DOCSLIB.ORG

Alumni Events

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Alumni Events APRIL JUNE Black and Latino Senior Reception Retriever Club Golf Classic Winter 2009 MAGAZINE April 23, 2009 June 15, 2009 ALUMNI 6-8 p.m. 11 a.m. Tee-off The Skylight Room, UMBC Commons Rolling Road Golf Club, Catonsville The Chapter of Black and Latino Alumni and the Mosaic: Hit the links at this popular annual day of golf and Culture and Diversity Center will host a reception support UMBC Athletics in the process. The day includes celebrating the achievements of the Class of 2009. If you a full round of golf, raffles and other activities. Contact would like to attend the reception, please contact Stanyell Kevin Gibbons-O’Neill at [email protected] for EVENTS Bruce in the Office of Alumni Relations at bruce@umbc. more information. $ edu or 410-455-2632 no later than March 31, 2009. UMBC Night at Camden Yards MARCH Job Security Workshop June 16, 2009 April 24 and 27, 2009 Bullpen party 5:35 p.m., Game 7:05 p.m. Alumni Regional Networking Night 9 a.m.-5 p.m. Camden Yards, Baltimore March 25, 2009 Commons 318 Join the UMBC Alumni Association for a night of Even in uncertain times, employers are always looking for baseball as the Orioles take on the New York Mets. 6-8 p.m. (Remarks at 7 p.m.) good talent and new employees who are excited by what Space is limited, so please register early. $ National Cryptologic Museum, they do. This two-day workshop will help you tap into that Fort George G. Meade http://retrievernet.umbc.edu/baseball The Alumni Association invites alumni living and working potential so you can take charge of your own life. $ in Anne Arundel County for a night of networking at http://careers.umbc.edu/alumni/ds.php the National Cryptologic Museum (adjacent to NSA STAY CONNECTED With headquarters), the nation’s first and only public museum in the intelligence community. Catch a glimpse into MAY RETRIEVER NET the secret world of ciphers and codes, while enjoying Check out Retriever Net, UMBC’s online alumni great food and conversation. We will also take this May Grads Day community, to stay up-to-date on news and events, search opportunity to highlight some of the university’s special May 2, 2009 for other alumni, update your contact info, create an projects and recognize and celebrate our alumni working alumni e-mail forwarding account, find career contacts, in government and defense industries, including NSA, UMBC Alumni House learn about exclusive alumni discounts and more! NASA, Northrop Grumman and Lockheed Martin. $ Join us in welcoming the Class of 2009 as the newest members of the UMBC Alumni Association. Meet and http://retrievernet.umbc.edu http://retrievernet.umbc.edu/cryptologic connect with the seniors while enjoying sporting games and a BBQ! Stay tuned for more information. $ 4th Annual Wine Tasting March 27, 2009 http://retrievernet.umbc.edu/maygradsday 7-10 p.m. Jazz Brunch Baltimore Museum of Industry, Baltimore May 31, 2009 Join the Chapter of Young Alumni for this year’s wine tasting at the Baltimore Museum of Industry. We are 11 a.m.-2 p.m. * PLACE FSC LOGO AND bringing back the silent auction, so be prepared to bid on The Rusty Scupper, Baltimore ECON INFO HERE* a multitude of wonderful items. Due to the nature of this The Chapter of Black and Latino Alumni invites you event, all participants must be 21. Proceeds will support to a Sunday brunch at the Rusty Scupper, located in the Alumni Association Scholarship and the Esperanza Baltimore’s Inner Harbor. Enjoy a delicious brunch Endowment. RSVP no later than March 13. $ while listening to a live jazz band. RSVP no later than May 22. $ http://retrievernet.umbc.edu/winetasting http://retrievernet.umbc.edu/jazzbrunch UMBC MAGAZINE 1000 Hilltop Circle Baltimore, MD 21250 McCain’s War Room | Speaking Out on Autism | Women & Politics Sondheim Scholar Ari Ne’eman’s Because you believe in the power of path has led him through misdiagnoses of his Asperberger’s Syndrome and exile from mainstream schooling to BIG IDEAS… academic success at UMBC and burgeoning success as a voice for autistics. PLUS: Pulitzer Prize-winner Joel N. Shurkin examines what science 18 is telling us about autism. Abnormal Aspirations by Mat Edelson …you supply the electricity. Last year, alumni support of the UMBC Annual Fund made a direct impact on our students, helping to fund scholarships, 2009 Annual introductory course redesign, living learning communities, Fund Progress career services and more. 2500 In our rapidly changing world, UMBC continues to lead the way 2000 by nurturing students with big ideas. But we can’t do it alone. 1500 Every gift matters. Become a lasting part of UMBC’s legacy by making a gift to the UMBC Annual Fund today. 1000 The UMBC Annual Fund goal this year is to reach 2,500 alumni donors. With 1,541 gifts and pledges to date, we’re already more than halfway 500 there. Please help us meet our goal. 0 www.umbc.edu/exceptional Goal Pledges Donors www.umbc.edu/magazine CONTENTS Kevin “Kal” Kallaugher reached the pinnacle departments of success in political cartooning. As an artist- in-residence at UMBC, he’s been pushing To You 2 the boundaries of his craft in a digital direction. Up on the Roof 3 By Richard Byrne ’86 The News 4 12 At Play 6 Kal On Campus Discovery 8 Hidden Treasure 25 Four UMBC alumnae talk about how they’ve broken ground in politics and their How To 32 thoughts about a bright future for women at the Class Notes 34 ballot box. PLUS: UMBC dean and political science professor Cheryl M. Miller Then and Now 46 examines women’s electoral aspirations in U.S. history. Over Coffee 48 26 By Richard Byrne ’86 Ballot Boxers When UMBC alumnus Benjamin Lloyd ’05 volunteered for the presidential campaign of Arizona Sen. John McCain, he never knew that he’d get to see the history-making campaign from the tumult of the candidate’s war room. on the cover By Richard Byrne ’86 Kevin “Kal” Kallaugher. The cover illustration was a collaboration 34 between Kal and Dan Bailey of the Imaging Research Center. Night Shift in the War Room Visit UMBC Magazine online at www.umbc.edu/magazine for plenty of web extras, including videos, photo slideshows, interviews, reader reactions and more! UMBC MAGAZINE | WINTER 2009 2 TO YOU Welcome to UMBC Magazine! The university has created this magazine to make connections. And, more specifically, reconnections. our staff I can modestly put myself forward as one of those Editor reconnections. I graduated from UMBC in December 1986 Richard Byrne ’86, English with a degree in English. I spent a lot of time away from the Consulting Editor university’s orbit – in St. Louis, Prague, Sarajevo, Belgrade Sue De Pasquale – pursuing a career in journalism and creative writing. And while I valued the education that UMBC gave me, I had essentially disconnected. Associate Editor Jenny O’Grady A few years ago, I moved back to this area and went to work at The Chronicle of Higher Education. In the course of my work there, I came back to UMBC for a visit and Design Director was bowled over by the changes that had occurred on campus in the 15 years since I Jim Lord ’99, visual arts had graduated. Designers The UMBC I left in 1986 was a good state university that catered largely to commuters Michelle Jordan ’93, visual arts – many of whom had the gumption and tenacity to obtain their degrees as they worked Erin Ouslander ’03, visual arts full or part-time jobs. It had a terrific (and underrated) faculty and staff, but it also had self-esteem issues. It was rare, for instance, to see students wear UMBC gear UMBC News Staff around campus. B. Rose Huber Mike Lurie The UMBC that I saw on my return earlier this decade had impressive new buildings – Kavan Peterson and a soaring reputation for excellence in research, teaching and diversity. On-campus Chip Rose life was more vibrant. I heard multiple languages in the Commons. I saw lots of black and gold. Contributing Writers In short, I was proud that I had attended UMBC and proud of what it had become. And T. DeLene Beeland when the opportunity to edit this magazine came to my attention last summer, I jumped Joseph Cooper ’08 at it. I reconnected. Mat Edelson Lila Guterman If you’re holding this publication, you are likely one of our growing number of alumni. Amanda Haag Mascarelli The university has invested in this magazine to reconnect with you. We want to tell Joel N. Shurkin you what’s going on here at UMBC right now: plug you in to the university’s research, Al Staropoli teaching and student life. We also want share some of the pride in the university’s past Kaitlin Taylor ’09 accomplishments and its future endeavors. Contributing Photographers But reconnection is never a one-way street. We have provided numerous spaces – in the Bruce Beard magazine itself and on our Web site – for you, our alumni, to tell us your stories in class Chris Hartlove notes and in first-person essays, and to give us the feedback and ideas that will be so Jim Lord ’99 crucial to this publication’s success. Erin Ouslander ’03 We hope you enjoy UMBC Magazine. And we hope it spurs you to use this place to Administration reconnect: Ask questions. Get involved. Find old friends – and make new ones – across Greg Simmons ’04, M.P.P.
Load more

Recommended publications
  • A Film by Chris Hegedus and D a Pennebaker
    a film by Chris Hegedus and D A Pennebaker 84 minutes, 2010 National Media Contact Julia Pacetti JMP Verdant Communications [email protected] (917) 584-7846 FIRST RUN FEATURES The Film Center Building, 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] PRAISE FOR KINGS OF PASTRY “The film builds in interest and intrigue as it goes along…You’ll be surprised by how devastating the collapse of a chocolate tower can be.” –Mike Hale, The New York Times Critic’s Pick! “Alluring, irresistible…Everything these men make…looks so mouth-watering that no one should dare watch this film on even a half-empty stomach.” – Kenneth Turan, Los Angeles Times “As the helmers observe the mental, physical and emotional toll the competition exacts on the contestants and their families, the film becomes gripping, even for non-foodies…As their calm camera glides over the chefs' almost-too-beautiful-to-eat creations, viewers share their awe.” – Alissa Simon, Variety “How sweet it is!...Call it the ultimate sugar high.” – VA Musetto, The New York Post “Gripping” – Jay Weston, The Huffington Post “Chris Hegedus and D.A. Pennebaker turn to the highest levels of professional cooking in Kings of Pastry,” a short work whose drama plays like a higher-stakes version of popular cuisine-oriented reality TV shows.” – John DeFore, The Hollywood Reporter “A delectable new documentary…spellbinding demonstrations of pastry-making brilliance, high drama and even light moments of humor.” – Monica Eng, The Chicago Tribune “More substantial than any TV food show…the antidote to Gordon Ramsay.” – Andrea Gronvall, Chicago Reader “This doc is a demonstration that the basics, when done by masters, can be very tasty.” - Hank Sartin, Time Out Chicago “Chris Hegedus and D.A.
    [Show full text]
  • The Origins and Impact of Environmental Conflict Ideas
    STRATEGIC SCARCITY: THE ORIGINS AND IMPACT OF ENVIRONMENTAL CONFLICT IDEAS Elizabeth Hartmann Development Studies Institute London School of Economics and Political Science Submitted for the degree of PhD 2002 1 UMI Number: U615457 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615457 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 rM£ S£S F 20 ABSTRACT Strategic Scarcity: The Origins and Impact of Environmental Conflict Ideas Elizabeth Hartmann This thesis examines the origins and impact of environmental conflict ideas. It focuses on the work of Canadian political scientist Thomas Homer-Dixon, whose model of environmental conflict achieved considerable prominence in U.S. foreign policy circles in the 1990s. The thesis argues that this success was due in part to widely shared neo-Malthusian assumptions about the Third World, and to the support of private foundations and policymakers with a strategic interest in promoting these views. It analyzes how population control became an important feature of American foreign policy and environmentalism in the post-World War Two period. It then describes the role of the "degradation narrative" — the belief that population pressures and poverty precipitate environmental degradation, migration, and violent conflict — in the development of the environment and security field.
    [Show full text]
  • The Rise of Talk Radio and Its Impact on Politics and Public Policy
    Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox.
    [Show full text]
  • Coming Into Frame
    The Independent Weekly: Coming into Frame http://indyweek.com/durham/2004-04-07/ae.html Advertisement Coming into Frame A conference at Duke Law School looks at how filmmakers and musicians get in trouble with the law B Y F I O N A M O R G A N Documentary films are records of our culture, and as they gain popularity, they're also becoming a hybrid of information and entertainment, a viable venue for alternative ideas and cultural criticism. But documenting a culture full of copyrighted images, sounds, words and ideas can be legally treacherous. April 7, 2004 Duke Law School added another A R T S F E A T U R E dimension to the Full Frame Documentary Film Festival by hosting "Framed!" a day-long conference on "how law constructs and constrains culture." It brought faculty at the law school together with filmmakers, entertainment lawyers, academics and others to discuss how legal issues affect the practical and creative concerns of making films and music. The day reached its climax when a musician cursed out a lawyer in the audience. Chris Hegedus, co-director of The War Room and Startup.com, showed footage from several of the films she made with her husband and creative partner D.A. Pennebaker, who sat in the audience--along with the couple's attorney. A clip from Startup.com captured the enthusiasm of the dotcom boom by following two entrepreneurs to a fast food restaurant, where one sings along with the Billy Joel song "Piano Man." Hegedus loved the scene, but couldn't afford to license the song.
    [Show full text]
  • Unlocking the Cage
    UNLOCKING THE CAGE A film by Chris Hegedus and D A Pennebaker Running Time: 91 minutes filmswelike CANADIAN DISTRIBUTION Films We Like Bookings and Inquries: [email protected] UNLOCKING THE CAGE A film by Chris Hegedus and D A Pennebaker LOGLINE Unlocking the Cage follows animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans, by filing the first lawsuits that seek to transform a chimpanzee from a “thing” with no rights to a “person” with legal protections. SYNOPSIS Unlocking the Cage follows animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans. After 30 years of struggling with ineffective animal welfare laws, Steve and his legal team, the Nonhuman Rights Project (NhRP), are making history by filing the first lawsuits that seek to transform an animal from a “thing” with no rights to a “person” with legal protections. Supported by affidavits from primatologists around the world, Steve maintains that, based on scientific evidence, cognitively complex animals such as chimpanzees, whales, dolphins and elephants have the capacity for limited personhood rights (such as bodily liberty) that would protect them from physical abuse. Using writs of habeas corpus (historically used to free humans from unlawful imprisonment), Wise argues on behalf of four captive chimpanzees in New York State. Unlocking the Cage captures a monumental shift in our culture, as the public and judicial system show increasing receptiveness to Steve’s impassioned arguments. It is an intimate look at a lawsuit that could forever transform our legal system, and one man’s lifelong quest to protect “nonhuman” animals.
    [Show full text]
  • The Collapse of Media Gatekeeping and the Clinton–Lewinsky Scandal
    University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication 1-1-2000 Unchained Reaction: The Collapse of Media Gatekeeping and the Clinton–Lewinsky Scandal Bruce A. Williams University of Illinois Michael X. Delli Carpini University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Part of the Communication Commons Recommended Citation Williams, B. A., & Delli Carpini, M. X. (2000). Unchained Reaction: The Collapse of Media Gatekeeping and the Clinton–Lewinsky Scandal. Journalism, 1 (1), 61-85. https://doi.org/10.1177/146488490000100113 NOTE: At the time of publication, the author Michael X. Delli Carpini was affiliated with Pew Charitable Trusts. Currently, January 2008, he is a faculty member of the Annenberg School for Communication at the University of Pennsylvania. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/6 For more information, please contact [email protected]. Unchained Reaction: The Collapse of Media Gatekeeping and the Clinton–Lewinsky Scandal Abstract In this article we use the Clinton–Lewinsky scandal to illustrate a fundamental change in the contemporary American media environment: the virtual elimination of the gatekeeping role of the mainstream press. The new media environment, by providing virtually unlimited sources of political information (although these sources do not provide anything like an unlimited number of perspectives), undermines the idea that there are discrete gates through which political information passes: if there are no gates, there can be no gatekeepers. This article is part of a larger project in which we argue that alterations in the media environment have eroded the always uneasy distinction between news and entertainment.
    [Show full text]
  • Elondocs Docfilmmaker DVD
    Contents Introduction to Documentary Film What is Documentary? (2:37) Why Documentary Matters (4:55) Why they make films (3:45) A Student of Film (2:37) Story Finding Good Stories (4:18) Finding Good People (2:14) Story into film (3:25) First Person Perspective (3:12) Shooting & Editing Sound & Picture (8:32) Editing (5:18) Screening your rough cut (1:08) Legal Issues Releases & Clearances (3:28) Fair Use (1:52) Music (2:38) Ethics General Ethics (4:21) Specific Ethics (7:30) Financial & Distribution Getting Your Film Made (7:30) Getting Your Film Out There (4:06) Documentary Filmmaking: Tips from the Trenches Every year I attend the Full Frame documentary film festival in Durham, North Carolina, bringing a group of students from Elon University. Without fail, we return from the Festival energized by the films and inspired by the expert advice from filmmakers. So I started thinking about ways to recreate that energy in the class- room, eventually arriving at the concept for this DVD. This DVD is a chance to hear from emerging and seasoned filmmakers as they discuss technical, legal, ethical and busi- ness issues of documentary film. It was created to be watched in brief topical sections, although it can also be watched straight through. We’ve organized the subjects as they might be encoun- tered in creating a film, from finding good stories to getting your film out there. This booklet also contains short discussion ques- tions to be used in class or by aspiring filmmakers to think more about the ideas and insights offered by our interviewees.
    [Show full text]
  • Campaign Documentaries: Behind-The-Scenes Perspectives Make Useful Teaching Tools
    Social Education 76(4), pp 182–186 ©2012 National Council for the Social Studies Campaign Documentaries: Behind-the-Scenes Perspectives Make Useful Teaching Tools David Wolfford Over the last 20 years, independent filmmakers have produced insightful alcohol, while riding emotional ups and documentaries of high profile political campaigns with behind-the-scenes footage. downs into a slap-happiness that enter- These documentaries offer inside looks and unique perspectives on electoral politics. tains the viewer. This campaign season, consider The War Room; A Perfect Candidate; Journeys With All films follow a similar chronolo- George; Chisholm ’72; Street Fight; and By the People as effective teaching tools for gy—from the candidate’s announcement conveying the complex issues and events related to political campaigns and elections. through the election—with a competi- tive narrative. A Perfect Candidate and Each of the above mentioned films are and TV advertising, while containing Street Fight, which covers a Newark artifacts of modern American political conflict, suspense, and emotional twists. mayoral race, sum up and analyze less- history. They reveal the intricacies of The films illustrate the rigors of cam- er-known elections, drawing students our electoral institutions, are worthy paigning, the irregular lifestyle, and the in as they look toward the resolution. of review and discussion in political personalities who take up the cause. If you find suspense a useful hook in science or other social studies classes, In both The War Room, which cap- your class, ask students to refrain from and can also help teachers cover state tures Bill Clinton’s 1992 run, and A Googling the election’s outcome until and national standards.
    [Show full text]
  • When Is It Date Rape? Vivant
    Popcorn jumps to forefront Wildcats scratch of nutritious snacks (;. Hens' streak <';c . ~. page 11 page 3 ¢; -~ page 15 Low demand for recycled materials causes dilemma By linda Anderson plastics and olher recyclable items. The oversupply problem arose because manufactured ones because lhey are not Copy Editor Osterchrist said that nationwide, about of pressure to get consumers to recycle, produced in the same quantities, so the Lack of consumer Recycling programs increased 60 percent more items, mainl y pl ast ics said David Dean, superintendent of solid cost per item is higher for recycled dramatically over lhe last five years, but and newspapers, are collected than can be waste for Cecil County. But he said very products. But manufacturers will not interest leads to an the markets for some recycled materials little effort was made to create end increase their production unless markets have not, making disposal of tons of markets for lhe recycled products. demand it. collected items difficult and causing such • News analysis Dean said markets will not be created Solid waste officials see two ways to overflow of collected programs to lose money. until prices for recycled products are low convince manufacturers to use more "There is an imbalance between the • See editorial page 6 enough to rival prices of mass-produced recycied materials: legislation and plastics and amounts of items collected and what ones. consumer voting power. industry is prepared to accept for sold. Until that imbalance is reduced, "The average person, as long as the Dean said the government is the recycling," said Peter F. Osterchrist, collection companies can only process quality is good, will go for the least nation's largest consumer, and could newspapers chairman of the board of Polymer and stockpile lhe items until markets are expensive item," he said.
    [Show full text]
  • Youssou Ndour: I Bring What I Love
    YOUSSOU NDOUR: I BRING WHAT I LOVE Directed and Produced by Elizabeth Chai Vasarhelyi Publicity Outreach & Promotion: Distributor: (National, NY, LA): Karen O’Hara Ken Eisen Frank Lomento O’Hara Promotions Shadow Distribution 42 West 520-326-0813 207-872-5111 646-467-9056 [email protected] [email protected] [email protected] SHORT SYNOPSIS Youssou Ndour: I Bring What I Love is a music-infused cinematic journey about the power of one man’s voice to inspire change. One of Time magazine’s100 most influential people in the world and called “the rare rock star whose music matters,” Senegalese singer Youssou Ndour is beloved internationally and at home. In 2005, the Grammy- winning artist defied expectations and produced his most personal album, Egypt, presenting his Islamic faith as a peaceable and tolerant religion. While the record received international acclaim, it was denounced as blasphemy in his native Senegal. Director Chai Vasarhelyi follows Ndour for over two years, filming in Africa, Europe, and America, to tell the story of how he faces these challenges and eventually wins over audiences both at home and abroad. DIRECTOR’S STATEMENT A friend introduced me to Youssou’s music six months before I started shooting this film. I didn’t understand a word, but it didn’t matter. His songs were magic, and gave me the idea for a big, beautiful film about Africa. At the time, I felt helpless and frustrated by the political situation in the world. Youssou and his actions, however, constantly defy the sentiment that we, as individuals, are unable to create change.
    [Show full text]
  • HI 230 B1: Politics and the Media in Twentieth-Century U.S. History Spring 2017 EPC 205, T/Th 9:30-10:45 Am Professor Eric Jarvi
    HI 230 B1: Politics and the Media in Twentieth-Century U.S. History Spring 2017 EPC 205, T/Th 9:30-10:45 am Professor Eric Jarvis 226 Bay State Road, Room 307 Phone: 617-353-8303 Email: [email protected] Office Hours: Tuesdays, 11:30 am-1 pm, Thursdays, 3:30-5 pm, and by appointment Teaching Fellow: Jeanna L. Kinnebrew 226 Bay State Road, Room B01 Email: [email protected] Office Hours: Tuesdays and Thursdays, 2-3:30 pm, and by appointment Teaching Fellow: Megan LeBarron 226 Bay State Road, Room B09 Email: [email protected] Office Hours: Tuesdays and Thursdays, 11 am-12:30 pm, and by appointment Course Description: This course examines how the media has shaped the modern American political landscape, including electoral campaigns, voter attitudes, and policies. Key course themes include the following: the role that journalists have played in motivating public discourse and political action on social, economic, and racial issues; conceptions of the media as a democratic or anti-democratic influence on U.S. politics; various “myths” of the power of the media; the role of the media in the construction of American nationhood; government management of the news; and the evolving relationship between the media and the presidency. Course Organization/Requirements: This course requires a good deal of reading and writing along with your active participation in class discussions. For each class, you should arrive prepared to discuss the assigned readings or films. Class meetings will mix lectures with discussions of assigned readings and films and occasionally introduce additional primary and secondary sources.
    [Show full text]
  • At Clinton HQ, Washington Operatives Get a Taste of America
    Page 1 14 of 15 DOCUMENTS The Washington Post October 2, 1992, Friday, Final Edition Little Rock, Where Spin Meets Homespun; At Clinton HQ, Washington Operatives Get a Taste of America Joel Achenbach, Washington Post Staff Writer SECTION: STYLE; PAGE C1 LENGTH: 3054 words DATELINE: LITTLE ROCK, Ark. This is the unWashington. People don't walk fast. They don't have car faxes. They don't have the classic Washington attitude of I'll give up my cellular phone when they pry it from my cold, dead fingers. Breathe the air: The absence of power and influence is detoxifying. The only sign of monumentalism is the requisite dome on the state Capitol. The last really important thing that happened here was in 1957, a civil rights riot down at the local high school (that is, until this Nov. 3, when, just maybe, there might be something new to talk about). Today the citizens are so friendly that total strangers act like they want to give you a big ol' bear hug. When Clinton aide Jacquelyn Davis's car was hit in the parking lot, she found a note saying, "I am so so so so terribly sorry I hit your car. Here is my name and number... ." The closest thing to a power lunch spot is Your Mama's. "Your Mama's Good Food" says the sign on the window. A plate of meatloaf, turnip greens, purple hull peas and corn bread costs $ 3.99. The place, a humble storefront next to a Kinko's copy center on Louisiana Street, opens at 11 and closes three hours later, and in between there's always a confab of Clinton campaigners with elbows on the checkerboard tablecloths.
    [Show full text]