Introducing the Science Fantasy Society
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CARL Locations
CARL Locations CARL•X Location Code CARL•X Location Name (Up to 6 Characters) ABC ABC Books ADULT Adult Collection AFRAM African American Collection ANF Adult Non Fiction ANIME Anime Collection ARABIC Arabic Collection ASKDSK Ask at Desk ATLAS Atlas AUDBK Audiobook Collection AUDMUS Audio Music Collection AUTO Automotive Collection BINDRY Bindery BIOG Biography Collection BKCLB Book Club BRAIL Braille BRDBK Board Book BUSNES Business Collection CALDCT Caldecott Collection CAREER Career CATLNG Cataloging CIRREF Circulating Reference CITZEN Citizenship Collection CLOBBY Circulation Lobby CLSFIC Classic Fiction COLLGE College Collection COLOR Books about Color COMIC Comic Collection COMPTR Computer Collection CONSMR Consumer Collection COUNT Counting Books CRICUT Cricut Cartridge DAMAGE Damaged DISCRD Discarded from collection DISPLY On Display DYSLEX Dyslexia EDUCTN Education Collection EMAG Electronic Magazine EMPLOY Employment Collection ESL English as a Second Language Collection ESYRDR Easy Reader FANTSY Fantasy FICT Fiction CARL•X Location Code CARL•X Location Name (Up to 6 Characters) GAMING Gaming Collection GENEAL Genealogy Collection GOVDOC Government Documents Collection GRAPHN Graphic Novel Collection HISCHL High School Collection HOLDAY Holiday HORROR Horror HOURLY Hourly Loans for Pontiac INLIB In Library INSFIC Inspirational Fiction INSROM Inspirational Romance INTFLM International Film INTLNG International Language Collection JADVEN Juvenile Adventure JAUDBK Juvenile Audiobook Collection JAUDMU Juvenile Audio Music Collection -
Bill Fawcett______24951 Middle Fork Road Barrington, Illinois 60010 U.S.A
Bill Fawcett___________________________________________________ 24951 Middle Fork Road Barrington, Illinois 60010 U.S.A. 8472779686 [email protected] Bill has been a professor, teacher, corporate executive, and college dean. His entire life has been spent in the creative fields and managing other creative individuals. He is one of the founders of Mayfair Games, a board and role play gaming company. As an author Bill has written or coauthored over a dozen books and dozens of articles and short stories. As a book packager, a person who prepares series of books from concept to production for major publishers, his company Bill Fawcett & Associates has packaged over 250 titles for virtually every major publisher. He founded, and later sold, what is now the largest hobby shop in Northern Illinois. Bill’s first commercial writing appeared as articles in the Dragon Magazine and include some of the earliest appearances of classes and monster types for dungeons and Dragons. With Mayfair Games created, wrote, and edited many of the over 50 “Role Aides” Role Playing Game modules and supplements released by Mayfair in the 1970s and 1980s. During this period he also designed almost a dozen board games, including several Charles Roberts Award (Gaming's Emmy) winners such as Empire Builder and Sanctuary. Bill Fawcett continues to develop new internet projects. His novl writing began with the juvenile series, Swordquest for Ace Penguin Putnam Publishing. He wrote or cowrote four fantasy novels, beginning with the Lord of Cragsclaw. The Fleet series he created with David Drake has become a classic of military science fiction. -
Prolapse 11, Mostly About ‘Science Fiction’ (You Remember) Brought to You by Peter Weston, 53 Wyvern Road, Sutton Coldfield, B74 2PS (Tel; 0121 354 6059)
The Time- Number 11: Travelling Fanzine May 2008 _______________________________________________________________________________________ “Prolapse … once again did its best to ruin a morning's work” – Chris Priest, LoC “It’s seven o’clock in the morning and our young friend wants to know if the latest Vargo Statten Magazine has come in yet!” Follow George Locke’s hunt for science fiction in 1950s London – With the usual apologies to ‘Giles’ INSIDE: ‘A Boy and his Bike’ by George Locke; ‘Forbidden Planet and other Creations’ by Stan Nicholls; ‘Think I’m Going Back’ by Greg Pickersgill; PLUS; Peter Roberts, Chuck Connor, Brian Varley, and more. This is Prolapse 11, mostly about ‘science fiction’ (you remember) brought to you by Peter Weston, 53 Wyvern Road, Sutton Coldfield, B74 2PS (Tel; 0121 354 6059). Once again we’re breathing new life into some very old bones and I’m hoping you’ll be motivated into sending a LoC and your reminiscences to me at [email protected]. This remains a ‘Paper First’ fanzine but I’m e-mailing an increasing number of pdfs these days and the issue goes onto the eFanzines website (with coloured pictures, yet) a month after paper copies have been posted out. Prolapse travels the time-stream to explore British SF fan-history. Chief Researcher; Greg Pickersgill. Assistant Deputy Researcher (1st class); Mark Plummer. ------------------------------------------------------------------------------------------------------------------------------------------------------- “I opened the Prolapse envelope with quivering, salacious anticipation.” – Ian Watson, LoC ------------------------------------------------------------------------------------------------------------------------------------------------------- While working on this issue (well, so I was watching Run, Fat Boy, Run, but I was thinking about doing some work, honest) Ian Sorensen called and was kind enough to advise me that at Corflu in Las Vegas it had just been announced that Prolapse had won the ‘FAAN’ Award for ‘Best Fanzine’. -
Loscon 34 Program Book
LosconLoscon 3434 WelcomeWelcome to the LogbookLogbook of the “DIG”“DIG” LAX Marriott November 23 - 25, 2007 Robert J. Sawyer Author Guest Theresa Mather Artist Guest Capt. David West Reynolds Fan Guest Dr. James Robinson Music Guest 1 2 Table of Contents Anime .................................. Pg 68 Kids’ Night Out ..................... Pg 63 Art Show .............................. Pg 66 Listening Lounge .................. Pg 71 Awards Masquerade .......................... Pg 59 Evans-Freehafer ................ Pg 56 Members List ................. Pg 75-79 Forry ................................. Pg 57 Office / Lost & Found .......... Pg 71 Rotsler .............................. Pg 58 Photography/Videotape Policies .... Pg 70 Autographs .......................... Pg 73 Programming Panels ....... Pg 38-47 Bios Regency Dancing .................. Pg 62 Author Guest of Honor .........Pg 8-11 Registration .......................... Pg 71 Artist Guest of Honor ........ Pg 12-13 Room Parties ........................ Pg 63 Music Guest of Honor ........ Pg 16-17 Security Fan Guest of Honor ................. Pg 14 Rules & Regulations ..... Pg 70,73 Program Guests ........... Pg 30-37 No Smoking Policy ............. Pg 73 Blood Drive ........................... Pg 53 Weapons Policy ........... Pg 70,73 Chair’s Message .................. Pg 4-5 Special Needs ....................... Pg 60 Children’s Programming ........ Pg 68 Special Stories Committee & Staff ............. Pg 6-7 Peking Man .................. Pg 18-22 Computer Lounge ............... -
By Lee A. Breakiron ONE-SHOT WONDERS
REHeapa Autumnal Equinox 2015 By Lee A. Breakiron ONE-SHOT WONDERS By definition, fanzines are nonprofessional publications produced by fans of a particular cultural phenomenon, such as a literary or musical genre, for the pleasure of others who share their interests. Readers themselves often contribute to fanzines by submitting their own articles, reviews, letters of comment, and fan fiction. Though the term fanzine only dates from 1940 when it was popularized within science fiction and comic book fandom, the first fanzines actually date back to at least the nineteenth century when, as a uniquely American development, literary groups formed amateur press associations or APAs in order to publish collections of poetry, fiction, and commentary. Few, if any, writers have had as many fanzines, chapbooks, and other ephemera dedicated to them as has Robert E. Howard. Howard himself self-published his own typed “zine,” The Golden Caliph of four loose pages in about August, 1923 [1], as well as three issues of one entitled The Right Hook in 1925 (discussed later). Howard collaborated with his friends Tevis Clyde “Clyde” Smith, Jr., and Truett Vinson in their own zines, The All-Around Magazine and The Toreador respectively, in 1923 and 1925. (A copy of The All-Around Magazine sold for $911 in 2005.) Howard also participated in an amateur essay, commentary, and poetry journal called The Junto that ran from 1928 to 1930, contributing 10 stories and 13 poems to 10 of the issues that survive. Only one copy of this monthly “travelogue” was circulated among all the members of the group. -
Fantast Handbook 1952 Contents
OPERATION FANTAST HANDBOOK 1952 CONTENTS AN INTRODUCTION...................................................................... .. Page 4. THE CONTACT BUREAU ....................................................................... Page 6. DOLLARS AND POUNDS ....................................................................... Page 7. OPERATION FANTAST POSTAL LIBRARY..........................................Page 9. CURRENT MAGAZINE LISTING............................................................. Page 10. "DEAD" MAGAZINES................................................................................ Page 14. MAGAZINES: some general notes •• •* ...................... Page 15. THE FANTASY ART SOCIETY............................................................. Page 16. THE DISTRIBUTION SERVICE............................................................. Page 18. THE INTERNATIONAL FANTASY AWARD..........................................Page 18. A WORD ABOUT FANZINES ............................................................. Page 19. LITERARY AGENTS.................................................................................Page 21. CLUBS AND SOCIETIES.......................................................................Page 22. THE BRITISH FANTASY LIBRARY................................................... Page 25. BOOK DEALERS.......................................................................................... Page 26. MAGAZINE DEALERS................................................................................ Page 26. -
Dream Quest 7
A R T I C L E S: THE kI33I.NG ELEMENT, by Harry Warner, Jr........................ Zp EDGaR ALLAN POE: PRISONER OP NEVER-NEVER LAND, by Joe Kennedy.6 “R E V I —E ; —W —S: PRO-PHIIE, by Gilbert Swenson.................. 16 Judith Merril’s SHADOW ON THE HEARTH, reviewed by Gordon Elliott......i.24 0 EPART M E N T S: THE GAS JET, by the Editor...**..,...... • •**;....................2 IN ARKHAM HOUSE ("Best, Not Basic"), by Philip Gray..*...... 25 Cover by Howard Miller ‘ Back Cover by Howard Miller... Interiors by Miller, Rotsler, Dougherty # # if # # # ff ff if # if fi if 4 . 'Z if 4 # H if I * # Jf H % if DREAM CfJEST is an amateur publication for fans of science fiction , fantasy^ weird fiction* It is published irregularly* Editor1s address: California Hall, University .of Redlands, Redlands, Calif- >rn-ia. Permanent publishing address: 495 N. Third St., Banning, California. This issue is distributed to subscribers only,with the value sot at 250. No renewals or new subscriptions will be accep ted. -ff Please address mail to Don Wilson (not to the magazine) at the editorial address., # Opinions expressed by contributors are not necessarily those ox' the editor. It’s been a long time, and reports unofficial and semi-official said we had folded or suspended, but the truth of the matter is that we merely entered into a somnolent state. Whether there will be still more issues I can’t say, but at any rate there will be this one , . which ought to prove that there’s still life, at least. -
Children's Literature Grows Up
Children's Literature Grows Up The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Mattson, Christina Phillips. 2015. Children's Literature Grows Up. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467335 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Children’s Literature Grows Up A dissertation presented by Christina Phillips Mattson to The Department of Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Comparative Literature Harvard University Cambridge, Massachusetts May, 2015 © 2015 Christina Phillips Mattson All rights reserved. Dissertation Advisor: Professor Maria Tatar Christina Phillips Mattson Abstract Children’s Literature Grows Up proposes that there is a revolution occurring in contemporary children’s fiction that challenges the divide that has long existed between literature for children and literature for adults. Children’s literature, though it has long been considered worthy of critical inquiry, has never enjoyed the same kind of extensive intellectual attention as adult literature because children’s literature has not been considered to be serious literature or “high art.” Children’s Literature Grows Up draws upon recent scholarship about the thematic transformations occurring in the category, but demonstrates that there is also an emerging aesthetic and stylistic sophistication in recent works for children that confirms the existence of children’s narratives that are equally complex, multifaceted, and worthy of the same kind of academic inquiry that is afforded to adult literature. -
Fantasy Review #5
FAN TASY REVE rEL W Vol. f, No. 5 SIXPENCE - ocT.-Nov. 1947 REYERSE By WALTER GILLINGS The paper shmtage ha"s forcerl the suspension of Fantasy-The Magazine of Sclence Ficf,ion, after only three issues. It is not, expected that it will be able to resume publication for a.t least two years. It is no less than 1? years since, impr€ssed with the growing interest in the American science flction magazines entering this country, I began to dr'aw the attention of British publishers to the possibilities of this fietd. That was in days when an English magazine so specialised in its appeal was a rare thing, and the number of readers keen enough to seek out "remainders" of Amazing and T9onder Stories at threepence a copy was comparatively sma]]. Looking back now, I can see that the publishers I pestexed were probably right in their contention that it was not enough to make a British magazine a profltable proposition; though I never would accept the objection that, anyway, Verne and Wells had done it ali before. However, one very reputable flrm did issue a twopenny weekiy which sought to emulate the Gernsback touch and, when it transpired that all its readers were not errand boys, tried to make itself more respectable, only to fail dismally and wind up altogether. After that another big publishing house, affected by the trend towards specialisation in flction, seriously considered the project of a shilling magazine which would interest the enlarging fraternity of science flction readers and appeal to a wider public at the same time. -
2012 WSFS BUSINESS MEETING AGENDA CHICON 7, the 2012 WORLDCON Friday August 31, Saturday September 1
2012 WSFS BUSINESS MEETING AGENDA CHICON 7, THE 2012 WORLDCON Friday August 31, Saturday September 1. and Sunday, September 2, 2012 All meetings were held in Columbus CD of the Hyatt Regency Hotel, Chicago, Illinois. Donald E. Eastlake III presided over the preliminary meeting. The head table officers were: Presiding Officer: Donald E. Eastlake III Secretary: Linda Deneroff Timekeeper: Tim Miller Videographer: Lisa Hayes The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. These minutes are complete and accurate to the best of the Secretary’s knowledge, based on contemporaneous notes and verified against the video. Voting is done in a variety of ways in the course of the Business Meeting. The Mark Protection Committee members are usually elected on paper ballots, using the preferential “instant runoff’ ballot. Most voting in the course of the meeting is done by an uncounted show of hands or, less commonly, by voice vote or by acclamation. If a voice or show of hands vote appears close or if a counted vote is considered important, a counted “serpentine” vote is held. The proceedings of these meetings were recorded per Standing Rule 1.6. Any member may make their own recordings and distribute them at their discretion. WSFS Business Meeting Minutes Chicon 2012 Page 1 of 66 Preliminary Business Meeting, Friday, August 31, 2012 Immediately after the meeting was called to order at 10:30 a.m., the presiding officer, Donald E. Eastlake III, noted some corrections to the Constitution as printed in program book: In Section 3.11.1 the initial reference to 6.3 should be a reference to 6.4. -
Fantasy Subgenres (Courtesy
Fantasy Subgenres (courtesy http://www.cuebon.com/ewriters/Fsubgenres.html) (Definitions and Examples - All) Whether set on our familar Earth (past or present), or in a vast parallel world, or some dreamlike realm where everything is different, fantasy tales allow our imaginations free reign. Even so its relationships, and use of magic, must be internally consistent. Alternate World fantasy involves different worlds hidden within or parallel to our own. In past times these could be found in a mysterious country, as in Johnathan Swift's novel Gulliver's Travels. With the Earth explored, some were envisioned inside a mirror, as with Lewis Carroll's novel Through the Looking Glass. Others 'distill' whole fictional libraries, as with John Myers Myers' novel Silverlock. In our scientific era, often these worlds are in a parallel cosmos, as depicted in Roger Zelazny's "Amber" series. Arthurian subgenre tales are set in the world of King Arthur's legendary Camelot. Merlin, Lancelot, Ygraine and friends are involved in fresh adventures. These novels have been popular for centuries, and one famous modern example is Thomas Pynchon's Gravity's Rainbow. Bangsian fantasy takes its name from a 19th century author named John Bangs. This subgenre deals all or mostly with the afterlife. Early legends speak of Hades, and it's been going strong ever since. A modern example is Philip Jose Farmer's "Riverworld" series, which overlaps with 'science fiction.' Though marketed as literary fiction, with its Heaven-dwelling narrator, Alice Sebold's novel and movie The Lovely Bones fits this category. Celtic fantasy draws upon the rich lore of the Celtic peoples, mostly but not always from Ireland. -
Genre and Young Adult Fantasy
Cambridge University Press 978-1-108-44532-0 — Young Adult Fantasy Fiction Kim Wilkins Excerpt More Information Young Adult Fantasy Fiction 1 Introduction: Genre and Young Adult Fantasy In the United States, the world’s biggest book market, young adult fantasy (YAF) has performed consistently well for a number of consecutive years. In 2014, juvenile fantasy fiction increased its market share by 38 per cent, levelled out in 2015, then rose a further 17 per cent in 2016 to become the biggest-selling juvenile category. While adult fantasy and science fiction combined sold 11,856,000 units in 2016, the same combined category in juvenile fiction sold 52,255,000 units, or more than four times as many (Milliot, 2015, 2016, 2017).1 This success extends beyond the US market. For example, according to Sarah J. Maas’s website, her YAF series Throne of Glass has now been translated into thirty-five different languages, and Cassandra Clare’s publisher Simon & Schuster boasts that she has 50 million copies of her books in print worldwide. These figures indicate a global dissemination and robust market power across the world. Young adult fantasy texts also serve as originating texts for transmedia adaptations, both official and non-official: from high-budget screen adaptations and licensed tie-in products to peer-to-peer merchandising and fan fiction. High-profile adaptations can lead to stardom for actors who take iconic roles (e.g., Emma Watson, Robert Pattinson), securely tying YAF to broader celebrity culture and mainstream media interest (Steveker, 2015: 148). In many ways, YAF’s operations are emblematic of developments and disruptions in the publishing industry and reading practices of the twenty- first century, and yet our scholarly understanding of the genre’s commer- cial, social, and creative operations is not rigorous or nuanced.