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Michael J. Allen North Carolina State University Department of History Box 8108 Raleigh, NC 27695-8108 919.767.1172 [email protected]
Michael J. Allen North Carolina State University Department of History Box 8108 Raleigh, NC 27695-8108 919.767.1172 [email protected] 1. EMPLOYMENT_________________________________________________ NORTH CAROLINA STATE UNIVERSITY, Raleigh, NC (2003-present) Assistant Professor of U.S. history 2. EDUCATION ______________________________________________ NORTHWESTERN UNIVERSITY, Evanston, IL (1997-2003) Degrees: Ph.D., December 2003; M.A., December 1998 Dissertation: “The War’s Not Over Until the Last Man Comes Home”: Body Recovery And The Vietnam War Dissertation Committee: Michael Sherry (chair), Nancy MacLean, Laura Hein Major Field: U.S. History Minor Field: U.S.-East Asian Relations in the Cold War Master’s Thesis: “Seeketh That Which is Gone Astray”: Finding the Meaning of Prisoner of War Defection Following the Korean War THE UNIVERSITY OF CHICAGO, Chicago, IL (1992-96) Degree: A.B. with honors, June 1996 Concentration: History Honors Thesis: From Normal to Neurotic: Psychoneurotic World War II Veterans and the Roots of Postwar Anxiety Thesis Adviser: George Chauncey 3. HONORS, FELLOWSHIPS AND AWARDS__________________________ PROFESSIONAL CHASS Scholarly Project Award, North Carolina State University (2006) Pride of the Wolfpack Award, North Carolina State University (2004) CHASS Summer Research Grant, North Carolina State University (2004) GRADUATE Dissertation Year Fellowship, Northwestern University (2002-03) Kaplan Center for the Humanities Graduate Teaching Fellow, Northwestern University (2001-02) The Dirksen Congressional Center Research Award (2001) Gerald R. Ford Foundation Research Grant (2000) Graduate Research Grant, Northwestern University (2000) University Fellow, Northwestern University (1997-98) UNDERGRADUATE General Honors in The College, The University of Chicago (1996) Honors in the History Concentration, The University of Chicago (1996) Dean’s List, The University of Chicago (1993-96) Ph.D. -
Malooly, Coury- Honors Project
WE GAVE THIS COUNTRY OUR ALL, AND WE RECEIVED LIES, BETRAYAL, AND NEGLECT! VIETNAM VETERANS AGAINST THE WAR IN THE ANTI-VIETNAM WAR MOVEMENT by Coury Malooly Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of History Texas Christian University Fort Worth, Texas May 4, 2020 1 WE GAVE THIS COUNTRY OUR ALL, AND WE RECEIVED LIES, BETRAYAL, AND NEGLECT! VIETNAM VETERANS AGAINST THE WAR IN THE ANTI-VIETNAM WAR MOVEMENT Project Approved: Supervising Professor: Kara Vuic, PhD, Department of History Peter Worthing, PhD, Department of History Brad Lucas, PhD, Department of English 2 ABSTRACT The Vietnam War is arguably the most controversial war in American history. The motives, rationale, and methods used to fight the war stir great controversy within the U.S. public. To some, the United States would have won the Vietnam War if it had not “been fighting with one hand behind its back” due to the anti-war movement, but to others, the United States could never achieve victory in the Vietnam War because of the determination of the North Vietnamese state and the Viet Cong. This debate sparked hostility against Vietnam veterans in America during the war as well. American popular culture and myth commonly portray Vietnam veterans as brash, impulsive, and sometimes even violent people received with hostility by the leftist anti-war protestors like the hippies and draft card burners. However, veterans who fought in the war made up one significant part of the anti-war movement, many of whom enlisted. Though the common view is that the military is largely conservative, Vietnam veterans received hostility from conservatives as well because they were considered ineffective fighters and losers in some cases. -
The Final Cover-Up Scott Camil Last Week When Richard Nixon Finally
The Final Cover-Up Scott Camil Last week when Richard Nixon finally died, my 14-year old daughter Laurel who is an International Baccalaureate student at Eastside High School here in Gainesville asked me, "Why is Nixon being honored?" She wanted to know what kind of message society was sending to the youth of America by paying so much tribute and honor to a person who was so totally without honor. In seeking to come up with a good answer for her, I read all of the articles I could in the days following Nixon's death to see if I could figure out this total distortion of history which could honor the most dishonorable President we have ever had. So let's take a look at the record. Nixon's 1946 "political career began as it ended, with deliberate duplicity designed for one purpose: to win."(sk/v 557) "He once confided to a friend, 'If you can't lie you'll never go anywhere'".(sk/v 557) In his first political race, he won by smearing his opponent, Congressman Jerry Voorhis, as a communist sympathizer. This was done with advertising, speeches and an anonymous telephone campaign where people were called on the phone and told, "This is a friend of yours, I just want you to know that Jerry Voorhis is a communist." (tfan/wc 55) The person would then hang up. As a freshman congressman, Nixon was assigned to the House Un-American Activities Committee. His most infamous success on the committee was the attack on Alger Hiss, a state department official who was convicted of perjury and sent to prison. -
The Gilder Lehrman Collection
the Gilder Lehrman institute of american history the Gilder Lehrman institute of american history 19 west 44th street, suite 500 new york, ny 10036 646-366-9666 www.gilderlehrman.org Annual Report 2001 Board of Advisors Co-Chairmen Richard Gilder Lewis E. Lehrman President James G. Basker Executive Director Lesley S. Herrmann Advisory Board Dear Board Members and Friends, Joyce O. Appleby, Professor of History Emerita, James O. Horton, Benjamin Banneker Professor University of California Los Angeles of American Studies and History, George We present the Institute’s annual report for 2001, a year in which William F. Baker, President, Channel Thirteen/WNET Washington University Thomas H. Bender, University Professor of the Kenneth T. Jackson, Jacques Barzun Professor the study of American history took on a new importance. Our Humanities, New York University of History, Columbia University and President, activities continue to expand, and we look forward to significant Lewis W. Bernard, Chairman, Classroom Inc. New-York Historical Society David W. Blight, Class of 1959 Professor of History Daniel P. Jordan, President, Thomas Jefferson growth in 2002. and Black Studies, Amherst College Memorial Foundation Gabor S. Boritt, Robert C. Fluhrer Professor of David M. Kennedy, Donald J. McLachlan Professor Civil War Studies, Gettysburg College of History, Stanford University (co-chair, Advisory Board) Roger G. Kennedy, Director Emeritus, Richard Brookhiser, Senior Editor, National Review National Park Service James G. Basker Lesley S. Herrmann Kenneth L. Burns, Filmmaker Roger Kimball, Managing Editor, The New Criterion President Executive Director David B. Davis, Sterling Professor of History Emeritus, Richard C. Levin, President, Yale University Yale University (co-chair, Advisory Board) James M. -
Found, Featured, Then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D
Found, Featured, then Forgotten Image created by Jack Miller. Courtesy of Vietnam Veterans Against the War. Found, Featured, then Forgotten U.S. Network TV News and the Vietnam Veterans Against the War Mark D. Harmon Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE Found, Featured, then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D. Harmon Digital version at www.newfoundpress.utk.edu/pubs/harmon Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/us/. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-8-7 ISBN-10: 0-9797292-8-9 Harmon, Mark D., (Mark Desmond), 1957- Found, featured, then forgotten : U.S. network tv news and the Vietnam Veterans Against the War / Mark D. Harmon. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2011. 191 p. : digital, PDF file. Includes bibliographical references (p. [159]-191). 1. Vietnam Veterans Against the War—Press coverage—United States. 2. Vietnam War, 1961-1975—Protest movements—United States—Press coverage. 3. Television broadcasting of news—United States—History—20th century. I. Title. HE8700.76.V54 H37 2011 Book design by Jayne White Rogers Cover design by Meagan Louise Maxwell Contents Preface ..................................................................... -
The Wealth of Networks How Social Production Transforms Markets and Freedom
Name /yal05/27282_u00 01/27/06 10:25AM Plate # 0-Composite pg 3 # 3 The Wealth of Networks How Social Production Transforms Markets and Freedom Yochai Benkler Yale University Press Ϫ1 New Haven and London 0 ϩ1 Name /yal05/27282_u00 01/27/06 10:25AM Plate # 0-Composite pg 4 # 4 Copyright ᭧ 2006 by Yochai Benkler. All rights reserved. Subject to the exception immediately following, this book may not be repro- duced, in whole or in part, including illustrations, in any form (beyond that copy- ing permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. The author has made an online version of the book available under a Creative Commons Noncommercial Sharealike license; it can be accessed through the author’s website at http://www.benkler.org. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data Benkler, Yochai. The wealth of networks : how social production transforms markets and freedom / Yochai Benkler. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-300-11056-2 (alk. paper) ISBN-10: 0-300-11056-1 (alk. paper) 1. Information society. 2. Information networks. 3. Computer networks—Social aspects. 4. Computer networks—Economic aspects. I. Title. HM851.B457 2006 303.48'33—dc22 2005028316 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. -
CIVIL ACTION : V
Case 2:05-cv-05213-JF Document 28 Filed 08/03/2006 Page 1 of 7 IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF PENNSYLVANIA CARLTON A. SHERWOOD, et al. : CIVIL ACTION : v. : : JOHN F. KERRY and : ANTHONY T. PODESTA : No. 05-05213-JF MEMORANDUM AND ORDER Fullam, Sr. J. August 3, 2006 This action for alleged defamation and related torts concerns events which occurred during the last stages of the 2004 presidential election, but most of the first 102 paragraphs of plaintiffs’ complaint rehearse the alleged misdeeds of persons and organizations protesting the Vietnam War, in the 1970s. According to the complaint, the defendant Senator John F. Kerry, the Democratic candidate for president in 2004, was involved in antiwar protests in the 1970s, following his return from the Vietnam conflict. He allegedly had some role in investigating and exposing alleged atrocities committed by U.S. troops during the Vietnam Conflict, and gave testimony before a Senate committee in opposition to further involvement by the United States in that war. The plaintiff Carlton A. Sherwood disagrees with the views allegedly expressed by Senator Kerry in the 1970s, and insists that the alleged atrocities purportedly disclosed by Senator Kerry (or, more accurately, several other Case 2:05-cv-05213-JF Document 28 Filed 08/03/2006 Page 2 of 7 people allegedly associated with Senator Kerry) either did not occur at all, or were grossly exaggerated. Plaintiff Sherwood, who is described in the complaint, at length, as an award-winning journalist of great integrity and renown, concluded that Senator Kerry had insulted the honor of all Vietnam vets, and that the negative aspects of his character should be brought to light before the 2004 presidential election. -
90 Minutes Press Contact
90 Minutes Press Contact: Susan Senk PR & Marketing 212-876-5948 Susan Senk: [email protected] Linda Altman: [email protected] 2 SHORT SYNOPSIS Set in the world of Russian immigrants living in New York City, Downtown Express uses music to explore the clash of old world values against the lure and excitement of a new country. Under the watch of his loving but overbearing father, virtuoso violinist and Juilliard student Sasha (Grammy nominee Philippe Quint) prepares for a critical recital meant to launch his career. Yet, he is increasingly drawn to the rhythms of the streets of New York, and when he meets singer-songwriter Ramona (acclaimed recording artist Nellie McKay), he joins her band, falls in love, and begins to lead a double life, careening frantically between two worlds. As his classical debut nears, Sasha must decide whether to break with his father and forge his own destiny. LONG SYNOPSIS Downtown Express tells a classic story of youthful rebellion, but tells it with a unique voice: through music. Set in the world of Russian immigrants living in New York City, Downtown Express explores the ways that old world values inevitably clash with the lure and excitement of a new country. The film stars two acclaimed musicians: Philippe Quint, a Grammy-award nominated virtuoso, classical violinist, and Nellie McKay, a singer-songwriter whose songs, part jazz, part sparkly pop, are noted for their wit and quirky humor. Quintʼs role in Downtown Express marks the first time that a classical musician has been featured as the lead in an American film. -
Changing Channels and Bridging Divides: the Failure and Redemption of American Broadcast Television Regulation
Minnesota Journal of Law, Science & Technology Volume 6 Issue 1 Article 3 2004 Changing Channels and Bridging Divides: The Failure and Redemption of American Broadcast Television Regulation Anthony E. Varona Follow this and additional works at: https://scholarship.law.umn.edu/mjlst Recommended Citation Anthony E. Varona, Changing Channels and Bridging Divides: The Failure and Redemption of American Broadcast Television Regulation, 6 MINN. J.L. SCI. & TECH. 1 (2004). Available at: https://scholarship.law.umn.edu/mjlst/vol6/iss1/3 The Minnesota Journal of Law, Science & Technology is published by the University of Minnesota Libraries Publishing. VARONA_A1 12/29/2004 1:45:38 PM Changing Channels and Bridging Divides: The Failure and Redemption of American Broadcast Television Regulation Anthony E. Varona* Introduction .................................................................................. 3 I. The Mythology of Television Broadcasters as Public Trustees .................................................................................. 10 A. The Origins of American Broadcast Regulation........... 10 1. The Growing Cacophony ............................................ 13 B. Congressional Codification of Broadcast Public Trusteeship.......................................................................... 14 1. The 1927 Radio Act..................................................... 14 2. The 1934 Communications Act .................................. 16 C. Early Attempts to Interpret the Public Interest Standard ............................................................................. -
Irelands: Migration, Media, and Locality in Modern Day Dublin
Imagining Irelands: Migration, Media, and Locality in Modern Day Dublin by Aaron Christopher Thornburg Department of Cultural Anthropology Duke University Date:_______________________ Approved: ___________________________ Naomi Quinn, Supervisor ___________________________ Lee D. Baker ___________________________ Katherine P. Ewing ___________________________ John L. Jackson, Jr. ___________________________ Suzanne Shanahan Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Cultural Anthropology in the Graduate School of Duke University 2011 ABSTRACT Imagining Irelands: Migration, Media, and Locality in Modern Day Dublin by Aaron Christopher Thornburg Department of Cultural Anthropology Duke University Date:_______________________ Approved: ___________________________ Naomi Quinn, Supervisor ___________________________ Lee D. Baker ___________________________ Katherine P. Ewing ___________________________ John L. Jackson, Jr. ___________________________ Suzanne Shanahan An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Cultural Anthropology in the Graduate School of Duke University 2011 Copyright by Aaron Christopher Thornburg 2011 Abstract This dissertation explores the place of Irish-Gaelic language (Gaeilge) television and film media in the lives of youths living in the urban greater Dublin metropolitan area in the Republic of Ireland. By many accounts, there has been a Gaeilge renaissance underway in recent times. The number of Gaeilge-medium primary and secondary schools (Gaelscoileanna) has grown throughout the 1990s and into the twenty-first century, the year 2003 saw the passage of the Official Languages Act (laying the groundwork to assure all public services would be made available in Gaeilge as well as English), and as of January 2007 Gaeilge has become a working language of the European Union. -
A Rite Story/Time Play and Play: an Evening of Movement and Music
Photos: Paul B. Goode A Rite A dance-theater collaboration with Anne Bogart and SITI Company. Story/Time Bill T. Jones returns to the stage in a critically acclaimed work of storytelling and dance. Play and Play: An Evening of Movement and Music “Take something and do something to it, and then do something else to it.” – Jasper Johns Body Against Body Program Seminal duets from the 1970s and 80s. Analogy: A Trilogy Three narratives in search of equivalences. Premiering June 2015. 2014–2015 Season The Bill T. Jones/Arnie Zane Dance Company was born out of an 11-year collaboration between Bill T. Jones and Arnie Zane (1948–1988). During this time, they redefined the duet form and Bill T. Jones/Arnie Zane foreshadowed issues of identity, form and social commentary that would change the face of Dance Company American dance. The Company has performed worldwide in over 200 cities in 40 countries on Kyle Maude Director of Producing and Touring every major continent and is recognized as one of the most innovative and powerful forces in 219 W 19th Street the dance-theater world. New York, NY 10011 t: 212.691.6500 ex 262 A Rite f: 212.633.1974 “...a serious, intricate, multidirectional centennial tribute to a work of art whose spell it deepens.” [email protected] – The New York Times newyorklivearts.org /#/BTJAZDC A Rite is the intriguing and powerful dance-theater collaboration between renowned artists Bill T. Jones, North American Representation Anne Bogart and their respective companies, the Bill T. Jones/Arnie Zane Dance Company and SITI Company. -
WWII Question of “Why We !Ght” with “For the Soldiers Themselves.” Forrest Gump W!/ W" “S)00$%# #!" T%$$0.”: R!"#$%&'-+ E1$+)#&$2
W!" W# “S$%%&'( (!# T'&&%)”: R!#(&'*+,- E.&-$(*&/) R!"#$ S%&'( ) is essay tracks the genealogy of the contemporary call to “support the troops,” a rhetoric that includes but goes beyond the strategic and argumentative use of the phrase itself. Support-the-troops rhetoric has two major functions: de*ection and dissociation. De*ection involves discursive trends in play since Vietnam that have rede+ned war as a +ght to save our own soldiers—especially the captive soldier—rather than as a struggle for policy goals external to the military. As such, this discourse directs civic attention away from the question of whether the particular war policy is just. ) e essay explicates these trends through an examination of the POW/MIA, war +lm, and the symbol of the yellow ribbon. ) e second trope, dissociation, quarantines the citizen from questions of military action by manufacturing distance between citizen and soldier. Dissociation o, en goes further to de+ne civic deliberation and dissent as an attack on the soldier body and thus an ultimate immoral act. ) is essay explores this trope through executive rhetoric, an analysis of the particular phrase “support the troops,” metaphor for war, and John Kerry’s run for the presidency in -../. Both de*ection and dissociation work to discipline and mute public deliberation in matters of war. ) e essay concludes by considering strategies for reopening spaces for democratic deliberation. R!"#$ S%&'( is Assistant Professor of Speech Communication at the University of Georgia in Athens. © 2009 Michigan State University Board of Trustees. All rights reserved. Rhetoric & Public Affairs Vol. 12, No. 4, 2009, pp.