The Depiction of Jewish People's Struggle Against Negative
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Graphic Novels for Children and Teens
J/YA Graphic Novel Titles The 9/11 Report: A Graphic Adaptation Sid Jacobson Hill & Wang Gr. 9+ Age of Bronze, Volume 1: A Thousand Ships Eric Shanower Image Comics Gr. 9+ The Amazing “True” Story of a Teenage Single Mom Katherine Arnoldi Hyperion Gr. 9+ American Born Chinese Gene Yang First Second Gr. 7+ American Splendor Harvey Pekar Vertigo Gr. 10+ Amy Unbounded: Belondweg Blossoming Rachel Hartman Pug House Press Gr. 3+ The Arrival Shaun Tan A.A. Levine Gr. 6+ Astonishing X-Men Joss Whedon Marvel Gr. 9+ Astro City: Life in the Big City Kurt Busiek DC Comics Gr. 10+ Babymouse Holm, Jennifer Random House Children’s Gr. 1-5 Baby-Sitter’s Club Graphix (nos. 1-4) Ann M. Martin & Raina Telgemeier Scholastic Gr. 3-7 Barefoot Gen, Volume 1: A Cartoon Story of Hiroshima Keiji Nakazawa Last Gasp Gr. 9+ Beowulf (graphic adaptation of epic poem) Gareth Hinds Candlewick Press Gr. 7+ Berlin: City of Stones Berlin: City of Smoke Jason Lutes Drawn & Quarterly Gr. 9+ Blankets Craig Thompson Top Shelf Gr. 10+ Bluesman (vols. 1, 2, & 3) Rob Vollmar NBM Publishing Gr. 10+ Bone Jeff Smith Cartoon Books Gr. 3+ Breaking Up: a Fashion High graphic novel Aimee Friedman Graphix Gr. 5+ Buffy the Vampire Slayer (Season 8) Joss Whedon Dark Horse Gr. 7+ Castle Waiting Linda Medley Fantagraphics Gr. 5+ Chiggers Hope Larson Aladdin Mix Gr. 5-9 Cirque du Freak: the Manga Darren Shan Yen Press Gr. 7+ City of Light, City of Dark: A Comic Book Novel Avi Orchard Books Gr. -
Check All That Apply)
Form Version: February 2001 EFFECTIVE TERM: Fall 2003 PALOMAR COLLEGE COURSE OUTLINE OF RECORD FOR DEGREE CREDIT COURSE X Transfer Course X A.A. Degree applicable course (check all that apply) COURSE NUMBER AND TITLE: ENG 290 -- Comic Books As Literature UNIT VALUE: 3 MINIMUM NUMBER OF SEMESTER HOURS: 48 BASIC SKILLS REQUIREMENTS: Appropriate Language Skills ENTRANCE REQUIREMENTS PREREQUISITE: Eligibility for ENG 100 COREQUISITE: NONE RECOMMENDED PREPARATION: NONE SCOPE OF COURSE: An analysis of the comic book in terms of its unique poetics (the complicated interplay of word and image); the themes that are suggested in various works; the history and development of the form and its subgenres; and the expectations of comic book readers. Examines the influence of history, culture, and economics on comic book artists and writers. Explores definitions of “literature,” how these definitions apply to comic books, and the tensions that arise from such applications. SPECIFIC COURSE OBJECTIVES: The successful student will: 1. Demonstrate an understanding of the unique poetics of comic books and how that poetics differs from other media, such as prose and film. 2. Analyze representative works in order to interpret their styles, themes, and audience expectations, and compare and contrast the styles, themes, and audience expectations of works by several different artists/writers. 3. Demonstrate knowledge about the history and development of the comic book as an artistic, narrative form. 4. Demonstrate knowledge about the characteristics of and developments in the various subgenres of comic books (e.g., war comics, horror comics, superhero comics, underground comics). 5. Identify important historical, cultural, and economic factors that have influenced comic book artists/writers. -
Comprehending Antisemitism Through the Ages: Introduction
Kerstin Mayerhofer and Armin Lange Comprehending Antisemitism through the Ages: Introduction Robert Wistrich’sdefinition of antisemitism as the “longest hatred”¹ carries as much weight now as it did thirty years ago, when Wistrich published his land- mark study. Today, in our contemporary societies and culture, antisemitism is on the rise, and its manifestations are manifold. Antisemitic hate crimes have spiked in recent decades, and antisemitic stereotypes, sentiments, and hate speech have permeated all parts of the political spectrum. In order to effectively counteract the ever-growingJew-hatred of our times, it is important to recognise the traditions thathavefed antisemitism throughout history.Antisemitism is an age-old hatreddeeplyembeddedinsocieties around the globe. While the inter- net and modern media have contributed beyond measure to the increase of Jew- hatred in all parts of the world, the transformation processes thatantisemitism has been undergoing through the ages remain the same. Acorecondition of an- tisemitism is its versatile nature and adaptability,both of which can be traced through all periods of time. Current-day antisemitism is shaped and sustained not onlybypowerful precedents but also reflects common fears and anxieties that our societies are faced with in aworld that is ever changingand where the changes run even faster todaythaneverbefore. Historical awareness of the nature of antisemitism, therefore, is more important than ever.The present volume, thus, wantstohelp raise this awareness.Its articles tracethe history of antisemitismand the tradition of antisemitic stereotypes through the ages. It documents various manifestations of antisemitism over time and reflects on the varyingmotivations for antisemitism.Assuch, these contributions shed light on socio-culturaland socio-psychological processes that have led to the spike of antisemitism in various periods of time and in varyingintensity.In this way, they can help to establish methods and policies to not onlytocounter current antisemitic manifestations but also to combat them. -
Stereotypes of Jews in Poland in the Context of Political Antisemitism
Stereotypy wzajemnego postrzegania w świadomości pokoleniowej 1 Jerzy Sielski, Jan Długosz Academy Stereotypes of Jews in Poland in the Context of Political Antisemitism The perception of ethnic minorities and nationalities has its own longstanding tradition. The stereotype of Jews is linked to the phenomenon of antisemitism. One of the most well-known definitions of antisemitism belongs to Jean-Paul Sartre: “Antisemitism seeks to find, in the existence of Jews, the cause of all or some failures, personal and collective; and the belief that it is possible to solve problems through partially or totally depriving Jews of their rights, through excluding them from the economy and society, driving them out of the country or even extermination "1. Alina Cała proposes a wider definition in her monograph Żyd - wróg odwieczny? Antysemityzm w Polsce i jego źródła (The Jew – the Eternal Enemy? Antisemitism in Poland and Its Sources): Antisemitism – an ideology, a world view or political current, containing a complex prejudice, justifying a hostile attitude to Jews. The formation of the concept of nationalism and totalitarianism was based on a tradition of anti-Judaism. Sometimes, it is referred to as racism, incorrectly singling out Jews as an anthropological race. In a broader sense – the defining of social attitudes, manifesting themselves in a world view in which an important role is played by aggression, verbal or physical, disapproving generally of and showing prejudice against Jews, and justifying such conduct through religious, nationalist, racist, political or economic reasons2. Daniel Jonah Goldhagen, in his book Hitler’s Willing Executioners, Ordinary Germans and the Holocaust, in which he tries to understand the conduct and mentality of thousands of Germans who became the perpetrators of genocide, distinguishes three dimensions of antisemitism3. -
Understanding and Combating Anti-Semitism in America Lesson Plan
Understanding and Combating Anti-Semitism in America Emily Schwartz [email protected] Lesson: Understanding and Combating Anti-Semitism in America Rationale for the Lesson: Anti-Semitism is prejudice or hostility against Jewish people because of their religion. Without a doubt, anti-Semitism is a major security issue for the members of the Jewish community and is one of the leading causes of racist ideologies. While scholars have come up with some reasons explaining anti-Semitism, many agree that one major cause is stereotyping. When people make overgeneralizations and false assumptions regarding a certain group of people, then there is the likelihood of prejudice and discrimination. Standards: Grades 6 – 8 Social Studies RH. 6.1.4.D.16 – Describe how stereotyping and Prejudice can lead to conflict, using examples from the past and present. RH. 6.1.4.D.19 – Explain how experiences and events may be interpreted differently by people with different cultural and individual perspectives. RH. 6.3.4.D.1 – Identify actions that are unfair or discriminatory such as bullying and propose solutions to address such actions. RH. 6.1.4.D.20 – Describe why it is important to understand the perspectives of other cultures in an interconnected world. Essential Question/Guiding Question: What does it mean to be Jewish? What is anti-Semitism and in what ways have stereotypes against this group affected them? What can we do about stereotypes, prejudice, and discrimination against Jewish people? Objectives: Students will be able to understand terms including Jews, anti-Semitism, discrimination, and stereotyping. They will understand the dangers of discrimination and stereotyping. -
The Role of Envy in Anti-Semitism by José Leopoldo Duarte A
The Role of Envy in Anti-Semitism by José Leopoldo Duarte A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved April 2015 by the Graduate Supervisory Committee Adam Cohen, Chair Steven L. Neuberg Paul Karoly Craig T. Nagoshi ARIZONA STATE UNIVERSITY December 2015 ABSTRACT Anti-Semitism is a recurrent phenomenon in modern history, but has garnered relatively little focus among research psychologists compared to prejudice toward other groups. The present work frames anti-Semitism as a strategy for managing the implications of Jews’ extraordinary achievements compared to other groups. Anti- Semitic beliefs are sorted into two types: stereotypes that undercut the merit of Jews’ achievements by attributing them to unfair advantages such as power behind the scenes; and stereotypes that offset Jews’ achievements by attaching unfavorable traits or defects to Jews, which are unrelated to the achievement domains, e.g. irritating personalities or genetically-specific health problems. The salience of Jews’ disproportionate achievements was hypothesized as driving greater endorsement of anti-Semitic stereotypes, and envy was hypothesized as mediating this effect. Individual differences in narcissistic self-esteem and moral intuitions around in- group loyalty and equity-based fairness were hypothesized as moderating the effect of Jewish achievement on anti-Semitic beliefs. The results showed greater endorsement of undercutting – but not offsetting – stereotypes after reading about Jewish achievements, compared to Jewish culture or general American achievement conditions. Envy did not significantly mediate this effect. The moral foundation of in- group loyalty predicted greater endorsement of anti-Semitic stereotypes in the Jewish Achievement condition, and lesser endorsement in the Jewish Culture condition. -
Maybe More Than the Reading, I Enjoyed the Pictures. I Was Raised in a Strictly Spanish-Speaking Household, Where English Was Only My Second Language at School
Preface: A Powerful Language I’ve always enjoyed reading; maybe more than the reading, I enjoyed the pictures. I was raised in a strictly Spanish-speaking household, where English was only my second language at school. So reading (especially out loud) was always a bit more challenging for me growing up. Nevertheless, I always tried but I never got the same satisfaction of understanding when I read a regular book, as opposed to when I’d read a book with pictures. Far from being interested in children’s books, I was reading Jim Davis’ collections of Garfield comic strips in my childhood. Though, many of the adults around me didn’t consider this to be adequate reading for me.1 They didn’t see how I could ever benefit from reading three- panel illustrations. Well actually, these witty comic strips were the gateway into reading for me.2 Sometime around the beginning of high school, I got my hands on a copy of Alan Moore’s Watchmen. It was the first time I experienced a graphic novel and I loved it. I loved it so much I became obsessed with that book and read it multiple times and shared it with others. And that’s how I became hooked on graphic novels. Introduction: Guess How I Started I spent over two weeks reading graphic novels and comics…for fun. It was really relaxing, even though I had to go through all of my reads at a pretty fast pace because I had so many books. The ratio of books I read in that amount of time was astonishing. -
Representation of Jews in the Media: an Analysis of Old Hollywood Stereotypes Perpetuated in Modern Television Minnah Marguerite Stein
)ORULGD6WDWH8QLYHUVLW\/LEUDULHV 2021 Representation of Jews in the Media: An Analysis of Old Hollywood Stereotypes Perpetuated in Modern Television Minnah Marguerite Stein Follow this and additional works at DigiNole: FSU's Digital Repository. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATIONS REPRESENTATION OF JEWS IN THE MEDIA: AN ANALYSIS OF OLD HOLLYWOOD STEREOTYPES PERPETUATED IN MODERN TELEVISION By MINNAH STEIN A Thesis submitted to the Department of Communications and Media Studies in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Summer, 2021 The members of the Defense Committee approve the thesis of Minnah Stein defended on April 2, 2021. Dr. Andrew Opel Thesis Director Dr. Martin Kavka Outside Committee Member Dr. Arienne Ferchaud Committee Member 2 Abstract Anti-Semitism in the United States is just as prevalent today as it has ever been. How does this cultural anti-Semitism translate into the media? Through portraying Jews as greedy, neurotic, pushy, money obsessed, cheap, and a myriad other negative stereotypes, the media often perpetuates long standing anti-Semitic tropes. This thesis analyzes the prevalence of Jewish stereotypes in modern television through the analysis and discussion of three of the most popular current television shows, getting into the nuance and complexity of Jewish representation. Through the deliberate viewing of Big Mouth, The Goldbergs, and Schitt’s Creek, the conclusion is that although an effort is being made to debunk some stereotypes about Jews, there are other Jewish stereotypes that have remained popular in television media. These stereotypes are harmful to Jews because they both feed and fuel the anti-Semitic attitudes of viewers. -
Anti-Semitism and the Merchant of Venice
A Discussion Guide for Educators A Publication of the Anti-Defamation League Anti- Semitism and The Merchant of Venice: A Discussion Guide for Educators Barbara Balser, National Chair Abraham H. Foxman, National Director Kenneth Jacobson, Deputy National Director Caryl M. Stern, Senior Associate National Director/ Chief Operating Officer Marshall S. Levin, Senior Associate National Director/ Director, National Development Michael Salberg, Associate National Director/ Director, International Affairs Bob Wolfson, Associate National Director, Regional Operations Richard D. Glovsky, Chair, Education Gary M. Bretton-Granatoor, Director, Education Lucille S. Kantor, Chair, A WORLD OF DIFFERENCE® Institute Lindsay J. Friedman, Senior Associate Director, Education/ Director, A WORLD OF DIFFERENCE® Institute Scott Hirschfeld, Director, Curriculum Nina Simone Grotch, Associate Director, ADL San Francisco Regional Office © 2006 Anti-Defamation League 605 Third Avenue New York, NY 10158-3560 (212) 885-7700/885-7800 (212) 867-0779/490-0187 (Fax) www.adl.org Printed in the United States of America All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by an information storage and retrieval system, without permission in writing from the publisher. © 2006 Anti-Defamation League Page 2 Anti- Semitism and The Merchant of Venice: A Discussion Guide for Educators I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimension, senses, affections, passions IN THIS GUIDE I. Teaching Controversial Texts ... 4 II. A Brief History of Anti-Semitism ... 5 III. Shakespeare s England ... .. 7 IV. Shylock: A Character Analysis ... .. 10 V. -
Jews on TV: a Snapshot of Modern Television's Representation Of
36 — Elon Journal of Undergraduate Research in Communications, Vol. 9, No. 2 • Fall 2018 Jews on TV: A Snapshot of Modern Television’s Representation of Jewish Characters Samantha Maoz Strategic Communications Elon University Submitted in partial fulfillment of the requirements in an undergraduate senior capstone course in communications Abstract While Jews represent only two percent of Americans, they are widely shown in modern television. These Jewish characters often represent outdated stereotypes that affect public perception. Cultivation theory and social identity theory suggest that audiences tend to believe characters on television to be accurate representations of real life. This paper researched common stereotypes and investigated to what extent these stereotypes were present in modern television. Based on a qualitative content analysis of three different shows, results indicated that stereotypes were present and not questioned. Representations of Jews were largely similar across the three series; characters were open about their Jewish identity and were naturally integrated into American culture, though frequently subject to negative assumptions because of their religious cultures. I. Introduction Most people can easily think of a show that features a Jewish character. While this seems positive, many Jewish characters are inaccurately represented, using outdated and unrealistic stereotypes. Throughout history, Jews have been portrayed in different ways on the screen. The most famous characters have filled the roles of three main stereotypes: the Jewish American Princess, the overbearing Jewish mother, and the cheap Jew. Television has represented Jewish characters in varying degrees; in programs such as Seinfeld, the Jewish characters display their religion rather obviously. In the sitcom Friends, however, three of the six main characters are Jewish, but Judaism is rarely introduced as a topic throughout the course of the ten seasons. -
The Memory and Legacy of Trauma in Art Spiegelman's Maus Author(S): Puneet Kohli Source: Prandium - the Journal of Historical Studies, Vol
The Memory and Legacy of Trauma in Art Spiegelman's Maus Author(s): Puneet Kohli Source: Prandium - The Journal of Historical Studies, Vol. 1, No. 1 (Spring, 2012). Published by: The Department of Historical Studies, University of Toronto Mississauga Stable URL: http://jps.library.utoronto.ca/index.php/prandium/editor/submission/16285/ Prandium: The Journal of Historical Studies 1 The Memory and Legacy of Trauma in Art Spiegelman’s Maus “Historical understanding is like a vision, or rather like an evocation of images”1 Amongst the plethora of Holocaust literature, monuments, films, documentaries, and exhibitions, Art Spiegelman’s graphical representation of the Holocaust and its memory in Maus I and II is one of the most poignant, striking, and creative. Groundbreaking in his approach, Spiegelman reinterprets and expands both the comic form and traditional mediums of telling history to express and relate the history of his survivor-father. Spiegelman also explores and addresses the burden and legacy of traumatic memory on second-generation survivors. Interweaving a variety of genres, characterizations, temporalities, and themes, Maus depicts the process of, and Spiegelman’s relationship to, remembrance through a combination of images and text. This paper situates Spiegelman’s work within the framework of second-generation Holocaust literature and post-memory, and will discuss the debate regarding Spiegelman’s representation of the memory process and the Holocaust in the comic medium, along with his use of animal characters instead of humans. Moreover the essay will critically analyze and enumerate the various themes within Maus such as the relation between past and present and the recording of memory. -
Reading 3B BRIEF HISTORY of ANTI-SEMITISM
Reading 3B BRIEF HISTORY OF ANTI-SEMITISM Questions: 1. How did Jews maintain a community after being scattered throughout Europe? 2. How and why did the early Christians set themselves apart from other Jews? 3. How did some Christians view the Jews during the Middle Ages? 4. What were some of the differences between Christians and Jews in the Middle Ages? 5. How were Jews discriminated against during the Middle Ages? 6. What occupations were available to Jews as a result of this discrimination during the Middle Ages? 7. Why did Christians believe that Jews murdered Christian children? 8. What were some of the gains made by Jews during the 19 th century? 9. What were some of the characteristics racists claimed Jews inherited? 10. How did people react to the belief that Jews inherited “rootlessness”? 11. Is there any historical evidence to support the myths of Jews as devils and murderers? As a result of the conquests of their biblical homeland by Persians, Greeks, Assyrians and Romans, Jews were scattered throughout Europe. However, the Hebrew Bible created unity among the Jews even though they settled far from each other in very different cultures. They continued to pray in Hebrew, even as they took on the languages of the different host nations. They also continued to follow the laws and religious observances of the Bible. They carried with them their customs, religious rituals and beliefs. At first, anti-Jewish feelings were primarily a religious matter. Christianity was a child of Judaism and considered one of its branches or sects. Jesus was a Jew who quoted from and interpreted the Hebrew Bible.