Biography George Condo
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Checklist of Anniversary Acquisitions
Checklist of Anniversary Acquisitions As of August 1, 2002 Note to the Reader The works of art illustrated in color in the preceding pages represent a selection of the objects in the exhibition Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art. The Checklist that follows includes all of the Museum’s anniversary acquisitions, not just those in the exhibition. The Checklist has been organized by geography (Africa, Asia, Europe, North America) and within each continent by broad category (Costume and Textiles; Decorative Arts; Paintings; Prints, Drawings, and Photographs; Sculpture). Within each category, works of art are listed chronologically. An asterisk indicates that an object is illustrated in black and white in the Checklist. Page references are to color plates. For gifts of a collection numbering more than forty objects, an overview of the contents of the collection is provided in lieu of information about each individual object. Certain gifts have been the subject of separate exhibitions with their own catalogues. In such instances, the reader is referred to the section For Further Reading. Africa | Sculpture AFRICA ASIA Floral, Leaf, Crane, and Turtle Roundels Vests (2) Colonel Stephen McCormick’s continued generosity to Plain-weave cotton with tsutsugaki (rice-paste Plain-weave cotton with cotton sashiko (darning the Museum in the form of the gift of an impressive 1 Sculpture Costume and Textiles resist), 57 x 54 inches (120.7 x 115.6 cm) stitches) (2000-113-17), 30 ⁄4 x 24 inches (77.5 x group of forty-one Korean and Chinese objects is espe- 2000-113-9 61 cm); plain-weave shifu (cotton warp and paper cially remarkable for the variety and depth it offers as a 1 1. -
The School of Paris Catalogue
THE SCHOOL OF PARIS 12 MARCH - 28 APRIL 2016 Francis Bacon (1909 - 1992) Title: Woodrow Wilson, Paris, 1919, from Triptych (1986-1987) Medium: Original Etching and aquatint in colours, 1986/8, on wove paper, with full margins, signed by the artist in pencil Edition: 38/99 - There were also 15 Hors Commerce copies There were also 15 artists proofs in Roman numerals. Literature: Bruno Sabatier, "Francis Bacon: Oeuvre Graphique-Graphic Work. Catalogue Raisonné", JSC Modern Art Gallery, París 2012 Note: The present work is taken from an old press cutting of Woodrow Wilson in Paris for the Peace Conference of 1919. It was originally part of a triptych of works which included a study for the portraits of John Edwards and a Photograph of Totsky studio in Mexico in 1940. Woodrow Wilson (1856 - 1924) was the 28th President of the United States, elected President in 1912 and again in 1916. Published by: Editions Poligrafa, Barcelona, Spain Size: P. 25½ x 19¼ in (648 x 489 mm.) S. 35¼ x 24½ in. (895 x 622 mm.) George Braque (1882 - 1963) Title: Feuillage en couleurs Foliage in colours Medium: Etching in colours, circa 1956, on BFK Rives watermarked paper, signed by the artist in pencil, with blindstamp "ATELIER CROMMELYNCK PRESSES DUTROU PARIS" Size: Image size: 440 x 380 MMS ; Paper size 500 X 670 mms Edition: XVI/XX Publisher: The Society des Bibliophiles de France, Paris Note: There was also a version of this in Black and White which was possibly a state of our piece (Vallier 106) Reference: Dora Vallier “Braque: The Complete Graphics” Number 105 after George Braque (1882 - 1963) Title: Les Fleurs Violets Bouquet des Fleurs Medium: Etching and Aquatint in colours, circa 1955/60, on Arches watermarked paper, signed by the artist in pencil, with blindstamp "ATELIER CROMMELYNCK PARIS" Size: Image size: 19 in x 11 5/8 in (48.3 cm x 29.5 cm) ; Paper size 26 in x 19 3/4 in (66 cm x 50.2 cm) Edition: 92/200 - There was also an edition of 50 on Japan paper. -
C100 Trip to Houston
Presented in partnership with: Trip Participants Doris and Alan Burgess Tad Freese and Brook Hartzell Bruce and Cheryl Kiddoo Wanda Kownacki Ann Marie Mix Evelyn Neely Yvonne and Mike Nevens Alyce and Mike Parsons Your Hosts San Jose Museum of Art: S. Sayre Batton, deputy director for curatorial affairs Susan Krane, Oshman Executive Director Kristin Bertrand, major gifts officer Art Horizons International: Leo Costello, art historian Lisa Hahn, president Hotel St. Regis Houston Hotel 1919 Briar Oaks Lane Houston, Texas, 77027 Phone: 713.840.7600 Houston Weather Forecast (as of 10.31.16) Wednesday, 11/2 Isolated Thunderstorms 85˚ high/72˚ low, 30% chance of rain, 71% humidity Thursday, 11/3 Partly Cloudy 86˚ high/69˚ low, 20% chance of rain, 70% humidity Friday, 11/4 Mostly Sunny 84˚ high/63 ˚ low, 10% chance of rain, 60% humidity Saturday, 11/5 Mostly Sunny 81˚ high/61˚ low, 0% chance of rain, 42% humidity Sunday, 11/6 Partly Cloudy 80˚ high/65˚ low, 10% chance of rain, 52% humidity Day One: Wednesday, November 2, 2016 Dress: Casual Independent arrival into George Bush Intercontinental/Houston Airport. Here in “Bayou City,” as the city is known, Houstonians take their art very seriously. The city boasts a large and exciting collection of public art that includes works by Alexander Calder, Jean Dubuffet, Michael Heizer, Joan Miró, Henry Moore, Louise Nevelson, Barnett Newman, Claes Oldenburg, Albert Paley, and Tony Rosenthal. Airport to hotel transportation: The St. Regis Houston Hotel offers a contracted town car service for airport pickup for $120 that would be billed directly to your hotel room. -
George Condo: 'I Was Delirious. Nearly Died' He Worked for Warhol, Jammed with Basquiat – and Now Designs Albums for Kanye West and Handbags for Kim Kardashian
The Guardian S. Jeffries, ‘George Condo: ‘I was delirious. Nearly died’ 10 February 2014 George Condo: 'I was delirious. Nearly died' He worked for Warhol, jammed with Basquiat – and now designs albums for Kanye West and handbags for Kim Kardashian. But has a recent near-death experience made George Condo's work even weirder BY Stuart Jeffries 'I describe what I do as psychological cubism' … George Condo at the Simon Lee Gallery in London. Photograph: Sarah Lee for the Guardian Last May, George Condo had a near-death experience. The American artist was visiting Berlin after finishing a suite of ink drawings. "I guess my immune system was down and I was in a weird state of mind." "Weirder than usual?" I ask, as we look at those drawings at the Skarstedt Gallery, one of two London venues showing his work this month. "Much weirder," he says. He points to the silhouette of a head dominating the foreground of a work called The Prisoner. Behind the silhouette are iron bars, and behind those is a prisoner facing us, whose head seems to have been flayed to reveal the throbbing orange cranium beneath. "That's where my mind was at." The ink drawings were to be the final portraits of a weird menagerie of archetypal figures – among them banker, butler, alcoholic, and an odd French guy called Jean Louis, who cropped up in various improbable guises including that of a French maid – that Condo had culled from his imagination and worked on for a quarter of a century. "It's the last hurrah of the pods," he says. -
New Books on Art & Culture
S11_cover_OUT.qxp:cat_s05_cover1 12/2/10 3:13 PM Page 1 Presorted | Bound Printed DISTRIBUTEDARTPUBLISHERS,INC Matter U.S. Postage PAID Madison, WI Permit No. 2223 DISTRIBUTEDARTPUBLISHERS . SPRING 2011 NEW BOOKS ON SPRING 2011 BOOKS ON ART AND CULTURE ART & CULTURE ISBN 978-1-935202-48-6 $3.50 DISTRIBUTED ART PUBLISHERS, INC. 155 SIXTH AVENUE 2ND FLOOR NEW YORK NY 10013 WWW.ARTBOOK.COM GENERAL INTEREST GeneralInterest 4 SPRING HIGHLIGHTS ArtHistory 64 Art 76 BookDesign 88 Photography 90 Writings&GroupExhibitions 102 Architecture&Design 110 Journals 118 MORE NEW BOOKS ON ART & CULTURE Special&LimitedEditions 124 Art 125 GroupExhibitions 147 Photography 157 Catalogue Editor Thomas Evans Architecture&Design 169 Art Direction Stacy Wakefield Forte Image Production Nicole Lee BacklistHighlights 175 Data Production Index 179 Alexa Forosty Copy Writing Sara Marcus Cameron Shaw Eleanor Strehl Printing Royle Printing Front cover image: Mark Morrisroe,“Fascination (Jonathan),” c. 1983. C-print, negative sandwich, 40.6 x 50.8 cm. F.C. Gundlach Foundation. © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. From Mark Morrisroe, published by JRP|Ringier. See Page 6. Back cover image: Rodney Graham,“Weathervane (West),” 2007. From Rodney Graham: British Weathervanes, published by Christine Burgin/Donald Young. See page 87. Takashi Murakami,“Flower Matango” (2001–2006), in the Galerie des Glaces at Versailles. See Murakami Versailles, published by Editions Xavier Barral, p. 16. GENERAL INTEREST 4 | D.A.P. | T:800.338.2665 F:800.478.3128 GENERAL INTEREST Drawn from the collection of the Library of Congress, this beautifully produced book is a celebration of the history of the photographic album, from the turn of last century to the present day. -
Exposition De Picasso À Jasper Johns
François-Mitterrand COMMUNIQUE DE PRESSE 8 avril I 13 juillet 2014 De Picasso à Jasper Johns L’Atelier d’Aldo Crommelynck La Bibliothèque nationale de France rend hommage au grand imprimeur d’art Aldo Crommelynck (1931-2008) en retraçant l’histoire de son atelier qui a contribué au prestige de Paris dans le domaine de l’estampe. En présentant une centaine d’œuvres issues de la collaboration entre l’imprimeur et les artistes étrangers avec lesquels il a travaillé à Paris et à New York, l’exposition offre une occasion exceptionnelle de découvrir des estampes rarement montrées et signées par Richard Hamilton, David Hockney, Jim Dine ou Jasper Johns. Initié à la gravure par le maître-imprimeur Roger Lacourière, Aldo Crommelynck ouvre son propre atelier à Montparnasse en 1956. En 1963, il installe avec son frère Piero une presse à Mougins, à côté de la maison de Picasso. L’entière disponibilité des frères Crommelynck suscite chez Picasso une véritable frénésie de création graphique : en résultent près de 750 planches, notamment la série des 347 gravures en 1968 et celle des 15 6 entre 1970 et 1972. En 1969, l’atelier parisien des frères Crommelynck déménage dans un hôtel particulier de la rue de Grenelle. En 1973, attiré par le renom de l’imprimeur de Picasso, Richard Hamilton vient y travailler et se lie d’amitié avec Aldo. À sa suite, l’atelier commence à être fréquenté par des artistes étrangers, majoritairement anglais et américains comme Jasper Johns, Jim Dine, David Hockney, Peter Blake ou Donald Sultan ; puis par des artistes plus jeunes comme George Condo ou David Salle. -
George Condo Artist George Condo Maps His Return
Artist George Condo Maps His Return to Health in a New Show Of his new show at Skarstedt Gallery this month: “As an artist you’re able to take negatives and turn them into positives.” By Lane Florsheim | Nov. 26 2019 In late July, the artist George Condo went to the hospital with terrible chest pains. He was told he needed heart surgery immediately. “They said, ‘If you didn’t come in today, you would have been dead tonight,’” he says. After his surgery, Condo’s surgeon showed him black-and-white images of what his artery looked like before and after. “I said, ‘Oh wow, it was really bad,’” he remembers. “He said, ‘Yeah, you would have had a heart attack.’” Condo took the scans home. For his recovery in August, he went to the Hamptons, where he watched TV, played Scrabble with his two daughters and worked on a series of drawings. His larger-scale paintings, which require a ladder, were out of the question. “Then, eventually, I kind of felt perfectly fine,” he says. The drawings he completed during that period of rest are on view in a new exhibit of his work this month in Manhattan. Though the show is titled simply George Condo: Paintings & Works on Paper, it tells the story of a complex year for the artist. Condo, 61, made all of the 25 works in the new show while also working on a 13-foot tall sculpture covered in 24-karat gold leaf, currently on view at Lincoln Center Plaza. When he got back to New York City in September, Condo didn’t have enough new work to fill a show. -
GEORGE CONDO: GUSTAV METZGER: Performances, Which Expand on the Festival’S Themes, of Ten Downtown Organizing Partners
PVOL. 10 APESPRINGR / SUMMER 2011 ANNOUNCEMENTS VOL. 10 SPRING / SUMMER 2011 FESTIVAL OF IDEAS FOR THE NEW CITY | MAY 4-8 2011 PAPER DOWNTOWN MANHATTAN TO BECOME A DYNAMIC LABORATORY FOR CREATIVE THINKING AND ACTION The Festival of Ideas for the New City is a major new An innovative, minimal-waste, outdoor StreetFest will The New Museum will present Cronocaos at 231 Bowery, 02 06-07 11 14 18 collaborative initiative involving scores of Downtown take place along the Bowery. More than seventy-five an exhibition by Rem Koolhaas and the Office for DIRECTOR’S LETTER CURRENT EXHIBITION UPCOMING EXHIBITION RHIZOME MEMBERSHIP organizations, from large universities to arts institutions local grassroots organizations, small businesses, and Metropolitan Architecture focusing on 26 projects as one LYNDA BENGLIS APICHATPONG LIMITED EDITIONS and community groups, working together to affect change. non-profits will present model products and practices in cohesive body of work concerned with time and history, WEERASETHAKUL: PRIMITIVE The Festival is a first for New York and will harness the a unique outdoor environment. The Festival will premiere destruction and preservation—and the simultaneity of power of the City’s remarkable creative community to a new environmentally and economically inspired tent these in “destroying any sense of a linear evolution of imagine the future and explore the ideas and innovations design commission for the Festival, as well as outdoor time.” Presented at the 2010 Venice Biennale, Cronocaos 03 08-09 12 15 19 destined to shape that future. It will take place from May living rooms and inflatable structures. Visitors can expect is a New Museum exhibition for the Festival of Ideas for ANNOUNCEMENTS CURRENT EXHIBITION UPCOMING EXHIBITION NEW MUSEUM STORE THANK YOU! 4-8, 2011, in locations around Downtown Manhattan cooking demonstrations with urban farmers, rooftop the New City. -
Jim Dine's Etchings
Jim Dine's etchings Author Museum of Modern Art (New York, N.Y.) Date 1978 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/1817 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art JIM DINES ETCHINGS The Museum of Modern Art An exhibition organized by The Museum of Modern Art, New York, with the generous support of the National Endowment for the Arts, Washington, D.C., a federal agency About five years after they attended Ohio University in Athens together, Andrew Stasik invited his friend Jim Dine to make a print at Pratt Graphics Art Center in New York. A program at Pratt funded by the Ford Foundation had been established to encourage American artists to col laborate with professional European printers in the creation of lithographs and etchings. Even in the mid-twentieth century the word "etching" meant, to most people, the ubiquitous black-and-white views of famous buildings, homes, and landscapes, or to the connoisseur, the important images of Rembrandt and Whistler. Contemporary works by S. W. Hayter and his followers, because of the complex techniques utilized, were bet ter known by the generic term "intaglio" prints. After making a few litho graphs, Dine worked on his first intaglio prints in 1961 with the Dutch woman printmaker Nono Reinhold. They were simple drypoints of such familiar objects as ties, apples, and zippers. -
The Summer Reading Issue
US $30 The Global Journal of Prints and Ideas July – August 2019 Volume 9, Number 2 The Summer Reading Issue: Recommended Reading for the Print-Curious, from History to Fiction Léon Spilliaert in the Margins • Turning the Pages with Ed Ruscha • Jan Svenungsson • Prix de Print • News THE LARGEST INTERNATIONAL ART FAIR CELEBRATING 500 YEARS OF PRINTMAKING OCTOBER 23–27 2019 JAVITS CENTER I NEW YORK CITY EXHIBITORS Alan Cristea Gallery Goya Contemporary/ Paulson Fontaine Press Alice Adam Ltd. Goya-Girl Press Paupers Press August Laube Buch Graphicstudio/USF Polígrafa Obra Gráfica & Kunstantiquariat Harris Schrank Fine Prints R. S. Johnson Fine Art Bernard Jacobson Graphics Hauser & Wirth Redfern Gallery Ltd. Brooke Alexander, Inc. Hill-Stone, Inc. Ruiz-Healy Art C. G. Boerner Isselbacher Gallery Scholten Japanese Art Carolina Nitsch Jim Kempner Fine Art Shark's Ink. Catherine Burns Fine Art John Szoke Gallery Sims Reed Gallery Childs Gallery Krakow Witkin Gallery Sragow Gallery Cirrus Gallery Kunsthandlung Stanza del Borgo Crown Point Press Helmut H. Rumbler Stoney Road Press David Tunick, Inc. Lelong Editions STPI Dolan/Maxwell Marlborough Graphics Susan Sheehan Gallery Durham Press, Inc. Mary Ryan Gallery Susan Teller Gallery Emanuel von Baeyer mfc-michèle didier Tamarind Institute Flowers Gallery Mike Karstens Tandem Press Flying Horse Editions/UCF Mixografia® The Old Print Shop, Inc. G. W. Einstein Company, Inc. Niels Borch Jensen The Tolman Collection of Tokyo Gallery & Editions Galeria Toni Tàpies - Edicions T Thomas French Fine Art Osborne Samuel Ltd. Galerie Maximillian Two Palms Pace PrintsParagon Galerie Sabine Knust Universal Limited Art Editions, Inc Paramour Fine Arts Gallery Neptune & Brown Ursus Rare Books Paul Prouté s.a. -
Beat Generation Icon William S. Burroughs Found Love – and Loved Life – During His Years in Lawrence
FOR BURROUGHS, IT ALL ADDED UP BURROUGHS CREEK TRAIL & LINEAR PARK Beat Generation icon William S. Burroughs found love – and loved life – during his years in Lawrence William S. Burroughs, once hailed by In 1943, Burroughs met Allen Ginsberg America after charges of obscenity were 11th Street Norman Mailer as “the only American and Jack Kerouac. They became fast rejected by the courts. In the meantime, novelist living today who may conceivably friends, forming the nucleus of the Burroughs had moved to Paris in 1958, be possessed by genius,” lived in Lawrence nascent Beat Generation, a group of working with artist Brion Gysin, then on a few blocks west of this spot for the last 16 often experimental writers exploring to London in 1960, where he lived for 14 13th Street years of his life. Generally regarded as one postwar American culture. years, publishing six novels. of the most influential writers of the 20th century, his books have been translated Burroughs became addicted to narcotics In 1974, Burroughs returned to 15th Street into more than 70 languages. Burroughs in 1945. The following year, he New York City where he met James was also one of the earliest American married Joan Vollmer, the roommate Grauerholz, a former University of multimedia artists; his films, recordings, of Kerouac’s girlfriend. They moved Kansas student from Coffeyville, paintings and collaborations continue to to a farm in Texas, where their son Kansas, who soon became Burroughs’ venue venue A A inspire artists around the world. He is the Billy was born. In 1948, they relocated secretary and manager. -
Link to Full Exhibition History
TERRY WINTERS 1. Biography 2. Individual Exhibitions 3. Group Exhibitions 4. Projects by Terry Winters (Sets, Costumes, Design) BIOGRAPHY Born 1949 in Brooklyn B.F.A., Pratt Institute, Brooklyn, 1971 Elected to the American Academy of Arts and Letters, 2013 Lives and works in New York City and Columbia County, NY INDIVIDUAL EXHIBITIONS 1982 Sonnabend Gallery, New York. “Terry Winters”, October 30 – November 20 1983 Vollum Center Gallery, Reed College, Portland. “Terry Winters: Paintings and Drawings”, September 3 – October 2 1984 Sonnabend Gallery, New York. “Terry Winters”, February 4 – 25 Daniel Weinberg Gallery, Los Angeles. “Terry Winters”, May 26 -June 23 1985 Kunstmuseum Luzern. “Terry Winters: Paintings and Drawings”, October 12 – November 24 (catalogue) 1986 Castelli Graphics, New York. “Terry Winters: Lithographs”, February 1 – 22 Sonnabend Gallery, New York. “Terry Winters: Paintings”, February 8 – March 1 Tate Gallery, London. “Terry Winters: Eight Paintings”, May 14 – July 20 (catalogue) Barbara Krakow Gallery, Boston. “Terry Winters: Drawings and Lithographs”, May 17 – June 11 Yellowstone Art Center, Billings. “Focus: Terry Winters”, November 2 – December 31 (Traveled to Georgia State University Art Gallery, Atlanta, February 26 – March 29) (brochure) 1987 Georgia State University Art Gallery, Atlanta. “Focus: Terry Winters”, February 26 – March 29 (brochure) 1 Gallery Mukai, Tokyo. “Terry Winters”, February 7 –21 (catalogue) Saint Louis Art Museum, Saint Louis. “Currents 33: Terry Winters”, February 26 – March 29 (brochure) Sonnabend Gallery, New York. “Terry Winters: Drawings”, March 14 – April 18 Mario Diacono Gallery, Boston. “Terry Winters”, May 7 – 30 (brochure) Daniel Weinberg Gallery, Los Angeles. “Terry Winters: Paintings”, May 23 – June 20 Walker Art Center, Minneapolis.