Read Ebook {PDF EPUB} the Opener of the Way by Robert Bloch the Opener of the Way by Robert Bloch, Signed

Total Page:16

File Type:pdf, Size:1020Kb

Read Ebook {PDF EPUB} the Opener of the Way by Robert Bloch the Opener of the Way by Robert Bloch, Signed Read Ebook {PDF EPUB} The Opener of the Way by Robert Bloch The Opener of the Way by Robert Bloch, Signed. The Opener of the Way SIGNED & INSCRIBED. Robert Bloch. Published by Neville Spearman (1974) About this Item: Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Hardcover edition of The Opener of the Way that is signed and inscribed by Robert Bloch. Robert Bloch inscribed this to L. Nieman with a brief message. 1974 Neville Spearman UK, 1st Neville-Spearman printing. Book is in very good condition has bumping to a couple of the corner and the top and bottom of the spine. An address stamp is present on the top of the page and twice on the interior front pastedown. Dust jacket is in good to good+ condition and has creasing, rubbing, peeling wear around the edges. Spine area also has rubbing present. Inscribed by Author(s). Seller Inventory # ABE-1588452786031. The Opener of the Way. Robert Bloch. Published by Neville Spearman Ltd, Jersey, UK (1974) From: JAC Books (Cortland, NY, U.S.A.) About this Item: Cloth. Condition: Fine. Dust Jacket Condition: Very Good. Reg Boorer (illustrator). First British Edition. Neville Spearman, Jersey, UK, 1974. Blue Hardcover First British Edition in DJ, ix + 309 pp. This copy is SIGNED "Just for Openers - Robert Bloch" on a label on the FFEP. This is one of several Spearman reprints of rare old Arkham House books (Arkham's "Opener" dates from 1941). These UK reprints themselves have become valued collector items and are difficult to find in good condition. This copy was purchased by me in the 1970s and has never been read. My name stamp is present (FFEP & top edge) and the unclipped DJ shows mild shelfwear. Otherwise this is a unusually fine, tight copy of a scarce collectible. Size: Octavo. Signed by Author. Private Press. Seller Inventory # 001007. The Opener of the Way. Bloch, Robert (SIGNED!) Published by Neville Spearman (1974) About this Item: Hard Cover. Condition: Near Fine. Dust Jacket Condition: Very Good. First Thus. First printing in Near Fine condition with a Very Good unclipped Dust Jacket protected by a Mylar Brodart. Signed to previous owner on the first page by Robert Bloch. Previous owner gift inscription on inside front cover. Signed by Author. Hardcover. Seller Inventory # H13197. THE OPENER OF THE WAY. Bloch, Robert. Published by Spearman (1945) About this Item: First Edition. THE OPENER OF THE WAY, Spearman, 1974, first English edition, vg+ in like dust-wrapper. INSCRIBED by the author. Seller Inventory # 14927. FEDOGAN & BREMER: The Early Fears ---by Robert Bloch ---a Signed Copy ( Includes shambler from the Stars; Yours Truly Jack the Ripper; Enoch; House of the Hatchet, etc)( collects the ARKHAM HOUSE Titles Opener of the Way /and/ Pleasant Dreams Nightmares ) Bloch, Robert ( Signed )(aka Robert A Bloch, Bob Bloch, Tarleton Fiske, Will Folke, Keith Hammond, Nathan Hindin, E K Jarvis, Wilson Kane, Herbert Scanlon, Collier Young ) Published by Minneapolis, MN.: Fedogan & Bremer / F&B, 1994, 1st Edition, First Printing (collects the ARKHAM HOUSE Editions of The Opener of the Way and Pleasant Dreams Nightmares ), Minneapolis, Minnesota (1994) From: Leonard Shoup (BURLINGTON, ON, Canada) About this Item: Hard Cover. Condition: Fine (see description). Dust Jacket Condition: Fine (see description). Jon Arfstrom Cover Art (illustrator). First Edition. ------------hardcover, a Fine example, small smudge mark on the bottom edge of the text block, small glue stain on front fixed endpaper (from the printer/printing company )in a Fine dustjacket, unread, one of 2300 copies, signed by Bloch on the title page without inscription, one of the last signings Bloch ever did so there are not a lot of signed copies avialble, ---Collects thirty-nine stories - all from his first two short story collections (''The Opener Of The Way'' and ''Pleasant Dreams'', both published by Arkham House, 1945 and 1960 respectively), plus three previously uncollected stories, contents include: the View from 1993 (essay); the Cloak; Beetles; the Fiddler's Fee; the Mannikin; the Strange Flight of Richard Clayton; Yours Truly Jack the Ripper; the Seal of the Satyr; the Dark Demon; the Faceless God; House of the Hatchet; the Opener of the Way; Return to the Sabbath; the Mandarin's Canaries; Waxworks; the Feast in the Abbey; Slave of the Flames; the Shambler from the Stars; Mother of Serpents; the Secret of Sebek; the Eyes of the Mummy; One Way to Mars; Sweets to the Sweet; the Dream Makers; the Sorcerer's Apprentice; I Kiss Your Shadow; Mr Steinway; the Proper Spirit; Catnip;; that Hell Bound Train; Enoch; the Bedposts of Life; the Grab Bag (written with Henry Kuttner;) the Creative Urge; the Cheaters; Hungarian Rhapsody; the Light House; the Hungry House; Sleeping Beauty; Sweet Sixteen, any image directly beside this listing is the actual book and not a generic photo ///SIGNED ---GUARANTEED to be AVAILABLE/// Size: 5.75w x 8.5h Inches. Signed. NOT Price Clipped. Seller Inventory # 165546. The Vampire Stories of Robert Bloch. Robert Bloch (1917-1994) is one of the most fondly remembered and collected authors of crime, horror, fantasy, and science fiction of the 20th Century. Noted by many as the author of Psycho , Bloch wrote hundreds of short stories and over 30 novels. He was a member of the Lovecraft Circle and began his career by emulating H.P. Lovecraft’s brand of “cosmic horror.” He later specialized in crime and horror stories dealing with a more psychological approach. “The Shambler from the Stars” “The Opener of the Way” “The Mannikin” “A Question of Identity” “The Cloak” “Unheavenly Twin” “Nursemaid to Nightmares” “Fear Planet” “Yours Truly, Jack the Ripper” “Black Barter” “Death Is a Vampire” “The Bat Is My Brother” “The Skull of the Marquis de Sade” “The Bogey Man Will Get You” “Tooth or Consequences” “The Hungry House” “The Man Who Collected Poe” “The Light- House” “I Kiss Your Shadow” “Dig That Crazy Grave” “The Sleeping Redheads” aka “Sleeping Beauty” “Hungarian Rhapsody” “The Living Dead” “A Case of the Stubborns” “The Undead” “The Yougoslaves” “The Bedposts of Life” “The Scent of Vinegar” The Opener of the Way. The Opener of the Way is a collection of fantasy and horror short stories by American writer Robert Bloch. It was released in 1945 and was the author's first book. It was published by Arkham House in an edition of 2,065 copies. [1] A British hardcover was issued by Neville Spearman in 1974, with Panther Books issuing a two-volume paperback reprint in 1976. [2] An Italian translation, with the stories reordered, appeared in 1991. [3] The collection was never reprinted in the United States, but its contents (aside from Bloch's introduction) were included in the 1994 omnibus The Early Fears . [1] Horror is a genre of speculative fiction which is intended to frighten, scare, disgust, or startle its readers by inducing feelings of horror and terror. Literary historian J. A. Cuddon defined the horror story as "a piece of fiction in prose of variable length. which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". It creates an eerie and frightening atmosphere. Horror is frequently supernatural, though it can be non-supernatural. Often the central menace of a work of horror fiction can be interpreted as a metaphor for the larger fears of a society. Robert Albert Bloch was an American fiction writer, primarily of crime, horror, fantasy and science fiction, from Milwaukee, Wisconsin. He is best known as the writer of Psycho , the basis for the film of the same name by Alfred Hitchcock. His fondness for a pun is evident in the titles of his story collections such as Tales in a Jugular Vein , Such Stuff as Screams Are Made Of and Out of the Mouths of Graves . This article presents lists of the literary events and publications in 1945 . Contents. Contents Critical reception Trivia References. Most of the stories had appeared in the magazine Weird Tales in the 1930s and 1940s. Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18. The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom would go on to be popular writers, but within a year the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger and refinanced Weird Tales , with Farnsworth Wright as the new editor. The first issue under Wright's control was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks it prospered over the next fifteen years. Under Wright's control the magazine lived up to its subtitle, "The Unique Magazine", and published a wide range of unusual fiction. Contents. The Opener of the Way contains the following tales: "By Way of Introduction" "The Cloak" "Beetles" "The Fiddler's Fee" "The Mannikin" "The Strange Flight of Richard Clayton" "Yours Truly, Jack the Ripper" "The Seal of the Satyr" "The Dark Demon" "The Faceless God" "The House of the Hatchet" "The Opener of the Way" "Return to the Sabbath" "The Mandarin's Canaries" "Waxworks" "The Feast in the Abbey" "Slave of the Flames" "The Shambler from the Stars" "Mother of Serpents" "The Secret of Sebek" "The Eyes of the Mummy" "One Way to Mars" Critical reception. Stephen King listed The Opener of the Way as one of Arkham House's "most important works". [4] Stephen Jones and Kim Newman included the collection in Horror: Another 100 Best Books , with Joel Lang noting that it demonstrated Bloch's "meteoric development from faux-Gothic pastiche to sour, elliptical portraits of urban damnation".
Recommended publications
  • Fantasy Review #6
    FAN TASY REVI F v[/ Yol. I, No. 6 SIXPENCE - DEC. '47. JAN.'48 REYIV E R With this issue FANTASY R,EVInW completes a year of publication within iLs new tease of life. Dudns that time it has gained a staunch following of readers which is still grorv- ing and extending to many parts ol the 'irorld. There is evidence that atl have found it of inestimable value in their pursuance of fantasy-fiction as an abiding interest, or as one which some had neglected for lack of a reliable source of information and guidance in the fleld. To others it has made apparent for the flrst time the full exbent, of the medium and aroused in them an enthusiasm which has been reflected in their letters. FANTASY REVIEW is, manifestly, fulfiUing a unique service, not only to its devotees but to fantasy-fiction itself. T'hrough its critical arttcles and reviews it is performing a desirable function in rnaintaining and improving the stan- dards of the literature it covers. By providing a contacr be- tween writ€rs, editors, publishers and readers it is assisting all concerned towards a better appreciation of their activities and their varying points of view. As a means whereby all may ventilate their opinions, it has already proved itsetf an essential to the healthy developm€nt of the medium on both sides of the Atlantic. For the future, FANTASY REVIEW has many plans for the further expansion of the interests it fosters and cateis for as adequately as it can in these days of austerity.
    [Show full text]
  • Psychoanalytic Psychotherapy of the Borderline Patient
    PSYCHOANALYTIC PSYCHOTHERAPY OF The Borderline Patient Arlene Robbins Wolberg Copyright © 1982 Arlene Robbins Wolberg e-Book Copyright © 2014 International Psychotherapy Institute All Rights Reserved This e-book contains material protected under International and Federal Copyright Laws and Treaties. This e-book is intended for personal use only. Any unauthorized reprint or use of this material is prohibited. No part of this book may be used in any commercial manner without express permission of the author. Scholarly use of quotations must have proper attribution to the published work. This work may not be deconstructed, reverse engineered or reproduced in any other format. Created in the United States of America For information regarding this book, contact the publisher: International Psychotherapy Institute E-Books 301-215-7377 6612 Kennedy Drive Chevy Chase, MD 20815-6504 www.freepsychotherapybooks.org [email protected] To Michael Lisa David Michael Preface Although borderline conditions have been with us for as long as any other emotional ailment, it is only recently that attention has been concen­ trated on this syndrome. Reasons for this focus are sundry. More and more psychotherapists have become aware of the vast multitudes of pa­ tients seeking help who possess a diversity of complaints but who cannot be pigeonholed in any distinctive diagnostic category. Symptoms come and go, fluctuating from evanescent paranoidal projections to obsessive-com­ pulsive maneuvers, to anxiety manifestations, to depression, to conversion phenomena, to distortion phenomena (fantasy defenses), and to temporary psychotic episodes. Moreover, the sadomasochistic relationships established by these patients have made therapy arduous and frequently unsuccessful. The challenge posed by the borderline malady that disables such great numbers of our population has promoted increasing empirical studies and has yielded a vast literature with craftily fabricated theories that espouse many contradictory themes.
    [Show full text]
  • 2256 Inventory 4.Pdf
    The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol.
    [Show full text]
  • The Opener of the Way, Robert Bloch, Buccaneer Books, Incorporated, 1993, 1993
    The Opener of the Way, Robert Bloch, Buccaneer Books, Incorporated, 1993, 1993 DOWNLOAD http://bit.ly/1LCXOSa http://www.powells.com/s?kw=The+Opener+of+the+Way DOWNLOAD http://ow.ly/uGGG4 http://www.jstor.org/stable/21126832155429 http://bit.ly/1xRKMgf The Disciples of Cthulhu , Edward P. Berglund, 1996, Horror tales, 258 pages. Lori , Robert Bloch, 2009, Fiction, 278 pages. After graduating from college, Lori returns home only to lose her parents in a fire. In the wake of this tragedy, unusual events begin to unfold, starting with the discovery of. The fear planet and other unusual destinations, Robert Bloch, Stefan R. Dziemianowicz, Feb 5, 2005, Fiction, 301 pages. It's no secret that a hefty helping of Robert Bloch's fiction remains unreprinted or uncollected since its original publication in pulp magazines, digests and anthologies of. The Clock of Dreams , Brian Lumley, Apr 23, 2013, Fiction, 200 pages. In the Clock of Dreams, Cthulhu, one of the Elder Gods, sleeps and dreams - dreams so potent, so powerful, that they can warp reality itself. The mysterious Clock that is. The Ithaqua Cycle , A. Blackwood, August William Derleth, Jun 1, 2006, Fiction, 272 pages. This fantasy anthology opens with the tale of the elusive, utterly supernatural Ithaqua which roams the North Woods and the wastes beyond striking fear in hunters and travelers. Singers of Strange Songs A Celebration of Brian Lumley, Scott D. Aniolowski, 1997, Fiction, 238 pages. Most readers acknowledge Brian Lumley as the superstar of British horror writers. With the great popularity of his Necroscope series, he is one of the best known horror authors.
    [Show full text]
  • AH Archive Catalog NEW 2:27:2021
    ARKHAM HOUSE: AN IMPORTANT ARCHIVE FROM THE FILES OF AUGUST DERLETH L.W. Currey, Inc. John W. Knott, Jr., Bookseller I. A Brief History of Arkham House II. The Importance of Arkham House III. The Importance of August Derleth as Editor and Publisher IV. Description and Calendar of the Arkham House Archive I. A BRIEF HISTORY OF ARKHAM HOUSE In 1939 a promising Midwestern mainstream novelist and a popular Midwestern writer of pulp fiction co- founded a small press to publish a hardbound book to preserve the writing and perpetuate the memory of their dearly departed friend and mentor, Howard Phillips Lovecraft. Arkham House was officially in business when August Derleth and Donald Wandrei signed the George Banta Publishing Company's "Proposal for Printing" THE OUTSIDER AND OTHERS by H. P. Lovecraft dated 25 August 1939. 1268 copies of this "landmark in the history of weird fiction and American publishing" (Joshi) were printed and most were sold for $5.00 each (then a high list price for a book of fiction). THE OUTSIDER AND OTHERS was the first of three projected volumes of Lovecraft's works Arkham House planned to publish. Derleth and Wandrei (with the considerable assistance of Robert H. Barlow) compiled a second omnibus volume, BEYOND THE WALL OF SLEEP, published in 1943, which was followed by MARGINALIA a lesser so-called "stop-gap" volume published in 1944 to satisfy readers until Lovecraft's letters could be located, transcribed and edited (the envisioned single volume of letters was ultimately expanded to five). In the beginning neither Derleth nor Wandrei intended to publish books by any writer except Lovecraft, but at the suggestion of William C.
    [Show full text]
  • Alter Ego #78 Trial Cover
    Roy Tho mas ’Co de- DIS appr oved Comics Fan zine SPENNDD A HELLLUVVA HALLOOWWEEENN WITHH THE NON- EC HORROR $ 7.95 COMICS In the USA OF THE FEAARFUL No.97 1950s October 1950s 2010 STARRING: EVERETT • BRIEFER DITKO• MANEELY COLAN • MESKIN CAMERON • HEATH POWELL • KRIGSTEIN COLE • SIMON & KIRBY FUJITANI • DAVIS & MORE! PLUS: Art © 2010 Marvel Characters, Inc. 0 1 5 3 6 7 7 2 8 5 6 2 8 1 Vol. 3, No. 97 / October 2010 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Cover Artist Bill Everett Cover Colorist Tom Ziuko With Special Thanks to: Heidi Amash Hurricane Heeran Contents Ger Apeldoorn Heritage Comics Manuel Auad Archives Writer/Editorial: Did Horror Comics Really Follow the Bob Bailey Mike Hoffman Alberto Becattini Mike Howlett “New Trend”? . 2 Blake Bell Dave Hunt Jack Bender Alan Hutchinson The Other Guys . 3 John Benson John Jacobson Lawrence Watt-Evans’ gargoyle’s-eye view of the non-EC horror comics of the 1950s. Mike Benton Glen Johnson Dominic Bongo Michael W. Kaluta Post Office Issues EC Stamps! . 35 Jerry K. Boyd Jack Katz You think A/E never carries news? What Alan Hutchinson has to say will definitely be news to you! Chris Boyko Stan Lee Brian’s Drive-In Dominique Leonard The Hand of Doom . 38 Theater (website) Dennis Lieberson Steve Brower Jim Ludwig Gary Brown’s gripping conversation with one of comics’ greatest stars of the 1950s & ’60s.
    [Show full text]
  • Fantasy Review #5
    FAN TASY REVE rEL W Vol. f, No. 5 SIXPENCE - ocT.-Nov. 1947 REYERSE By WALTER GILLINGS The paper shmtage ha"s forcerl the suspension of Fantasy-The Magazine of Sclence Ficf,ion, after only three issues. It is not, expected that it will be able to resume publication for a.t least two years. It is no less than 1? years since, impr€ssed with the growing interest in the American science flction magazines entering this country, I began to dr'aw the attention of British publishers to the possibilities of this fietd. That was in days when an English magazine so specialised in its appeal was a rare thing, and the number of readers keen enough to seek out "remainders" of Amazing and T9onder Stories at threepence a copy was comparatively sma]]. Looking back now, I can see that the publishers I pestexed were probably right in their contention that it was not enough to make a British magazine a profltable proposition; though I never would accept the objection that, anyway, Verne and Wells had done it ali before. However, one very reputable flrm did issue a twopenny weekiy which sought to emulate the Gernsback touch and, when it transpired that all its readers were not errand boys, tried to make itself more respectable, only to fail dismally and wind up altogether. After that another big publishing house, affected by the trend towards specialisation in flction, seriously considered the project of a shilling magazine which would interest the enlarging fraternity of science flction readers and appeal to a wider public at the same time.
    [Show full text]
  • 'Strong Clinging to Objects': Materiality and Relationality in Melanie Klein's Observations After an Operation (1937)[Vers
    Wellcome Open Research 2021, 6:40 Last updated: 22 JUN 2021 RESEARCH ARTICLE ‘Strong clinging to objects’: materiality and relationality in Melanie Klein’s Observations after an Operation (1937) [version 1; peer review: 2 approved] Harriet Barratt York St John University, York, UK v1 First published: 22 Feb 2021, 6:40 Open Peer Review https://doi.org/10.12688/wellcomeopenres.16485.1 Latest published: 22 Feb 2021, 6:40 https://doi.org/10.12688/wellcomeopenres.16485.1 Reviewer Status Invited Reviewers Abstract This article presents and analyses a set of notes written by the 1 2 psychoanalyst Melanie Klein following an operation in 1937. The notes, entitled Observations after an Operation, act as a case study of version 1 the intersection of psychical, material and social relations as they play 22 Feb 2021 report report out in the immediate aftermath of surgical intervention. Using a close reading method, the article contextualises an analysis of Observations 1. Rina Kim , University of Auckland, after an Operation by linking it to Klein’s wider corpus of theoretical work. It deals in turn with the representation of anxiety mechanisms Auckland, New Zealand in the patient experience, drawing upon Klein’s notes on the similarity with ‘anxiety-situations’ in early childhood; with Klein’s changed 2. Gavin Ivey , Victoria University, relation with both external objects and their counterparts in the Melbourne, Australia individual’s mental landscape; with the role of sensation in phantasy, and the connection to bodily pain; with the doctor-patient relationship Any reports and responses or comments on the and the way this is perceived as being embodied in material objects, article can be found at the end of the article.
    [Show full text]
  • The Effects of Cultural Influences and Personal State
    THE EFFECTS OF CULTURAL INFLUENCES AND PERSONAL STATE ON ELECTRODERMAL ORIENTING RESPONSES TO PHOBIC STIMULI Loucas-Demos Kartsounis Thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, London University, Bedford College. April 1982 ProQuest Number: 10098442 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10098442 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 - 2 - ABSTRACT Seligman's theory that phobias are biologically prepared associations is challenged on theoretical and empirical grounds. It is argued that a concept of experiential preparedness may be more useful for approaching the problem of selectivity in phobias. The experimental part of the thesis pursues this argument by investigating the magnitude and habituation of electrodermal orienting responses (ORs) to words denoting ontogenetically fear-relevant (phobic) or neutral stimuli. In experiment 1 no differences between the ORs to moderately feared and neutral stimuli were found. In experiment 2 subjects were presented with stimuli as in experiment 1 and were threatened by electric shock; the phobic stimuli then elicited larger and more slowly habituating ORs than the neutral stimuli.
    [Show full text]
  • Sam Moskowitz a Bibliography and Guide
    Sam Moskowitz A Bibliography and Guide Compiled by Hal W. Hall Sam Moskowitz A Bibliography and Guide Compiled by Hal W. Hall With the assistance of Alistair Durie Profile by Jon D. Swartz, Ph. D. College Station, TX October 2017 ii Online Edition October 2017 A limited number of contributor's copies were printed and distributed in August 2017. This online edition is the final version, updated with some additional entries, for a total of 1489 items by or about Sam Moskowitz. Copyright © 2017 Halbert W. Hall iii Sam Moskowitz at MidAmericon in 1976. iv Acknowledgements The sketch of Sam Moskowitz on the cover is by Frank R. Paul, and is used with the permission of the Frank R. Paul Estate, William F. Engle, Administrator. The interior photograph of Sam Moskowitz is used with the permission of the photographer, Dave Truesdale. A special "Thank you" for the permission to reproduce the art and photograph in this bibliography. Thanks to Jon D. Swartz, Ph. D. for his profile of Sam Moskowitz. Few bibliographies are created without the help of many hands. In particular, finding or confirming many of the fanzine writings of Moskowitz depended on the gracious assistance of a number of people. The following individuals went above and beyond in providing information: Alistair Durie, for details and scans of over fifty of the most elusive items, and going above and beyond in help and encouragement. Sam McDonald, for a lengthy list of confirmed and possible Moskowitz items, and for copies of rare articles. Christopher M. O'Brien, for over 15 unknown items John Purcell, for connecting me with members of the Corflu set.
    [Show full text]
  • REPETITION: a Study in Visual Form Using Selected Artworks by Edward Hopper
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 REPETITION: A Study in Visual Form Using Selected Artworks by Edward Hopper Lauren Irwin The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1212 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] REPETITION: A Study in Visual Form using Selected Artworks by Edward Hopper by LAUREN IRWIN A dissertation submitted to the Graduate Faculty in Clinical Psychology in partial fulfillment of the requirements for the degree of Doctor of Philosophy The City University of New York 2016 ii © 2016 LAUREN IRWIN All Rights Reserved iii This manuscript has been read and accepted by the Graduate Faculty in Clinical Psychology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ___________________ ________________________________ Date Lissa Weinstein, Ph.D. Chair of Examining Committee ___________________ ________________________________ Date Maureen O’Connor, Ph.D. Executive Officer in Psychology Diana Diamond, Ph.D. Steven Tuber, Ph.D. Diana Puñales, Ph.D. Benjamin Harris, Ph.D. Supervision Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract REPETITION: A Study in Visual Form using Selected Artworks by Edward Hopper by Lauren Irwin Adviser: Professor Lissa Weinstein An attempt was made to study the form, function and patterns of repetition as expressed in visual form.
    [Show full text]
  • Arkham House Archive Calendar
    ARKHAM HOUSE ARCHIVE CALENDAR ARKHAM HOUSE ARCHIVE SALE DOCUMENTS 4 typewritten letters dated 25 May 2010, 25 October 2010, 15 January 2011, and 26 January 2011, each signed by April Derleth, conveying the archive, "books, letters, manuscripts, contracts, Arkham House ephemera & items" (including "personal items as well as items from my business" and "all remaining items in the basement") to David H. Rajchel, "to take & deal with as he sees fit." Accompanied by a bill of sale dated 17 March 2011, prepared by Viney & Viney, Attorneys, Baraboo, WI (typed on the verso of a 1997 State of Wisconsin Domestic Corporation Annual Report for Arkham House Publishers, Inc.). Additionally, there is a bill of sale for the Clark Ashton Smith papers and books sold to David H. Rajchel, signed by April Derleth. ARKHAM HOUSE ORDERS Book Orders and Related Correspondence, mostly 1960s. ARKHAM HOUSE ROYALTY STATEMENTS Large file of royalty payment statements, mostly between 1 September 1959 and 1 September 1967. Extensive, but not complete. Includes some summaries. There are a few statements from 1946 and 1952 (Long) and 1950-1959 (all Whitehead). Also, sales figures for 1 July 1946 through 1 January 1947 [i.e. 31 December 1946] and 1 July 1963 through 31 December 1966. Some Arkham House correspondence regarding accounting and royalties paid by Arkham House to their authors is filed here. BOOK PRODUCTION Production material for Arkham House, Mycroft & Moran, or Stanton & Lee publications, as well as books written or edited by Derleth which were published by others. This material is organized by author/editor and book title.
    [Show full text]