THE FINNISH FANDOM All You Need to Know About It
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The Formation of Temporary Communities in Anime Fandom: a Story of Bottom-Up Globalization ______
THE FORMATION OF TEMPORARY COMMUNITIES IN ANIME FANDOM: A STORY OF BOTTOM-UP GLOBALIZATION ____________________________________ A Thesis Presented to the Faculty of California State University, Fullerton ____________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Geography ____________________________________ By Cynthia R. Davis Thesis Committee Approval: Mark Drayse, Department of Geography & the Environment, Chair Jonathan Taylor, Department of Geography & the Environment Zia Salim, Department of Geography & the Environment Summer, 2017 ABSTRACT Japanese animation, commonly referred to as anime, has earned a strong foothold in the American entertainment industry over the last few decades. Anime is known by many to be a more mature option for animation fans since Western animation has typically been sanitized to be “kid-friendly.” This thesis explores how this came to be, by exploring the following questions: (1) What were the differences in the development and perception of the animation industries in Japan and the United States? (2) Why/how did people in the United States take such interest in anime? (3) What is the role of anime conventions within the anime fandom community, both historically and in the present? These questions were answered with a mix of historical research, mapping, and interviews that were conducted in 2015 at Anime Expo, North America’s largest anime convention. This thesis concludes that anime would not have succeeded as it has in the United States without the heavy involvement of domestic animation fans. Fans created networks, clubs, and conventions that allowed for the exchange of information on anime, before Japanese companies started to officially release anime titles for distribution in the United States. -
The Drink Tank - the Hugo for Best Novel 2013 the Drink Tank 347 - the Hugo for Best Novel 2013
The Drink Tank - The Hugo for Best Novel 2013 The Drink Tank 347 - The Hugo for Best Novel 2013 Contents Cover by Bryan Little! “Hugo not bound by Space and Time” Page 2 - Table of Contents / Art Credits / This Stuff Captain Vorpatril’s Alliance “Contents” by Lois McMasters Bujold Page 3 On The Shortlist Page 19 - A Very Loosely Related Article by Steve Diamond (of Elitist Book Reviews) By Christopher J Garcia Art from Kurt Erichsen “Yeah, I’ve got nothing.” “I’ve read a lot of books...” Page 20 - A Review by Sara Dickinson “Insofar as suspense goes...” The Throne of the Crescent Moon Page 22 - 2 Reviews - by Saladin Ahmed By Liz Lichtfield Page 5 - A Very Loosely Related Article “This was entirely too funny for words.” by Christopher J Garcia By Kate “...some are hugely important symbols, while “Oh, this was funny...” others are just over-hyped chairs.” Page 6 - A Review by Juan Sanmiguel 2312 “It will be interesting to see were Ahmed will by Kim Stanley Robinson take us next.” Page 23 - A Very Loosely Related Article Page 7 - A Review by Mihir Wanchoo By Christopher J Garcia “The book’s size is definitely on the thinner “In 300 years, I will be 338.” side and this might be going against the norm...” Page 24 - A Review by Anne Charnock Page 10 - A Review by Nadine G. “...Robinson has written a humungous book...” “...just putting things in the desert doesn’t make Page 25 - A Review by Maria Tomchick a great book either.” “...the author could use a good editor...” Page 26 - A Review of Beth Zuckerman Blackout “I recommend this book even though it’s about by Mira Grant terrorism...” Page 11 - A Very Loosely Related Article By Christopher J Garcia Redshirts “...and over the radio system came a name - by John Scalzi Sunil Tripathi. -
Fafnir Cover Page 1:2018
NORDIC JOURNAL OF SCIENCE FICTION AND FANTASY RESEARCH Volume 5, issue 1, 2018 journal.finfar.org The Finnish Society for Science Fiction and Fantasy Research Suomen science fiction- ja fantasiatutkimuksen seura ry Submission Guidelines Fafnir is a Gold Open Access international peer-reviewed journal. Send submissions to our editors in chief at [email protected]. Book reviews, dissertation reviews, and related queries should be sent to [email protected]. We publish academic work on science-fiction and fantasy (SFF) literature, audiovisual art, games, and fan culture. Interdisciplinary perspectives are encouraged. In addition to peer- reviewed academic articles, Fafnir invites texts ranging from short overviews, essays, interviews, conference reports, and opinion pieces as well as academic reviews for books and dissertations on any suitable SFF subject. Our journal provides an international forum for scholarly discussions on science fiction and fantasy, including current debates within the field. Open-Access Policy All content for Fafnir is immediately available through open access, and we endorse the definition of open access laid out in Bethesda Meeting on Open Access Publishing. Our content is licensed under Creative Commons Attribution-Non Commercial 3.0 Unported License. All reprint requests can be sent to the editors at Fafnir, which retains copyright. Editorial Staff Editors in Chief Bodhisattva Chattopadhyay Laura E. Goodin Aino-Kaisa Koistinen Reviews Editor Dennis Wilson Wise Managing Editor Jaana Hakala Advisory Board Merja Polvinen, University of Helsinki, Chair Sari Polvinen, University of Helsinki Paula Arvas, University of Helsinki Liisa Rantalaiho, University of Tampere Stefan Ekman, University of Gothenburg Adam Roberts, Royal Holloway, U. London Ingvil Hellstrand, University of Stavanger Hanna-Riikka Roine, U. -
I Stället För Papper
I stället för papper Number 9, September 2018 I stället för papper Number 9, September 2018 Special NoFF report issue I stället för papper started out as an experiment in electronic fanzine publishing, and this is the ninth ish. All previous ishes were published in Swedish, but since this one will be dominated by the my con report from Finncon, where I was the NoFF delegate, I thought it politic to write in a language that all the Finnish fen (fenn?) could readily understand. Next ish, if it comes, will probably go back to Swedish. While the first ishes had good response, it has slowly been falling off, to the point that the previous issue didn’t receive any comments or letters at all. Now, the fanzine culture within sf fandom has always been first and foremost about communication with other fen. I believe that’s part of why the fanzines in other subcultures—like comics—are having an easier time to survive today, because they are more focused on self-expression. Now, both communication and self-expression have always been part of every fanzine, and even within sf fandom there have been fanzines more focused on self-expression. But as a culture, we put more emphasis on the role of communication for the fanzines, while comics, art, or maybe also music focused more on self-expression. That of course made the role for fanzines more at risk with the rise of social media on the Internet, because fanzines for the most part suck as a form of social interaction. -
The Cultural Dynamic of Doujinshi and Cosplay: Local Anime Fandom in Japan, USA and Europe
. Volume 10, Issue 1 May 2013 The cultural dynamic of doujinshi and cosplay: Local anime fandom in Japan, USA and Europe Nicolle Lamerichs Maastricht University, Netherlands Abstract: Japanese popular culture unifies fans from different countries and backgrounds. Its rich participatory culture is beyond any other and flourishes around comics (manga), animation (anime), games and music. Japanese storytelling showcases elaborate story worlds whose characters are branded on many products. The sub genres of Japanese pop-culture and the lingua franca of their audiences shape Western fandom. In this article, I scrutinize the global dynamic of manga. I specifically focus on the creation of fan manga (‘doujinshi’) and dress- up (‘cosplay’) as two migratory fan practices. The form and content of fan works, and the organizational structure behind them, varies intensely per country. If manga is an international language and style, where is its international fan identity located? In this article, I explore this uncharted territory through ethnographic views of diverse Western and Japanese fan sites where these creative practices emerge. This ethnographic overview is thus concerned with the heterogeneous make-up and social protocols of anime fandom. Keywords: Anime fandom, doujinshi, cosplay, conventions, ethnography Introduction Japan’s global and exotic identity is historically rooted. In the nineteenth century, Euro- Americans performed their fascination for the island through ‘Orientalism’ in Western impressionist art, Zen gardens and architecture (Napier, 2007; Said, 1978). When World War II penetrated this culturally rich image, the fascination for Japan became more ambivalent, characterized by both fear and curiosity. By now, the country’s global identity, which lingers between East and West, inspires Western corporate businesses, art and media as it represents a mixture of spiritual traditions, strong labour and family morals, as well as an advanced technocapitalist model (Ivy, 1995; Wolferen, 1995). -
Progress Report #1
progress report #1 1 Contents progress report 1 editor: Vesa Sisättö what is this thing we call worldcon 75? ...........................3 contributors: Eemeli Aro, Saija Aro, Jukka Halme, Paula Heinonen, Crystal Huff, Pasi 2017 site selection results .....................................................5 Karppanen, Aleksi Kuutio, Ben Roimola, Vesa Sisättö, Juha Tupasela, Nina Törnudd. tips on small talk with the guests of honour...................6 translations: Sara Norja, Sarianna Silvonen proofreading: Charlotte Laihonen on polar bears .........................................................................9 graphic design: M. Pietikäinen illustrations: memberships ...........................................................................10 Maya Hahto: 4 Petri Hiltunen: 7, 27 finland: an assortment of notes and information ....... 12 Jyrki Vainio: back cover printed at: Painotalo Casper hotels ......................................................................................14 ”World Science Fiction Society”, ”WSFS”, the word for worldcon is maailmankongressi ............. 16 ”World Science Fiction Convention”, ”Worldcon”, ”NASFiC”, ”Hugo Award”, finnish fandom: some unique characteristics ................ 19 and the distinctive design of the Hugo Award Rocket are service marks of the membership statistics ...........................................................24 World Science Fiction Society, an unincorporated literary society. membership list ......................................................................27 What is -
The Finnish Fandom - All You Need to Know About It
THE FINNISH FANDOM - ALL YOU NEED TO KNOW ABOUT IT Pasi Karppanen The aim of this article is to give you an overview of the Finnish fandom. The first version of this article was written way back in 1995, but it has been published numerous times as different versions in Finnish SF fan magazines over the years. We are publishing the updated and revised version of the article in our Worldcon Special to give the visitors as detailed a picture as possible of what the Finnish fandom is all about. The origins of the Finnish fandom or less regularly published zines, plus numerous un- official SF, anime and role playing clubs and zines. The first signs of a phenomenon called the SF fan- In fact, one feature that is characteristic of the dom were seen in Finland during the 1950s. How- Finnish fandom is that societies have always been ever, it took over two decades before fandom as we the backbone of the fandom. They say that when know it started to emerge. The reasons for this are an Irishman goes out to a pub, a Finn goes out and various. In the 1950s, Finland was still getting back forms a society. Finland has sometimes been called on its feet after the war, economic resources were the promised land of societies, and understandably limited, and urbanisation was only beginning. This so. meant that there was no real chance for an organ- Finnish SF societies, especially ones born in the ised fandom to be born. early days of the fandom, were traditionally formed The first Finnish science fiction convention was around a city or a town. -
September 2018 NASFA Shuttle
Te Shutle September 2018 The Next NASFA Meeting is 6P Saturday 15 September 2018 at Willowbrook Madison FUTURE ATMMs d Oyez, Oyez d We need hosts for future months in 2018–19. Email <mikek [email protected]> to volunteer or inquire. The October 2018 The next NASFA Meeting will be 15 September 2018, at ATMM is nullified by Not-A-Con. November 2018 may be the regular meeting location and the regular time (6P). The spoken for, but if that’s the only month for you then we can Madison campus of Willowbrook Baptist Church is at 446 Jeff make it work. The December 2018 ATMM is nullified by the Road—about a mile from the previous location. See the map at Christmas Party At this point, all months in 2019 are open. right for directions to the church. See the map on page 2 for a FUTURE CLUB MEETING DATES/LOCATIONS closeup of parking at the church as well as how to find the At present, all 2018 NASFA Meetings are expected to be at the meeting room (“The Huddle”), which is close to one of the normal meeting location except for October (due to Not-A-Con back doors toward the north side of the church. Please do not 2018). Remaining 2018 meetings are on the normal 3rd Saturday try to come in the (locked) front door. date. The December meeting/party will be on the regular date but SEPTEMBER PROGRAM not the regular time—see the Future Programs heading, above. The September Program will be the More-or-Less Annual NASFA Auction. -
Sean Leonard4
MIT Japan Program Working Paper 04.02 Progress Against the Law: Fan Distribution, Copyright, and the Explosive Growth of Japanese Animation Sean Leonard Massachusetts Institute of Technology Abstract The medium of Japanese animation is a powerhouse in the world of alternative entertainment. Proselytization by fans ignited the anime movement in America, despite Japanese copyright holders’ abandonment of the American market. The author presents an historical and legal analysis to demonstrate that, at least in one case spanning two decades, fans’ continual infringement of copyright spurred the progress of commerce and the arts. 1 MIT Japan Program Working Paper Series 04.02 Center for International Studies Massachusetts Institute of Technology Room E38-7th Floor Cambridge, MA 02139 Phone: 617-252-1483 Fax: 617-258-7432 Date of Publication: November 2, 2004 © Sean Leonard 2 Table of Contents 1. Introduction 7 2. Anime and Its Fandom: A Primer for Non-Fans 9 2.1. Anime 9 2.2. Fan Distribution 10 2.3. Fansub 10 3. Historical Analysis of Fan Distribution and Subtitling 12 3.1. Pre-Fan Period 12 3.2. Technology Change; Cartoon/Fantasy Organization 13 3.3. Japanese Enter and Abandon the Market 16 3.4. Fan Activity Increases 19 3.5. Anime Importers Fail to Release Quality Material 23 3.5.1. The Robotech Exception and the Second Wave 25 3.6. C/FO at Its Height; C/FO in Japan 27 3.7. C/FO Fan Distribution 29 3.7.1. Fan Networks as Proselytization Commons 32 3.8. Birth of Fansubbing; Collapse of C/FO 33 3.9. -
Finncon 2018 to Gather Thousands of Science Fiction and Fantasy Fans At
PRESS RELEASE - FOR IMMEDIATE PUBLICATION Finncon 2018 to gather thousands of science fiction and fantasy fans at the University of Turku This year's Guests of Honour at the Finnish science fiction convention are Lauren Beukes, Maria Turtschaninoff and Merja Polvinen Finncon, the foremost and oldest science fiction convention in Finland will be held at the University of Turku on 14-15 July. The event is free of charge and open for everyone who is interested. The event is intended for all fans of science fiction and fantasy, regardless of age or occupation: for readers, watchers, writers and everyone with an interest in the genre. This year's special focus are new fans, and the theme is encounters. The author Guests of Honour are Lauren Beukes from South Africa and the Swedish-speaking Finn Maria Turtschaninoff. The Scholar Guest of Honour is Merja Polvinen, senior lecturer and docent in comparative literature at the University of Helsinki. Polvinen will be the giving the plenary lecture at the academic track seminar arranged by Finfar, the Finnish Society for Science Fiction and Fantasy Research. The schedule for the Finncon weekend holds over 130 hours of programming. Most of it will be held in Finnish, but there are also many that programme items in English. The number of Swedish-language programming points is greater than at most previous Finncons. There will be presentations, panels, award ceremonies, workshops and meetups, touching on all the dimensions and forms in the genre. The traditionally playful cosplay competition Masquerade will also be taking place. Finncon is the oldest and one of the largest annual conventions in Finland. -
Conventional Protections for Commercial Fan Art Under the U.S. Copyright Act
Fordham Intellectual Property, Media and Entertainment Law Journal Volume 31 XXXI Number 2 Article 4 2021 Conventional Protections for Commercial Fan Art Under the U.S. Copyright Act Rachel Morgan Fordham University School of Law, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the Intellectual Property Law Commons Recommended Citation Rachel Morgan, Conventional Protections for Commercial Fan Art Under the U.S. Copyright Act, 31 Fordham Intell. Prop. Media & Ent. L.J. 514 (2021). Available at: https://ir.lawnet.fordham.edu/iplj/vol31/iss2/4 This Note is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Conventional Protections for Commercial Fan Art Under the U.S. Copyright Act Cover Page Footnote Rachel Morgan is a third-year student at Fordham University School of Law and a Senior Notes and Articles Editor for the Intellectual Property, Media, and Entertainment Law Journal. Prior to law school, she attended Dickinson College in Carlisle, Pennsylvania where she majored in History and Italian Studies. She wrote this Note as an independent study in the spring of her second year. The author would like to thank Professor Courtney Cox for her guidance and supervision throughout the Note-writing process, as well as her fellow Executive Board members on the journal for their help in editing and publishing this Note. -
Progress Report #2
progress report #2 1 PHOTO: FIA KARLSSON contents progress report #2 of guests of honour, genies, and undying sidekicks ..................4 editor: Vesa Sisättö contributors: Teemu Ahonen, Eemeli Aro, Saija memberships .......................................................................................6 Aro, Hanna Hakkarainen, Jukka Halme, Juhani Hinkkanen, Crystal Huff, Toni Jerrman, Aleksi how to get to helsinki? .................................................................... 7 Kuutio, Sanna Lopperi, Charlotte Laihonen, Michael Lee, Marianna Leikomaa, Maciej non-fandom things to do in helsinki, if you have the time ........8 Matuszewski, Hannele Parviala, Mihaela Perkovic, Sari Polvinen, Tuuli Pyy, Outi Sippo- where to stay in helsinki for worldcon 75? ............................... 10 Purma, Vesa Sisättö, Nina Törnudd, Emilia Uusitalo, Johanna Vainikainen, Pasi Vihinen, älä hätäile! don’t panic! ..................................................................12 Santeri Vidal, Doug Yoder. translations: Sarianna Silvonen the word on the street .................................................................. 14 proofreading: Charlotte Laihonen graphic design: M. Pietikäinen a brief history of finnish fandom .................................................17 illustrations on pages 4–5: Maya Hahto worldcon organization: divisions .............................................24 ”World Science Fiction Society”, ”WSFS”, ”World Science Fiction Convention”, worldcon 75 is still hiring staff! ................................................30