Fidelity Sound Recordings Collection ARS.0212

Total Page:16

File Type:pdf, Size:1020Kb

Fidelity Sound Recordings Collection ARS.0212 http://oac.cdlib.org/findaid/ark:/13030/c87087js No online items Fidelity Sound Recordings Collection ARS.0212 Benjamin Bates and Jonah Reidel Archive of Recorded Sound [email protected] URL: http://library.stanford.edu/ars Fidelity Sound Recordings ARS.0212 1 Collection ARS.0212 Language of Material: English Contributing Institution: Archive of Recorded Sound Title: Fidelity Sound Recordings Collection source: McGovern, Janet Identifier/Call Number: ARS.0212 Physical Description: 10 box(es)6 linear feet: (148)12" vinyl disc(s); (57) audiocassette(s); (39) compact disc(s); (10) 10" vinyl disc(s); (5) photograph(s); (3) 7" vinyl disc(s); (1) audiocassette (8-track); (1) 10" shellac disc Date (inclusive): 1950-2000 Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive of Recorded Sound for assistance. Source of Acquisition The Fidelity Sound Recordings Collection was donated to the Archive of Recorded Sound by Janet McGovern in 2020. She is the widow of Fidelity Sound Recordings founder and director Reg McGovern. Cite as Fidelity Sound Recordings Collection, ARS-0212. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, CA. Content Description This collection consists of commercially-released audio recordings created by the independent record company Fidelity Sound Recordings (FSR) based in Redwood City, California. The predominant musical genre featured is marching band music performed by university bands, bands affiliated with the Salvation Army, and miscellaneous ensembles in the United States, Australia, New Zealand, Germany, and elsewhere. Notable performing groups include the Ohio State Marching Band, the National Band of New Zealand, the Salvation Army Wellington Citadel Band, the Jugendmusikkorps Bad Kissingen, and others. Restrictions All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head Librarian, Archive of Recorded Sound, Braun Music Center, Stanford, California 94305. Consent is given on behalf of the Archive of Recorded Sound as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner, heir(s) or assigns. Arrangement Items within the collection are organized in alphabetical order by performer name, followed by publisher issue number and title as it appears. Specific recordings with more than one performer, ensemble, or performing group are filed under the series 'Combined Performers'. They are organized by publisher issue number, followed by title and a note indicating the performers included on the recording unless indicated in the title proper. Biographical / Historical Reg McGovern (1920-2015) had a 36-year career as a newspaper photographer in Redwood City and Palo Alto, and he received many journalism awards for his photography. He had a second, concurrent creative career as the owner of Fidelity Sound Recordings, which specialized in the kind of band music he had loved from his boyhood. McGovern played in the band at Sequoia High School in his Redwood City hometown and, as a teenager, would dial the radio knob searching for band music. McGovern served on a Coast Guard ship in the South Pacific during World War II and, after his return, he found it increasingly difficult to find records to add to his collection. In the early 1950s, he decided to tackle this deficiency himself and formed Fidelity Sound Recordings. He acquired recording equipment, taught himself how to capture marching or concert bands on tape, and how to produce records, most often taking his own photographs for the album covers. He began with local college bands but soon went back to New Zealand and Australia, returning dozens of times over the next decades to record bands, including the National Band of New Zealand and the New Zealand Army Band. In later years, he recorded bands in the United Kingdom and in Europe, including the Band of H.M. Royal Marines and the City Band of Vienna, as well as military, village and youth bands in Germany and other countries. McGovern had a particular love of brass bands, and his company had a long association with the Salvation Army in the United States and abroad, capturing world-class groups on audio tape. Fidelity Sound Recordings enjoyed an equally warm and productive relationship with the Ohio State University Marching Band, producing the all-brass band's first commercial recording in 1958, the first of about two dozen over four decades. In 2005, his contribution to the band was recognized Fidelity Sound Recordings ARS.0212 2 Collection ARS.0212 when he received an honorary life membership in the TBDBITL Alumni Club (The Best Damned Band in the Land) before an audience of 13,000 at St. John Arena in Columbus. McGovern's drive and passion for music resulted in a wide-ranging catalogue of U.S. and international recordings, from Big Ten marching bands to Maori choirs, and he enabled musical groups to reach a wider audience. He carved out an underserved niche in the recording industry and preserved the music he loved in various formats from 10-inch records to LPs, 8-track tape, cassettes and CDs, a prodigious output for someone working full-time as a news photographer. Reg McGovern was the son of one of San Mateo County's early sheriffs. His younger brother, Lloyd McGovern, was a Stanford graduate known for his knowledge of college sports who was instrumental in establishing the university's Sports Hall of Fame. Biographical note written by Janet McGovern. Subjects and Indexing Terms Marching bands Sound recording industry -- United States Band music. McGovern, Janet Performers, A-F Albkapelle Dettingen Box 1, disc 1 [FSRS-1331] Fröhliche Blasmusik aus Schwaben Box 2, [FSRC-1331] Fröhliche Blasmusik aus Schwaben audiocassette 1 Allegany High School Band Box 1, disc 2 [FSRS-1326] Allegany Band Stand Box 2, [FSRC-1326] Allegany Band Stand audiocassette 2 Allentown Band Box 1, disc 3 [FSRS-1344] Our Band Heritage Box 2, [FSRC-1344] Our Band Heritage audiocassette 3 Box 1, disc 4 [FSRS-1347] Our Band Heritage Volume Two Auckland Watersiders' Silver Band Box 10, disc 4 [LP-106] Auckland Watersiders' Silver Band of New Zealand Physical Description: 1 10" vinyl disc(s) Band of H.M. Royal Marines Box 1, disc 5 [FSRS-1343] Band of H.M. Royal Marines Box 2, [FRSC-1343] Band of H.M. Royal Marines audiocassette 4 Box 3, [FRSCD-1343] Band of H.M. Royal Marines compact_disc 1 Box 1, disc 6 [FSRS-1350] Brass in Blue Fidelity Sound Recordings ARS.0212 3 Collection ARS.0212 Performers, A-F Band of H.M. Royal Marines Box 2, [FSRC-1350] Brass in Blue audiocassette 5 Band of the New Zealand Army Box 1, disc 7 [LPS-1265] Band of the New Zealand Army Box 3, [FSRCD-1327] Band of the New Zealand Army compact_disc 2 Brisbane Temple Band of the Salvation Army Box 1, disc 8 [LP-1216] Brisbane Temple Band of the Salvation Army Cal Aggie Marching Band Box 1, disc 9 [FSRS-1333] Cal Aggie Marching Band Box 2, [FSRC-1333] Cal Aggie Marching Band audiocassette 6 Central Methodist College Band Box 1, disc 10 [FSRS-1338] Circus Echoes Box 2, [FSRC-1338] Circus Echoes audiocassette 7 Box 1, disc 11 [FSRS-1339] Circus Echoes Encore Box 2, [FSRC-1339] Circus Echoes Encore audiocassette 8 Box 2, [FSCR-1355] Concert Tour audiocassette 9 Chicago Staff Band Box 1, disc 12 [FSRS-1269] The Band with a Sacred Message Box 1, disc 13 [FSRS-1274] Songs of Praise Christchurch Citadel Band Box 10, disc 5 [LP-110] Christchurch Citadel Band of the Salvation Army Physical Description: 1 10" vinyl disc(s) Box 1, disc 14 [FSRS-1283] Christchurch Citadel Band Box 2, [FSRC-1283] Christchurch Citadel Band audiocassette 10 Citadel Regimental Band Box 1, disc 15 [FSRS-1336] Citadel Regimental Band Box 2, [FSRC-1336] Citadel Regimental Band audiocassette 11 Box 3, [FSRCD-1336] Citadel Regimental Band compact_disc 3 College of Pacific Band Fidelity Sound Recordings ARS.0212 4 Collection ARS.0212 Performers, A-F College of Pacific Band Box 10, disc 7 [101] College of Pacific Marching Band Physical Description: 1 10" vinyl disc(s) Box 10, disc 8 [103] College of Pacific Band Physical Description: 1 10" vinyl disc(s) Box 1, disc 16 [LP-1209] College of Pacific Band Box 10, disc 1 [EP-5401] College of Pacific Band presents marches by Isham Jones Physical Description: 1 7" vinyl disc(s) Box 10, disc 6 [7801] College of Pacific Band Physical Description: 1 10" shellac disc(s) Scope and Contents Star-spangled banner ; Gen. Douglas MacArthur (march). Dean Goffin and the Wellington South Band Box 1, disc 17 [FSRS-1313] Dean Goffin and the Wellington South Band Box 2, [FSRS-1313] Dean Goffin and the Wellington South Band audiocassette 12 Destitutes Box 1, disc 18 [5SS-1402] Destitutes Deutscher Jugendchor Box 2, [FSRC-1341] Die Schoensten Alten Volkslieder (Beautiful Old Folksongs in audiocassette 13 German) Box 1, disc 19 [FSRS-1342] Stimmen Der Weihnacht (Voices of Christmas) Fiji Military Forces Band and Male Chorus Box 1, disc 20 [LP-1217] Fiji Military Forces Band and Male Chorus Florida A&M University Marching Band Box 1, disc 21 [FSRS-1286] FAMU Spirit Performers, G-M G.U.S. (Footwear) Band Box 1, disc 22 [FSRS-1282] British Bandstand Hendon Band of the Salvation Army Box 2, [FSRC-1351] Praise! audiocassette 14 Box 3, [FSRCD-1351] Praise! compact_disc 4 Box 2, [FSRC-1352] Salvation Sounds audiocassette 15 Fidelity Sound Recordings ARS.0212 5 Collection ARS.0212 Performers, G-M Hollywood Tabernacle Band and Songsters Hollywood Tabernacle Band and Songsters Box 1, disc 23 [LPS 1258] Brass and Voices from the Hollywood Tabernacle Indiana University Marching Hundred Box 1, disc 24 [LPS-1266] Indiana! Box 1, disc 25 [FSRS-1303] Indiana Our Indiana Box 2, [FSRC-1353] Hail to Old I.U.
Recommended publications
  • 2017 NYBB (L to R) Jack Bewley, Georgia Hoy, Luke Spence (Also Named Most Outstanding Player) and Byrce Fairweather
    The Official Journal of the Brass Band Association New Zealand Volume 63 | Issue 2 | March 2017 ISSN 1173 6089 New Zealand Mouthpiece is proudly sponsored by JP Musical Instruments | www.musicways.co.nz | 09 477 0384 | [email protected] Best section and quiz champions - the euphoniums and baritones of the 2017 NYBB (L to R) Jack Bewley, Georgia Hoy, Luke Spence (also named Most Outstanding Player) and Byrce Fairweather. 2017 NYBB The Taranaki rain didn’t dampen the Georgia Hoy, Jack Bewley, Luke Spence and Palmerston North Brass, Mark Davey, Emily enthusiasm and concentration of the 2017 Bryce Fairweather. Richards and Wellington Brass, Pub Charity, National Youth Brass Band throughout its the Infinity Foundation, the Four Winds Most Improved Player: Lachlan Spence – training camp and concert tour. Meeting Foundation, Wellington Community Trust, Eastern Bay of Plenty Brass in New Plymouth on Saturday 21 January, ABI Music, the New Zealand Army Band, the band went straight into rehearsal under Best Bandsperson and Outstanding Soloist: RNZ Air Force Band, and the Friends of the musical director David Bremner. Sectional Dale Vail – Wellington Brass National Youth Brass Band. work was taken by a very talented group of MD’s Award for Outstanding Musical The management committee would tutors: Alan Spence, Mark Carter, Robbie Contribution: Patrick Di Somma – especially like to thank David Bremner, Mike Cargill, Byron Newton, Mark Davey, Leigh Wellington Brass Ford, Leigh Martin and Dennis Teeling for Martin and Grant Myhill. all the work they did to ensure the success of Most Outstanding Player: Luke Spence – Other than rehearsing, the band members the NYB.
    [Show full text]
  • Welcome to Your Life As an EMBA Student!
    Ready to Go | 2020 Welcome to Your Life as an EMBA Student! You are about to embark on an incredible journey, focused on a goal of dynamic education, career development and personal growth. As you now consider accepting our offer of admission, you have a lot of important changes to plan for: evaluating the current balance of your job responsibilities; managing your personal life commitments; and reacquainting yourself with being a student again. You will begin a program with rigorous coursework and team projects, surrounded by a remarkable number of extremely intelligent people. We hope you will acknowledge the significance of your decision and the impact it will have on your life. We expect you to be both excited and apprehensive about this decision and hope that you will use the information provided to learn how much your life as a USC Marshall EMBA student will expand not only your mind and career opportunities, but also your social circle and your spirit. In the pages that follow, you will learn more about the personal and social enrichment opportunities that the Marshall School of Business and USC have to offer. THE USC MARSHALL SCHOOL OF BUSINESS Established in 1920, the USC Marshall School of Business is the oldest accredited business school in Southern California. Marshall is a private research and academic institution committed to educating tomorrow’s global leaders. Ranked as one of the country’s top schools for accounting, finance, entrepreneurship and international business studies, Marshall also shares the rich history and vibrant community of the USC academic system. Situated in Los Angeles, California, the Marshall School provides ready access to industries defining the new business frontier: biotechnology, life sciences, media, entertainment, communications and healthcare.
    [Show full text]
  • Saluteremembering WW1: Four Dance Works
    EDUCATION RESOURCE Education rnzb.org.nz facebook.com/nzballet SALUTERemembering WW1: Four dance works NATIONAL SPONSOR SUPPORTED BY MAJOR SUPPORTER SUPPORTING EDUCATION CURRICULUM In this unit you and your students will: LEARNING OBJECTIVES FOR • Learn about the elements that come LEVELS 7 & 8 together to create a theatrical ballet experience. Level 7 students will learn how to: • Identify the processes involved in making a • Understand dance in context – Investigate theatre production. and evaluate the effects of individual, social, cultural, and technological influences on the development of a variety of dance genres and styles. CURRICULUM LINKS IN THIS • Develop practical knowledge – UNIT Extend skills in the vocabulary, practices, Values and technologies of selected dance genres Students will be encouraged to value: and styles. • Innovation, inquiry and curiosity, by thinking • Communicate and interpret – Analyse, critically, creatively and reflectively. explain, and discuss aspects of performance • Diversity, as found in our different cultures and choreography in a range of dance and heritages. works. • Community and participation for the common good. Level 8 students will learn how to: • Understand dance in context – Investigate, analyse, and discuss the features, history, KEY COMPETENCIES issues, and development of dance in New Zealand, including the contribution of • Using language, symbols and text – selected individuals and groups. Students will recognise how choices of • Develop practical knowledge – language and symbols in live theatre affect Extend and refine skills, practices, and use people’s understanding and the ways in of technologies in a range of dance genres which they respond. and styles. • Relating to others – Students will develop • Communicate and interpret – Critically the ability to listen actively and share ideas analyse, interpret, and evaluate the artistic regarding theatrical ballet performances.
    [Show full text]
  • Front Cover.Indd
    Issue 38- October 2012 Welcome Contents Dear Friends, As always, it was a busy summer of Publishing news music-making and this is refl ected in the Derick Kane newsletter, with reports on International The upcoming publicati ons here at MMU visits. including new First things First plus latest the news from SP&S. youth focus, may Star Lake, WMI, Africa, Australia, Sweden be a good idea. However, as previously and Argentina are all represented in this stated, these were intended for YP groups. Internati onal News issue. Maybe in this instance, see past the cover and simply use the music! Internati onal secti ons on trips around It was my privilege to be the special guest the globe including The Internati onal at Star Lake Musicamp, reminding me of the The other book to mention is the new Staff Songsters, Dr Stephen Cobb, and internationalism of The Salvation Army. It’s learners’ resource. This is a progressive Bandmaster Brian Johnson to Nigeria. great to see that the traditions of Star Lake tutor in three volumes, devised by Keith are still held dear and that it remains an Watts from Birmingham Citadel, and will infl uence to many people year after year. be available through SP&S. This will be Events available for B and E instruments with CD Territorial Music School 2012 in pictures I was pleased to visit the Retired Musicians, backing. I will provide a further review of and The Household Troops Band visit to Fellowship at Worthing recently and I thank this at the end of the year.
    [Show full text]
  • Vision of USC for 2018 T&F Guide.Indd
    WWelcomeelcome ttoo TTroy...roy... Did You Know? · The USC School of Cinema c Arts (above) was proud to both celebrate its 80th anniversary during the 2009-10 academic year, and open the doors on the fi rst two buildings in its new Cinema c Arts complex, which pays homage to the cinema c history of Southern California and USC. The new Cinema c Arts complex was built, thanks to a $175 million dona on by USC alumnus George Lucas. The now-completed complex includes an anima on building, soundstages and a produc on center. In February 2010, the Princeton Review ranked USC's Interac ve Media division as the No. 1 video-game design program in North America. Game design formally got its start at USC in 2002, when the USC School of Cinema c Arts launched its MFA in interac ve media, although a core game-design workshop had been in place since 1999. In 2004, the school unveiled the Game Innova on Lab, a state-of-the-art research space and think tank for game design and crea on. A B.A. in interac ve entertainment was fi rst off ered in 2005. Today, USC off ers four degrees in video-game development at the undergraduate and graduate levels. For the game-play design-focused, the USC School of Cinema c Arts off ers the Master of Fine Arts in interac ve media and the Bachelor of Arts in interac ve entertainment. For the more engineering-oriented, the USC Viterbi School off ers the Bachelor of Science in computer science (games) and the Master of Science in computer science (game development).
    [Show full text]
  • Te Awamutu Courier
    Te Awamutu Rural Neville Kemp Licensee Salesperson 027 271 9801 Courier 07 871 9801 www.nevillekemp.co.nz Published Tuesday & ThursdayTHURSDAY THURSDAY, JANUARY JUNE 28, 19, 2012 2012 YOUR COMMUNITY NEWSPAPER FOR OVER 100 YEARS Rosetown Realty Ltd Licensed (REAA 2008) CIRCULATED FREE TO 12,109 HOMES THROUGHOUT TE AWAMUTU AND SURROUNDING DISTRICTS. EXTRA COPIES 40c. BRIEFLY Money matters Television programmes and newspaper reports highlight major financial problems in Europe and elsewhere. Professor Brian Silverstone from the University of Waikato will shed some light on this on- going, global financial crisis. Hear how this may affect New Zealand, and learn more about the Euro at the Te Awamutu Continuing Education Group’s meeting on Wednesday, July 4. See classified advertisement or phone 871 6434 for details. Eels as taonga The significance of eels to Ngati-Apakura in Te Awamutu, Pirongia and Kawhia is the subject of a special event, as part of the We Love Eels exhibition at Te Awamutu Museum on Thursday, July 5 (5pm). TC280612CA04 Guests can celebrate STUDENTS watch from the field as plumes of smoke rise above the Te Awamutu Intermediate classrooms. Matariki, hear from Jenny Charman (Ngati Apakura), George Searancke (Ngati Waero) and Ana O’Isreal ( Te Kopua Marae) and take part in a School fire tasting. A koha would be appreciated. RSVP by Monday: [email protected] or ph 872 0085. Assert yourself investigated Mahuika House is running assertiveness classes on Wednesday mornings starting BY CATHY ASPLIN arts at the time which was lucky. next week. She says it was a shock for The classes commence at Te Awamutu Intermediate many of the children to see how 10am, are free and anyone is staff and pupils were evacuated quickly the fire spread.
    [Show full text]
  • SPS353 Booklet-Pgs12&1 CYAN MAGENTA YELLOW BLACK
    CYAN MAGENTA YELLOW BLACK 1. Soldiers of Christ George Marshall 3.36 2. Under Two Flags Bramwell Coles 4.08 3. Mighty to Save George Marshall 2.49 4. Departed Heroes Bramwell Coles 6.54 5. The Liberator George Marshall 3.14 6. One by One John Pattison 3.02 7. The Flag of Freedom Bramwell Coles 3.00 8. In the Firing Line Bramwell Coles 3.50 9. Pressing Onward Erik Leidzén 5.03 10. The Wellingtonian Harold Scotney 3.22 11. Fighting for the Lord Emil Söderström 3.24 12. The Red Shield Henry C. Goffin 3.18 13. Regeneration Bert T. Langworthy 3.03 14. The Redcliffe March D. G. Hollis 3.25 15. Beaumont George Dickens 3.31 All tracks © SP&S SPS 353 CD SPS353 Booklet-Pgs12&1 CYAN MAGENTA YELLOW BLACK THE INTERNATIONAL STAFF BAND In addition to the ISB120 celebrations, double-CD Origins, St Magnus - The Music of The International Staff Band continues Kenneth Downie and Fire in the Blood. The Salvation Army’s early history makes From those beginnings, the present-day ISB to be involved in major brass banding Stephen Cobb’s initial reputation was secured mention of several ‘staff bands’ dating back has evolved. Throughout its history the band events, including Brass in Concert, gala as a cornet soloist, both at Hendon and within as far as 1880, but it was on 7 October 1891 has maintained the highest musical and concerts following the National Brass Band The International Staff Band, having come that the ‘International Headquarters Staff spiritual standards and has been proud to be Championships of Great Britain and other from a family of talented bandmasters and soloists.
    [Show full text]
  • Salvationist 6 October 2012
    SALVATIONIST ESSENTIAL READING FOR INSIDE THIS WEEK EVERYONE LINKED TO General leads anniversary celebrations THE SALVATION ARMY Ghana www.salvationarmy.org.uk/salvationist PAGE 4 6 October 2012 Heritage weekend attracts visitors No 1367 Croydon Price 60p PAGE 8 PLUS LOTS MORE! PAGES 11-13 PAPERS THE Ex-movie actor Michael Q GET YOUR PENCILS Williamson talks Q HOUSTON HAD A War Cryy about faith Page 8 READY FOR THE BIG salvationarmy.org.uk/warcry Est 1879 No 7085 FIGHTING FOR HEARTS AND SOULS 6 October 2012 20p/25c PROBLEM. SHE ALSO WHITNEY’S HAD FAITH DRAW Q NEW KA! JAM BIBLE TROUBLED STAR Q WHO TO TRUST – NEVER LOST FAITH SERIES – JESUS IN LAST writes RENÉE DAVIS POLITICIANS OR THE GOODBYEDBY POLICE? COMMAND Q JOKES AND AUDIENCES can expect to be Q FORMER dazzled by the musical movie, Sparkle, which debuted in UK cinemas yesterday (Friday 5 PUZZLES IN GIGGLE IN October). The film – which turned out to be PROSTITUTE AND Whitney Houston’s last – is set in 1960s’ Detroit and follows the life of 19-year- old Sparkle (Jordin Sparks), a young THE MIDDLE woman with big dreams to make it as a music star. DRUG ADDICT FINDS Her two sisters, Tammy and Delores, also have dreams. Tammy is convinced she deserves a bigger and better life. She has good looks and a singing voice to match, and isn’t afraid to use that to her advantage. FAITH IN CHRIST Q BACK-PAGE FUN Turn to page 3 WITH PERCY THE Q GAGA PERFUME Whitney PENGUIN IN PATCH’S Houston stars in ‘Sparkle’ TriStar Pictures MAKES SENSE PALS THIS WEEK’S QUOTES FROM THE PAPERS ALMIGHTY BRAWL ENDS CHRISTIAN FOOTBALL MATCH ATHEISTS WHO PRAY TO BE CONVERTED It is a league that prides itself on promoting peace You report… that 50 atheists have and understanding through football.
    [Show full text]
  • The Memory of Slavery in Liverpool in Public Discourse from the Nineteenth Century to the Present Day
    The Memory of Slavery in Liverpool in Public Discourse from the Nineteenth Century to the Present Day Jessica Moody PhD University of York Department of History April 2014 Abstract This thesis maps the public, collective memory of slavery in Liverpool from the beginning of the nineteenth century to the present day. Using a discourse-analytic approach, the study draws on a wide range of ‘source genres’ to interrogate processes of collective memory across written histories, guidebooks, commemorative occasions and anniversaries, newspapers, internet forums, black history organisations and events, tours, museums, galleries and the built environment. By drawing on a range of material across a longue durée, the study contributes to a more nuanced understanding of how this former ‘slaving capital of the world’ has remembered its exceptional involvement in transatlantic slavery across a two hundred year period. This thesis demonstrates how Liverpool’s memory of slavery has evolved through a chronological mapping (Chapter Two) which places memory in local, national and global context(s). The mapping of memory across source areas is reflected within the structure of the thesis, beginning with ‘Mapping the Discursive Terrain’ (Part One), which demonstrates the influence and intertextuality of identity narratives, anecdotes, metaphors and debates over time and genre; ‘Moments of Memory’ (Part Two), where public commemorative occasions, anniversaries and moments of ‘remembrance’ accentuate issues of ‘performing’ identity and the negotiation of a dissonant past; and ‘Sites of Memory’ (Part Three), where debate and discourse around particular places in Liverpool’s contested urban terrain have forged multiple lieux de memoire (sites of memory) through ‘myths’ of slave bodies and contestations over race and representation.
    [Show full text]
  • BB 1.Indd 1 10-05-2011 17:27:16          
    Price £1.25 www.britishbandsman.com Issue no. 5665 – 14 May 2011 A master at work and play! International trumpet star illuminates Manchester Spring Festival BB 1.indd 1 10-05-2011 17:27:16 ! ! ! " # $ % & BB 2-3.indd 2 10-05-2011 17:26:01 NEWS Wrexham Brass to appeal over ‘kangaroo court’ penalty Wrexham Brass (Glyndwr) and its conductor, was right and proper.’ the Welsh Regional Council cannot do the same. Wayne Ruston, are to lodge an appeal against In response to these penalties, the following Whilst we are an amateur movement, it does not the penalty imposed by the Welsh Regional statement was released by Wrexham Brass: call for it to be run in an amateurish way. Council (WRC) over an alleged incident ‘Wrexham Brass is extremely disappointed ‘Furthermore, Wrexham Brass was staggered at the conclusion of the Welsh Regional that the Welsh Regional Council has seen fit to find that Mr. Morris thought it appropriate Championships at the Brangwyn Hall in to exclude the band and its Musical Director to publish the news of our ban in the press Swansea on 19 March. from the Welsh Regional Contest for periods before having the common courtesy to notify British Bandsman understands that an approach of one year and two years respectively. The the band. The band did not receive official was made on stage by Wayne Ruston, shortly band and Mr. Ruston will vigorously pursue notification of our punishment until 21 April, after the announcement of results of the appeals against these sanctions. In order not to the day after the news was published by 1st Section contest in which Wrexham Brass prejudice the outcome of that appeal the band 4barsrest.
    [Show full text]
  • 5 Edition, 2018 Gavin Holman
    The Brass Band Bibliography 5th edition, 2018 Gavin Holman Contents Brass Bands in General ................................................................... 3 Specific Brass Bands .................................................................... 44 Biographical ..................................................................................70 Methods & Performance ............................................................... 81 Music – published and manuscript ............................................. 85 Pedagogy ...................................................................................... 94 Instrumentation & Scoring .......................................................... 96 Conducting .................................................................................... 97 Health & Physiology ..................................................................... 99 Brass Instruments in general ...................................................... 101 Cornets & Trumpets .................................................................... 112 Horns (tenor & alto) .....................................................................115 Baritones & Euphoniums ............................................................ 116 Trombones .................................................................................. 118 Tubas ........................................................................................... 121 Percussion ................................................................................... 123
    [Show full text]
  • April 2021 ISSN 1173 6089
    The Official Journal of the Brass Band Association of New Zealand Volume 67 | Issue 3 | April 2021 ISSN 1173 6089 New Zealand Mouthpiece is proudly sponsored by JP Musical Instruments | www.musicways.co.nz | 09 477 0384 | [email protected] Celebrating 90 years of our Association In 1931, the New Zealand Brass Band including the separate North Island and brass band movement. Under the leadership Association (now known as Brass Band South Island Brass Band Associations. of Mr Ernest Palliser, the association quickly Association of New Zealand) was formed, established itself as a highly effective “In 1929, the North Island Brass Band thus beginning our 90-year history. administrative body. Association staged its last contest, and You probably thought the Association is a year later, the two island associations The association staged its first national older than this, as we count our contest combined to run the 1930 contest in contest in Wellington in February 1932.” history back to garrison band contests from Dunedin. (Extract from Challenging Brass – 100 years 1880. With the emergence of municipal/ The formation of the New Zealand Brass of brass band contests in New Zealand 1880 community bands from 1890 onwards, the Band Association in 1931 heralded the – 1980 by S.P. Newcomb.) contest was organised by different groups, beginning of a new era in the history of the 1 2 Doing Things Differently Oral History Thank you, everyone, catch up with friends and colleagues and for your feedback on measure myself against our country’s Project last month’s column. best has motivated me to do whatever From Evan Sayer, BBANZ Life member.
    [Show full text]