Arts Collection PA-00030 Note: This brief collection description is a preliminary inventory. The collection is not fully processed or cataloged; no biographical sketch, descriptions of series, or indexes are available in this inventory. Access: Open for research. An advance appointment is required to view photographic negatives in the Reading Room. For selected dance companies, digital images with detailed item-level descriptions are available on the Ransom Center's Digital Collections website. Administrative Information Acquisition: Purchases and gift, 1980-1990 (R8923, G2125, R10965) Processed by: Sue Gertson, 2001; Helen Adair and Katie Causier, 2006; Daniela Lozano, 2012; Chelsea Weathers and Helen Baer, 2013 Repository: Harry Ransom Center, The University of Texas at Austin Fehl, Fred, 1906-1995 Performing Arts Collection PA-00030 Scope and Contents Fred Fehl was born in 1906 in Vienna and lived there until he fled from the Nazis in 1938, arriving in New York in 1939. -
Extended Performance Techniques and Compositional Style in the Solo
EXTENDED PERFORMANCE TECHNIQUES AND COMPOSITIONAL STYLE IN THE SOLO CONCERT VIBRAPHONE MUSIC OF CHRISTOPHER DEANE Joshua D. Smith, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2008 APPROVED: Mark Ford, Major Professor Eugene Migliaro Corporon, Minor Professor Christopher Deane, Committee Member Terri Sundberg, Chair of the Division of Instrumental Studies Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Smith, Joshua D., Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane. Doctor of Musical Arts (Performance), August 2008, 66 pp., 1 table, 8 figures, 20 musical examples, references, 29 titles. Vibraphone performance continues to be an expanding field of music. Earliest accounts of the presence of the vibraphone and vibraphone players can be found in American Vaudeville from the early 1900s; then found shortly thereafter in jazz bands as early as the 1930s, and on the classical concert stage beginning in 1949. Three Pieces for Vibraphone, Opus 27, composed by James Beale in 1959, is the first solo concert piece written exclusively for the instrument. Since 1959, there have been over 690 pieces written for solo concert vibraphone, which stands as evidence of the popularity of both the instrument and the genre of solo concert literature. Christopher Deane has contributed to solo vibraphone repertoire with works that are regarded as staples in the genre. Deane’s compositions for vibraphone consistently expand the technical and musical potential of the instrument.