LEXX- the DARK ZONE Canada/ Germany 1999 Episode: "STAN’S TRIAL"
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Science Fiction on American Television
TV Sci-Fi 16 + GUIDE This and other bfi National Library 16 + Guides are available from http://www.bfi.org.uk/16+ TV Sci-Fi CONTENTS Page IMPORTANT NOTE................................................................................................................. 1 ACCESSING RESEARCH MATERIALS.................................................................................. 2 APPROACHES TO RESEARCH, by Samantha Bakhurst ....................................................... 4 INTRODUCTION by Sean Delaney ......................................................................................... 6 AMERICAN TELEVISION........................................................................................................ 8 SCIENCE FICTION ON AMERICAN TELEVISION ................................................................. 9 AUDIENCES AND FANS......................................................................................................... 11 ANDROMEDA ......................................................................................................................... 12 BABYLON 5 ............................................................................................................................ 14 BATTLESTAR GALACTICA................................................................................................... 17 FARSCAPE ............................................................................................................................. 19 THE IRWIN ALLEN QUARTET • VOYAGE TO THE BOTTOM OF THE SEA..................................................................... -
FESTIVAL SCHEDULE 2020 Checkout the Official Filmmakers and Writers of UMFF 2020 GET FREE TICKETS to 19TH URBAN MEDIAMAKERS FILM
FESTIVAL SCHEDULE 2020 All 19TH Urban Mediamakers Film Festival 2020 film/content screenings will run 24/7 UrbanFlixToGo. UrbanFlixToGo will go live on Monday, October 12, 2020 at 12:01 a.m. FREE REGISTRATION UrbanFlixtogo is the streaming service of Urban Mediamakers in partnership with Camrose Creative Services that provides a revenue generating platform for urban content creators with 30% of profits going to the Urban Mediamakers Production Fund to continue funding our creators. Register for free on the 30-day trial and watch all Urban Mediamakers Film Festival 2020 projects in competition and join the filmmakers for Q&A daily on Zoom at 6p EST. Checkout the Official Filmmakers and Writers of UMFF 2020 GET FREE TICKETS TO 19TH URBAN MEDIAMAKERS FILM FESTIVAL 2020 FESTIVAL DATES: Monday, October 12 – Sunday, October 25, 2020 ALL SCREENINGS ARE AVAILABLE 24/7 AT https://urbanflixtogo.com FILM Q&A, CONVERSATIONS, PANELS, WORKSHOPS on Zoom daily 1-9p EST SCHEDULE: https://umff.com/umff-schedule.html TICKETS: https://filmfreeway.com/UMFF/tickets This schedule may change. New versions will be provided. *This project is not in competition. 19th Urban Mediamakers Film Festival 2020 | Schedule | Version #17 – 10.25.2020 Page 1 SCREENINGS AVAILABLE 24/7 AT https://urbanflixtogo.com | TICKETS https://filmfreeway.com/UMFF/tickets Monday, October 12, 2020 | 'Woke' Monday - Anti-Columbus Day | 1:00 - 9:00p EST UMFF Day 1 | FREE | Get Tickets • 19th Urban Mediamakers Film Festival (UMFF) Opening and Ancestors Salute 2020 | Get Tickets • Kickoff: Welcome and Introduction of UMFF Content Creators 2020 • A True History Lesson for Americans | "They Came Before Columbus" - Ivan Van Sertima Documentary Screening | Giveaway • UMFF Filmmakers In Competition Screenings [Running 24/7 at UrbanFlixTogo] o Short Film Series #1 . -
Read the Balticon 46 Pocket Program
Note to Parents Anime Parents, please be advised that there are a lim- ited number of movies in the Anime Progam which are appropriate for children under 12. Please take note of the ratings listed next to the movies. A document explaining the ratings will be posted on the Anime Room Door. Parents are strongly encouraged to take these ratings as a guide for what might or might not be inappropriate for their children to watch. In general, children under 14 should not be in the Anime Room room between 10 PM and 5 AM, but everything in the middle of the day should be ok for ages 14 and up. Children under 13 should be accompanied by a parent or guard- ian. We recommend that parents of teens sit and view a portion of an “MA” rated movie to decide if it is something they want their teen to view. Film Festival All of the entries being screened in the film festival up to 9:30 pm are what the selection committee estimated would be considered “G” or “PG” if they were rated. Entries screening after 9:40 pm range from estimated “G” to “R” rated, thus some movies screening after 9:40 pm may not be appropriate for children under 17 who are not accompanied by a par- ent or guardian. LARP Join the returning players in the 3rd year of the game H e r o e s & V i l l a i n s Register in the Valley Foyer Friday 5 to 9 pm and Saturday, 9 to 11 am. -
V23N5 2012.Indd
Six men, two dories and the North Atlantic Why it’s an apt analogy for Atlantic Canada’s film industry and its place on the global stage. 52 | Atlantic Business Magazine | September/October 2012 By Stephen Kimber dawn in the nowhere It’s middle of the Atlantic ocean. How many days have they been drifting out here? Dickie – at 17, the youngest crew member – is supposed to be keeping watch. But he’s asleep, sprawled out in the bow of one of the two dories, his head lolling over the gunwhale. He wakes with a guilty start, stares, tries to make sense of the endless nothingness of dark-blue sea and flat grey sky. Wait! What’s that? On the horizon. A speck? Another vessel? A mirage? He looks back into his dory where his father, Merv, and Pete, the harpooner, are curled up asleep, and then across to the other dory where Gerald, Mannie and Gib are sleeping too. Finally, he decides. He reaches out, whispers, “Pete… Pete.” Pete wakes, growls: “What?” Dickie can only point. Pete sees what Dickie sees. He throws off his blanket, jumps to his feet. “There’s a boat,” he says, then louder, as if convincing himself. “There’s a boat. THERE’S A BOAT!” He’s screaming now, rousing the others. Gerald, the captain, immediately assumes command, scrambling to find the fog horn he’d rescued when their fishing boat sank. He blows a blast. Then another. The rest of the men grab for the oars. Mannie, the first mate, struggles to bring order to their chaos. -
Programme 2021 Thank You to Our Partners and Supporters
8–17 October 2021 cheltenhamfestivals.com/ literature #cheltlitfest PROGRAMME 2021 THANK YOU TO OUR PARTNERS AND SUPPORTERS Title Partner Festival Partners The Times and The Sunday Times Australia High Commission Supported by: the Australian Government and the British Council as part of the UK/Australia Season 2021-22 Principal Partners BPE Solicitors Arts Council England Cheltenham BID Baillie Gifford Creative New Zealand Bupa Creative Scotland Bupa Foundation Culture Ireland Costa Coffee Dutch Foundation For Literature Cunard Embassy of the Kingdom of the Netherlands Sky Arts Goethe Institut Thirty Percy Hotel Du Vin Waterstones Marquee TV Woodland Trust Modern Culture The Oldham Foundation Penney Financial Partners Major Partners Peters Rathbones Folio Prize The Daffodil T. S. Eliot Foundation Dean Close School T. S. Eliot Prize Mira Showers University Of Gloucestershire Pegasus Unwin Charitable Trust St. James’s Place Foundation Willans LLP Trusts and Societies The Booker Prize Foundation CLiPPA – The CLPE Poetry Award CLPE (Centre for Literacy in Primary Education) Icelandic Literature Center Institut Francais Japan Foundation Keats-Shelley Memorial Association The Peter Stormonth Darling Charitable Trust Media Partners Cotswold Life SoGlos In-Kind Partners The Cheltenham Trust Queen’s Hotel 2 The warmest of welcomes to The Times and The Sunday Times Cheltenham Literature Festival 2021! We are thrilled and delighted to be back in our vibrant tented Festival Village in the heart of this beautiful spa town. Back at full strength, our packed programme for all ages is a 10-day celebration of the written word in all its glorious variety – from the best new novels to incisive journalism, brilliant memoir, hilarious comedy, provocative spoken word and much more. -
Let's All Stop Pretending We're Shocked About Bill Cosby's Bad Behavior Cosby's Role As Fatherly and Lovable Dr
1 Let's all stop pretending we're shocked about Bill Cosby's bad behavior Cosby's role as fatherly and lovable Dr. Huxtable on NBC hit sitcom is all one sick act NEW YORK DAILY NEWS Sunday, November 23, 2014, 2:01 AM Closeup: Comfortable examining room. Kindly doctor is administering to a weeping woman. The feeling is one of confidence and assurance. We are in good hands. Cut to doctor: He looks into the camera, smiling with authority. That’s when the viewer sees that, why, it’s kindly Dr. Cliff Huxtable! Doc Huxtable looks into the camera and says: I play a doctor on TV, but in real life I’m a mad rapist. What? You don’t think that commercial would fly? Yes, yes, I know that Bill Cosby only played Dr. Huxtable on TV, but for those of us who couldn’t get enough of the curmudgeonly character, Cosby is the safe and loving father/husband/doctor of everyone’s fantasies. He’s the father you wanted cutting your Thanksgiving turkey, and the doctor you wanted administering aspirin to your child. It’s tough to accept that — wait! — he’s not that guy? No, he’s the other guy — the one who is the antithesis of Dr. Huxtable. But let’s stop pretending that we’re shocked. Remember back in 1997, when 22-year-old Autumn Jackson claimed she was Cosby’s daughter? He admitted to an affair with her mother, but it was Jackson who went to jail for extortion. (The verdict was overturned.) Despite having paid support payments, America’s Dad told his “daughter” that “I will be for you a father figure, but I am not your father.” 2 I would have extorted the bastard too! Then, in 2006, Cosby got nailed again. -
Global Recorded Music Industry Revenues 2001-2020
GLOBAL MUSIC REPORT 2021 IFPI GLOBAL MUSIC REPORT 2021 3 CONTENTS STATE OF THE INDUSTRY Global Music Market 2020 in Numbers 04 Introduction 05 Global Charts 06 Global Market Overview 2020 10 Our mission to put creators Our continuing commitment The universe of opportunities 2020 Figures by Format 12 first has been more important is to harness our collective for artists and labels is than ever in the past year. talents and resources to diverse, vast, and fast Hits can now come from shape culture through the expanding. There’s strong 2020 Figures by Region 14 anywhere and artists are power of music and the growth in both subscription empowered by future-focused artistry and creativity at its and ad-supported streaming, Record Companies, Driving Global Opportunities for Music 16 insights, tools and resources core. When, in collaboration with plenty of runway to reach global audiences. with our artists, we come around the globe. At the Breaking down barriers and together as a company and same time, the pandemic Partnering with Artists, Delivering for Fans 24 borders of language, culture as a community, what we can has accelerated consumer Case Study: Chen Li Nong 28 and genre around the world, achieve is truly remarkable. adoption in areas like gaming, Case Study: Travis Scott music has made an incredible That mission is especially live streaming, social media 30 impact over the last year, important now, as the world and in-home fitness. Music Case Study: Dua Lipa 32 bringing communities has never needed music more. is a fundamental driving SIR LUCIAN GRAINGE together to tackle the Chairman & Chief Executive force in the success of these Officer, Universal Music Group Beyond the Music 34 challenges facing all of us. -
JUMP WISH-LIST Rules/Notes: Settings
JUMP WISH-LIST Rules/Notes: ● This list is solely for settings that don’t have jumps made yet. ● No jumps you want to see redone, I’m not going to go down this path. If there is any such setting mentioned on list, then as soon as it is pointed out to me, I’ll remove it. ● Settings already claimed will be either removed from list or have claim noted. I’ll accept info about claims only from the jump-maker who claimed it. ● I hope to maintain this list in such way that /tg/, SB and QQ communities can all check it out. If you don’t like something on it, just ignore it. After all, if jump is being made doesn’t mean you have to use it. Furthermore, we all have different tastes, be mindful of that. ● Fanfics will be listed separately. Some people like the idea of such jumps, some don’t. I might end up removing this section altogether just because it is so difficult to decide if certain fanfic would be acceptable for being turned into jump or not. ● Settings will be listed alphabetically within a genre, by their official name. Any other names will be included after that one. Please include genre and medium with any suggestions (e.g. KultHorror - Tabletop RPG; The Culture - Science Fiction - Novel) ● Rule of thumb – recommend settings that you would want to visit in order to interact with characters and storylines, not in order to get specific perks/powers/items. Settings: 0-9 ● 100, The (SF - TV Series) ● 300 (movies) ● 3x3 Eyes (manga) ● 7th Heaven (TV series) ● 9 (movie) ● 100 Bullets (vertigo) ● 11eyes (VN/anime) ● 2 Broke Girls (TV Series) -
FESI1VAL of FESTIVALS and It Seems That I Am Not Alone
CHRIS MAIKA "LITTLE FILM VIDEO & AUDIO SHOOTS BIG" I hese days downtown Halifax and Dartmouth streets bear more of a resemblance to Rio POST PRODUCTION FILMCLlPS during Carnival than they do to the capital city of the frugal, hardworking land of 'New WORKSHOPS DISTRIBUTION INC. Scotland'. Buskers '88 has taken us by storm and jugglers, mimes, magicians and scrivers congratulates entertain thousands every night upon the lawns and pavements. Sounds like good material OFF-LINE AND ON LINE I there for a film, fictional or documentary. Any takers? EDITING Ed Ackerman of TAn obvious choice would be Halifax's Salter Street films which has emerged from the summer with OCTOBER 12TH. 13TH and 14TH Teeswater Animation 700 TO 10 :30 PM a veritable flurry of productions to keep them busy during the fall. Following on the success of the AND for completion of last two series of Codea shows which Salter Street has co· produced with the Atlantic Region CBC (the DECEMBER 5TH. 6TH AND 7TH most recent 13 episodes of which will air nationally on CBC on Thursday evenings beginning on 7 :00 TO 10 :30 PM October 6) and which star Newfoundland's zany theatre group Codco. Salter Street will begin taping ADVANCED ON-LINE EDITING' a third series of programs this faIl. Production is slated for October 17 for a further seven programs. NOVEMBER 15TH. 16TH AND 17TH "PRIMITI 7 :00 TO 10 :30 PM No avenues of humour are closed to Codco (a. k. a. Andy jones, Kathy jones, Mary Walsh, Greg TOO TAA" Malone and Tommy Sexton) so stay tuned for more outlandish antics this year and next. -
GERONTOPHILIA Gerontophilia: (Jə-Rän-To-Fil-E-Ə) Noun – the Love Or Sexual Preference for the Elderly
Strand Releasing presents A FILM BY BRUCE LABRUCE GERONTOPHILIA Gerontophilia: (jə-rän-to-fil-e-ə) noun – the love or sexual preference for the elderly. Starring: Pier-Gabriel Lajoie, Walter Borden, Katie Boland, Marie-Hélène Thibault PRELIMINARY PRESS NOTES Official Selection: Toronto International Film Festival 2013 Venice International Film Festival 2013 Montreal Festival of New Cinema 2013 Country of Origin: Canada Format: DCP/2.35/Color Sound Format: 5.1 Running Time: 82 minutes Genre: Comedy/Romance Not Rated In English National Press Contact: Jenna Martin / Marcus Hu Strand Releasing Phone: 310.836.7500 [email protected] [email protected] Please download photos from our website: http://strandreleasing.com/films/gerontophilia/ SYNOPSIS In this wry “reverse Lolita” tale, 18-year-old Lake discovers he has an unusual attraction for the elderly. Fate lands him a job at an assisted-living facility where he develops an intimate relationship with Mr. Peabody. Upon discovering that the clients are being over-medicated to make them more manageable, Lake weans Mr. Peabody off his medication and helps him escape, resulting in a road trip that deepens their bond. The always-provocative Bruce LaBruce returns with a delicately perverse romantic comedy that is both darkly humorous and emotionally heartfelt. INTERVIEW WITH BRUCE LABRUCE How did you come to the idea of a romance between a young man and an elderly? Over the years I’ve encountered a number of young people with very specific fetishes involving relationships with much older people, and it’s always intrigued me. I’ve been told stories, most often by younger men, of their first sexual experience having been with a man in his sixties or older, and there always seemed to be a pedagogical aspect to the relationship, as well as a deep affection. -
10Th Anniversary 2000 Annual Report
Independent Production Fund | 10th Anniversary Financing Canadian Television 2000 Annual Report Board of Directors Peter Mortimer is President of AVA Communications and an independent producer and international communications consultant. He is a member of the Board of Directors of the Cogeco Program Development Fund. Robert Roy is Secretary General of the International Centre for Children and Young People (CIFEJ). He is a member of the Board of Directors of the Cogeco Peter Mortimer – President Robert Roy – Vice-President Paul Gratton Program Development Fund. Paul Gratton is Vice President and General Manager of Space, The Imagination Station, and Station Manager of Bravo!, Canada’s 24-hour NewStyleArtsChannel. He is also Vice-Chair of the Cinema Division of the Academy of Canadian Cinema and Television, serves on the Board of the Canadian Television Fund, and previously served as CEO of the Ontario Heather McGillivray Bernard Montigny Denise Robert Film Development Corporation. Heather McGillivray is a lawyer with experience as Vice-President and co-owner Management of Macstar Communications Inc., an independent distribution and production company, and as Vice-President Programming for Family Channel. Bernard Montigny is a lawyer specializing in communications law. Denise Robert is Chairman of the Board of Groupe Cinémaginaire inc. She has produced award-winning feature films including Patrice Leconte’s La veuve de Saint-Pierre and Denys Arcand’s Andra Sheffer Claire Dion Charles Zamaria Stardom. She is Chair of the Board of Executive Director Associate Director Financial Director Directors of the APFTQ. What is it? Who is it for? What do you get? How do you get it? Production financing Canadian independent Approximately $3 million a Application deadlines are for dramatic television producers with a private year is available for equity February 15, April 15 and series and grants broadcaster first-window investments. -
THE EXPERIENCE from HALIFAX in the 1980S and 1990S
ADULT EDUCATORS FOR SOCIAL CHANGE: THE EXPERIENCE FROM HALIFAX IN THE 1980s AND 1990s James Fletcher Sharpe A thesis submitted in conformity with the requirements for the degree of Doctorate of Education Department of Adult Education, Community Development and Counseling Psychology Ontario Institute for Studies in Education of the University of Toronto O Copyright by Jmes Fletcher Sharpe 2001 National Library Bibliotheque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington OttawaON K1AON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive pennettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or seU reproduire, pr&er, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la fome de microfiche/film, de reproduction sur papier ou sur format electronique . The author retains ownership of the L'auteur conserve la propriete du copyright in this thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts &om it Ni la these ni des extraits substantiel s may be printed or otherwise de celle-ci ne doivent Eke imprim& reproduced without the author's ou autrement reproduits sans son permission. aut ori sation. ADULT EDUCATORS FOR SOCIAL CHANGE: THE EXPERIENCE FROM HALIFAX IN THE 1980s AND 1999s James Fletcher Sharpe, Doctorate of Education, 2001 Department of Adult Education, Community Development and Counseling Psychology University of Toronto ABSTRACT This thesis examines the practice of adult education for social change in Halifax, Nova Scotia during the 1980s and 1990s.