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Renovation Moves Forward
oi.uchicago.edu THE ORIENTAL INSTITUTE & NOTES NO. 150 SUMMER 1996 @THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICA REN OVATION MOVES FORWARD By Emily Teeter, Ph.D., Assistant Curator, Oriental Institute Museum The renovation of the Oriental Insti On February 5, 1996 the Egyptian tute Museum is a reality. For the frrst Gallery closed to the public. Small ob time in over sixty years, the galleries jects were packed, but the oversize ob will be completely refurbished and jects such as large stelae required brought up to modern museum stan special treatment. The firm of Belding dards with the installation of climate Walbridge was contracted to move control. It is a mammoth undertaking those items. The really oversized ob that leaves no one happy for the jects-the Assyrian winged bull and time-being, but it will have tremen the statue of Tutankhamun-were dous rewards when the museum sheathed in plastic, and protective bar reOpens in the spring of 1998. riers were built in front of them. Mu The project calls for the con seum Curator Karen L. Wilson struction of a 14,000 square foot ensured the safety of the winged bull wing on the southern side of the Ori by posting a copy of an ancient curse ental Institute building that will on the bull's protective box. Finally, house artifact storage, the museum the alcove walls were demolished. * It archives (photograph and paper was an amazing sight to see the Egyp records), a new conservation labora tian gallery virtually empty. tory, and book stack areas for the Re April 1, 1996 marked the next search Archives. -
Uchicagomag-Spring20.Pdf
Is it possible to feel nostalgic the first time you visit a place? KIAWAH GETS YOU COVID-19 … BRENT STAPLES … RECESSION LIT … IMPROVING MEDICAL IMAGING … COACH OF COACHES A Curated Collection of Homes and Homesites with Club Memberships in the Heart of the South Carolina Lowcountry. kiawahisland.com/ivyleague | 866.312.1791 SPRING 2020 Obtain the Property Report required by Federal Law and read it before signing anything. No Federal or State agency has endorsed or judged the merits of value, if any, of this property. This is not intended to be an offer to sell nor a solicitation of offer to buy real estate in any jurisdiction where prohibited by law. This offer is made pursuant to the New York State Department of Law’s Simplified Procedure for Homeowners Associations with a De Minimis Cooperative Interest (CPS-7). The CPS-7 application (File No. HO16-0007) and related documents may be obtained from the sponsor. This project is registered with the State of New Jersey Department of Banking and Insurance Real Estate Commission. Obtain and read the NJ Public Offering Statement before signing anything (NJ Reg#16-15-0011 and 0012). An affiliate of Kiawah Partners. SPRING 2020, VOLUME 112, NUMBER 3 UCH_Spring2020 cover and spine_v1.indd 1 5/15/20 11:46 AM 200319_Kiawah_Chicago.indd 1 1/30/20 8:54 AM UCH_ADS_v1.indd 2 5/13/20 1:16 PM EDITORˆS NOTES VOLUME 112, NUMBER 3, SPRING 2020 EDITOR Laura Demanski, AM’94 SENIOR EDITOR Mary Ruth Yoe FROM A DISTANCE ASSOCIATE EDITOR Susie Allen, AB’09 MANAGING EDITOR Rhonda L. -
This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town. -
Museum Oi.Uchicago.Edu
oi.uchicago.edu MUSEUM oi.uchicago.edu Overleaf: Strainer jug; ceramic. Iron I period, 1200–975 B.C. Megiddo, Israel. Photo by Anna Ressman oi.uchicago.edu MUSEUM MUSEUM Geoff Emberling The Museum has had a another successful year in the midst of these difficult economic times. We continue to welcome about 50,000 visitors annually to the Oriental Institute to introduce them to the history, written traditions, and art of the ancient cultures of the Middle East. We generate widespread publicity and interest in the Oriental Institute at the same time as we work to improve access to our amazing collection. The Museum also contributes in many ways to the financial support of the Institute, through donations at the front desk, sales in the Suq, a wide range of grants, and by serving as a venue for a variety of events. As you will see in the sections that follow, our special exhibits, education programs, and docent tours have had great success this past year, and we have taken some significant steps in publicity and marketing that we hope will lead to greater attendance in the future. Our collections staff has also made numerous improvements to cataloging and storage that enhanced our ability to facilitate use of the collection for research, teaching, and exhibits. As usual, the successes of the Museum are inevitably joint projects relying on cooperation of many staff members, and I would like to express my thanks to everyone who has made it such a pleasure to work in the Oriental Institute over the past year. -
TONY JAMES WILKINSON Tony James Wilkinson 1948–2014
TONY JAMES WILKINSON Tony James Wilkinson 1948–2014 TONY WILKINSON SADLY PASSED AWAY, after a long battle with cancer, on 25 December 2014, at a very youthful sixty-six years of age. He was born in Essex on 14 August 1948. He trained first as a geographer, studying for a BA at Birkbeck College, London University, from 1966 to 1969, then for his MSc in Canada, at McMaster University, from 1970 to 1972, where he studied the hydrology of overland water flow in the Canadian Arctic. Moving into a career in Archaeology, he always remained grounded in his geographical knowledge, specialising in Landscape Archaeology. His first employment as an archaeologist followed, excavating in the south of England, notably at the highly innovative excavations at Fengate with Francis Pryor, then with Geoffrey Wainwright and the English Heritage Central Excavation Unit. The reputation of both of those projects for hard work and hard drinking would not faze Tony, who was always wiry, athletic, sociable and possessed of a great sense of humour. Early research into the development of the physical landscape and changing human settlement in his native Essex (see Wilkinson and Murphy, 1986) continued into the late 1980s, although the major final publications were to appear much later, after he had discontinued field- work in Britain (Wilkinson and Murphy, 1995; Wilkinson et al., 2012). In 1973 Tony began his first fieldwork season in the environment that he would make his very own—the Middle East—supporting David Whitehouse’s project in Siraf, southern Iran (the final publication being Whitehouse, Whitcomb and Wilkinson, 2009). -
2001 Future of the Arts Report
2001 Future of the Arts Report 1 The Future of the Arts at the University of Chicago August 2001 Table of Contents Introduction Page 2 Study Recommendations Page 4 Role of the Arts Page 5 The Arts Curriculum Page 7 Student Arts Page 9 Professional Arts Organizations Page 11 Arts in the City Page 13 Organization and Process Recommendations Page 15 Facilities Needs and Objectives Page 17 Facilities Recommendations Page 23 Conclusion Page 29 Appendices Page 30 Introduction Introduction Experiencing the creative arts is a fundamental part of knowing ourselves as humans and of understanding those different from ourselves. Whether painting or poetry, film or theater, music or dance, artistic creation addresses the deepest questions of the human condition. A great research university should nurture the unique and powerful role of the arts in the education of the whole person. University President Ernest DeWitt Burton recognized this when he wrote in 1925: “We need to supplement science and the scientific study of all branches of knowledge with the finer arts of music and painting, of sculpture and architecture. We owe it to our students, to whom it is our ambition to give the best possible education. We owe it to our professors, that they not become dry-as- dust investigators and lecturers but symmetrically developed and cultivated personalities. We owe it to our community.” Today, more students, faculty, staff, and general audiences engage with the arts on our campus than ever before. This increased participation has been paralleled by growth in the quality and diversity of our arts programs and activities. -
There's Even More to Explore!
Background artwork: SPECIAL COLLECTIONS UCHICAGO LIBRARY Kaplan and Fridkin, Agit No. 2 MUSIC THEATER ART MUSIC THEATER LECTURE / CLASS MUSIC MUSIC MUSIC / FILM LECTURE / CLASS MUSIC University of Chicago Presents University Theater/Theater and Performance Studies The University of Chicago Library Symphony Center Presents Goodman Theatre University of Chicago Presents Roosevelt University Rockefeller Chapel University of Chicago Presents TOKYO STRING QUARTET THEATER 24 PLAY SERIES: GULAG ART Orchestra Series CHEKHOv’S THE SEAGULL LECTURE / DEmoNSTRATioN PAciFicA QUARTET: 19TH ANNUAL SILENT FiLM LECTURE / DEmoNSTRATioN BY MARiiNskY ORCHESTRA FRIDAY, OCTOBER 1, 2010 A CLOUD WITH TROUSERS THROUGH DECEMBER 2010 OCTOber 16 – NOVEMBER 14, 2010 BY PACIFICA QUARTET SHOSTAKOVICH CYCLE WITH ORGAN AccomPANimENT: MAsumi RosTAD, VioLA, AND (FORMERLY KIROV ORCHESTRA) Mandel Hall, 1131 East 57th Street SATURDAY, OCTOBER 2, 2010, 8 PM The Joseph Regenstein Library, 170 North Dearborn Street SATURDAY, OCTOBER 16, 2 PM SUNDAY OCTOBER 17, 2010, 2 AND 7 PM AELITA: QUEEN OF MARS AMY BRIGGS, PIANO th nd chicagopresents.uchicago.edu, 773.702.8068 First Floor Theater, Reynolds Club, 1100 East 57 Street, 2 Floor Reading Room Valery Gergiev, conductor Goodmantheatre.org, 312.443.3800 Fulton Recital Hall, 1010 East 59th Street SUNDAY OCTOBER 31, 2010, 2 AND 7 PM Jay Warren, organ SATURDAY, OCTOBER 30, 2 PM 5706 South University Avenue Lib.uchicago.edu Denis Matsuev, piano Chicagopresents.uchicago.edu, 773.702.8068 FRIDAY, OCTOBER 29, 2010, 8 PM Fulton Recital Hall, 1010 East 59th Street Mozart: Quartet in C Major, K. 575 As imperialist Russia was falling apart, playwright Anton SUNDAY JANUARY 30, 2011, 2 AND 7 PM ut.uchicago.edu TUESDAY, OCTOBER 12, 2010, 8 PM Rockefeller Chapel, 5850 South Woodlawn Avenue Chicagopresents.uchicago.edu, 773.702.8068 Lera Auerbach: Quartet No. -
BANEA British Association for Near Eastern Archaeology
BANEA British Association for Near Eastern Archaeology New Agendas in Remote Sensing and Landscape Archaeology In the Near East A workshop celebrating T.J. Wilkinson’s 35 years in Near Eastern archaeology Friday, 10 January 2014 Palmer Building, University of Reading, 9:30 am – 5:30pm The field of landscape archaeology has been transformed enormously over the past 35 years, and for much of this time Tony Wilkinson has been at the vanguard of this advancement. With 5 current major research projects spanning the Middle East, Central Asia, and Eastern Europe, encompassing big issues such as long- term settlement trends, the rise and collapse of empires, the emergence of urbanization, agent-based modeling, hydrology and human niche construction, to name but a few, Wilkinson continues to demonstrate the importance of an interdisciplinary approach for understanding the impact of human activity on shaping the landscape and, conversely, the profound effect that landscape has on sociocultural development. His innovative field methods and pioneering intellectual pursuits in landscape archaeology – which have resulted in his gaining the dubious distinction of being labeled a “Post-Post-processualist” -- have also brought about numerous fruitful collaborations with scholars across many disciplines and have contributed to exciting new work by an ever-growing succession of scholars now forging unchartered intellectual pathways and exploring new agendas in remote sensing and landscape archaeology. This session is intended to provide a forum for lively discussion on some of the most recent developments in landscape archaeology, highlighting Wilkinson’s continuing research and his influence on the field by featuring the work of a representative group of his current co-investigators, colleagues, and students whose projects embody the breadth of possibilities resulting from harnessing remote sensing techniques for comprehending past societies. -
Könyv-11:Elrendezés 1.Qxd
International Yearbook of Aesthetics Volume 19, 2017 RETRACING THE PAST Historical continuity in aesthetics from a global perspective Edited by Zoltán Somhegyi International Association for Aesthetics Association Internationale d’Esthétique RETRACING THE PAST Historical continuity in aesthetics from a global perspective Edited by Zoltán Somhegyi The selection of essays in the 19th Yearbook of the International Association for Aesthetics aims to analyse the phenomenon of retracing the past, i.e. of identifying the signs, details and processes of the creative re-interpretation of long-lasting traditions both in actual works of art and in aesthetic thought, hence where the historical interconnectedness and the influence of earlier sources can appear. ISBN: 978-0-692-04826-9 INTERNATIONAL ASSOCIATION FOR AESTHETICS Retracing the past INTERNATIONAL YEARBOOK OF AESTHETICS Volume 19, 2017 INTERNATIONAL YEARBOOK OF AESTHETICS Volume 19, 2017 Edited by Zoltán Somhegyi RETRACING THE PAST Historical continuity in aesthetics from a global perspective International Association for Aesthetics Association Internationale d’Esthétique Copyright: the Authors and the International Association for Aesthetics Acknowledgement: The Publication Committee of the International Association for Aesthetics, Tyrus Miller, Curtis Carter and Ales Erjavec, for reviewing the essays. Every effort has been made to obtain permissions to use all copyrighted illustrations reproduced in this book. Cover design: Ahmad Manar Laham Editor: Zoltán Somhegyi Published by the International Association for Aesthetics http://www.iaaesthetics.org/ Santa Cruz, California, 2017 ISBN: 978-0-692-04826-9 CONTENTS Introduction 7 Zoltán Somhegyi 1. The paradox of mimesis 9 In connection with Aristotle Béla Bacsó 2. Reflections on the subject of Antiquity and the future 23 Raffaele Milani 3. -
Summer Fun & Learning
Summer Fun and Learning: Ways to Keep High Ability Kids Busy this Summer IAGC Virtual Parent Round Table: May 10, 2021 Resources to Explore *Note: Please note that the resources and programs for summer enrichment included on this page are for informational purposes and do not necessarily reflect an endorsement by the IAGC. If you have a suggestion to add to this list, please email [email protected] Chicago Attractions and Activities The Field Museum - Games, Projects, and More & The Brain Scoop Museum of Science and Industry - Science at Home Art Institute of Chicago - Get Creative at Home Adler Planetarium - Online Resources Chicago Children’s Museum - Recipes for Play at Home National Museum of Mexican Art - At-Home with NMMA Chicago Symphony Orchestra - CSO for Kids Chicago Architecture Center - @Home Resources Museum of Contemporary Art Chicago - Learning Resources Chicago High School for the Arts - Online Summer Camps Frank Lloyd Wright Trust - Wright at Home Kids and Family Activities Chicago History Museum - Chicago History at Home Chicago Academy of Sciences Peggy Notebaert Nature Museum - The Nature Museum Comes to You! & Hybrid Summer Camp The University of Chicago Oriental Institute - Youth & Family Programs International Museum of Surgical Science - #MuseumFromHome Museum of Contemporary Photography - Digital Exhibitions The University of Chicago Smart Museum of Art - Smart at Home National Veterans Art Museum - Education Programs Summer Fun and Learning: Ways to Keep High Ability Kids Busy this Summer IAGC Virtual Parent Round Table: May 10, 2021 Resources to Explore *Note: Please note that the resources and programs for summer enrichment included on this page are for informational purposes and do not necessarily reflect an endorsement by the IAGC. -
2017 Hyde Park Jazz Festival Venues
2017 HYDE PARK JAZZ FESTIVAL VENUES: WAGNER STAGE Midway Plaisance at Woodlawn Enter/Exit 47TH ST Lake Shore Drive Metra WEST STAGE LITTLE BLACK Midway Plaisance at Ellis PEARL 48TH ST DREXEL BLVD ELLIS AVE GREENWOOD AVE DORCHESTER AVE CHICAGO BEACHExit DR Lake STORY SHARE BOOTH AND KENWOOD CORNELL AVE Shore Drive Southbound only MIDWAY ART INSTALLATIONS 49TH ST LOGAN CENTER FOR THE ARTS 915 East 60th Street 50TH ST EAST END ROCKEFELLER MEMORIAL CHAPEL CHICAGO LOOP P SOUTH LAKE SHORE DR EAST HYDE PARK BLVD 5850 South Woodlawn Avenue 5100 S Metra HAROLD 7 MILES CORNELL AVE WASHINGTON PARK SMART MUSEUM OF ART 52ND ST 5550 South Greenwood Avenue HYDE PARK BANK 52ND PL 53RD ST 1525 East 53rd Street Metra P 53RD ST HYDE PARK INTERNATIONAL HOUSE BANK 54TH ST SOUTH SHORE DR LAKE PARK AVE PARK LAKE DREXEL BLVD INGLESIDE AVE ELLIS AVE GREENWOOD AVE UNIVERSITY AVE KIMBARK AVE WOODLAWN AVE WOODLAWN KENWOOD AVE BLACKSTONE AVE HARPER AVE DORCHESTER AVE 1414 East 59th Street CORNELL AVE BLVD SOUTH HYDE PARK Metra Electric Metra HYDE PARK UNION CHURCH 54TH ST 5600 South Woodlawn WASHINGTON PROMONTORY LITTLE BLACK PEARL PARK POINT PARK 55TH ST 55TH ST 1060 East 47th Street 5500 S EVERETT AVE P P P DUSABLE MUSEUM PAYNE DR HYDE PARK 740 East 56th Place P 56TH ST 56TH ST DREXEL BLVD Metra DUSABLE 57th P SMART Street MUSEUM Enter/Exit Beach ORIENTAL INSTITUTE MUSEUM MUSEUM Lake Shore Drive OF ART 1155 East 58th Street HYDE PARK UNION CHURCH 57TH ST 57TH DRIVE COTTAGE GROVE AVE COTTAGE ELLIS AVE Metra STONY ISLAND AVE UNIVERSITY OF Metra Electric Metra JAZZ PASS ELIGIBLE VENUES INFO BOOTH CHICAGO ORIENTAL P INSTITUTE Enter/Exit Lake Shore Drive REFRESHMENTS: Light refreshments are offered at many 58TH ST venues. -
The Making of Exhibitions: Purpose, Structure, Roles and Process
THE MAKING OF EXHIBITIONS: PURPOSE, STRUCTURE, ROLES AND PROCESS October 2002 Office of Policy and Analysis Washington, DC 20560-0039 THE MAKING OF EXHIBITIONS: PURPOSE, STRUCTURE, ROLES AND PROCESS October 2002 Office of Policy and Analysis 1000 Jefferson Drive, SW Washington, DC 20560-0039 TABLE OF CONTENTS Foreword ......................................................................................................................... iii Introduction ...................................................................................................................... 1 The Purpose of Exhibitions ............................................................................................. 2 Museum Mission Statements .........................................................................................2 Exhibition Mission Statements ......................................................................................3 Exhibition Plans or Programs .......................................................................................4 Organizational Structure and Roles ................................................................................5 Overall Organization......................................................................................................5 Idea Generation ............................................................................................................6 Exhibition Selection Criteria and Approval Process .....................................................7 Staffing Exhibition Projects .........................................................................................9