Charles F. Lummis
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Charles F. Lummis Papers
http://oac.cdlib.org/findaid/ark:/13030/kt9z09r4s7 No online items Guide to the Charles F. Lummis Papers Processed by Cyndi Shein and Michelle Weng; machine-readable finding aid created by Cyndi Shein Special Collections and Archives The UCI Libraries P.O. Box 19557 University of California, Irvine Irvine, California 92623-9557 Phone: (949) 824-7227 Fax: (949) 824-2472 Email: [email protected] URL: http://special.lib.uci.edu © 2007 The Regents of the University of California. All rights reserved. Guide to the Charles F. Lummis MS-R033 1 Papers Descriptive Summary Title: Charles F. Lummis papers Date: 1877-1928, Date (bulk): bulk 1904-1914 Collection Number: MS-R033 Creator: Lummis, Charles Fletcher, 1859-1928 Extent: 5.6 linear feet (14 boxes and 1 oversized folder) Languages: The collection is in English. A few letters are in Spanish. Repository: University of California, Irvine. Library. Special Collections and Archives. Irvine, California 92623-9557 Abstract: Charles F. Lummis explored and documented the culture and history of the Southwest in his writings and photography from 1884 until his death in 1928. A resident of Los Angeles for most of his life, Lummis was city editor of the Los Angeles Daily Times, city librarian of the Los Angeles Public Library, an advocate of Native American rights, and founder of the Landmarks Club and the Southwest Museum. This collection contains a portion of his prolific correspondence to friends and colleagues, documents his tenure as Los Angeles Public Librarian, provides a sample of his photography, and offers a rare glimpse into his college interests and activities. -
Charles Lummis Photographs
http://oac.cdlib.org/findaid/ark:/13030/kt1q2nc9w8 No online items Guide to the Charles Lummis Photographs Kelley Wolfe Bachli Special Collections, Honnold/Mudd Library Libraries of The Claremont Colleges 800 Dartmouth Avenue Claremont, CA 91711 Phone: (909) 607-3977 Fax: (909) 621-8681 Email: [email protected] URL: http://libraries.claremont.edu/sc/ © 2006 Claremont University Consortium. All rights reserved. Guide to the Charles Lummis 1 Photographs Guide to the Charles Lummis Photographs Collection number: h1985.12 Special Collections, Honnold/Mudd Library Libraries of The Claremont Colleges Claremont, California Processed by: Kelley Wolfe Bachli Date Completed: November 2006 Encoded by: Kelley Wolfe Bachli © 2004 Claremont University Consortium. All rights reserved. Descriptive Summary Title: Charles Lummis photographs Dates: circa 1888-1905 Creator: Lummis, Charles Fletcher, 1859-1928 Collection Size: 5 flat boxes Repository: Claremont Colleges. Library. Special Collections, Honnold/Mudd Library. Claremont, CA 91711 Abstract: The bulk of the Charles Lummis Photographs are of Peru, Native Americans in New Mexico, central Mexico, the San Fernando Mission in California, and portraits of friends and acquaintances of Lummis. Physical location: Please consult repository. Languages: Languages represented in the collection: English Access Collection open for research. Publication Rights All requests for permission to publish must be submitted in writing to Special Collections. Preferred Citation [Identification of item], Charles Lummis photographs. Special Collections, Honnold/Mudd Library, Claremont University Consortium. Acquisition Information Gift of Don Meadows, 1985 Processing Information The Charles Lummis Photographs originally came to Honnold/Mudd Library Special Collections as part of the Marion Parks Papers. For clarity between the Parks and Lummis materials, it was decided to divide the Parks collection two distinct collections: Marion Parks Papers and Charles Lummis Photographs. -
Chapter 23: Literature: Poetry
Mount Shasta Annotated Bibliography Chapter 23 Literature: Poetry Mount Shasta as a symbol of high ideals, as a symbol of God's domain, as a symbol of purity, and as an inspiring presence, are just some of the varied themes which run through the 19th and 20th Century poems about this majestic mountain. In 1854 John Rollin Ridge, a Cherokee Indian who later became editor of the Sacramento Bee newspaper, wrote one of the earliest Mt. Shasta poems; entitled Mount Shasta it became one of the most famous California poems. Ridge's message was one for the entire state, and the poem contains lines such as "And well this Golden State shall thrive, if like Its own Mount Shasta, Sovereign Law shall lift Itself in purer atmosphere—so high..." The well-known abolitionist poet John Greenleaf Whittier, in 1863, used Shasta as a symbol of God's works: "Amidst the glorious works of thine, The solemn minarets of Pine, And awful Shasta's icy shrine,-Where swell thy hymns from wave and gale..." Many Mt. Shasta poems are less abstract and more personal in sentiment. Joaquin Miller, who lived from 1854-57 near Mt. Shasta, and who visited many times thereafter, wrote several poems about his old home mountain. In his Shadows of Shasta poem, reprinted in this section, one sees his recurring theme of the 'Shadows,' or dark secrets, he saw inflicted on the lives of the Indians at the hands of the whites: "In the place where the grizzly reposes, Under peaks where a right is a wrong...." See also Section 20. -
Dark Tourism in the Land of Sunshine: A
INSTITUTO SUPERIOR DE CONTABILIDADE E ADMINISTRAÇÃO DO PORTO POLITÉCNICO DO PORTO MASTER’S DEGREE M INTERCULTURAL STUDIES FOR BUSINESS n Dark Tourism in the land of and Sunshine: An intercultural business model for the routes of death and disaster in Portugal Ana Cristina Resende Rodrigues 06/2020 Dark Tourism in the land of Sunshine: A business model for the routes of death . 2020 / ntercultural Ana Rodrigues i disaster in Portugal 06 INSTITUTO SUPERIOR DE CONTABILIDADE E ADMINISTRAÇÃO DO PORTO POLITÉCNICO DO PORTO MASTER’S DEGREE M INTERCULTURAL STUDIES FOR BUSINESS n Dark Tourism in the land of and Sunshine: An intercultural business model for the routes of death and disaster in Portugal Ana Cristina Resende Rodrigues routes of death Master Dissertation present to Instituto Superior de Contabilidade e Administração do Porto to obtain the Master's Degree in Intercultural Studies for Business, under the supervision of Professor Clara Maria Laranjeira Sarmento e Santos. Dark Tourism in the land of Sunshine: A 2020 / Ana Rodrigues. intercultural business model for the disaster in Portugal 06 ii Dedication I would like to dedicate this dissertation to my grandfather Manuel Martins Resende, who passed away on December 18, 2017. One of the most important persons in my life, who has always supported me along the way. I will carry you in my heart, until I find you again. iii Acknowledgements This Master's dissertation was supported by some very important people without whom it would not have become true and to whom I will always be grateful. As such, I wish to express my gratitude to all those who, in some way, allowed this dissertation to take place. -
Mary Austin, "The High Priestess of Regional Literature": a Review Essay
New Mexico Historical Review Volume 55 Number 4 Article 6 10-1-1980 Mary Austin, "The High Priestess of Regional Literature": A Review Essay Necah Stewart Furman Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Furman, Necah Stewart. "Mary Austin, "The High Priestess of Regional Literature": A Review Essay." New Mexico Historical Review 55, 4 (2021). https://digitalrepository.unm.edu/nmhr/vol55/iss4/6 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. MARY A US TIN, "THE HIGH PRIESTESS OF REGIONAL LITERATURE": A REVIEW ESSAY NECAHSTEWARTFURMAN LITERARY AMERICA 1903-1934: THE MARY AUSTIN LETTERS. Edited by T. M. Pearce. Westport, Conn.: Greenwood Press, 1979. Pp. xv, 296. Illus., appen dix, index. $17.95. ROOM AND TiME ENOUGH: THE LAND OF MARY AUSTIN. Lines by Mary Austin. Edited and Introduction by Augusta Fink. Photographs by Morley Baer. Flagstaff, Ariz.: Northland Press, 1979. Pp. vi, 75. Illus. $20.00. RECENT PUBLICATIONS INDICATE a resurgence of interest in the life and works of Mary Hunter Austin. The person most responsible for this revival is T. M. Pearce, who has contributed the largest share to the collection of writings about Mary Austin with publication of his Beloved House in 1940, Mary Hunter Austin in 1970, and with Literary America 1903-1934: The Mary Austin Letters in 1979. While Pearce's previous studies have been largely biographical in nature, Literary America helps to place Austin in perspective among her peers as one of the most highly-respected writers of the first three decades of the twentieth cen tury. -
Reflections on the United States National Museum-Gates
136 JOURNAL OF CALIFORNIA AND GREAT BASIN ANTHROPOLOGY Loendorf, Lawrence L. Reflections on the United States 1984 Documentation of Rock Art at Petroglyph Canyon, Montana. University of North Da National Museum-Gates kota, Department of Anthropology and Ar Expeditions to the American chaeology, Contribution 207. Southwest, 1901 and 1905 1990 A Dated Rock Art Panel of Shield Bearing Warriors m Southcentral Montana. Plains MAX G. PAVESIC Antiiropologist 35(127):45-54. Dept. of Anthropology, Boise State Univ., Boise, ID 83725. 1994 Traditional Archaeological Methods and Thek Applications at Rock Art Sites. In: New Light on Old Art, David S. Whitiey American archaeology has reached a level and Lawrence L. Loendorf, eds., pp. 95- of intellectual maturity which allows the study 103. Los Angeles: University of Califor and analysis of its development. While most nia, Los Angeles, Institute of Archaeology studies have stressed the growth of the disci Monograph 6. pline, few have emphasized the sociohistorical Paik, John A. context or the motivations of the individuals in 1990 The Sknanton Peooglypb HUl Site (24PH- volved. The United States Natioruil Museum- 2072): A Ceremonial Complex in North- Gates Southwest expeditions serve as a focus of em Montana. Archaeology In Montana these historical variables, and this report dis 31(2):41-49. cusses community lifestyle, expedition partici pants, and financial agreements to clarify the Rabiega, Greer organization and success of the endeavors. MS A Study of the Artifacts and Debitage Created During the Production of Indirect Percussion Petroglyphs. MS m possession of the author. TURN of the centuty American archaeology wit Schaafsma, Polly nessed a shift in regional studies from the 1980 Indian Rock Art of the Southwest. -
The Primary Writing Workshop
WRITING RIGHT FROM THE START: THE PRIMARY WRITING WORKSHOP Handouts created by Katie Wood Ray 1 GENERAL WORKSHOP Handouts created by Katie Wood Ray 2 WHY BOOK MAKING MAKES SENSE FOR THE YOUNGEST WRITERS Making Books . is developmentally appropriate. Young children love to make things and they bring an easy sense of play to making things that is critical to development. The verb make, as in “let’s make books” is a much more inclusive verb than write for young children as it hints at all the things one might do to make a book. helps children do bigger work and develop stamina for writing. Learning to face down blank pages and a ticking clock is the central reality of a writer’s work, and book making creates a developmentally appropriate context in which children come to understand this kind of work. Multiple pages invite children to stay with writing for longer stretches of time, and staying with it builds stamina. helps children live like writers when they aren’t writing. The only work some children know in school is work that is always quickly finished. These children never experience the creative urgency that comes from leaving something unfinished, knowing they’ll return to work on it later. To learn what it’s like for a project to “live on” in their thinking, even when they’re not working on it, children need to engage in work that lasts more than one day, more than one sitting. makes the “reading like writers” connection so clear. Young children are surrounded by picture books at school, so it makes sense that their writing should match the kind of texts they know best. -
W-165 Southwest Museum of the American Indian 234 Museum Drive Los Angeles, California 90065 Phone 323-221-2164, Extension 255
Guide to Catholic-Related Records in the West about Native Americans See User Guide for help on interpreting entries CALIFORNIA, LOS ANGELES new 2006 Institute for the Study of the American West- Autry National Center, Braun Library W-165 Southwest Museum of the American Indian 234 Museum Drive Los Angeles, California 90065 Phone 323-221-2164, Extension 255 http://www.southwestmuseum.org Hours: By appointment only, Monday-Friday, 9:00-5:00 Access: No restrictions Copying facilities: Yes Holdings of Catholic-related records about Native Americans: Inclusive dates: ca. 1860-present Volume: Approximately 1 cubic foot Description: 5 collections include Native Catholic records: Manuscript Collections /1 “Hodge, Frederick Webb, Manuscript Collection, Ms. 7“ Inclusive dates: 1906-1955 Volume: At least 8 letters Description: Correspondence with Franciscans: A. Haile, Reverend Berard, O.F.M., 1953-1955, 4 letters, re: 1630 Memorial of Fray Alonso de Benevides, O.F.M., Navajo and Apache Indians, and Bureau of American Ethnology Archives B. Glauber, Reverend Ludger, O.F.M., 1922; 1 letter; re: Reverend Berard Haile, O.F.M., Navajo Indians, and Navajo Reservation; C. Van Valkenburgh, Richard f.; 1953-1954; 4 letters; re: health of Reverend Berard Haile, O.F.M. and Apache Indians and their land claims D. Weber, Reverend Anselm, O.F.M. 1. 1906; 1 letter; re: conference papers at International Congress of Americanists and Reverend Leopold Ostermann, O.F.M. 2. 1919; 1 letter; re: health of Reverend Anselm Weber, O.F.M., Reverend Albert T. Daeger, O.F.M., Zuni Indians, and the Navajo Reservation /2 “James, George Wharton, Collection, Ms. -
FSU ETD Template
Florida State University Libraries 2016 New Urbanism on the Ground: Using Regional Geographic Context to Evaluate Sustainability Outcomes for Six Central Florida New Urbanist Communities Kathryn Louise Ziewitz Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES AND PUBLIC POLICY NEW URBANISM ON THE GROUND: USING REGIONAL GEOGRAPHIC CONTEXT TO EVALUATE SUSTAINABILITY OUTCOMES FOR SIX CENTRAL FLORIDA NEW URBANIST COMMUNITIES By KATHRYN LOUISE ZIEWITZ A Dissertation submitted to the Department of Geography in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2016 Kathryn Louise Ziewitz defended this dissertation on July 12, 2016. The members of the supervisory committee were: Joseph Pierce Professor Directing Dissertation Christopher Coutts University Representative Victor Mesev Committee Member Xiaojun Yang Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii Dedicated to my family, those by blood and those by kinship. iii ACKNOWLEDGMENTS I wish to thank my advisor and the many professors and colleagues who have made this work possible. In addition, I thank my loving family and friends. iv TABLE OF CONTENTS List of Tables ................................................................................................................................. vi List -
La Gobernadora” Amelia Stone Quinton, Charles Fletcher Lummis, and the Warner Ranch Indian Removal
The Mischief Record of “La Gobernadora” Amelia Stone Quinton, Charles Fletcher Lummis, and the Warner Ranch Indian Removal By Valerie Sherer Mathes and Phil Brigandi In 1902, conditions were grim for the Indians living on the Warner Ranch in northern San Diego County. A decade- long legal battle over their eviction had ended the year before with a ruling from the United States Supreme Court ordering them from their ancestral homes. Since that ruling, they had been visited by a (,%#*2&(,.%#4&3=&73D%.54%5,&3=)$+#"(;& Indian advocates, and concerned indi- viduals. Most of the attention was focused 35&:1!#;&,-%&-34%&3=&,-%&:1!%r3&!%3!"%& at Warner Hot Springs and the largest vil- lage on the ranch.1 Early in May, Amelia Stone Quinton, the president of the Women’s National Amelia Stone Quinton (1833-1926), co-founder of the Indian Association (WNIA),2 visited the Women’s National Indian Association, had a hand in Indian Rights controversies across the country for D+""#7%;*&4%,&'+,-&,-%&:1!%r3&"%#*%.(& D)2'$+,"#$E)<2$9'-"9'*5$;)<2+'*0$)E$+,'$6<#+&#(+)#$ to discuss their options. An inspector d&82"20F$!"#$R"2&#)F$;H5 Valerie Sherer Mathes, Professor Emerita, City College of San Francisco, is author of numerous academic articles and three books, Helen Hunt Jackson and her Indian Reform Legacy, The Indian Reform Letters of Helen Hunt Jackson, and The Standing Bear Controversy: Prelude to Indian Reform, co-authored with Dr. Richard Lowitt. Phil Brigandi has been researching and writing local history since 1975. Though born and raised in Orange County, he has long had an interest in the Riverside/San Diego County backcountry. -
2007 Volume IV West Central Technical College
VOICES 2007 Volume IV West Central Technical College “I think,” said Christopher Robin, “that we should eat all our provisions now, so that we shan’t have so much to carry.” - A.A. Milne Editors: Jennifer Jiles Alison Payne, Emeritus Carol Pearson Pam Sanders Alice Steimle Kyle Taylor West Central Technical College annually publishes its magazine, VOICES. While the college encourages submissions from stu- dents, staff, and faculty, submission of material does not guaran- tee publication. While the editors make every effort to represent the diversity of the college, not all submissions are published due to content and space considerations. VOICES retains copyrights to all materials and non-exclusive rights to publish all works in any format. All material is copyrighted to protect West Central Technical College and to exclude others from republish- ing contributors’ works without their permissions. However, all contributors retain the rights to their own works and the rights to publish their submissions elsewhere. All opinions expressed in this publication represent the opinions of the individual contributors, not necessarily the opinions of VOICES, the editors, or West Central Technical College. The editors wish to extend their appreciation to President Skip Sullivan and the administration of West Central Technical College. Our thanks also goes to the students, staff, and faculty of West Central Technical College for their support, without which this magazine would not exist. Appreciation and thanks are also given to: Linsey Dixon and the Student Activities Council, Angela Foster and the WC Update, Wanda Foster and the Murphy Campus Conference Center Staff, Debra Jeter, Sindi McGowan, David Payne, Amy Steadham, Jim Winchester, UWG Publications and Printing, and Someone’s Mom and Dad. -
Crafting Radical Fictions: Late-Nineteenth Century American
CRAFTING RADICAL FICTIONS: LATE-NINETEENTH CENTURY AMERICAN LITERARY REGIONALISM AND ARTS AND CRAFTS IDEALS by ROSALIE ROBERTS A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2015 DISSERTATION APPROVAL PAGE Student: Rosalie Roberts Title: Crafting Radical Fictions: Late-Nineteenth Century American Literary Regionalism and Arts and Crafts Ideals This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Paul Peppis Chairperson Mark Whalan Core Member William Rossi Core Member Gina Herrmann Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2015 ii © 2015 Rosalie Roberts iii DISSERTATION ABSTRACT Rosalie Roberts Doctor of Philosophy Department of English September 2015 Title: Crafting Radical Fictions: Late-Nineteenth Century American Literary Regionalism and Arts and Crafts Ideals This dissertation demonstrates that Sarah Orne Jewett’s The Country of the Pointed Firs (1896), Mary Hunter Austin’s The Land of Little Rain (1906), Kate Chopin’s The Awakening (1899), and Mary Wilkins Freemans The Portion of Labor (1903) exemplify the radical politics and aesthetics that late nineteenth-century literary regionalism shares with the Arts and Crafts Movement. Despite considerable feminist critical accomplishments, scholarship on regionalism has yet to relate its rural folkways, feminine aesthetics, and anti-urban stance to similar ideals in the Arts and Crafts Movement. Jewett, Austin, Chopin, and Freeman all depict the challenges of the regional woman artist in order to oppose the uniformity and conventionality of urban modernity.