FESI1VAL of FESTIVALS and It Seems That I Am Not Alone
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
LEXX- the DARK ZONE Canada/ Germany 1999 Episode: "STAN’S TRIAL"
NINA FRANOSZEK www.ninafranoszek.com LEXX- THE DARK ZONE Canada/ Germany 1999 Episode: "STAN’S TRIAL" Summary: Sci-Fi with an attitude! The tyrants who rule the Light Universe pass their essence (Nina Franoszek as Jihana & Make up onto their successor upon their demise, while their still- Artist) conscious brains are kept in a vault; their chief resource is Lexx, the most-powerful mobile weapon in the universe, Season 2 Episode 2-06:"STAN’S TRIAL" which can only be commanded only by the keeper of the hand-key. The previous incumbent wiped out the Brunen-G Original Airdate: Originally aired in the race, except for Kai, whom he kept in a state of amnesiac United States on April 21, 2000 suspended animation, to be revived by proto-blood for short Genre: Sci Fi TV series periods and used as an assassin. Into this background Runtime: 60 min (65 episodes) comes anti-hero Stanley Tweedle, an ignored non-entity Director: Srinivas Krishna clerk, who misses an appointment and is branded a criminal. Writers: Lex Giggeroff & In the dungeons, overweight Zev has been convicted of not Paul Donovan fulfilling wifely duties, and is being transformed into a Cinematography: Les Krizsan gorgeous, svelt love-slave. Meanwhile, captured terrorist Composer: Marty Simon Thodin, due for public execution, escapes with his gang's Design: Gerry Kunz, Ingolf Hetscher help, and causes chaos, setting into motion Tweedle's Production: Salter Street Films, VOX, Sci accidental theft of Lexx and new ownership of the hand-key, Fi Channel Zev's escape with her new body and -
THE EXPERIENCE from HALIFAX in the 1980S and 1990S
ADULT EDUCATORS FOR SOCIAL CHANGE: THE EXPERIENCE FROM HALIFAX IN THE 1980s AND 1990s James Fletcher Sharpe A thesis submitted in conformity with the requirements for the degree of Doctorate of Education Department of Adult Education, Community Development and Counseling Psychology Ontario Institute for Studies in Education of the University of Toronto O Copyright by Jmes Fletcher Sharpe 2001 National Library Bibliotheque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington OttawaON K1AON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive pennettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or seU reproduire, pr&er, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la fome de microfiche/film, de reproduction sur papier ou sur format electronique . The author retains ownership of the L'auteur conserve la propriete du copyright in this thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts &om it Ni la these ni des extraits substantiel s may be printed or otherwise de celle-ci ne doivent Eke imprim& reproduced without the author's ou autrement reproduits sans son permission. aut ori sation. ADULT EDUCATORS FOR SOCIAL CHANGE: THE EXPERIENCE FROM HALIFAX IN THE 1980s AND 1999s James Fletcher Sharpe, Doctorate of Education, 2001 Department of Adult Education, Community Development and Counseling Psychology University of Toronto ABSTRACT This thesis examines the practice of adult education for social change in Halifax, Nova Scotia during the 1980s and 1990s. -
Film and Video Production 12
Film and Video Production 12 SCENE TAKE SOUNDD PROD DIR INT EXT CURRICULUM CAMERA Film and Video Production 12 Film and Video Production 12 © Crown copyright, Province of Nova Scotia, 2003 Prepared by the Nova Scotia Department of Education. Contents of this publication may be reproduced in whole or in part provided the intended use is for non-commercial purposes and full acknowledgment is given to the Nova Scotia Department of Education. Cataloguing-in-Publication Data Main entry under title. Film and video production 12 / Nova Scotia. Department of Education. English Program Services – ISBN: 0-88871-827-6 1. Motion pictures - Production and direction. 2. Video recordings - Production and direction. 3. Curriculum planning - Atlantic Provinces. I. Nova Scotia. Department of Education. 791.43—dc21 2003 ACKNOWLEDGMENTS Acknowledgments The Nova Scotia Department of Education gratefully acknowledges the contribution of the Film and Video Production 12 Workgroup. Members include the following: Daniel Almon Halifax Regional School Board Michael Bekkers Annapolis Valley Regional School Board Kenneth Malay Halifax Regional School Board Patrick Savage Halifax Regional School Board Bryan O’Grady Halifax Regional School Board FILM AND VIDEO PRODUCTION 12 iii CONTENTS Contents Introduction Background ....................................................................................... 1 Rationale ........................................................................................... 1 The Nature of Film and Video Production 12 .................................. -
East Coas Update
EAST COAS UPDATE BY RON FOLEY MACDONALD Left to right: Paul Donovan, Michael Donovan (of Salter Street Films) and Michael MacMillan, CEO of Alliance Atla unications• The East Coast entered a new age in film and tele number of major films and television series, including Paul Donovan's Buried on Sunday and the CBC's Emily of New Moon. vision production when the CRTC awarded Halifax's Salter The infrastructure Salter has built up in the Atlantic region, Street Films a licence for the new first—tier specialty cable TV and the company's proven ability to access provincial and fed- service, The Independent Film Channel. Salter beat out major eral funding programs, makes the deal look quite solid and national players such as Alliance, Astral, Chorus and Citytv in infinitely sensible. Valued at about $80 million, the buyout a hotly contested competition. The channel is scheduled to also makes Alliance Atlantis a less likely candidate for begin transmission in September 2001. takeover from one of the larger media conglomerates because The awarding of the highly sought—after channel brought on a of its newly accumulated debt from the transaction. And Nova rush of takeover and buyout rumours that swirled around Scotia will probably see even more production resulting from Salter Street, the East Coast's biggest production company, the deal due to Salter's lower production costs. founded and run by Michael and Paul Donovan, for weeks on That said, there is some irony in the fact that the fourth season end. Less than three months after Salter gained the channel, of the Halifax—shot series Made in Canada is rumoured to be those rumours took on substance. -
Tim Bider Production Designer
Tim Bider Production designer 113 Rear Roncesvalles Avenue, Toronto, ON M6R 2K9 Telephone: 416.588.7380 Cell: 416.526.7058 [email protected] Movies & Series Setting Directors Private Eyes, Season 1 Contemporary Kelly Makin, Anne Wheeler, TV. Series for eOne Television, Shaw Shawn Piller, Exec Producers; Shawn Pillar, Tecca Crosby. Producer; Manny Danelon others Unless Contemporary Alan Gilsenan Feature Film for Scenna Films, Subotica Entertainment Producers; Jennifer Kawaja, Julie Serny, Aoife O’Sullivan A Chirstmas Horror Story Contemporary Grant Harvey, Steven Hoban, Featuer Film for Copperheart Entertainment and E1 Brett Sullivan Exec Producers; David Hayter. Producer; Steven Hoban, Mark Smith Cracked, Season 1, 2 Contemporary Don McBrearty, Bruce McDonald, TV Series for CBC, White PinePictures Jim Donovan, Exec Producer; Peter Raymont, Producer; Season 1: Jamie Paul Rock, Season 2: Manny Danelon others An Amish Murder Contemporary Stephen Gyllenhaal TV Pilot for Lifetime Networks, Exec Producer; Barbara Lieberman, Producer; Terry Gould DGC Award Transporter Contemporary Steven Williams, Bruce McDonald, TV Series for HBO, Euroa Corp, Lagardere Entertainment Andy Mikita, Exec Producers, Klaus Zimmerman, Fred Fuchs, Producer Susan Murdoch others Dan For Mayor Contemporary Ron Murphy, David Weaver, TV Series for CTV, D4M Productions Brian Roberts Exec Producers; Mark Farrell, Paul Mather, Kevin White, Producer; Susan Murdoch Reviving Ophelia Contemporary Bobby Roth TV Movie for Lifetime, Muse Entertainment Exec Producers, Michael Prupas, -
Canadian Film and Television Industries: a Bibliography
Canadian Film and Television Industries: A Bibliography Last updated: Thursday, August 02, 2007 @ 8:38 a.m. Compiled by Marsha Ann Tate, PhD Librarian and Web Coordinator Hildebrandt Library The Pennsylvania State University 222 Buckhout Laboratory University Park, Pennsylvania USA 16802-4507 Email: [email protected] Canadian Film and Television Industries: A Bibliography | Introduction 2 Last updated: August 2, 2007 Introduction The following is a bibliography of sources consulted in conjunction with the compiler’s PhD research on Canada’s film and television industries, and more specifically a case study of Alliance Atlantis Communications and its predecessor companies. Arrangement of Entries The bibliography is arranged into eleven sections based upon resource type: (1) library and archives collections; (2) government documents (including submissions by individuals and companies to the CRTC and other government bodies); (3) interview and speech transcripts/correspondence; (4) books, book chapters, and reports; (5) theses; (6) journal articles; (7) conference and working papers; (8) magazine and film/television trade paper articles; (9) news articles and press releases; (10) Web-based resources (with no known direct print equivalent); and (11) miscellaneous sources. All entries are listed alphabetically, using a word-by-word scheme, according to the author’s last name or title of the work, if the author(s) are unknown. Canadian or British spellings of English words are retained as are French spellings of words. Access to Full Text of Resources Included in the Bibliography A number of the resources included in the bibliography are freely accessible via the Web and whenever possible, links to the full text of these resources are provided. -
PATRICIA LARMAN +1 416 427 6025 SET DECORATOR [email protected]
PATRICIA LARMAN +1 416 427 6025 SET DECORATOR [email protected] 2019 Mrs. America Limited Series Set Decorator (FX Networks) Episodes 1 & 2 Producers Dahvi Waller, Stacey Sher, UPM Melissa Girotti Coco Francini, Cate Blanchett, Prod Mara La Pere-Schloop Michah Schraft, Des Directors Anna Boden, Ryan Fleck 2018 Scary Stories to Tell in the Dark Feature Film Set Decorator (CBS, Entertainment One) Producers Guillermo del Toro, J. Miles Dale, PM Reggie Robb Sean Daniel, Jason Brown, Prod David Brisbin Elizabeth Grave Des Director André Øvredal 2017-2018 The Christmas Chronicles Feature Film Set Decorator (Netflix) Producers Chris Columbus, Michael Exec. Lyn Lucibello Barnathan, Mark Radcliffe Producer/UPM Director Clay Kaytis Prod Paul Austerberry Des 2017 A Simple Favor Feature Film Set Decorator (Lionsgate Entertainment) Producers Jesse Henderson, UPM Reggie Robb Mike Drake Prod Jefferson Sage Director Paul Feig Des 2017 Salvation Television Series Set Decorator (CBS) Producers Liz Kruger, Craig Shapiro, UPM Carmen Arndt Stuart Gillard, Robert Ortiz Prod Paul Peters Directors Various Des 2016-2017 Molly’s Game Feature Film Co-Set Decorator (Entertainment One Features - London) Producers Mark Gordon, Amy Pascal, UPM Lyn Lucibello Matt Jackson, Stuart Besser Prod David Wasco Director Aaron Sorkin Des 2016 Downsizing Feature Film Set Decorator (Paramount) Producers Mark Johnson, Jim Burke, UPM Regina Robb Diana Pokorny Prod Stefania Cella Director Alexander Payne Des 2015 Incorporated Television Pilot Set Decorator (CBS, Pearl Street Films) Producers Ben Affleck, Matt Damon, Line Prod. Shauna Jamison Ted Humphrey, Jennifer Todd Prod Tamara Deverell Directors David Pastor Alex Pastor Des 2014-2016 The Strain S2 & S3 Television Series Set Decorator (FX Networks) Producers J. -
Vanguarde Artists Management Client Roster
DAVID HACKL PRODUCTION DESIGNER “SAW IV” – 2007 (Feature) Director: Darren Bousman Exec. Producers: Dan Heffner Producers: Mark Burg, Oren Koules Production Co: Lions Gate Films, Evolution Entertainment “OUTLANDER” – 2006 (Feature) Director: Howard McCain Exec. Producers: Dirk Blackman, Andrea Grosch Producers: Don Carmody, Kia Jam Production Co: Miramax “SAW III” – 2006 (Feature) Production Designer and 2nd Unit Director Director: Darren Bousman Exec. Producers: Dan Heffner Producers: Mark Burg, Oren Koules Production Co: Lions Gate Films, Evolution Entertainment “SKINWALKERS” – 2005 (Feature) Director: Jim Isaac Exec. Producer: Robert Kulzer, Brian Gilbert Producer: Don Carmody, Dennis Berardi Production Co: Constantine Films "SAW II" – 2005 (Feature) Director: Darren Bousman Exec.Producer: Greg Hoffman Co. Producer: Dan Heffner Production Co.: Lions Gate Films, Evolution Entertainment "THE RIVERMAN" – 2004 (TV Movie) Director: Bill Eagles Exec.Producer: Hawk Koch Producer: Greg Copeland Production Co.: Fox Television - A&E Nova Scotia for Seattle, Florida, Circa 70's, 80's "THE GRID" – 2003 (TV Mini Series) Director: Mikael Salomon Exec.Producer: Tracey Alexander, Brian Eastman, Christopher Neame Producer: Mitch Engel Production Co.: Fox Television Network-BBC Toronto for Washington DC, New York, Yemmen "REDEMPTION: The Stan Tookie Williams Story" – 2003 (Biopic) Director: Vondie Curtis-Hall Exec.Producer: Rudy Langlais, Van Spurgeon, Marcus King, Jaime Rucker King, Jon Katzman Producer: Sue Bugden, Eva Garofalo Production Co.: Fox Television Network- F/X Network Toronto for L.A. & San Quentin Circa 60's, 70's, 80's * Sundance Film Festival 2004 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com "CYBERMUTT" – 2001 (TV Movie) Director: George Miller Producer/Exec.Producer: Lewis B. -
A New Face of Justice
The Alumni Magazine Dalhousievol.23 no.1 spring 2006 A new face of justice Engineering safety on the roads A ‘kindred spirit’ in song Straight from the Trailer Park Canada Post Return undeliverable Canadian Publications Mail addresses to: Agreement Alumni Office No. 40065040 Dalhousie University Halifax NS B3H 3J5 O n t h e I n s i d e THE POWER OF DISCOVERY The Dalhousie Annual Dinner The frontiers of space, the future of science, the boundaries of exploration. Join fellow Dalhousie alumni and friends as Physics and Atmospheric Science faculty member Dr. Tom Duck takes us on a mission of discovery with the Phoenix Mars Lander project. We will also recognize the outstanding contributions of our Alumni Association award winners: A. Gordon Archibald Award Dalhousie Alumnus Achievement Award John S. Christie, DDS’71 David B. Fraser, MD’58 Outstanding Young Alumnus Award Teaching Excellence Award Patricia Benoit Chafe, Peter Aucoin, MA’66 BSc’88, BScHC’89, BEd’92, PhD’99 Thursday October 19th, 2006, 6:00 for 7:00 p.m. Westin Nova Scotian Hotel, 1181 Hollis Street, Halifax NS Please order tickets by October 10th, 2006 To reserve tickets or tables, contact Dalhousie External Relations 902.494.1697 or 1.866.225.8043 Or by e-mail: [email protected] Or online: www.dal.ca/alumni www.dal.ca The Alumni O n t h e I n s i d e DalhousieM a g a z i n e vol. vol.18 23 no. no. 11 spring 2001 spring 2006 THE POWER OF DISCOVERY On our cover Naiomi Metallic (BA(Hon)’02, LLB’05) was photographed by Tony Caldwell at the Supreme Court of Canada in Ottawa. -
The Essential Science Fiction Television Reader
University of Kentucky UKnowledge American Popular Culture American Studies 5-2-2008 The Essential Science Fiction Television Reader J. P. Telotte Georgia Institute of Technology Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Telotte, J. P., "The Essential Science Fiction Television Reader" (2008). American Popular Culture. 8. https://uknowledge.uky.edu/upk_american_popular_culture/8 THE ESSENTIAL SCIENCE FICTION TELEVISION READER ESSENTIAL READERS IN CONTEMPORARY MEDIA AND CULTURE This series is designed to collect and publish the best scholarly writing on various aspects of television, film, the Internet, and other media of today. Along with providing original insights and explorations of criti- cal themes, the series is intended to provide readers with the best avail- able resources for an in-depth understanding of the fundamental issues in contemporary media and cultural studies. Topics in the series may include, but are not limited to, critical-cultural examinations of cre- ators, content, institutions, and audiences associated with the media industry. Written in a clear and accessible style, books in the series include both single-author works and edited collections. -
Canadian Cinema
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Waterloo Library Journal Publishing Service (University of Waterloo, Canada) Canadian Cinema By Gerald Pratley Spring 1997 Issue of KINEMA CANADIAN CINEMA: A SUMMING UP OF THE YEAR IN REVIEW SEPTEMBER is the month when new Canadian films appear and we discover what’s been going oninthe underworld of feature film production. They arrive at the Montréal, Halifax, Toronto and Vancouver festivals and the nomination screenings for the Genie Awards. Except for the Montréal festival’s catalogue, which is content to simply summarise the stories of the films being shown, the rest would have us believe that all their entries, Canadian, in particular, are of the most profound importance, skilful, aware and socially, politically and sexually significant! Expectations aroused by these endorsements are seldom fulfilled, and where our films are concerned much is made of ”first features” with one overly-excited programmer telling us ”that there are more first-time directors than ever before” forgetting that every year we have first directors by the score who, fortunately in most cases, are never heard from again. There is little need going to great lengths here analyzing what goes wrong with the majority of our films: their shortcomings are almost entirely due to the one-dimensional single-plot nature of their stories and screenplays. This is not to speak unkindly of our writers. Most never get the opportunity to either write or sell screenplays because we have too many auteurs writing their own scripts. Few are capable of doing them well.