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Recommended Reading

for Students of English Literature

(Version: January 1, 2018)

British and Postcolonial Literature ................................................................................... 1

1. 2. 3. 4. 5.
Old a nd Middle English Litera ture ....................................................................... 1 Novels a nd Short Stories........................................................................................ 1 Pla ys ......................................................................................................................... 4 Poetry....................................................................................................................... 6 Other Works............................................................................................................. 9

North American Literature ............................................................................................. 10

1. 2. 3. 4.
Novels a nd Short Stories...................................................................................... 10 Pla ys ....................................................................................................................... 12 Poetry..................................................................................................................... 13 Other Works........................................................................................................... 15
Anthologies...................................................................................................................... 16

Online Resources ............................................................................................................ 17

British and Postcolonial Literature

1. Old and Middle English Literature

Anonymous

B e owu l f T h e W a nde r e r T h e S e a f a r e r Sir G a wa i n a nd the G r e en K ni g ht Pi e r s Pl o wman

G eoffrey C hauc er Sir Thomas Malory

Ca n t e r b u r y T a l e s ( G e n e r a l P r o l o gue, 2 T a l e s )

B o ok of t he Duc h e s s T h e H o u s e o f F a me

Le Mo r te D' A r thur

2. Novels and Short Stories

Thomas More John Bunyan Daniel Defoe

Ut o p i a T h e Pil g r i m ’s   P r o g r e s s Rob i n s o n C r u s o e Mo l l Fl a n d e r s

Jona than Swift Oliver G oldsmith Samuel Ric hardson Henry Fielding

G u l li v e r ’ s T r a ve l s T h e V i c   a r of W a k e f i e l d P a me l a Jo s e ph A n d r e ws T o m Jones

Laurenc e Sterne Tobias Smollett Horac e Walpole Ann Radc liffe Jane Austen

Tristr a m S h a n d y Hum p h r e y C l i n k e r T h e C a s tle o f Ot r a nto T h e Myst e r i e s   of U d o l p ho Pri d e a n d Pr e j u d i c   e Emma N o r t h a nger Abbey

1

Walter Sc ott

W a ve r l e y T h e H e a r t o f M i d l o th i a n

Mary Shelley

Fr a nk e n st e i n

William G odwin C harles Dic kens

Ca l e b W illi a ms D a v i d C oppe r fi e l d Bl e ak H o u s e G r e at E x p ec t a t i o ns H a r d Ti m es

William Thac keray Emily Brontë

Van i ty F a i r Wuth e r i n g H e i g hts

C harlotte Brontë

Jane Ey r e V i ll e t te

Anthony Trollope G eorge Eliot

B a r c h e s t e r T o we r s Adam B e de T h e M i ll   o n t he Fl o s s M i d d l e ma r c h

Thomas Hardy

T h e R e t urn o f the Nat i v e T h e Mayor   of Ca s t e r b r i d ge T e s s o f the d ' Ur b e r v i ll e s Jude t he Ob s c   ure

G eorge Meredith Robert Louis Stevenson Osc ar Wilde

T h e Ego i st Dr J e k yll a nd   Mr H y d e T h e Pic   ture o f Do r i a n G r a y N e ws f r o m N o whe r e E r e whon

William Morris Samuel Butler H.G . Wells

T h e T i m e Mac   h i ne A Mode r n Ut o p i a

Rudyard Kipling

Kim

2

Joseph C onrad

H e a r t o f Da r kn e s s L o r d J i m

Short Stories: “Youth” and “The Shadow-Line”

Arnold Bennett John G alsworthy E. M. Foster

T h e O l d Wi v e s ’ T a l e T h e Man of P r o pe r ty A P a s s a ge t o In d i a

James Joyc e

Dub l i n e r s A P o r t r a i t o f the A r tist a s a Y oung Man Ul y ss e s

Ka therine Mansfield

T h e D a ughter   of the L a t e C o l o nel Bliss T h e G   a r d en P a r ty

Aldous Huxley Virginia Woolf G raham Greene G eorge Orwell

P o i nt C o u nt e r P o i nt Br a ve N e w W o r ld

M r s D a l l o way To t he Li g hthouse

T h e Power   and the G l o r y T h e H e a r t o f the Matt e r

Nin e t e en E i g hty - F o ur An i m al F a r m

Joyc e C ary

T h e H o r s e ’s   Mou t h

Evelyn Waugh William G olding

Bri d e s h e ad R e v i sit e d L o r d o f the F l i e s Pinc h e r Ma r tin

Samuel Bec kett Lawrenc e Durrell Kingsley Amis John Braine

Ma l o ne D i e s T h e A l e x a n d r ia Q ua r t e t Luc ky J i m Room at the T o p

3

Alan Sillitoe

S a t u r d ay N i g ht and S un d ay Mo r n i n g

Short Stories
Angus Wilson

T h e O l d M an at t he Z o o

Short Stories
Iris Murdoc h

Un d er t he   N e t Rob i n s o n

Muriel Spark Anthony Burgess

A C l o c k w o r k O r a nge E a r t h l y P o we r s

John Fowles Doris Lessing

T h e Fr e n c   h Li e u t e n ant’s Woman T h e Magus

Ma r tha Q ue s t T h e M e mo i rs   o f a S urviv o r Short Stories aus T h e G   r a s s is Sin g i n g

Margaret Drabble

T h e N e ed l e ’s   E ye

3. Plays

Anonymous

T h e S e c   o n d Sh e p h e r d ' s Pl a y Ev e r y man

C hristopher Marlowe William Shakespeare

Doc tor Faustus T h e Jew of Ma l ta

As You L ike It T w e l fth Ni g ht Mea s ure f o r   Mea s ure T h e M e r c   h ant of Ven i c e Ric h a r d   II Ric h a r d   III Mac be t h H a m l e t King L e ar Oth e l lo Anthony and C l e opa t ra T h e Wint e r 's   T a l e T h e T e mpe s t

4

Ben Jonson

Ev e r y M an i n h i s Hum o ur T h e A l c   h e m i st; V o l p one

William C ongreve R.B. Sheridan

L o ve for   Love T h e W a y of t he Wo r ld

T h e Sc   hool for Sc andal T h e Riv a l s

Oliver G oldsmith Osc ar Wilde

She St o ops   t o C o n quer T h e I m po r t a n c   e of B e i n g E a r n e s t S a l o mé

Bernard Shaw

M r s. W a r r e n 's Pr o f e s si o n Ca n d i d a Ma j o r B a r b a r a ; P y g ma l i o n S a i nt J oan

John M. Synge Sean O’C asey

T h e Pl a yboy of the We s t e r n W o r ld Juno and the Payc   oc k T h e Pl o ugh and the Sta r s

T. S. Eliot

Mu r d er i n the   C a t h e d r a l T h e C oc   k t a i l P a r ty

C hristopher Fry Samuel Bec kett John Osborne

V e n us Ob s e r v ed T h e L a d y 's   N o t for Bu r n i n g

W a i ting f o r G odot En d game

L o ok B a c k i n A nger T h e Ent e r t a i n e r Ma r tin Luth e r In a dm i ss a b l e E v i d e n c   e

John Arden Robert Bold

S e r g ea n t Musg r a ve ' s D a nc e A Man for A l l S e a s o ns

5

Arnold Wesker Harold Pinter Tom Stoppard

T h e Kitc   h e n Roots T h e O l d O nes

T h e C a r e t a k e r T h e H o mec   om i n g B e t r a yal

Ros e n c r a n tz a n d   G u i l d e n st e r n a r e D e ad Tr a ve s ti e s

David Storey

H o me

C hristopher Hampton Edward Bond

T a l e s f r o m H o l l y wood S a ved L e ar T h e S e a Summ e r

Peter Shaffner

E q u us Amadeus

Trevor G riffiths Brian Friel

Comed i a ns Tr a n s l a t i o ns T o p G   i rls

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    2/25/2021 Angry Young Men -- Britannica Online Encyclopedia Angry Young Men Angry Young Men, various British novelists and playwrights who emerged in the 1950s and expressed scorn and disaffection with the established sociopolitical order of their country. Their impatience and resentment were especially aroused by what they perceived as the hypocrisy and mediocrity of the upper and middle classes. The Angry Young Men were a new breed of intellectuals who were mostly of working class or of lower middle- class origin. Some had been educated at the postwar red- brick universities at the state’s expense, though a few were from Oxford. They shared an outspoken Saturday Night and Sunday irreverence for the British class system, its traditional Morning network of pedigreed families, and the elitist Oxford and Lobby card for Saturday Night and Sunday Morning (1960), starring Cambridge universities. They showed an equally Albert Finney. uninhibited disdain for the drabness of the postwar Woodfall Film Productions welfare state, and their writings frequently expressed raw anger and frustration as the postwar reforms failed to meet exalted aspirations for genuine change. The trend that was evident in John Wain’s novel Hurry on Down (1953) and in Lucky Jim (1954) by Kingsley Amis was crystallized in 1956 in the play Look Back in Anger, which became the representative work of the movement. When the Royal Court Theatre’s press agent described the play’s 26-year-old author John Osborne as an “angry young man,” the name was extended to all his contemporaries who expressed rage at the persistence of class distinctions, pride in their lower-class mannerisms, and dislike for anything highbrow or “phoney.” When Sir Laurence Olivier played the leading role in Osborne’s second play, The Entertainer (1957), the Angry Young Men were acknowledged as the dominant literary force of the decade.