CONTENTS ARTS COU NCIL LIBRARY 14 G REAT PETER STREET LONDON SW I P 3NQ TEL 651 0171-973 7
As Lord P,141111110 atmplelCS his tics--ca r
tenure as Chairman of the Arts COL11161 , he argues that it is more nccessan- tha n ever that the "arm's length" principIc h e prCSCr\ r cd . 46 The Secretary-Cwncral rcilects on a yea r
of change and calls for a I-C instawnwill o f the Government ' s planned nvo per cen t cut in arts ffinding .
. . . c 'HE YEA R ,Major achievements in the arts ove r the Ycar .
'.".19 Wr f= inancial findings in the year.
AUdience figures have held up during th e recession .
Arts Council dcpartnicnts and unit s highlight the 1c .ir's achieNclilents.
I . : 30/31 THE A(,Z7 ; ~ : : . ; FVNMMG 5YWY 0 The Arts Council's role in the arts Ming "vmn,
A list of the ten Regional Arts Board s in England .
35 scumsm aNn wvm A&Ts mm m REPORT S
`7 CASE STUDIF S Three arts organisations discuss ho% y Gwernmum gmminvid in the Arts Council has enabled them to develop . . : A O L
-lo - ;~'.RSHIP OF COUNCIL ANO 5FA F
42/43 STRUCTUR E
424 SP0NS(jR 1,'Vt P
41 ANNUAL ACCOUNTS
CHAIRMAN'S INTRODUCTION
nlakc~ my circle just, And they define +yh„ie ar:as Csf Ax :r nationa l arts io11111t1.tI11t1 - tike artist abo%e all, T',,iakcs me end when: I bcganne" - the life ; the\- give pride of place and mak e with the adminis nr a[or,. and all those %du l concluding lines of John Donne' s Grcat Britain a great tourist attraction ; work in a fashion so dedicated as t o A Valediction Forhiddinfl Mournitirf, they create jobs and revenue and boost demonstrate beyond doubt how vital the provide an injunction and a reflection as invisible earnings . This is not the time t o arts are to our national life . I have bee n I prepare to vacate the Chair of this most penny pinch when the arts have been s o greatly blessed by supportive fello w British, splendid and ncccssan- nationa l abundantly succcssful . This is not th e members of the Arts Council, by the skull institution . Whatever the presen t time - is there ever anv time? - in whic h and commitment of the staffat the Art s difficulties, whatever the criticisms tha t to penalise success . Council, led by its doughty Secretary - have been made of the Arts Council an d It is more necessan , than ever that th e General, Anthony Everitt, and by the its decisions, nothing ~hakes my, Arts Council be fiercely independent of , many friends that 1 haxc made in th e conviction that the arts in this countn• while responsible to, Government . Never regions throughout the country . We hav e are best served in the dispensation of must the "arm's length" be destroyed b y achieved, together, a great deal in th e Government funding by a body a mailed fist at its cx[remity. The Art s past five years. With continued firnines s independent of Government, ready t o Council of Great Britain must be free to of intent, the Arts Council will protec t fight tier the one individual upon +yhom pursue its chartered aims, spreading the and enable our matchless artisti c our artistic life depends - the artist . knokdedge, understanding an d capability - so I end where "I hcgannc" , When "1 beganne " , almost five year s enjoyment of the arts to all our people . in the sure and certain knowledge tha t ago, there was as much turmoi l The. Chairman and Chicf Exccutivc o f the arts will he best ser ved by the Art s surrounding the Arts Council as there i s the South Bank Centre in a recent lette r Council as it is currently chartered . now. Five years, and five Ministers for to the lndepeudertt, said with splendid the Arts on, we have a Secretary of State clarity : "The arts are the key to the life o f for National Heritage . The famou s the mind. They invigorate, feed and "arm's length " principle is as robusr an d stimulate the intellect and the emotion s as essential as ever, and it has been re - . .. for what is an extremely modest su m affirmed recently by the Secrctar<• o f for the Treasury, the arts offer hope , State in the Commons . Funding for the debate, escape, a commentan . on our arts has steadily increased over the pas t times and a horne for our deepest five years but it is now threatened by a n emotions . " I wholeheartedly agree, fo r attack of traditional Treasury pecksniffery that is the heart of the matter. which affccts understanding of the art s Whatever debates and disagreement s but ignores the crucial tact that artisti c there may be, I have no doubt that the talent is a resource so precious that it i s quality of the arts is crucial to th e not easily subject to regulation b y creation arid maintenance of a civilise d parsimony . `I'hcre is all the differenc e society . bcnvicen the prudent disposition an d I am not surprised at the attacks upo n management of scarce resources and the the Arts Council of Great Britain, and w• e denial of rltcni as an article of dogmati c are and should always be, ready to repe l trLlgaliry_ as a necessary antidote to th e them because ,%-c live in times o f proven success of the arts in this country- wholesale denigration of the great forma l over the past fcw years . instirutions of State, the Crown, th e There is more than a +vhif Of, a Church, p arliament and the La+v , suggestion that the arts have don: so exacerbated by the rigorous cutbacks i n well that they must be put in thei r public expenditure. financial place . -fhe point was eloquentl y The Arts Council of Great Britain, fo r put by a correspondent to -17je Times all its frailties, is still a national centre o f recent]\, : "When, oh "lien, arc we going; excellence . Its raison d'etre is the artis t to learn that cultural platters transcend and the c1[sscinination of knowledge an d balanced hooks ." The arts in this cOUIltn ' understanding of the artistic impulse an d generate a twvo-fold return for every its creations . 1 am immensely proud t o pound of tax payers' money in vested i n have been Chairman for this past fiv e them . 'ncc arts not only give vita years and 1 salute the thousands of me n l LORD PALUMBO spiritual uplift in our bewildered times ; and women who make up our flourishing CHAIR v}AfJ AR T S COUNCIL Or GREAT BRITAIN 440M fak
SECRETARY-GENERAL'S REPORT
ht past year saWW- a number oC histori c demonstrating prog,res, 1, ti~% .lydi th e uicrcascs to the Arts COLInCil ' s grant ii t TCllanges in the system of arts funding , realisation of our Corporate plan' s aid . These enabled the Arts Council try The respontibilit for funding, an d primary objcctiycs - that is, access, stabilise the tunding of the porttirhO 41t ' assessing the remaining building-base d excellence, the growth of the art s arts organisations which it support s regional theatres which had not bee n cconlnry and Improvement to ou r across the country. Despite th e devolved under the terms ofthe Art s efficiency and qualit\. cif senice . deepening recesS!Otl, tile arts conrinuc d Council 's I984 strategy doc1.1111CIlt, I7ie The balance between excellence an d to tlourish . Glorv t f the Garden, will be handed ove r access has been debated since the Art s Now we enter a collier climate . The to the Regional Arts Boards from April Council's filttndation after the Secon d {rclatiyeh•1 fat tears arc to be followed b y 1994. The Goycrnmcnr has decided tha t World War. [can ones . A two per cent cash cut to th e from the samc date the Scottish an d A ten• decades ago it was stnnnned LIP grant-in-aid has been announced . Ou r ~Velsll Arts Councils, currently sub - by the catch phrase "raise or spread" . Of' primary task "ill be to pcrsuadc th e committees of the Arts Council OF Great course, these principles are tlyin aspect s Government to change its mind on th e Britain, will become independent bodie s cif a single enterprise . BUt from tinge to grounds that the subsidised arts are on e with Royal Charters and will be finldc d time the emphasis has shifted to and fro . of Britain's glories. Thcy iced the huma n by the Scottish and Welsh Offices . It also During the 1980s many saw the .Arrs spirit . Research repeatedly demonstrate s decided to establish a National lottery : Council as being primarily Concerne d the high ya1LIC which the puhlit p€aces o n according to the proposed legislatio n with access to the arts, partly through it s them. Our aim will be to protect th e now before Parliament, the nt proceeds encouragement of earnings an d achievements ofthc thOLISands ofar'tist s will be divided five ways and the arts , improved bcrx-Office results and part h and arts groups Which are tile lifChIoOd film and crafts share will be distribute d through its commitment to equa l of Britain's cultural life, and to ensure by the Arts C OL11161 . opportunities. The Arts Council feels th e that they emerge front the impendin g But, most important of all, a ne w rinse is ripe to rc-crnphasizc til e term of financial trial \\nth confidence , department of state, headed by a ministe r importance ofartistic quality {variousl y flair and vigour . ofcahinct rank, was established wit h defined according to CirCUrllstu)ce) . It is responsibilit firr the national heritage . short-tcrnlism to suppose that tile pub[i c Its remit covers the territon- usuall y will be satisfied with the second-rate. '1 lie described in other countries as cultura l most dcsen'c only the best. affairs . This marks a warcr•shed in th e As tier grcnyth of the arts economy , state's acknoWyiccigcment of th e earned income has contink.]Cd to rise i n importance of tlne quality of life, and was real terms, although attendances hav e unequivocally welcomed by the Arts been variable - largel\ , as a result of th e CullnCil . - impact of the recession on lclStlre The Council and its staff have spen t spending . Many obsencrs now believ e much time and energy Working th!•oug h that prices have reached a ceiling an d a series of charrgcs to the arts fundin g that business sponsorship and patronag e svsrcm . A good deal of the last year was are now, reflecting the financial crisi s cnnsurllcd bV the Ccunsultations which le d during recent years in the private sector. to our strategic policy document, A Local authority support for the arts i s {:reatirt , Future. This, in turn, fed the also showing signs of sn-ain ; thankin ly , more recent dchate during \% hich tile Ilan, COLlIlCilS ColltII1LIC to place a hig h Arts COUncil decided, within constraine d priorit,v on cncouragcmcnt of the arts . financial resources, its key priorities fi r Filial]-, in the wake of the C'itizcns ' rile next few \-cars . Charter, the Arts Council illStitutea a An important task, in co-operatio n carefulh v-researclied quality of service with the Regional Arts Boards, was ro se t programme Wv ith a view to ensuring that in place robust, but flexible , its "customers" receive a prompt , arrangements for planning an d efficient and courteous ser vice. The accountability . The aim is to establish a results arc being monitored and a stronger and more strategiC sn-le o f fav'onral.le trend is already becomin g management and to enable us to give apparent . Govcrn111erit reliable evidence of th e In retrospect, 1992/1993 was the las t ANTHONY EVERITT SECRETARY GFNERAL . fruits of our labours, while year of a series of generous annual ARTS C'C(jN(' II C~F GREAT RRITAEN
HIGHLIGHTS OF THE YEAR
i i
rorrn , SIXMOS LIKE BIRMINGHAM SUOCESSFULLY LAUNCHED THE ARTS COUNCIL'S ARTS 2000 INITIATIVE . W'H . CELEBRATES A DIFFERENT CIT Y OR REGION EACH YEAR. NEARLY 3.000 EVENTS WERE ATTENDED BY MORE THAN ONE MILLION PEOPLE- THE YEAR LEFT A RICH LEGACY IN BIRMINGHAM . INCLUDING A CLEAR POLICY OF SUPPORT /' • y ADOPTED BY THE CITY COUNCIL . FOR NON-WESTERN MUSIC AND EARLY MUSIC . (ABOVE) A WUTAI SHAN MONK I VSNAIPAULABO~E eL(Ar„i L FROM THE REPUBLIC OF doop THE FIRST WINNER OF IH E CHINA. PLAYING NI THE SPIR R NEWLY ESTABLISHED OAli G OFTHE EARTH FESTIVAL . .AS COHEN BRITISH LITERATURE PART OF SOUNDS LIKE PRIZE . PRESENTED BY THE BIRMINGHAM . ARTS COUNCIL . SPON50RE D BY COUTTS & CO . HE WA S AWARDED £30 .000 PROVIDE D BY THE DAVID COHEN FAMIL Y CHARITABLE TRUST . THE ART S COUNCIL CONTRIBUTED AN ADDITIONAL 110,000 T O ENABLE THE WINNER TO COMMISSION NEW WORK . THIS IS THE MOST VALUABLE LITERATURE PRIZE AT PRESENT . AND IS AWARDE D IN RECOGNITION OF A uTETIME'S ACHIEVEMENT IN WRITING , z
v'-
MATTHEW BOURNE' S CONTEMPORARY DANCE VERSION OF THE NVTCR.ACXERIRIGHT} PERFORMED BY ADVENTURES IN MOTION PICTURES , ATTRACTED FULL HOUSES I N A 1,500 CAPACITY THEATR E OVER THREE NIGHTS AT THE EDINBURGH FESTIVAL. AS PART OF A DOUBLE BILL COMMISSIONED BY OPERA NORTH, IT HELPED TO INTRODUCE OPER A AUDIENCES TO CONTEMPORARY DANCE .
r
Nbl
!t-fln~- - - _ mil
ii-ii- I I 1,TIVAL AWARD .,, 'A i 4Y('21`4 DURING THE IT
THROUGH TH E A ; JQl lCtL T-IE t
I Af J3 E LlME THIS, A . . D 5E u MSCO PME i) -.)ANSE 1997 ; AND r . -'D GI :CttnnS FUNDE D I-< ANIMATIO N A '~'H0,$i . NAMELY SPIRITO F %MID QwRDE D -!*ICAfE OF' IT VE 2993 - OPERA ''HK VII- IM f-Fl';TIVAL : A :i[- 1AULL1'I UAVVIiOY5 . PIECES, FUNDO UNDER TH E m 1, UN THE BEST SHORT ARTS COUNCIL'S. LIVE ART R M aMM M M E COMMISSIONS c;"EME. Kii i.i i ILM FESTIVAL . THIS WAS THE FIR H CONSECUTIVE YEAR. THA T THE SERPENTINE GALLERY SHOWED I 'I'S COMMITMENT TO UVE ART . THIS POPULA R EVENT ATTRACTED 2 .000 -
,ALA ' .4TIONAL L l :'f 11" 11 I D , My "01CMMIG A PAR T I :.LLAHL E SF'j I MI MEMBERS . AH I V.iTI' THE NF'iV PIMMUMA M nwTMRA
CF ."' IN
NXIMM OFIEW MA R I' y LARG,-, $CALIE
T0} ~ i 7!N P i i a ~I _-, ( 1 I mcwm D 51 Rom. NATIONk TIif_A7PE TC)L-RS Of 714L A 14 0 e.L S S OF 6 1 : 0P G -Eli}v ArvD AV dh, PE, 70i: cw .s
CO I'k- ; :I IIJIONS BETWEE N "50% OWE COMPANIES SIX 0 S MA MI AN D 81 .1 1 L ',i . 8ASE0 THEATR E COMP ~ To LIKE TH E T~<. ,T, q(JYAL, STRATFOR D
AL;',IL I- FOP 11INOVAEVE vv(4Fi- '-,t ROYAL NA70toL TKe KINTIRE BE CO%t ; 'E cOLPIZODuCIRO N or r .-' -.TaEFT O F CROCK . : S ACME I ADN :.i N T EIJNAYMNA L ACC'. : .'.' AS ONE OF TH E mus" -vqN(." A(iili .WEMSOF TH E UP
- 1~ 1 T_ S
M EWA% E
APPUCADON O F XF -"ECTuR E A~ E . NO I LOWON A w F,:)STEi; 1, FINANCIAL SUMMARY
S 1992/93 GRANT SIZE BY NUMBER/VALU E NUMBER OF VALUE OF GRANT GRANTS 1400 5 Of the grants issued by the Council only 2$ were in excess ofX1 million but th e value of these grants was .061 million or 77% of all grant expenditure .
1992/93 EXPENDITURE BY ART FOR M The chart shows holy the Council divided the money available to art forms .
LITERATURE 1%
COMBINED ARTS 12%_ AKIS SECIUK INCOME S ARTS COUNCIL SUBSW •. 'rhe figures in this section are those of LOCAL AUTHORITY & OTHER PUBLIC FUNDIN , the National Companies and Arts SPONSORSM EARNED INCOME Council Revenue Clients .
"C""
IM/K im/si im N
TOTALS DANC E DRAM A 'rhe earned income and ACGB gran t A sharp increase in carved income thanks Large increases in earned income by 10 figures show a rise of 8% to L120nT, and to the performances of the Royal Ballet and RN'r (20% on average), and an .CS7m respectively . Both sponsorship an d and Birmingham Royal Ballet . increase of 7 .5% by other drama local authority incomes show a decline . companies meant that earned incom e overall rose by 14% .
4.991
isso/n im/n MUSI C VISUAL ARTS An increase in Council funding (up 13%) A sharp increase in subsidy (up 13%) w'a was reflected by only a small increase i n accompanied by sharp falls in earned earned income and falls in sponsorshi p income and local authority filnding. and local authority funding .
OMOLNU ATTENDING ARTS EVENTS
1988/87 1887/88 1888/88 1889/90 1990/81 1891/92 1982/93
106 .7 105 . 9 103.9 104 .? fOQ 101 - 5 PLAYS ln<~
118- 8
OPERA
BALLE T
JAZZ
:LASSICAL MUSIC
103 .8 102 .9 102.4 103 .6 100 107. 0 ART GALLERIES 98 .9
105 . 6
100 102.1 101 4 NY OF THE 7
The growth in the 11Lln1bcr of peoplc attending opera has continued (19 % more tlian in 1986/87) . Tllose attending ballet have increased by 5`% over the same period . The numbers attending plays, classical illusic coricc.rts, and art galleries have hel d NUMBERS %OF ALL ADULTS up well during the recession . The total number of contcmporal"v danc e 10.2M 22.6% attenders stabilised in 1992/93 . The 16.3 million people Nvho attend on e or more of these seven art form s 2.SM 6 .2% represented 36% of adults in Great Britain . More than half of these (8 .4 million) attended one art form 2.7M 5.9% or more at least twice a Near.
2 .6M 5 .7%
1.5M 3.3%
5.2M 11 .5%
Thou figures come from the Target Group Index (TGI), conducted by the British Market Research Bureau . TG I collects information each year fro m 9.2M 20,4% 25,000 adults in England, Scotland an d Wales. The figures for jazz do not necessaril y indicate a decrease since the addition to the Target Group Index of Pop/Rock i n the 1991/92 sur vey may have influence d 16.3M 36.0% the jazz figures. In earlier years Peopl e may have classified as `Jazz' events which , when given a choice between `Jazz' and `Pop/Rock' in the 1991/92 survey, the y classified instead as `Pop/Rork' . 10/1: DEPARTMENTAL REPORT S
COMBINED ARTS sil,l , I .a IC +Chich in 11,1&d around 10 0 nc\~ and cscitin- ra iigc Of work is ~tarnac hands supported by grants fro m Eking produced through collaboration ncc Arts Council . henvecn art firms . OUr Building Fcasibilin' Srudv grants The tremendous interest shown b y ha%c helped a number of venues t o artists working with others in their ovy t l Improve their facilities and to upgrad e held and those in diflcl-cm disciplines has premises . Even• Sntdv also looks a t resulted in well over 200 application s improving access tor disabled peopl e received this year for New Collaboratio n inCILlding front of house• Facilities an d awards. ~Ve were able to filnd 42 nevv backstage . commissions plus a further tel l Finally, we continued our support of ANDER . MARKETING/PLANNING DIRECTION . organisations promoting live art . 15 national youth arts umbrell a ~ EINKANSE N organisations which create opportunitie s j j .% j~, COUNCIL FUNDS MADE AN ESSENTIAL CONTRIBUTIO N Audil'mccs have been quick to Support _ • THE CREATION, PRODUCTION AND PRESE=NTATION O f both collaborative and live art projects filr young PCOPIC to work with .1%1L REQUIEM . THE PROJECT MOBILISED EUROPEAN AN D , IOERCIAL FINANCE . PROMOTED QUALITY INNOVATIO N and among; the highlights of the year was professionals and develop their skills . i? UE vfLOPED NEW AUDIENCES_ IT ALSO WON A DANCE LLA ; TIME OUT LONDON DANCE AND PERFORMANC E the Quirk Lira A7-t lFeekend at the South i%'V, % kf l I OP BEST SITE-SPECIFIC PERFORMANCE OF 1993.11 hank which attracted andiences of 2,500 DANCE People Plus thonsandS Ot•visitOI-S to the l he flow of iniaginative and exhilaratin g foycr events during; the weekend . Th e new. d111CC work tliroughout the 1'Car ha s London Philharmonic Orchestra also not only delighted regular dance took up a SuccCSSfUl residency at th e andiCnCCS bUt has also %von nCVr IriCIWS , South hank. lnuang tllr highlights Of tile CalClIdal' The live art production , wcrc Matthew Bourne 's contcnlporan Abducritm, by Hilan, dance version of llm isf-t-nickr r Westlake and 1-unlicrc commissioned by opera North and & Sun and commi s perfOrmcd by Adventures in Motio n sioned by the Institute PiitLII -Cl, which packed hill houses in a of Contcnlporary Arts 1,-500 capaory theatre over three night s proved a great success . at the Edinburgh Festival . The Royal Response to th e Ballet is attracting; increasing ; houses Liar exhilarating pcrfiormanccs was monitore d its triple bills including; .such radical works during the r111'ce-week run with on - as William FOrsvilic 's lit the widdle , tic-spot market research . Findings confirme d swnrwhat elrratrd, while Christophe r that ne+v audiences had been reache d Cable's thc.ttrical new ballet prodtWOO11s ti%hich was one (If the aims of, tile continue to prove popular wherever commissiam . No rthcrn Ballet Theatre tours . Shoban a From France, we .vcrc delighted t o Jevasingll ' s inncn'atiye urban SOUth Asia n %vclcomc the Paris-based Theatre d u dance theatre has seen its audiences grow Solc'il vv hich made its first appearance i n from 42 per cent capacity in 1991%92 11 )
the UK in almost 20 \-cars . The visit %%- .i s 72 per cent in spring; 1993. And made possihlc through the httcrnatio11,11 Koknnla ' s enrltemporan' interpretatio n Initiatives tilnd which, through the year, of African and Caribbean dance Harms in L suppcn•ted artists from all disciplines fro m its production 1l1stm-1, at'thc Pr'um played 40 countries visiting 59 cities, tOWIIS and to packed and cnthusiasric hoLlses. The tillagcs in the UK . -1 - hc trc du Soled' s stream ofexccllent wort: continued t o production of Les AtI'ides, staged in a flow throLlgh 199; when the Eas t specially converted carpet warehouse i n Midlands g as designated the UK Region Bradt-Ord, was sold out fi)r every of Dance in the series of arts COLL1161 - pert6miancc . inspired annual arts festivals leading to Crowds of well Oyer a million peopl e the year 2000 . turned up for the annual rotting; Hil l Along with funding; new work, vv c Carnival . The organisariorl and hard have been giving careful attention to th e work durint; the year produced a gLrali1atiVC aSSC 1iSn1C11t of performance w Combined arts The Magritt e
C\Iliktio ~>> alt the HaNivard Gallery J attractcd (-)tirer- 1X5,000 visitors in th e space of 74 days . Mare than 2,500 people attciidc d 'I7je Qilck Live• Art ~ ,,11, ; Clld at Lt-)ndon's SOLIth Ban k
4
2
and a , • , ~n the 'LII)Icit was held Octagon was among the recipients of th e
in Scl , tc :i i , , r 1992 . Taking part were th e awards and, as a direct result of th e
Arts Council's Dance panel, its scheme, was able to stage its landmark development advisers, Regional Arts production of Titers Androuicus with an Boards' dance officers and the umbrell a integrated deaf and hearing cast. We are organisation Dance UK . In addition, th e also pleased to note that all building - national nct.work of performance based companies nobs- offcr at least on e assessors has been extended and th e signed pertbrinance of each productio n quality of show reports (written by arts for deaf people . Many touring companie s Council representatives and independen t are following this example . experts I has improved . These reports ar e To help develop a wide range o f SHOBANA JEYASIti M now available to artists to help them il l theatre work by people with disabilitie s ii I FEEL FORTUNATE TO HAVE HAD A SUCCESS$GN OF DANC E ftiture work. we helped organise, with support fron t OFFICERS WHO HAVE, IN VARIOUS STAGES OF M Y DEVELOPMENT AS DANCER AND CHOREOGRAPHER, OFFERE D ( g ear strides have been made in our the TSB Foundation, a major Theatr e ME A LISTENING EAR AND CONSTRUCTIVE SUPPORT WHICH 1 5 ]UST AS VITAL AS APPROPRIATE FUNDING . THE ROLE THAT programme of establishing ; nationa l and Disabilirv Conference . The successfu l THE ARTS COUNCIL HAS PLAYED IN MY WORMS IN THE PAS T DECADE HAS BEEN AN INVALUABLE ONE ." dance agencies - a network of centres fo r event, staged in ,Manchester in Jun e protessional and amateur dancers fo r 1992, resulted in the gcncra6on of a training„ classes and performance, Thcrc blueprint tier the future. arc now agencies in Swindon, Newcastle , Among the many exciting London, the East ,Midlands, Sutfiilk , collaborations was that of the Royal Birmingham and Leeds . Alrcadv their National Theatre with the Th6trc de achievements have been considerable i n Complicitc which produced The Strerr of both artistic and strategic terms - Crocodiles. This dynamic work attracte d Newcastle's Dance Cite for example ha s fill] houses and excellent reviews . Further attracted 0200,000 in funding; from the partnerships forged berwecn building -
Henry Smith ' s Charin- and has torge d based and guest companies include d close tics with many of the city ' s young those of tllc Theatre Rolal, Stratford uncinploved people . Fast, and Tara Arts ; Salisbun' PlaVhous e All ten Regional Arts Board areas no w and Paines Plough ; and the L)ric, ]lire either an agency in place or a Hammersmith, and Odvsse} "Theatr e recipient of an agcncy development grant . Conlpam' . Despite the economic recession we ar e These co-prodLIC6011s increase d delighted to report that our clients har t dramatically the sire and broad base of been successful in boosting; Belt-gencrtted audiences fir innovative work an d income . For example English Nationa l highlighted the continued vitality o f Ballet increased its audience by 30,00 0 building-hascd theatre . It is of particula r and its box office income by 19 per cen t significance that innovative artists, wh o in 1992/93 while The Royal Balle t firC t11 tell years ago ran small companie s
increased its paid attendances by , fire per arc now taking their rightful places at th e cent .u The Royal Opcra House, achievin g helm of these major companies . Among an in pressive 87 per cent capacity. those to have made the transition is lode belly formerly of Battersea Arts Centre DRAMA and now at the West Yorkshire Playhouse .
Among the \-car ' s highlights was a serie s 'I'hc year has seen a return of new of successful collaborations and a surg e writing to 1970 levels both in building - of new writing; which have combined t o based and touring companies . Arts attract new audiences . COULIcil funding was trade available to- r Among the initiatives launched wa s 95 drama projects and 36 new texts . the Be Bald scheme . Sewell building - Ncw writin g, now represents some 12 pe r based theatre cornparlics each wo n cent of the regional main sTaAc repertoire
funding o - up to C2 5.000 to stage compared to six per cent in the late 1980s . challenging work that would otherwise f= inally, the Arts Council launched an d haws been impossible. The Balton circulated 45,000 copies of its Dram a
DEP-%R-M r R :k P . ;. ;"' : ;
♦ i d t r 0UOO ~u-id
_t lncreascd b'\7 ,U_ICCS z)% at the -r a. House, achieving
a iNT 87% capac t ttendanc.es a ., P alt- 4 _ regional prod--' titres in England ' ;~ p :o 4 .1 million in 1992~~~ w3 . 1 SHOO" JEYASOM OANC E COKWARrS PROOUCi M OF MUM OFAMM 2 PHOEBE NO MUS AND LOT MN CRANWMI N THE ROYAL NAI70NAL THEATRES PAOOUCNON OFAN NOFECTM CALLS0J.0. PFOWTL6Y 7 ME THFATM AND CBASKM CONFUM" STA6E0 M yAMA+E$iEA •LRN GBH® FROAE THE TSS POU1E)ATgN 4 BLOOD OEDOWO- PARE OF THE OE BOLO SOMA AT THE LYM THEATRE NAMMERS HH 3 in .SchoidspubhCatlon . This scr\'rs u+ otte r f:ti0 .1111cI, .t ; : . : J1I C1Jtati++tlaland not just a practical programme of study other Talcs. but also to encourage the imaginativ e In keeping \vilh our policies of acces s teaching of drama to voting people . and cultural diversity, we have teamed u p \with Carlton Television to jointl y FILM, VIDEO & commission Synchro, a series ofeight BROADCASTIN G five-minute programmes by nc\\' African , e 1>n+aclca,mgn pla\ w a major role in th e Caribbean, South Asian and Chines economic and Cultural context of th e directors which will explore arts, musi c arts. And \ve \yelcc+me the oppominity t o and cultural issues . work \\ith tclc\-ision in addressing ne\y The importance we attach to d DEFIGRAH PAIGE SALISBURY PLAYHOUS E and larger audiences . broadcasting as a \%ay of creating an MARTS COUNCIL FUNDING HAS ENABLED US TO DEVELOP OU R e promoting art, found full expression i n EDUCATION WORK . OUR EDUCATION POLICY IS INTEGRAL T O Valuable partnerships Continue to h ALL THAT WE DO . H tomcd with the television net-works . Ove r The Odd C'FU,ph'' , our first broadcasting; 40 new joint commissions during the and the arts contercncc which \vas hel d Year have resulted in innoyamt: work Cha r in Brighton in October 1992 . Some 60{ 1 is diverse in content, and presentation . delegates and speakers from cycn spher e Among the new work is Dance tur th e of arts broadcasting, the arts and arts Camera, a m o-rear joint project wit h administration came together in a livel y 131102 . The eight I,; minute programme s and spirited debate. \will be original dancc tier televisio n collabrrratkch made by directors and LITERATURE choreographers, Sound on Film, als o ANN arils tier excellence have an important commissioned with 1311C :2, is an role to play, not just in acknowlcciging cgUi\alellt collaboration betwee n c\isting; talent but also in the encourage- composers and directors . ment of nc\y readers. Established in Currently in production is 0/hra recognition of a living British author' s Jf9fa17L1iat9't, a Series of animated arias. lifetime's achhe+'clll m, this year \\'c sa w using ]Carling edge :o1llpUtCr ICChllitlnCS . the inception thf the David Cohen British This project was given life by our cas h Literature Prize. Its first recipient , input (if L50,000 \chich primed the announced in \larch 1993, was VS NaipaUl . pullip of illternatlonal finance totallin g The \'attic of the prize, .00,000, is the LS00,000 from sources includin g; highest for a literaturc award in Britai n S\veden, Germany, Spain and Nort h and is provided by the David Colie n America . f amity Charitable Trust . To the stun I S It is significant to note here that i n added C,10,000 by the Arts Counci l 1988, the total audience for artists ' film \which enables the winner to commissio n ,end Video \cos probabh• a ti:\y thousan d lie\% work to encourage younger writer s people . However, in 1992, as a result of nr readers. VS NaipaUl requested that th e joint commissioning; with Channel -I and monc\• should be given to the Society of BBC2, the audience was. some 5- 2 Authors which selected the biographe r million. Included in the first round of Rc+senlan Hill as the hencficiarv . Animation Awards, financed wit h Sponsc+rship of the presentation an d Channel 4, the film Wjo .Squiirr promotion of the prize was by C .outts demonstrated the Usc 01 ' 110% technologry Coa'I'll. c prize \rill be given even° n\c r in combining live action with computer years and nc are plcascd to announc e recolouring and compositing, to mak e that both sponsors have pledged thei r painterly mo\ing; inlag;cs. Continued support . ]n all, films co-funded by the Art s Also new this \,car was the Writers i n Council and transmitted on televisio n Prison scheme which has alread y \\crc watched by an audience in excess o f SCCUrcd, by arrangement with the Honl c 1 71 million, then attracted muc11 Critica l ()1}ice and Regional Arts Boards, 1 1 attention in the press and earned over professional writers' residencies in r Fihn, Video & Broadcasting r s It -cre traw j I ?'11:.1t l { } I i o m11 i of i . Literature the Mccption of th e Da\-I( 1 1 Literature Prize . The 1:40,()00 a Ard is the highest value fc~r a litcratUrc prize in B n' tam . , ` prisons nationwide . It k cl , r-, ing ro an ir] .truntc•nt, perhaps for the first time . note that our initial fitndin ;', tit L40,000 More than 10,000 local school childre n has attracted an extra £-56,000 front ++ere involved in educational projects . other sources . Sounds Like Birtningharn comprised The Arts Council I .ircratUrc almost 3,000 events From a fusion o f Development Worker initiative has take n dance and music specially conceived Fo r off- and 30 writers are now in plac e the abandoned t+Te plant, Fort 1XII11 rp, nationally, usually based in civic centre s to the UK outdoor prcmicrc o f or libraries. This scheme, co-funded wit h Stockhausen's Strrnklattg. Sounds T .ike the Regional Arts Boards and loca l Birmingham established a model t-or authorities, has been devised t o other cities to tirllow in this ambitious DAVID PRINGLE EDITOR . INTERZON E encourage nwre literature-based events , series of arts Council-inspired year-long, fL THE WAY TO ENCOURAGE AND DEVELOP NEW WRITERS IS T O tram local writing workshops to reading s festivals leading to the year 2000 . FUND A MAGAZINE THAT WILL PUBLISH THEIR ARTICLES . OURS IS THE ONLY MAGAZINE IN THIS COUNTRY TO PUBLIS H giwcn by established authors. Birtninghant was also chosen for th e SCIENCE FICTION AND FANTASY . AND . THEREFORE . IS TH E ONLY MAGAZINE TO ENABLE NEW WRITING IN THiS AREA O F The successful Public Librarians launch of Sound Inheritance, the Art s THE ARTS . 17 Conference, organised by the Art s Council-initiated touring scheme for Council and held in fork in March 1992 . large scale period ensembles . Three vyas followed this \-car by the publicatio n national tours, starting in Birmingha m of the important Readiuq the Future Town Hall, took place during 1992 an d report. A fiend has been established to dre++ enthusiastic audiences. encourage the promotion of literature in Sonic 40,000 schoolchildre n libraries by estcrtcting the range o!books nationwide took part in an imaginativ e available to lenders and Iii. inviting project inspired by a new work, 1he Toni authors to give readings and talks . of'fhe Tide, by Sir Peter Maxwell Da\ies . We are delighted to welcome hack th e The commission ofthe piece vwas jointly Arvon Foundation as a client . Its Cundin g supported by the arts Councils o f +was devolved between three regions i n a Scotland, WValcs, 1984. The Foundation, which operates a Northern Ireland t'ull calendar of - workshops and seminar s and Great Britain . for writers, also announced the opening t The project , ofits third centre in Inverness-shire . which was The department 's touring work organised by the included teams of Canadian, Chinese an d Association of Indian +writers visiting arts Venues up an d British Orchestras, down the countn-. The programme cat encouraged th e writers' residencies allowed Gloria Naylo r children to USA 1, Donau Brathvwaite (Barbados) , compose, perfor m Iran Goytisolo (Spain) and rMen•y n and listen to nitrsic in an informed way_ as Morris (Jamaica) to spend several weeks part oftheir ++ork in the newl y each on regional attachments. introduced National Curriculum ti, r music . MUSIC 77x' Turn of the Tide demonstrated jus t 1 res xrr7dlnt sra]T ++as made to the Art s how much can be achieved whe n 2000 initiative \+ith Birmingham' s connnltted teachers, skilled professiona l hugCh' Successful year in 1992 as the U K pertitrnters and enthusiastic pupils work ('ity of 4tusic . together, However, the quality and Scop e tender the banner "Sound ,, Like of instrumental teaching in school s Birmingltant", a wide: variety of musica l remains a source of concern to mare • events attracted audiences totalling well. involved in music. Representatives fro m over one million people . Concerts and the Association of British Orchestras, th e +workshops in Venues throughouT the cir y C:otntnittee of Heads of \Music Colleges , offered a chance not lust to listen to the Incorporated Society of Niusicians , music but also to sing in a group or play the Music Advisers ' National association, -w Music Arts 2000 was launched in 1992 m Birmingham, the UK City of Music . The hugely successful "Sounds like Birmingham", covered some 3 000 events ranging from concerts to .) workshops. More than one million people attended the year-long programme . !,4~ .~,4,,Ai AC . UAr Fr. Akl ~ A' "' i JAis 'Yx : r .~r .ti :r zic - the Music industries Association, Musi c Vandekel'bUS Dance Theatre fro m for Youth, the Schools ' Music Belgium . Wclsh National Opera had a Association and nct, l'K Colmcil for particular]%, suCCCY ful season Music Education and Training tilrmed :I characterised by a superb new productio n Common Purpose Group during th e of Tristan and Isvldc (a co-Production year which nlct at the Arts Council to with Scottish Opera). Some othe r discuss ways of maintaining and highlights included the Ronal Nationa l improving instrumental teaching . Thcatrc tours of Ac dladue•ss vj'Clt•nrsl e As a result a major research project o n 111 and An Irespretor• Calls, the Opera instrumental teaching is underway . \urth/Adycmtires in \lotion PiCtUrcS WOTk was undertaken by our departmen t co-production of Rje 'x-utcracker, Rohcrt OOALINE OE LA MARTINEZ MUSICAL DIRECTOR . LONTAN O to create two small-scale opera Sturtia's Harrrlet (starring Ala n &d THANKS TO ARTS COUNCIL GRANTS, LONTANO WAS ABLE NO T companies - Meckler[burgh Opera an d Rickman 1, Northern Broadsides ' ONLY TO COMMISSION WORKS FROM PAUL BARKER AN D JOHN METCALF, BUT ALSO TO COMMISSION AND PRODUCE Pimlico Opera - as franchise clients . Richard Ill and Duhlin ' S Gate T11C,10•c JENNI RODITI'S OPERA INANNA . WE WERE ALSO ABLE TO RELEASE THE SECOND VOLUME OF THE BRITISH WOMEN Among their most startling Work for the production of ]emu and the• 1'arenck . COMPOSERS SERIES THROUGH THE LORELT RECORDIN G LABEL 1f sear was Pimlico 's production of dd•'rst Among the year 's four tours of African Side Srwy staged at Wandsworth Priso n and Caribbean theatre and d.ulcc vyas starring; inmates and prison stair togcthc r The posse's production Of Ar mcd and with professional pertirrmers . Danacrwes Which played a six ,ycek tout' Further highlights oi'the year inc€udcd to cnthusiastii audiences including th e the London Symphony Orchestra' s Adcxandra'I'hcaire, Birmingham, an d Sibelius CyClc under Sir Colin Davis I-vrcunl, Sheffield. which formed part of the Barbican' s 'I'hc first Rill year Of our Venue "Tender is the North" festival and th e Development Fund offered 20 venue s outstanding: Opera North season whic h the opportunity to develop their included the British stage prcmiire o f audiences through adyenrlruu s Roberta Gerhard's 1_a Ditenow, a tin e programming. And during; the vicar three new production ot- Don Carlosand th e important venues opened or re-opciled : Widely acclaimed revival of Britten's Bill'v the refurbished Thcatrc R(11-al in Norwich , Rudd. It was also a great pleasure during, the new Susan Theatre in High Wycomb c the year to welcome ]Cent Nagtano a s and the New Victoria at Woking . music director of the Halli Orchestra . The department is continuall y researching; and developing nevv audiences, TOURING particularly through its expanding; I he dcparmwnt's aim is to otter regiona l natianvyide network Of Marketing; ,1LldienCCS ill I'.nglancl performing art s Resource Centres and we made a major work of the greatest possible quality and contribution, together with the diversity. A particular teanure cif the year Marketing Unit and the Arts Marketing %vas an increase in the use of non - Association, towards the staging ofthc conventional spaces ,u,:h as disused conterence < 1-cadling all Cycll s,idcr audience . ViSUAL ARTS There was a I his year ha" bc~:n )11~: of outstandin g notably hig h achicycnrclu lilt indiyidLlals an d ~itlaliry range o f organisations supported by ou r international wor k department . Peter ienkinson and hi s including tours by team at Walsall Muscurn and Art s the ,\dab• The .urc ol'st Petersburg, Nad a Gallery, recipients of regional venu e Thcatrc from I ranee and the Wim development hinds, and annual clien t Touring C t I l l 4 , HL (AA IL I in 1992/1) , _)pcra sold 40,00 C, :done. Y PF 1 S Z`OO, f f; N Richard Padwick and his team at AN Our work to make the Visual art s publications . Newcastle, were iN o of the accessible to all took a major leap wit h five winners of the National Ar t the publication of Jiync Earnscliffe 's Collections Fund Award 1993. book In Through the Front Door. I t The xinncr of the Prudential Art addresses access to vettucs by disable d Awards 1993 was Chisenhale Gallcrv , people together with employmen t London, a major project recipient, an d opportuilltics. CornerhOLISC Pnblll3ti0nti waS hlght y As part of the Arts C01.111JI'S commended in the Sundav Times encouragement of culturally divers e Publisher of the Year Award 1992 . visual arts, we of1crecd franchises ro thre e The year has also, been one o f curators and editors to produc e Si;M enhance the public's understanding an d appreciation of the held . It is the firs t time that architecture 11aS featured in th e arts funding system . A conference o n architecture centres, Derigniun Cities, was a sell-out and has led to the creation of 'l number of feasibility studies i n partnership with English Estates . The research iS being helped through a tilnd worth :50,000, half of which was raised from commercial sources . The financial leverage fi-om the first arcllitccturc •rant s scheme, which offered 1:150,000 , amounts to a probable 0350,000 , In 1992 the department signalled it s Support for new electronic technolop , by publishing l'cr-v Sprtflbrtti - a guide to interactive media and its uses in art galleries. The first of a series of ne w tcchnolo_q- training initiatives fo r curators and artists began with th e London-based mulrimedia project Arte c and the Liverpool Design Initiati~c . As part of the Arts Council 's Arts 200. 0 initiative, the year 1998 has bee n designated the fear of Photography an d the Electronic Image . Visual A-t•ts s - h\VhItcchapcI Gallen, attractcd a t otal of sonic 110,00 0 \,isit(_)I'S 1.11 1992/93 . The Musetim of Modern Art, in Oxford, had over 183,000 visitors . Arts Council fancied i IICIItS NVO11 f(l_tl- nlajor awards: The t Smiday 'fin-i s Ptiblisher of the Year Axvard; The Prudential Art Awards; lld m ro of the National Art C_,()lleetiollS l=and ANvards . CROSS-DEPARTMENTAL REPORTS I hL: cross-departmental urtit~ p:de Arts etleclti Of 110 lei€Sl.rti4);l lt,;tr 'hrin tclt i n t uutcil policy and practice { m istiuCS tha t cwn phase and SCCror of Ci€ucalic~rt . _01oot the work ofall department% . Changes introduCCd bN- tlaC ]cgislatio n ha%,e meant that arts organisations have TRAINING UNIT had to adapt their work to positio n I hli \C .11 . I1ati hCCll One of firsts, of thcrttselves within the competitive marke t ti )r_ing international links and o f place by making greater effort tc_t publicise increased demand for training . their work and making contact with The first new scheme to be pilote d individual schools, The most SigrTifican t was the Regional Arts Board f=ranchise impact on arts education has been Fund . This three-rear project has bee n wrought by restructuring in areas SuCh a s BOBBY BAKE R devised to otter march Funding t o A I'VE SEEN THE THIRST THAT THERE tS IN BRITAIN FO R Regional Arts Boards to Cniourage the m INNOVATIVE, EXPERIMENTAL WORK AND I APPRECIATE TH E ARTS COUNCIL'S CONCERN TO FOSTER AND DEVELOP THI S tO ol'gallise new training opportunities, WORK WITH SUCH COMMITMENT . 1f The scheme was met with instan t approval as all ten Regional Arts Boards applied to take part . Training in the regions was given a n additional boost with the httlndtng of th e South Nest Arts 'braining Unit . While this unit will fulfill the samC role as th e existing toter regional training centres i n local education authorities aced hea l Newcastie, Liverpool, Leicester an d managcntcrtt of Schools . Sussex, it differs front them in not bcin~g As part of our response to the changes , attached to an academic cstablI"17mellt . and in collaboration xvith the- Meanwhile, the centl-Cs have formed a corresponding art firm department, vve National :Association of Regional have helped produCC two publication s 'Draining Centres/Units . The association 1 Jra ma in .Schools and Darer in Shoals. has among its first racks the drafting of a The aim of these documents is to ser ou r prop-rancho of arts management training, poiic'v and a framework for teaching th e rhat will lead to national accreditation . subjects within the National (arriCUILIF11 . The development of standards ha s .bo hc1P place arts education i n continued apace with the Arts and England within an international Entertainment Training Council, th e frame\l'ork, Ise honied the Britis h industl-\' lead boGJ for the arts, issuing it s American Arts :Association to researc h first draft standards for Nationa l and exchange information ore good Vocational QualifiCatictns . OUr wore: with practice, as part of their five-year arts-in- AETC.; has also included plans to creat e education Initiative . an cxtcnsi~c darabase o1 training intitr- To highlight the importance otart s ntation plus the publiCation of career packs , tcaChing in schools %ve haNc helpe d This year has seen US join our firs t establish a national programme of schoo l international network. Organised by Til e governor training . This has bee n Council of EurctpC, it is the FUropea n achicrcd in associario n with the te n Network of Cultural ,Administratio n Ice-ional Arts Boards, and major nationa l TraininK Centres. We have alread y training bodies . Some 2,000 governor s henchted from visits by EUropcan front 20 local Cducation authoritieS took CollCagucs and have received informatio n part in the first series of artist-led about trainina, and placements availabl e workshops and discussions . to British students and artists . 'I'hc unit ganc a grant to the National Foundation C01- Education & Research to EDUCATION UNIT undertake research in votrth arts activitie s Education and the anti have undergon e in partnership with the ClUlbcnkia n major clean r <1cn ink; the past vear . The Foundation and the Baring Foundation . ' he CI- ass-c1cpartmemal LIMILS guide marts CouHICil ~~olicv t1zd practice on ICS that affm the -wort: of al l Education Ovcr 45 1000 The airn of the research is to provide a national Picture of rc>uth Ar ts . j 1 C } .~~ ~.•~ ill 5L Participation to inlnrnl fi,turc Plannirl g a()ok , and decision making . The Policy Studies Institute Adult Art s Arts and Disab' 'ty Th c R po rt ( m and Crafts research %% as lwgun i n r partnership ttith the ('rafts (council , Scottish Arts Council, Arts Colltliil o f Northern Ireland, Southern Arts Board, South West Arts Board and th e t ti Y t5 i s Gulbenkian Foundation With SuPPort 11C Arts was SttCCt .~ .`l I11 !,-mI 7,td1~.-t- . from the National Intititutc of Adul t Continuing; hducatinn . The project will suney provisitm in the L T K and record rile impact of recent changes on the rol e of professional arti ,,ts in adult education . ARTS AND DISABILITY UNI T l he sea change needed to ensure tha t disabled people achio to access to the art s at all levels can only happen 'when what 3 arc perceived as the interests of a minority become the concern of th e majority . The :arts C.otlncil ' s commitment to disability arts and th e employment of disabled People i s reflectid in the rangc ofactititics whic h are funded across the ( ;ouncil . These mr include the work of deaf practitioners by 1993, the event was attended by som e the Drama Department, the work o f 350 delegates and 60 speakers and wa s mental health survivors by the Literature staged to develop ways of furthering the Department and research on art position of woolen in the arts . It has education for disabled practitioners b y informed the development of an action the Visual Arts Department . plan. Together with providing an During the year we saw th e important for-urn for networking, th e Completion of phase ont of the Initiative s}'mposium lei{ to a number of women' s to Increase the Fmployment of Disable d organisations and woolen working in th e People in the Arts . The resulting Repor t arts making their first contact with th e was successfully launched at the House o f arts funding system . AS a result of th e ROGER TAYLOR CHIEF EXECUTIVE, BIRMINGHAM CITY COUNCI L Lords and the Arts Council took th e syrllposiunl, the Arts Council of All BiRMINGHAM'S CULTURAL LANDSCAPE HAS DEVELOPED A T UNPRECEDENTED SPEED IN THE LAST FIVE YEARS, AND TH E occasion to announce the allocation o f Norrhern Ireland established a women i n CITY'S CLOSE AND INTEGRATED PARTNERSHIP WITH THE ART S .C 100,000 to establish an apprenticeshi p arts project and scoured 150,000 fro m COUNCIL HAS PLAYED A KEY ROLE IN THAT DEVELOPMENT . FOR OUR ARTISTS AND AUDIENCES ALIKE THAT RELATIONSHI P scheme . The scheme will provid e the European Commission . CONTINUES TO HOLD A VITAL KEY TO ALL THE MOST EXCITIN G DEVELOPMENTS WE ARE PLANNING FOR THE FUTURE F9 disabled people with the opportunity t o The synlposiun) follou'Cd on from th e acquire skills while working in major art s publication in November 1992 of ou r organisations . diSCUSSion document Women in Arts : The unit increased its support to th e Nnrhms a f'E-qua1ity. National Disability Arts Forum which has The ',-Car 110ti also included work now cstahiishcd an office and state. The updating and expanding the Women i n fi)ntnl has loon funding from the Visua l Arts International Databasc . The database Arts Department for its first majo r has assisted a number of artists and art s project - a series of billboards promotin g groups including the Pan-European challenging images of disability . The Art s Women 's Network for International Council-funded Disabilitv Arts Mctgazin c Action and Exchange which secure d has gone from strength to strength . Its 30,000 ECUs from the European LIcsign and content have radically improve d Commission. Work continues on the and, most satisfying, is the range o f completion of the first phase of th e disabled practitioners from all arts areas i t National Women in Arts Forum whic h now involves . The joint Arts Council of has as its objective to advance the positio n Great Britain/British Film Institut e of woolen working in Al areas of the arts . disability group has been active an d eflective - work is clue to start on a medi a CULTURAL DIVERSITY UNIT reader, aimed at the education market . I he majurin ofthc unit's \cork over th e The continued growth of the disability past year has involved strengthenin g rights movement and the need fo r cultural links and nerworks, regionall y legislation means that our unit continues and nationally, in collaboration with the to have a high political profile . Regional .Arts Boards . Particularly notable is the pressure t o Arnong the great progress made thi s make physical access to arts Venues a year, one of the most useful ne-w condition of grant aid . It is hoped that a additions to our unit has been th e proportion of the money raised by the compilation ofa cultural contact s proposed national lottery will be used t o database and directory which contain s improve access to Venues and will help i n sonic 1,000 UK mid internationa l the establishment of national standards . entries. Contacts are listed by region, Indeed, we have already started this wor k discipline, cultural illtlLlencc and gender . through our Access to Venues Project . This invaluable directory is available both in printed form and on disc fro m WOMEN IN ART S our unit . Thc major eyem e)f tour year was ril e This year also saw that increased core Woolen in :Arts i~ ntp+>sium : x'06 rIS of funding of the Minority Arts Advisor y E=quality . Held in Birmingham in March Service from (:59,5011 to £96,000 . A lurthcr L4,W was granted to enable the purchase of a computer and databas e sofnsarc which has placed MAAS in a much stronger position to act as co - ordinator arid facilitator of the sector . The embn^onic British Chinese Art s Association, which received sonic -Cl .--,,1;00 from this unit, has now engaged a part time worker and has also bouc;ht in a computer . We are also delighted to report that sonic 72 artists received our assistance t o travel and make internationa l connections. The bursaries helped in Many ways inClUd]tlg scnding fSVC .11'ti5ts to an international contcrencc in th e USA, vwo black arts administrators represented the UK at a stratcgi C international networking seminar in th e LISA, and three black British artist s attended Panfest 92 - a global festival of African arts held in Ghana . SERVICE DEPARTMENTS EXTERNAL . RELATION S t 1)f the uIIIt•~ %~,,ri . 11 AN resnl[ed i n ;II1uIII aiII1 I t~r-1oki': n an t lm, riumticr cut L 1, ipplic at ions to i~! .ri,tst the arts audience i\-as furtherc d IJ ttlndS and all here a ,,ml ; awareness of iilr- illg the year with the launch of tw o funding; opportunities and Contacts . major marketing initiatives . Our department has also launche d For the visual arts, ti\-hrrc attcndaricc i s Ans C; nit it Nrevs - a monthl y growing and events are now enjoyed by publication which aims to update the art s some 21 per cent of the population in community on Arts Council initiatives Britain, we produced a practica l and to give accurate iniOrnmtion o n marketing manual . Results of research issues affecting the art s condnctcd during the preparation of this publication were presented in a series of POLICY & PLANNING seminars nationwide which were Much of the past year's research an d attended by representatives of more than policy deyclopnlcnt work has bee n 200 galleries . Well over 200 manual s concentrated on issues relaring to loca l have now beryl sold . wwernment and the arts . The second initiative to dcselo p The role of local authorities in arts further access to the arts is th e funditlg %%-as examined in our nationa l publication of a market research }lack all surv ey of local authority spending, . This sl .\ digests covering visual alts, Jazz , research was prompted by anxiety ove r opera, classical nltlsiC and iuntemporan - likely reductions in arts expenditure an d dallCl, Which Sllilli11,16SC the ]hail ] will he followed by regular monitoring . findings from market research conducte d ('hanger arising from local go\-crnmcn t since 1980 into the characteristics , rcorganisaticon also led the unit to hold a hehayiom and attitudes ofaudirnces an d seminar tier Regional Arts boards ' potential audiences. Almost 100 digest s representatiycs ter formulate response. I o have been scold . the work of the Local Governmen t The first coalplcte Board Membe r C :onlmissiiin . The gUCS6011 whethe r Develop=p ent Programme has been support f6r the arts Should he a statmori - devised and tested by our Development dun of local authorities seas explored in a Unit, The schcille, which involve ., a two- discussion paper which will lie published day seminar and workshop programm e shortly . covering arras such as advocacy an d Further significant areas of ssork planning, has provided more than 50 arts during the past 12 months have include d organisations with better prepared, mor e work on the Arts Council/BBC join t experienced and highly motivated hoard review of orchestral provision, the co menhbers. drafting of a response to th e Throughout the year your advice ha s Governrnent ' s Green paper on the future been sought on a spcctrutll Of issues . For of the BBC in collaboration Nyith the example, the unit has helped Th e External Relations and Fihn Video an d Foundation for Spurt and the arts i n Broadcasting Departments and initial an d mane of its major decisions channelling a tllllow-tap work on discretionary grants, total ot' over JC20 million into the arts . tier dance and drama studcros. A Counci l To further our work as a source o f "orking pang has noNk commissioned ads ice to arts organisations tourin g further research into the training outside Britain we have helped wit h employment prospects ['Or dance an d matters such as copyright and VA T drama students . which have remained unresolved since Finally, considerable progress was the creation of the European singl e made in 1992/93 in developing th e market. Increased resources have been planning, process. By the end of the \-car, ,even to the Inrernational Affairs Uni t plans fi-iom all ten Regional Arts Board s lshich mn+ publishes a monthly EC ; and the COLHIcil ' S own plan had bee n update tier the Regional Arts Boards . The received, discussed, amended and agreed . FINANCE & RESOURCE S straightionkard ittcadance data t o I'he Fift,uicc I)Chartnlent ", input i s information on other countries' cultural increasingly teen as being of centra l policies . importance to the arts Council's clien t We have seen a significant increase i n appraisal system under which in dept h external enquiries during the past year reviews of regularly funded clients arc which have risen from around 25 pe r undertaken evert fist• years . During week in 1991 to between 80 and 120 pe r 1992/93 we made a financial an d week in 1992/93 . The largest increase business input into some 35 appraisals . has been in enquiries and informatio n In the continuing development of' requests frorn artists and art s reporting box office statistics, the yea r organisations . We are pleased to add tha t has seen a number of software niany users have congratulated us fo r improvements to provide the foundation providing quick responses and the speedy for establishing an upgraded system i n despatch of relevant information . 1993/94 . Great progress has also been made, i n Together with engaging and retainin g partnership with other arts fundin g staff directly employed by the Art s bodies, in developing a national Council, during the past year th e information systems infrastructure . A Personnel Department has develope d national standard was established an d and increased its work as an advisory workshops were held to help funding sen`ice to arts Council clients . We are bodies with their technical plans to able to offer hell] with personnel an d iniplcnncnt the standard . To help funding training issues which range from brie f bodies achieve the hest value when telephone queries to assisting with th e having hardware we published a usefu l introduction of'personnel policies such a s booklet - Guidelines fo g• Cbiwi) q a PC statl" appraisal systems, equa l Workstation . Initial research was also Opportunities programmes and th e conducted into electronic conterencing . drafting ofemploycc contracts . Indications are that set-up Costs are A further major achievement durin g reasonable and that the benefits of suc h the year was the Arts Council's adoptio n technology arc likely it) be great. of our Fqual Opportunities Action Plan . This sets a number of targets, for exampl e in tern7s of disability, and race awareness training, for the next two scars, togethe r with positive plans through appropriat e advertising and contact tivith appropriat e agencies to encourage disabled people , people from ethnic minorities and more women to join the Arts Council's staff. ?arrangements are in place to promote effective communication with all staff, including regular departmental staff rnectings and briefings . The join t negotiating committee meets regularly t o discuss matters relating to terms and conditions of employment, and there ar e frequent informal management/Unio n meetings. The need to collect and disseminat e information efficiently both within an d outside the Arts Council is key to th e Information Department's work . Information requirements range from THE ARTS COUNCIL AND THE ARTS FUNDING SYSTE M I r(mi April 1994 the Scottish and 1Vcls h advice, tundiit, and partnership . Arts l ; t, Councils - currently sub-co mnlitrees Council and RAB officers work ch5sel y the Arts Council - will becom e together on a wide range of matter s .riitonomous and be directly accountabl e throughout the s~'stCnl to ensure a to their respective Sccrctan of State . consistency of approach . Thcrc Will be a new Arts Council o f England with a new Charter to continue LOCALLY The local authorities in Great Britai n flit work ofthc current CnLlncil in At Icast as much the England . together spend fill m The main provisions of the Art s arts as the tfual Arts Council grant fro C'ouncil's current Charter, granted i n government . The Arts COLInCil' s 1967, arc set out on the front cover o f relationship with local government this report. The ( :ouncil supports th e ranges from day-To-da'v contacts oil creative artist, 1-Ir<11110rCS CUltU l-al diversity , m:uters of specific practical concern, t o encourages Innovation, promotes the 'arts formal meetings with the local authority of the }last and enables the population o f associations. ']'his is an area of the art s Go-cat Britain to enjoy and participate i n C'ouncil's work which has develope d the arts . It also acts as a police-maker anti considcrabhy over the years . rim athrlcate the arts. It is involved i n NATIONALL Y strengthening cvcr\ area ofart s It is a key part of file Arts Council's rul e management, otlcring advice, trainin g to develop a nyo-w-ay° relationship l ylth and rcgular appraisals of the arts central C ;overnment . It places a high organisations which it funds . And it help s priority on presenting the best interest s the arts to earls more income an d of the arts it) Government, and th e increase audiences through its politics o n creation in 1992 of the Department o f and practical support for education , National Heritage produced a range o f outreach, sponsorship and marketing . new opportunities . One of the mos t The key word to describe the Arts significant ofthesc is the chance t o Council's operation is partrrcrship. strengthen links with other publiC bodie s ARTISTICALLY sponsored by the Department such is th e 'I he Arts t f i incil depends oil a network Sports Council, English Heritage and th e Muscunls and Galleries Commission . of expert f and unpaid F art4orm advisers , both formally appointed to panels atl d ']'lie forthcoming National Lottery boards and iniorwally providing reports strengthens both the value of and th e on artistic trends and deyelOplllents . The nerd sill• such links . network of advisers plays a partiCUlarl y The creation of the RA13s was, part or a Crucial rule in the appraisal of art s process of rchum of the arts fundin g organisations . system which began several years ago an d REGIONALL Y still Continues. One of its aspects is ril e The ten Entglish Rcgional Arts Board s dcychfpnlcnt ofan integrated plannin g I l A11sj established in 1991 to replac e and advisory system cncompassing bot h the earlier Regional arts Associations are arts Council and RABs . This will have tilt main partners of the arts Council a t the crucial advanta~gc ofallowint suppor t regional level . They are autonomou s to he given to regional initiatives whic h regional arts tiinding and developmen t may be beyond the means of all y agencies and themselves exemplifi- fil e individual FLAB . 1 or this purl-tose, a Ite w partnerships of local government, the system ofplanning is being piloted in the national funding and developmen t current year which ultimately will enabl e system and the Cultural, voluntary an d "central" funds to be used vvhercver the y private sectors. Each W-0 exists to are most needed, vvhcnccr the work is t o promote and de+clop the arts throug h be directly funded and monitored by strategic initiatives, protcssional sen-ices, RABs or by arts Council departments . DEPARTMENT OF NATIONAL HERITAGE BROADCASTING. HERITAGE & TOURISM ARTS & CRAFTS FILM & SPORT CRAFTS COUNCIL , ii?ir lit I i.1 IN 1[ 0~ BRITISH FILM INSTITUTE ' liI ,`, .I I; :~II %J"! SCOTTISH AND WELS H ARTS COUNCILS , REGIONAL ARTS BO A- r 'Front April 1994, the Scottish an d Welsh Arts Councils will hcomi c auronomuus and he directh• accountabl e to their respective Secrctary nt .State. REGIONAL ARTS BOARDS 1 ca91, the NORTHERN ARTS BOARD tctl Regional _1; i, ht ,,lids arc ~liargc d 9-10 ( )sbc irm: Tcrracc with fundin„ detcloping and promotin g Ne"LCastlc upon Tvnc \E2 1 \Z the arts in the English regions- I hcy Tel: 091-251 633 4 reteix-e their finding from the .arts Fax: 091-281 327 6 ( ouncil, the British Film Institute, th e Area covered : Cleveland, Cuulbria , Crafts Council, local authorities an d Durham, Northumberland, Metropolita n private subscription . District~ of Nevvcasdc, Gateshead, Nort h A fuller description of the relationshi p 'Ixrlcside, Sunderland and Sout h betxx-een the Arts Council and th e Tyncsidc Rcgional Arts Boards is given o n Chief Executive : Peter Hexvitt page 30 . Chair: Cllr Stella Robinson Each Regional Arts Board produces it s oxen annual report which details til e NORTH WEST ARTS BOAR D activities and achievements dUl'ill " 12 Harter Strcct, Manchcstcr MI 6H Y 1992/93, Plcasc contacr the Board s TO : 061-228 3062 direct if you would like a copy of thei r Fax : 061-236 536 1 rcperrt. Area cmercd : Lancashire, Cheshire, 14ersevsidc, Greate r EASTERN ARTS BOAR D Nlanchester- and High Peak Districts o f Own- % Hinton Hal l Derbyshire C,hcrn' Hinton Road , Chic] Executive : Brian Matcha m Cambridge (.'III 4DW Acting Chair : Cllr Allan Richardso n Tel : 0223-21535 5 Fax : 0223-24807 5 SOUTHERN ARTS BOAR D Arca covered : Bedfordshire , 13 St C:lenlent S11-Ce t Camhridg;eshire, Essex, Hertfordshire , NVinchestcr S023 9DL Norti)Ik, Suf}nik, Lincolnshir e Tel: 0962-85099 ChiefExecutivc : {creme NeNNToi l Fax: 0962 861 186 Chair: I'rnte.ssor David Hargrcati c s Area covered : Berkshire, Buckinghamshire, Hampshire, Isle of EAST MIDLANDS ARTS BOAR D Wight, 0xf0rdsllirc, Wiltshirc an d NIc)unti-WIds Fic)us c East Dorse t Forest Road, LOUL-Tlhborclugh , EXCCUtlve Director : Susan Robertson Leicestershire LEI 13H U Chair: David Reid Tel: 0509-21829 2 Fas: 0;09-26221 4 Area cCrxcrcd : Derbvshirc, lexiltldin g High Peak District), Leicestershire , Northamptonshire, hottin~ghamslrirc Chief EsecUTi% -C : John Bosto n Chair: Maw-cll Hutchinso n LONDON ARTS BOAR D F.Ime House, 133 Long Acr e Cm-cot Carden, London M -2E 9AF Tel : 071 . 2 €0 13 1 3 Fav 071-240 458 0 Area coxcrcd : 32 London Boroughs an d the On, of Londo n Chief Executive : Timoth\' Nbso n Chair: Clive Pricstlev SOUTH EAST ARTS BOARD 10 1lotim I:phrain i Tunbridge Wells, Kent -1-\4 8AS Tel : 0892-51521 0 Fax : 0892-,;49383 Area cn,'crcd : Kent, SUmv, East and West Snssex C:hicf Executive: Chrisrophcr Coope r Chair: Brian Nicholson ARTS BOARD SOUTH WEST Bradninch Place, Ciandy Street Exeter E\4 31S Tel : 0392 -2 1 8 18 8 Fax : 0392-41 ;754 Area cm creel : Avon, Cornwall, Devon , Dorset, (except Districts o f BOnrnemouth, Christchurch and Poolc) , Gloucestershire and Somerse t Chief Executive: Christopher Batc s Chair: Maggie C;L1illCbaLJLi WEST MIDLANDS ARTS BOAR D tit (,iramille ~tree [ Birmingham Bl 21 .1 1 ,rcl : 021-631 312 1 Fax : 021-613 7239 Area coNcred : Counnv of Hcrcti)rd Worcester, Shropshirc, Staffordshire , Wan ickshirc, Alctropolitart Districts o f Birminghami, Coventn•, Dudlcv , Sand cell, Solihull, Walsall , Wolverhampton Chic[ l accutis•e : Michael Ellio t Chair: Bob Southgate YORKSHIRE & HUMBERSIDE ARTS BOARD 21 k0ild titR 7 0 Dru sburt, West Yorkshire WF1 3 l A.\ Tel : 0924-455 555 Fax : 0924-466 522 Area co\ered : ,'Metropolitan Districts of Barnsley, Bradford, Caldcrdalc , Doncaster, Kirklecs, Leeds, Rotherha m Shetlicld, Wakefield, Humberside, \ori Yorkshir e Executive Director: Roger Lancaste r Chair: Sir Ernest Hall .r gmlYn SCOTTISH ARTS COUNCIL 1992/93 has liccn a momentous year fo r the Scottish Arts C .ounC11 . The beginning of 1993 saw the publication of the C Carter fir the A7-ts i n Scotland, widely welcomed h%' the art s community- tier its refreshinglN' no n bureaucratic prose style {thanks to author, Joyce W .Millan ) and for th e challenges to current thinking it oficrs . In February, the Sccreran- of Stare tie r ticotland announced that he was makin g .{'300,000 availabic ro support the crab s in SCotland and that SAC would take th e government resulted in any reduction i n lead in dishttrsing the funds i n the current impressive level of loca l association \%ith the Crafts ('10LIFICil il l authorin- support for the arts . Londun . Despite a hard year tit many arts In :larch, we learned that from Apri l organisations with the recession makin g 1994 kve N%'f lllld tic funded directly by the itself felt at the box office, in saics and in Scottish Odice rattier than by th e sponsorship, we still celebrated th e Department of National Heritage opening of the new Traverse Theatrc ; the through the :arts C,ULIt7Cil of Grea t start of work on the 1000 sca t Britain. Grateful to AC ;GB colleagues for Edinburgh Festival Theatre ; the their understanding of the needs of upgrading ofthe Fruit Market Gallen ; Scotland in the past, we also loo k and new prert1i5e5 for the Collectiv e fonvard to our new relationship n ith th e Gallery and the ( :ranhill Arts Project , Scottish (}dice, whose Ministers and civi l Brian Ivon' (Vice Glair), Petc r sen ants have shown a strong awareness Lineoln, IMN-Cr Lacome, 0011gl .t s of the ma;or role the arts play i n McArthur and Douglas SinClair all rctirc d Scotland. ti-om the Council in 1992/93 . Their 1992/93 s.nt a growing level of co - knowledge and expertise in a +vide rang e operation between the Scottish Art s of fields will be missed . We Wc)corTte ou r Council and other agencies . We worked tic"- 'ice Chair, Fiona Walker, Sheila with Highlands and Islands Enterprise T o Brack and Peter Hamilton who all joine d produce an arts su atgj, - and to appoin t Council during the scar . an art,, development officer for the local A special tribune is paid to Deirdre enterprise company netn-ork, W e Keanev, Glair of the Literatur e participated ill an Arts and Tourism Cas k Committee rho was tragically killed in a Fork with the Scottish Tourist Board rand accident. Her warmth, wit and and others, and our manv partnership s unstinting scnice to SAC . and to Scottis h with local authorities across the lengt h literature will ahvays be rcurcmbered . and breadth of Scotland continued m SEONA REiD ,,rrcngthen . It would tic sad indeed if tlu' DIRECTO R planned re-organisation of local SCOTTISH ARTS COUNCIL WELSH ARTS COUNCIL { )tic of the maior tasks lacing the Welsh Arts ( :nuncil u1 Great Britain is to 1n5 Council in 1992/93 was th e devolve into thrce separate furldin g publication o ► llic Arts in 11'ales: n bodies liw Wales, Scotland and England . strntcrTV• W thr 1990s, a doeumCnt Whic h Huth these processes arc to he complete d sets the sragc for the arts in Wales for th e by I April 1994, a date which becomes a remainder ol'the decade . significant landmark in the histon! of- the The Council's main organisationa i arts in Wales . task daring the year -was planning th e The aim of tltese major changes is to merger ofWA(' and the three Regiona l improve further the arts funding Arts Associations to harm a single• structt T to the bcnetit of ottr clients an d integrated organisation, to he known as of the arts econonn• generally . Cvngor Celfiddydau Cyniru/- The Arts During the rear, the Internationa l Council of Wale%. This task has bee n Pavilion at Llangollen a as opened by th e made more complex by th e C)ueen, and building the 1,500-sea t announcement, early in 1993, that the North Wales Theatre at Llandudno ha s proceeded apace, In Nest Wales, Orie l Myrddin, a ('raft Centre and Regiona l Art Gallon,, was established and, in .w South Wales, the \,car sac the realisation of the ambitious Valleys Developmen t Scheme, in partnership between th e IUA, the Welsh Office, local aurhorities and local Colllmllrlities acid art s organisations . The Valleys Live festiva l involved 45 major co1111111.1111ts° projects ,uid 500 arts events . Major appraisals ofTheatr Onyd a t ;Vold and oh Chapter Arts Ccntre i n ( :ardttl- undcrlined 01e Couneil's commitment to quality, a fcaturc \yhich the tic"- Arts Council of\Vales will be striving to maintain in the taco of future funding uncertainty . The year also saw the retirement o(m% predecessor, Tom Chien . We thank hi m for ]its sterling work on behall of the art s in %Vales and ryish him a long and happ y retirement . EMYR JENKIN S DIRECTO R WELSH ARTS COUNCIL CASE STUDIES ARVON FOUNDATIO N THEATRE DE COMPLICIT E "I ., be trank, kcithuut the Arts C'otmcil 's ~ l ililtrLlt a dl~Ubt, l1Llr nurvi a%%JN tt0nI support the Anon Foundation simpl y l rl jcet funding to become an annual «ouldn ' t exist . Or it it did, it would no t client of the Arts Council has helped to be accessible in the way that it is t o improve the quality and diversity of ou r asn one with a serious interest in ~~ citing . %mr•k. The success of the past }'car ha s ']"he Arts Council has remained central t o really borne that out, particularly wit h Arvon's dexelopment since its inceptio n projects such as the Royal National 25 years alto when the foundation wa s Thcatre co-prod uCtion - The Street of . helped into life with a one-off grant . BY C'rurndiles- which received excellen t the mid-I9 %Os support «as cira4n fro m national and international press reviews , three Regi~.onal Arts Associations, use d brought in 110% audiences and many say_ largely to help students attend ou r was our best work yet . CCnurSes, and fi-om the Arts C .;utancii, to The group was formed ten \ ,cans ago pity the tCes ofsvritcrs working as tutors. and we first received arts Counci l In the mid-1980s, the Arts Council gran t filnding in 1984 for a small-scale tourin g was devol ved To the Regional Art s project. We have since rcceivcd grants fo r Associations, and while wo: always specific projects each year until 1989 received the best treatment from them , wltcn "c applied for, and secured, a thre e we suggested that it would be simpler fo r lr•]r ~}. hisc filndin- . This none- was all concerned ifwe could deal with just one body. We are delighted to have see n that happen in 1992 when Anon becam e a rrycnur client recriying nx>ney directl y tram the Arts Council Mf Grcat ]3ritain . One of the most hclptill schemes w e have taken part in was IIICCntn e Funding . In 1985 the f6lindation wa s the first recipient of the grant . The schcnlc \yoi-kcd oil the basis of matche d fielding. We drew up a busincss plan an d used to coyer core costs and regio n .t l all increased income was matched by touring . In 1992/93 we becaLlie a n gloyernntcnt money - for even .f:2 we annual client and received som e raised, we received L:] . This provided no t L;l 13,000 in f - XICltise funding plus a just an enarn10LIN inCentiye to impruv c further x'20,000 towards tile C0116111.]C d turnover brit also to sharpen up ou1 - artistic development of tile c ompanv . business planning . It also provided Til e This increased financial stabilirv is, a fine stability needed to allow more time fo r bonus . It ha,, enabled us to break out o f raising money front the private sector , the six-monthly cycle we used to operat e An ern ncow owns the freehold of it s within and allows us to look lonyard an d centre in Yorkshire with suppoort entirel y plan as tar as three %•cars ahead, th e Frimi companies, trusts and individuals . tremendous pressure to tour se a In 1992/93 we received from the Art s extensiyel- has been relieved and we fin d Council ncarly X91,000, just less than a we have more freedom and time to third of tour total tur•noyer, 1yh1Ch has develop artistic collaborations and idea~ ." enabled over 1,000 students to atten d writing courses at our m o centres . We CATHERINE REISER , now look fonyard to the coming yea r PRODKER which, with help from the Scottish Art s Council, sees the opening of our third centre in Imcntcss-shire. " DAVID PEAS E NATIONAL DIRECTOR _ ARTEC -1 "It V, Carly days yet in the dc%clopmen t of cl XVI-MiC multimedia, and so we ar e delighted to have secured the support o f the Arts Council in exploring; its creative poterlti .ll . Our project bos;an early in 1990 as a n initiative of the London Borough o f Islington ' her1 OUr fu- S1 «ork indlLdc d running; a Computer training; project for the urnnlployed . We then approached the Arts COLInCil to explain what 1~,e could otter to artists as there wa s nowhere in Britain where ircatis c professionals from a range of discipline s Could explore the new creative media . By the summer of 1990 a meeting was arranged at the Col111.61 'Xith musicians, painters and film makers . As a result of the discussions, and coinciding with th e Council's Voy Spfatjhetti report into nC W digital mcdia, \t-e rcceivcd Arts COUnci l funding; to run tsso courses in 1992 and 15193. The training, which explained th e opportunities offered by computerise d media to galleries and nntscums, \ta s C devised for curators and Cdl1C .3tiOn:tl Staff nationwidc . To further promote h understanding, and the creative potentia l of the media %w also took part in the Art s Council's successful 175e Odd Cvmpli ; arts and broadcasting 4011ference . Ou r contribution was to show new work b ~ artists using; electronic media, to stag e hands-on xorkshops and to gke talks and demonstrations . By the end of 1992 we were able t o open a multimedia workshop and hav e subsequently rcccived Arts Colmci l finding for a hill-tune mct11ber of staff -. 1Vc are delighted that the Arts Counci l has recognised and SUpprn-tcd the revolution that's taking place ." FRANK BOY © DIRECTOR THE COUNCIL %, a crlr;c - .. rwn theatre untcr and a hmadca%tcr . rla, and Pin vicchnic, she ihm, he was educated a t m, lion s -- ._, .v ; li q)sl Itnllamc s 1a,rd Palumlr) hecam c I-ecanac an eCILI-I ob i Rcpt oil Schnol an d ;ui+la,u , : ;, br,rh he n 1)~• :_n llimul+ion I. hairman of the An , .umstrltant whsle lecturin g ( :hurchill 0)llcgc , and ahn,a,i and regularl y I'r .,I-i and the ( oijmil in 1989 . He Is part-time at SCanyick Cambridge Iwhcrc h e lectures around th e ( aldcrdalc Collcg c A- ('haimlan d ' thc )cry+ Fig - .I,, ~r. Uln%crsity She has scudied histon. at RA an d lsorld . He holds a Enterprise Carnpus. Sir appeal cormnit[cc tor the I)Ircctur,Ar -n, : worked an br„adca+tin g Pill) Iclcl,r Alte r number of non cmxutiyc Ernrst Hall connnucs hi s restoration of Painshil l Rccremnii kr r ti,r Earth Lilt RR( : and o nlpleting his docioratc , posilione while rtedttde career as 3 nrtls)eaan an d Park, fie has twen a Thamcsdow it Rornugh independent television . he lectured at Beier and the Dindon board ofth c appear% as snloim wit h tnluce of the Tatc Council from 1974 - Mn Ander- m has sat o n Rath l. ' nnersnic+. an d Halifax hualding Society , several orchestras . Gallen . Chan-nun of the 1992 . Fie %k a, I„arn i n a nUnIfICr of nationa l l'crame a film archivist .n the National Healt h Taic Gallery Foundatio n 1928 and .tudicd a t committccs and i s the Imperial War Serv ice policy Board, C=I A MICHAEL HOLROYO CB E and a trustee of ill y Marlhorough ( :ollege and currently a member of nce 'Muscorn In 1979 h e Group and is Chairman o f Alichad Holroyd was 117oncchapr1 Art Galicry 'I 'mur- (nllcgc, ON16rd , Seri p h Rank guard and a l ulnded the Ucparintmi . the Understanding hum in lAmdon, .mcrided Foundation , Fo€lowing a career i n crmncil member ofthc of(Lilt tlral History and Indusin Trim . His mai n Eton Collegc, and read d IC tlas educated at Eton iornnlcrcc and industry rluocianon fix Rllsinex5 faculty of Humanities a t Iclsurc actrritics arc opera , literature at th e and Worccster College. he wax appointed firs t Sponsorship of the Arts . file R(A . I Ic was . 1 music, rughy and cricket . A€aidcnhc'ad Publi c Oxford, where he read Controilcr of Arty and governor off tic Britis h Libras Iic iv a lase . Alicr [corking t6 r Recreation fOr Swindon WILLIAM BROWN CBE , Film lnstittnc and a SIR ERNEST HALL CBE O L biographer and ha s ('IuttollS and Hambro s HC D .LINI V Mirough Council . He is a member tit the (raft s is ritlen If yes 14- 1 VIT, I n flank . he jt,lncd the fancil y firmer ( 'hairman of th e (cloned from 19;11 86 , Siradlct', Augu,tll, l/rh n company w hi rylf CO1 :N[tL - - - - atxlut music and Written Entcnatnmcm . He wa s LORD RIX . CBE, DL ltecnmc Northcni Arls , the Dancm' 8rsettlemen t application in 1991 . I €e is cxlcrtsivdv life th e burn in 1943 an d ]acrd Rix Is the C'haimta n which she has chaired 1"rust and Fund . alw a chairman of Lxn h national press and music eJucatcd at Vton an d of MFNCAP I Royal S 11CC l99(1 . W01. Midlands Art , joutnals . I'ic has JISIJ Ncw Catlcge, Oi ford . He Scw[en for Mentall y Stella has turn a Labou r ANTHONY SMITH CB E Board and the C :it% of written the rllur h has a number of artisn e F€andicappcd (11 ldrea C.ourlctltor in Darlington Anthony Smith is th e Rimlinghanh Tourin g acclaimed Arprrrr qs ' inicrests in Wales, uid AduhsI l lr was an and then in ('ounn' president of Magdalen Opera, and a directr w o f liuRnrr, which has Lie n centering on the \Vcls h .actor manag u from 1948 Durham sane '' 1972 She ( olicgc, Oxtixd . 13 y (121 Tctc,l%ion Ltd an d translated into Italian and Arts ( :otulcil, th e to 1980, tvsi known tiff chair, the Arts, Libraries , training, a idirvi%io n Meridian Rroath:asting Ltd . Dutch , National Museum of prc%rnting and appearing and Museums ('otnnntw e producer, llc was €6r ten Furincr XI P. fir Mage e Wales and Cardiif Ha v in far: ar the 1i ilteladi ofl)urham ( :utlT1ty scars in BBC TV Curren t PROFESSOR C011 N presented the first reguia r Development Corporation . and Garrick Theatres an d ( :omncii and is Vic e Allairs and is author of a (SANDY) 5T JOH N WILSO N arts series on I ' JV 771ir not television . lie wa s Chairman of the North o f number of I-cooks dealin g Pri tic ssr fr ('ohn r. Sand% 1 Werk ire rbrArteand is a CLIME PRIESTLEY C B Chairman of the England Open Ai r uirh the evolution of tll c Si John Wil,on R.A . Iccqucnt broadca%tcr o n ,Slnninirial; ( :nnlmiuc c NIUSCU111 at Bcanllfh . media . tic was for inam' FRIBA, (born 1922), i s BB( : [Litho . on Ans and Disable d Stella senrs on the Years invol ved in nc c Clive Pncstlca' is a Inamcd TO architect M I For marry years he i% as a People and is Chaimian Cuunei] of the Museums national debate which icd fmclance managemen t [- ing and was educated a t judge for the annua l of I,iherta,, a group of Scmicc, Durham City to the fifundatian o f consultant . He wa s Fc]stcd ; Corpus Christ i Evening Standard Oper a durnics dedicated t o Arts and Durham "]healre Channel Fuurof whic h Cdtlcatcd at Noningharn College, ( :anlbndge ; and A%yard . He is currently making; audio sours Company. She is a he vvas for finer year, a L'niycrsirv [history) an d the CniYCf]in of Londo n Chairman of the panel o f availahlc for polplc wit h registered disabled pcno n board direc[or . Bct%%ec n Hanand I. gny cmulcn[ I . tic was. appointed as judges iiw tire Rova l disabilities io an galkne% . ,with partial sight . 1979 and 1988 lie wa s .ks a civil scram [ 1961 1 Iecturcr 1956) and i n p hilharmonic Socien,'s mUsL lrris, C%Et[h1nn134 , Director ref the Bntish 83} ( livc Pricsde y 1975 as protessor o f Opcra Anard _ and ln%foric :hl building{' , PRUDENCE SMENE Mi ni Insritmtcdurin g tcnrkcd latterly in the Architecture at He is the Vice Lord Prudence Skenc has bee n which rinx the nC%%' Prime Miniaer's OtTtcc , Cambridge, retiring a1 CLARE MULHOLI AN D LWILIC'nant of Grease r in ans administration tie r Museum of the 1MoYin g as chief of sloth io Si r hmcrirus professor in Clare Mulholland I S 1 .0311,11011 and the auihoro f ncariy 20 years, working brag' on London 's Dcrck Rayner and [hen v% 1 tt89 and w ;ts Bemi s Director of Pragrarnmcs several Lxxrk,, the lates t with Baller Ramben fro m South Rank was conceived head o['thc Eflicicnc_v Professor at th e x the Independen t being the hiss my of t y 75 1986_ tirArl%' as and eunstr]ctcd . Unit I le carried Out fo r Massachuxcits Ins0rutc o f relevi,ioll Commission , theatrical touring, Your tie Adminwrator and then a s the Go%crilnlcnl in 198 3 Tcchnolo&Y 1970 71 . She wa, horn in Jlasgo%% Fa err. E%CCLItRC Dirccror- Fro m ROBERT SOUTHGATE tic is the senior par, irc r in 1939 and studie d the special financral 1987 to 1990, and aga i n Serut11lies of the Kova l of Colin St lohn Wilso n French and German a t STELLA ROBINSON hl 19Q, she was Olwra I°lowsr and th e K partners, architce-ts o f Glasgou Lr nnersnr- Mira Exc,umc Director of the Rolwrt Southgate k th e Royal Shakesgscarc the new British Ijbrar% at. of lice career has bee n English Shakespear e i)cpun Managing ('ompany . He was invite d Bom in Leeds in 1935 , St Pancras. A hook of his spent in independen t U,inlpam She ha s Dire for of ( :cntral ro join British TuIccom as Stella Ruhiunon area architectural essays, title d 7dc%mon, tint in VIA ' worked as a Ircclancc ar k Iiruadcasting Ltd . His a director [ 1983 88) . Il e educated at Aireborough Arihirecno•al RrfJrerina r companies, then with administrator lirr clients career in lournalis m is a member of th e Grammar School and has reccriTi%' bee n the IIiA in Rn%tol . including the Rovai indudcs executive post s Ad%isnn1 Council of th e Lccds University, where published . I to N% as a Birntingham and Londo n Nannnal Thcatre and i n on national nc%%spaper % Buxton Festival, a she took a degree in rrusTec nl' lhc "fate Galle n She is a fellow of th e :p ia%' 1993 she becam e before he joined fl'N ac a governor of the KS(' an d English . She worked i n 1973-8111, ref th e Racal TCleyision Society Director of the Art s reporter and rlewscasicr i n Vice President of th housing in Turk an d National Gallen. 1 197 7 e Fnundanon . Until her 1969 . He was a founde r Ctluneil of S Rotherham . In the1960s 80 i and a mcrnb%r of the MATHEW PRICHARD CB E t appointment to the Art s member of the successfu l Bartholonim'N I [ospita she was a warden o f Svndics of the Fitz%vilha m l Council she was President T VS franchise applicatio n Medical College- H e Lugging%t6r King' s Muscum ( 1985 94) 4 IIc of the Theatrica l group kvr South an d Mathew Prichard is th e rcvic%vcd arts funding i ( illcgc . Nc%a'castlc ulxltt is a patron of Art and n Management ki;sociario n South East England i n grandson of detectiv e Northern Ireland far the 1 'vnc . It %vas during this Architecturc and ha s and Chaimlan and Vice 1982 and played a majo r %vriter Agatha (hmtic . Gmernntcni in 1992 . period that she joined the recent]%' been made a Chairman respe,:dvcly of role in C,cntra l's franchise and k limmian of Barker newly tonged Regiona l C :onimandcr of the ijon Arts Association . later to of Finland MEMBERSHIP OF COUNCIL AND STAFF ARTS COUNCIL OF FILM VIDEO AN D VISUAL ARTS EXTERNAL, RELATIONS GREAT BRITAI N BROADCASTING 111thurpc 1 ` n,in .t Lin n . i „ oI dcpartmcm, pIRFL'TOR tiff J„ li .rldu I : : 11311 lul l Zelda Bavcv%Iswk • n Cu,n or heads , k I Da,iJ Curtis I'. . ;il Y. .>Ilalcnntr a ; . ;rlmcnt/uan ar c :Mare Ellcm+ lkicharJ Gewdcric k ! tin lirrrtlL• '. Yta}t .~nlr n Anne \lane Encrnak u fens Lcg h f(~rn [ ,> OFFICE SERVICES WELSH APT< FILM MUSH : S.1 iI! I .I[' :1( :' l I',lnslc'rrcd tO Wald 1 :11M \1 .rt lhcl% Rex,ke HE-lb of GFi lAPTWENT 1,ttncil ILlk}' 194,; DIRECTOR DIRECTOR'S OFFIC E ( .unlclml I )c,nll,ltd DIRECTOR'S OFFICE l lclrn ]anTlcson I .nnr Jenkins ,Nlikc 1: rrara,rc 171R£C rOR LITERATURE S 1 , nl,l Kr 1, : 11.1i'd ILIRM UiF~('rito Kathlccls Ilans(em Gu'cnith \iorgau i•m• [ ;I,ulchi Alunica Rei d D,P CTCR Luon .t . " P .tmch Fiursl• iichacl •fi ( 'ic'1T1'1 Jones M.lrg .u'ct Klk-, u r ( - hris \1,IC .11 1 DANCE •"lair I .eu is Nlalclls\Il Pate 1)al'ld 1 .insellvEl 1 ir!zwic Romp, ! O1RECr0R Diane lied+h LITERATURE Owni Waltrn \` .dirt i .lirn l OiI7E(:70 F ( aTl'.Ct1T;C _•dlall DRAMA Shlmath Inin c \h,h,wl ltakcr DIkcc i,OR lads' Purdy COMBINED ART S 11 rtre Vaughan I„bn Murph } 1 . Ines OiFECTOR I t rl I"ckha n DRAMA AND DANC E Aril, St .:l,l~l„ , t n]CFTlllc'r oI rhC ticnt{Tr .'TIRE(.. rtl k \ianagcincm Team ( harlv5 l+cl l • part lime .Man' (-h .lrlct„11 k'Atncia I'.ckrnk s NH All mcmhm of Ivan Hanna h ,tatl on tiscd-tams Carole Ross cc,ntr.tc(s of vie months (.,CrlllilllC 11'1141 In or more arc listed ab1 w ADVISORY STRUCTURE ADVISORY PANEL ON THEATRE WRITING AND ARTISTS' FILM S, VIDE O EDUCATION COMMITTE E COMMITTEE DANCE BURSARIES COMMITTE E v= .,S ~^DSON CB E Dr \lanocl AN irad, I T o Starch 1914 3, 11, nn Mattnm vv l, ;.._ ; , ;, . . ;I,l h3ic . 41cu1!ur, _ % :: : n Drus! r Prolcsvw Eric Bohan ( : B whro sere vole+ntanl vcan, are gcncr3 :.S i vntsa; I ti ;; •,Ion I-MI d Ss-Is9a Denman 11o Marc h ♦] , CLIAIIM% In cash art, &I, .~,~ .:, , . ,eking artists, anti 1993 1 [ rm Rnun ~ 1 ' r r M, Ina Haroum m , March admnnatramm, scholars ant . ;. T ..- I hr} ldv I1c and Rmcc Gil l Dr Pctcr Bnns. m fall : l :1 .1I1 1,1 %Iw 1992 r a,,,,1 the ( .none{] and Il, ,)thcct% the tllrrsrulauon an d Karen Donovan Chrtsste Iles Geraldine Hur l mil !c :nclaanon „t p ,liv1 ] ,ICd ,rr mcrrtbus o f Katc Flats Tina Kcanc Simon [anz(m l .,u,n ( I, l ,,,n5nsntec+ „1 the -\m mcil and the Faroe Faste r %%~c'rl r n ii 3&[ I .III 111ari11 Parnck KcdJer I m Marc h Michael Mariand fu r I U9 .; s, I ni anti %1' .March 1993 ) .l', cksh Coundis r thenswitc, :,,nrntinccs of Nigel Hind s 1993 1 f~,Iun~ \101,,1 Wil 4 .2 d 3 SPONSORSHI P the Arts ( :ouncil would like a, thallh ri r COUTTS & CO. THE BODY SHOP AND OSCAR PRESS t0lkm ing companics and crusts for tid e in,r,r of the David Cohen Britis h for thcii' supp„rt ut illy ~~, It1C11 ill ATI , gcnerous support I itcr-,tturc ['rice. NfAtilm e3fT= qua11 .- i ti%Ertl>osium . UNUM THE CANADIAN GOVERNMENT THE ARCHITECTURAL REVIE W ,hom,nr of the Arts & Disabili n , h ( m,)r of the Canadian lVomen Writers' Sponsor of DC', Initl► ( :itics Conference . l )ircciory . 1 ou r. BIRMINGHAM CITY COUNCI L The ta,llosving 1br their support of the ONTARIO GOVERNMEN T sponsor (if Dcsigning Citics C :onterence. ODD COUPLE? BROADCASTING AN D ,ponso 1 . of Elie ( :anadian Womcn 1Vriters. THE ARTS CONFERENCE : TOUr. WHSMITH GROUP PLC Major Sponsors : BIW Television , ,pon%or of the Arts ( ouncil Childres s Brighton Borough Council . REPUBLIC OF CHINA (TAIWAN ) Literature Summer School, Oxtord , 11ursar-1, Sponsors : Carlton 'hclo ision , GOVERNMENT August 199 , . London Arts Board, Scottish Art s .h on,, .r of the Chinese Writers' Tour. Col:neil, Bl-itiSll Film Ins[itllte, 1 laryey BRITISH GAS PLC 6oldsmith, 'I'hcatrc Royal ENGLISH ESTATES sponsor of the arts Council/British Ga s Stratford Fast . sponsor of Arts Cflllniil YOL11l k Awards lVurkitert ./rrr Citics, organised b y Itcecptions_ ( :11,tnncl -I Tcleyision i n Conductors and sponsor ofArchitccturc the External Relations Department . associmion with East SIISSe\ ( :aunty (;r ants Scheme and Architecture ( :cntres ( " 0111161, 1Vest Sussex (,ounT Council , Feasibility• StUdics. South Fast Arts Board, Carlton Tclevkion', London Weekend Television . BAKER TILLY The Video Cate : Central Ielcy :sum. ,lion, 11 , 1)[ the Busrnc•s} 137111etiu . Sessions : Uranada '1Tclcyision, Sony Broadcast Cominuniiarions Limited an d BRITISH TELECO M Creative ' Fcehnolop. . Spun SOrofa I)C%Clol)ment T1'ainecs1ip, tier Dcsig:l: The BBC : Design (,"rotrp . Nicholas Craig Naked Vidco Show : PRUDENTIAL CORPORATION PLC H.ial cn - Dazs . sponsor of the arts ('ouncil award \'idea Title Scyucnee : 'ncc Franlcstorc . presented in association with th e Video I{diting: The Palacc . Prudential Awards Firr the Arts . Mobile Phoncs : Mcl-Cttn- Communications. THE PAUL HAMLYN FOUNDATIO N Newspapers and Handbook : the supporter of Visual Arts Administration : Guardian newspaper . Curating, & Commissionin g Contemporary Art tyro-rear NIA , THE TSB FOUNDATION FOR ENGLAN D oqtanise1.1 tx- the Visual Arts Dcpartttten t & WALE S in partnership with the Royal Collr l e o f supporto:rol' the Iit :St 11 .10011,1 1 An . conference on theatre and disability , ,Nlanchester, Jttnc 1992 . THE ESMEE FAIRSAIR N CHARITABLE TRUST THE DAVID COHEN FAMILY Supporter of Visual .-arts Administration : CHARITABLE TRUST Curating 8, Commissionin g [),I\ ,p. m,or o1 the id Calico Britis h Contcntporary Art tw(,-ycar NIA, Litcr•attire Priie . organised by the Visua Arts Departmen t in partnership with the Royal Collcuc o f Art . ANNUAL ACCOUNTS FOR THE YEAR ENDED 31 MARCH 1993 46 FINANCE DIRECTOR'S NOTES 47 ARTS COUNCIL OF GREAT BRITAIN ACCOUNT S 78 SCOTTISH ARTS COUNCIL ACCOUNT S 98 WELSH ARTS COUNCIL ACCOUNTS 114 ARTS COUNCIL SPENDING BY REGION 115 ARTS COUNCIL COLLECTION PURCHASES 44/45 FINANCE DIRECTORS NOTES 1. ACCUMULATED SURPLUS AT THE YEAR END . 5. FUTURE ORGANISATION AND STAFFING O F The accumulated surplus at 31 March 1993 wa s THE COUNCI L £2 .860m . Of this figure £1 .819m represent s Price Waterhouse were commissioned by th e underspending in 1992/93 and the Council has Secretary of State for National Heritage to report agreed that this figure can be carried forward in into the staffing and structure of the Arts 1993/94 . Council . This report was published in June 1993 . The Council are considering the 2. SURPLUS FOR THE YEAR recommendations in the report and it is likel y The accounts show that the Council made a that changes to the Council's staffing and surplus of£1 .120m in the year. After allowing fo r structure will be made in 1993/94 . A provisio n carry forward differences between 1991/92 an d of £350,000 for restructuring costs is included i n 1992/93 this represented an underspend o f the accounts . This provision was originally mad e c£0 .495m . The Scottish Arts Council showed a in 1991/92 to cover any restructuring cost s surplus of £ .134m and the Welsh arts Council a resulting from the proposed delegation of Arts surplus of .£0 .110m . Council clients to Regional Arts Boards , originally scheduled for March 1992 . 3. THE ARTS FUNDING STRUCTURE From 1 April 1994 it is intended that three ne w 6. MANAGEMENT AND SERVICES COST S bodies incorporated by Royal Charter are REDUCTION . established to take over the current The Council had previously reorganised it s responsibilities of the Arts Council of Great staffing and structure in 1991 with the intention Britain . The bodies will comprise separat e of making significant reductions in overhea d organisations for England, Scotland, and Wale s expenditure . The planned saving of £588,00 0 and will be funded via the Department for against the original 1992/93 budget figure has National Heritage, the Scottish Office and th e been achieved, although this is not reflected in Welsh office respectively. the accounts because the Council has decided t o make a full accrual of£1,038,000 for its VAT 4. REGIONAL ARTS BOARDS liability on the assumption that the disputed case Following the re-organisation in 1991 of the arts with HM Customs and Excise may be lost . (se e funding structure and the replacement o f note 6) . Regional Arts Boards, the Council now has a more direct responsibility for the Regional Arts Boards and formally approves their plans and budgets . The Council made operating grants ofG43 .441 m to Regional Arts Boards in 1992/93, as detaile d in Schedule 2 to the accounts . In addition th e Council made further grants of £0.555m to Regional Arts Boards for a wide variety of projec t and other activity. The grants are itemised in th e relevant section of Schedule 1 . ARTS COUNCIL OF GREAT BRITAIN INCOME AND EXPENDITURE ACCOUNT FOR THE YEAR ENDED 31 MARCH 199 3 1993 1992 £OOOs £OOOs LOWS C000s INCOME Parliamentary grant in aid: Note 2 221,200 205,000 Other income : Note 3 84 2 59 4 222,042 205,594 EXPENDITURE Incentive Funding Scheme :Note 1 5 1,605 3,172 Grants and guarantees - England : Note 7 129,508 126,260 Grants to Regional Arts Boards 43,441 37,03 0 Grants to Scottish Arts Council 22,691 19,69 3 Grants to Welsh Arts Council 12,708 11,03 0 Direct promotions - net costs : Note 8 1,658 1,492 Other activities : Note 9 1,826 1 .070 General expenditure on the arts in Britai n 213,437 199,74 7 Management and Services : Note 4 8,321 913 4 221 .758 L VO,00 1 Operating (Deficit)/Surplu s ~w r (3,287) Interest Receivable 27 2 55 8 Surplus (Deficit) for the Year 556 k4 1 /47 ) Transfer (to)/from reserves & provisions: Redundancy & early retirement costs : Note 14 15 0 Incentive Funding Scheme Reserve : Note 15 62 5 1,872 Capital Reserve : Note 22 (61 ) (115 ) Net Surplus/(Deficit): Note 10 1,120 Accumulated Surplus brought forwar d 1.740 Accumulated Surplus carried forward A,00V 46/47 BALANCE SHEET FOR THE YEAR ENDED 31 MARCH 1993 1993 199 2 L0008 L0006 .C000s £OOO s FIXED ASSETS Tangible assets - Note 11 3,701 3,78 7 Inv estments - Note 12 3 3 3,704 3,790 CURRENT ASSETS Stocks - Note 13 44 4 0 Debtors and prepayments : Grant in aid receivable - Note 2 11,87 4 11,87 4 Other 1,70 0 1,53 7 Grants and guarantees paid in advance 2,87 0 16,488 CURRENT LIABILITIES Grants and guarantees outstanding 12,03 5 13,36 1 Creditors : amounts falling due within one year 2,553 1,41 7 Scottish Arts Council 500 Bank overdraft 133 15,221 14,58 2 Net current assets 1,267 62 5 Total assets less current liabilities 4,971 4,41 5 FINANCED BY Redundancy & early retirement costs : Note 14 350 35 0 Income and expenditure account 2,860 1,74 0 Reserves : Incentive Funding Reserve : Note 15 - 62 5 Capital Reserve : Note 22 4,971 4,41 5 Lord Palumb o Chairma n Anthony Everitt Secretary-General 5 October 199 3 ARTS COUNCIL OF GREAT BRITAIN CASH FLOW STATEMENT FOR THE YEAR ENDED 31 MARCH 1993 1993 199 2 £OOOs £OOOs £OOOs £OOO s Net cash inflow/(outflow) from operating activities : Note 25 (443) (207 ) Returns on investments and servicing of finance : Interest received on short ter m cash deposits 314 60 1 Investing activities : Fixed assets purchased (205 ) (465 ) Fixed assets sold 5 9 Net cash outflow from investin g activities (200 ) (456 ) Financing : Contnbutions towards purchases of fixed assets - 70 Increase/(decrease) in cash and cash equivalents (329) 8 Cash and cash equivalents a t beginning of period 196 18 8 Cash and cash equivalents at end of period (133) 196 48/49 NOTES TO THE ACCOUNTS AS AT 31 MARCH 199 3 1 ACCOUNTING POLICIES E) CONSOLIDATIO N A) The financial statements are prepared unde r The .-Arts Council of Great Britain is legall y the historical cost convention . The accounts mee t responsible for the affairs of the Scottish Arts the requirements of the Companies Acts, and of Council and the Welsh Arts Council, which ar e the Statements of Standard .-Accounting Practic e by constitution committees of the Council . issued and adopted by the Accounting Standards However, in view of the powers delegated t o Board, so far as those requirements ar e those committees they present separate accounts appropriate . which are not consolidated with those of the Art s Significant departures from Statements of Council . Standard Accounting Practice are disclosed in th e notes to these accounts and the financial effect i s F) LEASE S quantified where it is practicable to do so . Costs in respect of operating leases are charge d to the Income and Expenditure Account on a B) ACCRUALS CONVENTIO N straight line basis over the life of the lease . (i) All income and expenditure is taken int o account in the financial year to which it relates . G) TAXATIO N (ii) Subsidy expenditure is incurred in the form of The Arts Council of Great Britain as a registere d grants and guarantees which are formally offere d charity (No 313039) is exempt from corporation to and accepted by the Council's clients . tax under the Income and Corporation Taxes Ac t Grants and guarantees are charged to the Incom e 1970 and accordingly no provision for any suc h and Expenditure Account in the year in which liability is made. funded activities take place ; if this is not determinable they are charged in the year in H) PENSION S which activities begin . Any amounts unpaid from The total pension cost arising in 1992/93 , grants and guarantees at the year end are show n including the Welsh and Scottish Arts Councils , as creditors in the Balance Sheet and any advanc e was £413,625 (1992 £437,527) . payments to the client in anticipation of grant s The Arts Council provides a defined benefi t and guarantees to be charged in the followin g pension scheme for its employees . The Schem e financial year are shown in the Balance Sheet a s is funded by payments by the Council and assets . employees to a Trustee-administered fund independent of the Council's finances . Thes e C) DEPRECIATION AND FIXED ASSETS contributions are invested in a managed fund ru n Depreciation is provided on all tangible fixed by a leading insurance company. Contribution s assets at rates calculated to write off the cost less payable in the financial year 1992/93 are base d estimated residual value of each asse t on an actuarial valuation of the scheme as a t systematically over its expected useful life a s 1 April 1990, carried out using the Projecte d follows : Unit Method, and are charged against th e Freehold buildings over 50 years Income and Expenditure Account. The Counci l Leasehold buildings over the life of currently contributes to the costs of the schem e the lease at a rate of 9 .4 % of pensionable salary. Equipment, Fixtures and fittings over 4 year s The actuarial valuation revealed that, assumin g Motor vehicles over 4 year s a long-term investment return of 9%, pensionable Freehold land is not depreciated . salary increases of 7 .5% per annum and pension Works of Art are shown at historical cost, an d increases of 5 .5%, the net market value of the an amount equal to the value of the net purchase s scheme assets amounting to £13,149,94 0 each year is transferred out of the Income an d represented 104% of accrued benefits . This resul t Expenditure Account to a separate capital reserv e enabled the employers to accept the Trustees' (Note 22) . This policy reflects the fact that works recommendation that the following contribution of art are not assets which have a finite useful rates should apply from 1 April 1991 : Arts economic life . Council 9 .4% (previously 15 .9%), South Ban k Centre 8 .8% (previously 15 .3%) . The employers D) STOCKS also agreed to allow male members at 6 Apri l Stocks are stated at the lower of cost and ne t 1978 to retire at age 60 without actuarial realisable value . reduction, thus bringing them into line wit h female members with the same service . ARTS COUNCIL OF GREAT BRITAIN NOTES TO THE ACCOUNTS 2 GRANT IN AID Parliamentary Grant in Aid is voted to meet the Council's cash payments falling due during the financial year . The Council accounts for its expenditure on an accruals basis, and incurs liabilities during a financial year which will not nee d to be satisfied by cash payments until future financial years . The Grant in Aid figure shown in the Income and Expenditure Account includes a sum to finance these unmatured liabilities, which will be met from cash Grant in Aid receivable in future financial years . The Parliamentary Grant in Aid as shown in the Income and Expenditure Account reconciles with the cash sum voted b y Parliament in 1992/93 as follows: Cash Grant in Aid voted by Parliament and paid in LOWS full in 1992/93 as published in the Parliamentary Supply Estimates Class XII Vote 2 221,200 Less debtor for Grant in Aid accrued at 1 April 1992 11,874 209,326 Plus debtor for accrued Grant in Aid outstandin g at 31 March 199 3 11,874 Grant in Aid shown in Income and Expenditure Account 221,200 1993 1992 £0009 LOWS 3 OTHER INCOME Grants, Sponsorship & Donations Received 193 119 Joint funding for Traineeships 2 6 32 Conference Fees 17 1 Publications & Royalties 6 2 Profit oii sale of fixed assets : Note 11 1 9 Grants and guarantees accrued in past years, not now required 27 4 17 1 Attributable to London Arts Board : Note 23 - 41 Sundry income 11 5 222 842 594 In prior years grants and guarantees committed in previous years and not now required were shown as a separat e item in the accounts The Grants, Sponsorship and Donations ar e analysed as follows : Birmingham City Council 6 The British Council 9 British Telecom 1 7 David Cohen Trust 3 0 Department of Employment 10 English Estates 2 2 Esmee Fairburn Charitable Trust 9 Gulbenkian Foundation 2 7 Mercer's Company 5 Trustee Savings Bank 13 Other 54 ZV Z Less Income relating to 1993/94 9 193 £OOOS .£000 s 4 MANAGEMENT AND Staff Costs: Note 5 3,488 3,97 5 SERVICES Operational Costs : Note 6 4,564 4,55 1 Depreciation : Note 11 269 25 3 Redundancy and early retirement costs : Note 14 - 355 8,321 9,134 50/51 1993 1992 £0009 £OOOs 5 STAFF COSTS Salaries and Wages 3,026 3,07 4 Employer's National Insurance 241 24 4 A .C .G .B . Retirement Plan (1975 I 221 26 6 Subtotal 3,488 3,58 4 Attributable to London Arts Board : Note 23 Salaries and Wages - 35 0 Employer's National Insurance - 3 2 Employer's pension contributions - 9 Subtotal - 39 1 Total 3,488 3,97 5 Salaries and wages costs have been restated : staff training and advertising costs, shown in 1992 as salaries, are now show n as office and sundry costs in Note 6 . The Chairman, Council and Panel Members are not paid for their services . Pension Fund contributions are based on the actuarial valuation of 1 April 1990 . This assumed a long term investment return of 9%, pensionable salary increases of 7 .5% per annum and pension increases of 5 .5%, and showed a net marke t value of the scheme assets amounting to £13,149,940, representing 104% of accrued benefits .The Council contributed at 9 .4% of Pensionable salaries in 1992/93 . The South Bank Centre, previously an associated employer in the Council's Retirement Plan, set up an independen t scheme as at 1 April 1993 . An appropriate amount will be transferred from the Council's scheme to the South Bank's scheme . The average weekly number of employees durin g the year was made up as follows : No No Admin . of subsidies and services 151 165 Direct promotions 10 1 0 Subtotal 161 175 London Arts Board : Note 23 Admin . of subsidies and services - 3 3 Total 161 20 8 £ 46,339 (1992 £47,790) of administrative staff costs have been allocated to direct promotions as detailed in Note 8 . In 1992 a further £22,709 was allocated to Incentive Funding : Note 15. 1993 199 2 E000S LOW S 6 OPERATIONAL COSTS Travelling, subsistence & entertainment 394 30 8 Rent and rates 1,833 1,80 6 Fuel, light and house expenses 251 17 3 Publicity & Promotions 92 13 4 Postage and telephone 157 15 2 Agency Staff Costs 57 8 5 Stationery and printing 12 21 7 Professional fees 131 19 3 Accrued Value Added Tax 1,038 - National Arts & Media Strategy 97 24 0 Office and sundry 502 71 8 Loss on reclassification of fixed assets : Note 11 - 3 2 Costs attributable to London Arts Board : Note 23 - 493 4,564 4,55 1 £111,662 (1992 £98,570) of operational costs have been allocated to direct promotions detailed in Note 8 . In 199 2 £36,322 was also allocated to Incentive Funding : Note 15. The Council is in dispute with Customs & Excise regarding the amounts of Value Added Tax it is entitled to recover . It is anticipated that the case will be settled during 1993/94 . The accrued amount of .0,038,000 represents an estimate o f the outcome were the case to be lost . The costs of the Council's in house print operation have been charged out in 1993, consequently reducing the stationery and printing costs . ARTS COUNCIL OF GREAT BRITAIN NOTES TO THE ACCOUNT S 1993 1993 1993 199 2 Grants to Project Total Total Clients Grants Grants Grants £OOOs £OOOs £OOOs .£000s 7 GRANTS BY ART FORM Architecture Unit - 150 150 - Combined Arts 13,957 746 14,703 13,17 1 New Collaborations - 385 385 - "Cities of Culture" 250 - 250 25 0 Cross Disciplinary Initiatives 96 260 356 32 0 Dance 18,772 1,587 20,359 18,23 6 Drama & Mime 37,253 2,453 39,706 36,02 2 External Relations - - - 1 Film, Video & Broadcasting 13 390 403 192 International Initiatives Fund - 498 498 279 Literature 650 823 1,473 1,15 4 Music 34,428 1,599 36,027 43,23 4 Touring 8,030 2,787 10,817 8,84 4 Training 170 475 645 64 0 Visual Arts 2,304 1,432 3,736 3,56 6 London Arts Board : Note 23 - - - 35 1 115,923 13,585 129,508 126,26 0 In 1991/92 Music grants and guarantees included a special grant of.£10,800,000 to enable English National Opera to purchase the freehold of the Coliseum Theatre . 1993 1992 1993D 1 1992 1993 1992 - ~ Contemporary Music Network Film Production Tota l £OOOs £000s £OOOs £OOOs LOWS Z000 s 8 DIRECT PROMOTIONS Income 197 220 462 329 659 549 Staff Costs Salaries and wage s 70 91 216 213 286 30 4 Employers N .I. 7 7 20 15 27 22 Retirement Plan 7 9 22 19 29 28 84 107 258 247 342 11;4 Operational costs 841 634 1,119 1,038 1,960 1,67 2 Depreciation Costs 5 5 10 10 15 ,ff Total Costs 930 746 1,387 1,295 2,317 Net Costs 733 526 925 966 1,658 1,49 2 Staff and operational costs include a proportion of administrative overheads as detailed in Notes 5 and 6 52/53 1993 199 2 v~ee: LOGO S 9 OTHER FUNDED ACTIVITIES Architecture Unit 23 - Combined Arts 45 5 6 Cross Disciplinary Initiatives 303 11 2 Dance 102 4 2 Drama and Mime 70 1 5 External Relations 639 22 1 Literature 191 11 7 Music 22 177 Touring 224 9 9 Training 75 5 6 Visual Arts 132 175 1,826 1,070 Other funded activities include a very wide range of different initiatives including research, feasibilih , studies, consultancy, publications and conferences . Income from conferences and seminars organised by the Council (£171,144) has been included in other income : Note 3. LOGOS C000S 10 (DEFICIT)/SURPLU S FOR THE YEAR 1,120 (822 ) Stated after chargin g (a) Auditors remuneration 51 5 0 (b) Operating Leases 1,825 1,879 (c) Employees receiving remuneration over £30,000 No No £30,001 - .C35,000 4 5 £35,001 - .C40,000 8 5 £40,001 -L45,000 2 3 £45,001 - £50,000 - I £50,001 - £55,000 - 1 £55,001 - £60,000 1 - (d) The Chief Executive's total annual remuneration, including taxable benefits and contributions to the Council' s pension scheme, was £63,519 . Equipment Land and Fixtures Work s Buildings 8: Fittings Vehicles of Art Total LOGOS LOGOS LOOOs LOGOS LOGOS 11 TANGIBLE FIXED ASSETS Cost at 1 April 1992 1,940 1,028 11 1,700 4,67 9 Additions 51 87 - 63 20 1 Less : Disposals - (77) - - (77 ) Less : Works of Ar t written off - - - (2) (2 ) Cost at 31 March 1993 1,991 1,038 11 1,761 4,801 Depreciation a t 1 April 1992 251 632 a - 891 Provided 1992/93 68 213 3 - 284 Less : Depreciation on disposals 1992/90 - (75) - - (75 ) Depreciation a t 31 March 1993 319 770 11 - 1,100 NBV a t 1 April 1992 1,689 396 2 1,700 3,787 NBV at 31 March 1993 1,672 268 - 1,761 3,701 ARTS COUNCIL OF GREAT BRITAIN NOTES TO THE ACCOUNT S 1993 1992 £OOO S £OOOs Depreciation is allocated to Subsidies and services: Note 4 25 3 Direct promotions : Note 8 15 Incentive Funding 7 .1 1 The net book value of land and buildings comprise s Freehold 289 29 0 Short leasehold improvements 1,383 1 299 The net book value as at 31 March 1993 includes assets with an historical cost of Z287,051 which have been full y depreciated . Profit on assets sold during the year has been included in other income : Note 3 The value of the Council's art collection at 31 March 1990, in the opinion of the Secretary-General, was approximatel y £22 million . Because of subsequent reductions in market values the collection's curator has valued the collection a t £17,823,000 at 31 March 1993. The purpose of the collection is to increase the understanding and appreciation of contemporary art and to widen its audience through loans to other galleries, public institutions and exhibitions . It is not held for investment or resale . £0005 £OOO s 12 INVESTMENTS Equities Investment Fund for Charities 5,870 units market value £36,224 3 3 13 STOCK Films 20 2 1 Stationery 17 19 Publications 6 - Bar 1 14 PROVISION FOR The Council made a provision in previous years to cover the costs of any future redundancy or restructuring. Following a REDUNDANCY AND RESTRUCTURING COSTS report by Price Waterhouse to the Secretary of State for National Heritage making recommendations as to the futur e staffing and structure of the Council, it is likely that material costs of this nature will arise in 1993/94. The Council believes that the existing provision of L350,000 at 31 March 1993 will be sufficient to cover future restructuring costs . £OOOS £OOOs 15 RESERVE FOR 1992/3 Grant-in-aid Allocation 980 1,300 INCENTIVE FUNDING Expenditure : Annual Grants 1,605 3,037 Extension scheme - - Extension scheme - grants to other funding bodies - - Scheme operating costs - 13 5 Total Expenditure 1,605 3,172 Transfer to/(from) reserve (625) (1,872 ) Reserve at 1 April 1992 625 2,497 Reserve at 31 March 1993 - 62 5 In previous years the Incentive Funding scheme was administered by a separate unit . Following the restructuring of th e Council the Scheme has been administered as part of the normal workload of the Finance department . As a result n o costs have been allocated to it . The balance of the Council's forward commitments for the Incentive Funding Scheme i s shown in Note 16. 54/55 1993 199 2 £OOOs £OOO s 16 GRANT COMMITMENTS Incentive Funding : Total Commitments at 1 April 1992 1,533 4,57 0 Commitments made in 1992/93 161 - 1,694 4,57 0 Commitments withdrawn (90) - Less Committed fro m 1992/3 Grant-in-aid Allocation 1,604 3,03 7 Total Commitments at 31 March 1993 - 1,53 3 Forward Funding : 1993/94 203,245 155,79 8 1994/95 1,130 76 3 1995/96 33 - 204,408 156,56 1 These figures represent the total value of the Grants committed for the years indicated at 31 March 1993 . 17 LEASES At 31 March 1993 the Council had Land & Land & annual commitments under non- Buildings Other Buildings Othe r cancellable operating leases as se t out below. £0008 £OOOs £OOOs C000 s Operating Leases which expire : within one year - - - - in the second to fifth year s inclusive 5 75 - 6 6 over five years 1,749 - 1,749 - 1,754 75 1,749 66 After the end of the financial year, the Council disposed, at a premium, of its interest in 1/4 Yarmouth Place, reducing it s future lease commitments to £1,200,000 p .a . 18 CAPITAL COMMITMENTS Authorised but not Contracted - - Contracted - - 19 TAX AND SOCIAL The amounts owing were as follows : 91 10 5 SECURITY CREDITORS 20 SOUTH BANK CENTRE The Council owns the National Film Theatre, the Museum of the Moving Image, the Hay-,vard Gallery, the Quee n LEASE Elizabeth Hall, the Purcell Room and the Royal Festival Hall, which are leased to the South Bank Centre . In the ligh t of the terms of the lease, no value has been placed on these assets in these accounts . On 31 March 1992 the Council acquired the freehold of certain land on the South Bank, for a nominal consideration . On 1 April, 1992 the Council gave a long lease of the land to the South Bank Board, also for a nominal consideration . 21 ROYAL NATIONAL THEATRE The Council owns the freehold of the Royal National Theatre site, which is leased to the South Bank Theatre Boar d Limited and occupied by the Royal National Theatre Board Limited under licence . In the light of the terms of these leas e and licence arrangements, no value has been placed on these assets in these accounts . LOWS 22 CAPITAL RESERVE Balance at 1 April 1992 1,69 9 Appropriations in 1992/93 6 2 Balance at 31 March 1993 1 9 76 1 As stated in Note 11, the Council's art collection is not held for the purposes of investment or resale . Accordingly , although the asset is not depreciated, the Council sets aside a Capital Reserve equal to the cost of additions to th e collection, net of disposals and write-offs . ARTS COUNCIL OF GREAT BRITAIN NOTES TO THE ACCOUNT S 23 LONDON ARTS BOARD The comparative figures 1991/92 in these accounts identify the results of the London Arts Board for the 6 month s ended 31 March 1992 during which period it operated as a special committee of the Arts Council . The assets and liabilities relating to the Board were transferred to them on 1 April 1992 . 24 ENHANCEMENT FUNDING In November 1990 the then Minister for the Arts announced that a sum of --'22.5 million would be made available over a period of three years from 1 April 1991 for the establishment of an Enhancement Fund with the following objectives : to strengthen leading arts organisations across the country and further enhance their current high standards ; to improv e business and financial planning ; and to provide a challenge, where appropriate, for matching funds . In 1991/92 (the first year of operation of the Fund) the Council committed £7 .318m of this fund . In 1992/93 this figure was absorbed into the baseline grants for those organisations in receipt of funding. The equivalent commitment for 1992/93 is £7 .907m . The balance of the .£22 .5m (£7 .275m) will be appropriately spent in 1993/94 . 1993 199 2 SOOOs £OOO s 25 CASH FLOW Reconciliation of operating surplus/(deficit ) RECONCILIATION to net cash outflow from operating activitie s Operating surplus/(deficit ) before Interest receivable 284 (3,287) Grants and guarantees made in previous years not now required (274) (171 ) Depreciation charges 284 275 Loss on reclassification of fixed assets- - 32 (Profit)/loss on disposal of fixed assets (1) (9) (Increase)/decrease in stocks (4) (9) (Increase)/decrease in debtors and prepayments (205) 1,297 (Increase)/decrease in grants and guarantee s paid in advance (1,114) 861 Increase /(Decrease) in grants an d guarantees outstanding (1,052) 1,303 Increase/(decrease) in creditors 1,139 (314 ) Increase/(decrease) in amounts due to SAC S00 (185 ) Net cash outflow from operating activities (443) (207 ) Comptroller and Auditor General's Certificat e I have examined the financial statements on pages 47 to 57 in accordance wit h the National Audit Office auditing standards . In my opinion the financial statements give a true and fair view of the state of affairs of the Arts Council o f Great Britain at 31 March 1993 and of the surplus and cash flows for the yea r then ended and have been properly prepared in accordance with the directions made by the Secretary of State for National Heritage . N .Gale Associate Directo r for the Comptroller and Auditor Genera l National Audit Offic e 8 October 1993 56/57 SCHEDULE 1 TO THE ACCOUNTS FOR THE YEAR ENDED 31 MARCH 1993 £ £ Brought Forward 5o ' 91 0 Red Ladder Theatre Compam 1,500 Soho Theatre Compam 3,000 Upper Campfield Market Steering Committe 2,500 Village Arts 1,500 59,410 LIVE ART Black Arts Alliance 1,000 Forced Entertainment Theatre Co-Operative 418 Hull Time Based Arts 6,600 ARCHITECTURE UNIT £ £ London International Festival Ot Theatre 2,000 PROJECTS Paines Plough 4,000 The Architecture Foundation 16,000 Prema Arts Centre 1,000 Arts For Health 10,000 The Quarter Club 2,200 Building Experiences Trust 20,000 Serpentine Gallery 89 000 The Building Of Bath Museum 10,000 Sheffield Media ShoNv 1993 59 000 The Chippindale Venture 6,000 Theatre Royal Plymouth 4,000 Docomomo - UK 5,000 Tullie House 1,000 Downing County Primary School 5,875 Tyne International 10,000 The Georgian Group 6,12 7 45,218 Institute Of Contemporary Arts 5,500 The Living Paintings Trust 8,000 MULTI AND INTER-DISCIPLINARY FUN D Norfolk Art In Architecture Group 775 Artangel Trust 32,00 0 Northamptonshire Society Of Architects 830 Fine Rats International 20,00 0 Royal Academy Of Arts 5,000 Hull Time Based Arts 20,00 0 Royal Institute Of British Architects 29,620 Picture This Independent Film And Video 23,00 0 Serif 2,500 Second Stride 85,00 0 Dennis Sharp 1,000 Shinkansen 20,00 0 The South Bank Group 7,500 200,000 Tyne International 2,500 Voluntary Arts Network 5,000 NOTTING HILL CARNIVAL BAND S Women As Role Models 3,000 Academicos De Madureira 52 5 150,227 Afro Caribbean Cultural Association 85 0 Total Project Grants Bahia Radar Projects 1,35 0 Total Architecture Unit 150,227 Balisaye Carnival Club 1,82 5 Bayie Busuofo 1,85 0 COMBINED ARTS Burrokeets Cultural Club 85 0 REVENUE CLIENTS Camden Black Parents & Teachers Group 85 0 Notting Hill Carnival Enterprise 64,000 Caribbean Sunset Club 85 0 Institute Of Contemporary Arts 758,000 Chaconia 85 0 South Bank Board 13,069,200 Chats Palace 1,05 0 13,891,200 Children & Parents Carnival Association 85 0 ANNUAL CLIENTS Cocoyea 4,92 5 South Asian Arts Forum 20,000 Colombian Carnival Group 85 0 Live Art Listings/Hybrid 46,000 Commission For Filipino Migrant Workers 1,35 0 66,000 Dallaway Masquerade Band & Cultural Association 2,35 0 Total Client Grants 13,957,200 Dalston Children's Centre 85 0 BUILDING FOR THE ARTS Dem Grove Mas Band 85 0 Alnwick District Playhouse Trust 1,500 Design In Mind 2,84 0 Barrow Borough Council 1,500 Ebony Steelband Trust 4,02 5 Bristol Old Vic Trust 6,000 Elimu Mas 3,52 0 Community Music 3,000 Emashi African Arts & Entertainment 85 0 Cultural Industries In Kirklees 3,000 Emergency Exit Arts 85 0 Double Edge Theatre Company 1,250 Fantasia International 85 0 East Street 4,900 Flamboyan Carnival Club 3,94 0 English Bridge Workshop 1,500 Flamingo Carnival Club 3,50 0 Friends Of The Storey Institute 2,000 Flyover Carnival & Social Club 1,15 0 Holborn Centre For The Performing Arts 3,660 Genesis Carnival Group 4,62 5 Ikon Gallery 6,000 Hackney United Carnival Club 2,95 0 Laing Art Gallery 4,000 Hibiscus Carnival Group 85 0 London Borough Of Bromley 2,000 Hippos Mas Band 1,09 0 The Pakistan Welfare Association (Nelson) 2,500 Lion Youth Carnival Band 3,22 5 Pegasus Theatre 5,000 Mahogany Carnival Club 2,39 0 The Photographers' Gallcrv 3,100 Mangrove Steel Band 68 0 Carried Forward 50,910 Carried Forward 60,210 304,62 8 SCHEDULE 1 ENGLAND E £ £ £ Brought Forward 60,210 304,628 Brought Forward 714,993 Mas-O-Rama Arts 1,850 GREAT BRITAIN TOURING FUND : Masquerade 2000 1,850 LIVE ART COMMISSION S Nostalgia Carnival Club 850 GREAT BRITAIN TOURING FUN D Pagans Carnival Group 850 - LIVE ART TRAVEL AND RESEARCH FUN D Peoples War Carnival Band 1,890 Costume Designers Club 72 6 Perpetual Beauty Carnival Club 3,525 Sally Dawson 50 0 Phoenix Carnival Costume Band 850 The Green Room 450 Pioneers Anti Their Offspring 850 Simon Herbert 750 South Connections 2,800 Institute Of Contemporary Arts 1,350 Splash Promotions 850 Inter Artes 500 St Clement & St James Community Project 2,590 Rob Le Frenais 687 St Mary Of The Angels 2,340 David Leister 480 Stamford Hill Carnival Club 1,350 Gill Lloyd 500 Stamford Hill Harambee Carnival Club 850 Roland Miller 500 Stardust Mas 2,250 Paul Miskin 750 Streetheat Carnival Samba Band 850 Michael Morris 500 Sugumugu Sunday 890 Ivan Pope 700 Trinidad & Tobago Carnival Club 2,050 Monica Ross & Anne Tallentire 755 Tucano Productions 850 Rivca Rubin 600 Twelfth Century Carnival Designs 49625 Shinkansen 572 West Indian Development Organisation 850 Jane Turner 300 Yaa Asantewaa Arts Centre 29130 Mole Wetherell 500 989000 Alexa Wright 750 Fiona Wright 500 MULTI-DISCIPLINARY UNALLOCATED 12,370 Brighton Festival Society 12,000 4,000 Ludus Dance Company GREAT BRITAIN TOURING FUND : 3,000 Routledge SMALL SCALE TOURIN G 19,000 Blast Theory 49000 4 0 YOUTH ARTS FUND The Green Room 930 Aditi 21,000 Institute Of Contemporary Arts 5,000 British Federation Of Young Choirs 14,000 P I P 5,000 British Youth Opera 20,000 189300 National Association Of Youth Theatres 24,000 Total Project Grants 745,663 National Youth Brass Band Of Great Britain 159000 Total Combined Arts 14,702,86 3 National Youth Choir 89000 National Youth Dance Company 10,000 NEW COLLABORATIONS FUND National Youth Music Theatre 15,000 `3 or 4 Composers' 5 9 00 0 National Youth Orchestra 20,000 Artangel Trust 10 9 50 0 National Youth Theatre Of Great Britain 20,000 Artists' Agency 3,370 National Youth Wind Orchestra 12,000 Auditorium 17,500 World Student Drama Trust 20,000 Robin Blackledge 3,210 Young Persons Concert Foundation 18,000 Blast Theory 8,300 Youth Clubs U .K. 22,000 Bobby Baker 30,00 0 The Blackie 2,897 239,000 Brindlyplace Arts Working Group 18,500 GREAT BRITAIN TOURING FUND : Choi Theatre 2,040 LIVE ART LISTINGS The Cholmondeleys 20,000 10,000 Live Art Listings/Hybrid The Common Players 8,000 10,000 Costume Designers Club 30,000 13,500 GREAT BRITAIN TOURING FUND : Dogs of Heaven 22,625 OTHER PROJECTS The Drake Research Project Second Stride 10,000 Edge Biennale Trust 199500 SuAndi 700 Ferens Art Gallery, Hull 10,000 Esther White 665 Frank Chickens 12,600 Housewatch 149100 11,365 Ikon Gallery 5,000 GREAT BRITAIN TOURING FUND : Illuminations Interactive 4,785 LIVE ART COMMISSIONS Inter Artes 5,000 Arnolfini G:dlery 11,000 Intermediate Technology 2,500 Bluecoat Arts Centre 109000 David Leister 49855 Contemporary Archives 5,000 Locus + 59000 Serpentine Gallery 49000 Map Productions UK 59000 Zap Art 3,000 Mayhew and Edmunds 5,000 33,000 Julian Maynard Smith & Patrick Keill 5,000 Alan Mclean & Nicholas Lowe 5,000 Carried Forward 714,993 Carried Forward 298,782 58/59 £ £ Brought Forward 298,-82 Brought Forward 8,905 44,12 8 Jo Pearso n 3,15 0 National Black Caucu s 2,000 Platfor m 25,000 Windsor Fellowship 2,200 Bisharka Sarker & \like Stubb s 4,000 13,10 5 Steve Shill & Phillip Mackenzi e 5,000 Cultural Diversity - Total Project Grants 57,23 3 Trevor Stuar t 4,990 Theatre Centre 15,000 ARTS & DISABILITY - STRATEGIC INITIATIVE S Those Environmental Artists 24,500 British Film Institut e 4,600 Urban Strawberrv Lunc h 5,000 Bushv Kell v 750 Total New Collaboration s 385,422 The Disability Arts Magazin e 50,000 East Nlidlands Arts Board 5,000 CITIES OF CULTURE/ARTS 200 0 National Disability Arts Foru m 20,000 Dance 4 250,000 North West Arts Boar d 400 250,000 Katherine Walsh - 420 Arts & Disability- Total Project Grants 81,170 CROSS DISCIPLINARY INITIATIVES CULTURAL DIVERSITY - REVENUE CLIEN T EDUCATION - STRATEGICAL INITIATIVE S Minorities Arts Advisory Service 96,000 Bath College Of Higher Educatio n 5,00 0 British American Arts Association 20,000 Cultural Diversity - Project Grants Charlotte Mason College 7,500 Cultural Diversity - American Connection s De Montfort University 7,500 Morenga Bambaat a 70 0 Design Dimensio n 2,000 Black Voices 1,50 0 National Foundation For Educational David Bryan 1,20 0 Research 4,000 Eddie Chambers 60 2 National Institute Of Adult Makeda Coaston 1,27 0 Continuing Educatio n 10,000 Prakash Daswani 520 Paul Hamlyn Foundatio n 5,000 Pam Fraser Solomo n 400 Policy Studies Institute 10,000 Errol John 500 Trentham Books 6,000 Jakesh Mahey 200 Education - Total Projects Grant s 77,000 Joan-Ann Maynard 600 Ibrahim Osi-Efi a 700 POLICY & PLANNING - WOMEN IN THE ART S Panchayat Partnership 2,000 Akina Mama Wa Afrika 550 Percussion Academy Internationa l 1,500 Women in the arts - Project Grant 550 Jacob Ross 12,442 POLICY & PLANNING - GENERAL PROJECT S The Drake Research Projec t 6,00 0 CULTURAL DIVERSITY - CHINESE ARTS English Stage Compan y 50 0 British Chinese Artists Association 4,488 Khan Naseem Khan 5,00 0 Chinese Artists Association 7,512 Policy Studies Institute 14,10 0 12,000 Voluntary Arts Network 18,000 Policy Planning - Total Project Grants 43,600 CULTURAL DIVERSITY - CONSOLIDATING BLACK ARTS Cross Disciplinary Initiatives British Chinese Artists Association 3,580 - Total Project Gran t 259,553 Minorities Arts Advisory Service 4,48 0 Cross Disciplinary Initiatives Seed Publications 2,00 0 - Total Client Grant s 96,00 0 10,060 Total Cross Disciplinary Initiatives - 355,55 3 CULTURAL DIVERSITY - EUROPEAN CONNECTION S DANCE Anglo Chinese Arts Council 1,01 1 NATIONAL CLIENTS Autograph 88 0 Royal Opera House 10,621,050 Black Women In Europe 1,53 0 10,621,05 0 Godfrey Brandt 86 5 Cultural Co-Operation 3,000 REVENUE CLIENTS Barry Ford 560 Adzido Pan African Dance Ensemble 493,544 Valerie Mason-John 480 Contemporary Dance Trus t 942,569 Bob Ramdhanie 1,300 English National Ballet 3,532,300 9,626 Northern Ballet Theatre 822,258 Rambert Dance Company 906,514 CULTURAL DIVERSITY - STRATEGIC INITIATIVE S 6,697,185 Black Voices 3,415 Double Edge Theatre Company 990 ANNUAL AND FRANCHISE CLIENT S Formation Film s 2,100 Aditi 70,00 0 Rajan Hooper 600 Adventures In Motion Pictures 75,00 0 George Matheso n 300 The Cholmondeleys 100,00 0 Minorities Arts Advisory Service 1,500 Community Dance And Mime Foundation 56,400 Carried Forward 8,905 44,128 Carried Forward 301,400 17,318,23 5 SCHEDULE 1 ENGLAND E £ £ £ Brought Forward 301,400 17,318,235 Brought Forward 183,500 213,05 0 Creative Dance Artists Trust 15,111 Aletta Collins 10,00 0 Dance Umbrella 141,546 Company Hamilton 50 0 DV8 Physical Theatre 105,000 Dance 4 30,00 0 Green Candle 82,625 Dance Productions 10,00 0 Kokuma 124,101 Dance Quorum 40,00 0 'The Kosh 164,267 Dance U .K. 5,95 0 Shobana Jeyasingh Dance Company 115,102 East Midlands Arts Board 10,00 0 Siobhan Davies Dance Company 75,000 The Featherstonehaughs 40,200 1,124,152 Fishpool 7,000 Glasshouses 7,500 NATIONAL DANCE AGENCIES Greeu Candle 6,000 Birmingham National Dance Agency 40,000 Karen Greenhough 10,000 Dance 4 50,000 Suraya Hilal 20,000 Dance City 53,100 Imlata 10,000 The Place Theatre 59,000 Ine Dance Company 30,000 Thamesdown Dance Studio 78,000 Jonathan Burrows Group 26,500 Yorkshire. Dance Centre 50,000 Krakcel 6,700 330,100 Kumar Saswat 35,000 humari Nina 4,500 Total Client Grants 18,772,487 Maclennan I>anee And Company 30,000 NATIONAL DANCE AGENCIES' DEVELOPMENT David Massingham 3,50 0 Arts Board South West 15,000 Motionhouse 40,00 0 Bi Ma Dance Company 5,000 Gregor v Nash 2,50 0 Brighton Dance Agency 10,000 Newcastle Dance '92 15,00 0 Chisenhale Dance Space 10,000 Nightshift Dance Theatre 5,00 0 Dance At Surrey 5,600 Asavari Pawar 5,000 Dance U .K. 16,000 Peter Badejo Dance Company 15,000 Essex Regional Dance Council 3,000 The Place "Theatre 25,200 Humberside Dance Agency 9,000 Pushkala Gopal And Unnikrishnan 42,000 London Borough Of Greenwich 8,000 Ricochet Dance Company 10,000 North West Arts Board 32,000 Rosemary Lee Projects 20,000 Salongo 10,000 Sakoba 15,000 Suffolk Dance 9,750 Shinkansen 7,000 133,350 Shobana Jeyasingh Dance Company 3,000 Nahid Siddiqui 25,000 AWARDS TO COMPOSERS Siobhan Davies Dance Company 7,000 Glasshouses 8,000 Nikky Smedley 10,000 Sue Maclennan 8,500 Spectrum Project 10,000 The Place Theatre 7,600 Touchdown Dance 5,500 Rosemarv Lee Projects 12,000 Union Dance Company 18,00 0 Serious 8c Speakout 8,100 Ellen Van Schuylenburch 5,00 0 Trish Winter 2,500 V-T01 20,00 0 46,700 Vidusaka 40,00 0 Voltaire Chamber Ballet 15,00 0 BLACK DANCE DEVELOPMENT Wise Thoughts Dance Company 5,00 0 Adzido Pan African Dance Ensemble 3,200 Prakash Yadagudde 5,50 0 Badejo Arts 18,000 Yorkshire Dance Centre 60 0 Peter Badejo 800 Zoots And Spangles 30,00 0 The Blackie 6,000 928,150 Kokuma 5,000 33,000 MANAGEMENT PLACEMENT SCHEM E Chisenhale Dance Space 500 INDEPENDENT DANCE PROJECTS East Midlands Arts Board 8,380 Amici 20,000 London Arts Board 11,500 Arc Dance Company 38,000 Northern Arts Board 8,500 Artslab Too 15,500 The Place Theatre 13,193 Mira Balchandran-Gokul 5,000 Wcst Midlands Arts Board 6,110 Bima Dance Company 5,000 48,183 Laurie Booth 34,00 0 Rosemary Butcher 14,000 NEW WRITERS FOR DANC E Candoco 6,000 Rosina Bonsu 3,00 0 Carousel 15,000 Paul Wong 1,00 0 Nigel Charnock 10,000 4,00 0 Emilyn Claid 8,50 0 Michael Clark 12,500 Carried Forward 183,500 213,050 Carried Forward 1,193,383 60/61 E £ £ £ Brought Forward 1,193,383 Brought Forward 20,200 1,465,693 EDUCATION AND OUTREACH PROJECTS Cormyall Regional Dance Council 1,500 Aditi 7,000 Dance 4 5,000 Association Of British Orchestras 1,500 Dance At Surrey 1,500 Community Dance And Mime Foundation 1,500 Dance Cite 8,800 Contemporarv Dance Trust 2,500 Dance U .K. 5,000 English National Ballet 2,500 Dance Umbrella 5,990 Phoenix Dance Company 6,000 Dartington International Summer School 1,500 Yorkshire And Humberside Arts Board 1,000 Essex Regional Dance Council 3,500 22,000 Greenwich Dance Agency 2,000 Humberside Dance Agency 5,500 TRAINING PROJECTS AND PROMOTERS' Kokuma 3,000 RESEARCH AND DEVELOPMENT Midlands Arts Centre 3,000 Academy Of Indian Dance 3,000 Norfolk And Norwich Community Dance 2,50 0 Denise Armstrong 2,000 North West Arts Board 3,80 0 Birmingham National Dance Agency 10,000 The Place Theatre 11,85 0 Lynne Bristow 3,000 Thamesdown Dance Studio 1,500 Neville Campbell 2,500 86,140 Community Dance And Mime Foundation 4,500 Dance City 3,500 GREAT BRITAIN TOURING FUN D Paul Douglas 3,000 - INDEPENDENT PROJECT S Simon Dove 460 Chitraleka And Company 15,00 0 George Dzikunu 500 The Cholmondeleys 2,00 0 Carolene Hinds 1,750 Irie Dance Company 3,00 0 Nigel Hinds 600 Small Axe 10,00 0 Michael Hulls 2,000 V-Tol 5,00 0 International Workshop Festival 9,000 35,000 Judi McCartney 750 Total Project Grants 1,586,833 Maureen Mcgough 1,50 0 20,359,320 Jane Mooney 2,500 Total Dance Catherine Nunes 300 DRAM A Albie Ollivierre 500 NATIONAL COMPANIES Keyna Paul 400 Royal National Theatre Board 10,895,00 0 Physical State International 8,600 Royal Shakespeare Theatre 8,263,50 0 The Place Theatre 200 19,158,500 Lauren Potter 3,00 0 Claire Russ 1,000 REVENUE CLIENT S Salongo 1,000 Birmingham Repertory Theatre 650,00 0 Kumar Saswat 1,300 Bolton : Octagon Theatre Trust 248,50 0 Shinkansen 500 Bristol Old Vic Trust 545,00 0 Siobhan Davies Dance Company 1,200 Coventry: Belgrade Theatre Trust 420,00 0 Suffolk Dance 3,000 Exeter : Northcott Devon Theatre Emmanuel Tagoe 1,000 And Arts Centre 300,00 0 Thamesdown Dance Studio 5,000 Ipswich : Wolsey Theatre Company 280,00 0 Fin Walker 2,000 Leeds Theatre Trust 768,00 0 Diana Warden 750 Leicester Theatre Trust 798,00 0 80,310 Liverpool Repertory Theatre 520,80 0 Liverpool : Merseyside Everyma n GREAT BRITAIN TOURING FUND Theatre Company 319,20 0 - CLIENTS London International Festival Of Theatre 226,50 0 Adventures In Motion Pictures 35,000 London : Alternative Theatre Company 201,57 8 The Kosh 25,000 London : Caryl Jenner Production s Northern Ballet Theatre 35,000 (Unicorn Theatre) 300,000 Rambert Dance Company 40,000 London : English Stage Company 840,000 Siobhan Davies Dance Company 35,000 London : Greenwich Theatre 186,500 170,000 London : Hampstead Theatre 199,500 London : Polka Children's Theatre 213,92 2 GREAT BRITAIN TOURING FUND London : Talawa Theatre Company 250,000 - INFRASTRUCTURE GRANTS London : Young Vic Company 473,000 Adzido Pan African Dance Ensemble 3,000 Manchester Young People' s Arnolfini Gallery 3,000 Theatre Company 415,000 Barbican Theatre 3,000 Manchester: Royal Exchange Birmingham Dance Centre 2,500 Theatre Company 1,300,000 Brewhouse Theatre and Arts Centre 1,200 Nottingham Theatre Trust 657,500 Bristol Community Dance Centre 4,500 Oldham Coliseum Theatre 2197000 Chisenhale Dance Space 3,000 Plymouth : Theatre Royal 493,000 Carried Forward 20,200 1,465,693 Carried Forward 10,825,000 19,158,500 SCHEDULES ENGLAND £ £ £ £ Brought Forward 10,825,000 19,158,500 Brought Forward 11,65 0 Salisbury Arts Theatre 237,000 Julie Ward 1,475 Sheffield : Crucible Theatre Trust 687,500 Maggie Warren 1,315 Southampton Nuffield Theatre Trust 320,000 14,440 Stoke-On-Trent & North Staffodshir e Theatre Trust 364,000 DRAMA DISABILITY PROJECT S Tyne Theatre Trust (Northern Stage) 190,448 East Midlands Shape 3,000 Watford Civic Theatre Trust 180,000 Basic Theatre Company 1,100 York Citizens' Theatre Trust 382,500 Women's Theatre Group (Sphinx) 1,000 13,186,448 Carole Tweedy 5,500 10,600 THREE YEAR FRANCHISE COMPANIES (TOURING ) Actors Cabal DRAMA AND MIME PROJECT S (Compass Theatre Company) 101,000 3D Collaborative Theatre 9,220 Actors Touring Company 128,000 Act Theatre Company 9,052 Bath Arts Workshop Action Transport Theatre Company 16,650 (Natural Theatre Company) 101,500 Altered States Theatre Company 25,260 Black Mime Theatre 100,000 Alison Andrews 25,555 Black Theatre Co-operative 134,000 Badejo Dance Company 5,520 Century Theatre (Touring) 387,000 Big Brum TIE Company 16,000 Cheek By Jowl Theatre Company 94,500 Breakout Theatre Company 23,000 Double Edge Theatre Company 120,000 Carib Theatre Productions 20,700 Forkbeard Fantasy Theatre Company 70,000 Centre For Performance Research 5,750 Gay Sweatshop 116,000 Chadwick & Hughes 3,650 Gloria Theatre 87,000 Cindy Oswin 4,540 IOU 103,000 Clean Break Theatre Company 17,350 Kaboodle Productions 84,500 Collar And TIE 12,37 0 Monstrous Regiment 92,500 Compagnie Philippe Gaulier 27,00 0 Paines Plough 143,500 David Glass Mime 19,800 Pop Up Theatre 83,500 Dodgy Clutch Theatre Company 18,07 0 Red Ladder Theatre Company 129,500 Doo Cot 18,200 Red Shift Theatre Company 92,500 Emergency Exit Arts 11,600 Shared Experience 130,000 Faulty Optic, Theatre Of Animation 8,510 Tara Arts Group 170,500 Forced Entertainment Theatre Theatre de Complicite 113,000 Co-Operative 43,650 Theatre Of Thelema 112,000 Freakshow 16,450 Trestle Theatre Company 124,000 Gambolling Guizers 3,600 2,817,500 Gate Theatre Touring 30,500 The Glee Club Performance Company 15,600 ANNUAL CLIENTS Gog Theatre Company 3,900 Black Theatre Forum 20,000 Graeae. Theatre Company 39,035 Cambridge Theatre Company 464,000 Simon Henderson 2,500 Galactic Smallholdings Hijinx Theatre Co-Operative 5,416 (Welfare State International) 157,500 Alison Hodge 8,520 International Workshop Festival 31,000 Inner City Theatre Company 12,260 London : Lvric Theatre Insomniac 19,900 Hammersmith Trust 300,000 International Arts 15,700 London : Soho Theatre Company 97,000 The Sally Jacobs Company 14,220 Oily Cart Company 82,500 Keith Khan 6,020 Oxford Stage Company 472,500 Lambeth Children's Theatre Company 28,000 People Show 86,000 Little Angel Marionette Theatre 5,000 Theatre Centre 270,500 London Actors Theatre Company 3,000 Women's Theatre Group London International Mime Festival 66,920 (Sphinx) 110,000 London Mime/Theatre 17,400 2,091,000 Mersevside Young People's Theatre Company 15,000 Total Client Grants 37,253,448 Graeme Miller 45,000 DRAMA EDUCATION PROJECTS Mime Action Group 27,000 Gill Bond 1,240 Mind The Gap 7,400 Joff Chafer 1,250 Mockbeggar Theatre Company 36,239 Stuart Hawkes 1,225 Moving Stage Marionette Company 5,000 Sarah Kemp 1,405 Mu-Lan Arts 10,143 Mike Layward 1,305 Neti-Nett Theatre Company 28,000 Lesley Mills & Andrew Shimmin 2,000 New Breed Theatre 23,202 Jon Palmer 1,575 Norwich Puppet Theatre 5,930 Jo Verrent 1,650 Open Door Theatre 10,807 Carried Forward 11,650 Carried Forward 869,109 25,040 62/63 L £ £ £ Brought Forward 869,109 25,040 Brought Forward 100,-05 1,841,68 8 Open Hand Theatre Company 22,220 The Moving Picture Mime Show 7,00 0 Peta Lily Mime Theatre 14,000 New Perspectives Theatre Company 4,50 0 Pilot Theatre 20,800 Public Parts Theatre Company 6,445 Plain Clothes Productions 36,463 TNT (The New Theatre) 9,763 Pocket Theatre Cumbria 7,680 Y Touring 5,90 0 Proper Job Theatre Companv 22,500 134,31 3 Public Parts Theatre Companv 14,000 The Puppet Centre Trust 19,320 THEATRE WRITIN G Puppetcrah 5,816 PLAYWRIGHTS' ORGANISATION S Right Size 31,500 New Playwrights' Trust 7,500 Show Of Hands Theatre Company 25,290 North West Playwrights ' Workshops 10,000 Smart Arts 1,000 Northern Playwrights Society 79500 Snarling Beasties Theatre Company 20,016 Theatre Writers' Union(West Midlands) 1,150 Station House Opera 399020 Yorkshire Playwrights 6,000 Steve Shill 5,000 32,150 Gary Stevens 25,100 Dorothv Talk 7,800 WORKING WITH A WRITE R Talking Pictures 30,200 Altered States Theatre 9,650 Tamasha Theatre Company 37,020 Kneehigh Theatre Trust 10,000 Theatre Company Blab Blah Blah! 28,080 19,650 Theatre Of The Heart 15,530 Third Theatre 26,627 RESIDENT DRAMATIST ATTACHMENT Token Gestures 11,700 Action Transport Theatre Company 8,000 Tottering Bipeds 4,300 Bristol Old Vic Trust 4,000 Umoja Theatre Company 35,000 Caryl Jenner Productions 4,000 Simon Vicenzi 35,000 Live Theatre Company 8,000 Volcano Theatre Company 10 9 270 Liverpool Repertory Theatre 8,000 Walk The Plank 48,970 Man in the Moon Theatre 8,000 Walks On Water 7,980 Merseyside Everyman Theatre Company 4,000 Watermans Arts Centre 3,937 Northcott Devon Theatre & Arts Centre 4,000 Working Parts Theatre Company 6,000 Paines Plough 4,000 Wrestling School 34,910 Pit Prop Theatre 4,000 Yorick Theatre Company 29,220 Rent-a-Role Drama Service 8,000 Yorkshire Theatre Company 19,780 Second Wave 4,000 1,571,158 Soho Theatre Company 4,000 Sphinx 4,000 BE BOLD SCHEME Theatre Centre 4,000 Bolton : Octagon Theatre Trust 25,000 Warehouse Theatre 4,000 Bristol Old Vic Trust 25,000 84,000 Ipswich : Wolsey Theatre Company 25,00 0 Leicester Theatre Trust 20,000 BURSARIE S London : Lyric Theatre Hammersmith Trust 20,000 Jane Beeson 3,000 Salisbury Arts Theatre 20,000 Michele Celeste 3,000 Watford Civic Theatre Trust 25,000 Len Collin 3,000 160,000 Rose English 3,000 Julian Garner 3,000 SPECIAL INITIATIVES Paul Godfrey 3,000 Coventry : Belgrade Theatre Trust 20,000 Steve Gooch 3,000 Double Edge Theatre Company 490 Stewart Harcourt 3,000 Galactic Smallholdings Ray Herman 4,000 (Welfare State International) 20,000 Daniel Holtom 3,000 Independent Theatre Council 2,000 Bryony Lavery 4,000 Insight Arts Trust 4 9 000 Gregory Motton 3,000 John Faulkner 4,000 Edward Moore 3,000 Northern Arts Board 35,000 Johnnie Quarrell 3,00 0 85,490 Cheryl Robson 3,00 0 Peter Tegel 3,00 0 SMALL SCALE TOURING Sheila Yeger 3,00 0 Durham Theatre Company 4,065 Zindika 3,00 0 Half Moon Young People's Theatre 8 9 500 56,00 0 Lip Service 5 9 60 0 Louder Than Words Theatre Company 16,760 COMMISSION OR OPTION AWARD S The Magnificent Theatre Company 20,850 Breakout Theatre Company 1,78 4 The Medieval Players 31,860 Bruvvers Theatre Company 1,92 5 Meeting Ground Theatre Company 13,07 0 Carried Forward 100,705 1,841,688 Carried Forward 3,709 2,167,801 SCHEDULE 1 ENGLAND £ £ £ £ Brought Forward 3,709 2,167,801 Brought Forward 20,725 2,275,247 Aletta Collins 2,00 0 Eastern Angles Theatre Company 4,050 20,725 Gay Sweatshop 2,500 GREAT BRITAIN TOURING FUN D Graeae Theatre Company 1,921 - MIDDLE SCALE TOURIN G Inner City Theatre Company 2,000 Cambridge Theatre Company 60,00 0 Interplay Theatre Company 2,100 Lyric Theatre Hammersmith Trust 5,000 Live Theatre Company 4,000 65,000 Louder Than Words Theatre Company 1,92 5 Liverpool Lunchtime Theatre 2,000 GREAT BRITAIN TOURING FUND NEW WRITIN G M6 Theatre Company 1,996 Oxford Stage Company 55,50 0 Mockbeggar Theatre Company 1,250 Wrestling School 6,00 0 Molecule Theatre Company 2,400 61 S00 Neti-Neti Theatre Company 2,50 0 Northumberland Theatre Company 4,149 GREAT BRITAIN TOURING FUN D Plain Clothes Productions 2,023 -VENUE MANAGER DEVELOPMENT Pop Up Theatre 2,000 Arts Board South West 1,50 0 Red Rag Women's Theatre 1,924 Rebecca Barker-Wyatt 16 8 Rent-a-Role Drama Service 2,500 Caryl Jenner Productions 1,60 0 Second Stride 2,000 Ted Craig 35 0 Second Wave 2,000 East Midlands Arts Board 95 7 Dorothy Talk 1,925 Eastern Arts Board 74 5 Theatre Alibi 1,925 Michael Lynas 24 7 Theatre of Thelema 1,750 Ruth Mackenzie 50 0 Trestle Theatre 2,000 Christine Mathews-Sheen 50 0 Vauxy Theatre 2,250 Penny McPhillips 50 0 60,797 Jodi Myers 1,17 5 Derek Nicholls 1,00 0 SECOND PRODUCTION AWARDS Oxford Playhouse 47 8 Bristol Old Vic Trust 3,000 Patrick Sandford 2,50 0 Gloucestershire Everyman Theatre 3,000 Graham Sawyer 50 0 Half Moon Young People's Theatre 3,000 South East Arts Board 1,50 0 Live Theatre Company 3,000 Alistair Spalding 10 0 SAisbury Arts Theatre 3,000 Lou Stein 75 0 Wolsey Theatre Company 3,000 Sue Storr 67 5 Women's Theatre Workshop 3,000 Neil Wallace 11,20 0 21,000 William Weston 2,00 0 Dorothy Wilson & Maggie Saxon 1,00 0 WRITERS' WORKSHOPS Yorkshire And Humberside Arts Board 50 0 Black Theatre Co-operative 1,190 30s445 Liverpool Repertory Theatre 2,000 Total Project Grants 2,452,91 7 London New Play Festival 50 0 Drama Total 38,706,36 5 New Playwrights' Trust 1,000 North West Playwrights' Workshops 930 RLM, VIDEO AND BROADCASTIN G Paines Plough 2,885 ANNUAL CLIENTS Theatre Centre 1,000 London Video Access • 12,420 Warehouse Theatre 1,000 Total Client Grants 12,42 0 Women's Theatre Workshop 898 11,403 SMALL AWARDS Sogand Bahram 2,80 0 THEATRE TRANSLATORS' SCHEME Peter Collis 2,70 0 Free Fall Productions 1,500 Ian Cross 2,150 Gate Theatre Company 4,400 Tacita Dean 3,30 0 Parallel Existence 1,000 Susan Derges 2,00 0 6,900 Helena Goldwater 2,750 David Johnstone 70 0 JOHN WHITING AWARD Sharon Morris 1,61 9 Rod Wooden 6,024 Monika Oechsler 4,000 4,711 6,024 George Saxon Steven Scott 3,268 OTHER 29,99 8 Independent Theatre Council 1,322 1,322 LARGE AWARDS Noski Deville 5,539 GREAT BRITAIN TOURING FUND - LARGER CASTS Vivienne Dick 6,900 Century Theatre 20,725 Nicole Hewitt 1,000 Carried Forward 20,725 2,275,247 Carried Forward 13,439 29,998 64/65 E £ £ £ Brought Forward 13,439 29,998 Brought Forward 245,480 Sandra Lahire 9,000 Milch Foundation 5,000 Sarah Miles 3,617 Mostvn Gallen 5,000 William Raban 8,942 New Moves Across Europe 10,000 Lis Rhodes 6,774 Newcastle Dance '92 12,000 Kathleen Rogers 8,244 Nottingham Theatre Trust 15,000 50,016 Pan ProjewKaliwat) 10,000 The Place Theatre 35,000 ARTISTS' FILM & VIDEO INITIATIVES FUND Portfolio Gallen 8,000 Bristol Cite Council 3,500 Rekonstruktsiya Trust 10,000 Broadgate Estates 6,000 Riverside Studios 40,000 Cornerhouse 15,000 Royal National Theatre 5,000 Institute Of Contemporary Arts 4,920 Scottish Music Information Centre 10,000 London Filmmakers Co-Operative 7,500 The Showroom 6,000 London Video Access 14,500 John Storr 2,00 0 Pix 6,500 Surdhwani 50 0 Prema Arts Centre 1,500 Tara Arts Group 5,00 0 Pullit 3,013 Thamesdown Dance Studio 4,00 0 Cordelia Swann 3,850 The Prince's Trust 8,00 0 66,283 Thelma Holt 7,00 0 Tramway 25,00 0 ARTISTS' FILM & VIDEO TOURING INITIATIVES Wise Taylor Partnership 15,00 0 Cinenova 5,644 World Circuit Arts 15,00 0 Film & Video Umbrella 4,900 International Initiatives Ikon Gallery 8,000 - Total Project Grants 497,980 Institute Of Contemporary Arts 10,00 0 Kettle's Yard Gallery 4,750 LITERATUR E London Video Access 32,000 REVENUE CLIENT S Merseyside Moviola 37,480 Arvon Foundation 82,34 3 Museum Of Modern Art 10,000 Anvil Press Poetry 60,37 5 The Showroom 5,000 Book Trust 60,37 5 Weave 4,000 Carcanet Press 659 200 121,774 Password Books 71,250 Poetry Book Society 46,000 GREAT BRITAIN TOURING FUND Poetry Society 144,900 Film & Video Umbrella 47,300 530,44 3 Merseyside Moviola 75,000 122,300 ANNUAL CLIENTS Agenda & Editions Charitable Trust 13,450 Total Project Grants 390,371 Ambit 8,400 Total Film, Video & Broadcasting 402,781 Carcanet Press/PN Review 16,900 INTERNATIONAL INITIATIVES FUND Federation Of Worker Writers 21,000 Accademia Italiana 8,000 Interzone 4,200 Alhambra Theatre 35,000 The London Magazine 22,400 Brighton Festival Society 6,000 London Review Of Books 26,550 British American Arts Association 129000 Wasafiri 6,725 Centre For Performance Research 12,000 119,625 Circus UK 10,000 Total Client Grants 650,068 Como No! 10,000 Cornerhouse 5,000 LITERATURE AND BROADCASTIN G Cultural Co-Operation 2,500 British Broadcasting Corporation 105,000 Dance Umbrella 25,000 Peter Cutts 4,995 De Montfort University 3,000 Sara Davies 3,710 Drill Hall Arts Centre 15,000 Green Shoots Productions 11,300 European Stage Company 10,000 Heavy Entertainment 6,050 Expressions For Black Art Development 2,000 Trevor Mbatha 14,000 Folk-works 11,230 Sarah Pickthall and Pippa Marriott 2,000 Fruitmarket Gallery 5,000 147,055 Gay Sweatshop 750 Hull Time Based Arts 5,000 BURSARIES International Theatre Link 8,000 Nadeem Aslam 6,000 Kala Chethcna Kathkali Troupe 10,000 Frances Gapper 6,000 Laing Art Gallen 15,000 Selma Hill 6,000 Latin American Arts Association 10,000 Mark Hudson 6,000 London Theatre Ensemble 15,000 Firdaus Kanga 6 9 000 Lux Europae 10,000 Jackie Kay 6 9 000 Carried Forward 245,480 Carried Forward 36,000 147,055 SCHEDULE 1 ENGLAND Brought Forward 36,000 147,055 Brought Forward 404,455 Sarah Maguir e 6,000 LITERATURE DEVELOPMENT WORKER S Katrina Porteou s 6,000 Arts Board South Wes t 7,000 Kate Pullinge r 6,000 East Midlands Arts Board 12,000 Lawrence Sai l 6,000 Eastern Arts Boar d 12,000 Manny Shiraz i 6,000 London Arts Board 7,000 Roy Watkin s 6,000 North West Arts Board 7,000 72,000 Northern Arts Board 7,000 South East Arts Board 7,000 CULTURAL DIVERSIT Y Southern Arts Boar d 7,000 Africa Centr e 3,000 West Midlands Arts Board 7,000 Borough Of Luto n 3,000 Yorkshire And Humberside Arts Boar d 12.000 Commonwealth Institute 7,500 85,00 0 Culture Waves 4,000 SMALL PRESS SCHEM E Dangaroo Pres s 6,450 Dedalus 10,000 Fund To Acquire Royal Commonwealth Forest Books 8,000 Librar y 5,000 Littlewood Arc 5,000 University Of Kent At Canterbur y 500 Mantra Publishing 18,000 29,450 Norvik Pres s 5,500 Peepal Tree Press 14,000 CLIENT DEVELOPMEN T Stride Publications 5,000 Arvon Foundatio n 8,500 Password Books 8,000 65,500 16,500 TRANSLATION FUN D Absolute Press (Publishers ) 13,221 DISABILITY PROJECTS Atlas Press 800 Artshare Avo n 5,890 Bloodaxe Books 6,580 Clearvision Project 2,000 British Centre For Literary Translatio n 50,000 Royal National Institute For The Blin d 6,000 Dedalus 6,645 Snowball Arts 5,380 Forest Books 7,095 University Of Bristol 5 .730 Fowler Wright Books 1,100 25,000 Index On Censorship 7,500 International Sacred Literature Trust 1,000 EDUCATIO N Jonathan Cap e 2,500 National Assoc . for the Teaching of English 22,30 0 Katabasis 1,140 National Association Of Writers In Education 9,00 0 King's Colleg e 13,475 Open University 1,60 0 Making Waves 1,200 Westminster College 2,00 0 Peter Owen 2,500 34,900 Poetry Society 2,000 Portsmouth City Counci l 1,800 GRANTS TO WRITERS Readers International 4,610 Quartos Magazine 1,50 0 Serpent's Tail 14,000 Society Of Authors 15,00 0 Stand Magazine 2,500 Writers Forum 3,00 0 Sunk Island Publishing 1,785 19,500 The Translators Association 4 .000 145,451 LIBRARIE S Birmingham City Counci l 4,000 WRITERS AND PRISON S Bradford Libraries And Information Servic e 6,100 H . M . Prison Bristo l 5,000 Buckinghamshire County Counci l 4,000 H . M . Prison Norwich 5,00 0 City Of Coventry 3,000 H . M . Prison Risley 5,00 0 Hereford And Worcester County Counci l 10,000 H . M . Prison Shepton Malle t 5,00 0 Knowsley Metropolitan Borough Council 3,000 H . M . Prison The Mount 5,00 0 Leicestershire Libraries & Information Servic e 5,000 H . M . Prison Wellingborough 5,00 0 Liverpool City Council 3,800 Southern Arts Board 5,00 0 Royal County Of Berkshir e 4,00 0 35,000 Somerset County Council 5,650 GENERAL PROJECT FUN D 48,550 The Association Of Little Presses 5,00 0 Michael Horovit z 5,00 0 LIBRETTI FUN D The National Life Story Collection 5,00 0 Aldeburgh Foundation 5,000 Outposts Poetry Quarterly 2,00 0 Cheltenham Arts Festivals 5,000 Password Books 2,60 0 Richard Drain 1,500 Reading University 2,50 0 11,500 South Bank Board 15.000 37,10 0 Carried Forward 404,455 Carried Forward 772,50 6 66/67 Brought Forma rd %-2,506 Brought Forward 49,96 4 GREAT BRITAIN TOURING FUND COMPOSERS IN ASSOCIATIO N Apples & Snakes 15,000 Halle Concerts Society 10,00 0 Arts Board South West 11,350 Young Concert Artists Trust 8,000 East Midlands Arts Board 2,800 18,000 Eastern Touring Agency 2,750 COMPOSER'S BURSARIE S Northern Arts Board 5,000 Steve Arguelles 1,950 Poetry Societe 5,000 Michael Gorodecki 1,750 Southern Arts Board 3,500 Gabriel Jackson 2,000 The Write Thing 5,000 John Kefala-Kerr 2,000 50,400 Roger Marsh 3,500 Total Project Grants 822,806 Roger Redgate 4,000 Paul Robinson 1,800 Total Literature 1,472,974 Jane R'ells 3,000 MU81C 20,00 0 NATIONAL CLIENTS MUSIC & DISABILITY English National Opera 11,371,207 The Ark 10,000 Royal Opera House 8,330,660 Genie Cosmas 69000 19,701,867 The Drake Research Project 7,500 REVENUE CLIENTS Heart And Soul 12,500 African & Caribbean Music Circuit 214,289 Huddersfield Contemporary Music Festival 10,500 Asian Music Circuit 194,616 Mind The Gap 4,000 Bath Festival Society 469550 50,50 0 Bournemouth Orchestras 1,388,398 ELECTRO-ACOUSTIC BURSARIE S City Of Birmingham Symphony David Benke 3,000 Orchestra 1,126,250 Peter Bowcott 39000 Early Music Centre 73,140 Joe Cutler 2,000 Eastern Orchestral Board 326,180 Martin Hickey 19500 Halle Concerts Society 1,226,918 Tim Howle 2,200 Jazz Services 127,409 Michele McCormack 2,200 London Philharmonic Orchestra 1,062,000 Sarah Rodgers 1,500 London Symphony Orchestra 1,110,880 David Sheppard 2,300 Northern Sinfonia ConcertSociety 613,535 Tom Williams 2,500 Opera North 3,721,478 20,200 The Philharmonia 700,000 EARLY MUSIC PROJECT S Royal Liverpool Philharmonic Society 1,386,460 Academy Of Ancient Music 1,000 Royal Philharmonic Orchestra 400,000 Malcolm Bruno 400 Sonic Arts Network 100,000 Collegium Musicum 90 2,000 Society For The Promotion Of New Music 50,000 The Consort Of Musickc 3 9 000 Sinfonietta Productions 401,316 Early English Opera Society 2,500 14,269,439 Early Music Centre 5,500 ANNUAL CLIENTS Florilegium 2,000 British Music Information Centre Trust 37,500 Fretwork 2,500 National Federation Of Music Societies 20,000 His Majesties Sagbutts & Cornetts 1 9 000 National Youth Jazz Orchestra 7 9 600 London Bach Society 3,000 Opera Factory 120,000 Musica Secreta 2,000 Westminster City Council 2239 510 Musical Offering 2,00 0 Youth And Music 489 030 Orchestra Of The Golden Age 4 9 00 0 456,640 Orlando Consort 1,00 0 Total Client Grants 34,427,946 Purcell Quartet 2 9 00 0 Redbyrd 4,00 0 ANIMATEURS/EDUCATION Rose Consort Of Viols 1 9 00 0 Access To Music 9,394 Sinfonye 4,00 0 Bhavan Centre 2 + 400 Tallis Scholars Trust 2,00 0 Folk South West 3,170 Tragicomedia 1,00 0 Halle Concerts Society 3,700 45,900 National Federation Of Music Societies 800 EASTERN REGION DEVELOPMENTS Northern Arts Board 2,500 Eastern Arts Board 66 9 00 0 Northern Sinfonia Concert Society 2,500 Performing Right Society 1 9 500 66,000 Sinfonictta Productions 1,500 IMPROVISED MUSIC TOURING Sound Sense 15,000 Arc 2,13 6 South West jazz 3,500 Bevan/:Noble/Rogers Trio 1,48 7 Yorkshire And Humberside Arts Board 4,000 Birdyak 1,15 5 Conspiracy 2 9 40 6 49,964 Carried Forward 49,964 Carried Forward 7,184 270,564 SCHEDULE 1 ENGLAN D Brought Forward 7,184 270,564 Brought Forward 66,50 0 408,83 4 Double Whamm y 2,256 Christopher Hyde-Smith & Jane Dodd 1,500 Embers 1,924 I Fagiolin i 1,650 Fourie r 3,100 JDM Artists' Management 6,62 5 Jenkins/Noble/Bellatalla 1,848 Eleftheria Kotzia 60 0 Klang! 1,050 Kumar Saswat 4,00 0 Minton/Butcher/Hirt 2,045 London Festival Orchestr a 1,500 Rive t 1,896 Moving Forward 2,87 5 Those Who Celebrat e 1,679 New Mozart Ensembl e 2,00 0 Tomlinson/Turner/Tucke r 2.502 No Strings Attache d 650 25,484 Northern Sinfonia Concert Society 3,500 Nottingham Theatre Trus t 5,000 JAZZ BURSARIES Peter O'Hagan 1,800 Steve Arguelles 1,800 The Philharmonia 10,250 Christopher Biscoe 1,440 Piano Circus 1,500 Karen Boswall 500 Pimlico Opera 4,000 Gary Boyle 2,000 The Rehearsal Orchestr a 2,500 Jon Corbett 1,700 Sclfmade Music Theatre 2,000 Patrick J . Crumly 1,000 Serious & Speakou t 7,000 Ben Davis 1,000 Shobana Jeyasing h 3,000 Elton Dea n 1,200 Sinfonietta Production s 6,250 Michele Dree s 1,200 Sirinu 2,300 Antonio Forcion e 1,000 South Bank Board 5,000 Adrian Ingram 150 Angel Stankov 3,500 Billy Jenkin s 500 Trio Of London 2,500 Alex Maguire 900 Robert van Sice 3,000 Philip P. Mille r 1,000 John Wallac e 3,500 Phil Minto n 800 Westminster City Counci l 1,500 Mary Oliver 250 Women In Musi c 2,000 Michael Ormisto n 1,500 Roger Woodward 2,000 Michael J . Pyn e 750 160,000 George Ricc i 360 Mary Schwarz 250 NON-WESTERN MUSI C Nicky Scott-Francis 1,000 Apna Art s 5,000 Nick Stephen s 1,000 Arts Administration 4,000 Andrea Vicari 1,000 1 Association Of British Calypsonian s 5,000 Tim Wells 700 Bana Ok 3,000 Veryan Weston 1,000 Black Music Industry Association 2,000 Adrian York 1,000 Black Survivors Promotion s 2,000 25,000 Cultural Co-Operation 1,500 De London Production s 2,500 LONDON BASED CHAMBER ORCHESTRA S East West Arts 1,500 City Of London Sinfoni a 49,761 Ebony Steelband Trus t 2,200 Orchestra Of St . John's Smith Square 38.025 Eve Of Shiva 4,000 87,786 Gaspar Lawal And The Oro Ban d 5,000 Half The Sky 2,500 MUSIC COMMISSION S Juwon Ogungbe Ensemble 2,000 Aldeburgh Foundatio n 10,000 Sara Krish 5,000 Association Of British Orchestras 5,000 Landon Chinese Orchestra 4,000 Athelas Ensemble 2,000 Teddy Ose i 1,250 Australian Chamber Orchestra 4,000 P.A.A .M .A . 2,500 BASBWE Education Trus t 2,000 Barbara Pukwan a 3,000 Bath Festival Society 3,000 Nitin Sawhney 2,500 Timothy Bon d 1,200 Serious & Speakou t 2,250 Bournemouth Orchestra s 18,000 Abdul Rahman Tejan-Jallo h 2,600 Tim Brady 1,500 Uk Circuit For Indian Classical Music 4,500 Brindisi Quartet 1,000 Umkhambathi 3,000 Britten String Quartet 3,000 WOMAD Foundatio n 4,000 Chameleon 1,750 World Circuit Arts 2.000 Michael Chanc e 1,800 78,800 City Of London Sinfoni a 3,500 Philip Crozier & Sylvie Poirie r 1,000 OPERA COMMISSIONS/DEVELOPMENT/PROJECT S Georgina Dobre e 750 Blackheath Concert Halls 4,000 Duo Contemporai n 1,500 Buxton Festival Opera 5,000 Groupe De Musique Experimentale De Marse 3,000 Buxton International Festival 15,000 Judith Hall 2,500 Cavatina 8,000 Carried Forward 66,500 408,834 Carried Forward 32,000 647,674 68/69 £ £ £ £ Brought For ward 32,000 647,674 Brought Forward 145,124 1,112,32 4 Circus Space 2,500 Unicorn Kanchana Records 11,00 0 Cultural Industry 5,000 Unknown Public 4,000 Directors 4,000 The Wire Magazine 10,52 0 English Bach Festival Trust 13,360 Wondrous Music 2,680 English National Opera 69,000 World Circuit Records 7,500 Huddersfield Contemporary Music Festival 4,500 1W,824 Jane's Minstrels 5,000 Matrix Ensemble 6,500 MUSIC FOR SMALL GROUP S Mecklenburgh Opera 41,160 Julian Arguelles 250 Modern Music Theatre Troupe 12,500 Balanescu String Quartet / Music Theatre Wales 5,000 Robinson/Bashorun 3,000 National Youth Music Theatre 7,500 Steve Buckley 19235 Opera Circus 7,000 Combattimento 4,500 Pimlico Opera 6,500 Concert Royal 500 Ra-Ra Zoo 2,500 The Dufay Collective 4,300 Royal Opera House 25,000 Phil Durrant 500 Theatre Centre 900 Ensemble Tromboncino 1,350 Womens Playhouse Trust 25,000 Peter Fairclough 625 274 9 920 Grand Union 4,000 Charlie Griffiths 500 PERIOD INSTRUMENT ENSEMBLES Guildhall String Ensemble 5,000 Birmingham City Council 20,000 Andy Harewood 1,000 Corn Exchange, Cambridge 10,600 Harmonic Band 3,000 Derby City Council 5,800 George Haslam 1,000 Early Music Centre 5,000 Hodgkinson/Hyder Duo 4,500 The English Concert 8,020 I Fagiolini 2,500 Gabrieli Consort And Players 13,000 Jazz Expo 120 Hanover Band 10 9 000 Jazz Services 1,500 King's College 2,000 Ed Jones 1,500 The King's Consort 5,000 Tommy Jones 750 London Classical Players 10,000 Jan Kopinski 1,000 New London Consort 39 000 Les Vents Devienne 2,100 Orchestra Of The Age Of Enlightenment 55,000 Ignacio Lozano 500 Raglan Baroque Players 8,000 Alex Maguire 800 Salisbury Festival 11,150 Matrix Ensemble 2,750 St Edmundsbury Borough Council 11,500 The Music Group Of Manchester 3,000 St James' Baroque Players 11,700 Musica Secreta 2 9000 189,770 Orbestra 4,370 Jeremy Phillips 250 RECORDINGS Sue Plain 450 Academy Sound And Vision 5,000 Eddie Prevost 1 9500 Bitter And Twisted Records 2,115 Joe Robinson 120 Black Voices 4,000 Pete Rosser 750 Bridge Records 12,000 Richard Scott 600 Chandos Records 6,500 Smith Quartet 2 9365 Chinese Cultural Centre 1,226 Tapestry 2,100 Clarinet Classics 4,500 David Taylor 300 Claudio Records 2,000 Theo Travis 1,000 Collins Classics 20,000 Marcus Vergette 750 Continuum 14,000 Tim Whitehead 1,000 ECM Records 4,000 69,335 Etcetera Records 5,000 Folk Roots Magazine 3,000 AWARDS TO TRAINEE CONDUCTOR S Intakt Records 5,000 Mark Forkgen 10,000 Leo Records 2,200 London Philharmonic Orchestra 10,000 Lontano 7,420 20,000 Mrs Casey Records 2,400 Nubian Records 5,000 GENERAL PROJECT S Ovatones 7,500 Stephanie Antoine 2,000 Pig's Whisker Music 3,000 Association Of British Orchestras 20,000 Jonathan Poku 4,000 Bournemouth Orchestras 50,000 Riverboat Records 7,000 Ben Brako 520 Nitin Sawhnev 7,500 British Arts Festivals Association 2,000 Slam Productions 4,763 English National Opera 3,500 Nana Tsiboe 6,000 Fountain Theatre 100 Carried For ward 145,124 1,112,324 Carried Forward 78,120 1,382,483 SCHEDULE 1 ENGLAND E £ £ £ Brought Forward 78,120 1,382,483 Brought Forward 126,400 Jazz North West 990 DRAMA PROJECTS Musicians' Union 8,650 Birmingham Repertory Theatre 5,00 0 National Folk 2,500 Bradford Theatres 20,00 0 The National Music Council 1,000 Channel Theatre Company 15,00 0 Northern Sinfonia Concert Society 10,000 Communicado Theatre Company 30,00 0 Mark Ringwood 600 Edinburgh International Festival 80,00 0 Royal Philharmonic Society 5,000 Millstream Touring 30,00 0 Sinfonietta Productions 600 New Shakespeare Company 99,00 0 Welsh National Opera 15,000 Northern Broadsides 17,000 Westminster City Council 15,000 Odyssey Theatre 53,650 Women In Music 150 The Posse 48,50 0 137,610 Royal Exchange Theatre Company 9,70 5 Royal National Theatre 15,144 GREAT BRITAIN TOURING FUND Royal Shakespeare Company 26,500 The Beaujolais Band 2,000 Shared Experience 13,50 0 Como No 3,000 Talawa Theatre Company 13,30 0 Early Music Centre 16,000 Thelma Holt 30,00 0 Grupo Palante 3,500 The Touring Partnership 7,50 0 Jazz Services 20,195 Tramway 28,00 0 Negrocan 2,205 Trestle Theatre Company 35,00 0 Reasonable Management 5,000 Watershed Productions 13,30 0 Dominique Roome 7,100 S90,099 Samadhi Music 10,00 0 Serious & Speakout 10,000 MARKETING 79,000 Arts About Manchester 51 5 Arts Centre 4,40 0 Total Project Grants 1,599,093 Arts Marketing Company (HMCo) . 5,05 5 Total Music 36,027,039 Arts Marketing Hampshire 2,735 TOURING Birmingham Arts Marketing 2,51 5 REVENUE CLIENTS Canterbury City Council 5,00 0 Opera North 700,000 Eastern Touring Agency 16,56 5 Royal Shakespeare Company 540,000 English Shakespeare Company 50 0 Welsh National Opera 3,600,000 Hull New Theatre 2,40 0 4,840,000 MAX - Marketing The Arts In Oxfordshire 2,01 5 Midlands Arts Marketing 5,51 5 ANNUAL CLIENTS Pam Jarvis 70 5 City Of Birmingham Touring Opera 157,500 Rona Fineman 15 0 English National Ballet 90,000 New Century Theatre 5,750 English Shakespeare Company 400,000 Rambert Dance Company 1,50 0 Glyndebourne Productions 834,000 Royal Exchange Theatre Company 55 0 London City Ballet Trust 250,000 Royal Lyceum Theatre Edinburgh 97 5 Royal Exchange Theatre Company 100,000 Sussex Arts Marketing 5,50 0 Millstream Touring 58,000 Talawa Theatre Company . 2,00 0 Royal National Theatre 200,000 The TEAM 3,01 5 English Touring Opera 620,000 67,360 Scottish Ballet 116,00 0 Scottish Opera 364,440 OPERA PROJECTS 3,189,940 English Touring Opera 5,00 0 Sheffield Lyceum Theatre 4,000 Total Client Grants 8,029,940 9,00 0 DANCE PROJECTS Adventures In Motion Pictures 15,000 VISITING ARTS The Cholmondeleys 6,000 Visiting Arts 170,00 0 Dance Umbrella 10,400 170,00 0 Voltaire Chamber Ballet 10,000 41,400 VENUE DEVELOPMENT The Green Room 5,50 0 INTERNATIONAL PROJECTS Theatre Royal (Norwich) Trust 5,00 0 Dual Control Theatre Company 40,000 Watford Civic Theatre Trust 7,40 0 Tramway 45,000 17,70 0 85,000 GREAT BRITAIN TOURING FUN D - DANCE CLIENTS/PROJECTS Adzido Dance Company 37,00 0 The Cholmondeleys 67 30 0 Carried Forward 126,400 Carried Forward 43,300 980,559 70/71 I £ £ £ Brought Forward 43,300 980 .559 Brought Forward 2,530,39 9 Dance 4 10,100 GREAT BRITAIN TOURING FUN D Dance L"mbrella 33,500 - VENUE DEVELOPMEN T English National Ballet 30,000 Arts Centre 18,740 Janet Smith 15,000 Barrow Borough Council 12,500 The KOSH 25,000 Brighton Theatre Royal 5,000 London Arts Board 150,000 Chichester Festival Theatr e Steven Patmore 4,800 - Minerva Studio 10,00 0 Phoenix Dance Compant 26,000 Cre-,ye Lyceum 15,00 0 The Place Theatre 3,000 Crucible Theatre Trust 7,00 0 Second Stride 10,000 Dance City 30,00 0 Shobana Jeyasingh 12,500 The Green Room 7,00 0 Vidusaka 6,000 Leicester Arts Centre 25 9 00 0 369,200 Merseyside Everyman Theatre Company 20,000 GREAT BRITAIN TOURING FUND Newcastle Theatre Royal 25,000 - DRAMA CLIENTS/PROJECTS The Nia Centre 25,000 Bill Kenwright 10,000 Nottingham Theatre Trust 309000 Carnival Theatre 66,000 Oxford Playhouse 139000 English Shakespeare Company 200,000 Theatre Royal, Bury St . Edmunds 8,000 Watershed Productions 26,700 Worthing Connaught Theatre 5,000 302,700 256,240 Total Project Grants 2 9 7869639 GREAT BRITAIN TOURING FUN D Total Touring 10,816,579 - INTERNATIONAL PROJECTS Centre For Performance Research 13,400 TRAINING London International Mime Festival 5,000 ANNUAL CLIENT S Theatre Centre 2,500 Fooltime Centre For Circus Skills 40,000 Thelma Holt 26,600 National Opera Studio 110,000 Vidusaka 24,000 Arts Training South 20,000 71,500 Total Client Grants 170,000 GREAT BRITAIN TOURING FUND INDIVIDUAL BURSARIE S - OPERA CLIENTS/PROJECTS Ajaykumar 2,77 5 Crystal Clear Opera 15,000 Lorna Anders 3,00 0 D'Oyly Carte Opera Company 30,000 Jillian Barker 1,00 0 English Touring Opera 150,000 Janet Blake 2,50 0 Music Theatre London 20,000 Pamela Bone 5,00 0 Opera North 130,000 Sue Broadway 3,00 0 Pimlico Opera 59 800 Cris Cheek 2,00 0 Scottish Opera 22,200 Moss Cooper 5,000 Welsh National Opera 110,000 Mark Courtice 1 9 500 483,000 Susan Derges 1 9 000 Allan deSouza 2,250 GREAT BRITAIN TOURING FUND Rachel Feldberg 1,940 - PROMOTER DEVELOPMENT John Harris 500 Bush Hartshorn/The Green Room 750 Guy Holland 1 9 500 Crucible Theatre Trust 750 Brian Jones 2,660 Simon Dove 500 Joanna Jones 1,750 Charles Easmon 480 Stephen Littman 29300 George Matheson 300 Dick McCaw 69000 Oxford Playhouse 440 Kamaljit Nandra 1,500 Sheffield City Council 4,600 Ingrid Pollard 1,500 Sheffield Lyceum Theatre 1,900 Steven Richardson 2,000 Alan Stanbridge 250 Edward Sayer 3,500 Theatre Royal Bath 500 Gottfried Schmidt 1,500 10,470 Folake Shoga 3,000 Yinka Shonibare 2,000 GREAT BRITAIN TOURING FUND Anthony Warcus 2,500 - ORCHESTRAL TOURING Julie Ward 2,600 London Philharmonic Orchestra 1669209 Tim Webb 1,940 London Symphony Orchestra 124,146 Yasmin Whitehouse 1,900 Royal Philharmonic Orchestra 22,615 Josephine Maria Wilson 3,000 312,970 72,615 Carried Forward 2,530,399 Carried Forward 72,615 SCHEDULE1 ENGLAND Brought Forward 72,615 Brought Forward 142,540 258,21 5 RAB DEVELOPMENT Rebecca Oliver 12,000 Arts Board South West 25,000 Garfaith Pang 8,000 Arts Training South 5,000 Mary Peate 8,000 East Midlands Arts Board 4,100 Donald Rodney 1,750 Eastern Arts Board 5,000 Indhu Rubasingham 8,000 London Arts Board 5,000 Rachel Shaw 12,750 Newcastle Upon Tyne Polytechnic 5,000 Justine Simons 8,000 North West Arts Board 5,000 Helen Soo 8,00 0 West Midlands Arts Board 5,000 Joe Sumsion 8,00 0 Yorkshire And Humberside Arts Board 5,000 217,04 0 64,100 Total Project Grants 475,25 5 Total Training 645,25 5 RESEARCH AND MANAGEMEN T DEVELOPMENT PROJECT S Administration Research Training Service 3,50 0 VISUAL ARTS Centre For Arts Managemen t 4,00 0 REVENUE CLIENT S De Montfort University 1,50 0 Arnolfini Gallery 220,000 Independent Theatre Council 14,00 0 Free Form Arts Trus t 60,000 The Management Centre 2,00 0 Ikon Gallery 263,500 321,500 25,000 Museum Of Modern Art The Photographers ' Galler y 299,500 SPECIAL INITIATIVE S Serpentine Gallery 218,000 Aditi 10,000 Whitechapel Art Galler y 426,250 Black Mime Theatre 500 1,808,750 Centre For The Expressive Arts 3,000 City University 2,500 ANNUAL CLIENT S De Montfort University 7,500 African And Asian Visual Artists Archive 35,000 Deaffivorks 2,000 Attic Producers Publishing Co 20,000 Kevin Finna n 4,500 Autograp h 50,000 Kneehigh Theatre Trus t 3,000 Axi s 30,000 Pamela Maragh 4,500 Creative Camer a 52,100 Merseyside Moviola 5,000 Edge Biennale Trust 94,650 Newcastle Upon Tyne Polytechni c 10,000 Royal College Of Ar t 70,000 Francesca Penzan i 4,500 Ten .8 46,000 Edward Philpot t 4,500 397,750 Physical State International 1,500 Pioneer Theatre s 8,000 ARTS DEVELOPMENT STRATEGY CLIENTS Royal College Of Art 10,000 Contemporary Art Society 30,000 Southern Arts Board 50 0 Stoke City Museum And Art Gallery 22,000 Theatrical Management Associatio n 10,00 0 Walsall Art Gallery 30,00 0 Them Wifies 5.00 0 Wolverhampton Art Gallery 15,000 96,500 97,00 0 Total Client Grants 2,303,50 0 TRAINEESHIPS Jeanette-Rose Akua Eno 11,90 0 INIVA FRANCHISE S Mohammed Barrie 2,000 Rasheed Araee n 6,00 0 Rosemary Birtwell 12,000 Black Umbrella 54,00 0 Tim Brow n 8,000 Eddie Chambers 6,00 0 Valerie Brow n 1,750 Eddie Chambers 54,000 Helen Cadwallader 8,000 Sunil Gupt a 6,000 Jacqueline Caine s 8,000 The Organisation For Visual Art s 54,000 Gemma Clarke 8,000 180,000 Venu Dhupa 8,000 Emma Donova n 8,000 BLACK VISUAL ARTS EXHIBITIONS FRANCHISE S Tony Ge e 3,500 ACFF (Assoc . Of Caribbean Families Penelope Goater 8,000 & Friends) 9,500 Daniel Hadley 8,000 9,500 Rachel Harlan d 10,000 Richard Hylton 390 ENVIRONMENTAL PROJECTS Rahme Ibrahim 8,000 Projects Environment 2,000 Rehana Kapadia 8,00 0 2,000 Abigail Leec h 8,00 0 Jacob Lushingto n 8,00 0 EXHIBITIONS AND EVENT S Jakesh Mahe y 1,50 0 Artangel Trust 15,000 Martin Oate s 3,500 Bluecoat Gallery 12,250 Carried Forward 142,540 258,215 Carried Forward 27,250 191,50 0 72/73 L £ £ £ Brought Forward 27,250 191,500 Brought For ward 24,500 666,632 Camden Arts Centre 31000 UK Artnet 3,000 Camerawork 18,000 Women Artists Slide Library 3,500 Manuel Cardenas 5,000 31,000 Eddie Chambers 9,725 DISABILITY PROJECT S Chisenhale Gallery 17,000 National Society For Education In Art Common Ground 7,000 & Design 3,000 Cornerhouse 15,000 Hoye Museum And Art Gallery_ 6,000 3,000 In-Valid 6,000 STRATEGIC INITIATIVE S James Hockey Gallery 3,000 - INTERACTIVE MULTIMEDI A Look 3,430 Open E e Gallery 3,00 0 y Metro Cinema 4,500 Stephen Willats 2,00 0 Middlesbrough Art Gallery 2,000 5,000 The New Contemporaries (1988) 10,00 0 Virginia Nimarkoh 10,000 STRATEGIC INITIATIVE S :Norfolk Institute Of Art & Design 4,000 - PHOTOGRAPHY EDUCATIO N Norwich Gallery 16,500 Birmingham Institute Of Art & Design 12,00 0 October Gallery Trust 6,000 Bretton Hall 99 2 Rochdale City Art Gallery 7,000 Media Education Magazine 2,000 Naomi Salaman 14,000 Monocrone 1,69 3 The Showroom 8,565 Northumberland County Council 8,000 South London Art Gallery 3,500 Signs Of The Times 3,000 The Art Of Change 3,000 206,470 Wakefield District Council 4,410 MAGAZINES Watershed Trust 500 Art Monthly 24,000 West Sussex County Council 4,000 Audio Arts 11,000 Yorkshire And Humberside Arts Board 2,000 Durian Publications 18,000 41,59 5 Feminist Art News 19,000 STRATEGIC INITIATIVES Kala Press 47,000 - PHOTOGRAPHY GENERA L Women Artists Slide Library 20,000 Festival Of Women's Photography 10,000 139,000 Panchayat Partnership 2,000 Watershed Trust 38,000 PHOTOGRAPHY PUBLICATIONS 50,000 Cornerhouse 15,300 Devon Books 5,580 STRATEGIC INITIATIVES Grey Editions 8,894 - PUBLIC ART POST S Jonathan Cape 10,000 Lancashire County Council 5,000 Mind's Eye Publications 8,930 Northumberland County Council 10,000 Rivers Oram Press 5,000 Sheffield City Council 8,000 Serpent's Tail 15,891 23,000 Watershed Trust 4,524 STRATEGIC INITIATIVE S Geoff Weston 7,543 - PRODUCTION AND STUDIOS 81 ' 662 Design And Artists Copyright Society 5,00 0 VISUAL ARTS PUBLICATIONS 5,000 Acme Housing Association 4,160 STRATEGIC INITIATIVE S Art And Society 5,000 - VISUAL ARTS GENERAL Attic Producers Publishing Co 9,809 Arts About Manchester 18,00 0 Book Works London 10,237 Public Art Forum 4,42 0 Cambridge Darkroom 6,000 Visual Arts And Galleries Association 10,000 Edition Hansjorg Mayer 2,000 Working Press 5,000 Estamp 4,00 0 Newlyn Orion 3,000 37,42 0 Riverside Studios 2,000 STRATEGIC INITIATIVE S Working Press 1,794 - VISUAL ARTS EDUCATIO N Greenwich Mural Workshop 1,000 48 ,000 Manchester Metropolitan University 1,000 RESEARCH AND CONFERENCES National Association For Fine Art Education 5,000 Attic Producers Publishing Co 5,000 National Association For Gallery Education 10,500 Book Works London 3,000 National Society For Education In Art & Design 1,000 British Health Care Arts Centre 2,500 Organisation And Imagination 750 Frontiers 5,000 Stephen Willats 1,500 Photo Call 5,000 Working Press 2,000 Public Arts 4,000 22,750 Carried Forward 24,500 666,632 Carried Forward 885,397 SCHEDULE 1 ENGLAND Brought Forward 885,397 Brought Forward 1,254,136 GREAT BRITAIN TOURING FUN D GREAT BRITAIN TOURING FUN D - GALLERY IMPROVEMEN T - PHOTOGRAPHY EXHIBITION S Arnolfini Gallery 20,00 0 Camerawork 20,800 Camden Arts Centre 22,10 0 Impressions Gallery 4,000 Camerawork 17,71 0 Laing Art Gallery 6,600 Chinese Arts Centre 5,00 0 Light House Media Centre 11,900 The City Gallery, Leicester 26,00 0 Network Photographers 4,500 Cornerhouse 7,64 5 The Side Gallery 7,83 0 F-Stop Photography, Gallery & Darkrooms 28,00 0 Watershed Trust 21,40 0 Institute Of Contemporary Arts 10,00 0 Rhonda Wilson 3,500 James Hockey Gallery 10,00 0 Ycrckshire And Humberside Arts Board 16,700 Kettle's Yard Gallery 15,00 0 Zone Gallery 4,000 Leeds Metropolitan University 20,00 0 101,23 0 Matt's Gallery 25,00 0 Mead Gallery 28,00 0 GREAT BRITAIN TOURING FUN D Museum Of Modern Art 10,00 0 - EXHIBITION DEVELOPMENT Norwich Gallery 17,60 0 Arnolfini Gallery 4,210 The Photographers' Gallery 20,00 0 Birmingham Library Services 4,00 0 Untitled Gallery 12,00 0 Black Arts Alliance 1,00 0 Zone Gallery 18,000 I%vona Blazwick 4,71 0 312,055 Book Works London 4,00 0 Calabash For The Arts Of Africa 3,00 0 GREAT BRITAIN TOURING FUN D Documentary Photography Archive 3,50 0 - TRAVEL GRANT S Focal Point Gallery 4,00 0 Artists' Agency 1,37 4 Huddersfield Art Galleries 2,74 6 Saleem Arif 1,500 Ikon Gallery 2,50 0 Joanne Bernstein 1,500 James Hockey Gallery 1,30 0 Jon Bewley 1,500 Gavin Jantjes 5,00 0 Sutapa Biswas 600 B ashy Kelly 4,00 0 Black Art Gallery 1,500 Lung Art Gallery 3,00 0 Chisenhale Gallery 3,000 Lambeth Chinese Community Association 3,40 0 City Racing 1,368 Off Centre Gallery 1,69 7 Jane Connarty 1,330 Olu Oguibe 3,00 0 F-Stop Photography, Gallery & Darkrooms 507 Panchayat Partnership 3,00 0 Sunil Gupta 1,468 Pomeroy Purdy Gallery 1,40 0 Anna Harding 1,500 Russell Roberts 3,00 0 Institute Of Contemporary Arts S76 Shape Islington 2,68 8 Interim Art 300 Kathryn Standing 3,86 0 James Hockey Gallery 800 Samantha Warrington 3,00 0 Kettle's Yard Gallery 1,500 Trisha Ziff 5,000 Larcaa 1,500 77,011 Light House Media Centre 1,000 Total Project Grants 1,432,377 Manchester City Art Gallery 256 Total Visual Arts 3,735,877 Mario Flecha Gallery 800 Museum Of Modern Art 1,340 Northumberland County Council 500 Norwich Gallery 920 Off Centre Gallery 370 Oldham Museum And Art Gallery 720 Oxford Printmakers Co-Op 1,440 Kirsten Reynolds 1,065 The Showroom 300 Stephen Snoddy 1,000 Kathryn Standing 900 Sustrans 850 Walsall Museum & Art Gallery 400 Tracey Warr 1,500 Wise Taylor Partnership 1,500 36,684 GREAT BRITAIN TOURING FUN D - NATIONAL COLLECTIONS National Museum Of Photography, Film & Television 20,000 20,000 Carried Forward 1,254,136 74/75 SCHEDULE 2 TO THE ACCOUNT S FOR THE YEAR ENDED 31 MARCH 199 3 REGIONAL ARTS BOARDS MAIN GRANTS Eastern Arts Board 4,020,000 East Midlands Arts Board 2,671,556 London Arts Board 10,304,000 Northern Arts Board 5,105,000 North West Arts Board 4,977,110 Southern Arts Board 2,782,444 South East Arts Board 2,584,000 Arts Board South West 29826,373 West Midlands Arts Board 3,631,000 Yorkshire And Humberside Arts Board 4,579,487 43,480,970 REFORM IMPLEMENTATION COST S Eastern Arts Board 26,00 0 London Arts Board 25,00 0 North West Arts Board 27,00 0 Northern Arts Board 65,06 8 Regional Arts Bureau 6,00 0 West Midlands Arts Board 78,60 0 Redpction in Restructuring Costs Provision (318,000) (90,332 ) SUPPLEMENTARY GRANTS North West Arts Board 50,000 50,000 Total Regional Arts Boards 43,440,63 8 SCHEDULE 2 ENGLAN D SCHEDULE 3 TO THE ACCOUNT S FOR THE YEAR ENDED 31 MARCH 1993 F Brought Forward 504,300 77,00 0 Contemporary Art Society 24,000 Contemporary Dance Trust 60,000 Cultural Partnerships 30,000 Cywaith Cymru 6,160 English National Ballet 90,000 English Touring Opera 24,000 Fiori Musicali 10,500 Gardner Arts Centre 17,000 Hackney Empire 44,000 Halle Concerts Society 64,000 INCENTIVE FUNDING Horse And Bamboo Theatre 9,360 SCHEME 1- ANNUAL GRANTS Impressions Gallery 26,000 Institute of Contemporary Arts 15,000 Index On Censorship 18,000 Poetry Book Society 500 Inkworks Project 10,000 Northern Arts Board 5,000 Interzone 17,000 20,500 Kettle's Yard Gallery 20,000 King's Consort 18,500 SCHEME 2 - ANNUAL GRANTS Lambeth Children's Theatre Company 5,000 Poole Arts Centre 10,000 Light House Media Centre 20,000 Public Art Commissions Agency 17,000 London Print Workshop 18,000 Hull Truck Theatre 29,500 Lontano 10,000 56,500 Monteverdi Choir And Orchestra 30,000 New Perspectives Theatre Company 8,000 SCHEME 3 - ANNUAL GRANTS Northern Sinfonia Concert Society 35,000 Aberystwyth Arts Centre 22,500 Oily Cart Company 8,000 Adventures In Motion Pictures 11,500 The Old Dairy Studios 8,00 0 Adzido Dance Company 15,000 Oldham Coliseum Theatre 33,50 0 Almeida Theatre Company 45,000 Photofusion 12,96 0 An Lanntair 14,000 The Photographers' Gallery 41,00 0 The Art of Change 7,200 Public Arts 18,00 0 Artswork 14,500 Public Arts Development Trust 23,50 0 Beaumont Street Recording Studios 11,000 Queens Hall Edinburgh 30,00 0 Belgrade Theatre Trust (Coventry) 56,000 Royal Lyceum Theatre (Edinburgh) 50,00 0 Birmingham Royal Ballet 80,000 Sherman Theatre 35,00 0 Blackfriars Arts Centre 8,000 St Donats Arts Centre 19,20 0 Brewery Arts Centre 59,000 Take Art! 4,90 0 British American Arts Association 9,000 Tron Theatre 30,00 0 Camerata (Manchester) 30,000 Valley And Vale Community Arts 8,750 Chapter Arts Centre 24,000 Watermans Arts Centre 33,000 City Of Birmingham Symphony Orchestra 92,000 Windows 2,400 Clonter Farm Music Trust 5,600 Wolsey Theatre 50,000 1,527,03 0 Carried Forward 504,300 77,000 Total Annual Grants 1,604,030 76/77 SCOTTISH ARTS COUNCIL INCOME AND EXPENDITURE ACCOUN T FOR THE YEAR ENDED 31 MARCH 1993 1993 1992 SOOOs £OOOs .£000s L000s INCOME Grant from Arts Council of Great Britain : Note 2 22,691 19,69 3 Other Operating Income : Notc 3 7 8 19,77 1 Grants and Guarantees accrued i n previous years, now not required EXPENDITURE Administration of subsidies and service s Staff costs : Note 4 873 74 8 Depreciation : Note 9 65 5 4 Operational costs : Note 5 796 63 0 1,734 1,43 2 Grants and Guarantees : Note 6 20,769 18,08 6 Other activities : Note 6 129 178 Direct promotions : net costs : Note 7 General expenditure o n the Arts in Scotland : Note 6 21,053 18,40 4 22,787 19,83 6 Operating surplus/(deficit ) 68 (22 ) Interest receivable 98 8 6 Surplus for the financial yea r 188 64 Transfer from reserves : Note 10 - 3 0 Transfer from capital reserves : Note 1 4 (31) (29 ) Net surplus : Note 8 135 65 Accumulated surplus brought forward Accumulated surplus carried forwar d SCOTTISH ARTS COUNCIL BALANCE SHEET AS AT 31 MARCH 1993 199 3 199 2 EMS £0005 L000s L000 s FIXED ASSETS Tangible assets : Note 9 772 63 6 CURRENT ASSETS Debtors and Prepayments : Othe r 78 12 5 Grants & Guarantees paid in advance 1,320 1,51 6 Cash at bank and in hand : Note 15 659 41 7 2,05 7 2,058 CURRENT LIABILITIES Grants & Guarantees outstanding : 1,313 1,397 Creditors : amount falling du e within one year 176 12 1 1,518 570 Sa n Total assets less current liabilitie s FINANCED BY Income and Expenditure Account Capital Reserve : Note 14 Dr William Brown CBE Chairman, Scottish Arts Council Anthony Everitt Secretary General 5 October 1993 78/79 CASH FLOW STATEMENT FOR THE YEAR ENDED 31 MARCH 199 3 1993 1992 £OOOs £0008 .£000s C000 s Net Cash Flow from operatin g activities : Note 1 6 350 (601 ) Return on Imesttments : Interest received on short term cash deposits 100 8 3 Investing Activities : Fixed Assets Purchase d (209 ) (96 ) Fixed Assets Sol d 1 (208 ) (2) (94 ) Increase in Cash and Cash equivalents : Note 17 242 (612 ) SCOTTISH ARTS COUNCIL NOTES TO THE ACCOUNTS AS AT 31 MARCH 1993 1 ACCOUNTING POLICIES A) The financial statements are prepared unde r Freehold land is not depreciated . Works of Ar t the historical cost convention . Without limiting are shown at historical cost, and an amount equa l the information given, the accounts meet the to the value of the net purchases each year is requirements of the Companies Act 1985, and of transferred out of the Income and Expenditur e the Statements of Standard Accounting Practic e Account to a separate Capital reserve (Note 14) . issued by the Accounting Standards Board so far This reflects the fact that works of art are no t as those requirements are appropriate. Significant assets which have a finite useful economic life an d departures from Statements of Standard are unlikely to diminish in value . Accounting Practice are disclosed in the notes t o these accounts and the financial effect i s 0)LEASES quantified where practicable to do so . The Council holds no material finance leases . Costs in respect of operating leases are charged to B) ACCRUALS CONVENTION the Income and Expenditure Account on a (i) All income and expenditure is taken into straight line basis over the life of the lease . account in the financial year to which it relates . Setting up costs incurred on an exhibition E) PENSIONS promoted by the Council are charged to the year The total pension cost arising in 1992/93 wa s in which that exhibition is officially opened to th e £69,420 (1992 £56,126) . public . Setting up costs incurred in a year prior to The Arts Council provides a defined benefi t that opening are treated as pre-payments . pension scheme for its employees . The scheme i s (ii) Subsidy expenditure is incurred in the form o f funded by payemnts by the Council an d grants and guarantees which are formally offere d employees to a Trustee-administered fund to and accepted by the Council's clients . Grants independent of the Council's finances . These and guarantees are charged to the Income an d contributions are invested in a managed fund th y Expenditure Account in the year in which funded a leading insurance company. activities take place : if this is not determinable Contributions payable in the financial yea r they are charged in the year in which activities 1992/93 are based on an actuarial valuation o f begin. Any amounts unpaid from grants an d the scheme as at 1 April 1991, carried out using guarantees at the year end are shown as liabilitie s the Projected Unit Method, and are charge d in the Balance Sheet and any advance payment s against the Income and Expenditure Account . to the client in anticipation of grants an d The actuarial valuation revealed that, assuming a guarantees to be charged in the followin g long-term investment return of 9%, pensionabl e financial year are shown in the Balance Sheet as salary increases of 7 .5% per annum and pensio n assets . increases of 5 .5%, the net market value of th e scheme assets amounting to £13,149,94 0 C) DEPRECIATION AND FIXED ASSETS represented 104% of accrued benefits . This resul t Depreciation is provided on all tangible fixe d enabled the employers to accept the Trustees ' assets at rates calculated to write off the cost les s recommendation that the following contributio n estimated residual value of each asse t rates should apply from 1 April 1991 : Art s systematically over its expected useful life as Council 9 .4% . follows : The South Bank Centre, previously an associate d Freehold buildings over 50 years employer in the Council's Retirement Plan set up Leasehold buildings over the life of the leas e an independent scheme as at 1 April 1993 . An Fixtures & fittings over 4 years appropriate amount will be transferred from the Motor vehicles over 4 years Council 's scheme to the South Bank's scheme . 80/81 1993 199 2 £OOOs C000 s 2 GRANTS FROM THE ARTS Revenue Grant 22,691 COUNCIL OF GREAT SWAI N 3 OTHER OPERATING INCOME Sundry income 12 3 2 Rental Income 42 4 5 Profit on sale of fixed assets 1 1 55 78 4 ADMINISTRATION OF Salaries and Wages 753 65 5 SUBSIDIES & SERVICES Employers National Insurance 57 4 1 STAFF COSTS Arts Council of Great Britain Retirement Plan (1975) 63 r1) 873 The Chairman, Council an d Committee Members are not paid for their services . The average weekly number of employees during the year was mad e up as follows : No Administration of subsidies and services 51 Direct promotions 6 57 Employees receiving remuneration within the range £30,000 £39,999 2 The total actual remuneration of the Director of the Scottish Arts Counci l including taxable benefits was £37,599 . The Director is an ordinar y member of the Arts Council Pension Scheme . 5 ADMINISTRATION OF Travelling and subsistence 67 8 3 SUBSIDIES & SERVICES Rent and rates 126 12 7 Fuel, light and house expenses 70 42 Publicity and entertainment 63 4 5 Postage and telephone 50 5 2 Stationery and printing 165 11 7 Professional fees 28 5 4 Office and sundry 163 5 5 Agency staff 24 3 5 Staff recruitment costs 20 2 0 Loss on Reclassification of Fixed Assets : Note 9 10 Contributions to ACGB Information Strategy 10 SCOTTISH ARTS COUNCIL NOTES TO THE ACCOUNTS 1993 199 2 E000S E000S Z000s £OOO s 6 EXPENDITURE BY Musi c ART FORM Grants and Guarantees 7,858 6,971 Dance and Mime Grants and Guarantees 2,213 1,91 7 Touring Grants and Guarantees 21S 21 5 Drama Grants and Guarantees 3,879 3,39 0 Art Grants and Guarantees 1,524 1,367 Net cost of exhibitions : Note 7 168 15 0 Provision of studio - Amsterdam 3 4 Operating Surplus from collection : Note 7 (13 ) (10 ) Lecture schem e 21 20 Artists in Schools 3 1,706 - 1,53 1 Fil m Grants and Guarantee s 36 34 Literature Grants and Guarantee s 688 613 Poetry readings 6 6 Writers in Schools and in Public 77 103 Other activitie s 1 1 Scottish/Canadian Writers Fellowshi p 3 5 Magazines to libraries scheme 8 5 Readers fees and book purchases 790 74 1 Festivals Grants and Guarantee s 935 784 Combined Arts Grants and Guarantee s 1,425 1,226 Reports, surveys and seminars 17 26 Development Fund s Grants and Guarantee s 176 Central Funds Grants and Guarantee s 910 1,460 Enhancement Fun d Grants and Guarantees 790 Housing the Arts Grants 103 109 General expenditure on the arts in Scotland 21,053 18,404 Summary Grants and Guarantees 20,769 18,08 6 Other activities 129 178 Direct promotions : Note 7 Included in the figure of£1,424,605 (1992 : £1,226,283) for Combined Arts Grants and Guarantees, is a sum of £258,095 which is the amount spent in supporting activities at the Centre for Contemporary Arts in Glasgow between th e dates 1 April and 30 November 1992, the date on which a new company was formed to undertake activities at the Centre . 82/83 1993 199 2 £0006 SOOOs £OOOs £OOO s 7 DIRECT PROMOTIONS Incom e 1 Exhibitions Staff costs : Salaries (84) (70 ) Employers National Insurance (7) (6 ) Arts Council of Great Britai n Retirement Plan (1975 ) (7) (4 ) (98) (80 ) Operational Cost s (73) (69 ) Depreciatio n (2) (168 ) (150 ) collection Income 19 1 5 Operational Cost 6 13 1 0 Net Deficit (155 ) (140 ) 8 SURPLUS FOR THE YEAR 135 65 Stated after charging or (crediting ) (a) Auditors remuneration 25 1 9 (b) Leases in this financial year: Land and Buildings 133 13 2 Other s 34 37 (c) Rental Income (42 ) (44 ) 9 TANGIBLE FIXED ASSETS Land and Fixtures Works Buildings & Fittings Vehicles of Art Total £000s £OOOs £0009 £0008 £0008 Cost at 1 April 1992 229 244 116 370 959 Additions 104 82 - 31 21 7 Disposals at 31 March 1993 - (65)(a) - - (65 ) 333 261 116 401 1,11 1 Depreciation as at 1 April 1992 81 175 67 - 32 3 Provided 1992/93 8 46 17 - 7 1 Less : depreciation on disposals in 1992/93 - (55)(a) - - (55 ) 89 166 84 - 339 Net book value a t 1 April 1992 148 69 49 370 636 Net book valu e at 31 March 1993 244 95 32 401 772 (a) In 1992/93 the council introduced a capitalisation limit of.£500 (previously nil) . All existing assets with a capital cost of less than £500 have been written off and their written down value charged to operating expenses : Note 5. Depreciation is allocated t o Subsidies and services 65 54 Direct promotions : Note 7 6 2 71 56 The net book value of land and building comprises : Freehold 205 109 Short leasehold improvements 39 39 244 14 8 Freehold land and buildings are occupied by third parties under the term of an operating lease . The Council's art collection was valued on 31 March 1991 by Aitken Dott Plc at X1 .9 Million . In the opinion of the Council, the value of the Collection on the 31 March 1993 is not less than this figure . The purpose of the Council 's art collection is to increase the understanding and appreciation of contemporary art and t o widen its audience through loans to organisations and installations and for exhibitions. It is not held for investment or resale . SCOTTISH ARTS COUNCIL NOTES TO THE ACCOUNTS 1993 1992 10 RESERVES Balance at April 1992 - 30 Transfer from reserves - (30 ) Balance at 1 April 1993 - - 11 LEASES At 31 March 1993 the Council had annual commitments under non-cancellable operating leases as set out below: Land and Other Land and Othe r Buildings Buildings £OOOs LOWS £ooos £000s Operating leases which expire: within one year - 9 - - in the second to fifth year inclusive - 1 - 9 over five years 133 24 132 24 133 34 132 33 £OOOs L000S 12 CAPITAL COMMITMENTS Contracte d Authorised but not contracted 13 GRANT COMMITMENTS Forward funding 1993/94 18,526 10,064 14 CAPITAL RESERVE Balance at 1 April 1992 370 3,11 Appropriations in 1992/93 31 29 Balance at 31 March 1993 401 37 0 15 CASH AT BANK, IN HAND Cash in transit (balance due from AND IN TRANSIT Arts Council of Great Britain) 500 400 Other Cash 159 1 7 659 41 7 16 NET CASH FLOW Operating Surplus/(Deficit) 68 (22 ) FROM OPERATING Depreciation charges 71 5 6 ACTIVITIES Profit on sale of fixed assets (1) (1) Decrease in Debtors & Prepayments 45 41 (Increase)/Decrease in Grants & Guarantee s paid in advance 196 (803 ) Increase in Creditors 45 9 Increase/(Decrease) in Grants & Guarantees outstanding (84) 119 Loss on Reclassification of Fixed Assets 10 - 350 (601 ) 1993 1992 Change in Yea r LOWS C000s £OOOs 17 INCREASE IN CASH Analysis of the balance of cas h AND CASH EQUIVALENTS and cash equivalents Cash at bank, in hand and in transit 659 419 242 Comptroller and Auditor General's Certificat e I have examined the financial statements on pages 79 to 87 in accordance with the National Audit Office auditin g standards. In my opinion the financial statements give a true and fair view of the state of affairs of the Scottish Art s Council at 31 March 1993 and of its surplus and cash flows for the year then ended and have been properly prepared i n accordance with the directions made by the Secretary of State for National Heritage . N Gale Associate Director for the Comptroller and Auditor General National Audit Offic e 8 October 1993 84/85 SCHEDULE 1 TO THE ACCOUNTS FOR THE YEAR ENDED 31 MARCH 1993 £ £ Brought Forward 2,022,363 BORDER S Borders Dance Festival 6,943 Borders Regional Council 325 7,26 8 CENTRAL Clackmannan District Council 40 0 Denny Community Dance Group 25 0 Stirling Youth Dance Group 500 1,150 DANCE & MIM E EDINBURGH DUMFRIES & GALLOWAY Assembly Theatre 10,000 Castle Douglas Dance Group 440 Benchtours 13,000 Dumfries & Galloway Arts Association 4,800 Alex Crai g 100 5,240 Drumalban Folk Ensembl e 1,00 0 Christine Devaney 70 FI F E Emma Dingwal l 2,000 Fife Regional Council 3,000 Edinburgh Indian Assoc . 2,000 3,000 Edinburgh Chinese Dance & Cultural Youth Grou p 300 GRAMPIAN Edinburgh District Counci l Asian Social & Cultural Assoc . 1,600 (Dance Base ) 8,000 Banff & Buchan District Council 8,000 Fight or Flight 1,500 Crathes 1992 500 Jenny Frase r 190 10,100 Ben Grant 100 Jock Tamson's Bairns 328 HIGHLAND S Koshi Hip Theatre Company 1,000 Ross & Cromarty District Council 6,000 Les Anges 1,400 6,000 Brigid McCarthy 140 The Mime Foru m 2,255 LOTHIAN Katrina McPherson 370 West Lothian District Council 900 National Youth Jazz Dance Festival 3,000 900 Offshoot Dance Grou p 400 Janice Parke r 450 STRATHCLYD E Scottish Youth Dance Festival 15,000 Cunninghame District Council 1,000 State Theta 7,000 Jacqueline Anderson 500 Susan Hay Administrations/Dance Mid-Argyll Community Dancers 40 0 Initiatives 10,000 Paisley Arts Centre 800 The Traverse Theatre (Scotland ) 5,000 Strathclyde Regional Council 1,00 0 Theatre Du Pi f 1,000 3,70 0 National Youth Jazz Dance Festival 5,000 90,603 TAYSID E Asian Cultural Association (Taysid e GLASGO W and Fife) 4,00 0 Asian Artistes Association (Glasgow ) 4,000 Dundee College of Further Education 250 Bangla Centr e 100 Dundee Repertory Theatre 103,500 Centre for Contemporary Arts 21 9 000 Plan B 26,000 Dance Aliv e 4,000 Grace Mangan 1,000 Dance Constructio n 800 134,750 Glasgow School of Ar t 600 Jane Jewel 1,000 ISLAND AUTHORITIE S Joint Actio n 3,000 Shetland Arts Trust 2,000 Mayfest 20,000 2,000 Nikki Millica n 360 Randomoptic Pick Up Company 4,000 OTHER S The Scottish Balle t 1,860,900 Arts Council of Great Britain 1,500 Tramway Theatre 1,000 Commotion 1,500 TAG Theatre Compan y 10,000 Conran Roche 8,438 Marisa Zanotti 1,000 London City Ballet 1,500 1,931,760 Trestle Theatre Company 1,000 Talking Pictures 2,500 16,438 Total Per Note 6 2,212,909 Carried Forward 2,022,363 SCHEDULE 1 SCOTLAND Brought Forward 841,588 1,151,389 DEVELOPMENT Scottish Drama 2,00 0 EDINBURGH - Scottish National Assoc of Youth Theatre 5,00 0 Book Trust Scotland 19,800 Phyllis Steel 20 0 Edinburgh Sculpture Workshop Group 5,000 Ian Turbitt's Puppet Theatre 30 0 Photography Workshop (Edinburgh) 15,000 Tron Theatre 211,839 Royal Lyceum Theatre Co 14,500 TAG Theatre Company 151,334 The Scottish Chamber Orchestra 15,000 Visible Fictions 15,00 0 Scottish Poetry Library Association 5,000 Woodside Area Arts Project 1,00 0 Scottish International Festival of Winged Horse Touring Productions 18,00 0 Photography/Fotofeis 25,000 1,246p261 Glasgow - BORDER S Street Level Gallery 10,000 The Scottish Music Information Jane Houston Green 20 0 Centre 5,000 20 0 Association of Scottish Literary Studies 4,000 Business in the Arts 5,000 CENTRAL Feisean Nan Gaiedheil 4,000 Federation of Scottish Theatres 18,000 National Gaelic Arts Project 25,000 MacRobert Arts Centre 1,900 Perth Repertory Theatre 10,000 19P 90 0 OTHE R Sundry Expenditure 13,707 FIFE 176,007 Byre Theatre of St Andrews 129,920 129,920 DRAMA EDINBURGH GRAMPIA N Benchtours 3,500 Aberdeen Art Gallery/City of Aberdeen 11,000 Communicado Theatre Company 156,873 Banff & Buchan District Council 1,500 Celtech Events 1,000 Crathes 1992 1,500 Edinburgh Puppet & Animation Festival 3,000 The Invisible Bouncers 6,000 Edinburgh Puppet Company 9,000 North East of Scotland Touring Arts Edinburgh Touring Circuit 3,000 Co-Ordinating Assoc . 5,000 Fifth Estate 34,000 25,000 Grassmarket Project 1,50 0 Hullaballoo Childrens Theatre 30,000 HIGHLAN D Pat Keysell 1,255 Eden Court Theatre 1,000 Duncan Low 300 Grey Coast Theatre Company 22,000 Jo McNamara 3,000 National Gaelic Arts Project 18,000 Muirhouse Festival Activities Centre 900 Clown Jewels 22,000 Boilerhouse Theatre Company 13,997 Ross & Cromarty District Council 1,000 Royal Lyceum Theatre Company 530,271 64,000 Streets Ahead Theatre Company 1,50 0 Scottish International Children's LOTHIA N Festival 20,000 East Lothian District Council 57,541 The Traverse Theatre (Scotland) 323,793 57,541 Theatre Scotland 3,000 Theatre Workshop Edinburgh 11,500 STRATHCLYD E 1,151,389 Black Box Puppet Theatre Trust 14,62 8 Borderline Theatre Company 160,47 6 GLASGOW MacMyth Project 3,00 0 Annexe Theatre Company 3,000 Cumbernauld Theatre Trust 36,50 0 Birds of Paradise Theatre Company 4,000 Edward Jackson 50 0 Citizens Theatre 514,786 Wildcat Stage Productions 190,02 1 Clanjamfrie 7,500 405,12 5 Clyde Unity Theatre 41,000 Fablevision 20,000 TAYSID E Govan Initiative 2,100 Dundee Repertory Theatre 266,486 Jane Jewel 1,000 Tayside Regional Council 650 Flloyd Kennedy 200 Pitlochry Festival Society 227,193 Music Theatre Lab 5,000 Perth Repertory Theatre 266,98 7 Media Theatre Company 3,000 76131q Pen-name Theatre 40,000 Scottish Mask & Puppet Centre 3,000 ISLAND AUTHORITIE S Jo Smith 300 Alan Watters 3,000 7 :84 Theatre Company (Scotland) 175,702 3,000 Scottish Youth Theatre 21,000 Carried Forward 841,588 1,151,389 Carried Forward 3,863,652 86/87 Brought Forward 3,863,652 Brought Forward -1,820 254,85 0 OTHERS Northlight Poetry Review 960 Assitej G .B . 500 Scottish Book Collector 2,82 0 Half Moon Young Peoples Theatre 3,000 Tocher 1, 800 International Workshop Festival 2,500 Nerse 2,01 0 Medieval Players Company 4,000 West Coast Magazine 3,7x` 0 Northern Stage Company 1,000 83,160 Oily Carte Theatre Company 2,00 0 Ra Ra Zoo 2,000 LITERARY EVENT S 0 15,000 Asian Artistes Association 1,00 Angus District Council 500 Total Per Note 6 3,878,652 Edinburgh Book Festival 500 ENHANCEMENT Edinburgh Children's Book Group 550 Edinburgh - University of Edinburgh 1,500 Art in Partnership (Scotland) 10,000 Lothian Racial Equality Council 1,000 Collective Gallerv 15,000 Netherbow Arts Centre 900 Edinburgh International Festival Society 75,000 Walter Petrie 230 Edinburgh Book Festival 5,000 Romantic Novelists Association - Scotland 200 The Scottish Chamber Orchestra 100,000 Ross & Cormarty District Council 1,000 Scottish Poetry Library Association 15,000 University of Strathclyde 750 The Traverse Theatre (Scotland) 75,000 The Scottish Storytelling Festival/Forum 4,400 Glasgow - Stirling District Council 600 Citizens' Theatre 75,000 13,130 TAG Theatre Company 15,000 Cranhill Arts Project 15,000 GRANTS TO PUBLISHER S Royal Scottish Orchestra Society 100 9000 AK Press - The Scottish Ballet 175,000 "The Art of Catching a Bus and othe r Scottish Opera 100,000 poems" by Jim Ferguson 500 Street Level Gallery 15,000 Argyll Publishing - 1,000 790,000 "Achanult" by George McLennan "A real Glasgow Archipelago" by Jac k HOUSING THE ARTS Withers 750 Dundee Repertory Theatre 7,500 Balnain Books - Edinburgh - "Mortimer's Deep" by Simon Taylor 1,500 Collective Gallery 10,000 "Fine White Stoor" by James Miller 1,000 The Empire Theatre Project 25,000 "Aphra Behn" by Ross Laidlaw 1,000 Greyfriars Outreach 2,500 "Thoughts of Murdo" by Iain Crichto n Morrison Developments 15,000 Smith 1,250 Royal Lyceum Theatre Co 10,000 "The Small Dark Man" by Maurice Walsh 1,000 Glasgow - Black Ace Books - Scottish Mask & Puppet Centre 5,000 "Natana" by Mercedes Claraso 1,250 Tron Theatre 18,500 Blind Serpent Press - Haddo House Choral & Operatic "Wild Mushrooms" by Kate Armstrong 37 5 Society 8,000 British Film Institute - Lamp of Lothian Collegiate Trust 29 000 "Bill Douglas : A Lanternist's Account " 103,500 edited by Eddie Dick, Andrew Noble an d Duncan Petrie 1,50 0 LITERATURE B & W Publishing - Association of Scottish Literary Studies 16,250 "The Antiquary" by Sir Walter Scott Book Trust (Scotland) 40,500 (reprint) 750 Edinburgh Book Festival 18,750 "The Fair Maid of Perth" by Sir Walte r Gaelic Books Council 87 9 500 Scott (reprint) 750 Scottish Poetry Library Association 20,850 Canongate Publishing - Scottish Publishers Association 71,000 "Electric Brae" by Andrew Greig 1,250 254,850 "Fallen Angels" by Robin Lloyd Jones 600 "Move Up John" by Fionn McColla 1,250 MAGAZINES "Sydney Goodsir Smith : Drawings" by Books in Scotland 13,200 Ian Begg 1,500 Cencrastus 12,420 "New School Blues" by Theresa Breslin 600 Chapman 12,480 "Glasgow Girls" by Jude Burkhauser - Edinburgh Review 6,500 (reprint) 1 9250 Gairm Publications 14,500 "Quest for a Queen : The Lark " Gairfish 2,000 by Frances Hendry 1,250 Lallans 2,220 "The Tragedy of Man" by Imre Madac h Lines Review 8,500 Translated & adapted by Iain Macleod 1,000 Carried Forward 71,820 254,850 Carried Forward 21,325 351,140 SCHEDULE 1 SCOTLAN D £ £ £ £ Brought Forward 21,325 351,140 Brought Forward 63,435 351,14 0 "Part seen: Part imagined " by Timothy Neat 3,000 "Skating Round the Poppy " "From the Allegehenies to the Hebrides" by M S Power" 1,250 by Margaret Fay Shaw 1,000 "Burns : A Biography of Scotland's "Irish Anthology" 1,900 Poet " by James MacKay 2,500 Jonathan Cape - "The Hidden History of Glasgow's Women " "Places of the Mind" by Tom Leonard 2,000 by Elspeth King 1,000 Chapman - "Giraffes : a Glasgow Novel" by John McGill 1,250 "Gold of Kildonan/Songs of the Grey Coast " "The Mainstream Companion to Scottis h by George Gunn 500 Literature" by Trevor Royle 3,000 "Meeting at Colonus " by Joy Pitman 500 Mariscat Press - "The Blasphemer/Carlucco" by George Rosie 1,000 "The Stone Sleeping Bag" by Douglas Lipton 60 0 "Cellos from Hell" by Jim C Wilson 700 Mercat Press - "The Collected Shorter Poems of Tom "Musick Fyne : Robert Carver & The Ar t Scott" by Tom Scott 1,500 of Music in Sixteenth Century Scotland" "The Mud is Quiet" by Colin Kerr 400 by D James Ross 2,000 "A Therapy of Camels " by William Oliphant 1,000 Less : Music Department Allocation (1,000) John Donald Publishers - "The collected Poems of Alexander Scott" "Andrew Fletcher & The Treaty of edited by David S Robb 2,000 the Union" by Paul H Scott 1,000 Morning Star Publications - Edinburgh University Press - Folios Nos . 3/2, 3/3, 3/4,4/1 650 "Country Bairns : Growing Up Graeme Murray Edinburgh - 1900-1930" by Lynn Jamieson "Kate Whiteford : Sitelines" edited by & Claire Toynbee 1,000 Graeme Murray 1,000 "The History of BBC Broadcasting in Polygon - Scotland 1923-83" by William B McDowell 1,000 "Hidden Daughters" by Sian Hayton 1,000 "This Delightful Colony : A History "Imelda & Other Stories" by John Herdman 1,250 of New Lanark" Edited by Ian Donnachie "Heroes" by Chris Hurford 800 & George Hewitt 1,000 "Poem Purpose and Place : Shaping Identity "Weir of Hermiston" edited by in Contemporary Scottish Literature" 1,250 Catherine Kerrigan 750 "The Thirtieth Year" by Ingeborg Bachman n "Glasgow: The Forming of the City" (reprint) 1,000 by Peter Reid 2,500 "Tormentil and Bleached Bones" by Tom "Virtue, Learning and the Enlightened Clark 750 Historian" by David Allan 1,500 "Life on a Dead Planet" by Frank Kuppner 1,000 "Edwin Muir : Poet, Critic and Novelist" "Stained Radiance" by James Leslie Mitche l by Margery McCulloch 1,000 (reprint) 1,000 "The Scottish Novel since 1970" edited "Knights of the Lower Floors" by by Gavin Wallace and Randall Stevenson 1,250 Graham Fulton 500 "Scotland and the Age of the Disruption" "Willie Hogg " by Robin Jenkins 1,400 edited by S .J. Brown and M . Fry 17000 Special Award 1,000 "Identifying Poets : Self and Territory Ramsay Head Press - in Twentieth Century Poetry" by "Slightly Mad and Full of Dangers" by Robert Crawford 1,250 H. Forsyth Hardy 750 "An Anthology of Scottish Verse" by Reaktion Books - Roderick Watson 5,000 "Ian Hamilton Finlay: A Visual Primer" Galliard Publishers - by Yves Abrioux 2,000 "Aline-Nadine Gossip : Poems" by Sa' t Andrew Press - Hugh Ouston 650 Sacred Stones, Sacred Places" by Robert Hale - Marianna Lines 2,000 "On the face of It" by Maurice Lindsay 750 Saltire Society - Harper Collins Publishers - "Thomas Carlyle" by Ian Campbel l Short Story Volume 1993 "Three Kinds of (reprint) 1,250 Kissing" 4,860 "Trial of Patrick Sellar" by Ian Luath Press - Grimble (reprint) 75 0 "The Bothy Brew and Other Stories " by Schiltron Publishing (Cassettes) - Hamish Brown 1,000 "Mr Carnegie's Lantern Lecture" by Hugh MacDiarmid Centenary Committee - W. Gordon Smith, narrated by Russell "MacDiarmid in Shetland" edited by Hunter 25 0 Lawrence Graham & Brian Smith 750 "Hunting Shadows " by Tom Gallacher, Ian MacDonald - narrated by Robert Trotter 35 0 "Scottish/Irish Poets" Anthology 350 "Short Stories of Robert Louis Stevenson , Mainstream Publishing Volume 3" by Robert Louis Stevenson 50 0 "Dreams of Exile : A Biography of "Travels with a Donkey" by Robert Robert Louis Stevenson" by Ian Bell 2,000 Louis Stevenson 30 0 Scotsoun (Cassettes) - Carried Forward 63,435 . 351,140 Carried Forward 96,785 351,140 pp OD/89 £ £ Brought Forward 96, 785 351,140 Brought Forward 134,315 4,366,300 "Poems of Alistair Mackie " 750 Edinburgh Chamber Music Trus t 10,000 "Poems of Douglas Young " 400 The Hebrides Ensembl e 15,000 Strathchde Communitv Relations Council - The Leda Trust 5,000 -Strathclyde Roots" 1,750 Paragon Ensembl e 31,500 Stride Publications - The Royal Scottish Orchestra "Coming Home the Long Way Round th e Society 1,821,750 Mountain" by Rosalind Brackenbury_ 500 Scottish Baroque Ensembl e 112,350 Taranis Books - Scottish Chamber Orchestr a 800,000 "Wild Fire" by Janet Paislev 1,00 0 Scottish Ear k, Music Association 15 .000 "The Elementary Particles" by Gerry Loos e 50 0 2,944,925 "Triptych" by J .N . Reill y 75 0 "Transit Visa (N .W. Africa)" by CONCERT PROMOTERS - Others Bobby Christi e 35 0 Aberdeen Chamber Music Clu b 3,75 0 "Kicking Back" by Magi Gibson 600 Aberdeen Jazz Society 3,00 0 Whigmaleerie Cassettes - Isle of Arran Music Society 1,40 0 "The Desperate Journey" by Asian Artistes Associatio n 7,00 0 Kathleen Fiddle r 750 Ayr Arts Guil d 3,750 "Hill of the Red Fox" by Ayr Music Clu b 1,500 Allan Campbell McLean 750 Banffshire Arts Guild 1,500 Gordon Wright Publishing - Basement Jazz Clu b 3,000 "Collected Poems & Short Stories" by Beith Arts Clu b 1,500 Peter Buchan 1,500 Berneray Community Association 850 "Collected Short Stories" David Toulmi n 1,7SO Biggar Music Clu b 4,000 108,135 Bute Arts Society 750 Carnoustie Music Clu b 1,050 WRITING FELLOWSHIP S Cowal Music Club 2,000 Artlink (Edinburgh & Lothians ) 5,500 Culzean Arts Guil d 650 Biggar Museum Trus t 5,500 Cumnock Music Club 1,000 Banff & Buchan District Council 2,750 Dalkeith & District Arts Guil d 400 City of Aberdeen District Council 5,500 Dollar Music Society 450 Duncan of Jordanstone College of Ar t 5,50 0 Dumfries Music Clu b 1,600 Dumfries and Galloway Arts Associatio n 2,750 Dunblane Cathedral Arts Guil d 4,000 Dundee University 5,50 0 Dundee Chamber Music Club 3,600 Glasgow City Counci l 5,50 0 Dunfermline Arts Guil d 950 Midlothian District Counci l 5,50 0 East Kilbride Music Clu b 1,00 0 Perth & Kinross District Counci l 5,50 0 Ettrick & Lauderdale District Counci l 2,30 0 Renfrew District Counci l 5,50 0 Forfar Arts Guil d S0 0 Renfrew District Counci l 5,500 Galashields Arts Association 1,25 0 University of Strathclyd e 3,666 Gatehouse Music Society 1,000 Stirling District Counci l 5,500 Georgian Concert Society 10,000 University of Edinburgh 4,000 Glenkens & District Music Clu b 2,000 University of Aberdee n 5,500 Gordonstoun Concert Society 3,250 79,166 Haddington Music Clu b 3,150 Book Awards 13,000 Haddo House Choral & Operatic Society 2,500 Bursaries & Travel Grants 84,181 Hamilton District Arts Guild 500 Children's Book Groups 2,850 Hawick Music Clu b 1,550 General Devcopment Reserv e 600 Helensburgh Music Society 1,500 Meet The Autho r 16,500 Invergordon Arts Society 2,000 Scottish Paperbacks 26,673 Irvine Burns Clu b 1,200 Translation Fun d 5,500 Kelso Music Societ y 4,500 Sundry Expenditure 104 Kilmardinny Music Circl e 3,150 Kintyre Music Clu b 4,250 Total Per Note 6 687,849 Kirkcaldv Music Society 2,750 MUSI C Lanark Arts Guild Music Clu b 1,050 OPER A Lewis & Harris Piping Society 800 Scottish Opera 4,360,000 Lewis & Harris Traditional Musi c Amateur Opera (NFMS) 6,300 Societ y 950 4,366,300 Linlithgow Arts Guil d 3,00 0 Lochaber Music Socierv 1,72 5 CONCERT PROMOTERS - Performing Companie s Lockerbie Musical Society 35 0 Assembly Direct 67,82 5 Melrose Music Society 1,100 Cappella Nova 13,92 5 Miingavie Music Clu b 4,250 Chamber Group of Scotland 10,00 0 Moffat & District Musical Society 700 The John Currie Singers 20,00 0 Motherwell & District Music Society 850 ECAT 22,575 Music in Blair Athol l 1,250 Carried Forward 134,315 4,366,300 Carried Forward 112,075 7,311,225 SCHEDULE 1 SCOTLAN D L £ £ £ Brought Forward 112,075 7,311,225 Brought Forward 196,311 7,524,555 Nairn Performing Arts Guild 800 Centre 60,000 New Town Concerts Society 5,500 256,311 Newton Stewart & District Music Club 1,900 Music in Peebles 2,250 RECORDING S National Federation of Music Assembly Direct 3,000 Societies 45,925 Cappella Nova 6,000 Oban Music Society 1,400 Continuum Compact Discs 2,500 Paisley International Organ Festival 350 Greentrax Records 5,000 Pakistan Social and Cultural Society 800 John Kitchen 1,000 Pan African Arts Scotland 4,000 Linn Records 15,000 Perth Chamber Music Club 300 32,500 Platform Inverness 3,000 TRADITIONAL MUSIC - PROJECTS The Pleasure of Music Trust 50 0 Prestwick Arts Guild 300 Adult Learning Project/Scots Music St Andrews Music Club 2,200 Group 7,000 Skerrey Village Hall Committee 500 Comunn Na Clarsaich 800 Skye Arts Guild 3,250 Glasgow Folk & Traditional Arts Trust 10,000 Stonehaven Music Club 1,850 Highland Regional Council 600 Stranraer Music Association 3,500 Inform 500 Strathearn Music Society 2,500 Lochaber Music School 500 Thurso Live Music Association 2,500 Ewan McVicar 3,500 Troon Arts Guild 300 Josephine Millar 200 Westbourne Music 5,250 National Gaelic Arts Project 10,000 West Kilbride Music Club 1,150 North East of Scotland Heritage Trust 5,000 West Linton Music Society 1,200 Ross & Cromarty District Council 1,600 203,300 Traditional Music & Song Association (Glasgow) 100 CONCERTS IN SCHOOLS Traditional Music & Song Association of Belhaven Hill School 100 Scotland 5,000 Bell Baxter High School 50 Urras an Eilein 200 Border Regional Council 150 45,000 Breadalbane Academy 75 Total Per Note 6 7,858,366 Dunbar Primary School 80 REPORTS, SURVEYS AND SEMINARS Golspie High School 75 Langholm Academy SO Edinburgh - Lochaber High School 75 Assembly Direct 500 Morrison's Academy 100 Robert Adam 250 Orkney Islands Council 75 The Celtic Congress (Scotland) 2,00 0 830 Tom Eccles 25 0 European Community Cultura l EDUCATION & TRAINING Cooperation Committee (EC4) 3,00 0 Arsimevu 1,000 J Kenny 25 0 An Tuireann Arts Centre 1,000 Aonghas MacNeacail 25 0 Dumfries & Galloway Regional Council 150 Graeme Murray 25 0 Fellowship of Churches 200 Scottish National Portrait Gallery 4,00 0 Glasgow 1990 Steel Band 2,400 Scottish Federation of Theatres 50 0 Hillhead String Orchestra 1,000 Salvo/Eric Robinson 75 0 Lochaber Music School 1,000 Glasgow - National Federation of Music M R Baxter 35 0 Societies 350 Carl MacDougall 250 Strathclyde Opera Theatre Trust 2,100 David McMillan 25 0 9,200 Scottish Trades Union Congress 250 Variant Magazine 50 0 OTHER ACTIVITIES Graeme Woolaston 250 Commissions 40,950 Stephen Skyrna 250 Composers Bursaries 20,000 Aberdeen Art Gallery/City of Aberdee n Early Music 30,000 Conference 60 0 Jazz Projects 22,025 Nathan Coley 250 Local Authority Developments 18,600 Dundee Rep Dance Company 50 0 Music Awards 5,500 Eden Court Theatre 500 Other Applications 25,500 Bob McGilvray 250 Performing Materials 13,736 Sundry Expenditure 71S The Queen's Hall (Edinburgh) 10,000 Total Per Note 6 16,915 Scotland's Music 10,00 0 The Scottish Music Information TOURING STAGE Carried Forward 196,311 7,524,555 90/91 Brought Forward 5917,38 9 EDINBURGH Graeme Todd 27 5 Fang's Theatre 40,000 1-7niversity of Edinburgh 3,500 40,000 Visual Art & Galleries Associatio n (Scotland) 1,500 GLASGOW Western General Hospital 88 Theatre Roval 67,000 Donald White 2,500 Michael Dale 3,000 635,252 Tramway Theatre 5,000 75,000 GLASGO W Oladele Bamgboye 2,500 FIFE Christine Borland 1,800 Adam Smith Theatre 5,497 Breathe Group 2,000 5,497 Katrina Brown 1,250 Fiona Byrne-Sutton 150 GRAMPIAN Centre for Contemporary Arts 5,00 0 His Majesty's Theatre 85,000 Collins Gallery 3,00 0 85,000 Marion Courts 40 0 Cranhill Arts Project 219000 OTHERS Eventspace 3,000 Visiting ACGB & Northern Ireland 99500 Patricia Fleming 1,000 9,500 Alan Frame 300 Glasgow Print Studio 80,000 Total Per Note 6 214,997 Glasgow University 3,822 ART Douglas Gordon 400 EDINBURGH Glasgow Arts Centre 775 Art in Partnership : Scotland 16,065 Glasgow City Council 6,000 Artlink (Edinburgh & Lothians) 6,000 Glasgow District Council 7,200 Alba Magazine 16,572 Glasgow Sculpture Studios 27,000 Adult Learning Project 368 Glasgow Film & Video Workshups/Eventspace 1,40 0 Kenneth Bean 300 Glasgow Art Galleries & Museums 8,80 0 Jane Brettle 2,050 Clare Higney 45 0 City Art Centre 3,500 Stephen Hurrell 5,00 0 Collective Gallery 15,000 Michael Lindley 400 Brian Donlevy 300 Peter Lundh Von Leithner/Aquarium 1,405 Tom Eccles 2,000 Janice McNab 200 Edinburgh Fringe Film and Video Festival 2,000 Peter McKay 400 Edinburgh Sculpture Workshop Group 15,150 Needleworks 7,500 Edinburgh Printmakers Workshop 57,000 Project Ability 6,000 Eastern General Hospital 2,160 Craig Richardson 1,800 Alec Finlay 600 Alan Robertson 700 Karen Forbes 500 Springburn Museum Trust 7,543 Rose Frain 5,000 Street Level Gallery 22,250 Fruitmarket Gallery 273,000 University of Strathclyde 6,00 0 James Gibson 300 Strathkelvip District Council 1,70 0 Kevin Henderson 12,000 Sustrans, Scotland 1,00 0 Stephen Hunter 910 Transmission Gallery 15,00 0 Callum Innes 10,000 Sean Taylor 40 0 Henry Kondracki 400 Variant Magazine 23,250 Lux Europae Trust 10,000 Visual Arts Library & Arts Plan (VALIP) 750 Matilda Mitchell 3,000 Workshop and Artists Studio Provisio n Helen Morrison 300 (Scotland) 62 000 Marcel O'Connor 400 Workshop La Victoria x200 Photography Workshop (Edinburgh) 43,68 2 340,745 Michael Pinsky 80 0 Philip Power 5,000 BORDER S Donald Provan 270 Ettrick & Lauderdale Museums Service 250 The Royal Incorporation of Architects in Ettrick & Lauderdale District Council 1,349 Scotland 2,020 Allan Lennie 17 5 Scottish International Festival of Tweeddale District Council 1,81 5 Photography 25,000 3,589 Slide Workshop 5,000 CENTRA L Alison Sneddon 450 Ian Stewart 400 Andrew Guest 400 Stills Gallery 59,892 Scottish Sculpture Trust 15,000 Talbot Rice Art Centre 30,000 Stirling District Council 4,652 Carried Forward 597,389 Carried Forward 15,400 979,58 6 SCHEDULE 1 SCOTLAND E £ £ £ Brought Forward 15,400 979,586 Brought Forward 50,320 1,254,63 0 The Smith Museum & Art Gallery 2,600 Summerlea Heritage Trust 7,425 22,652 59,745 DUMFRIES & GALLOWAY TAYSID E Gracefield Art Centre 1,131 Angus District Council 8,000 Stewartry District Council 775 British Health Care Arts Centre 16,400 Linda Taylor 500 City of Dundee District Council 3,875 2,406 Dundee Printmakers Workshop 75,000 Dundee Public Arts 10,500 FIFE Duncan of Jordanstone College of Art 8,000 Arts in Fife 4,194 Mhairi Killin & John Cairns 2,300 Crawford Arts Centre (St Andrews) 37,000 Meadowmill Artists 800 Paul Dignan 300 Malcolm Miles 300 Dunfermline District Council 2,165 Perth Partnership 3,000 Fife Health Board 2,000 Royal Dundee Liff Hospital 5,000 Fife Regional Council 300 133,17 5 Kirkcaldy District Council 84 5 West Fife District General Hospital 1,000 ISLAND AUTHORITIE S 47,804 An Lanntair 30,000 Erland Brown & Colleagues 2,000 GRAMPIAN Cuimhneachain Nan Gaisgeach 2,000 Aberdeen Art Gallery/City of Aberdeen 1,308 Sylvia Hays 30 0 Aberdeen District Council 2,150 Pier Arts Centre 26 9 909 Aberlour House Summer School 275 Shetland Arts Trust 5,22 5 Banff &. Buchan District Council 3 9 850 Western Isles Health Board 850 Ruth Beardsworth 1,411 Frances Pelly 3,00 0 Grampian Regional Council 3,850 70,284 Grampian Hospitals Art Project 6,00 0 Grampian Hospitals Arts Trust 2,000 OTHER S Peacock Printmakers (Aberdeen) 78,900 Moviola 6,00 0 Keith Rand 380 6,00 0 Scottish Sculpture Workshop 36,580 Total Per Note 6 1,523,83 4 136,704 FILM HIGHLAND Scottish Film Production Fund 28,00 0 An Tuireann Arts Centre 3,275 Scottish Film Training Trust 8,00 0 British Artists Blacksmith Association 2,000 Total Per Note 6 36,00 0 Highland Regional Council 26,58 8 Highland Printmakers Workshop & COMBINED ARTS Gallery 24,350 EDINBURG H 56,213 Artlink (Edinburgh and Lothians) 12,00 0 The Elements 50 0 LOTHIAN Edinburgh District Council 3,00 0 Matthew Inglis 5,750 Lung-Ha's Theatre Company 3,00 0 East Lothian District Council 665 Pilton Arts 3,90 5 West Lothian District Council 1,200 Solas 7,65 0 Kenny Munro 250 The Traverse/Gulbenkian Multi-Media Arts 2,00 0 St : John's Hospital 1,400 Theatre Workshop (Edinburgh) 105,29 0 9,265 W.H .A.L .E . 5,260 142,60 5 STRATHCLYD E Clydesdale District Council 2,500 GLASGOW Cunninghame District Council 175 Asian Ensemble 2,75 0 The Dick Institute 5,900 Bearsden & Miingavie Arts Guild 84 1 Glasgow Group 1,000 Bengali Performing Arts 1,50 0 Inverclyde District Council 6,000 Centre for Contemporary Arts 62,91 0 Irvine Development Corporation 4,750 Easterhouse Arts Project 6,00 0 East Kilbride Arts Council 1,300 Glasgow Arts Centre 4,33 6 East Kilbride Development Corporation 7,575 Glasgow District Council 165,00 0 Kilmarnock and Loudon District Council 4,616 Glasgow Folk & Trad . Arts Trust 7,08 2 Kyle and Carrick District Council 9,000 Glasgow Fair 2,50 0 M8 Art Project 5,000 Glasgow Mela 8,00 0 McLean Museum 1,704 New Beginnings (Strathclyde & Daniel Reeves S00 Glasgow) 5,00 0 Andrew Sneddon 2,000 NVA (Formerly Test Department) 10,00 0 Carried Forward 50,320 1,254,630 Carried Forward 265,919 142,605 92/93 L £ £ £ Brought Forward 265,919 142,605 Brought Forward 110,810 1,013,964 Project Abilitv 12,000 Shotts Arts Guild 1,466 Scottish Music Information Centre 2,500 Srrathhaven Arts Guild 1,18 9 Scottish Trades Union Congress 20,700 129,480 The «'oodlands Community TAYSID E Development Trust 6,000 317,119 Dundee Arts Centre 4,00 0 Glenfarg Folk Feast 27 3 CENTRAL Traditional Music & Song Assoc . o f Artlink Central 2,500 Scotland (Angus Branch) 25 0 MacRobert Arts Centre 161,645 4,523 164,145 ISLAND AUTHORITIE S DUMFRIES & GALLOWAY An Comunn Gaidhealach 6,80 0 Dumfries & Galloway Arts Association 32,170 An Lanntair 6,94 9 Wigtown District Council 6,352 Orkney Arts Society 4,79 4 38,522 18,543 FIFE OTHE R Arts in Fife 13,105 SAC administration of Centre fo r Dunfermline District Arts Council 526 Contemporary Arts 258,094 13,631 To be Per Note 6 1,424,604 GRAMPIAN FESTIVAL S Aberdeen Arts Centre Association 4,700 EDINBURG H Banff & Buchan District Council 1,000 Craigmillar Festival Society 20,59 0 Crathes 1992 1,000 Edinburgh International Festival 651,84 0 North East of Scotland Heritage Trust 5,000 Edinburgh Festival Fringe Society 23,56 2 The Lemon Tree Trust 6,000 Edinburgh Harp Festival 1,54 5 17,700 Edinburgh International Folk Festival 5,28 4 Stockbridge Festival 20 0 HIGHLAND 703,021 An Tuireann Arts Centre 2,50 0 Ballachulish Community Arts Society 315 GLASGOW Comann Nam Parant 500 Arts is Magic Festival 7,50 0 Comunn Na Gaidhlig 500 Beltane Fire Festival 50 0 Eden Court Theatre 205,340 Glasgow International Early Music Invergordon Community Arts Project 2,421 Festival 10,00 0 Inverness Folksong Club 731 Glasgow International Folk Festival Soc . 1,68 9 Lyth Arts Centre 9,230 Glasgow International Jazz Festival 6,31 5 National Gaelic Arts Project 45,005 Mayfest 76,00 0 Isobel Rhind Resource Centre 3,500 Northlands Festival 10,00 0 SEALL 1,500 112,004 Skerrav Community Hall Committee 50 0 Strathpeffer Pavilion Arts 6,000 BORDER S Torry Youth Project 500 Melrose Music Festival 30 0 Ullapool Entertainments 2,804 H00 West Coast Arts 2,140 283,486 DUMFRIES & GALLOWAY Dumfries & Galloway Arts Festiva l LOTHIAN Socieq 12,15 0 East Lothian Community History & Arts 12,150 Trust 9,000 Lamp of Lothian Collegiate Trust 7 9 431 FIFE Traditional Music & Song Assoc of St Andrews Festival Society 4,735 Scotland (Penicuik Branch) 20,325 4 t 735 36,756 GRAMPIA N STRATHCLYDE Aberdeen Alternative Festival 7,03 9 Clvdesdale District Council 1,772 Aberdeen Arts Carnival 2,52 6 Cumbernauld Theatre Trust 101 9 571 Gordonstoun Festival 50 0 East Kilbride Arts Council 1,000 10,065 Greenock Arts Guild 1,242 Harbour Arts Centre (Irvine) 2,857 HIGHLAN D Mid Argyll Arts Association 2,368 Feis Nan Garbh-Chriochan 26 3 Renfrew District Council 16,015 Feis Rois 4,50 0 Carried Forward 110,810 1,013,964 Carried Forward 263 842,275 SCHEDULE 1 SCOTLAND £ £ £ £ Brought Forward 263 842,275 Feis Spe 1,000 CROSS MEDI A Highland Traditional Music Festival, Edinburgh - Dingwall 300 The Scottish Chamber Orchestra 15,000 6,063 Speakeasy Theatre Company 7,600 Wordsdance Workshop 5,000 STRATHCLYDE Glasgow - Arran Festival of Folk 1,000 Randomoptic Pick of Company 3,300 Ayrshire Arts Festival 3,157 NVA (Formerly Test Department) 6,000 Clydesdale Arts Festival 3,000 Dundee Arts Centre - Plan B 4,500 Dunoon Jazz Festival 750 Lothian - Isle of Bute Jazz Festival 1,000 The Lemon Tree Trust 2,500 Isle of Bute Folk Festival 750 43,900 Monklands Festival 52 6 Paisley International Organ Festival 2,500 ART & TOURISM 12,683 Edinburgh Scottish Tourist Board 30,000 TAYSID E Dundee Jazz Festival 526 STRATEGIC INITIATIVES Dunkeld and Birnam Arts Festival Society 500 Arts Council of Great Britain 2,300 Perth Festival of the Arts 17,785 The Drake Research Project 10,000 18,811 Edinburgh - Association for Business Sponsorship ISLAND AUTHORITIES of the Arts (ABSA) 5,000 Feis Bharraidh 2,469 Lux Europae Trust 10,000 Feis Eilean Na Fhraoich 1,050 Enterprise Music Scotland 10,000 Feis Eilean Na Hearadh 1,000 Scottish International Festiva l Orkney Traditional Folk Festival 1,489 of Photography/Fotofeis 33,000 Shetland Arts Trust 29,785 Glasgow District Council 5,00 0 Shetland Folk Festival Society 1,323 Highlands & Islands Enterprise 20,00 0 St Magnus Festival Orkney Islands 18,530 M8 Art Project 10,00 0 55,646 The Scottish Chamber Orchestra 2,50 0 Sundry Expenditure 3,435 Total Per Note 6 935,478 111,23 5 CENTRAL FUNDS RESEARCH AND CONSULTANCY LOCAL AUTHORITY DEVELOPMEN T Edinburgh - Central Regional Council 7,50 0 European Economic Development Dumbarton District Council 5,00 0 Services 8,813 East Kilbride District Council 10,00 0 Scottish International Children's Moray District Council 4,00 0 Festival 1,000 26,500 Glasgow - Drumchapel Community Organisations TOURING ACG B Council 4,125 EDINBURG H The Scottish Ballet 6,000 Assembly Theatre 20,00 0 Scottish Theatre Marketing 7,000 Assembly Direct 50,60 0 TAG Theatre Company 5,000 The China Connection 4,80 0 Crathes 1992 2,000 Collective Gallery 3,933 The Drake Research Project 5,000 Communicado Theatre Company 5,000 East Kilbride District Council 4,600 Dance Productions 25,000 Fields & Frames 6,750 Edinburgh Arts Outreach Team 70 0 Independent Theatre Council 200 Edinburgh Book Festival 15,595 Leisure Unlimited/Mary Ann Gordon 3,000 Graeme Murray Gallery 11,035 National Gaelic Arts Project 7,000 Heart Beat World Music 4,800 Pier Arts Centre 4,000 The Independent Theatre Counci l Policy Studies Institute 8,600 (Scotland) 7,000 Scottish Sculpture Trust 5,000 Photography Workshop (Edinburgh) 11,000 Phillida Shaw 3,000 Royal Lyceum Theatre Company 2,000 University of Stirling 3,000 The Scottish Chamber Orchestra 56,000 West Lothian District Council 2,000 Scottish Publishers Association 6,000 Sundry Expenditure 2,829 Scottish Poetry Library Association 2,500 88,917 Susan Hay Administrations/Danc e Initiatives 10,000 Stills Gallery 12,910 Talbot Rice Art Centre 9,000 257,873 Carried Forward 257,873 94/95 Brought Forward 257,83 GLASGOW TRAININ G Birds of Paradise Theatre Company 15,000 EDINBURG H GlasgoN% Print Studio 4,000 Ardink (Edinburgh & Lothians) 250 Gaelic Books Council 2,500 AMTIS 20,000 Pan African Arts Scotland 2,800 Martin Ayres 250 Raindog 4,280 Benchtours S8 Roval Scottish Orchestra Society 25,000 Collective Gallery 80 Scottish Ballet 25,000 Edinburgh Sculpture Workshop Group 90 Scottish Opera 25,000 Edinburgh Printmakers Workshop Group 105 Scottish Early Music Association 10,000 First Base Theatre 95 Tron Theatre 3,000 Hullaballoo Childrens Theatre 112 Tramway Theatre 15,000 Susan Hay Administrations/Dance Init . 165 Winged Horse Touring Productions Poor Fools Theatre Company 65 (Edinburgh) 19,988 The Queen's Hall (Edinburgh) 480 Mamta Yadav 2,000 Stills Gallery 135 153,568 Elizabeth Summerfield 250 Alan Tweedie 250 DUMFRIES & GALLOWAY Lucy Harriet Toulmin Vaughan 250 Dumfries & Galloway Arts Assoc . 9,500 22,635 9,500 GLASGO W Cappella Nova 11 2 FIFE Morag Anne Davidson 25 0 Bonnar Keenlyside 19,388 Susan Hillman 25 0 19,388 Stephen Thomas Kelly 25 0 Project Ability 250 GRAMPIAN Libby Ward 250 Aberdeen Alternative Festival 2,800 Richard Ian Weeks 250 2,800 1,612 BORDER S HIGHLAND Rideout Theatre Company 25 Eden Court Theatre 10,000 25 Highland Regional Council 6,000 CENTRA L Lyth Arts Centre 400 MacRobert Arts Centre 470 National Gaelic Arts Project 20,000 47 0 36,400 FIFE Byre Theatre of St Andrews 185 TAYSIDE Jonathan Rickard 185 Asian Cultural Assoc . (Tayside & Fife) 651 37 0 Bengali Cultural Assoc . (East of Scotland) 956 GRAMPIAN Dundee Repertory Theatre 20,000 Scottish Sculpture Workshop 90 Fields & Frames 16,400 90 38,007 HIGHLAND S Eden Court Theatre 120 ISLANDS AUTHORITIES Grantown Museum & Heritage Trust 100 An Lanntair 5,000 220 Shetland Arts Trust 6,534 STRATHCLYD E 11,534 Denis Clifford 250 250 OTHERS TAYSIDE Arts Council of Great Britain 2,000 Dundee Rep Dance Co . 12 0 2,000 Pitlochry Festival Society 12 0 Sundry Expenditure 9,450 240 Sundry Expenditure 5,674 Total Touring ACGB 540,520 31,586 National Arts Strategy 37,507 Total Central Funds as Per Note 6 910,165 SCHEDULE 1 SCOTLAN D SCHEMES AND AWARDS YEAR ENDED 31 MARCH 1993 ART International Workshop Jackie Hodgman Helensburgh Music BURSARIES/AWARD S Festival Billy Kay Society Gordon McPherso n Richard Hough Edward Jackson Mark Leech Photograph y Hep Records Flloyd Kennedy Duncan McLean Bursar y Pat Keysell Jimmy Deucha r Oladele Ajiboy e Frank Questing Duncan Low John Kenn y Bamgboy e Maureen Sangster L.yell Creswell Gerard Mulgre w Amsterdam Studio I Iugh Scott The Lemon Tree Trust Karen Forbe s Northern Stage Dick Le e Matthew Inglis Company Scottish PEN The Lorca Du o Ruth Beardswort h Scottish Mask & Ian McDougall GP. Cnbari Puppet Centre Christine Borlan d BOOK AWARD S The Lorca Du o Stephen Hunter Scottish Dram a Prof D Thomson Edward McGurre Frances Pelly Jo Smith Stewart Conn Mayfest Ltd Craig Richardson Phyllis Stee l Jetf Torringto n William Sweeney Andrew Sneddon Ian Turbitt Kathleen Jami e Ian "uirliead John Maxwell Geddes & se Frain Shena MacKa y DANC E Out to flay Stephen Hurrel l Iain Crichton -Smith TRAINING BURSARIE S Peter Inne s Philip Powe r George MacKay Brown Jacqueline Anderson RSCI Junior Choru s Calum Inne s Ian Bamforth John Byron Centre for TRAVEL GRANTS Contemporary Arts David Toulm m St Magnus Festival Simon Hol t Andrew Gues t Alex Craig Ian Bell Ian Finlayso n The Scottish Chamber Stills Gallery Christine Devaney Orchestr a Lindsay Lewis Dundee Repertory Duncan MacMillan James MacMillan Malcolm Miles Theatre The Scottish Chamber Glasgow Film & Video Ben Grant MUSI C Orchestr a Workshop Sir Peter Maxwell Joint Action AWARDS David Moore Davies Brigid McCarth y Tom Bancroft Fiona Byrne-Sutton Sinf ma of'Scotlan d Katrina McI'hereson William Conway Martin Dalby Stills Gallery Nikki Mdican Katnn Eickhorst-Square Colin Covers Stirling Orchestra Janice. Parke r Mysie Ann Ferguson David Paul Jone s Portfolio Galler y Tramwa y Roger Foxwel l Storiehaven & Distric t Marl;aret Ritchie Choral Societ Dick Lee y SMALL ASSISTANC E MIM E Shaun Dillo n GRANTS Louise M MacDonald TRAINING BURSARIES Tapestry Janice McNa b Jane MacFarlan e H .tflidi Hallgrimsso n Emma Dinhnval l Henry Kondracki Savourna Stevenso n Phillip Thorn e Jenny Frase r Thomas Wilso n Douglas Gordon COMMISSION S The Minne Forum PROVISION O F Peter Mackay Peter Argondtzza Sally Beamis h PERFORMIN G Marcel O' Connor LITERATURE MATERIA L Arts in Fife Linda Taylor BURSARIES/TRAVEL Richard Michae l Sally Beamish GRANTS Sean Taylor Assembly Direct G .P. Criban Paul Dignan Frances Hendr y Tommy Smith Jane Gardner James Gibson Roger Leitch Association of ' British John Maxwell Gedde s Ian MacDougal l Orchestras Eoin Hamilton Michael Lindle y Sir Peter Maxwell Marion Court s Duncan & Lind a Davies Nicky Hind Williamson Helen Morrison Bearsden Burgh Choir Peter Inness Sian Hayton Kenneth Bean Jennifer Barker David Paul Jone s Tom Hubbard Alson Sneddon BBC Scottish Bras s Stephen Kin g Robert Alan Jamieso n Ensembl e Sylvia flays John Maxwell Gedde s Dick Le e Main MacDonald Clare. Higney Cappella Nov a Chick Lyal l Carl MacDougal l Iain Stewar t Martin Dalb y Edward McGuir e Aonghas MacNeaca d Brian Donlev y ECAT Peter Nelso n Bess Ros s Rebecca Saunders Donald N Provan Tommy Smith Ruth Thomas ECAT Alan Fram e William Sweeney Freddy Anderson Edward Harpe r Allan Lennie Iam Crichton Smith Edinburgh University Graeme Todd Chamber Orchestra Gillian Nelso n Kenneth Dempste r Keith Ran d Michael "Turnbul l Edinburgh Youth DRAM A William Kay Orchestr a Society BURSARIES/TRAININ G Alec Finlay Magnus Robb Assitej GB Harvey Holto n Glasgow Wind Band Celltech Events : E Main McArthu r Edward McGuire Masterclass Ronald MacColl Glasgow International Govan Institute Jazz Festival Jatnes William Bel l Jane Houston Green Carla Bley Tom Brya n Martin Goodman 96/97. WELSH ARTS COUNCI L INCOME AND EXPENDITURE FOR THE YEAR ENDED 31 MARCH 199 3 1883 1992 £0008 £0008 L000s L000s INCOME Grant from Arts Council of Great Britain : Note 2 12,708 11,03 0 Grant from Crafts Counci l 86 9 0 Grant from British Film Institut e 58 6 7 Other operating income : Note 3 as 7 8 11,26 5 Grants and guarantees accrued i n previous years, not now required 30 2 6 12,83 2 11,29 1 Administration of subsidie s and service s Staff costs : Note 4 67 7 63 0 Operational costs : Note 5 400 37 1 Depreciation : Note 9 46 4 7 1,123 1,04 8 Grants and guarantees : Note 6 10,600 9,45 5 Other activities : Note 6 210 20 6 Direct promotions : net deficit : Note 7 772 67 8 General expenditure on the arts in Wales : Note 6 11,782 10,339 12,805 Operating surplus/(deficit ) 27 ~' - Interest receivabl e 65 6 0 Surplus/(deficit) for the financial year : Note 8 112 Transfer (to) capital reserve (1 ) 111 3 6 Accumulated surplus brought forward Be 102 Accumulated surplus carried forward 177 6 6 WELSH ARTS COUNCIL BALANCE SHEET FOR THE YEAR ENDED 31 MARCH 1993 1993 1992 £0009 £0009 £OOOs C000s FIXED ASSETS Tangible assets : Note 9 1,192 1,21 6 CURRENT ASSETS Stocks : Note 10 134 13 1 Grants and guarantees paid in advanc e 214 17 5 Other debtors and prepayments : Note 11 342 38 7 Cash at bank and in hand : Note 12 69 22 2 759 91 5 CURRENT LIABILITIES Grants and guarantees outstanding 590 86 6 Creditors : amounts falling due within one year : Note 13 252 25 0 842 1,116 Net current liabilitie s (83 ) (201 ) Total assets less current liabilities 1,109 1,01 5 FINANCED BY Income and expenditure account 177 66 Deferred capital grant account : Note 14 789 807 Capital reserve : Note 1 5 143 142 1,109 1,01 5 Mathew Prichard Chairman of the Welsh Arts Council Anthony Everitt Secretary-General 5 October 1993 98/99 CASH FLOW STATEMENT FOR THE YEAR ENDED 31 MARCH 1993 1893 199 2 £OOOs £OOOs £OOOs LOOO s Net cash inflow from operating activities : Note 16a (181) 172 Return on investments and servicin g of financ e Interest received on short term cash deposit s 89 5 9 Net cash inflow from returns on investments and servicing of financ e 8 6 5 9 Investing activities Fixed assets purchased (58) (44 ) Net cash outflow from investing activities (58 ) (44 ) (Decrease)/increase in cas h and cash equivalents : Note 16c (M) 18 7 WELSH ARTS COUNCIL NOTES TO THE ACCOUNTS AS AT 31 MARCH 1993 1 ACCOUNTING POLICIE S A) The financial statements are prepared under D) CAPITAL GRANTS the historical cost convention . Without limiting Grants received towards the cost of fixed asset s the information given, the accounts meet the are taken to the Income and Expenditur e requirements of the Companies Act 1985 and o f Account over the useful life of the asset the statement sof Standard Accounting Practic e concerned. The amount of such grants still to be issued by the Accounting Standards Board so fa r taken to the Income and Expenditure Account i s as those requirements are appropriate . Significant shown on the Balance Sheet as a deferred capital departures from Statements of Standard grant account . Accounting Practice are disclosed in the notes t o these accounts and the financial effect is . E) STOCKS quantified where practicable to do so . Stocks are stated at the lower of cost and ne t realisable value . B) ACCRUALS CONVENTION (i) All income and expenditure is taken into F) LEASES account in the financial year to which it relates . Operating leases are taken into the Income an d Setting up costs incurred on any event promote d Expenditure Account on a straight line basis ove r by the Council are charged to the year in whic h the life of the lease . that event takes place . Setting up costs incurre d in a year prior to that opening are treated as a G) PENSION S prepayment . The total pension cost for the period was (ii) Subsidy expenditure is incurred in the form o f £93,664 (1992 £76,388) . grants and guarantees which are formally offere d The Arts Council provides a defined benefi t to and accepted by the Council's clients . Grant s pension scheme for its employees . The Scheme is and guarantees are charged to the Income and funded by payments by the Council and Expenditure Account in the year in which funde d employees to a Trustee-administered fun d activities take place; if this is not determinable independent of the Council's finances . These they are charged in the year in which activities contributions are invested in a managed fund run begin. Any amounts unpaid from grants and by a leading insurance company. Contributions guarantees at the year end are shown as creditors payable in the financial year 1992/93 are based in the Balance Sheet and an}' advance payments on an actuarial valuation of the scheme as at to clients in anticipation of grants and guarantee s 1 April 1990, carried out using the Projecte d to be charged in the following financial year a t Unit Method, and are charged against th e shown in the Balance Sheet as debtors . Income and Expenditure Account . The Council currently contributes to the cost of C) DEPRECIATION AND FIXED ASSETS the scheme at a rate of 9 .4% of pensionable salary. Depreciation is provided on all tangible fixed assets at rates calculated to write off the cost less estimated residual value of each asset systematically over its expected useful life as follows : Freehold buildings over 50 years Leasehold buildings over the life of the lease Fixtures and fittings over 4 years Motor vehicles over 4 years Freehold land is not depreciated . Works of Art are shown at historical cost, and an amount equal to the value of the net purchase s each year is transferred out of the Income an d Expenditure Account to a separate capital reserve (Note 15) . This policy reflects the fact that works of art are not assets which have a finite useful economic life . 100/101 1983 1992 £0006 £OOOs 2 GRANTS FROM THE ARTS Revenue gran t 12,706 11,03 0 COUNCIL OF GREAT BRITAIN 3 OTHER OPERATING INCOME Contributions towards special projects 39 Grant administration charge s 7 Collectorplan charges 1 0 Sundry- income 4 Transfer from deferred capital grant account : Note 14 1 8 7 8 4 ADMINISTRATION OF Salaries and wage s 56 7 534 SUBSIDIES & SERVICES Employers National Insurance 44 42 STAFF COSTS Arts Council of Grea t Britain Retirement Plan (1975 ) 65 54 Redundancy payment 1 677 The Chairman, Council and Committee Members are not paid for their services . The average weekly number of employees during the year was made up as follows : 1993 1992 No No Administration of subsidies and services 42 42 Direct promotions 21 2 1 63 6 3 £103,319 (1992 .C92,88 1) of administrative staff costs have been allocated to direct promotions detailed in Note 7 . £0006 L000 s 5 ADMINISTRATION OF Agency staff costs 2 3 SUBSIDIES A SERVICES Contract hire charges - cars 17 1 9 OPERATIONAL COSTS Travelling and subsistence 92 68 Rent and rates 77 68 Fuel, light and house expenses 14 1 9 Public relations and hospitality 22 1 5 Postage and telephone 28 28 Stationery and printing 20 1 6 Professional fees 40 54 Bad debts provided for - 1 0 Office and sundry 36 40 Strategy and restructuring costs 51 1 9 Uninsured losses 1 12 400 37 1 £22,446 (1992 .C22,843) of operational costs have been allocated to direct promotions detailed in Note 7 . WELSH ARTS COUNCIL NOTES TO THE ACCOUNTS 1993 199 2 £0009 Z000s L000s .£000s 6 EXPENDITURE BY Music ART FORM Grants and Guarantees 3,399 3,163 Scheme expenses 2 3 Young Welsh Singer Competitio n - 9 Concert programme : Note 7 249 18 5 3,650 3,360 Festivals Grants and guarantee s 188 15 6 Danc e Grants and guarantee s 495 43 5 Scheme expense s 1 - Feasibility study (National Dance an d Choreography Centre ) - 2 496 43 7 Drama Grants and guarantees 2,714 2,461 Research Projects 12 - Scheme expenses - 6 2,726 2,467 Art Grants and guarantees 681 61 1 Exhibition services: Note 7 153 13 7 "ArtNews" - 1 1 Collectorplan, Artists Register, Slide Library and other activities 24 2 1 Scheme expense s - 2 860 78 2 Film Grants and guarantee s 193 119 Other activitie s 25 2 1 Scheme expense s 10 6 Contribution to Film Archive Projec t - 1 1 International Fellowship 3 36 231 19 3 Literatur e Grants and guarantees 913 804 Scheme expenses 3 2 Competitions and events 12 5 Other activitie s 12 1 2 Marketing development project 9 2 2 949 845 Regional Grants and guarantee s 1,618 1,19 9 Other activitie s 12 1 1,630 1,20 0 Inter Arts Grants and guarantee s 439 403 Craft Grants and guarantees 93 7 3 Showcase network and exhibitions 3 6 "Crefft" and craftsmen's register 16 1 4 Depreciation 2 112 95 Carried Forward 11,281 9,938 102/103 1993 1992 £0008 £OOOs Brought Forward 11,281 9,938 6 EXPENDITURE BY Special projects ART FORM Grants and guarantees 67 3 0 (CONTINUED) Earnings research project - 1 Feasibility studie s Cardiff Opera House - 1 4 Old Library 27 - Nfask and Puppetry Centre 17 - National Dance and Choreography Centre 20 - 131 4 5 Oriel Bookshop and Gallery : Note 7 370 35 6 General expenditure on the arts in Wales 11,782 10,33 9 Summary Grants and guarantees 10,800 9,45 5 Other activities 210 20 6 Direct promotions : Note 7 772 678 General expenditure on the arts in Wales 11,782 10,33 9 1993 1992 1993 1992 1993 1992 1993 1992 Exhibition Concerts Oriel Bookshop Total services and Gallery £0009 £OOOs £OOOs £OOOs £OOOs £OOOs £0009 £OOO s 7 DIRECT PROMOTIONS Income 4 3 65 147 417 428 486 578 Staff costs Salaries and wages 83 76 10 11 237 235 330 32 2 Employers National Insurance 6 6 1 1 16 16 23 2 3 Arts Council of Great Britain Retirement Plan (1975) 8 7 1 1 19 14 28 2 2 97 89 12 13 272 265 381 367 Operational costs 53 46 302 319 486 492 841 85 7 Depreciation 7 5 - - 29 27 36 32 Total costs 157 140 314 332 787 784 1,258 1,256 Net deficit (153) (137) (249) (185) (370) (356) (772) (678 ) Staff and operational costs include a proportion of indirect overheads as detailed in notes 4 and 5 . 1993 199 2 £0008 L000 s 6 SURPLUS/(DEFICIT) Per Income and Expenditure Account 111 (36 ) FOR THE YEAR Stated after charging or (crediting ) (a) Auditors remuneration 18 1 5 (b) Operating leases 210 20 3 (c) Rental income (62) (62 ) (d) Employees receiving remuneration over £30,000 No No £30,000 £39,999 5 3 £40,000 £49,999 1 1 The Chief Executive's total actual remuneration including taxable benefits was £46,062 (1992 : L44,148) . The Chief Executive is an ordinary member of the Council's pension scheme . WELSH ARTS COUNCIL NOTES TO THE ACCOUNTS Land and Fixtures Works Buildings 8: Fittings Vehicles of Art Total £OOOs £OOOs £0008 £OOOs E000S 9 TANGIBLE FIXED ASSETS Cost at 1 April 1992 1,108 368 71 142 1,689 Additions 12 7 38 1 58 Cost at 31 March 1993 1,120 375 109 143 1,747 Depreciation as at 1 April 1992 132 297 44 - 47 3 Provided 1992/93 30 41 11 - 82 162 338 55 - 55 5 Net book value a t 1 April 1992 976 71 27 142 1,21 6 Net book value a t 31 March 1993 958 37 54 143 1,19 2 £0008 L000s Depreciation is allocated to Subsidies and services 46 4 7 Direct promotions : Note 7 36 3 2 Art departments - 1 82 8 0 The net book value of land and building comprises: Freehold 797 81 6 Long leasehold improvements - - Short leasehold improvements 161 16 0 958 976 The freehold land and buildings are occupied by third-parties under the terms of operating leases . The Welsh Arts Council intends to transfer to the National Museum of Wales the Council's art collection. Parliamentary approval has not yet been granted and negotiations with the Treasury are continuing . The value of the Council's ar t collection of some 1300 works at 31 March, 1992 in the opinion of its Art Director, was approximately £2 .9m . 10 STOCKS Trading stocks 128 120 Other 6 1 1 134 13 1 11 OTHER DEBTORS Collectorplan loans 99 9 3 AND PREPAYMENTS Other 243 294 342 38 7 12 CASH AT BANK Cash in transit (balance due fro m AND IN HAND Arts Council of Great Britain) - 200 Other cash 69 22 69 22 2 13 CREDITORS Amounts falling due within one year comprise : Taxation and social security 23 2 4 Other creditors 229 22 6 252 25 0 104/105 1993 i 199 2 FOODS £OOOs 14 DEFERRED CAPITA L Balance at 1 April 1992 807 82 5 GRANT ACCOUN T Transfer to income and expenditure account \"ore 3 18 1 8 Balance at 31 March 1993 789 80 7 15 CAPITAL RESERVE Balance at 1 April 1992 142 14 2 Transfer from income and expenditure account 1 - Balance at 31 March 1993 143 14 2 Transfers to and from the capital reserve reflect additions to or disposals from the Council's art collection (see note lc) . 16 NOTES TO CASH FLOW a) Reconciliation of operating deficit to net cash inflow from operating activitie s STATEMENT Operating surplus/(deficit) 27 (96 ) Transfer from deferred capital grant account (18) (18 ) Depreciation charges 82 8 0 Decrease in debtors and prepayments 44 148 Increase in stocks (3) (21 ) (Increase) in grants an d guarantees paid in advance (39) (32 ) Decrease in amounts due from Arts Council of Great Britain - 18 5 (Decrease)/increase in grants and guarantees outstanding (276) 72 Increase/(decrease) in creditors 2 (146 ) Net cash flow from operating activities (181) 172 b) Analysis of the balances of cash and cash equivalents 1993 1992 Change In year EOOOs £OOOs £OOOs Cash in transit, at bank and in hand 69 222 (153) 17 INVESTMENTS Unlisted investment £ £ UAPT Infolink PL C 1,142 `A' Ordinary 25p shares Nil Nil The Welsh Arts Council had been a member of the United Association for the Protection of Trade Limited in order t o obtain credit references for loans made under its Collectorplan scheme . As a member of that Company, the Welsh Art s Council was allotted, free of any cost, 1,142 `A' Ordinary Shares of 25p each, fully paid, at a premium of 75p, in UAP T Infolink PLC under a Scheme of Arrangement which became effective on 27 March 1987 . Due to the nature of the holding no market value has yet been ascribed to these shares . 18 LEASES As at 31 March 1993 the Council had annual commitments under non-cancellable operating leases as set out belo w Land and buildings Land and building s £0009 L000 s Operating leases which expire : Within one year - - In the second to fifth vear inclusive - - Over five vears 192 19 2 192 19 2 Motor vehicles Motor vehicle s Within one year - 1 4 In the second to fifth vear inclusive - 4 1 8 WELSH ARTS COUNCIL NOTES TO THE ACCOUNTS 1993 1992 19 CAPITAL COMMITMENTS As at 31 March, 1993 the Welsh Arts Council had no contractual commitments for capital expenditure (1992 nil) . 20 GRANT COMMITMENTS a) Grants £OOO s .C000 S Forward funding 1993/9 4 grants formally offere d 398 2,954 b) Other The Welsh Arts Council has formally approved the use in 1993/94, for projects originally planned for 1992/93, o f £62,100 of its accumulated surplus at 31 March 1993 . 21 WALES FILM COUNCIL The grant from the Welsh Arts Council to the Wales Film Council is included in film department expenditure (Note 6 an d Schedule 1) . In addition, the Welsh Arts Council continued to provide a bookkeeping service to the Wales Film Council i n respect of the Wales Film and Television Archive . The transactions processed by the Welsh Arts Council on behalf of the Wales Film Council are summarised below ; the balance at 31 March 1993 is included in debtors . £OOOs Income received 59 Expenditure (121 ) Balance due to Welsh Arts Council 6 2 Since 1 April 1993 the Wales Film Council has taken on responsibility for all bookkeeping relating to the Archive . Comptroller and Auditor General's Certificat e I have examined the financial statements on pages 99 to 100 in accordance with the National Audit Office auditin g standards. In my opinion the financial statements give a true and fair view of the state of affairs of the Welsh Arts Counci l at 31 March 1993 and of its surplus and cash flows for the year then ended and have been properly prepared i n accordance with the directions made by the Secretary of State for National Heritage . N Gale Associate Director for the Comptroller and Auditor General National Audit Office 8 October 1993 106/107 SCHEDULE 1 TO THE ACCOUNTS FOR THE YEAR ENDED 31 MARCH 199 3 E E Brought Forward -1,595 Llantilio Crossenny Festiva l of Music and Dram a 5,270 Lower Machen Festiva l 5,420 North Wales Music Festival 20,480 St David's Cathedral Festival 7,020 Cardiff Festival of Musi c 26,530 Swansea Festival of Music and the Art s 27,530 Vale of Glamorgan Festival Total as Note 6 GRANTS AND GUARANTEES DANCE (including subsidies offered but not paid at that date ) PERFORMING COMPAN Y Diversions Welsh Repertory Dance Compa m 234,945 MUSIC OPER A COMMUNITY DANC E Welsh National Oper a 2,480,700 Clwyd Danc e 16,510 OTHER ORGANISATIONS Dawns Dyfed 20,665 BBC Welsh Symphony Orchestra 509,10 0 Dawns Gwynedd 6,830 Merlin Music Society, Monmouth 4,86 5 Islwyn Dance Projec t 3,515 St David's Hall, Cardiff 70,530 Powys Danc e 31,090 University College of North Wales : Rhondda Community Arts 13,105 Archive of Welsh Traditional Music 1,865 Valley and Val e 6,380 Welsh Amateur Music Federation 117,005 Welsh Dance Theatre Trust Welsh Jazz Society 29,730 - Rubicon 44,975 Welsh Music Information Centre , Welsh Folk Dance Society 5,015 University College, Cardiff 39,430 West Glamorgan Dance Project 772,525 164,055 COMMISSIONS TO COMPOSER S COMMUNITY DANC E South Wales Intercultural Community Arts 2,515 CHOREOGRAPHIC COMMISSION S Welsh National Opera 12,020 Amdance 510 Awards to individuals 34,155 Dawns Gwyned d 420 48,690 South Wales Intercultura l Community Arts 510 AWARDS FOR ADVANCED STUD Y West Glamorgan Dance Project 510 Awards to individuals 15,120 1,950 TOURIN G GB TOURING FUN D Mid Wales Opera 12,720 Cwmni Dawns Camre Cain 1,715 Music Theatre Wales 53,730 Earthfall Danc e 2,915 North Wales Philharmoni a 2,365 Emma Carlso n 560 St David's Hall, Cardiff 3,515 Powys Danc e 1,010 St Donats Arts Centr e 5,520 Welsh Independent Dancers 77,850 11,21 5 PUBLICATION S INDEPENDENT PROJECTS Taplas Folk Music Journa l 610 Conscious Opera 2,015 Cwmni Dawns Camre Cain 10,020 Earthfall Danc e 20,020 PROJECTS Paradox Shuffle 11,520 Association of British Orchestra s 1,515 Valleys Live '92 1,015 Welsh College of Musi c Yellow Label Dance Compan y 2,015 and Drama, Cardiff 510 Awards to Individual s 28,110 Women's Jazz Archive, Swansea 74,71 5 3,540 TOURIN G Total as Note 6 3,399,035 Community Dance Wale s 2,015 FESTIVAL S Diversions Welsh Repertor y Brecon Jazz Festival 8,020 Dance Compan y 2,015 Fishguard Music Festiva l 24,680 Welsh Independent Dancers 2,01 5 Gregynog Festival 2,865 Awards to individual s 2,260 Llangollen Internationa l 8,30 5 Musical Eisteddfod 36,030 Carried Forward 71,595 Carried Forward 495,18 5 SCHEDULE 1 WALES Brought Forward 495,185 Brought Forward 2,665,046 EDUCATIONAL DEVELOPMENT DEVELOPMENT SCHEMES PROJECTS TRAINING Welsh Joint Education Committee 310 Arad Goch 1,51 5 Total as Note 6 495,495 Cwrs Drama Ieunctid Cymru 2,51 5 Dalier Sylw 1,19 5 DRAMA Drama Association of Wales 8 0 MAINSTREAM PRODUCING COMPANIES Fallen Angels 26 0 Sherman Theatre 312,890 Gwent Theatre 20 5 Theatr Clwyd 444,810 Is-Bwyllgor Gymraeg Assitej 1,01 0 Theatr Gwynedd 163,804 Magdalena Project 46 0 Torch Theatre 151,540 National Youth Theatre of Wales 6,52 0 1,073,044 Sherman Theatre 44 5 South Wales Intercultural Community Arts 15 5 WELSH LANGUAGE PRODUCING COMPANIES Theatr Clwyd 2,230 Cwmni Hwyl a Fflag 103,883 Theatr Powys 230 Cwmni Theatr Cymru 11,040 University College of Wales, Aberystwyt h Dalier Sylw 85,692 -- Drama Department 3,025 Theatr Bara Caws 117,363 Volcano Theatre Company 510 317,978 Wales Association for th e Performing Arts 1,315 THEATRE IN EDUCATION AND Welsh Language TIE Conference COMMUNITY TOURING (1' Cynhadledd) 760 Arad Goch 112,886 Awards to individuals 2,756 Gwmni'r Fran Wen 52,641 25,186 Cwmni Theatr Outreach 50,47 0 Gwent Theatre 47,281 THEATRE WRITIN G Hijinx Theatre 94,637 Arad Goch 760 Spectacle Theatre 51,856 Dalier Sylw 1,010 Theatre West Glamorgan 82,912 Eisteddfod Genedlaethol Frenhinol Theatr Iolo Morgannwg 48,341 Cymru : Aberystwyth 2,025 Theatr Powys 88,185 Hijinx' 1,010 629,209 Hwyl a Fflag 1,010 Sherman Theatre 2,015 DEVELOPMENT PRODUCTION Spectacle Theatre 1,51 5 COMPANIES AND PROJECTS Theatr Bara Caws 1,51 5 Brith Gof 116,970 Theatre West Glamorgan 1,51 5 Centre for Performance Research 64,030 Theatr Gwynedd 31 0 Made in Wailes Stage Company 125,155 Theatr Iolo 1,51 5 Magdalena Project 34,530 Torch Theatr 81 0 Volcano Theatre Company 38,226 University College of Wailes , 378,911 Aberystwyth Drama Department 51 0 Valley and Vale Community Arts 1,51 5 PROJECTS Wales Actors Company 1,010 Green Ginger 5,015 Welsh College of Music and Drama 3,01 5 Moving Being 40,030 Y Cwmni 1,51 5 No Fit State Circus 7,020 Awards to individuals 1,515 Sherman Theatre 10,020 24,09 0 St Stephens Theatre Space 6,020 Total as Note 6 2,714,32 2 Theatre West Glamorgan 9,020 Theatre Had 11,020 ART Wales Actors Company 20,030 GRANTS TO GALLERIE S Whare Teg 37,030 Ffotogallery Wales 75,330 WOT Theatre 10,020 Clwyd County Council : Wrexham Y Cwmni 50,030 Library Arts Centre 44,330 Y Gymraes 5,015 Newport Borough Council : 210,270 Newport Museum and Art Gallery 38,480 Oriel Mostyn 125,240 TOURING FUND ENHANCEMENT (GB FUND) Oriel 31, Newtown : Gwent Theatre 5,525 Davies Memorial Gallery 59,280 Marine Theatre Contractors 2,517 Sculpture at Margam 13,120 Moving Being 3,517 Swansea City Council: Sherman Theatre 14,020 Glynn Vivian Art Gallery 39,330 Theatr Clwyd 14,02,0200 University College of Wales , Whare Teg 14,020 Aberystwyth : Aberystwyth 50,880 Y Gymraes 2,015 445,990 55,634 Carried Forward 2,665,046 Carried Forward 445,990 108/109 £ £ £ £ Brought Forward 445,990 GRANTS FOR ARTISTS' EXHIBITING FEES FILM Cardiff City Council 2,390 EDUCATIO N Cardiff Institute of Higher Education 360 Abergavenny Film Society 105 Carmarthenshire College of Chapter 510 Technology and Art 785 Cwmni Whare Teg 510 Ceredigion District Council 510 Media Education Centre 14,624 Chapter 1,595 Theatre Mwldan 260 Clwyd County Council 1,315 Valleys Arts Marketing 510 Cowbridge Community Education College 510 Wales Film Council 4,015 Dyfed County Council 460 20,534 Festival of the Countryside 380 Fishguard Festival 130 ETHNIC MINORITY PROJECTS Gwynedd County Council 135 Butetown History and Arts Project 6,320 Llanelli Borough Council 130 Award to individual 1,518 Llanover Hall Arts Centre 885 7,838 Llantarnam Grange Arts Centre 1,21 0 Lliw Valley Borough Council 510 EXHIBITION AND FESTIVALS Machynlleth Tabernacle Trust 760 Aberystwyth Arts Centre 1,215 Mid Glamorgan County Council : Chapter 1,515 Rhondda Heritage Park 510 St Donats Arts Centre 1,015 Polytechnic of Wales 510 Taliesin Arts Centre 1,215 Taff Ely Borough Council 135 Theatr Mwldan 1,215 University of Wales - Gregynog Festival 260 Valleys Arts Marketing 7,820 West Glamorgan County Council 885 Valleys Live '92 5,020 14 9 365 Welsh International Film Festival 6,020 REVENUE GRANTS TO ART ORGANISATIONS Wyeside Arts Centre 8,959 Association of Artists and 33,994 Designers in Wales 14,020 Cytgord (Yr Uned Gelf/The Art Unit) 12,020 SMALL SCALE PRODUCTION PROJECT S Cywaith Cymru/Artworks Wales 77,630 Awards to individuals 6,055 Gweled 13,87 0 The Pioneers 16,220 TRAINING 133,760 Awards to individuals 398 INTERNATIONAL FILM BURSARIE S ARTISTS IN RESIDENCE Awards to individuals 7,045 North Wales Arts Association 6,520 South-East Wales Arts Association 10,020 REVENUE FUNDED ORGANISATIONS West Wales Association for the Arts 8,520 Creu Cof 15,96 5 25,060 Filmworks 10,02 0 Red Flannel Films 15,16 0 GALLERY STAFFING DEVELOPMENTS Valley and Vale Community Arts 7,12 0 Clwyd County Council 3,520 Wales Film Council 60,03 0 Oriel 31, Newtown, Wrecsam Community Video 8,62 0 Davies Memorial Gallery 9,020 116,915 Sculpture at Margam 13,020 Total as Note 6 192,77 9 25,560 LITERATUR E PROJECTS GRANTS TO ORGANISATION S Art Station 3,015 Cymdeithas gerdd Dafod 44,070 University of Wales, Aberystwyth 7,020 Gwasg Gomer 7,44 0 10,035 Gwasg Gregynog 13,140 Hay on Wye Festival of Literature 9,390 TRAVEL, MASTERCLASS AND Seren Books (Poetry Wales Press) 64,240 INDUSTRIAL EXPERIENCE GRANTS Swansea University - English Awards to individuals 23,727 Department 710 The Taliesin Trust 44,110 LOANS TO ARTISTS Welsh Books Council 185,435 Loans made 36,970 Yr Academi Gymreig 90,930 Less amounts repaid 34,434 459 46 S 2,536 Total as Note 6 681,033 Carried Forward 459,465 SCHEDULE 1 WALES Brought Forward 459,46 5 PRODUCTION GRANTS REGIONA L Cyhoeddiadau Barddas 5,420 ARTS ASSOCIATION S Gwasg Gee 7,030 North Wales Arts Association 305,450 Gwasg Gomer 21,300 South-East Wales Arts Association 455,250 Gwasg Prifysgol Cymru 20,755 West Wales Association for the Arts 282,950 Gwasg Taf 1,465 1043 650 Honno 4,01 5 Swansea Poetry Workshop 510 OTHER ORGANISATIONS 60,495 Drama Association of Wales 53,730 Visiting Arts 6,920 CHILDREN'S LITERATURE 60,650 Gwasg Gomer 17,785 Cyngor I,lyfrau Gymraeg S10 JOINT TOURING SCHEM E Pont Books 9,420 North Wales Arts Association 16,077 Awards to individuals 4,295 South-East Wales Arts Association 19,542 32 9 010 West Wales Association for the Arts 15,144 50,763 PERIODICAL S "Barddas" 8,170 PROGRAMME SUPPORT SCHEM E "Barn" 37,780 Aberystwyth Arts Centre 10,020 "Bay Voices" 580 Chapter 8,020 "Cambrensis" 820 Grand Theatre, Swansea 8,02 0 "Cardiff Poet" 55 Hay-on-Wye Festival of Literature 3,015 "Y Casglwr" 19895 New Theatre, Cardiff 19,02 0 "Golwg" 61,300 New Pavilion Theatre, Rhyl 2 9 51 5 "Momentum" 405 North Wales Arts Association 102,40 5 "The New Welsh Review" 28,530 South-East Wales Arts Association 118,08 9 "PLanet" 70,830 West Wales Association for the Arts 89,01 8 "Poetry Wales" 15,810 360,12 2 "Taliesin" 17,020 "Tu Chwith" 1,515 ARTS AND DISABILITY PROJECTS "Y Traethodydd" 6,060 Arts for Disabled People in Wales 8,14 5 250,770 North Wales Arts Association 19,74 0 South-East Wales Arts Association 17,01 0 PRIZES West Wales Association for the Arts 14,01 0 Awards to individuals 109 000 Wales Association for the Performing Arts 51 0 WRITERS ON TOUR 59,41 5 North Wales Arts Association 9,045 South-East Wales Arts Association 9,045 MARKETIN G West Wales Association for the Arts 9,045 Aberystwyth Arts Centre 1951 5 27,135 Arts Marketing in Dyfed 7999 5 Cardiff Arts Marketing 16,745 WRITERS' BURSARIES AND RESIDENCIES Swansea Arts Marketing 11,715 North Wales Arts Association 8,620 Taf and Cleddau Community Rhondda Community Arts 1,515 Arts Council 20 5 South-East Wales Arts Association 8,520 Valleys Arts Marketing 5,015 West Wales Association for the ARts 89785 43,190 Awards to individuals 459870 Total as Note 6 1,6179 790 73,310 INTER-ARTS Total as Note 6 913,185 Arts Education in a Multicultural Society 4,515 Cardiff Arts Marketing 530 Centre for Performance Research 3,515 Chapter 418,565 Made in Wales Stage Company 685 Music Theatre Wales 565 Oriel Mostyn 125 South Wales Intercultural Community Arts 10,020 Total as Note 6 438,520 E £ CRAFT RESIDENCIES AND REGIONAL ACTIVITIE S North Wales Arts Association 5,745 South-East Wales Arts Association 8,370 West Wales Association for the Arts 5,945 20,060 EXHIBITION SUPPORT GRANTS Aberystwyth Arts Centre 4,165 Bleddfa Trust 310 Clwyd County Council : Exhibition Services 760 Clwyd County Council : Ruthin Craft Centre 5,520 Llantarnam Grange Arts Centre 2,265 Model House Craft and Design Centre 3,015 Oriel Mostyn 1,010 Pembrokeshire Craft Markets 260 Valleys Live '92 510 17,81 5 SPECIAL PROJECTS AND AWARD S Clwyd County Council : Ruthi n Arts Centre 710 Garden Festival Wales, Ebbw Vale 2,51 5 Gwynedd County Council 1,01 0 Llantarnam Grange Arts Centre 62 5 Makers Guild in Wales 41 0 Model House Craft and Design Centre 1,11 5 North Wales Potters 20 5 Oriel 31, Newtown : Davies Memorial Gallery 46 5 Royal National Eisteddfod of Wales 31 0 St Donats Arts Centre 1,01 0 South Wales Potters 1,630 Valleys Live '92 2,01 5 Awards to individuals 4,62 5 16,645 SHOWCASES Gwynedd County Council 1,265 Clwyd County Council 3,790 Dyfed County Council 1,265 6,320 REGIONAL CRAFT CENTRE S Clwyd County Council : Ruthin Craft Centre 3,513 Dyfed County Council 5,015 Gwasg Gregynog 14,825 Model House Craft and Design Centre 1,477 University College of Wales , Aberystwyth Arts Centre 2,390 University College of Wales : Ceramics Archive 5.015 32,235 Total as Note 6 83,075 SPECIAL PROJECT S Dyfed County Council 8,020 Garden Festival Wales, Ebbw Vale 42,530 Policy Studies Institute 1,51 5 Valleys Live '92 15,02 0 Total as Note 6 67,085 SCHEDULE 1 WALES SCHEMES AND AWARDS FOR THE YEAR ENDED 31 MARCH 199 3 MUSIC DANCE Ysabel Gwynn PRIZE S COMMISSIONS TO INDEPENDENT PROJECTS Bryan Hackett Emyr Humphreys COMPOSERS Emma Carlso n Andrew Hampton Christopher Meredit h Tony Biggin Sioned Huws David Harding Catherine Merriman Valleys Live '9 2 Caroline Lamb Falcon D Hddred Gerallt Lloyd Owe n Mervyn Burtch SATB Choir an d Belinda Neave Sarah Hopkins M Wynn Thoma s junior voices Phillip Piggi n Simon Howe Angharad Tomos Grodon Downie Kiran Ratn a Barry Humphre y WRITER'S BURSARIES AN D University College , RESIDENCIE S Cardiff Rachel Whitehead Derek Tones Leonora Brito Dilys Elwyn Edwards TRAINING Robert Steven Jones Jane Edwards Lower Machen Jenni Barbieri Angela Kingsto n Festival Jane Bellamy Emma Lawton Merma Elfyn Paula Gardine r Noreen Figgis [slwyn Borough Miranda Knight Colin Garth Livingston e Counci l Kiran Ratn a Paul Mitchel l Delyth George Gareth Gly n Juhe Turne r Rita Mitchel l Robat Gruffud d Como '9 2 Brian Morga n Christine Harrison David Harries DRAM A Keith Morri s Wyn James Llantilio Crossenn y TRAINING Peter Lord Festival Dianne Murphy Pembrokeshire Youth Terry Chin n Richard O'Connell Neal Mason Choir Chris Fry Edward Pari-Jone s Dermot O'Neill Dalwyn Henshal l Sicv Hughe s Swansea Festiva l Adrian Phelp s Heidi Jone s CRAFT Alun Hoddinot t Tnm Pipe r r SPECIAL PROJECTS AN D Lower Machcn Graham Lake Peter Prendeergast AWARDS Festival Ian May Gillian Richardson St David's H :d l Billy Adams Nic Ross James Riell y Anne Belgrave Brian Hughes n Cor Ysgc;l y Berwyn Eilian Wy Joyce Smyth Michael Flyn n Daniel ]one s THEATRE WRITING David 'Cress Anna Hal e Siraiasea Festiva l Sera Moore : William s Alex William s Charlotte Hoski n Jeffrey Lewis Emrys Williams Vale of Glamorgan ART Gilbert Kilbride Festival Susan Walmsley Lloyd TRAVEL, MASTERCLASS FILM William Mathias AND INDUSTRIAL Steve Mattiso n Criccieth Festival EXPERIENCE GRANTS ETHNIC MINORITY Christine McCole Whidand Male Voice PROJECTS Sarah Bradpiece Alison Morto n Choi r Terry Johnson Brendan Burns Ian Parrott SMAi.L SCALE Colin Paynton Royal National John Clinc h DEVELOPMENT PROJECT S Jules Tattersall Eisteddfod of Wale s Josephine Coy Nuria Cabestany Avo Par t Michael Cummins Vale of Glamorgan Margaret Constantas Festival Haydn Denman Phil Croxall John Pickard Mohammed Hamza Stuart Evan s Department of Extra - Clyde Holmes Mural Studies , Jane Hubbard Aberystwyt h Sue Hun t Philip Joh n North Wales Festiva l Karen Ingham Julian Richards John Tavene r George Kilibarda Penny Stempl e Vale of Glamorgan Emma Lawton Festival Richard Urbanski Sean O'Reilly Pwyll ap Sio n Christine Wilk s Anglesey Youth Choir Chris Partridg e DEVELOPMENT PROJECTS: North Wales Festival Peter Prendergast EDUCATION AND TRAINING Roger Steptoe Sham Rhys James George Auchterloni e Valleys Live '9 2 Stephen West Berwyn Rowlands Gareth Woo d Pembrokeshire Ian Walke r International Film Schools Orchestra Loans to Artists Bursarie s AWARDS FOR Charles Ait hi e Clive Flowers ADVANCED STUD Y Julian Askins Andy Freeman Gwyn Hughes Joens Valerie Bal l Teresa Jayne Hanlon Claire Lewi s Jason Bethel l K.iren Ingham Jeremy Mannings Michael Bnmble Richard Urbanski Roger Owen s Terry Chinn Judith Ree s LTERATUR E Androulla Cleovoulo u Carys Lloyd Roberts CHILDREN'S LITERATUR E Elaine Coope r Xiang-Sebastian Catherine Fisher Sean Curley See-Schierenberg Eleri Elis Jones Peter Edward s David Gareth Small Margaret Jone s Martina Galvin Jeremy Huw Williams Eleri Llywelyn Morris Mark Lee Griffiths 112/113 ARTS COUNCIL SPENDING BY REGION IN ENGLAND 1992/93 The graph shoes rlrc ti,i.d shrn1l1~11' Itflr each region per head of popul .w0 ii l.ac h column is divided into three arras %+hic h show how the funding can be analyse d into three main elements . First, direct 6 Iunding which is awarded by the Arts ('ouncil tier activities which take place 4. 5 within specific regions . Second, the mai n grants made to the Regional Art's Boards 4 dtlrlnlg the year. Third, grants awarded b y the Arts Council such as publishing and ass research grants, which cannot be attributed to one or more specific regions 3 and which are regarded as benefiting all rc,giolas cyually . 2 . 5 The graph also shows the amount allocated to the national companies per 2 head of population in England, Thi s Is e\pCndi1ure not included in the per 1 3 capita analysis . I in v D ~ ~ O 4 ' P x 1 s z z m ~ m 1 z DN n ry- ui y y m Z N N C m 9 to O m The table shows the spending of the Art s Region 1991/92 1992/9 3 Council throughout England in the for m Total Grants L Per L Per i000s Capita capita of grants tai regular clients and short term 1 L .tstcr n 7,237 1A1 .1 1 .26 projects within each elf the ten areas 2 Las( Midlands 7,083 1 .SH 2 .1 2 covered by the Regional Arts Boards . Th e 3 Londo n 27,929 3 .44 4 .1 1 total value of grants, awarded during; th e 4 Ni)rtlicrn 8,809 2 .45 2 .86 scar was L 174 .2 m . 5 Nonh West 15,507 2 .02 2 .40 Of this total the stun ofL•62 .6m (36'x, ) 8 Souther 1 9,349 1 .76 2 .06 ~cas a~rardcd to the foliowin,g companies : 7 South Fas t 4,583 0 .96 1 .14 8 small Wcst 9,021 1 .90 2 .3 7 The Royal Shakespeare Company, Roya l 9 Wcsi Midland s 9,750 J .75 1 .86 Opera House, English National Opera , 101-orkstnrc & Humbcrsidc 12,422 2 .44 2 .51 Royal National Theatre and the Sout h Bank Board . 111,694,1161 133 2 .00 The regional total of L'1 11 .7m include s National Companies 62,5~0,617 1 30 1 .21 the sun] elf L'43 .5m which was offere d Total 174,24S .47ti ; 63 3 .21 directly to the Regional Arts Boards i n 1991 /92 and _C62 .41n on client spending by the (;onnuil . ARTS COUNCIL COLLECTIO N The Arts Council Collection is the largest PURCHASES national loan collection of post-war October 1992 - March 199 3 British art. It has no permanent gallery but is widely seen in exhibitions and on Martin Constabl e Untitled 1992 longer term loan to museums and Christine Hatt Outside inside 199 1 buildings to which the public has access . There, not there 1991 The Collection is run by the South Bank Jacqui Poncelet Untitled 1992 Centre on the Arts Council's behalf and i s Joao Penalva Huckleberry 1992 based at the Hayward Gallery and the Peter Joseph Bright Orange with Green 1988 Royal Festival Hall in London . Amikam Toren Of the Time 1992 Angela Bulloch Pink Chance Corner 199 0 The exhibition Moving into View Susanna Hero n Shima; Island and Garde n comprising a changing selection of som e Derek Jarman Morphine 1992 50 works form the Collection (opene d Tim Allen In the future 199 1 January 1993) marked the initiation of a Nicholas May Guardians of Acheron 199 3 new programme for the embellishment o f Keith Coventry White Suprematist Painting 199 3 the South Bank complex, with works o f Susan Derges The Observer and the Observed 1992 contemporary art, craft and design . The successful new series of Spotlights 1 CORNELIA PARKER FLEETING MONUMENT highlighting individual paintings an d Z RICHARD DEACON KISS AND TELL sculptures from the Collection by Tony Cragg, Richard Deacon, David Hockney, Anish Kapoor, Ben Nicholson and Kathy Prendergast, has provided scope for close collaboration with a number of regional venues. Purchasing committee September 199 0 to February 1992 : Isobel Johnstone (curator), Barry Barker / Caroline Collier, Noelle Goldman, Mel Gooding, Susan Hiller. Purchasing committee October 1992 to March 1994 Isobel Johnstone (curator) , Marjorie Allthorpe-Guyton/Colin Grigg , Greg Hilty, Shirazeh Houshiary, Vongphrachanh Phaophanit, Adrian Searle. 114/115 This annual report is available in large print. If you require the report in additional formats such as audiotape, braille or computer disc , please contact Susan Simpson, Publi c Relations Manager, at the Arts Council o f Great Britain . Tel . 071- 973 6513 The Arts Council is committed to bein g open and accessible . If you have an y suggestions on how- to improve ou r service or want to make a complaint , please write to our Director of External Relations, Arts Council of Great Britain , 14Great Peter Street, London SW 1 P 3NQ