The Boxue Hongci 博學宏詞examinations, Literary
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Elixir, Urine and Hormone: a Socio-Cultural History of Qiushi (Autumn Mineral)*
EASTM 47 (2018): 19-54 Elixir, Urine and Hormone: A Socio-cultural History of Qiushi (Autumn Mineral)* Jing Zhu [ZHU Jing is an Associate Professor in the Department of Philosophy, East China Normal University. She received her Ph.D. in history of science at Peking University and in 2015-2016 was a visiting scholar at University of Pennsylvania. She has published three articles about qiushi and two articles about Chinese alchemy. Her paper “Arsenic Prepared by Chinese Alchemist-Pharmacists” was published in Science China Life Sciences. Her work spans historical research on Chinese alchemy, Chinese medicine and public understanding of science. In addition to presenting papers at national and international conferences, she has been invited to present her research among other places at the National Tsinghua University (Taiwan), Brown University, and the University of Pennsylvania. Contact: [email protected]] * * * Abstract: Traditional Chinese medicine has attracted the attention of pharmacologists because some of its remedies have proved useful against cancer and malaria. However, a variety of controversies have arisen regarding the difficulty of identifying and explaining the effectiveness of remedies by biomedical criteria. By exploring the socio-cultural history of qiushi (literally, ‘autumn mineral’), a drug prepared from urine and used frequently throughout Chinese history, I examine how alchemy, popular culture, politics and ritual influenced pre-modern views of the efficacy of the drug, and explore the sharp contrast between views of the drug’s * I especially wish to acknowledge the great help of Professor Nathan Sivin, who has read the complete manuscript and provided me with many critical comments. -
The Eurasian Transformation of the 10Th to 13Th Centuries: the View from Song China, 906-1279
Haverford College Haverford Scholarship Faculty Publications History 2004 The Eurasian Transformation of the 10th to 13th centuries: The View from Song China, 906-1279 Paul Jakov Smith Haverford College, [email protected] Follow this and additional works at: https://scholarship.haverford.edu/history_facpubs Repository Citation Smith, Paul Jakov. “The Eurasian Transformation of the 10th to 13th centuries: The View from the Song.” In Johann Arneson and Bjorn Wittrock, eds., “Eurasian transformations, tenth to thirteenth centuries: Crystallizations, divergences, renaissances,” a special edition of the journal Medieval Encounters (December 2004). This Journal Article is brought to you for free and open access by the History at Haverford Scholarship. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Haverford Scholarship. For more information, please contact [email protected]. Medieval 10,1-3_f12_279-308 11/4/04 2:47 PM Page 279 EURASIAN TRANSFORMATIONS OF THE TENTH TO THIRTEENTH CENTURIES: THE VIEW FROM SONG CHINA, 960-1279 PAUL JAKOV SMITH ABSTRACT This essay addresses the nature of the medieval transformation of Eurasia from the perspective of China during the Song dynasty (960-1279). Out of the many facets of the wholesale metamorphosis of Chinese society that characterized this era, I focus on the development of an increasingly bureaucratic and autocratic state, the emergence of a semi-autonomous local elite, and the impact on both trends of the rise of the great steppe empires that encircled and, under the Mongols ultimately extinguished the Song. The rapid evolution of Inner Asian state formation in the tenth through the thirteenth centuries not only swayed the development of the Chinese state, by putting questions of war and peace at the forefront of the court’s attention; it also influenced the evolution of China’s socio-political elite, by shap- ing the context within which elite families forged their sense of coorporate identity and calibrated their commitment to the court. -
Ming China As a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 Weicong Duan Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Winter 12-15-2018 Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620 Weicong Duan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Duan, Weicong, "Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620" (2018). Arts & Sciences Electronic Theses and Dissertations. 1719. https://openscholarship.wustl.edu/art_sci_etds/1719 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS DEPARTMENT OF HISTORY Dissertation Examination Committee: Steven B. Miles, Chair Christine Johnson Peter Kastor Zhao Ma Hayrettin Yücesoy Ming China as a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 by Weicong Duan A dissertation presented to The Graduate School of of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2018 St. Louis, Missouri © 2018, -
Law Based on Local Customs: Law and Local Order Under the Yuan Dynasty Through the Example of Marriage Customs and Matrimonial Law
]NòϥΩƕ εȖͼɠó HƧDζgͼȖζñʇ! 95 Law based on Local Customs: Law and Local Order under the Yuan Dynasty through the Example of Marriage Customs and Matrimonial Law Hung, Li-chu* Abstract Law under the Yuan dynasty is most commonly characterized as a system with legal provisions that were formulated based on local customs. Due to this view, much of the scholarship to date has focused on non-Han customs, such as levirate marriage. However, it is much less common to study what Han custom actually meant and how it developed. This study analyzes the historical background and development of Yuan marriage laws, and focuses on the competition and negotiation between Confucian norms and local customs under the said principle of formulating legal provisions based on local customs. Examining these issues help to correct the notion that Yuan law was lax and minimally restrictive. Institutionally the judicial power of Yuan local officials was quite limited, and for a long time they did not have legal codes to adhere to. Therefore they reported numerous trivial civil conflicts to government agencies for resolution, including the Central Secretariat (zhongshu sheng), Bureau of Military Affairs (shumi yuan), the Censorate (yushi tai), and the Six Ministries. The Yuan central government expected to make marriage certificates (hunshu) contractual. Under the marriage code that it issued, betrothal gifts were increasingly standardized so the legal disputes that * Associate Researcher, School of History & Culture, Sichuan University. 96 :ΊʱIJɘ;Ù)&Ȑ arose from marriages were limited. Also, Han officials in local offices performed their duties in observing local customs, and put forward discussions of what the original customs of Han people actually meant. -
Life, Thought and Image of Wang Zheng, a Confucian-Christian in Late Ming China
Life, Thought and Image of Wang Zheng, a Confucian-Christian in Late Ming China Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn vorgelegt von Ruizhong Ding aus Qishan, VR. China Bonn, 2019 Gedruckt mit der Genehmigung der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität Bonn Zusammensetzung der Prüfungskommission: Prof. Dr. Dr. Manfred Hutter, Institut für Orient- und Asienwissenschaften (Vorsitzender) Prof. Dr. Wolfgang Kubin, Institut für Orient- und Asienwissenschaften (Betreuer und Gutachter) Prof. Dr. Ralph Kauz, Institut für Orient- und Asienwissenschaften (Gutachter) Prof. Dr. Veronika Veit, Institut für Orient- und Asienwissenschaften (weiteres prüfungsberechtigtes Mitglied) Tag der mündlichen Prüfung:22.07.2019 Acknowledgements Currently, when this dissertation is finished, I look out of the window with joyfulness and I would like to express many words to all of you who helped me. Prof. Wolfgang Kubin accepted me as his Ph.D student and in these years he warmly helped me a lot, not only with my research but also with my life. In every meeting, I am impressed by his personality and erudition deeply. I remember one time in his seminar he pointed out my minor errors in the speech paper frankly and patiently. I am indulged in his beautiful German and brilliant poetry. His translations are full of insightful wisdom. Every time when I meet him, I hope it is a long time. I am so grateful that Prof. Ralph Kauz in the past years gave me unlimited help. In his seminars, his academic methods and sights opened my horizons. Usually, he supported and encouraged me to study more fields of research. -
An Chengri an Chengri, Male, Born in November, 1964.Professor. Director
An Chengri , male, born in November, 1964.Professor. Director of Institute of International Studies, Department of Political Science, School of philosophy and Public Administration,Heilongjiang University. Ph. D student of Japanese politics and Diplomacy History, NanKai University,2001.Doctor(International Relations History), Kokugakuin University,2002. Research Orientation: Japanese Foreign Relations, International Relation History in East Asia Publications: Research on contemporary Japan-South Korea Relations(China Social Science Press,October,2008);International Relations History of East Asia(Jilin Science Literature Press,March,2005) Association: Executive Director of China Institute of Japanese History , Director of China Society of Sino-Japanese Relations History Address: No.74 Xuefu Road, Nangang District, Haerbin, Heilongjiang, Department of Political Science, School of philosophy and Public Administration,Heilongjiang University. Postcode: 150080 An shanhua , Female, born in July,1964. Associate Professor, School of History, Dalian University. Doctor( World History),Jilin University,2007. Research Orientation: Modern and contemporary Japanese History, Japanese Foreign Relations, Political Science Publications: Comparative Studies on World Order View of China Korea and Japan and their Diplomatic in Modern Time ( Japanese Studies Forum , Northeast Normal University, 2006); Analysis of Japan's anti-system ideology towards the international system ( Journal of Changchun University of Science and Technology , Changchun University,2006) -
Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Timothy Robert Clifford University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Clifford, Timothy Robert, "In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China" (2017). Publicly Accessible Penn Dissertations. 2234. https://repository.upenn.edu/edissertations/2234 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2234 For more information, please contact [email protected]. In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Abstract The rapid growth of woodblock printing in sixteenth-century China not only transformed wenzhang (“literature”) as a category of knowledge, it also transformed the communities in which knowledge of wenzhang circulated. Twentieth-century scholarship described this event as an expansion of the non-elite reading public coinciding with the ascent of vernacular fiction and performance literature over stagnant classical forms. Because this narrative was designed to serve as a native genealogy for the New Literature Movement, it overlooked the crucial role of guwen (“ancient-style prose,” a term which denoted the everyday style of classical prose used in both preparing for the civil service examinations as well as the social exchange of letters, gravestone inscriptions, and other occasional prose forms among the literati) in early modern literary culture. This dissertation revises that narrative by showing how a diverse range of social actors used anthologies of ancient-style prose to build new forms of literary knowledge and shape new literary publics. -
MANHUA MODERNITY HINESE CUL Manhua Helped Defi Ne China’S Modern Experience
CRESPI MEDIA STUDIES | ASIAN STUDIES From fashion sketches of Shanghai dandies in the 1920s, to phantasma- goric imagery of war in the 1930s and 1940s, to panoramic pictures of anti- American propaganda rallies in the 1950s, the cartoon-style art known as MODERNITY MANHUA HINESE CUL manhua helped defi ne China’s modern experience. Manhua Modernity C TU RE o ers a richly illustrated and deeply contextualized analysis of these il- A lustrations from the lively pages of popular pictorial magazines that enter- N UA D tained, informed, and mobilized a nation through a half century of political H M T and cultural transformation. N H O E A “An innovative reconceptualization of manhua. John Crespi’s meticulous P study shows the many benefi ts of interpreting Chinese comics and other D I M C illustrations not simply as image genres but rather as part of a larger print E T culture institution. A must-read for anyone interested in modern Chinese O visual culture.” R R I CHRISTOPHER REA, author of The Age of Irreverence: A New History A of Laughter in China L N “A rich media-centered reading of Chinese comics from the mid-1920s T U U I I through the 1950s, Manhua Modernity shifts the emphasis away from I R R T T ideological interpretation and demonstrates that the pictorial turn requires T N N examinations of manhua in its heterogenous, expansive, spontaneous, CHINESE CULTURE AND THE PICTORIAL TURN AND THE PICTORIAL CHINESE CULTURE Y and interactive ways of engaging its audience’s varied experiences of Y fast-changing everyday life.” YINGJIN ZHANG, author of Cinema, Space, and Polylocality in a Globalizing China JOHN A. -
Late-Ming Factionalism in the Making, 1583-1593
University of Southern Maine USM Digital Commons History College of Arts, Humanities and Social Sciences 2002 A Decade of Considerable Significance - Late-Ming actionalismF in the Making, 1583-1593 Jie Zhao University of Southern Maine, [email protected] Follow this and additional works at: https://digitalcommons.usm.maine.edu/history Part of the History Commons Recommended Citation Jie, Zhao. "A Decade of Considerable Significance." T'oung Pao 88, no. 1-3 (2002): 112. This Article is brought to you for free and open access by the College of Arts, Humanities and Social Sciences at USM Digital Commons. It has been accepted for inclusion in History by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. ShenI-kuan t R (1531- 1615), the senior grandsecretary of the A DECADE OF CONSIDERABLESIGNIFICANCE Late-Ming Factional;sm in the Making, 1583-1593 BY JIE ZHAO* Universityof SouthernMaine It has been long held that,although the Mingdynasty collapsed in 1644,the dynasticfate had been sealedmuch earlier. The compilers of Mingshih pronounced that "theMing dynastyactually foundered under [theWan-li gX emperor(r.1573-1620)].''l They considered lateWan-li period, to be one of the principalcontributors to the Ming decline.Some of themmaintained that the dynastyfell apart primarily due to factionalism,and factionalismbegan with Shen. Wan Yen g > (1637-1705), himself a compilerof Mingshih, dis- agreedwith this assessment.He acknowledgedShen I-kuan's impact on the lastfew decadesof factionalism,but he arguedthat Shen Shih- hsingEp t(1535-1614) andWang Hsi-chuch ES(1534-1611) had startedit.2 Wan's observation pointed to a decade (1583-1593) * I wouldlike to thankthe Departmentof EastAsian Studies at PrincetonUni- versityfor supportfrom its researchfund and accessto the Gest Libraryin the summerof 2000, and the Harvard-YenchingInstitute for providingaccess to its libraryfacilities. -
Imperial Tombs of the Ming and Qing Dynasties
WHC Nomination Documentation File Name: 1004.pdf UNESCO Region: ASIA AND THE PACIFIC __________________________________________________________________________________________________ SITE NAME: Imperial Tombs of the Ming and Qing Dynasties DA TE OF INSCRIPTION: 2nd December 2000 STATE PARTY: CHINA CRITERIA: C (i) (ii) (iii) (iv) (vi) DECISION OF THE WORLD HERITAGE COMMITTEE: Criterion (i):The harmonious integration of remarkable architectural groups in a natural environment chosen to meet the criteria of geomancy (Fengshui) makes the Ming and Qing Imperial Tombs masterpieces of human creative genius. Criteria (ii), (iii) and (iv):The imperial mausolea are outstanding testimony to a cultural and architectural tradition that for over five hundred years dominated this part of the world; by reason of their integration into the natural environment, they make up a unique ensemble of cultural landscapes. Criterion (vi):The Ming and Qing Tombs are dazzling illustrations of the beliefs, world view, and geomantic theories of Fengshui prevalent in feudal China. They have served as burial edifices for illustrious personages and as the theatre for major events that have marked the history of China. The Committee took note, with appreciation, of the State Party's intention to nominate the Mingshaoling Mausoleum at Nanjing (Jiangsu Province) and the Changping complex in the future as an extention to the Imperial Tombs of the Ming and Qing dynasties. BRIEF DESCRIPTIONS The Ming and Qing imperial tombs are natural sites modified by human influence, carefully chosen according to the principles of geomancy (Fengshui) to house numerous buildings of traditional architectural design and decoration. They illustrate the continuity over five centuries of a world view and concept of power specific to feudal China. -
©2013 Koninklijke Brill NV ISBN 978 90 04 24990 5 Brill’S Series on Modern East Asia in a Global Historical Perspective
New Narratives of Urban Space in Republican Chinese Cities ©2013 Koninklijke Brill NV ISBN 978 90 04 24990 5 Brill’s Series on Modern East Asia in a Global Historical Perspective Edited by Billy K. L. So, Hong Kong University of Science and Technology Madeleine Zelin, Columbia University VOLUME 2 The titles published in this series are listed at brill.com/meah ©2013 Koninklijke Brill NV ISBN 978 90 04 24990 5 New Narratives of Urban Space in Republican Chinese Cities Emerging Social, Legal and Governance Orders Edited by Billy K. L. So and Madeleine Zelin LEIDEN • BOSTON 2013 ©2013 Koninklijke Brill NV ISBN 978 90 04 24990 5 Library of Congress Cataloging-in-Publication Data New narratives of urban space in Republican Chinese cities : emerging social, legal, and governance orders / edited by Billy Kee Long So and Madeleine Zelin. pages cm. — (Brill’s series on modern East Asia in a global historical perspective ; volume 2) Includes bibliographical references. ISBN 978-90-04-24990-5 (hardback : alk. paper) — ISBN 978-90-04-24991-2 (e-book) 1. City planning—China. 2. Urbanization—China. 3. Public spaces—China. I. So, Billy K. L. (Billy Kee Long), 1952– II. Zelin, Madeleine. HT169.C6N49 2013 307.1’2160951—dc23 2012051074 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. ISSN 2212-1730 ISBN 978-90-04-24990-5 (hardback) ISBN 978-90-04-24991-2 (e-book) Copyright 2013 by Koninklijke Brill NV, Leiden, The Netherlands. -
Communication, Empire, and Authority in the Qing Gazette
COMMUNICATION, EMPIRE, AND AUTHORITY IN THE QING GAZETTE by Emily Carr Mokros A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland June, 2016 © 2016 Emily Carr Mokros All rights Reserved Abstract This dissertation studies the political and cultural roles of official information and political news in late imperial China. Using a wide-ranging selection of archival, library, and digitized sources from libraries and archives in East Asia, Europe, and the United States, this project investigates the production, regulation, and reading of the Peking Gazette (dibao, jingbao), a distinctive communications channel and news publication of the Qing Empire (1644-1912). Although court gazettes were composed of official documents and communications, the Qing state frequently contracted with commercial copyists and printers in publishing and distributing them. As this dissertation shows, even as the Qing state viewed information control and dissemination as a strategic concern, it also permitted the free circulation of a huge variety of timely political news. Readers including both officials and non-officials used the gazette in order to compare judicial rulings, assess military campaigns, and follow court politics and scandals. As the first full-length study of the Qing gazette, this project shows concretely that the gazette was a powerful factor in late imperial Chinese politics and culture, and analyzes the close relationship between information and imperial practice in the Qing Empire. By arguing that the ubiquitous gazette was the most important link between the Qing state and the densely connected information society of late imperial China, this project overturns assumptions that underestimate the importance of court gazettes and the extent of popular interest in political news in Chinese history.