ANTEROS Newly Refurbished BUSINESS PARK

Total Page：16

File Type：pdf, Size：1020Kb

6,000 TO 13,831 SQ FT ANTEROS NEWLY REFURBISHED BUSINESS PARK 1 Odyssey Business Park BUSINESS PARK ATHENE ANTEROS APOLLO & ARES OLYMPUS ARTEMIS GUARD MAIN ENTRANCE STATION The Park is extensively landscaped, has undergone a THE PARK comprehensive external and internal refurbishment and has the on-site amenity of the Olympus Community hub / café for the sole use of tenants within the Park. GRADE A OFFICES • Newly refurbished • Central line 90 seconds walk • Excellent parking provision (ratio 1:240 sq ft) • Exceptional commercial terms 2 Odyssey Business Park Olympus is the centre of community life at Odyssey Business Park. This centrally located hub offers a cafe, and brings together all our occupiers for events, wellbeing classes and much more. The park is home to a wide range of national and international occupiers. WESTWAY Odyssey Business Park 3 SPECIFICATION Anteros building benefits from; • Spacious reception, wc’s & shower • Energy efficient boilers • Photovoltaic solar panels to roof • Two passenger lifts The refurbished 1st floor benefits from new; • 115mm raised access floor • VRV air conditioning with heat recovery • LED lighting with PIR movement sensor • Metal tile ceiling and ceiling grid 13,831 sq ft NIA ACCOMMODATION Available from 6,000 sq ft LIFT 6,000 to 13,800 sq ft LIFT 4 Odyssey Business Park Not to scale. For indicative purposes only. Odyssey Business Park 5 Odyssey has superb local amenities. Five minutes from SOUTH RUISLIP the Old Dairy, a new retail and leisure scheme, has recently opened. WALKING DISTANCE THE OLD DAIRY RUISLIP ORIA RD GARDENS • 2 MINUTE WALK FROM SOUTH RUISLIP TUBE STATION (CENTRAL LINE) A4180 WEST END RD RAMADA • 2 MINUTES FROM SOUTH RUISLIP SOUTH MAINLINE STATION RUISLIP HOTEL VICTORIA RD • 5 MINUTES TO THE OLD DAIRY, A NEW SAINSBURY’S RETAIL AND LEISURE SCHEME PEDESTRIAN RUNWAY TRAVEL TIMES • 19 MINS TO WESTFIELD SOUTH • 29 MINS TO BOND ST BUSINESS PARK RUISLIP • 39 MINS TO BANK A40 WESTERN AVE • 49 MINS TO CANARY WHARF A40 WESTERN AVE 6 Odyssey Business Park M1 J1 16 MINS MARYLEBONE KINGS CROSS BUSINESS PARK 22 MINS ST PANCRAS 41 MINS UNDERGROUND ROAD RAIL ELIZABETH LINE M25 J16 M40 J1 10 MINS SOUTH RUISLIP GREENFORD WESTFIELD BOND STREET OXFORD CIRCUS BANK CANARY WHARF 4 MINS (WHITE CITY) 29 MINS 31 MINS 39 MINS 49 MINS 19 MINS A40 WESTERN AVE 13 MINS 4 MINS ELIZABETH LINE HEATHROW EALING WEST PADDINGTON BOND TOTTENHAM LIVERPOOL WHITECHAPEL AIRPORT BROADWAY EALING STREET COURT ROAD STREET 20 MINS Odyssey Business Park 7 BUSINESS PARK 020 8759 4141 jll.co.uk/property SARAH DOWNES RICHARD ZOERS [email protected] E: [email protected] Telephone - 020 8283 2525 Telephone - 020 3130 6414 Mobile - 07856 003 033 Mobile - 07730 567 607 WWW.ODYSSEY-BUSINESS-PARK.CO.UK Misrepresentations Act 1967 - Whilst all the information in these particulars is believed to be correct, neither the agents nor their client guarantee its accuracy nor is it intended to form any8 part Odysseyof any contract. Business All areas Park quoted are approximate. November 2018.

Copy Link

Recommended publications

Greek Mythology #28: ARES by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the November 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #28: ARES by Joy Journeay God of: War Home: MOUNT OLYMPUS, Thrace, Macedonia, Thebes, Greece, Sparta, Mani Symbols: Spear, helmet, dog, chariot, flaming torch, vulture, and boar Parents: Zeus and Hera Consorts: Aphrodite Siblings: Eris, Athena, Apollo, Artemis, Aphrodite, Dionysus, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces, Enyo, Eileithyia Children: Eros, Anteros, Phobos, Deimos, Phylegyas, Harmonia, Adrestia Roman Counterpart: Mars As gods, Ares and Athena represented the realm of war: Athena as the tactical strategist and Ares as its uncontrolled violence. Ares had the physical power to conduct war. Combined with the uncontrolled violence, this dangerous force made those around him quite uncomfortable. He took to war with him his sons, Deimos (terror) and Phobus (fear). During the Trojan War, the gods chose sides and Ares was on the losing side, Ares, from Hadrian’s Villa the Trojans, while his sister Athena was on the side of the Greeks. in Tivoli, Italy. Ares passed on his murderous war powers to his son, Cycnus, who was so heinous that Heracles killed him. Ares consorted with Aphrodite despite her marriage to Hephaestus. Once Helios spied Ares and Aphrodite together amorously in Hephaestus’ hall and reported it to Hephaestus.
[Show full text]
Felix Bernstein and Gabe Rubin: Vomitorium February 22–March 22, 2020 Queenslab, 1611 Cody Street, Ridgewood, New York
Felix Bernstein and Gabe Rubin: Vomitorium February 22–March 22, 2020 Queenslab, 1611 Cody Street, Ridgewood, New York Opening Reception: February 22, 7–10pm Gallery Hours: Wednesday–Sunday, 1–7pm Vomitorium is a tragicomic reflection on the history of metatheatre from religious ritual to livestreaming. Part of Felix Bernstein and Gabe Rubin’s ongoing analysis of madness and mimesis in drag and trans performance, this video installation is their largest-scale project to date, spewed via massive projections across Queenslab’s expansive open space. The work traces the titular structure from its origin as the passageways through which crowds entered and exited Greek amphitheaters to one of its current manifestations as socially reflexive architecture built for Instagram selfie-stories. In both settings, people watch each other watching each other before, during, or after the act of binging and purging media. Vomitorium additionally uses illuminated commentary to map a lineage that spans from the contemporary digital emphasis on comment, fandom, remake, labels, and frames to ancient theatre via the chorus and religion. Within Vomitorium, Bernstein and Rubin transition between genre, gender, and age. Playing through multiple tropes, eras, and personae, the artists juxtapose baroque complexity with the currently fashionable metaphysics of presence, transparency, and immersion. Bernstein plays Onkos. Named after the tumorous masks of Greek tragedy, the festering Onkos narrates and annotates performance documentation in a degenerative feedback loop. In contrast to Onkos, Rubin plays the cherub-like Erotes, the gods of love and sexual desire—Eros, Anteros, Anti-Eros, and Seraphim. These sparring angels demonstrate a rivalrous split in love between cruelty and tenderness, virtue and vice.
[Show full text]
Anteros: on Friendship Between Rivals and Rivalry Between Friends
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons Anteros: On Friendship Between Rivals and Rivalry Between Friends Dror Post Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Dror Post All rights reserved Abstract Anteros: On Friendship Between Rivals and Rivalry Between Friends Dror Post This dissertation is about friendship and rivalry and, particularly, about the connection between them. The main argument of the dissertation is that friendship, philia, and rivalry, eris, are interconnected and that the failure to recognize this interconnection leads to violence and destruction. More specifically, I argue that every philia, friendship, contains elements of eris, of difference and disagreement, and that the failure to provide a space for these elements within the philia relationship results in the collapse of the friendship. Similarly, I argue that every eris, rivalry, contains elements of philia, of similarity and communality, and that the failure to recognize these elements leads to violent and destructive results. I use the term ‘philia’ here in a broad sense that includes different interpersonal relations like love, friendship, cooperation, solidarity, sympathy, etc., which are endowed with some gravity force that draws individuals close to each other and links them together. Likewise, I use the term ‘eris’ here in a wide-ranging sense that includes various interpersonal relations like hate, rivalry, hostility antipathy, etc., which are endowed with a sort of repulsive force that draws individuals away from each other and divides them.
[Show full text]
Greek Mythology Link (Complete Collection)
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • Español • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. This PDF contains portions of the Greek Mythology Link COMPLETE COLLECTION, version 0906. In this sample most links will not work. THE COMPLETE GREEK MYTHOLOGY LINK COLLECTION (digital edition) includes: 1. Two fully linked, bookmarked, and easy to print PDF files (1809 A4 pages), including: a. The full version of the Genealogical Guide (not on line) and every page-numbered docu- ment detailed in the Contents. b. 119 Charts (genealogical and contextual) and 5 Maps. 2. Thousands of images organized in albums are included in this package. The contents of this sample is copyright © 1997 Carlos Parada and Maicar Förlag. To buy this collection, visit Editions. Greek Mythology Link Contents The Greek Mythology Link is a collection of myths retold by Carlos Parada, author of Genealogical Guide to Greek Mythology, published in 1993 (available at Amazon). The mythical accounts are based exclusively on ancient sources. Address: www.maicar.com About, Email. Copyright © 1997 Carlos Parada and Maicar Förlag. ISBN 978-91-976473-9-7 Contents VIII Divinities 1476 Major Divinities 1477 Page Immortals 1480 I Abbreviations 2 Other deities 1486 II Dictionaries 4 IX Miscellanea Genealogical Guide (6520 entries) 5 Three Main Ancestors 1489 Geographical Reference (1184) 500 Robe & Necklace of
[Show full text]
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and oﬃcial government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia
[Show full text]
Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS
[Show full text]
THE MYTHS of MALE ATTRACTION Edward Maupin
GODS other men HE Edward Maupin Edward & T THE MYTHS OF MALE ATTRACTION MALE OF MYTHS THE THE GODS & OTHER MEN MAUPIN “The worship of God is the recognition of his gifts in other men.” WILLIAM BLAKE ISBN 0-9654257-5-4 First Public Issue 2006 THE GODS COPYRIGHT NOTICE You have a right to copy this book & if you get permission give credit other men and share profit THE MYTHS OF MALE ATTRACTION n EDWARD MAUPIN n DAWN EVE PRESS 3340 Sixth Avenue San Diego, CA 92103 DAWN-EVE PRESS 1990 [2006] [email protected] 1 6 Attraction Between Males: Zeus and Ganymede –108 the Need for Maps – 1 7 2 Shadow – 129 The Myths of Eros and the Uses of Myth –18 8 Phallos – 149 3 “The Friend” – 36 9 “Platonic” Love – 161 4 Apollo Beauty, and the Boyhood Friend – 72 Interlude San Diego and the Prince of Spain – 176 5 Athena, Mentor and Protegé – 88 10 Rumi and Shams – 182 1 Attraction Between Males “Whatever it is, there’s a lot of it” – attributed to CHRISTOPHER COLUMBUS When I was young, being attracted to other men was a fearfully guarded secret. Homoeroticism was immoral, shameful, and a certified sign of mental illness. For many of us, though, it simply would not go away. Now the cat is out of the bag, and many of us are out of the closet. Being attracted to people of the same sex is immoral and shameful only to the un-hip, the hopelessly conservative, the hostile Religious Right, and women who are disappointed when we are unavailable.
[Show full text]
Pausanias in the Agora of Athens Wycherley, R E Greek, Roman and Byzantine Studies; Jan 1, 1959; 2, 1; Proquest Pg
Pausanias in the Agora of Athens Wycherley, R E Greek, Roman and Byzantine Studies; Jan 1, 1959; 2, 1; ProQuest pg. 21 PAUSANIAS IN THE AGORA OF ATHENS R. E. WYCHERLEY AUSANIAS' ROUTE IN THE AGORA was worked out fully and P satisfactorily by E. Vanderpool in Hesperia~ Vol. 18, pp. 128ff. The probable identification of Pausanias' Ennea krounos as the south-eastern rather than the south-western fountain house subsequently produced a modification which made for greater simplicity and clarity. I accept in all essen tials the emended route-line as given in the plan published in the agora Guide and in Athenian Agora, Vol. lIP; I merely offer a few comments on Pausanias' methods and on certain particular problems. As each new site described by Pausanias is excavated and its topography largely determined, users of his periegesis can gain an increasingly clear idea of his value and his limitations, his modes of procedure and the way in which his evidence should be used. Few sites have been more revealing than the Athenian agora. The form of the agora of Roman Corinth too has emerged clearly in recent years, and offers an interesting comparison. These are the only two great city centres of ancient Greece described fully by Pausanias which can also be fully reconstructed on paper from the archaeological material. It is now startlingly evident that no reconstruction even approaching completeness and correctness could have been made on the basis of Pausanias' description alone, or even with the help of other literary authorities. Not only were there very large gaps but the whole character of the agora as it was in Pausanias' time, at Athens as at Corinth, was effectively con cealed.
[Show full text]
Roman Corinth: the Formation of a Colonial Elite
ROMAN CORINTH: THE FORMATION OF A COLONIAL ELITE Antony J. S. Spawforth ABSTRACT: This paper uses the duoviral coinage and epigraphy of Roman Corinth to define more closely the social and geographical origins of the group who, as holders of the highest offices in the colony, constituted its govering class in the period from Augustus to Nero. No apology is offered for this study of an élite: it seeks to make the best of what (little) evidence there is for Roman Corinth's social fabric in the formative —but still obscure— period which saw the transformation of Caesar's foundation from a building site into something approaching the opulent 'capital of Achaia' known to the novelist Apuleius. Its chief conclusions, based on the detailed study of proper names presented in the accompanying catalogue, are that (1) the veteran element in the early-colonial élite looks exiguous; (2) the servile element was marked, including men whose names point to social origins in the familiae of leading Romans of the triumviral and Augustan periods; (3) from the earliest date families of Roman businessmen (negotiatores) and their freedmen formed a much larger sub-group within the curial order than has been recognised; and (4), by and large, old Greece's notables avoided political engagement with the new colony before the reign of Claudius, which, with that of Nero, marks something of a watershed in the gradual integration of this Italian enclave into its greek surroundings. 1 Abbreviations: This paper is an attempt to characterise the Amandry = M. Amandry, Le monnayage des duovirs social and geographical origins of those citizens corinthiens, J3CHsuppl.l5 (1988).
[Show full text]
Eros Y Anteros
EROS Y ANTEROS VISIONES SOBRE LA SEXUALIDAD FEMENINA EROS Y ANTEROS VISIONES SOBRE LA SEXUALIDAD FEMENINA Catálogo de publicaciones del Ministerio: www.mecd.gob.es Catálogo general de publicaciones oficiales: publicacionesoficiales.boe.es Edición 2015 MINISTERIO DE EDUCACIÓN, CULTURA Y DEPORTE Edita: © SECRETARÍA GENERAL TÉCNICA Subdirección General de Documentación y Publicaciones © De los textos y las fotografías: sus autores NIPO: 030-15-204-3 EROS Y ANTEROS. VISIONES SOBRE LA SEXUALIDAD FEMENINA Ministerio de Educación, Cultura y Deporte Comisariado científico Dirección General de Bellas Artes y Bienes Culturales Patricia Alonso Pajuelo, y de Archivos y Bibliotecas Museo Nacional de Antropología Museo Arqueológico Nacional Celia Diego Generoso, Museo Cerralbo Museo de América Museo de América Museo del Traje. CIPE Carmen Espinosa Martín, Museo Nacional de Antropología Museo Lázaro Galdiano Museo Nacional de Arte Romano Museo Nacional de Artes Decorativas Cristina Guzmán Gutiérrez, Museo Nacional de Cerámica y de las Artes Museo Nacional de Artes Decorativas Suntuarias “González Martí” Almudena Hernández de la Torre Chicote, Museo Nacional de Escultura Museo Sorolla Museo Nacional del Romanticismo Museo Nacional del Teatro Félix Jiménez Villalba, Museo Sefardí Museo de América Museo Sorolla Margarita Moreno Conde, Junta de Andalucía Museo Arqueológico Nacional Consejería de Cultura Dirección General de Bienes Culturales y Museos Alejandro Nuevo Gómez, Subdirección General de Museos Estatales Centro Andaluz de Arte Contemporáneo Museo Arqueológico de Córdoba Isabel Ortega Fernández, Museo Arqueológico de Sevilla Museo Nacional del Romanticismo Museo de Artes y Costumbres Populares de Sevilla Museo de Bellas Artes de Córdoba Rosa María Recio Aguado, Museo de Bellas Artes de Granada Museo de la Real Academia de Bellas Artes Museo de Bellas Artes de Sevilla de San Fernando Museo de Cádiz Elena Vázquez García, Museo de Jaén Museo del Traje.
[Show full text]
Eros and Anteros: Queer Mutuality in Milton’S Doctrine and Discipline of Divorce David L
Early Modern Culture Volume 10 Queer Milton Article 3 8-6-2018 Eros and Anteros: Queer Mutuality in Milton’s Doctrine and Discipline of Divorce David L. Orvis Follow this and additional works at: https://tigerprints.clemson.edu/emc Recommended Citation David L. Orvis (2018) "Eros and Anteros: Queer Mutuality in Milton’s Doctrine and Discipline of Divorce," Early Modern Culture: Vol. 10 , Article 3. Available at: https://tigerprints.clemson.edu/emc/vol10/iss1/3 This Seminar Essay is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact [email protected]. Eros and Anteros: Queer Mutuality in Milton’s Doctrine and Discipline of Divorce DAVID L. ORVIS n central London, at the heart of Piccadilly Circus, stands the Shaftesbury Monument Memorial Fountain, a structure commemorating the philanthropic work of Anthony Ashley- Cooper, 7th Earl of Shaftesbury. Atop this I monument and cast in aluminum is the statue of a scantily clad youth accoutered with wings and a bow (fig. 1). Although passers-by routinely identify this statue as Eros, the sculptor Alfred Gilbert claims it is Anteros, Eros’s brother, since he, “as opposed to Eros or Cupid, the frivolous tyrant,” represents “reflective and mature love.”1 Eros, in other words, embodies carnal lust, Anteros a benevolent mutuality transcendent of erotic love. This distinction is lost upon the vast majority of the statue’s visitors – a consequence, no doubt, of Eros’s prominence among the erotes. Nevertheless, the ease with which one can confuse two figures who purportedly represent two very different kinds of love bespeaks a confusion inherent in the figures themselves and the conceptual differences they supposedly signify.
[Show full text]
Who's Who in Classical Mythology
Who’s Who in Classical Mythology The Routledge Who’s Who series Accessible, authoritative and enlightening, these are the definitive biographical guides to a diverse range of subjects drawn from literature and the arts, history and politics, religion and mythology. Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Christianity Lavinia Cohn-Sherbok Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Contemporary Gay and Lesbian History Edited by Robert Aldrich and Garry Wotherspoon Who’s Who in Contemporary Women’s Writing Edited by Jane Eldridge Miller Who’s Who in Contemporary World Theatre Edited by Daniel Meyer-Dinkegräfe Who’s Who in Dickens Donald Hawes Who’s Who in Europe 1450–1750 Henry Kamen Who’s Who in Gay and Lesbian History Edited by Robert Aldrich and Garry Wotherspoon Who’s Who in the Greek World John Hazel Who’s Who in Jewish History Joan Comay, revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Modern History Alan Palmer Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in the Roman World John Hazel Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who of Twentieth-Century Novelists Tim Woods Who’s Who in Twentieth-Century World Poetry Edited by Mark Willhardt
[Show full text]