Photo Credits Typically Run Sideways up the Border of the Image, Or Appear in the Gutter Or on Another Page Altogether
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Each Wild Idea: Writing, Photography, History
e “Unruly, energetic, unmastered. Also erudite, engaged and rigorous. Batchen’s essays have arrived at exactly the e a c h w i l d i d e a right moment, when we need their skepticism and imagination to clarify the blurry visual thinking of our con- a writing photography history temporary cultures.” geoffrey batchen c —Ross Gibson, Creative Director, Australian Centre for the Moving Image h In Each Wild Idea, Geoffrey Batchen explores widely ranging “In this remarkable book, Geoffrey Batchen picks up some of the threads of modernity entangled and ruptured aspects of photography, from the timing of photography’s by the impact of digitization and weaves a compelling new tapestry. Blending conceptual originality, critical invention to the various implications of cyberculture. Along w insight and historical rigor, these essays demand the attention of all those concerned with photography in par- the way, he reflects on contemporary art photography, the role ticular and visual culture in general.” i of the vernacular in photography’s history, and the —Nicholas Mirzoeff, Art History and Comparative Studies, SUNY Stony Brook l Australianness of Australian photography. “Geoffrey Batchen is one of the few photography critics equally adept at historical investigation and philosophi- d The essays all focus on a consideration of specific pho- cal analysis. His wide-ranging essays are always insightful and rewarding.” tographs—from a humble combination of baby photos and —Mary Warner Marien, Department of Fine Arts, Syracuse University i bronzed booties to a masterwork by Alfred Stieglitz. Although d Batchen views each photograph within the context of broader “This book includes the most important essays by Geoffrey Batchen and therefore is a must-have for every schol- social and political forces, he also engages its own distinctive ar in the fields of photographic history and theory. -
SAY NO to the LIBERAL MEDIA: CONSERVATIVES and CRITICISM of the NEWS MEDIA in the 1970S William Gillis Submitted to the Faculty
SAY NO TO THE LIBERAL MEDIA: CONSERVATIVES AND CRITICISM OF THE NEWS MEDIA IN THE 1970S William Gillis Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the School of Journalism, Indiana University June 2013 ii Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee David Paul Nord, Ph.D. Mike Conway, Ph.D. Tony Fargo, Ph.D. Khalil Muhammad, Ph.D. May 10, 2013 iii Copyright © 2013 William Gillis iv Acknowledgments I would like to thank the helpful staff members at the Brigham Young University Harold B. Lee Library, the Detroit Public Library, Indiana University Libraries, the University of Kansas Kenneth Spencer Research Library, the University of Louisville Archives and Records Center, the University of Michigan Bentley Historical Library, the Wayne State University Walter P. Reuther Library, and the West Virginia State Archives and History Library. Since 2010 I have been employed as an editorial assistant at the Journal of American History, and I want to thank everyone at the Journal and the Organization of American Historians. I thank the following friends and colleagues: Jacob Groshek, Andrew J. Huebner, Michael Kapellas, Gerry Lanosga, J. Michael Lyons, Beth Marsh, Kevin Marsh, Eric Petenbrink, Sarah Rowley, and Cynthia Yaudes. I also thank the members of my dissertation committee: Mike Conway, Tony Fargo, and Khalil Muhammad. Simply put, my adviser and dissertation chair David Paul Nord has been great. Thanks, Dave. I would also like to thank my family, especially my parents, who have provided me with so much support in so many ways over the years. -
Westminster Research
Westminster Research http://www.westminster.ac.uk/research/westminsterresearch Picturing the World's news: news photography, cultural production, Thomson Reuters and the international process of news making Jonathan Ilan School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2012. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e- mail [email protected] Picturing the World’s News: News Photography, Cultural Production, Thomson Reuters and the International Process of News Making Jonathan Ilan A thesis in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy February 2012 Abstract In this research the production process of news pictures at Thomson Reuters international multimedia news agency is examined along its ‘local’ and ‘international’ key moments and sites, and the career of Reuters photographs- from the moment they are conceived as ideas to their purchase- is followed and explored at the ways that at every stage they are used, chosen, sold and processed as 'Reuters' products. -
QUARTERLY JOURNAL of ECONOMICS Vol
THE QUARTERLY JOURNAL OF ECONOMICS Vol. CXX November 2005 Issue 4 Downloaded from A MEASURE OF MEDIA BIAS* TIM GROSECLOSE AND JEFFREY MILYO We measure media bias by estimating ideological scores for several major http://qje.oxfordjournals.org/ media outlets. To compute this, we count the times that a particular media outlet cites various think tanks and policy groups, and then compare this with the times that members of Congress cite the same groups. Our results show a strong liberal bias: all of the news outlets we examine, except Fox News’ Special Report and the Washington Times, received scores to the left of the average member of Congress. Consistent with claims made by conservative critics, CBS Evening News and the New York Times received scores far to the left of center. The most centrist media outlets were PBS NewsHour, CNN’s Newsnight, and ABC’s Good Morning Amer- ica; among print outlets, USA Today was closest to the center. All of our findings at University of Rochester on October 23, 2014 refer strictly to news content; that is, we exclude editorials, letters, and the like. “The editors in Los Angeles killed the story. They told Witcover that it didn’t ‘come off’ and that it was an ‘opinion’ story....Thesolution was simple, they told him. All he had to do was get other people to make the same points and draw the same conclusions and then write the article in their words” (empha- sis in original). Timothy Crouse, Boys on the Bus [1973, p. 116]. Do the major media outlets in the U. -
Increasing Contribution of News Photo Agencies Into Journalism by Evolving Technology
The Online Journal of Communication and Media – April 2015 Volume 1, Issue 2 INCREASING CONTRIBUTION OF NEWS PHOTO AGENCIES INTO JOURNALISM BY EVOLVING TECHNOLOGY Assist.Prof. Dr. Kerim KARAGÖZ1, Prof.Dr. Özer KANBUROĞLU2 1,2Kocaeli University, Turkey [email protected],[email protected] Abstract:The publication of news photos in the journals directly begun in the beginning of 20th Century although news photos had emerged as a profession in the last quarter of 19th century. At the same time, the photos taken immediately distributed among and used in different media organs. In the beginning, the news were distributed by using a specific technique in the emerging agencies, before the photos. The economic reasons were determining factors at establishment of the news agencies in different European countries and in Northern America. Before that, hand-written commercial news letters were disseminated by copying them again by hand-writing. The qualified news coming on time in commercial and capitalist system became important as much as production. Thus, the new circles and groups emerged which were ready to pay for reaching quickly to news. When those increased in numbers, it was realized that the dissemination of news to large areas could be a profitable job. Consequently, the ‘news agencies’ as institutions emerged as a response to a rising need. Today, the news agencies with specific responsibilities in the global communication network just transmit the news and visual material. But some agencies only work on the photos. These agencies transmit photos to all news centers in a short time by connecting with a contracted photographer in that region, or in a region close to the event. -
Documenting Investigative Visits to Non- Residential Addresses Claimed by Registered Voters in Southern Nevada and Pittsburgh, Pennsylvania
No. 20-1598 In the Supreme Court of the United States __________________________________________________________ PROJECT VERITAS ACTION FUND, Petitioner, v. RACHEL S. ROLLINS, IN HER OFFICIAL CAPACITY AS DISTRICT ATTORNEY FOR SUFFOLK COUNTY, MASSACHUSETTS, Respondent. ________________________________________ ON PETITION FOR WRIT OF CERTIORARI TO THE U.S. COURT OF APPEALS FOR THE FIRST CIRCUIT __________________________________________________________ AMICUS BRIEF OF ACCURACY IN MEDIA, COOLIDGE-REAGAN FOUNDATION, LEADERSHIP INSTITUTE, AND PUBLIC INTEREST LEGAL FOUNDATION IN SUPPORT OF PETITION FOR WRIT OF CERTIORARI __________________________________________________________ DAN BACKER* CHALMERS & ADAMS LLC 441 N. LEE ST., SUITE 300 Alexandria, VA 22314 (202) 210-5431 [email protected] Counsel of Record for Amici Curiae LEGAL PRINTERS LLC ! Washington, DC ! 202-747-2400 ! legalprinters.com TABLE OF CONTENTS Page TABLE OF AUTHORITIES .................................... iii INTERESTS OF AMICI CURIAE ........................... 1 SUMMARY OF ARGUMENT .................................. 2 STATEMENT OF THE CASE ................................. 4 ARGUMENT .............................................................. 7 I. THIS COURT SHOULD GRANT CERTIORARI TO AFFIRM THE FUNDAMENTAL FIRST AMENDMENT RIGHT TO SURREPTITIOUSLY RECORD GOVERNMENT OFFICIALS AND EMPLOYEES. ............................................ 7 A. This Court Should Hold that the Right to Record in a Place Where a Person Otherwise Has the Right to Be Present is a Form of -
An Examination of the Concept of Objectivity
National Llbrary BHIW~&nationale 1*1 of Canada du Canada Canadian Theses Service Service des theses canadiennes Onawa, Can& K1 A OFJ4*, NOTICE The quality of this microform is heavily dependem.upon the Laqualit6 de cette microforme depend grandernent de la quality of the ong'.~althesis submitted for microfilming. qualitb de la these soumise au microfilmage. Nous avons Every effcrt has been made to ensure the highest quality of tout fait pour assurer une qualit6 supbrieure de reproduc. reproduction possible. tion. I! pages are missing, contact the university whic dgranted S'il manque des pages, vwillez mmmuniquer avec the degree. I'universit6 qui a confkrb le grade. Some pages may have indistinct print especially if the La qualit6 d'impress~onde certaines pages peut laisser a onginal pages were typed with a prtypewriter ribbon or desirer, surtout si les pages originales ont 616 dactylogra- it the university sent us an inferior photmpy. phitiles A-raide d'un ruban us6 ou si runiversitb nous a talt parvenir une photocopie de qualit6 inferieure. keproduction tn fult or in part of th~smicroform is La reproduction, mCme partielle, de cette microforme est by the Canadran Copyright Act, R S C. 1970, c. remed30, and soumise a la Loi canadienne sur le droit d'auteur, SRC subsequent amendments. 1970, c C-30, et ses amendements bubsbquents OWECt IVITY IS A,MERICAN JOURSALISM \ B.A.. Beijing Broadcasting Ihrtiture, 1984 THESIS SL-BMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF .M.ASTER OF ARTS (COMMUNICATION) in the DepartmenP of Communication Zhao Yuezhi 1989 S1;LIOY FRXSER UNIVERSITY April 1989 .+!I rights reserved. -
Trust and Journalism in a Digital Environment
Trust and Journalism in a Digital Environment Paper Bernd Blöbaum Reuters Institute for the Study of Journalism 2014 2 Acknowledgments The major part of this paper has been written in the upper reading room of the Bodleian Library in Oxford. I am very grateful for having the privilege to work as Visiting Fellow at the Reuters Institute for the Study of Journalism at Oxford University during Trinity term 2013. David Levy, Robert Picard, Nael Jebril and the other researchers, visiting fellows and journalism fellows as well as the administrative staff of the institute provided an inspiring and supporting environment for my research. Many thanks to all of them (and to Hannah Middendorf (University of Münster) for language editing). The Reuters Institute is an exceptional place to study with special people who explore the different forms of journalism and its changes with great passion. You can trust them. 3 Content Acknowledgments ................................................................................................................................... 3 List of figures ........................................................................................................................................... 5 List of tables ............................................................................................................................................ 6 Introduction ............................................................................................................................................. 7 1. Journalism -
William James Warren Photojournalism Photoillustration 5342 Don Ricardo Drive Carlsbad, California 92010 760.213.9986 [email protected] November, 2008
William James Warren Photojournalism Photoillustration 5342 Don Ricardo Drive Carlsbad, California 92010 760.213.9986 [email protected] November, 2008 R E S U M E 1942 Born in Los Angeles, the only child of an aircraft engineer, inventor & fine cabinetmaker. Mother was an office manager, inveterate reader & correspondent with a love of humor & classical music. My career as a photojournalist began as a child, before TV, visualizing the world at large through the pages of Life Magazine and National Geographic. Robert Capa, et al, made heroic role models, with the ability to influence events through the power of their imagery. The empathy, drama, passion of the masters, (W. Eugene Smith foremost), I absorbed by osmosis. This was about the extent of my education in photography. 1960 My senior year in High School, a fellow nerd cohort was given a Leica by his folks; an instant ticket to social status and identity as an Official Photographer to the Year Book! I was envious. With a camera around my neck, I imagined, I would have a raison d'être; an identity, a means of expression, and means of looking cool to females. I left some photography magazines around the house, in spoiled reliance on the gift giving patterns of my parents. In the fullness of time (next Christmas), I became the proud owner of a 35mm 'Petri' range finder camera! The Leica would follow, after I had demonstrated that my interest was other than mercurial as I vacillated between careers in Art and Rocket Science. I set about learning how it worked in my preferred fashion, by experimentation. -
Advanced Visual Journalism
Advanced Visual Journalism: Photo J333G Monday/Wednesday 12 - 1:30pm BMC 3.210 Lab 1:30 - 3:00pm BMC 3.210 Office hours - Mon, Tue, Wed 3 - 4pm By appointment Spring Semester 2013 Professor Eli Reed [email protected] [email protected] [email protected] Class Assignments will be returned in a timely manner. (Mostly within one week of receiving assignment.) SYLLABUS: Course Description This syllabus should be viewed simply as a guide to this semester. A very serious guide as in ‒ there will be occasional sudden changes in the schedule at times that are part of the learning curve. Method: Regarding what is expected of students in this class -- Today's photojournalist needs to be able to stand out and above the mass of would be photojournalists who have not learned to tell stories with their cameras. There are quite a few ways to accomplish this and this class is designed to help you learn how to do this and at the same time place your personal imprint on the work that you want to produce. In today's world, everyone thinks that they are a great photographer because of cameras that do the technical side pretty well but smart cameras are not always smart and they do not teach you how to get close to your subjects and create meaningful and quality work. One of the many things that you will learn is how to rid yourself of the fears that prevent you from making intelligent choices within the sphere of your work. Patience and understanding goes a long way in helping the photographer go beyond the obvious. -
Brookings/Pew Research Center Forum
1 BROOKINGS/PEW RESEARCH CENTER FORUM THE BIENNIAL PEW MEDIA SURVEY: HOW NEWS HABITS CHANGED IN 2004 Tuesday, June 8, 2004 10:00 - 11:30 a.m. Washington, D.C. [TRANSCRIPT PRODUCED FROM A TAPE RECORDING] 2 C O N T E N T S Moderator: RON NESSEN Journalist in Residence, The Brookings Institution Presentation: ANDREW KOHUT Director, The Pew Research Center for the People and the Press Panelists: STEPHEN HESS Senior Fellow, Governance Studies, The Brookings Institution SUSAN PAGE Washington Bureau Chief, USA Today TOM ROSENSTIEL Director, Project for Excellence in Journalism 3 P R O C E E D I N G S MR. NESSEN: Good morning. Welcome to the Brookings Institution and welcome to this morning's forum, at which the Pew Research Center's biennial survey of the media habits of Americans is being released and discussed. This survey of 3,000 Americans was conducted between April 19th and May 12th. And we want to give a special welcome this morning to those who are watching the forum on C-SPAN. In case anyone here in the audience didn't get one, there are copies of the survey just outside--embargoed for 10 o'clock, and it is 10 o'clock, so the embargo has been lifted. For those of you who are watching at home, the results are available on the Pew Web site. You can link to it from the Brookings Web site. And also, by this afternoon, you'll find on the Brookings Web site a full transcript of this forum. Our format this morning will be, first of all, Andy Kohut, the director of the Pew Research Center for People and the Press, will announce and explain the findings of the survey. -
Book XVIII Prizes and Organizations Editor: Ramon F
8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................