Nine Provinces‟: Some Parallels with Transmitted Texts1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Article (PDF)
Advances in Social Science, Education and Humanities Research, volume 490 Education, Language and Inter-cultural Communication (ELIC 2020) An Overview of the Study of Interpretations on Bamboo Slips From Caifengqumu, Zhaowanghuishi & Zhaowangyugongzhitun, Jiandawangbohan in Shangbo Bamboo Slips (IV) Yanmei Zhang1,* Shaofang Wu1 1School of Foreign Languages, Wuhan Institute of Technology, Wuhan, Hubei, China *Corresponding author. Email: [email protected] ABSTRACT There are 9 bamboo books in the Warring States period in Shanghai Museum, which are precious historical materials for studying the characters and culture of Chu in the pre-Qin period. Since its discovery, experts and scholars have been studying it. In this paper, there are four aspects closely related to the study of interpretation, i.e. the compilation and connection of bamboo slips, the interpretation of words and sentences, the translation of interpretation, cultural background, etc. A comprehensive review of relevant studies on three bamboo slips in volume 4, i.e. Caifengqumu, Zhaowanghuishi, Jiandawangbohan, inside and outside China is conducted in this paper. Keywords: Shangbo bamboo slips (IV), Caifengqumu, Zhaowanghuishi, Jiandawangbohan There are only 6 bamboo slips in Caifengqumu, I. INTRODUCTION which is a series of songs catalogues compiled by the Chu bamboo scripts appeared in Hong Kong music officials of Chu state. There are 39 pieces of cultural relics market in 1994 which was collected by repertoires, which are classified and marked by 4 Shanghai Museum. The time and place of its excavation famous tune names of Gong, Shang, Zhi and Yu, have not been confirmed. It is said that it came from making oral literature and folk song tunes spread for a Hubei, China. -
The Sacrality of the Mountain the Sacrality of the Mountain
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 12-2014 The aS crality of The ounM tain Manuel Rivera Espinoza University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian History Commons, Asian Studies Commons, Comparative Philosophy Commons, History of Religions of Eastern Origins Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Rivera Espinoza, Manuel, "The aS crality of The ounM tain" (2014). Theses and Dissertations. 2072. http://scholarworks.uark.edu/etd/2072 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. The Sacrality of the Mountain The Sacrality of the Mountain A thesis submitted in partial fulfillment of the requirements of the degree of Master of Arts in History by Manuel Rivera Espinoza Universidad de Chile Bachelor in History, 2008 December 2014 University of Arkansas This thesis is approved for recommendation of the Graduate Council. _______________________________ Dr. Rembrandt Wolpert Thesis Director _______________________________ _______________________________ Dr. Liang Cai Dr. Elizabeth Markham Committee Member Committee Member Abstract In this thesis I explore the conception of the mountain as a “sacred space” based on the definition provided by Mircea Eliade -
Symbols and Abbreviations
Symbols and Abbreviations CWZ Chu Wenzi bian 楚文字編 (Li Shoukui 2003) EP equivalent phonophoric GD Guodian Chumu Zhujian 郭店楚墓竹簡 (Jingmenshi Bowuguan 1998) Cheng “Cheng zhi wen zhi 成之聞之” Liu “Liu de 六德” Lu “Lu Mu Gong wen Zi Si 魯穆公問子思” LZ-A, B, C “Laozi 老子 jia 甲, yi 乙, bing 丙” Qiong “Qiong da yi shi 窮達以時” Tang “Tang Yu zhi dao 唐虞之道” Tai “Tai yi sheng shui 太一生水” Wu “Wuxing 五行” Xing “Xing zi ming chu 性自命出” Yu-1, 2, 3, 4 “Yu cong 語叢 yi 一, er 二, san 三, si 四” Zhong “Zhong xin zhi dao 忠信之道” Zi “Ziyi 緇衣” Zun “Zun de yi 尊德義” E.g., (Cheng 12) means strip number 12 of the “Cheng zhi wen zhi” manuscript in the Guodian Chumu zhujian. Fuyang “Zhouyi” The “Zhouyi” manuscript in Fuyang Hanjian Zhouyi Yanjiu 阜陽漢簡周易研究 by Han Ziqiang 韓自強 (2004) GSR (# no.) Grammata Serica Recensa phonophoric series number (Karlgren 1957) Hex. (no.) hexagram chapter number in the Zhouyi Houma Mengshu Houma Mengshu 侯马盟书 by Shandong sheng wenwu gongzuo weiyu- anhui 山东省文物工作委员会 (1976) JC (no.) Yin Zhou Jinwen Jicheng 殷周金文集成 (1984-1994) inscription number Jiagu wen bian Jiagu wen bian 甲骨文編 by Zhongguo kexueyuan kaogu yanjiusuo 中國科學院考古研究所 (1965) Jingdian Shiwen Jingdian Shiwen 經典釋文 by Lu Deming (CE 6th century), reprint 1985 JWB Jinwen bian 金文編 (Rong Geng 1985) Mao (no.) Shijing 詩經 poem sequence in Maoshi Zhengyi 毛詩正義 by Mao Heng 毛亨 (Han dynasty), 鄭玄 Zheng Xuan (Han dynasty), and 孔穎達 Kong Yingda (Tang dynasty) in Shisanjing Zhushu 十三經注疏 by Ruan Yuan 阮元 (Qing dynasty); reprint, Li Xueqin 李學勤 et al. -
The Festival of the Nine Emperor Gods in Malaysia: Myth,Ritual,And Symbol
C heu H ock T ong National University of Singapore The Festival of the Nine Emperor Gods in Malaysia: Myth,Ritual,and Symbol Abstract The present paper describes and analyzes the Festival of the Nine Emperor Gods, a popular celebration among the Chinese in Malaysia. The origins of the myth of the Nine Emperor Gods may be traced back to the Nine Human Sovereigns of Chinese tradition, to the historical events of the Han and Ming dynasties, and to the circumstances of the Chinese immigration into Malaysia. The myth of the Nine Emperor Gods is enacted in a body of rituals, the significance of which is reflected in the symbolic representations of the gods. Myth, ritual, and symbol are thus ideologically interrelated to form a structural framework for the interaction of the yin-yang forces at different levels of the cosmic representations featured in the festival. The festival provides a venue for the yearly renewal of cosmic power, so that human life may be rejuvenated and human conflicts resolved. Key words: Nine Emperor Gods — festival— myth ——ritual— macrocosm 一 micro cosm — infracosm Asian Folklore Studies, Volume 55,1996: 49-72 1 H E Festival of the Nine Emperor Gods (Jiuhuangye 九皇爺)in 1 Malaysia is a form of temple fair celebrated only at temples dedicated to these gods. In a 1984 survey I found tmrty-nine such temples in Peninsular Malaysia and none in the states of Sabah and Sarawak. In 1990 the number in Peninsular Malaysia had increased to fifty. My latest surveys, in 1991 and 1992,revealed a further three temples in the West しoast Residency of Sabah (two in Kota Kinabalu and one in Labuan).1 The organization of the festival can be represented in the form of two large concentric circles. -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history. -
Chinese History-Writing Between the Sacred and the Secular
CHINESE HISTORY WRITING BETWEEN THE SACRED AND THE SECULAR Yuri Pines Th e nexus of religion and the writing of history in ancient China is a broad topic that may pertain to a large variety of texts and non-textual phenomena, depending on the defi nition of “religion” applied in the Chinese context. To focus the discussion more topically, in what fol- lows I shall adopt a heuristically-convenient defi nition of “religious” and “secular” with regard to historical texts. I defi ne a text, or an aspect thereof as “religious” insofar as it is related to communication with dei- ties (particularly ancestral spirits), or insofar as it is supposed to have a certain sacral power of infl uencing the world through a proper choice of wording or proper arrangement of the material. Alternatively, I treat the text as “secular” if it lacks the above traits and is intended either for political education for the elite members or for their entertainment. My discussion will focus on those texts that had lasting impact on Chinese historiography, namely the canonical Chunqiu ਞટ (Annals) and its commentaries, and the fi rst of the so-called “offi cial histories,” the ,Shiji ಖ (Records of the historian). In what follows, I shall outline, fi rst the cultic origins of the Chinese historiographical tradition and suggest that the Chunqiu should be understood primarily as a ritual rather than a historical text. Th en, by analyzing two of the most important Chunqiu commentaries, the Zuozhuan ؐႚ (Zuo commentary) and the Gongyang ႚ (Gongyang commentary), I shall trace the bifurcation ofےzhuan ֆ history writing between the “secular” and the “religious” traditions. -
Heng Xian and the Problem of Studying Looted Artifacts
Dao (2013) 12:153–160 DOI 10.1007/s11712-013-9323-4 Heng Xian and the Problem of Studying Looted Artifacts Paul R. Goldin Published online: 10 April 2013 # Springer Science+Business Media Dordrecht 2013 Abstract Heng Xian is a previously unknown text reconstructed by Chinese scholars out of a group of more than 1,200 inscribed bamboo strips purchased by the Shanghai Museum on the Hong Kong antiquities market in 1994. The strips have all been assigned an approximate date of 300 B.C.E., and Heng Xian allegedly consists of thirteen of them, but each proposed arrangement of the strips is marred by unlikely textual transitions. The most plausible hypothesis is one that Chinese scholars do not appear to take seriously: that we are missing one or more strips. The paper concludes with a discussion of the hazards of studying unprovenanced artifacts that have appeared during China’s recent looting spree. I believe the time has come for scholars to ask themselves whether their work indirectly abets this destruction of knowledge. Keywords Heng Xian . Chinese philosophy . Shanghai Museum . Looting Heng Xian 恆先 (In the Primordial State of Constancy) is a previously unknown text reconstructed by Chinese scholars out of a group of more than 1,200 inscribed bamboo strips purchased by the Shanghai Museum on the Hong Kong antiquities market in 1994 (MA Chengyuan 2001: 1). The strips have all been assigned an approximate date of 300 B.C.E., and Heng Xian consists of thirteen of them. The first published version was edited by the veteran palaeographer LI Ling 李零 (LI Ling 2003). -
Download File
On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze Age, ca. 1000-500 B.C.E Minna Wu Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMIBIA UNIVERSITY 2013 @2013 Minna Wu All rights reserved ABSTRACT On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze-Age, ca. 1000-500 B.C.E. Minna Wu The Shandong region has been of considerable interest to the study of ancient China due to its location in the eastern periphery of the central culture. For the Western Zhou state, Shandong was the “Far East” and it was a vast region of diverse landscape and complex cultural traditions during the Late Bronze-Age (1000-500 BCE). In this research, the developmental trajectories of three different types of secondary states are examined. The first type is the regional states established by the Zhou court; the second type is the indigenous Non-Zhou states with Dong Yi origins; the third type is the states that may have been formerly Shang polities and accepted Zhou rule after the Zhou conquest of Shang. On the one hand, this dissertation examines the dynamic social and cultural process in the eastern periphery in relation to the expansion and colonization of the Western Zhou state; on the other hand, it emphasizes the agency of the periphery during the formation of secondary states by examining how the polities in the periphery responded to the advances of the Western Zhou state and how local traditions impacted the composition of the local material assemblage which lay the foundation for the future prosperity of the regional culture. -
China's Developing Western Region with a Focus on Qinghai
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Anja Lahtinen GOVERNANCE MATTERS CHINA’S DEVELOPING WESTERN REGION WITH A FOCUS ON QINGHAI PROVINCE ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki, in Auditorium XII, Unioninkatu 34, on the 8th of December, 2010, at 2 pm. Publications of the Institute for Asian and African Studies 11 ISBN 978-952-10-6679-5 (printed) ISBN 978-952-10-6680-1 (PDF) http://ethesis.helsinki.fi/ ISSN 1458-5359 Helsinki University Print Helsinki 2010 AKNOWLEDGEMENTS This doctoral dissertation is like a journey that began in 1986 with my first visit to China. I have witnessed how China has changed from being a poor country to one of the most powerful economies in the world. With my academic endeavors I have deepened my knowledge about its history, culture, language, and governance. Completing this dissertation would have been impossible without the support of academic colleagues, friends and family. I sincerely thank Professor Juha Janhunen, at the Department of World Cultures, Asian and African Studies at the University of Helsinki, for his valuable feedback and suggestions. I am also thankful for being a participant in the “Ethnic Interaction and Adaptation in Amdo Qinghai” project supported by the Academy of Finland and headed by Professor Janhunen. I express my gratitude to my supervisors Professor Kauko Laitinen at the Confucius Institute of Helsinki University for his advice and encouragement throughout the study process. Professor Lim Hua Sing at Waseda University in Japan provided me perspectives for developing the methodology for my PhD, thus greatly assisting my work in the preliminary phase. -
Risen from Chaos: the Development of Modern Education in China, 1905-1948
The London School of Economics and Political Science Risen from Chaos: the development of modern education in China, 1905-1948 Pei Gao A thesis submitted to the Department of Economic History of the London School of Economics for the degree of Doctor of Philosophy London, March 2015 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 72182 words. I can confirm that my thesis was copy edited for conventions of language, spelling and grammar by Eve Richard. Abstract My PhD thesis studies the rise of modern education in China and its underlying driving forces from the turn of the 20th century. It is motivated by one sweeping educational movement in Chinese history: the traditional Confucius teaching came to an abrupt end, and was replaced by a modern and national education model at the turn of the 20th century. This thesis provides the first systematic quantitative studies that examine the rise of education through the initial stage of its development. -
Chinese Bronzes from the Meiyintang Collection Volume 2 Christian
Chinese Bronzes from the Meiyintang Collection Volume 2 Christian Deydier Chinese Bronzes from the Meiyintang Collection Volume 2 Chinese Bronzes from the Meiyintang Collection Volume 2 Christian Deydier Contents 9 Foreword 11 Chronology 13 Map 14 Studies of archaic Chinese bronze ritual vessels 24 Casting techniques 28 Fake bronzes 36 Shapes Catalogue 57 I - Xia / Erlitou culture 73 II - Early Shang / Erligang period 103 III - Late Shang / Yinxu period 151 IV - Western Zhou dynasty 187 V - Early Eastern Zhou / Spring and Autumn period 203 VI - Late Eastern Zhou / Warring States period 217 VII - Han dynasty 220 Bibliography 6 7 Since the publication of Volume 1 of Chinese Bronzes in the Meiyintang Collection, the collection has expanded and fifty more ritual bronzes have been added to those which have already been published. Many of the new acquisitions take us back to the very origins of bronze- vessel casting in China or, in other words, to the Erlitou cultural period (19th – 16th centuries BC.) in the Xia dynasty and the Erligang period (16th – 14th centuries BC.) at the beginning of the Shang dynasty. As a result of the collector’s recently renewed concentration on these early periods, the Meiyintang Collection has been able to acquire several exceptional bronzes of the Erlitou period, such as the extremely rare jiao listed as no. 160 (p. 68) and has also, as a result, now become the most complete collection in private hands of bronze ritual vessels of the Erligang period. The archaic bronze vessels in the Meiyintang Collection, probably the most important private collection of its type in terms of the quality, the rarity and the impeccable provenances of its objects, are a concrete testament to and a visual reminder of the primary importance in Chinese culture of the ancestral cult. -
Ancient China from the Neolithic Period to the Han Dynasty
Ancient China From the Neolithic Period to the Han Dynasty Asian Art Museum Education Department Ancient China: From the Neolithic Period to the Han Dynasty Packet written and illustrated by Brian Hogarth, Director of Education, Asian Art Museum with generous assistance from: Pearl Kim, School Programs Coordinator, Asian Art Museum Michael Knight, Curator, Chinese Art, Asian Art Museum He Li, Associate Curator of Chinese Art, Asian Art Museum John Stuckey, Librarian, Asian Art Museum Lisa Pollman, Graduate Student, University of San Francisco Whitney Watanabe, Graduate Student, University of Washington Deb Clearwaters, Adult Programs Coordinator,Asian Art Museum Rose Roberto, Education Programs Assistant, Asian Art Museum Portions of this packet are based on lectures by Michael Knight and Pat Berger at the Asian Art Museum, and particularly the writings of K.C. Chang, Tom Chase, Wu Hung, He Li, Robert Murowchick and Jessica Rawson. (For a complete list of sources, see bibliography) Photographs of Asian Art Museum objects by Kaz Tsuruta and Brian Hogarth Archaeological photos courtesy of: Academia Sinica, Republic of China China Pictorial Service, Beijing, PRC Cultural Relics Bureau, Beijing, PRC Hubei Provincial Museum, Wuhan, PRC Hamilton Photography, Seattle, WA Asian Art Museum, February 20, 1999 Contents Introduction: Studying Ancient China Historical Overview: Neolithic Period to Han Dynasty Archaeology and the Study of Ancient China Ceramics, Jades and Bronzes: Production and Design Three Tomb Excavations Importance of Rites Slide Descriptions Timeline Bibliography Student Activities ANCIENT CHINA Introduction–Studying Ancient China This teacher’s packet accompanies a school tour program of the same name. The tour program emphasizes ancient Chinese ceramics, bronzes and jades in the collections of the Asian Art Museum from the Neolithic period (ca.