GEORGE CONDO Bibliographie / Bibliography Bücher und Kataloge / Books and catalogs 2019 ‘George Condo. Life is worth Living‘, Almine Rech Editions 2018 ‘George Condo at Cycladic’, Museum of Cycladic Art, Athens 2016 Kittelmann, Udo / Rappe, Felicia: ‘Condo: Confrontation‘, Museum Berggruen, Nationalgalerie, Staatliche Museen zu Berlin, Berlin Kehlmann, Daniel: ‘Gesichter, Fratzen, Condo‘, Museum Berggruen, Nationalgalerie, Staatliche Museen zu Berlin, Berlin 2015 Baker, Simon: ‘George Condo: Painting Reconfigured’, London: Thames and Hudson Ltd. 2014 ‘George Condo: Ink Drawings’, London: Skarstedt. 2013 ‘George Condo. Paintings Sculpture’, Berlin: Distanz Verlag. 2012 Rugoff, Ralph / Hollein, Max: ‘George Condo Mental States’, München: Prestel Verlag. 2011 Rugoff, Ralph: ‘George Condo: Mental States’, Manchester: Hayward Publishing. 2010 Troncy, Eric: ‘Cartoon Abstractions’, Paris: Galerie Jerome de Noirmont. Berckemeyer, Olivia / Wurlitzer, Bernd: ‘Physical’, Berlin: Kunsthaller Autocenter. 2009 Lorguin, Olivier / Lorguin, Bertrand: ‘George Condo: La civilisation perdue, édition bilingue français-anglais’, Paris: Fondation Dina Vierny-Musée Maillol / Editions Gallimard. Kellein, Thomas: ‘George Condo’, Brussels: Xavier Hufkens. Haendel, Karl: ‘Beg borrow and steal’, Miami: Rubell Family Collection. 2008 ‘George Condo: Artificial Realism’, Moskow: Gary Tatintsian Gallery Inc. 2007 Caruso, Laura (ed.): ‘Radar: Selections from the Collection of Vicki and Kent Logan’, Denver: Denver Art Museum, pp. 76-79. ‘Create your own Museum: Highlights from a Private Collection’, Moscow: Gary Tantintsian Gallery Inc., pp. 38-43. ‘Impulse: Works on Paper from the Logan Collection’, Vail, Colorado: The Logan Collection, pp. 8-9, 22, 36, 38. Jacobs, Dan: ‘Negotiating Reality: Recent Works from the Logan Collection’, Denver: University of Denver, pp. 24-25, 68. Kirwin, Liza / Moore, Alan W. : ‘East Village USA’, New Museum of Contemporary Art, 8 November, p. 26. ‘Out of Shape: Stylistic Distortions of the Human Form in Art From the LOGAN COLLECTION’, Poughkeepsie: The Frances Lehman Loeb Art Center, Vassar College, pp. 19, 54. Willberg, Peter: ‘George Condo’, London: Simon Lee Gallery. ‘With the Artists, Meet the Artists’, New York, London: Deich Projects. 2006 ‘George Condo: Existential Portraits’, New York: Luhring, Augustine & Gottingen. ‘Infinite Painting: Contemporary Painting and Global Realism’, Codroipo: Villa Manin Centro d’Arte Contemporanea, pp. 54-55. ‘Over the Limit: Christopher Wool & George Condo’, Athens: Portalakis Collection. Richer, Francesca / Rosenzweig, Matthew: ‘No. 1: First Works by 362 Artists’, New York: Distributed Art Publishers. ‘Vous êtes ici (You are here)’, Auvergne: FRAC - Fonds Régional d’Art Contemporain d’Auvergne, pp. 86-89. ‘40 ans: Galerie Daniel Templon’, Paris: Communicart, pp. 359-360, 476. 2005 Binstock, Jonathan P. / Schmidt, Stacey: ‘Closer To Home. The 4th Corcoran Biennal’, Corcoran Gallery of Art, pp. 36-39, 86. Kellein, Thomas: ‘George Condo. One Hundred Woman’, Bielefeld: Kunsthalle Bielefeld. ‘Post Modern Portraiture from the Logan Collection’, Vail, Colorado: The Logan Collection, pp. 42-43, 92-93, 150-151. 2004 Cameron, Dan: ‘A New Modernism for a New Millennuim: Abstraction and Surrealism Are Reinvented in the Internet Age’, Vail, Colorado: The Logan Collection. Kirwin, Liza / Moore, Alan W.: ‘East Village USA’, New York: New Museum of Contemporary Art, pp. 26. Coetzee, Mark: ‘Not Afraid’, Miami: Rubell Family Collection, pp. 50-51. Fleissig, Peter: ‘George Condo. Memories of Manet and Velazquez’, Paris: Galerie Jerome de Noirmont. ‘Perspective@25. A Quarter Century of New Art in Houston’, Houston: Contemporary Arts Museum. 2003 Kellein, Thomas: ‘George Condo: Sculpture’, Zurich: Galerie Bruno Bischofberger. ‘Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art’, Houston: Contemporary Arts Museum. 2002 ‘Ahead of the 21st Century: The Pisces Collection’, Donaueschingen: Fürstenberg Sammlungen, pp. 43-53. Rugoff, Ralph: ‘The Imaginary Portraits of George Condo’, New York: The Broad Art Foundation. 2001 ‘Condo Televised Silkscreens’, New York: Sandra Gering Gallery. ‘George Condo. Physiognomical Abstraction’, Paris: Galerie Jerome De Noirmont. ‘Mythic Proportions. Painting in the 1980’s’, North Miami: Museum of Contemporary Art. 2000 Dickhoff, Wilfried: ‘After Nihilism: Essays on Contemporary Art’, Cambridge: Cambridge University Press. ‘00: Drawings 2000 at Barbara Gladstone Gallery’, New York: Barbara Gladstone Gallery. ‘George Condo: Portraits Lost In Space’, New York: PaceWildenstein & Deitch Projects. 1998-97 ‘William Borroughs George Condo Collaborations 1988-1996’, New York: Pat Hearn Gallery. 1998 Fitzgerald, Michael: ‘George Condo: Collage Paintings’, New York: PaceWildenstein. Collings, Matthew: ‘It Hurts: New York Art from Warhol to Now’, New York: 21 Publishing Ltd., pp. 139-143. Ruiz-Picasso, Bernard: ‘Pages de Garde / End Papers’, New York: PaceWildenstein. 1997 Davvetas, Demosthenes / Masson, André: ‘Dialogues’, Zurich: Elisabeth Kaufmann. Ginsberg, Allen: ‘Selected Poems’, New York: HarperCollins. 1996 Le Thorei-Daviot, Pascale: ‘Petit dictionnaire des artistes contemporains’, Paris: Bordas. ‘Myths and Magical Fantasies’, Escondido, California: California Center for the Arts Museum. 1995 Kuspit, Donald: ‘George Condo: Paintings and Drawings’, New York: PaceWildenstein. 1994 Burroughs, William S.: ‘George Condo: Recent Paintings’, New York: The Pace Gallery. 1993 Wilson, Adolfo / Mondolfi, Namia: ‘Materia, Imagen y Concepto: Un Recorrido por el Arte Contemporáneo Internacional’, Caracas: Galería Namia Mondolfi. 1992 Bonet, Juan Manuel / Condo, George: ‘George Condo’, Barcelona: Galeria Salvador Riera. Condo, George: ‘La Línea Quebrada y Extractos de El Gran Jefe’, George Condo: Obra 1990- 1992, Madrid: Galeria Soledad Lorenzo. Dickhoff, Wilfried / Speck, Reiner: ‘Ars Pro Domo’, Cologne: Gesellschaft für Moderne Kunst am Museum Ludwig. ‘Le Portrait Dans L’Art Contemporain’, Nice: Musée d’Art Moderne et d’Art Contemporain. Rose, Bernice: ‘Allegories of Modernism: Contemporary Drawing’, New York: The Museum of Modern Art. 1991 Burroughs, William S. / Condo, George: ‘Ghost of a Chance’, New York: Whitney Museum of American Art. Cervantes, Miguel / Merewether, Charles (u.a.): ‘Mito y Magia en América: Los Ochenta’, Monterrey: Museo de Arte Contemporaneo de Monterrey. Dickhoff, Wilfried: ‘In Ictu Oculi: The Post-Nondeconstructive Paintings of George Condo’, in: George Condo: ‘Recent Paintings’, New York: The Pace Gallery. Riley, Charles A.: ‘II. Sélection’, Pully, Lausanne: Musée d’Art Contemporain. Tsuzuki, Kyoichi: ‘Art Random: George Condo’, Kyoto: Kyoto Shoin International Co. Ltd. 1989 ‘1979-1989 American, Italian, Mexican Art From the Collection of Francesco Pellizzi’, Hofstra Museum, Hempstead: Hofstra University. ‘Bilderstreit’, Cologne: Museum Ludwig. ‘George Condo’, London: Waddington Galleries. 1988 Geldzahler, Henry: ‘On George Condo: Paintings and Drawings’, New York: The Pace Gallery. Honnef, Klaus: ‘Kunst der Gegenwart’, Cologne: Taschen. Weinberg, Adam: ‘Master Prints with American Artists’, New York: Whitney Museum of American Art at Equitable Center. 1987 Armstrong, Richard / Hanhardt, John (u.a.): ‘Biennial Exhibition’, New York: Whitney Museum of American Art. Dagley, Mark: ‘George Condo’, New York: Tony Shafrazi Gallery. Dickhoff, Wilfried: ‘Expanding Canvas or The Alter-Ego Strikes Back’, Zurich: Gallery Bruno Bischofberger. ‘George Condo: Paintings & Drawings 1985-1987’, Zurich: Edition Gallery Bruno Bischofberger. ‘George Condo: Gemälde/Paintings 1984-1987’, Munich: Kunstverein München. 1986 Dickhoff, Wilfried: ‘The Being of Nothingness - Notes on the existential abstraction in George Condo’s paintings’, New York: Barbara Gladstone Gallery. Dickhoff, Wilfried: ‘Primer Salòn Irrealiste’, Santa Cruz de Tenerife: Galeria Leyendecker. Dickhoff, Wilfried: ‘What It Is’, New York: Wilfried Dickhoff & Tony Shafrazi Gallery. ‘George Condo’, Tokyo: Akira Ikeda Gallery. Godfrey, Tony: ‘The New Image, Paintings in the 1980’s’, London: Phaidon Press. Saltz, Jerry: ‘Beyond Boundaries’, New York: HarperCollins. Thomas, Karin: ‘Bis Heute: Stilgeschichte Der Bildenden Kunst Im 20. Jahrhundert’, Cologne: DuMont Dokumente. 1985 Dickhoff, Wilfried: ‘Vor-Schein oder Aschenglanz’, in: Künstliche Paradise, Munich: Kunstverein München & Essen: Museum Folkwang. Dickhoff, Wilfried / Drechsler, Wolfgang: ‘Phase II. Steirischer Herbst ‘85’, Graz: Stadtmuseum Graz. Flood, Richard: ‘Das Veritgo Paradigma’, in: Künstliche Paradise, Munich: Kunstverein München, & Essen: Museum Folkwang. 1984 Dickhoff, Wilfried: ‘Nouveau Boheme – Le gout du neant in der Malerei des ausklingenden 20. Jahrhunderts’, Cologne: Galerie Sprüth. ‘Perspective 1984. Basel Art Fair’, Basel: Basel Art Fair. Artikel und Rezensionen / Articles and reviews 2019 Buhr, Elke: ‘Mix Tape‘, Monopol, no. 07/08, July / August. Coleman, Sandy: ‘George Condo at Cycladic Museum of Cycladic Art’, Candide Magazine, Online, 11 December. Cowan, Katy: ‘George Condo's Cubism portrait paintings reveal multiple states of joy and horror,’ Creative Book, Online, 19 November. Florsheim, Lane: ‘Artist George Condo Maps His Return to Health in a New Show,’ The Wall Street Journal, Online, 26 November. ‘George Condo Presents Monumental New ‘Paintings & Works on Paper’ at Skarstedt, NYC,’ Juxtapoz, Online,11 November. Holmes, Helen: ‘For His First Public Sculpture, George Condo Matched His Concept With Its Grand Location,’ Observer,