World Fantasy Convention 1983

Total Page:16

File Type:pdf, Size:1020Kb

World Fantasy Convention 1983 World Fantasy Convention 1983 WORLD FANTASY 1983 Sixty Years of Weird Tales October 28 - 30, 1983 Marriott O’Hare Hotel - Chicago, Illinois Guests Gene Wolfe Manly Wade Wellman Rowena Morrill Toastmaster Robert Bloch CONTENTS INTRODUCTION.................................................................................................................... 2 APPRECIATIONS: ABOUT MANLY WADE WELLMAN by Karl Edward Wagner.......................................... 3 GENE WOLFE by Algis Budrys............................................................................................ 7 ROWENA MORRILL by Robert Weinberg............................................................................ 9 A PROFILE OF ROBERT BLOCH by Stephen King.............................................................. 11 SPECIAL WEIRD TALES ARTICLES: THE SEARCHER AFTER HORROR by Robert Bloch...........................................................15 WORLD OF WEIRD, 1931 - 1932 by Jack Williamson.........................................................23 THE MOST POPULAR STORIES IN WEIRD TALES 1924 TO 1940 by Sam Moskowitz . 27 ALL NEW EANTA SY FICTION: THE CAT by Gene Wolfe...................................................................................................... 39 WILLOW HE WALK by Manly Wade Wellman.................................................................... 43 INCARNATE by Ramsey Campbell........................................................................................ 51 ONE TO CHICAGO by Hugh B. Cave.................................................................................... 57 THE MONSTER ON HOLD by Philip Jose Farmer .............................................................. 61 THE BLACK RECALLED by Brian Lumley.............................................................................73 NEITHER BRUTE NOR HUMAN by Karl Edward Wagner.................................................. 79 Edited by Robert Weinberg Front & Back Cover art by Rowena Morrill Typesetting, Design & Layout by Pendragon Graphics Published by: Weird Tales Ltd. P.O. Box 423 Oak Forest, Illinois 60452 (in cooperation with Pulp Press] Additional copies $8.95 npr conv available from the publisher. INTRODUCTION Sixty years ago, a magazine was born that became a incest, topics never seen in the most liberal publications legend. Weird Tales, “The Unique Magazine” was of the day. Stories of madness and psychological aber­ created by J. C. Henneberger as a vehicle for stories by ration were sandwiched between space opera and major writers of that day that, because of their unusual psychic detective mysteries. This was not to claim that content, could not be placed in conventional magazines. every story published was a classic. There were numer­ Henneberger never did succeed in attracting those ous mediocre stories published as well. But the average authors who had originally voiced such concerns. How­ level of quality was extremely high for a magazine that ever, he did provide a suitable home for the works of rarely paid more than a penny a word, on publication. H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith The 1983 World Fantasy Convention is dedicated to and nearly all of the other major fantasy writers from Weird Tales and the people that made it great. This 1923 through 1954. He also created a market for the Souvenir Book is a new anthology of tributes to our unique graphics of Virgil Finlay, Hannes Bok, Margaret guests, articles on Weird Tales, and new fiction. All of Brundage, Lee Brown Coye and other greats in the our contributors would have been right at home in “The fantasy illustration field. And it was all done on a shoe­ Unique Magazine.” Some were. All of them share an string budget. exceptional talent for art or writing that would have Calling Weird Tales unique was an understatement. placed them among the forefront of the magazine’s con­ During its golden age, under the editorial guidance of tributors. In a sense, they all are contributors to that great Farnsworth Wright, the magazine published some of the pulp. For Weird Tales is not dead. A state of mind can finest short weird fiction ever set down on paper. It was never die and as long as there are people who enjoy a magazine where the unthinkable was thought. Taboos stories of the strange, the unusual, and the bizarre, “The were few —not only for a pulp magazine but for any Unique Magazine” will remain alive. magazine of the time when the puritan ethic still ruled. In nearly half the stories published during Wright’s Robert Weinberg tenure as editor, evil triumphed over good. Grotesque Chairman horror was commonplace. Sex, while not overly graphic, World Fantasy 1983 was permissable and even included necrophilia and World Fantasy 1983 copyright © 1983 by Weird Tales Ltd. ISBN: 0-934498-09-1 Published by Weird Tales Ltd. (in cooperation with Pulp Press) About Manly Wade Wellman copyright © 1983 by Karl Edward The Cat copyright © 1983 by Gene Wolfe. Wagner. Incorporating material copyright © 1973, 1976 and Willow He Walk copyright © 1983 by Manly Wade Wellman. 1979 by Karl Edward Wagner. Incarnate copyright © 1983 by Ramsey Campbell. Gene Wolfe copyright © 1983 by Algis Budrys. One To Chicago copyright © 1983 by Hugh B. Cave. Rowena Morrill copyright © 1983 by Robert Weinberg The Monster On Hold copyright © 1983 by Philip Jose Farmer. A Profile of Robert Bloch copyright © 1983 by Stephen King. The Black Recalled copyright © 1983 by Brian Lumley. The Searcher After Horror copyright © 1983 by Robert Bloch. Neither Brute Nor Human copyright © 1983 by Karl Edward World of Weird, 1931 -1932 copyright © 1983 by Jack Williamson. Wagner. The Most Popular Stories in Weird Tales 1924 to 1940 copyright © 1983 by Sam Moskowitz. 2 1983 FANTASY CON GUEST OF HONOR ABOUT MANLY WADE WELLMAN by Karl Edward Wagner Manly Wade Wellman was born May 21, 1903 in the From his earliest school years, Wellman had wanted village of Kamundongo in Portuguese West Africa (now to be a writer. Very much a fan of the Dime Novels of known as Angola), where his father was a medical the day, he wrote similar stories of his own and swapped missionary. The second white child born in the area, them with boyhood pals for their old magazines. As is Wellman spoke the native dialect before he learned usually the case, teachers, family and friends did all they English and was adopted as a son by the most powerful could to discourage him. Juvenile efforts were laughed chief of the region. Two childhood visits to Edwardian at and destroyed. Classmates refused to believe that a London may have had some civilizing influence; to be big dumb jock could write and insisted that Wellman sure, they instilled an abiding love of that country, from merely was plagiarizing his stories. Despite their best which his Devonshire ancestors had emigrated to James­ efforts, Wellman met with early success; by 1925 his town in 1630. Wellman’s parents returned to the United poetry was being published, and his stories began to States in time for his sixth birthday, which he celebrated appear in various obscure pulps and magazines, such not long after having watched President Taft’s inaugu­ as Ozark Stories. One of his first sales was the African ration. story, “When the Lion Roared,” which appeared in the When his parents separated, Wellman grew to man­ May 1927 issue of Thrilling Tales. The magazine billed hood living in many parts of the country— Utah, Wellman as “The King of Jungle Fiction” —a phrase his Virginia, Arkansas, Kansas —never staying very long in Columbia classmates turned to “The King of Bungled any one place. He travelled a lot on his own —hopping Diction.” Across another story, written as a prep school freights, on horseback, by car, often just on foot. During assignment, his teacher wrote: “Your work is impossi­ the summers of his school years Wellman scraped along ble!” Farnsworth Wright later thought otherwise, and at various temporary jobs: harvest hand, house painter, bought this story, “Back to the Beast,” for Weird Tales, lumber stacker, cowboy, soda bottler, newspaper work. where it appeared in the November 1927 issue —the first His favorite job was as bouncer in a tough Prohibition- of some fifty stories Wellman was to sell to that Era roadhouse. At a Utah prep school Wellman played magazine. center on the football team; his family felt he lacked In those early years, Wellman relates; “I’d write a piece promise and had no plans to send him to college, but of copy for anybody for anything.” This included articles Wichita University (today Wichita State) wanted him for and filler, often uncredited, for the Macfadden chain of their team and gave Wellman a football scholarship. magazines (Master Detective, True Detective Mysteries, Minus a few teeth, Wellman graduated with a B.A. in etc.), as well as poetry (often used as filler for newspaper 1926; feeling that this small school degree was of little columns), radio scripts, historical pageants, gags for use, he then attended Columbia University in New York, humor magazines, movie reviews, and lyrics for sheet where he received a B. Lit. in 1927. From there Wellman music. All of this was in addition to his newspaper work, returned to Wichita, Kansas to work as a reporter for the which came to an abrupt end in 1930, when a hungover Beacon and later for the Eagle. editor started to cuss out Wellman and Wellman quit on 3 This year Del Rey has got it all... Over 26 weeks on the New York Times Bestseller List I8MCASIM0V FOUNDATION’S EDGE fiotfc Four of the classic,
Recommended publications
  • Note to Users
    NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D.
    [Show full text]
  • Australian SF News 28
    NUMBER 28 registered by AUSTRALIA post #vbg2791 95C Volume 4 Number 2 March 1982 COW & counts PUBLISH 3 H£W ttOVttS CORY § COLLINS have published three new novels in their VOID series. RYN by Jack Wodhams, LANCES OF NENGESDUL by Keith Taylor and SAPPHIRE IN THIS ISSUE: ROAD by Wynne Whiteford. The recommended retail price on each is $4.95 Distribution is again a dilemna for them and a^ter problems with some DITMAR AND NEBULA AWARD NOMINATIONS, FRANK HERBERT of the larger paperback distributors, it seems likely that these titles TO WRITE FIFTH DUNE BOOK, ROBERT SILVERBERG TO DO will be handled by ALLBOOKS. Carey Handfield has just opened an office in Melbourne for ALLBOOKS and will of course be handling all their THIRD MAJIPOOR BOOK, "FRIDAY" - A NEW ROBERT agencies along with NORSTRILIA PRESS publications. HEINLEIN NOVEL DUE OUT IN JUNE, AN APPRECIATION OF TSCHA1CON GOH JACK VANCE BY A.BERTRAM CHANDLER, GEORGE TURNER INTERVIEWED, Philip K. Dick Dies BUG JACK BARRON TO BE FILMED, PLUS MORE NEWS, REVIEWS, LISTS AND LETTERS. February 18th; he developed pneumonia and a collapsed lung, and had a second stroke on February 24th, which put him into a A. BERTRAM CHANDLER deep coma and he was placed on a respir­ COMPLETES NEW NOVEL ator. There was no brain activity and doctors finally turned off the life A.BERTRAM CHANDLER has completed his support system. alternative Australian history novel, titled KELLY COUNTRY. It is in the hands He had a tremendous influence on the sf of his agents and publishers. GRIMES field, with a cult following in and out of AND THE ODD GODS is a short sold to sf fandom, but with the making of the Cory and Collins and IASFM in the U.S.A.
    [Show full text]
  • The Wsfa Journal Tb , ;,;T He W S F a J 0 U R N a L
    THE WSFA JOURNAL TB , ;,;T HE W S F A J 0 U R N A L (The Official Organ of the Washington S. F. Association) Issue Number 76: April-May '71 1971 DISCLAVE SPECIAL n X Copyright \,c) 1971 by Donald-L. Miller. All rights reserved for contributors. The JOURNAL Staff Managing Editor & Publisher — Don Miller, 12315 Judson Rd., Wheaton, MD, USA, 20 906. Associate Editors — Art Editor: Alexis Gilliland, 2126 Penna. Ave., N.W., Washington, DC, 20037. Fiction Editors: Doll St Alexis Gilliland (address above). SOTWJ Editor: OPEN (Acting Editor: Don Miller). Overseas Agents — Australia: Michael O'Brien, 15>8 Liverpool St., Hobart, Tasmania, Australia, 7000 Benelux: Michel Feron, Grand-Place 7, B—I4.28O HANNUT, Belgium. Japan:. Takumi Shibano, I-II4-IO, 0-0kayama, Meguro-ku, Tokyo, Japan. Scandinavia: Per Insulander, Midsommarv.. 33> 126 35 HMgersten, Sweden. South Africa: A.B. Ackerman, POBox 25U5> Pretoria, Transvaal, Rep. of So.Africa. United Kingdom: Peter Singleton, 60W4, Broadmoor Hospital, Block I4, Crowthorne, Berks. RG11 7EG, England. Still needed for France, Germany, Italy, South Timerica, and Soain. Contributing Editors — Bibliographer: Mark Owings. Film Reviewer: Richard Delap. Book Reviewers: Al Gechter, Alexis Music Columnist: Harry Warner, Jr. Gilliland, Dave Halterman, James News Reporters: ALL OPEN (Club, Con­ R. Newton, Fred Patten, Ted Pauls, vention, Fan, Pro, Publishing). Mike Shoemaker. (More welcome.) Pollster: Mike Shoemaker. Book Review Indexer: Hal Hall. Prozine Reviewers: Richard Delap, Comics Reviewer: Kim Weston. Mike Shoemaker (serials only). Fanzine Reviewers: Doll Gilliland, Pulps: Bob Jones. Mike Shoemaker. Special mention to Jay Kay Klein and Feature Writer: Alexis Gilliland.
    [Show full text]
  • SFRA Newsletter 259/260
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con­ tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis­ 30 sions or queries to both coeditors.
    [Show full text]
  • Earl Kemp: E*I* Vol. 3 No. 4
    Vol. 3 No. 4 August 2004 --e*I*15- (Vol. 3 No. 4) August 2004, is published and © 2004 by Earl Kemp. All rights reserved. It is produced and distributed bi-monthly through http://efanzines.com by Bill Burns in an e-edition only. Contents -- eI15 -- August 2004 …Return to sender, address unknown….7 [eI letter column], by Earl Kemp Roaming Around Upstairs, by Jon Stopa 1950s Sleaze and the Larger Literary Scene, by Jay A. Gertzman On Writing: A Personal Journey, by Ian Williams Getting An Education, by J.G. Stinson Love in Loon, by Earl Kemp An Afterthought to Love in Loon, by Victor J. Banis Acres of Nubile Flesh, by Earl Kemp Señor Pig 2, by Earl Terry Kemp Wet Dreams in Paradiso, by Earl Kemp Thanks for Coming, by Jim Haynes "If You Could See Her Through My Eyes…..", by Earl Kemp A Poem for Ted Cogswell, by Avram Davidson Rounding up the Shaggy Dogs, by Bruce R. Gillespie Bombachos, Bigotes, and Bustos, by Avram Davidson You can tell this story as often as you want-people never get tired of it. If you have a perfectly ordinary guy walking down the street at noon, not thinking about anything, and he falls into a hole, that's bad fortune. He's down below the line. He struggles to get up out of the hole, finally makes it, and is a little happier when he is finished. He's faced something and survived. That's "Man in a Hole." --Kurt Vonnegut, "Teaching the Writer to Write," Kallikanzaros 4, March-April 1968 THIS ISSUE OF eI is dedicated to my hero Barney Rosset and to the much-missed Avram Davidson.
    [Show full text]
  • 2019-05-06 Catalog P
    Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such.
    [Show full text]
  • The Tarzan Series of Edgar Rice Burroughs
    I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
    [Show full text]
  • Extraterrestrial Places in the Cthulhu Mythos
    Extraterrestrial places in the Cthulhu Mythos 1.1 Abbith A planet that revolves around seven stars beyond Xoth. It is inhabited by metallic brains, wise with the ultimate se- crets of the universe. According to Friedrich von Junzt’s Unaussprechlichen Kulten, Nyarlathotep dwells or is im- prisoned on this world (though other legends differ in this regard). 1.2 Aldebaran Aldebaran is the star of the Great Old One Hastur. 1.3 Algol Double star mentioned by H.P. Lovecraft as sidereal The double star Algol. This infrared imagery comes from the place of a demonic shining entity made of light.[1] The CHARA array. same star is also described in other Mythos stories as a planetary system host (See Ymar). The following fictional celestial bodies figure promi- nently in the Cthulhu Mythos stories of H. P. Lovecraft and other writers. Many of these astronomical bodies 1.4 Arcturus have parallels in the real universe, but are often renamed in the mythos and given fictitious characteristics. In ad- Arcturus is the star from which came Zhar and his “twin” dition to the celestial places created by Lovecraft, the Lloigor. Also Nyogtha is related to this star. mythos draws from a number of other sources, includ- ing the works of August Derleth, Ramsey Campbell, Lin Carter, Brian Lumley, and Clark Ashton Smith. 2 B Overview: 2.1 Bel-Yarnak • Name. The name of the celestial body appears first. See Yarnak. • Description. A brief description follows. • References. Lastly, the stories in which the celes- 3 C tial body makes a significant appearance or other- wise receives important mention appear below the description.
    [Show full text]
  • Farmerfan Volume 1 | Issue 1 |July 2018
    FarmerFan Volume 1 | Issue 1 |July 2018 FarmerCon 100 / PulpFest 2018 Debut Issue Parables in Parabolas: The Role of Mainstream Fiction in the Wold Newton Mythos by Sean Lee Levin The Wold Newton Family is best known for its crimefighters, detectives, and explorers, but less attention has been given to the characters from mainstream fiction Farmer included in his groundbreaking genealogical research. The Swordsmen of Khokarsa by Jason Scott Aiken An in-depth examination of the numatenu from Farmer’s Ancient Opar series, including speculations on their origins. The Dark Heart of Tiznak by William H. Emmons The extraterrestrial origin of Philip José Farmer's Magic Filing Cabinet revealed. Philip José Farmer Bingo Card by William H. Emmons Philip José Farmer Pulp Magazine Bibliography by Jason Scott Aiken About the Fans/Writers Visit us online at FarmerFan.com FarmerFan is a fanzine only All articles and material are copyright 2018 their respective authors. Cover photo by Zacharias L.A. Nuninga (October 8, 2002) (Source: Wikimedia Commons) Parables in Parabolas The Role of Mainstream Fiction in the Wold Newton Mythos By Sean Lee Levin The covers to the 2006 edition of Tarzan: Alive and the 2013 edition of Doc Savage: His Apocalyptic Life Parables travel in parabolas. And thus present us with our theme, which is that science fiction and fantasy not only may be as valuable as the so-called mainstream of literature but may even do things that are forbidden to it. –Philip José Farmer, “White Whales, Raintrees, Flying Saucers” Of all the magnificent concepts put to paper by Philip José Farmer, few are as ambitious as his writings about the Wold Newton Family.
    [Show full text]
  • SF&F Newsletter Miller 1977-01
    THE S F & F NEWSLETTER News/Info/Advertising Supplement to THE SF&F JOURNAL — (Vol. -2, #1; Whole y/16) Incorporating WASHINGTON S.F. NEWSLETTER '& part of THE JOURNAL SUPPLEMENT/SOTWJ Editor & Publisher: Don Miller - - - 300 ea., U/Sl.OO in U.S. -■-» - 3 Jan. *77 In This Issue — <| IN THIS ISSUE; IN BRIEF (Misc, notes/news/announcements); COLOPHON pg 1 ESFA REPORT: Minutes of ESFA Meetings of 11 & 12/76, by Allan Howard . pg 2 THE LCCAL SCENE: Misc. events coming up locally in January ........... pg 2 S.F. PARADE: Book Reviews, by David Bates, Stan Burns,- Jim Goldfrank, < I x Steve Lewis, Don Miller ................................................................................. 3-5 THE CON GAME: January, 1977 (incl. PRSFS meeting) .................. pg 5 ODDS & ENDS: More from Martin Wooster; The Local Scene (revisited); Miscellany (notes from Jon Coopersmith & T.L. Bohman) ............ pg 6 THE STEADY STREAM....: Of Books and Prozines Rec'd Thru 31/12/76 ..... pp 7-10 In Brief — Several changes taking place in the new year, with a year's experience under our belt with the new 'zines: (1) We have partially solved our publishing problem, with THE MYSTERY NOOK at least temporarily farmed out (anyone want to publish TSJ and/or TG?) and someone to do electrostencilling for us cheaply, but we still urgently need some way of getting our offset work with heavy blacks done cheaply, for covers & folios; (2) Including fanzine "reviews" in SFN and TSJ hasn't worked out; the for­ mer is too crowded, and the latter is too slow. So—THE JOURNAL SUPPLEMENT will come out bi-monthly, max.
    [Show full text]
  • S67-00097-N210-1994-03 04.Pdf
    SFRA Reriew'210, MarchI April 1994 BFRAREVIEW laauB #210. march/Aprll1BB~ II THIIIIIUE: IFlllmlnll IFFIIII: President's Message (Mead) SFRA Executive Committee Meeting Minutes (Gordon) New Members & Changes of Address "And Those Who Can't Teach.. ." (Zehner) Editorial (Mallett) IEnEIll mIICEWn!l: Forthcoming Books (BarronlMallett) News & Information (BarronlMallett) FEITUREI: Feature Article: "Animation-Reference. History. Biography" (Klossner) Feature Review: Zaki. Hoda M. Phoenix Renewed: The Survival and Mutation of Utopian ThouFdlt in North American Science Fiction, 1965- 1982. Revised Edition. (Williams) An Interview with A E. van Vogt (Mallett/Slusser) REVIEWS: Fledll: Acres. Mark. Dragonspawn. (Mallett) Card. Orson Scott. Future on Fire. (Collings) Card. Orson Scott. Xenoclde. (Brizzi) Cassutt. Michael. Dragon Season. (Herrin) Chalker. Jack L. The Run to Chaos Keep. (Runk) Chappell. Fred. More Shapes Than One. (Marx) Clarke. Arthur C. & Gentry Lee. The Garden ofRama. (Runk) Cohen. Daniel. Railway Ghosts and Highway Horrors. (Sherman) Cole. Damaris. Token ofDraqonsblood. (Becker) Constantine. Storm. Aleph. (Morgan) Constantine. Storm. Hermetech. (Morf¥in) Cooper. Louise. The Pretender. (Gardmer-Scott) Cooper. Louise. Troika. (Gardiner-Scott) Cooper. Louise. Troika. (Morgan) Dahl. Roald. The Minpins. (Spivack) Danvers. Dennis. Wilderness. (Anon.) De Haven. Tom. The End-of-Everything Man. (Anon.) Deitz. Tom. Soulsmith. (posner) Deitz. Tom. Stoneskin's Revenge. (Levy) SFRA Review 1210, MarchI Apm 1994 Denning. Troy. The Verdant Passage. (Dudley) Denton. Bradley. Buddy HoDy ~ Ahire and WeD on Ganymede. (Carper) Disch. Tom. Dark Ver.s-es & Light. (Lindow) Drake. David. The Jungle. (Stevens) Duane. Diane & Peter Morwood. Space Cops Mindblast. (Gardiner-Scon) Emshwiller. Carol. The Start ofthe End oflt AU. (Bogstad) Emshwiller. Carol. The Start ofthe End oflt AU.
    [Show full text]
  • The Unspeakable Oath Issues 1 & 2 Page 1
    The Unspeakable Oath issues 1 & 2 Page 1 Introduction to The Annotated Unspeakable Oath ©1993 John Tynes This is a series of freely-distributable text files that presents the textual contents of early issues of THE UNSPEAKABLE OATH, the world’s premiere digest for Chaosium’s CALL OF CTHULHU ™ role-playing game. Each file contains the nearly-complete text from a given issue. Anything missing is described briefly with the file, and is missing either due to copyright problems or because the information has been or will be reprinted in a commercial product. Everything in this file is copyrighted by the original authors, and each section carries that copyright. This file may be freely distributed provided that no money is charged whatsoever for its distribution. This file may only be distributed if it is intact, whole, and unchanged. All copyright notices must be retained. Modified versions may not be distributed — the contents belong to the creators, so please respect their work. Abusing my position as editor and instigator of the magazine and this project, I have taken the liberty of adding comments to some of the contents where I thought I had something interesting or historically worth preserving to say. Yeah, right! – John Tynes, editor-in-chief of Pagan Publishing The Unspeakable Oath issues 1 & 2 Page 2 Table of Contents Introduction to The Annotated Unspeakable Oath...................................................................................2 Introduction to TUO 1.........................................................................................................................4
    [Show full text]