GEORGE CONDO

Bibliographie / Bibliography

Bücher und Kataloge / Books and catalogs

2019 ‘George Condo. Life is worth Living‘, Almine Rech Editions

2018 ‘George Condo at Cycladic’, Museum of Cycladic Art, Athens

2016 Kittelmann, Udo / Rappe, Felicia: ‘Condo: Confrontation‘, Museum Berggruen, Nationalgalerie, Staatliche Museen zu Berlin, Berlin Kehlmann, Daniel: ‘Gesichter, Fratzen, Condo‘, Museum Berggruen, Nationalgalerie, Staatliche Museen zu Berlin, Berlin

2015 Baker, Simon: ‘George Condo: Painting Reconfigured’, : Thames and Hudson Ltd.

2014 ‘George Condo: Ink Drawings’, London: Skarstedt.

2013 ‘George Condo. Paintings Sculpture’, Berlin: Distanz Verlag.

2012 Rugoff, Ralph / Hollein, Max: ‘George Condo Mental States’, München: Prestel Verlag.

2011 Rugoff, Ralph: ‘George Condo: Mental States’, Manchester: Hayward Publishing.

2010 Troncy, Eric: ‘Cartoon Abstractions’, : Galerie Jerome de Noirmont. Berckemeyer, Olivia / Wurlitzer, Bernd: ‘Physical’, Berlin: Kunsthaller Autocenter.

2009 Lorguin, Olivier / Lorguin, Bertrand: ‘George Condo: La civilisation perdue, édition bilingue français-anglais’, Paris: Fondation Dina Vierny-Musée Maillol / Editions Gallimard. Kellein, Thomas: ‘George Condo’, Brussels: Xavier Hufkens. Haendel, Karl: ‘Beg borrow and steal’, Miami: Rubell Family Collection.

2008 ‘George Condo: Artificial Realism’, Moskow: Gary Tatintsian Gallery Inc.

2007 Caruso, Laura (ed.): ‘Radar: Selections from the Collection of Vicki and Kent Logan’, Denver: Denver Art Museum, pp. 76-79. ‘Create your own Museum: Highlights from a Private Collection’, Moscow: Gary Tantintsian Gallery Inc., pp. 38-43. ‘Impulse: Works on Paper from the Logan Collection’, Vail, Colorado: The Logan Collection, pp. 8-9, 22, 36, 38. Jacobs, Dan: ‘Negotiating Reality: Recent Works from the Logan Collection’, Denver: University of Denver, pp. 24-25, 68. Kirwin, Liza / Moore, Alan W. : ‘East Village USA’, of Contemporary Art, 8 November, p. 26. ‘Out of Shape: Stylistic Distortions of the Human Form in Art From the LOGAN COLLECTION’, Poughkeepsie: The Frances Lehman Loeb Art Center, Vassar College, pp. 19, 54. Willberg, Peter: ‘George Condo’, London: Simon Lee Gallery. ‘With the Artists, Meet the Artists’, New York, London: Deich Projects.

2006 ‘George Condo: Existential Portraits’, New York: Luhring, Augustine & Gottingen. ‘Infinite Painting: Contemporary Painting and Global Realism’, Codroipo: Villa Manin Centro d’Arte Contemporanea, pp. 54-55. ‘Over the Limit: Christopher Wool & George Condo’, Athens: Portalakis Collection. Richer, Francesca / Rosenzweig, Matthew: ‘No. 1: First Works by 362 Artists’, New York: Distributed Art Publishers. ‘Vous êtes ici (You are here)’, Auvergne: FRAC - Fonds Régional d’Art Contemporain d’Auvergne, pp. 86-89. ‘40 ans: Galerie Daniel Templon’, Paris: Communicart, pp. 359-360, 476.

2005 Binstock, Jonathan P. / Schmidt, Stacey: ‘Closer To Home. The 4th Corcoran Biennal’, Corcoran Gallery of Art, pp. 36-39, 86. Kellein, Thomas: ‘George Condo. One Hundred Woman’, Bielefeld: Kunsthalle Bielefeld. ‘Post Modern Portraiture from the Logan Collection’, Vail, Colorado: The Logan Collection, pp. 42-43, 92-93, 150-151.

2004 Cameron, Dan: ‘A New Modernism for a New Millennuim: Abstraction and Surrealism Are Reinvented in the Internet Age’, Vail, Colorado: The Logan Collection. Kirwin, Liza / Moore, Alan W.: ‘East Village USA’, New York: New Museum of Contemporary Art, pp. 26. Coetzee, Mark: ‘Not Afraid’, Miami: Rubell Family Collection, pp. 50-51. Fleissig, Peter: ‘George Condo. Memories of Manet and Velazquez’, Paris: Galerie Jerome de Noirmont.

‘Perspective@25. A Quarter Century of New Art in Houston’, Houston: Contemporary Arts Museum.

2003 Kellein, Thomas: ‘George Condo: Sculpture’, Zurich: Galerie Bruno Bischofberger. ‘Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art’, Houston: Contemporary Arts Museum.

2002 ‘Ahead of the 21st Century: The Pisces Collection’, Donaueschingen: Fürstenberg Sammlungen, pp. 43-53. Rugoff, Ralph: ‘The Imaginary Portraits of George Condo’, New York: The Broad Art Foundation.

2001 ‘Condo Televised Silkscreens’, New York: Sandra Gering Gallery. ‘George Condo. Physiognomical Abstraction’, Paris: Galerie Jerome De Noirmont. ‘Mythic Proportions. Painting in the 1980’s’, North Miami: Museum of Contemporary Art.

2000 Dickhoff, Wilfried: ‘After Nihilism: Essays on Contemporary Art’, Cambridge: Cambridge University Press. ‘00: Drawings 2000 at Gallery’, New York: Barbara Gladstone Gallery. ‘George Condo: Portraits Lost In Space’, New York: PaceWildenstein & Deitch Projects.

1998-97 ‘William Borroughs George Condo Collaborations 1988-1996’, New York: Pat Hearn Gallery.

1998 Fitzgerald, Michael: ‘George Condo: Collage Paintings’, New York: PaceWildenstein. Collings, Matthew: ‘It Hurts: New York Art from Warhol to Now’, New York: 21 Publishing Ltd., pp. 139-143. Ruiz-Picasso, Bernard: ‘Pages de Garde / End Papers’, New York: PaceWildenstein.

1997 Davvetas, Demosthenes / Masson, André: ‘Dialogues’, Zurich: Elisabeth Kaufmann. Ginsberg, Allen: ‘Selected Poems’, New York: HarperCollins.

1996 Le Thorei-Daviot, Pascale: ‘Petit dictionnaire des artistes contemporains’, Paris: Bordas. ‘Myths and Magical Fantasies’, Escondido, California: California Center for Museum.

1995 Kuspit, Donald: ‘George Condo: Paintings and Drawings’, New York: PaceWildenstein.

1994 Burroughs, William S.: ‘George Condo: Recent Paintings’, New York: The Pace Gallery.

1993 Wilson, Adolfo / Mondolfi, Namia: ‘Materia, Imagen y Concepto: Un Recorrido por el Arte Contemporáneo Internacional’, Caracas: Galería Namia Mondolfi.

1992 Bonet, Juan Manuel / Condo, George: ‘George Condo’, Barcelona: Galeria Salvador Riera. Condo, George: ‘La Línea Quebrada y Extractos de El Gran Jefe’, George Condo: Obra 1990- 1992, Madrid: Galeria Soledad Lorenzo. Dickhoff, Wilfried / Speck, Reiner: ‘Ars Pro Domo’, Cologne: Gesellschaft für Moderne Kunst am Museum Ludwig.

‘Le Portrait Dans L’Art Contemporain’, Nice: Musée d’Art Moderne et d’Art Contemporain. Rose, Bernice: ‘Allegories of Modernism: Contemporary Drawing’, New York: The .

1991 Burroughs, William S. / Condo, George: ‘Ghost of a Chance’, New York: Whitney Museum of American Art. Cervantes, Miguel / Merewether, Charles (u.a.): ‘Mito y Magia en América: Los Ochenta’, Monterrey: Museo de Arte Contemporaneo de Monterrey. Dickhoff, Wilfried: ‘In Ictu Oculi: The Post-Nondeconstructive Paintings of George Condo’, in: George Condo: ‘Recent Paintings’, New York: The Pace Gallery. Riley, Charles A.: ‘II. Sélection’, Pully, Lausanne: Musée d’Art Contemporain. Tsuzuki, Kyoichi: ‘Art Random: George Condo’, Kyoto: Kyoto Shoin International Co. Ltd.

1989 ‘1979-1989 American, Italian, Mexican Art From the Collection of Francesco Pellizzi’, Hofstra Museum, Hempstead: Hofstra University. ‘Bilderstreit’, Cologne: Museum Ludwig. ‘George Condo’, London: Waddington Galleries.

1988 Geldzahler, Henry: ‘On George Condo: Paintings and Drawings’, New York: The Pace Gallery. Honnef, Klaus: ‘Kunst der Gegenwart’, Cologne: Taschen. Weinberg, Adam: ‘Master Prints with American Artists’, New York: Whitney Museum of American Art at Equitable Center.

1987 Armstrong, Richard / Hanhardt, John (u.a.): ‘Biennial Exhibition’, New York: Whitney Museum of American Art. Dagley, Mark: ‘George Condo’, New York: Tony Shafrazi Gallery. Dickhoff, Wilfried: ‘Expanding Canvas or The Alter-Ego Strikes Back’, Zurich: Gallery Bruno Bischofberger. ‘George Condo: Paintings & Drawings 1985-1987’, Zurich: Edition Gallery Bruno Bischofberger.

‘George Condo: Gemälde/Paintings 1984-1987’, Munich: Kunstverein München.

1986 Dickhoff, Wilfried: ‘The Being of Nothingness - Notes on the existential abstraction in George Condo’s paintings’, New York: Barbara Gladstone Gallery. Dickhoff, Wilfried: ‘Primer Salòn Irrealiste’, Santa Cruz de Tenerife: Galeria Leyendecker. Dickhoff, Wilfried: ‘What It Is’, New York: Wilfried Dickhoff & Tony Shafrazi Gallery. ‘George Condo’, Tokyo: Akira Ikeda Gallery. Godfrey, Tony: ‘The New Image, Paintings in the 1980’s’, London: Phaidon Press. Saltz, Jerry: ‘Beyond Boundaries’, New York: HarperCollins. Thomas, Karin: ‘Bis Heute: Stilgeschichte Der Bildenden Kunst Im 20. Jahrhundert’, Cologne: DuMont Dokumente.

1985 Dickhoff, Wilfried: ‘Vor-Schein oder Aschenglanz’, in: Künstliche Paradise, Munich: Kunstverein München & Essen: Museum Folkwang. Dickhoff, Wilfried / Drechsler, Wolfgang: ‘Phase II. Steirischer Herbst ‘85’, Graz: Stadtmuseum Graz. Flood, Richard: ‘Das Veritgo Paradigma’, in: Künstliche Paradise, Munich: Kunstverein München, & Essen: Museum Folkwang.

1984 Dickhoff, Wilfried: ‘Nouveau Boheme – Le gout du neant in der Malerei des ausklingenden 20. Jahrhunderts’, Cologne: Galerie Sprüth. ‘Perspective 1984. Basel Art Fair’, Basel: Basel Art Fair.

Artikel und Rezensionen / Articles and reviews

2019 Buhr, Elke: ‘Mix Tape‘, Monopol, no. 07/08, July / August. Coleman, Sandy: ‘George Condo at Cycladic Museum of Cycladic Art’, Candide Magazine, Online, 11 December. Cowan, Katy: ‘George Condo's Cubism portrait paintings reveal multiple states of joy and horror,’ Creative Book, Online, 19 November. Florsheim, Lane: ‘Artist George Condo Maps His Return to Health in a New Show,’ The Wall Street Journal, Online, 26 November. ‘George Condo Presents Monumental New ‘Paintings & Works on Paper’ at Skarstedt, NYC,’ Juxtapoz, Online,11 November. Holmes, Helen: ‘For His First Public Sculpture, George Condo Matched His Concept With Its Grand Location,’ Observer, Online, 30 October. ‘New George Condo Sculpture Now on View At The Metropolitan Opera‘, Broadway World, Online, 29 October. Probic, Pac: ‘Everything That Could Go Wrong, Did Go Wrong‘: George Condo on His Most Personal Exhibition to Date‘, Artnet, Online, 3 December. Sheets, Hilarie M.: ‘A Cyborg? No, It's a George Condo Creation,’ The New York Times, Online, 29 October.

Snowden, Heather: ‘Take a Look Around George Condo´s Exhibition, ‘What´s the Point?‘, Highsnobiety, Online, 14 April. ‘The Distorted Portraits of George Condo,’ Sotheby´s, Online, 19 August. Riefe, Jordan: ‘George Condo Tells Art & Object What’s the Point?’, Art and Object, Online, 26 April. Riefe, Jordan: ‘George Condo Gets To The Point At His New Exhibition’, Los Angeles Weekly, Online, 17 April. Usakowska-Wolff, Urszula: Aus dem Diesseits ins Jenseits und zurück. Beyond im me Collectors Room, art in berlin, Online, 11 April.

2018 Cerini, Marianna: ‘Get To Know George Condo, The Artist Behind 's Risque Album Art,’ Hong Kong Tatler, 14 March. Condo, George: ‘George Condo on Picasso’s Woman in a Red Armchair 1932,’ Tate Etc, no. 42, Spring 2018, pp. 46-47. ‘‘Expanded Portrait Compositions‘ at Hong Kong Maritime Museum‘, Blouin Artinfo, Online, 22 March. Freeman, Nate: ‘‘What’s behind George Condo’s Journey from Warhol Assistant to Kanye Muse to Art Market Dominance,’ Artsy, Online, 30 May. Haramis, Nick: ‘Raf Simons and his friend, the artist George Condo, on Warhol and the rest of the world,’ Interview Magazine, Online, 11 September. Ting, Selina: ‘George Condo and Picasso: An Artistic Lineage‘, COBOSocial, Online, 20 March. ‘Turning Points. Artist´s Lens. 2018 as Seen by Five Artists‘, The New York Times, Online, 5 December.

2017 Botz, Anneli / de Pury, Simon: ‘Condo for Kanye – A Short History of Art & Music‘, The Art Gorgeous, Online, 20 December. Cattelan, Maurizio: ‘George Condo Interview by Maurizio Cattelan‘, Kaleidoscope, no. 29, Spring 2017, pp. 184 – 191. Halperin, Julia, ‘Can’t Wait for Michael Flynn’s Trial? Now George Condo Has Painted It in Advance,’ Artnet, 9 June. Herbert, Martin: ‘George Condo: Museum Berggruen,’ Artforum, April 2017, pp. 222-223. May, Dorian: ‘Portrait of an artist: George Condo‘, Vanity Fair On Art, November 2017, pp. 44- 45. Pissarro, Joachim, ‘Art in Conversation, George Condo with Joachim Pissarro’, The Brooklyn Rail, 1 November. Rosen, Missy: ‘An Engaging ‘Confrontation’ with American Artist George Condo,’ Crave, 21 January.

2016 Barrie, Lita: ‘George Condo´s Jazz Inspired Paintings at Sprüth Magers, Los Angeles’, Huffington Post, Online, 8 June. Bedard, Matthew: ‘George Condo,’ Flaunt, Online, 11 May 2016. ‘Figurative Painting’s Market Boom, in 5 Charts,’ Artsy, Online,14 March. ‘George Condo: The artist as collector’, The Art Newspaper, September 2016. Fronz, Hans-Dieter: ‘Picasso.mania’, Kunstforum International, issue 238, February-March, pp. 325-327.

Knight, Christopher, ‘Review: George Condo at Spruth Magers Gallery,’ Los Angeles Times, 3 May. Mason, Brook: ‘Helping Hand: Luxembourg & Dayan Explores the Role of the Artist’s Assistant,’ Wallpaper, Online, 29 February. Moss, Hilary: ‘A New Show That Puts George Condo Next to Picasso’, The New York Times Style Magazine, 18 November. Müller, Hans-Joachim: ‘Wer ist denn hier bitteschön gestört?’, Welt, Online,14 December. Riefe, Jordan: ‘George Condo goes from Kanye West’s dark fantasy to painting his own demons,’ The Guardian, Online, 20 April. Sagansky, Gillian: ‘George Condo Recalls His First (and Last) Real Job,’ W Magazine, Online, 27 February. Sbow, Philippa: ‘George Condo, Modern Art´s Wild Man of Borneo “Just Loves to Paint“ – And [Doen´t] Have Much Else to Do“‘, Modern Matter, no 10, Summer 2016, pp. 92-97. ‘Tate Modern Opens’, Art Review, Summer 2016, pp. 14-15. Williams, Maxwell: ‘Lady Gaga, Jessica Chastain and Leonardo DiCaprio Fete Artist George Condo,’, Hollywood Reporter, Online, 28 April. Zucker, Robin, ‘An Artist and a Poet Contemplate Race,’ The New York Times, Online, 4 February.

2015 Condo, George: ‘mister nicotine: The George Condo Purple Books’, Purple , Vol. III, Issue 23, Spring-Summer, Supplement, pp. 1-68. Diner, Eli: ‘No Problem: Cologne/New York 1984-89’, Flash Art, Vol. 48, No. 302, May-June 2015, pp. 63-64. Herzog, Samuel: ‘Das Gehirn des Webers’, Neue Zuericher Zeitung, Online, 24 September. Kinsella, Eileen: ‘Day Two Art Basel Sales Report: Buyers Keep Flocking to Gallery Booths’, Kinstenmacher, Holger: ‘Zukunft braucht Herkunft – Picasso in der Kunst der Gegenwart’, Unser Lübeck, Online, 9 April. Lee, Hee Hong: ‘’s New Director Adds Trustees’, Artforum, Online, 20 March. Merli, Nina: ‘Die Welt der Art Basel: Die Kunst, Kunst zu kaufen’, Blick am Abend, Online, 18 June. Nathan, Emily: ‘artnet Asks: George Condo Sees Faces and Screaming Heads Everywhere’, Artnet News, Online, 14 October. Schwerfel, Heinz Peter: ‘Die Zukunft der Vergangenheit’, art Das Kunstmagazin, Online, 11 September. Sennewald, J. Emil: ‘Biennale de Lyon – Eine zu angenehm ironische Endmoderne’, Kunst Bulletin, no 11, November, pp. 94-95. Skupin, Bernd: ‘Diese Arbeiten sind so etwas wie ein visuelles Gespraech’, Vogue Special, Art & Travel, no 12, December, pp. 56, 70-71. Tinari, Philip: ‘Gwangju Biennale and Taipai Biennial’, Artforum, Vol. 53, No. 5, January, pp. 207- 208. Tully, Judd: ‘Art Basel’s VIP Opening Kicks Things Off With a Flurry of Sales’, Blouin Artinfo, Online, 16 June. Wullschlager, Jackie: ‘Mad about Picasso’, Financial Times, Online, 30 October. Zahm, Oliver: ‘Interview: George Condo’, Purple Fashion, Vol. III, Issue 23, Spring-Summer, pp. 364-371. ‘George Condo’s ‘Works on Paper’’, Wertical, Online, 9 June.

2014 Biedrzycki, Paul: ‘Twist of Fate’, Du Jour, Winter. Binlot, Ann: ‘George Condo Creates Portraits in Action’, The New York Times Style Magazine, 7 November. Buck, Louisa: ‘George Condo’s dark headspace’, The Telegraph, Online, 21 February. Conway, Megan: ‘Artist George Condo’s Instrument Collection’, The Wall Street Journal, Online, 23 January. Gnyp, Marta: ‘Warum Sammler lieber neue als alte Kunst kaufen’, Die Welt, Online, 3 July. Guiducci, Mark: ‘See 4 New George Condo Paintings Before They Debut This Weekend’, Vogue, Online, 5 November. Kinberger, Charlotte: ‘George Condo Transforms His Style’, Whitewall, 13 November. Lane, Mary M.: ‘George Condo’s Illness Spurs a New Vision’, Wall Street Journal, Online, 6 February. Lasane, Andrew: ‘George Condo to Open an Exhibition of New Paintings at Simon Lee Gallery’, Complex, Online, 14 January. Reitz, Chris: ‘Aftermarket’, Texte zur Kunst, Vol. 24, Issue 95, September, pp. 190-196. Smith, Tong-Jin: ‘Mein visueller Werkzeugkasten’, Welt am Sonntag, No. 46, 16 November, pp. 85, 87. Solway, Diane: ‘George Condo’s Altered States’, W Magazine, Online, 13 February. Tayler, Jeremiah: ‘George Condo’s Ink Drawings’, Rooms Magazines, Online, 11 February. Westall, Mark: ‘George Condo NEW Paintings at Simon Lee Gallery, Private View Tuesday 11th February 2014’, FAD, Online, 6 January. Binlot, Ann: ‘George Condo Creates Portraits in Action’, T Magazine Blog, Online, 7 November. Jeffries, Stuart: ‘George Condo: ‘I was delirious. Nearly died’’, The Guardian, Online, 10 February.

2013 Ackermann, Tim: ‘Titian’s Dig and Me’, Welt am Sonntag, Online, 21 April. Baker, Simon: ‘Condo’, Interview, June, pp. 52-61. Belcove, Julie: ‘Where Old Masters and Looney Tunes collide’, The Financial Times, 22 April, p. 15. ‘Schirn, Städel und Liebieghaus: Frankfurt bricht 2012 alle Rekorde’, Blouin Artinfo, Online, 9 Januar. Hirsch, Annabelle: ‘Vielfalt ist Triumph’, Weltkunst, no 72, vol 83, Spring, pp. 98-101. Meixner, Christiane: ‘Lad’ mich ein’, Der Tagesspiegel, Online, 20 April. Russeth, Andrew: ‘For the Birds: Next High Line Show, ‘Busted’, Examines Official Public Sculpture’, GalleristNY, Online, 19 March. Meinecke, Anna: ‘Der wöchentliche Gallerytalk-Kunstgriff (23.4.-29.4.2013)’, Gallerytalk.net, Online, 23 April. Solway, Diane: ‘She’s Every Woman’, W Magazine, Online, January. Vogel, Carol: ‘George Condo, On View In and Outside the Metropolitan Opera House’, The New York Times, Arts Beat, Online, 25 January. Kaczor, Eva: ‘Sprüth Magers Berlin: Drei große Künstler’, Artberlin, Online, 26 April. Pasori, Sazan: ‘George Condo Releases Homage Series to Artists of the Past at Sprüth Magers Berlin’, Complex, Online, 25 May.

2012 Danicke, Sandra: ‘Symphatie für das Merkwürdige’, Art, no. 3, p. 103. Aliyeva, Leyla: ‘Heart of the Artist’, Baku, Summer, pp. 54-S3. Gropp, Rose-Maria: ‘Von Wahn und Sinn’, FAZ, no. 64, 15 March, p. 29. Crüwell, Konstanze: ‘Harmonie widerstreitender Kräfte’, FAZ, no. 45, 22 February, p. 40. Kimmel, Adam: ‘Condo’, Interview, February, pp. 134-139. Huther, Christian: ‘George Condo’, Kunstforum International, issue 215, April-June, pp. 312-313. ‘Alte Meister, von neuen geliebt’, Monopol, no. 4, p. 30. Stahl, Antje: ‘Fratzen mit Mausohren, Fürsten als Clowns: George Condo in Frankfurt’, Monopol, no. 3, p. 111. Weier, Sabine: ‘Fruchtbare Begegnungen – George Condo und die Literatur’, Schirn Magazin, 10 April. Cichosch, Katharina: ‘Eine schrecklich nette Familie’, Schirn Magazin, 16 May. Stalla, Mario: ‘Das Erbe des Pop’, TAZ, 9 May, p. 16. Müller, Hans-Joachim: ‘Mit den Clowns kamen die Bilder’, Welt am Sonntag, Kultur, 26 February, p. 52.

2011 Plagens, Peter: ‘Eye Level: Condo Elevates by New Museum’, Art in America, no. 4, April, pp. 35- 36. Rimanelli, David: ‘George Condo’, Artforum, April, p. 211. Wei, Lilly: ‘George Condo’, Art News, April, p. 108. Cotter, Holland: ‘A Mind Where Picasso Meets Looney Tunes’, The New York Times, 27 January. Gamerman, Ellen: ‘George Condo Visits the Old Masters’, The Wall Street Journal, 29-30 January, p. C14.

2010 Ackermann, Tim: ‘Herr der glotzenden Fratzen’, Welt am Sonntag, no. 5, 31 January, p. 68. Hinrichsen, Jens: ‘Mächtige Mädchen’, Der Tagesspiegel, 13 March, p. 18. Hurwitz, Laurie: ‘George Condo. Jérome de Noirmont’, ARTnews, June, p. 117. Jeppesen, Travis: ‘George Condo. Sprüth Magers Berlin’, Artforum Online, 16 February, Kuspit, Donald: ‘George Condo. Skarstedt Gallery’, Artforum, issue XLVIII, no. 9, May, pp. 252- 253. Sack, Adriano: ‘Freakshow: Der US-Designer Adam Kimmel kollaboriert mit George Condo’, Monopol, no. 3, March, pp. 16-17. Shackleton, Holly: ‘George Condo is an artist's artist’, i-D, April, p. 230.

2009 Casadio, Mariuccia: ‘Retrieve’, Vogue Italia, no. 711, November. Gioni, Massimiliano: ‘George Condo’, Flash Art, issue 278, October-November, pp. 56-59. Lewis, Ben: ‘Können vor Lachen’, Monopol, February, pp. 30-42.

2008 Rosenberg, Karen: ‘Art in Review: George Condo’, The New York Times, 21 March, p. E29. Bryant, Eric: ‘George Condo’, ARTnews, May, p. 147.

‘George Condo’, Art + Auction, April, p. 23. ‘George Condo, Tatintsian Gallery’, Art Observed, 16 June, Condo, George / Falconer, Melissa: ‘George Condo’, Art World, June - July, pp. 62-67. Wasserman, Judy R.: ‘George Condo’s Christ the Subjective Nature of Objective Representation’, ungravenimage.com, 6 March, ‘George Condo’, The New Yorker, 24 March, p. 14. Holzwarth, Hans Werner: ‘George Condo’, in: Art Now, issue 3, pp. 96-99. Olsen, Mary K. / Olsen, Ashley: ‘Influence. Mary-Kate Olsen and Ashley Olsen’, Razorbill, pp. 50-59, 260. Leffingwell, Edward: ‘George Condo at Nicholas Robinson’, Art in America, June-July. Mueller, S.: ‘George Condo at Luhring Augustine’, Art in America, June-July. Mack, Joshua: ‘George Condo. Christ: The Subjective Nature of Objective Representation’, Time Out, New York, issue 651, 20-27 March, p. 103. Mairs, Gary: ‘Condo Painting (2000)’, culturevulture.net, 14 Oktober, McCormick, Carlo: ‘George Condo, Memory is the Medium’, Whitewall, issue 10, Summer, pp. 14,128-139. ‘Seeing Warhol: 14 Artists Reflect His Vision, and Dozens of Friends Remember Him’, Interview Magazine, June-July, p. 111. Toacmoga, Anna: ‘High Life’, Vogue Russia, May, p. 126. Zeitz, Lisa: ‘Ballsaal für Sprüth Magers’, Frankfurter Allgemeine Zeitung, no. 262, 8 November, p. 52.

2007 Bevan, Roger: ‘Contemporary: Sales treble in two years’, The Art Newspaper, March, p. 51. Buck, Louisa: ‘Protest is so this year, darling’, The Art Newspaper, no. 177, February, p. 35. Buck, Louisa: ‘I like art that takes risks’, The Art Newspaper, no. 177, February, p. 36. Cattelan, Maurizio: ‘Interview with George Condo: Painting is the Big Casino in the Sky’, Whitewall, issue 7, Fall, p. 42. Fels, Sophie: ‘Meet the Artists’, Time Out, New York, issue 603, 19 - 25 April, p. 72. G. A.: ‘Britisth peer buys Condo’s controversial Queens’, The Art Newspaper, no. 177, February, p. 45. Gleadell, Colin: ‘Breaking Records’, Art Monthly, no. 305, April, p. 35. Gleadell, Colin: ‘Roller Coaster Ride’, Art Monthly, no. 303, February, p. 39. Herbert, Martin: ‘George Condo: Simon Lee, London’, Art Review, issue 10, April, pp. 136-137. Higgie, Jennifer: ‘Time’s Fool’, Frieze, issue 107, May, pp. Cover, 110-117. Lind, Alexander: ‘New Luxury Condos’, Art and Auction, May, p. 203. Plagens, Peter: ‘Fake Tiepolos and the Cabbage Patch Queen’, Art News, volume 106, issue 7, Summer, pp. 182-185. Sanders, Mark: ‘Team Art’, AnOtherMan, issue 5, Autumn/Winter, pp. 94-95. Schwender, Martha: ‘A Fair’s Strategy: Solo Artists, Themes and Specters of Blockbusters’, The New York Times, 23 February, p. E40. Ward, Ossian: ‘Curious George’, Time Out London, no. 1903, p. 40. Wintour, Anna (ed): ‘Power Flowers’, Vogue USA, June, p. 210. Wintour, Anna (ed): ‘Masterpiece Theater’, Vogue USA, December, pp. 362-379.

2006

‘Her Royal Majesty’, Art, no. 12, December, p. 123. Brooks, Richard: ‘Nightmare of the Cabbage Patch Queen’, The Sunday Times, 22 October, p. 3. Chang, Richard: ‘George Condo & Nigel Cooke at Blum & Poe’, ARTnews, vol. 105, no. 5, May, pp. 176-177. Cohen, David: ‘Latter-Day Surrealists on the Comeback Trail’, The New York Sun, Arts & Letters, p. 15. ‘Conference Highlights’, The Record, in the of New York, vol. 31, no. 12, 12 April, p. 7. Gordon, A.L.: ‘Collector’s Night In’, The New York Sun, 11 April, pp. 13-18. Hope, Bradley: ‘It’s My First Opera. I’m Going To Stay for the Whole Thing’, The New York Sun, 26 September, pp. 1, 4, 14, 17. ‘Images of Heroines’, The New York Times, 15 August, p. E1. Kalm, James: ‘George Condo’, The Brooklyn Rail, June, Kazanjian, Dodie: ‘Paging Picasso: Pablo on my mind’, Vogue USA, September, pp. 673-674. Mueller, Stephen: ‘Funny, Elegant, and Frightening’, Gay City News, 1-7 June, p. 22. Tomkins, Calvin: ‘Studio Visit. The Queen, Continued’, The New Yorker, 23 October, p. 35. Vogel, Carol: ‘Where Bel Canto Meets Paintbrush’, The New York Times, 16 August, Wright, Karen: ‘Kerouac & Me’, Modern Painters, April, pp. 72-79.

2005 Atwood, Roger: ‘The 48th Corcoran Biennial’, ARTnews, volume 104. Bellini, Andrea: ‘The East Village Revisited’, Flash Art, March - April, pp. 60-63. ‘George Condo’, Modern Painters, October, pp. 100-103. ‘Grazie mit Wurstfingern’, Der Spiegel, 20 June, p. 137. Koeppel, Fredric: ‘Brush in a Rush’, The Commercial Appeal, 20 March, p. A18. O’Sullivan, Michael: ‘The Corcoran in Earnest’, The Washington Post Weekend, 25 March, p. 47. Posca, Claudia: ‘Gorge Condo – One Hundred Woman Retrospektive’, Kunstforum, issue 177, September - October, pp. 362-364. Smith, Roberta: ‘George Condo’, The New York Times, Friday, 27 May, p. E34. Stoeber, Michael: ‘Über George Condo’, artist, no. 64, 3, pp. 32-37.

2004 Hrbacek, Mary: ‘George Condo, Biggs Robinson’, The New York Art World, November, p. 12. Johnson: ‘George Condo, Paintings From the Eighties’, The New York Times, 5 November. The Oxford American, issue 52, Winter, p. 93. ‘Religious Paintings: George Condo’, absolutearts.com, October. Sanders, Mark: ‘George Condo. The Condo Effect’, Another Magazine, Autumn/Winter, pp. 410-423. Smith, Roberta: ‘Looking Back At the Flurry On the Far Side’, The New York Times, Weekend, pp. E35- E36. Skupin, Bernd: ‘Mein Bild von Ihr’, German Vogue, October, pp. 514-527.

2003 Chambers, Christopher: ‘January Picks’, New York Arts International Edition, January, p. 57.

Colpitt, Francis: ‘Learning From Comics’, Art in America, October, pp. 64-67. Hopkins, Randi: ‘Artists & Antipodes’, The Phoenix, 3 October, p. 3. Huff, T. J.: ‘George Condo at the Carpenter Center for the Visual Arts’, arteditor.com, 24 October. Enright, Robert: ‘The Undiscovered Familiar: The Art of George Condo’, Bordercrossings, vol. 22, issue 86, pp. 18-34. Lebowitz, Cathy interviewing Josefina Ayerza: ‘George Condo’, Lacanian Ink, vol. 21, pp. 106-109. Wilder, Matthew: ‘George Condo and Nigel Cooke’, Artforum Online, 23 October, . Yablonsky, Linda: ‘George Condo’, Art & Auction, September, pp. 22-26.

2002 Cotter, Holland: ‘George Condo’, The New York Times, 29 November, p. E36. Kino, Carol: ‘Back on the Radar’, Art & Auction, December, p. 141. ‘Review of reviews: Art, Where to Buy... A Selected Exhibition In a Private Gallery’, The Week, 20 December, p. 27.

2001 ‘A Few Galleries Slated for Art Basel/Miami Beach’, Fine Magazine, issue 1, pp. 116-117. ‘George Condo: The Art of the Deal. In the Renaissance, new money bought lasting beauty’, The New York Times Magazine, 19 September, pp. 84-85. Glaser, Sheila F.: ‘The Arts’, Madison, November - December, pp. 110-115. Johnson, Ken: ‘George Condo at PaceWildenstein’, The New York Times, 31 December, p. B42. Kotur, Alexandra: ‘Art Up and Down’, Vogue, March, p. 161. Nassau, Lawrence: ‘Televised Silkscreens’, The New York Times, January, p. 70.

2000 Bensinger, Ken: ‘Artifact... Painter George Condo’, The Wall Street Journal, 10 March, p. W16. Chang, Chris: ‘Condo Painting’, Frieze, issue 52, May, p. 116. Campbell, Bob: ‘Portrait of an Artist Yields Dreary Canvas’, Newhouse Newspapers, 4 March. Dannat: ‘NY artist Q & A: George Condo’, The Art Newspaper (London), January, pp. 73-74. Fine, Marshall: ‘Condo Painting’ A Portrait In Incomprehensibility’, The Journal News, 4 March. Frimbois, Aurore: ‘Imaginer, Coller!’, Art Actuel (Paris), January/February. ‘Studios By the Sea’, Vanity Fair, August, pp. 138-154.

1999 Anton, Saul: ‘All That Jazz’, Time Out New York, 16-30 December, p. 120. ‘Arts & Leisure Guide: George Condo’, The New York Times, 28 November, p. 47. Shavers, Rone: ‘Condo Painting’, Bomb, Winter, p. 19. Johnston, Andrew: ‘Condo Painting’, Time Out New York, 9-16 March, p. 85. Kelly, Brett: ‘Running Time: The Unbearable Lightness of Painting’, New York Magazine, 13 March, p. 103. Kino, Carol: ‘George Condo at PaceWildenstein and Deitch Projects’, Art In America, April, pp. 154 -155. Knight, Christopher: ‘Paintings Take a Serious Look at Cartoonish Human Nature’, latimes.com, 15 December, .

Scott, A. O.: ‘Film Review: Letting an Artist Explain, Whether It Helps or Not’, The New York Times, 10 March. Seymour, Gene: ‘Realism, as the Painter Sees It’, Newsday, 10 March, pp. B7, B11. Stahl, Enno: ‘Reflex auf Pop-Kultur. George Condo versteht sich aufs Zitieren’, Kölner Stadtanzeiger, 15-16 May, p. 39. Winter, Jessica: ‘Flaming Creatures: Kitsch or Kill’, Village Voice, 14 March, p. 130.

1998 ‘Die Fratzen sind kaum auszuhalten’, Kölner Stadtanzeiger, 13 January. Dietsch, Scott: ‘Familiar Faces from TV at Sandra Gering Gallery’, The Villager, 9 December. Griffin, Tim: ‘George Condo and William Burroughs: Collaborative Works, 1988-1996’, Time Out New York, 8-15 January, p. 51. Levin, Kim: ‘George Condo’, The Village Voice, 11-17 February, p. 74. MacAdam, Barbara: ‘William Burroughs and George Condo’, ARTnews, April, p. 180. ‘Mondo Condo’, TimeOut, 29 January-5 February, p. 48. Pedersen, Victoria: ‘Foreign Body’s’, Gallery Go Round, Paper Magazine, February, p. 104. Pinchbeck, Daniel: ‘Our Choice of New York Contemporary Galleries’, The Art Newspaper (London), December. Schjeldahl, Peter: ‘Dumb and Smarter’, The Village Voice, 24 February, p. 143. ‘Talent Condo’, New York Magazine, 16 February, p. 70. Tomkins, Calvin: ‘High Styles’, The New Yorker, 9 February, p. 64. Smith, Roberta: ‘George Condo’, The New York Times, 13 February, p. E39. Sparrow: ‘Condo’s Abstract Cartoons’, New Rennaisance, vol. 8, no. 2, Winter, p. 31. ‘Why Monaco’s Caroline Likes NYC ‘Condo’, Daily News, 20 May, p. 39.

1997 Johnson, Ken: ‘George Condo and William Burroughs: Collaborations 1988 -1996’, The New York Times, 19 December, p. E40. Lemon, Brendan: ‘By George, He’s Got It’, Interview Magazine, December, p. 36. Martin, Schaub: ‘’s Letzte Worte’, Tagesanzeiger, 19 September. Pederson, Victoria: ‘Gallery Go ‘Round’, Paper Magazine, 19 December, p. 132. Steuer, Joseph: ‘October Shows Off its Condo’, The Hollywood Reporter, 13 May, p. 8.

1996 Chateau, Dominique: ‘Kant Goes Condo: A Short Critique of Pure Aesthetics’, artpress (Paris), May, pp. 42-45. D’Annunzio, Grazia: ‘George Condo’, L’Uomo Vogue (Italy), July-August, pp. 396-403. Griffin, Tim: ‘George Condo and Peter Hartman, Screaming Heads, Grating Bodies’, Time Out New York, 1-8 May, p. 23.

1995 Brown, Glenn: ‘A Brush With Genius: 20, Glenn Brown on George Condo’s Clownmaker’, The Guardian, 16 November, p. 9. Cheung, XiangXiang: ‘Galleries Test Taiwan Art Fair’, ARTnewsletter, 12 December, pp. 4-5. Codrington, Andrea: ‘George Condo at Bischofberger’, Art & Auction, March, p. 64.

‘Goings on About Town: Art, Galleries Uptown’, The New Yorker, 18 September, p. 27. Goodwin, Betty: ‘Gallery Party Leaves ‘Em Out on the Streets’, Los Angeles Times, 2 October. Karmel, Pepe: ‘Art in Review’, The New York Times, 6 October, p. C32. Newhall, Edith: ‘Preview: Art, Galleries’, New York Magazine, 11 September, p. 60.

1994 Ashenburg, Katherine: ‘Having Your Fill of New York’s Art’, The New York Times, 12 June, pp. 14, 35. Condo, George: ‘Harvest, from 'Young at Art: Miro at 100’’, Artforum, January, p. 81. Cotter, Holland: ‘George Condo at Bruno Bischofberger’, Art in America, February, p. 111. Jones, K. Marriott: ‘George Condo/Pace Gallery’, Artforum, November, p. 85. Levin, Kim: ‘Voice Choices: Art’, The Village Voice, 7 June, p. 71. Picasso, Sydney: ‘Condo sur tous les tableaux’, Vogue, February, pp. 56-57. Saltz, Jerry: ‘A Year in the Life: Tropic of Painting’, Art in America, October, pp. 90-101.

1993 Condo, George / Burroughs, William: ‘Interaction Between Artists and Writers’, Art Journal, issue 52, no. 4, Winter, p. 78. Killer, Peter: ‘Bruder im Geis’, Tages Anzeiger, Zritip, September, p. 34. Kurjakovic, Daniel: ‘George Condo - Bruno Bischofberger’, Flash Art, November - December, p. 120. Ricard, Rene: ‘Retro Activist’, Vogue, May, p. 140. Smith, Roberta: ‘Classics From the Whitney Permanent Collection’, The New York Times, 19 November. Textor, Ingrid: ‘George Condo’, Voir, November - January, p. 40. Schwartzman, Allen: ‘Can I Interest You In a Schnabel, Mr. Oritz?’, The New York Times Magazine, 3 October, pp. 31-50.

1992 Bonet, Juan Manuel: ‘George Condo y el desasosiego’, ABC de las Artes (Madrid), 20 March. Bonney, Anney: ‘George Condo’, Bomb Magazine, Summer, pp. 34-39. Clements, Marcelle: ‘SoHo on the Seine’, Esquire, October. Danvilla, Jose Ramun: ‘Im·genes e ideas confrontadas’, Guia del Ocio (Madrid), no. 849, March. Danvilla, Jose Ramun: ‘George Condo, la memoria compartida’, El Punto de las Artes (Madrid), 13-19 March. Fernandez-Cid, Miguel: ‘Un di·logo dr·stico’, Diario 16 (Guia de Madrid), no. 208, 3 - 9 April. Kalina, Richard: ‘George Condo at Pace’, Art in America, February, p. 113. Karcher, Eva: ‘Amüsiertes Genie’, Pan, March, pp. 61-66. Kimmelman, Michael: ‘Just What Is a Drawing? Definitions, Definitions’, The New York Times, 21 February, p. C29. Larson, Kay: ‘Drawing Conclusions’, New York Magazine, 2 March, pp. 60-61. Luna, Concha: ‘En El Punto de la Noticia’, El Punto de las Artes, 20-26 March. Perl, Jed: ‘Breakthrough, idyll, icon, allegory’, The New Criterion, May, pp. 48-53. Schjeldahl, Peter: ‘Drawing Blood’, The Village Voice, 3 March, p. 85. Serraller, F. Calvo: ‘M·s all·de la apropriacion y el eclecticismo’, El Pais (Madrid), 16 March. Tully, Judd: ‘Where’s Baghoomian’, Art & Auction, May, pp. 22-24.

Zaya, Octavio: ‘En mi pintura, la simultaneidad y el ritmo juegan un papel especial’, Diario 16 (Madrid), 14 March.

1991 Bouzerand, Jacques: ‘Arts: Special New York’, Le Point, 13 May. Cameron, Dan: ‘Good-bye to All That?’, Art & Auction, January. ‘Goings On About Town: Galleries’, The New Yorker, 27 May, pp. 14-15. Jones, Bill: ‘American Artists of the ’80s’, Tema Celeste, January - February, p. 84. Kuspit, Donald: ‘Tart Wit, Wise Humor’, Artforum, January, pp. 93-101. Leimbach, Dulcie: ‘Currents: A Coloring Book Fit for an Artist’, The New York Times, 21 November. Levin, Kim: ‘Choices: Art’, The Village Voice, 21 May, p. 110. Michard-Pellissier, Florence: ‘Condo entre deux escales’, Vogue (France), October, p. 71. Pedersen, Victoria: ‘Reviews: George Condo’, Flash Art, October, p. 138. Pergament, Annika: ‘Student art collector presents his collection at DUMA’, Chronicle (Union College), 1 March. Picasso, Sydney: ‘Contemporaine’, April. Picasso, Sydney: ‘Derriere la toile, la musique...’, Art, April, p. 238. Rimanelli, David: ‘George Condo’, Artforum, September.

1990 ‘Expos: Portrait Of An American Gallery’, Kiosque, June. ‘Goings On About Town’, The New Yorker, 20 August. Bataillon, Francoise: ‘George Condo: Purger la peinture’, Beaux Arts, May. Dagen, Philippe: ‘Peinture de memoire’, Le Monde, 6-7 May, p. 11. Godard, Agathe: ‘Alain Senderens cuisine en Technicolor pour George Condo’, Paris-Match, 24 May. Goy, Bernard: ‘George Condo’, Journal of Contemporary Art, May. Hahn, Otto: ‘Les stimuli du simili’, Paris L’Express, 18-24 May, pp. 67-68. Kolokithas, Dawn: ‘Artists for the 90’s’, Paris Passion, May, p. 19-21. Legros, Herve: ‘La Peinture Recitee’, Panorama du Medecin, 22 May. Lloyd, Jill: ‘Power and the Cult of Fragments’, Art International, Autumn, pp. 72-74. Moody, Tom: ‘Putting Ideas on Display’, The Dallas Morning News, 25 October. Pradel, Jean-Louis: ‘George Condo: Scattered Bum Heads’, L’evenement du Jeudi, 17-23 May, p. 138. Schels, Evelyn: ‘Der Impulsive George Condo’, Elle (Germany), June. Ratcliff, Carter: ‘The Shock of Condo’, Elle Magazine, November, pp. 200-206. Raynor, Vivien: ‘George Condo’, The New York Times, 11 April. Spazio Uomo, no. 4, October-December, pp. 64-85.

1989 Zaya: ‘George Condo y Milan Kunc’, Diario (Madrid), June, p. 4.

1988 Beyer, Lucie: ‘George Condo. Monika Sprüth, Cologne’, Flash Art, no. 40, May-June, p. 111.

‘George Condo. Painter’, VES Faculty Courses, Department of Visual and Environmental Studies, , p. 12. La Placa, Joe: ‘Top Man. Simon Lee Has Got It All: A Stunning New Gallery, Powerful Partners and Artists To Die For. And He’s Only Just Getting Started’, Artreview, International Edition, pp. 70-71. Levin, Kim: ‘Who is it?’, The Village Voice, 5 April. Malsch, Friedemann: ‘George Condo: ... sein eigenes Ding durchziehen. Ein Gespräch mit Friedemann Malsch’, Kunstforum, issue 95, June-July, pp. 190-197. Smith, Roberta: ‘Condo creates a Future With Layers of Nostalgia’, The New York Times, 25 March.

1985 Becker, Robert: ‘George Condo and David Bowes’, Interview Magazine, May. Beyer, Lucie: ‘We Light the Candle in the Cave’, Flash Art, Summer. Beyer, Lucie: ‘George Condo. Nous allumons une bougie dans une caverne, Poeme ecrit par un Americain (...)’, Flash Art (French edition), no. 9, Fall, pp. 20-21. Collings, Mathew: ‘Nothing is Important’, Artscribe, no. 55, December 1984-January 1985. Dickhoff, Wilfried: ‘Review. Wolkenkratzer’, Domus, no. 6, October. Evans-Clark, Phillip: ‘George Condo’, Art Press, February. Evans-Clark, Phillip: ‘Neo-Surrealism, or the Archetype of the Artist as an Ostrich’, Arts Magazine, December, vol. 60, no. 4, pp. 26-31. Indiana, Gary: ‘George Condo at Barbara Gladstone and Pat Hearn’, Art in America, May, p. 175. ‘La Casa di Maria’, Domus, December. Mouffarage, Nicolas: ‘George Condo’, Flash Art, March. Nemeczek, Alfred: ‘Neue Aktualitat des Portraits’, Art, no. 1, January. Pincus-Witten, Robert: ‘Entries: Analytical Pubism’, Arts Magazine. Pohlen, Annelie: ‘Nouveau Boheme’, Kunstforum, no. 186, January-February. ‘Portfolio ‘Heads’, Paris Review, no. 98, Winter. Trebay, Guy: ‘An Opinionated Review of the Week’s Events’, The Village Voice, January. Van Nieuwenhuyzen, Martijn: ‘George Condo’, Museum Journal 1. Vettese, Angela: ‘Europe and America: Two Aspects of the New Surreal’, Flash Art, no.122, April-May. Vettese, Angela: ‘Europe et Amerique: Deux aspects du nouveau surreel’, Flash Art (French edition), no. 9, Fall. 1984 Beyer, Lucie: ‘George Condo’, Flash Art, May, p. 43. Glueck, Grace: ‘George Condo’, The New York Times, December. Koether, Jutta: ‘25 Bilder von George Condo’, Wolkenkratzer, April-May.

1983 Glueck, Grace: ‘Intoxication’, The New York Times, December. Pincus-Witten, Robert: ‘George Condo’, Los Angeles Times. Sussler, Betsy: ‘George Condo’, Bomb Magazine.