Fantasy Review #5
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Geostationary Belt – State's Territory Or Province of Mankind?
Przegląd Narodowościowy / Review of Nationalities • nr 8/2018 • Nations without state or states without nations ISSN 2084-848X (print) • ISSN 2543-9391 (on-line) • DOI 10.2478/pn-2018-0011 Rafał Kopeć* Pedagogical University of Cracow, Kraków, Poland https://orcid.org/0000-0001-9961-2573 Geostationary Belt – State’s Territory or Province of Mankind? The only orbit like this Outer space, however infinite it seems, has its limitations. "e area that definitely cannot be called infinite is the geostationary orbit. It is a circular orbit that runs at an altitude of 35786 km above the Earth, that is 42160 km from the centre of our planet. It is a spe- cial type of a geosynchronous orbit which is characterized by an identical orbital period as the Earth rotation time (24 hours). "e geostationary orbit is a geosychronical orbit with an inclination (tilt) of 0 degrees. "e inclination of the orbit is the angle between the orbit plane and the reference plane, in this case the plane of the Earth’s equator. "e inclination of 0 degrees means that the orbit plane coincides with the equator plane. Describing the geostationary orbit as perfectly circular is of course an approxima- tion. Satellites maintain the about-geostationary orbit due to gravitational disturbanc- es. Uneven mass distribution of the Earth 1 causes disturbances on the East-West line, and the gravitational effect of the Sun and the Moon on the North-South line. In prac- tice, the inclination deviates between 3-5 degrees and the orbit height can fluctuate by plus or minus 50-75 km from the nominal geostationary orbit. -
Fantasy Review #6
FAN TASY REVI F v[/ Yol. I, No. 6 SIXPENCE - DEC. '47. JAN.'48 REYIV E R With this issue FANTASY R,EVInW completes a year of publication within iLs new tease of life. Dudns that time it has gained a staunch following of readers which is still grorv- ing and extending to many parts ol the 'irorld. There is evidence that atl have found it of inestimable value in their pursuance of fantasy-fiction as an abiding interest, or as one which some had neglected for lack of a reliable source of information and guidance in the fleld. To others it has made apparent for the flrst time the full exbent, of the medium and aroused in them an enthusiasm which has been reflected in their letters. FANTASY REVIEW is, manifestly, fulfiUing a unique service, not only to its devotees but to fantasy-fiction itself. T'hrough its critical arttcles and reviews it is performing a desirable function in rnaintaining and improving the stan- dards of the literature it covers. By providing a contacr be- tween writ€rs, editors, publishers and readers it is assisting all concerned towards a better appreciation of their activities and their varying points of view. As a means whereby all may ventilate their opinions, it has already proved itsetf an essential to the healthy developm€nt of the medium on both sides of the Atlantic. For the future, FANTASY REVIEW has many plans for the further expansion of the interests it fosters and cateis for as adequately as it can in these days of austerity. -
FICTION REVIEW Ri
AUSTRALIAN FICTION REVIEW ri HM number t*?<jMeen december 1968 EDITORIAL There is some doubt at present about whether ASFR will continue or not. I have discussed this briefly in a State Of The Fanzine Address, which may be found at the end of this issue. I have placed it there because it belongs there. Even if you read it first, I would like you to read it after everything else in this issue, because what is in this issue is roughly what will be in future issues - namely, pretty straight talk about science fiction and what science fiction has to do with literature. A number of people will be receiving this issue as a sample. To them I say, if you like what you see, please tell me so and please take out a subscription. Best wishes, □OOOQDOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOQOOOOOOOOOOOO00000' AUSTRALIAN SCIENCE FICTION REVIEW QOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOQOOOOOOOOQOOOOOOOOOOOOOOOOOOOOOO00000 CONTENTS Editorial George Turner QN WRITING ABOUT SCIENCE FICTION page 3 Reviews 18 Letters 55 State Of The Fanzine Address 61 Artwork by - Sim Ellis Cover BrucePetty 30-31 ASFR is edited printed and published by John Bangsund PO Box 19 Ferntree Gully Victoria 3156 Australia Assistant Editor Anthony G Thomas Production Assistants Leigh Edmonds & Paul Stevens oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooot 3000000000000000000000000000000000000000000000000000000000000000000000 NUMBER EIGHTEEN DECEMBER 1968 300000000000000000000OOOOOOOOOOO0000000000000000000000000DO00000000000 Reviews: IB H G Armytage: Yesterday's -
The Mutual Influence of Science Fiction and Innovation
Nesta Working Paper No. 13/07 Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Reader in Digital Media, Professor of Information and Research Fellow, Faculty of Arts, Research Centre for Material Technology, SPRU, University University of Brighton, Visiting Digital Culture, School of of Communication Sussex Fellow at SPRU, University of Media, Film and Music, Sussex University of Sussex Nesta Working Paper 13/07 March 2013 www.nesta.org.uk/wp13-07 Abstract This report examines the relationship between SF and innovation, defined as one of mutual engagement and even co-constitution. It develops a framework for tracing the relationships between real world science and technology and innovation and science fiction/speculative fiction involving processes of transformation, central to which are questions of influence, persuasion, and desire. This is contrasted with the more commonplace assumption of direct linear transmission, SF providing the inventive seed for innovation– instances of which are the exception rather than the rule. The model of influence is developed through an investigation of the nature and evolution of genre, the various effects/appeals of different forms of expression, and the ways in which SF may be appropriated by its various audiences. This is undertaken (i) via an inter- disciplinary survey of work on SF, and a consideration the historical construction of genre and its on-going importance, (ii) through the development of a prototype database exploring transformational paths, and via more elaborated loops extracted from the database, and (iii) via experiments with the development of a web crawl tool, to understand at a different scale, using tools of digital humanities, how fictional ideas travel. -
2256 Inventory 4.Pdf
The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol. -
Read Ebook {PDF EPUB} the Opener of the Way by Robert Bloch the Opener of the Way by Robert Bloch, Signed
Read Ebook {PDF EPUB} The Opener of the Way by Robert Bloch The Opener of the Way by Robert Bloch, Signed. The Opener of the Way SIGNED & INSCRIBED. Robert Bloch. Published by Neville Spearman (1974) About this Item: Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Hardcover edition of The Opener of the Way that is signed and inscribed by Robert Bloch. Robert Bloch inscribed this to L. Nieman with a brief message. 1974 Neville Spearman UK, 1st Neville-Spearman printing. Book is in very good condition has bumping to a couple of the corner and the top and bottom of the spine. An address stamp is present on the top of the page and twice on the interior front pastedown. Dust jacket is in good to good+ condition and has creasing, rubbing, peeling wear around the edges. Spine area also has rubbing present. Inscribed by Author(s). Seller Inventory # ABE-1588452786031. The Opener of the Way. Robert Bloch. Published by Neville Spearman Ltd, Jersey, UK (1974) From: JAC Books (Cortland, NY, U.S.A.) About this Item: Cloth. Condition: Fine. Dust Jacket Condition: Very Good. Reg Boorer (illustrator). First British Edition. Neville Spearman, Jersey, UK, 1974. Blue Hardcover First British Edition in DJ, ix + 309 pp. This copy is SIGNED "Just for Openers - Robert Bloch" on a label on the FFEP. This is one of several Spearman reprints of rare old Arkham House books (Arkham's "Opener" dates from 1941). These UK reprints themselves have become valued collector items and are difficult to find in good condition. This copy was purchased by me in the 1970s and has never been read. -
Prolapse 11, Mostly About ‘Science Fiction’ (You Remember) Brought to You by Peter Weston, 53 Wyvern Road, Sutton Coldfield, B74 2PS (Tel; 0121 354 6059)
The Time- Number 11: Travelling Fanzine May 2008 _______________________________________________________________________________________ “Prolapse … once again did its best to ruin a morning's work” – Chris Priest, LoC “It’s seven o’clock in the morning and our young friend wants to know if the latest Vargo Statten Magazine has come in yet!” Follow George Locke’s hunt for science fiction in 1950s London – With the usual apologies to ‘Giles’ INSIDE: ‘A Boy and his Bike’ by George Locke; ‘Forbidden Planet and other Creations’ by Stan Nicholls; ‘Think I’m Going Back’ by Greg Pickersgill; PLUS; Peter Roberts, Chuck Connor, Brian Varley, and more. This is Prolapse 11, mostly about ‘science fiction’ (you remember) brought to you by Peter Weston, 53 Wyvern Road, Sutton Coldfield, B74 2PS (Tel; 0121 354 6059). Once again we’re breathing new life into some very old bones and I’m hoping you’ll be motivated into sending a LoC and your reminiscences to me at [email protected]. This remains a ‘Paper First’ fanzine but I’m e-mailing an increasing number of pdfs these days and the issue goes onto the eFanzines website (with coloured pictures, yet) a month after paper copies have been posted out. Prolapse travels the time-stream to explore British SF fan-history. Chief Researcher; Greg Pickersgill. Assistant Deputy Researcher (1st class); Mark Plummer. ------------------------------------------------------------------------------------------------------------------------------------------------------- “I opened the Prolapse envelope with quivering, salacious anticipation.” – Ian Watson, LoC ------------------------------------------------------------------------------------------------------------------------------------------------------- While working on this issue (well, so I was watching Run, Fat Boy, Run, but I was thinking about doing some work, honest) Ian Sorensen called and was kind enough to advise me that at Corflu in Las Vegas it had just been announced that Prolapse had won the ‘FAAN’ Award for ‘Best Fanzine’. -
The Opener of the Way, Robert Bloch, Buccaneer Books, Incorporated, 1993, 1993
The Opener of the Way, Robert Bloch, Buccaneer Books, Incorporated, 1993, 1993 DOWNLOAD http://bit.ly/1LCXOSa http://www.powells.com/s?kw=The+Opener+of+the+Way DOWNLOAD http://ow.ly/uGGG4 http://www.jstor.org/stable/21126832155429 http://bit.ly/1xRKMgf The Disciples of Cthulhu , Edward P. Berglund, 1996, Horror tales, 258 pages. Lori , Robert Bloch, 2009, Fiction, 278 pages. After graduating from college, Lori returns home only to lose her parents in a fire. In the wake of this tragedy, unusual events begin to unfold, starting with the discovery of. The fear planet and other unusual destinations, Robert Bloch, Stefan R. Dziemianowicz, Feb 5, 2005, Fiction, 301 pages. It's no secret that a hefty helping of Robert Bloch's fiction remains unreprinted or uncollected since its original publication in pulp magazines, digests and anthologies of. The Clock of Dreams , Brian Lumley, Apr 23, 2013, Fiction, 200 pages. In the Clock of Dreams, Cthulhu, one of the Elder Gods, sleeps and dreams - dreams so potent, so powerful, that they can warp reality itself. The mysterious Clock that is. The Ithaqua Cycle , A. Blackwood, August William Derleth, Jun 1, 2006, Fiction, 272 pages. This fantasy anthology opens with the tale of the elusive, utterly supernatural Ithaqua which roams the North Woods and the wastes beyond striking fear in hunters and travelers. Singers of Strange Songs A Celebration of Brian Lumley, Scott D. Aniolowski, 1997, Fiction, 238 pages. Most readers acknowledge Brian Lumley as the superstar of British horror writers. With the great popularity of his Necroscope series, he is one of the best known horror authors. -
Loscon 34 Program Book
LosconLoscon 3434 WelcomeWelcome to the LogbookLogbook of the “DIG”“DIG” LAX Marriott November 23 - 25, 2007 Robert J. Sawyer Author Guest Theresa Mather Artist Guest Capt. David West Reynolds Fan Guest Dr. James Robinson Music Guest 1 2 Table of Contents Anime .................................. Pg 68 Kids’ Night Out ..................... Pg 63 Art Show .............................. Pg 66 Listening Lounge .................. Pg 71 Awards Masquerade .......................... Pg 59 Evans-Freehafer ................ Pg 56 Members List ................. Pg 75-79 Forry ................................. Pg 57 Office / Lost & Found .......... Pg 71 Rotsler .............................. Pg 58 Photography/Videotape Policies .... Pg 70 Autographs .......................... Pg 73 Programming Panels ....... Pg 38-47 Bios Regency Dancing .................. Pg 62 Author Guest of Honor .........Pg 8-11 Registration .......................... Pg 71 Artist Guest of Honor ........ Pg 12-13 Room Parties ........................ Pg 63 Music Guest of Honor ........ Pg 16-17 Security Fan Guest of Honor ................. Pg 14 Rules & Regulations ..... Pg 70,73 Program Guests ........... Pg 30-37 No Smoking Policy ............. Pg 73 Blood Drive ........................... Pg 53 Weapons Policy ........... Pg 70,73 Chair’s Message .................. Pg 4-5 Special Needs ....................... Pg 60 Children’s Programming ........ Pg 68 Special Stories Committee & Staff ............. Pg 6-7 Peking Man .................. Pg 18-22 Computer Lounge ............... -
By Lee A. Breakiron ONE-SHOT WONDERS
REHeapa Autumnal Equinox 2015 By Lee A. Breakiron ONE-SHOT WONDERS By definition, fanzines are nonprofessional publications produced by fans of a particular cultural phenomenon, such as a literary or musical genre, for the pleasure of others who share their interests. Readers themselves often contribute to fanzines by submitting their own articles, reviews, letters of comment, and fan fiction. Though the term fanzine only dates from 1940 when it was popularized within science fiction and comic book fandom, the first fanzines actually date back to at least the nineteenth century when, as a uniquely American development, literary groups formed amateur press associations or APAs in order to publish collections of poetry, fiction, and commentary. Few, if any, writers have had as many fanzines, chapbooks, and other ephemera dedicated to them as has Robert E. Howard. Howard himself self-published his own typed “zine,” The Golden Caliph of four loose pages in about August, 1923 [1], as well as three issues of one entitled The Right Hook in 1925 (discussed later). Howard collaborated with his friends Tevis Clyde “Clyde” Smith, Jr., and Truett Vinson in their own zines, The All-Around Magazine and The Toreador respectively, in 1923 and 1925. (A copy of The All-Around Magazine sold for $911 in 2005.) Howard also participated in an amateur essay, commentary, and poetry journal called The Junto that ran from 1928 to 1930, contributing 10 stories and 13 poems to 10 of the issues that survive. Only one copy of this monthly “travelogue” was circulated among all the members of the group. -
Science-Fiction
BR-176/F octobre 2002 Les nouvelles technologies dans la Science-fiction appliquées au domaine spatial Contact: ESA Publications Division c/o ESTEC, PO Box 299, 2200 AG Noordwijk, The Netherlands Tel. (31) 71 565 3400 - Fax (31) 71 565 5433 Compilation: David Raitt, Direction Affaires Industrielles & Technologie de l’ESA Patrick Gyger, Maison d’Ailleurs Arthur Woods, Fondation OURS Publié par: Division des Publications de l’ESA ESTEC, Boîte postale 299 2200 AG Noordwijk Pays-Bas Rédacteurs: Bruce Battrick, Huguette Lacoste, Barbara Warmbein Mise en page & infographie: Carel Haakman & Eva Ekstrand Tous droits réservés: © 2002 European Space Agency ISBN No.: 92-9090-686-4 ISSN No.: 0250-1589 Les nouvelles technologies 1 dans la science-fiction, appliquées au domaine spatial Table des matières ■ Introduction 2 par David Raitt ■ Un doigt de science dans votre fiction 5 par Jean-Claude Dunyach ■ L’attrait des combinaisons vinyles de l’espace 6 par Billy Boy* ■ Quelques réflexions sur les idées et les images de la science-fiction 7 par Patrick Gyger ■ L’exploration de l’espace à travers les artistes et les écrivains 9 par Arthur Woods ■ Résumé de concepts apparus dans la science-fiction 10 • Systèmes de propulsion 11 • Colonisation de l’espace 22 • L’énergie et sa production 26 • Informatique et communication 30 • Robots et cyborgs 33 • Systèmes de lancement 35 • Ressources et matériaux 38 • Autres technologies 42 ■ Appendices 46 2 Introduction Introduction David Raitt, ESA L’idée que les ouvrages de science-fiction puissent receler l’amorce d’innovations technologiques susceptibles d’être portées jusqu’au stade de la réalisation par les techniques dont on dispose aujourd’hui ou dont on disposera demain est le fil conducteur d’une étude récente de l’Agence spatiale européenne (ESA) intitulée “Les nouvelles technologies dans la science-fiction” (ITSF). -
AH Archive Catalog NEW 2:27:2021
ARKHAM HOUSE: AN IMPORTANT ARCHIVE FROM THE FILES OF AUGUST DERLETH L.W. Currey, Inc. John W. Knott, Jr., Bookseller I. A Brief History of Arkham House II. The Importance of Arkham House III. The Importance of August Derleth as Editor and Publisher IV. Description and Calendar of the Arkham House Archive I. A BRIEF HISTORY OF ARKHAM HOUSE In 1939 a promising Midwestern mainstream novelist and a popular Midwestern writer of pulp fiction co- founded a small press to publish a hardbound book to preserve the writing and perpetuate the memory of their dearly departed friend and mentor, Howard Phillips Lovecraft. Arkham House was officially in business when August Derleth and Donald Wandrei signed the George Banta Publishing Company's "Proposal for Printing" THE OUTSIDER AND OTHERS by H. P. Lovecraft dated 25 August 1939. 1268 copies of this "landmark in the history of weird fiction and American publishing" (Joshi) were printed and most were sold for $5.00 each (then a high list price for a book of fiction). THE OUTSIDER AND OTHERS was the first of three projected volumes of Lovecraft's works Arkham House planned to publish. Derleth and Wandrei (with the considerable assistance of Robert H. Barlow) compiled a second omnibus volume, BEYOND THE WALL OF SLEEP, published in 1943, which was followed by MARGINALIA a lesser so-called "stop-gap" volume published in 1944 to satisfy readers until Lovecraft's letters could be located, transcribed and edited (the envisioned single volume of letters was ultimately expanded to five). In the beginning neither Derleth nor Wandrei intended to publish books by any writer except Lovecraft, but at the suggestion of William C.